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Stories of Passion and Pinot: Tony Rynders of Tendril Cellars
Wine and passion are indelible. Yes, wine is a business for the most parts, but making a bottle of wine which someone else is desiring to drink is a labor of love, and every such bottle has a bit of the winemaker’s soul invested in it (feel free to call me melodramatic). Thus I’m always happy to talk to the winemakers, trying to understand what moves them, what drives them to do what they do. A lot of my conversations are virtual, and you can find most of them on this blog.
Many of interviews are truly random in terms of profiling the wineries and winemakers. However, about 2 years ago, with a prompt and help of Carl Giavanti, I started a series of posts called Stories of Passion and Pinot, which are dedicated (so far, at least) to the winemakers in Oregon, producing Pinot Noir wines. Winemakers are always passionate about what they do and the grapes they use – but it seems to me that Pinot Noir, being a difficult grape it is, really asking for a special dedication to allow itself to be tamed – hence the name for the series.
My latest addition to the series is a conversation with Tony Rynders, the proprietor and winemaker at the Tendril Wine Cellars, a young winery in Willamette Valley in Oregon (the winery officially started 10 years ago, in 2008). While the winery is young, Tony is an accomplished winemaker, who started making wine back in 1989, honed his craft at the wineries around the world, including 10 years as a head winemaker at Domaine Serene, one of the best-known wineries in Oregon.
When Tendril Cellars started, it owned no vineyards, which essentially gave Tony a flexibility to bring the best fruit from the Oregon vineyards he was already familiar with. To my surprise, Tendril Cellars only offers one single-vineyard bottling in their line of 5 different Pinot Noir wines – but you will find an explanation below. In 2013, Tendril Cellars planted a 19 acres Maverick vineyard in Yamhill-Carlton district with Pinot Noir and Chardonnay – the vineyard already producing the fruit which is going into the Tendril Cellar’s second line of wines, Child’s Play (a creative name for the wine, don’t you think?).
Tony calls his approach to winemaking “low and slow” – letting the nature to do its work. He is also aging all of his Pinot Noir wines for 16-17 months, which I find particularly appealing. And then, how many winemakers do you know who run organized tastings for their customers? That is what Tony does, presenting his wines as a “5-course meal” and explaining the concept of terroir to the wine consumers (after tasting Tendril wines, Tony’s approach to the tasting makes perfect sense to me – but we will discuss it in the next post).
After learning a bit about Tony and Tendril Cellars, I decided that the time came to sit down (yes, virtually) with Tony and ask him a few questions. Here is what transpired.
[TaV]: You started making wine for others in 1989. Was there something which prompted you to start making your own wines in 2010, a pivotal moment, or you simply decided that it is time to make wines “my way”?
[TR]: I have had several opportunities making wine since I began in 1989. Each one has contributed in some way to influence my approach to making wine. I can tell you that I am a much different winemaker today than I was when I started. I think it is critical that we continue to evolve and adapt as the climate, consumers, and wine preferences change.
In fact, I started my own brand, Tendril, in 2008. I was just coming off a 10-year stint as head winemaker at Domaine Serene. It was a highly formative period in my career as there was a massive shift toward new, estate vineyards during my tenure. The creative “heavy lifting” took place largely during my watch. I accomplished everything I set out to and more. It was time for my next big challenge…creating a portfolio of wines for my own brands from scratch. And tell a story about Pinot Noir in a way that it had not yet been told.
[TaV]: You worked at the wineries around the world. Are there any winemakers you would consider your mentors, either directly or indirectly?
[TR]: There is one fact in winemaking that I completely embrace: There is no way to learn it all…I will never stop learning, growing and evolving. Every winemaker I have worked with has mentored me, including but not limited to, Rollin Soles, Ken Wright, Co Dinn, Jean-Francois Pellet and David Forsyth.
[TaV]: Can you explain your “low and slow” approach to the winemaking?
[TR]: Just like the “slow food” movement, I use top quality ingredients (grapes) from attentive, engaged farmers (vineyards) with whom I have a very close relationship. I have hand chosen each of our vineyards myself and each brings a distinctive flavor profile (like spices) in order to make our signature “five-course meal” of Pinot Noir.
For all the Tendril wines, I over-vintage the wines in barrel (at least 16 months) and then bottle age 12 months or more prior to release. The wines are then at the front end of their drinkability curve, with the potential for a decade enjoyment ahead of them.
[TaV]: I find it interesting that in your range of Pinot Noir you have only one vineyard-designated bottling – I always think that designated vineyards and even specific plots are better identify with quality of the grapes and the resulting wines – obviously you don’t see it like that?
[TR]: While I love to make single vineyard wines, I find that not every site is able to produce balanced, compelling and complete wines every year. And that, simply put, is my goal as a winemaker. So this is how the unique story and line-up of wines for Tendril was born. When I started Tendril, I knew that I wanted to do something different with my portfolio of wines. And it took 6 years to complete the lineup (Extrovert 2008, TightRope 2009, Single Vineyard (Guadalupe) 2011, C-Note 2011, Pretender 2013).
The common model that exists for Pinot Noir is the single vineyard model. Wineries make 5-15 (or more) single vineyard wines in a given vintage. The problem is that not all of the sites deliver on their promise of distinctiveness every year. The true test is a horizontal tasting in which all of the wines are evaluated blind. In a given year, some wines are great, some under deliver and some taste quite similar in a given line-up. This is not consistent with my goal.
So, I created my own, unique model for Pinot Noir. Each of my wines is distinctive and complete. Collectively, they show a progression of flavors that mirrors the progression of dishes in a five-course meal. My wines gain in intensity, darker fruit character and structure as the “courses” progress. And each of the wines must re-qualify for their place in the lineup each and every year.
I believe single vineyard wines should be special. Since all wineries charge more money for them, I think they should be worth it. So we typically do just one offering per year that is, simply put, the “wine of the cellar” from just one site. As I had anticipated, it has proven to be rotational (4 vineyards in 7 vintages). It is like a Christmas present in that you don’t know what it is until you open it.
[TaV]: Your C-Note Pinot Noir is designated as “whole cluster fermented” – is that a substantial differentiator to make it the “top of the line” wine, or is there something else behind it?
[TR]: Of the Pinot Noir line-up, the C-Note is the most stylized wine yet at the same time requires the greatest amount of restraint. Whole cluster fermentation of Pinot Noir is a technique that I have only attempted since 2011. The was the first year I made a wine using 100% whole cluster…and it was so successful that it became our first C-Note bottling.
For C-Note, we use 100% Pinot Noir, 100% Whole Cluster fermentation, and age in 100% new French Oak barrels (air dried 3 + years). The restraint comes into play in order to reign in the “whole clustery-ness” and tame the oak impact to mimic a wine with half the new oak exposure. We are extremely gentle with our cap management to control the whole cluster notes and we select the most subtle, elegant barrels coupled with long aging to integrate the oak flavors. C-Note is all about complexity, texture and mind-blowing length. I love making wines that surprise and beguile.
[TaV]: You are one of the very few winemakers who conduct organized tastings. Can you explain what you are trying to showcase with your 5-course Pinot Noir approach?
[TR]: Yes, I believe the best way to showcase these wines and share this unique experience is to do seated tastings. Like a five-course meal, our tasting take time (typically an hour and a half or more). But people leave here feeling that that have experienced something truly special…and that is pretty rare. They are shocked that they enjoyed each and every wine they tasted.
I began working in restaurants at a young age. I cooked for several years and really enjoyed it. A few years after I started making wines, I realized that I was using the exact same skill set to make wine that I used to cook. I am truly a “wine cook” and make wine with that sensibility.
I wanted to showcase a diverse range of flavor profiles that can be accomplished on an annual basis with Pinot Noir in the Willamette Valley. Each offering is distinctive, unique and impeccably balanced. Collectively, they showcase perhaps the greatest range of flavors and textures of Pinot Noir under one brand.
[TaV]: To follow on the previous question, how receptive are your customers (typically) to what you are presenting in the tasting? Do they get your point? Do you offer people to taste the wines blind and to try to identify what they are tasting?
[TR]: The beautiful thing about the “five-course meal” context of our tasting is that EVERYBODY can relate to that experience. People completely get it and they really get into it. The wines show a progression of flavors just like a multi-course meal. They also increase in intensity much like turning up the volume on a radio.
At this stage, the tastings are not blind and are tasted one at a time. And I don’t have the ability to pair food at this time. But we have done the “five-course meal” here at the winery a few times. It was a huge success.
[TaV]: Maybe an odd-ball question here – wine is an adult beverage, and nevertheless, you called your line of wines “Child’s Play” (I personally like it very much, especially the labels). Do you think wine consumers might find this controversial? Did anyone ever comment on this wine name?
[TR]: I am a huge fan of the “double entendre”. Here it is actually triple. 1) My kids playing…my two daughters paintings are the original artwork for all the labels 2) We winemakers are big kids and we get to “play” with offering unique wines (the Pinot Chardonnay is the only still version of Chardonnay and white Pinot Noir in the country…to my knowledge), Zinfandel from WA (a unicorn wine), and a stylistically different Rose of Pinot Noir. The Pinot Noir is just damn good. 3) Child’s Play implies it’s easy…so easy a kid could do it. We are taking the pretension out of wine with the packaging and the wines inside. Great value for money…as it should be.
My customers love it. The only objection came from the Feds…and a simple paragraph explaining point 3) above got us our label approval.
[TaV]: This one is more of the pet peeve question for me. Your Tendril wines are enclosed with the corks (makes me very happy to see it). The Child’s Play line uses screwtops, so obviously the screwtop idea is not foreign to you. I know that some winemakers in Oregon swear by alternative closures (like Don Hagge at Vidon with the glass stopper), but I personally think that the wine needs a cork to age properly. What is your take on this subject?
[TR]: While I like the idea of cork, the execution of the closure has haunted me for my entire career. Corks are highly variable in both their flavor impact on the wines as well as the oxygen permeability. Each one is unique and has an unintended impact on my wine. I believe natural corks are a huge problem and as such, I no longer use them. But I do gladly use a cork product in my Tendril wines (looks like a duck and quacks like a duck) that provides consistency of density and very low aromatic impact. I would be happy to talk to you about this topic some time. I have researched it for years.
Screw caps are new to me, but I love them in the Child’s Play line to further differentiate the brand from Tendril. I think the MSRP $30 price point avoids any potential push back on the choice of closure.
[TaV]: Sparkling wines are so popular nowadays, almost everyone is making them, and often with very good results. Considering your experience at Argyle, should we expect to see Tendril sparkling wine at some point in the future?
[TR]: Maybe…but I will wait until we have a great sparkling wine vintage (cool and slow ripening) to make that decision. If you asked my wife (who is a sparkling junkie), the answer would be yes.
I would only do it if it could have the potential to be a truly special offering.
[TaV]: What is in the store for your new Maverick vineyard? How are you planning to farm it – sustainable, organic, biodynamic? Out of 19 acres, you have 10.5 allocated for Chardonnay and Pinot Noir – what about the rest? Any plans to expand beyond Pinot Noir and Chardonnay – let’s say, Pinot Gris, Riesling, etc?
[TR]: At this time, Maverick is LIVE. We plan to move towards organic over the next few years. It is an incredibly well behaved site that is already producing strong personality wines. I view this as a highly desirable trait for a young vineyard. The Chardonnay for the Pinot Chardonnay (70% of the blend) is all Maverick. This is the first bottled wine coming from Maverick.
No plans for other varietals at this time. But the clonal mix for the Pinot Noir (943, Swan, Calera and Mt. Eden) is pretty unusual.
[TaV]: Oregon is clearly a leader in Pinot Noir, considered by many as simply the best in the world, and it is also getting to the same level of recognition with the Chardonnays. What is ahead for the Oregon wine industry? Is the future bright and sunny, or do you see any clouds on the horizon?
[TR]: To me, the only constant is change. By that I mean that to continue to succeed as an industry, we need to be engaged (both locally and on a world stage), we need to be adaptive (as our climate continues to change, we are in for more and different challenges), and we need to be more concerned about the sustainability of our environment (both locally and throughout the world).
I believe we will have sun and clouds…and perhaps some rain. Just the weather we always have in Oregon 😉
[TaV]: When you are not drinking Tendril wines, what are your favorites from the other producers and/or regions?
[TR]: Lately I have been enjoying Graham-Beck sparkling wine from South Africa.
Or give me a good single malt Scotch…
Here we are, my friends. I’m sure you are thirsty at this point, but we will talk about Tendril Cellars wines in the next post.
To be continued…
Discover Wines Of Loire Valley
What do you think of the wines from the Loire Valley? Why, you say you are not sure? Come on, give yourself a credit – there is a good chance you had Loire Valley wines, but maybe you simply didn’t associate those wines with the Loire Valley? Let me help you – Sancerre, Pouilly-Fumé (not to be confused with Pouilly-Fuissé), Muscadet, Vouvray, Touraine, Anjou, Saumur, Chinon – had any of the wines with these words on the label? Ah, of course, you are saying? Then now you know – those are all the wines from the Loire Valley in France.

Loire Valley appellations map. Source: http://www.loirevalleywinetour.com/
The Loire Valley is not the most famous winemaking region in France, but it deserves the utmost respect. Here are some facts for you. Number one region in France for production of the white wines. The largest producer of the sparkling wines in France outside of Champagne. Number two producer of Rosè wines in France after Provence. The largest in France vineyard declared UNESCO World Heritage site. 79 sub-appellations and denominations and more than 2,000 years of winemaking history. These numbers speak for themselves. And to round up the stats – five grapes (Sauvignon Blanc, Chenin Blanc, Melon de Bourgeois, Cabernet Franc and Pinot Noir) comprise most of the Loire wines, but a total of 24 grapes are used there.
A few weeks ago, I was happy to attend the “Spring To Loire” trade tasting in New York City, alongside the inimitable, one and only JvB Uncorked – we definitely had lots of fun tasting through the Loire wines together. It was also literally the first tasting this year which I managed to attend, so “happy” is the right word. Besides, I love Loire wines, with Chinon and Saumur been personal pet peeves, as producers of delicious Cabernet Franc.
The tasting was unquestionably interesting. First, it had a couple of curious moments. There was a seminar which offered an excellent introduction to the region, tasting all major styles and varieties. Two of the reds in the tasting were rather green and aggressive. At the end of the tasting, I asked a lady sitting next to me how did she liked the wines, and she told me that she didn’t like the red wines individually, but she mixed them (!?!?) and they became more palatable – truly a wow moment in the professional tasting. And then it was another lady who (accidentally or not) dumped what seemed like a whole bottle of perfume on herself – trying to smell nuances of the wine standing next to her was beyond mission impossible. Some memorable moments…
Okay, let’s talk about the wines. I have a few favorites which I will be happy to mention, but first, let me give you my broad stroke impressions.
- Sancerre had a much lesser amount of fresh cut grass than I was expecting. Okay, I’m not an expert on Sancerre evolution, as I rarely drink them. However, based on what I remember from my education and some of the previous experiences, classic Sancerre is supposed to have pronounced grass and cat pee notes – didn’t find much of the Sancerre like that. Touraine Sauvignons, on another hand, were delicious across the board with an abundance of the freshly cut grass.
- Many of the Muscadet-Sèvre-et-Maine wines were lacking the characteristic acidity. When going for Muscadet, I’m expecting acidity which will plucker my mouth and make the cheeks to go meet each other. Many Muscadet in the tasting were nice white wines, but they were lacking their prized quality.
- The Chenin Blanc was a star. We had a number of delicious Vouvray and not only wines, which offered bright acidity, sometimes a touch of sweetness, a round mouthfeel – all which you would expect from a nicely done old world Chenin.
- Many of the Chinon and Saumur Reds were too tannic. This was a total surprise – the wines were fermented and aged in stainless steel tanks, nevertheless, the mouth was drying up almost as much as if you would be tasting the young Barolo. I was told that the whole cluster fermentation and aging was a culprit, but this was not a pleasant surprise. I really expect much more elegant and approachable wines to come from those regions. Nevertheless, we managed to find a few of the superb reds.
Done with my general impressions – here are some limited notes on my favorite wines.
Sparkling:
Crémant de Loire:
NV Maurice Bonnamy Crémant de Loire Brut (SRP: $16.99, 65% Chenin Blanc, 20% Chardonnay, 15% Cabernet Franc) – nice, refreshing, yeasty
NV Maurice Bonnamy Crémant de Loire Rosé (SRP: $16.99, 100% Cabernet Franc) – toasted bread and strawberries, nice, refreshing, great mouthfeel
NV Ackerman Crémant de Loire Brut (70% Sauvignon Blanc, Chardonnay and Cabernet Franc for the rest) – this wine was presented in the seminar, so I had a bit more time to spend with it – great nose, toasted bread, fresh, a touch on a sweeter side but still very nice
White:
Melon de Bourgogne:
2017 Sauvion Muscadet-Sèvre-et-Maine AOC (SRP $13.99) – crisp, fresh, great acidity
2014 Château de la Cormerais Monnieres-Saint Fiacre Muscadet Sèvre et Maine (SRP $19.99) – outstanding. fresh, clean
2012 Domaine de Colombier-Mouzillon-Tillières Muscadet Sèvre et Maine (SRP $19.99) – great complexity
Sauvignon Blanc:
2016 Domaine Pascal Jolivet Les Caillottes Sancerre AOC (SRP: $38) – steely acidity, crisp, a touch of grass.
2015 Domaine Pascal Jolivet Sauvage Sancerre AOC (SRP: $73) – this wine was just ok. The only reason to include it – this was probably the most expensive wine in the tasting, and it really didn’t deliver.
2016 Domaine Michel Vatan Calcaire Sancerre AOC – presented at the seminar – on the nose, minerality, lemon, distant touch of the grass, crisp, fresh. Excellent acidity on the palate, very nice overall.
2017 Raphael Midoir De Silex et Tuffeau Touraine AOC (SRP $14.99) – outstanding. Classic nose, delicious.
2016 Pierre Prieuré & Fils Domaine de Saint-Pierre Sancerre AOC (SRP $19.99) – excellent, fresh
2016 Raphael Midoir La Plaine des Cailloux Touraine-Oisly AOC (SRP $19.99) – outstanding, great complexity.
Chenin Blanc:
2016 Château de la Mulonnière M De Mulonnière Anjou – presented at the seminar – delicious. White stone fruit, peaches on the nose. A touch of sweetness and perfect balance on the palate. Outstanding.
2017 La Croix des Loges Anjou White AOC (SRP $14.99) – outstanding. Clean, fresh, touch of sweetness.
2014 La Croix des Loges Trois Failles Anjou AOC (SRP $22.99) – outstanding, gunflint on the nose, clean, balanced palate.
1977 La Croix des Loges Bonnezeaux AOC – yes, 1977, this is not a typo – this was an off the list, off the charts treat – a Chenin Blanc dessert wine, still elegant and complex.
Other:
2017 Domaine du Colombier Vla de Loire IGP ($14.99, 100% Sauvignon Gris) – excellent, fresh, complex.
Reds:
Cabernet Franc:
2015 Domaines des Varinelles Saumur-Champigny AOC (SRP: $20) – amazing similarity with Lodi wines on the palate – soft, aromatic, touch of cinnamon, ripe blueberries and raspberries, hint of blueberry compote. The similarity with Lodi is mind-boggling. Let’s not forget that this is Cabernet Franc wine, so there must be something there which can explain it. Need to dig deeper into this, I’m really curious.
2015 Domaines des Varinelles Laurintale Saumur-Champigny AOC (SRP: $24) – muted nose, and practically identical on the palate to the previous wine from the same domain. I will look into it… But two superb wines by all means – the wine are coming from the old world, but clearly, are screaming “new world”.
2017 Domaine du Raifault Chinon AOC (SRP: $17.95) – wow! Cassis on the nose, cassis on the palate – spectacular. This was my best of tasting red wine. This wine is not available in the US yes (we tasted one of only two bottles brought in for tasting) – in the process of being imported. Once it arrives, do yourself a favor – go find it and buy a case, or two. You can thank me later.
2016 Sauvion Chinon AOC (SRP: $17.99) – interesting dense nose, great palate, sandalwood, smoke, fresh, present. Tannins are still aggressive, but not as much as others.
Pinot Noir:
2014 Xavier Flouret Domaine de Chatenoy Menetou-Salon AOC (SRP: $20.95) – great Pinot Noir – excellent fresh nose, great balance of dark fruit on the palate, outstanding. 15 generations of vignerons know what they are doing. Definitely one of the highlights of the tasting.
2015 Domaine Gérard Millet Sancerre Red (SRP: $25) – fresh, crisp, herbs, spices, light.
Blends:
2014 Domaine de la Chaise Touraine-Chenonceaux AOC ($22, 70% Cabernet Franc, 30% Côt) – fresh, delicious, cassis and tobacco, excellent balance
The Spring is finally here (or at least it seems so in New York), so go on, find some Loire wines to explore on your own. Cheers!
Flavor, Next Level – Beyond Salt And Pepper
I love cooking. Cooking allows you to be creative, and you are only limited by your own imagination in what will show up on the table in the end. That and maybe some skill – but skill, of course, can be learned and mastered.
While creativity, imagination, and skill are important, one quality will separate success and failure in the final dish – flavor. Of course, the situation is not that dramatic in real life – this is what “not too bad” and “interesting” descriptors are for, but the flavor rules. This for sure is true in the home cooking. If dish on the table looks great – excellent, definitely a bonus. The texture typically is important too – if the rice more resembles mashed potatoes, that is not really cool. But flavor rules – once we take the first bite, the presentation becomes secondary and the flavor is what we are looking for to either jump of joy and pleasure or make face and say “ouch” (don’t strangle that inner kid in you, let the reaction come out).
One of my favorite shows on the TV is “Beat Bobby Flay” on the Food Network. Bobby Flay, who is an Iron Chef and a well-known restaurateur, is challenged by some other, also well established and well-regarded chefs, to cook the dish of their choice, their own “signature dish”. The panel of three judges decides on who made a better dish in a blind taste test. Quite often, Bobby Flay wins even when he has to cook the dish he only tried once in his life and never cooked before – and sometimes even those which he never tried. What makes him the winner? When you listen to the judges explaining their decision, there is one most important word which you hear over and over again – flavor. The dish might not look anything like the classic version, and sometimes even not taste anything like the classic version, and nevertheless, the Flavor is the word you hear the most often, explaining the vote of A versus B.
If you see home cooking as a chore, this is probably not the post you want to continue reading. If, however, you are after the pleasure of both cooking and then eating the tasty food, let’s talk more about flavor. As a home cook, you have an arsenal of tools available to you to achieve the flavor – you start simply with herbs and spices, and then enlist the help of various techniques and methods – marinating, basting, slow cooking, pressure cooking and on, and on, and on. I personally like cooking with open fire, and thus grilling is definitely one of my preferred methods, especially when the weather is cooperating.
One of the things I like using to enhance the flavor of the food on the grill is a cedar plank. I would typically make salmon on the cedar plank so the salmon would have that delicious sweet smokey flavor. There is only one problem with this – I typically forget to pre-soak the plank at least for an hour – and unless the wood is soaked, it will burn in no time on its encounter with open flames.
It appears, that my problem (don’t tell me it is only my problem, and looking on a gorgeous piece of salmon you never had to hit yourself on a forehead saying “why I didn’t prepare the plank before”) had been solved! Here comes Beyond Salt and Pepper – a company which was founded (I’m very happy to give you full disclosure here) by my close friend Henry. We always shared our love for cooking with Henry, but Beyond Salt and Pepper takes that passion to the next level.
Pre-soaking of the plank is required before using it for cooking. I’m sure that when you think about soaking of the wood, you think water. But why only water? Wine is a liquid too, and wine is used in cooking, so maybe…? That’s right – we can use the wine, but not only the wine, also beer, rum, bourbon and any other type of alcohol – each one bringing its own unique flavor profile to the table – your table.
I visited my friend – and essentially, the headquarters of Beyond Salt and Pepper, located in the garage, as any self-respecting startup should – and we had a blast (a feast would be a better word).
First, I saw the process – the pre-cut planks of cedar – but not only cedar, Henry uses white oak too and says that imparts particularly nice flavor on the steaks – are soaked in the liquid of choice for days. Then the planks are getting into the machine where they are vacuum-sealed. Put on the label, pack, and voilà, ready for shipping.
And then there was cooking, lots of cooking. If you are still thinking planks are only for salmon, forget this notion as soon as possible. Unleash your imagination – you can make anything you want on the planks – and you can see the proof here in the pictures.
When cooking with the planks, there is a bit of technique which goes into the process – all explained in the recipes available on the Beyond Salt and Pepper web site. In most of the cases, you need to pre-heat the plank by putting in on a hot grill for 1 – 2 minutes on each side. And then you slightly pre-cook the food – for instance, sear steak on one side, and then flip it over on the plank and let it continue cooking as usual – that’s about all the special technique you need.
We had asparagus, artichokes and snap peas cooked on the Chardonnay-soaked planks – we couldn’t keep the snap peas on the table, everyone loved them. How about some little red wine infused smoke on the mushrooms and potatoes? Salmon and tiger shrimp on the Bourbon soaked planks? Yes, please! Chicken with some Merlot smoke on it – yum! Then the steak on the white oak and rum planks – superb. And then some cheese for dessert – but of course, made on the Chardonnay infused plank. Flavor, flavor, flavor – there are no limits to one’s creativity.
Here you are, my friends – a simple tool to add to your cooking tools arsenal, to get the flavor to the next level. If you are interested in trying these planks for yourself (and you should, seriously), you can get them directly from the website, or on Amazon (the website offers a bit wider selection). If you need some inspiration and cooking ideas, follow Beyond Salt and Pepper on Instagram. And by the way, while on the website, look for their selection of gourmet peanut butter… Mmmmm… Happy cooking!
Wine News and Updates From Around The World
I’m happy to live during the times when wine is getting more and more popular – at least if you look at the wineries popping up all over the place, everywhere in the world, new wines coming out from the places where grapes were never planted before, and winemakers everywhere experimenting with new grapes, new tools (when did ceramic egg became “the thing”, huh?), and new styles (bourbon barrel-aged wine, anyone)? There is a tremendous amount of information available to the wine lovers everywhere, so I wanted to bring to your attention some of the latest news and developments in the world of wine which I found the most interesting.
There seems to be quite a bit of research pointing to the health benefits of the moderate wine consumption. More often than not, the health benefit is attributed to the red wine, not so much to the white, Rosé or Champagne. And then we also heard a famous story about Marilyn Monroe taking a Champagne bath (it supposedly took 350 bottles to fill the bathtub). What’s the connection, you ask? Based on the research conducted at Dartmouth University, it appears that Marilyn Monroe was onto something – the Champagne, with its high acidity and tiny persistent bubbles, has a great refreshing effect on the skin, so the 30 minutes bath is highly beneficial and rival most of the known skin rejuvenation treatments in its efficiency. Moving from theory to the practice, Veuve Cliquot, the leading Champagne producer, teamed up with Elizabeth Arden, leading American cosmetics and skin care company, to start offering Champagne treatments at select Red Door spa locations. The price is set for $10,000 for the 30 minutes, and the first 6 months of the appointments were booked within first 30 minutes of the initial offering. First trials at the spa showed excellent results and produced many happy clients. The only challenge? Someone has to constantly watch over the clients and remind them to drink Champagne only from the glass in the hand instead of taking the “deep dives” with their mouth open. Otherwise, the offering had been extremely successful and Veuve Cliquot is even considering to start offering treatments using La Grand Dame, but the pricing had not been unveiled yet.
There are no limits to the winemaking innovations today – aging wines in ceramic eggs and old bourbon barrels, mixing wine and coffee, filtering wines with the beer hops – bare mention of any of these would make winemakers and wine lovers cringe merely 10 years ago – but it is the norm today. Taking winemaking innovation to the next level, BrewDog out of the UK, the legendary producer of the world’s strongest beer (Tactical Nuclear Penguin clocks whooping 32% ABV), teamed up with the Australian winemaking legend, Penfolds, to produce the world’s strongest wine. The wine, called Penge Royal, uses the production methods of the Tactical Nuclear Penguin and Penfold’s flagship wine, Penfolds Grange. After aging the wine for 3 years in the old Scotch barrels, it then spends 60 days at the -32°C, and at the end of that period, reaches 70% ABV, beating most of the Absinthe on the market. It seems that the wine nicely preserves the flavor profile of Grange, but packs a substantial punch – as you would expect. The wine initially will only be available at the select markets in Australia and the UK, with the prices set at $5,000 per bottle. There were only 10 cases of 375 ml bottles produced, and they were all sold out immediately upon the offering. Would love to taste the Penge Royal one day, but getting one would not be easy.
I’m sure you heard about the so-called AI – Artificial Intelligence, and the robots, which will replace humans in pretty much everything we, humans, do. Going beyond the robot bartenders turns out that winemaking is also not immune to the automation and robot’s onslaught. The research team at Oxford University was working for the past two years on creating a robot which will be able to inspect the vineyards and decide on the day of the harvest, make all the decisions at the winery (how long fermentation should take, what strain of yeast to use, how and for how long to age wine, and also how to blend the final product). The project ran into an unexpected issue of many (if not most) of the winemakers not willing to share their knowledge, or even deliberately providing wrong information (no, you can’t wait until -10°C to harvest the Cabernet Sauvignon). Also, first results of blending by the winemaking robot were rather disastrous, with the resulting wine been completely not drinkable, not deserving even to be called a “plonk”. Hopefully the situation will change for the better, and the scientist will be able to make some progress, but for now, we will have to continue trusting humans to have a drinkable wine on the table.
If you are a serious wine enthusiast, I’m sure you run into this dilemma an uncounted number of time – I’m going to the dinner, should I wear a perfume? The perfume would interfere with the smell of wine and get in the way of truly appreciating it, both for oneself and for the people around us, right? The designers at Chanel, a leading French fashion house, set out to help all of us, oenophiles, to solve this dilemma and let us feel good about ourselves while going to a party while not disrupting the sensual pleasures of wine. Chanel’s designers created a new line of perfume specifically for the wine lovers, called W by Coco. The 3 years of experiments and hard work which went into the creation of W by Coco resulted in the perfume which offers a refreshing scent of the perfectly balanced wine, helping you to greatly accentuate aromas of the wine you are about to taste. All the Bordeaux First Growth producers supported the research, and as the result, the W by Coco line includes five different fragrances, one for each of the first growth Chateaux – Château Latour, Château Lafite Rothschild, Château Margaux, Château Haut-Brion and Château Mouton Rothschild. The fragrances available exclusively at Chanel boutiques in Paris, New York, Singapore and Tokyo and will cost wine lovers $450 for 30 ml. Reportedly, Château d’Yquem, Petrus, and Screaming Eagle all lined up to be included into the second release of the W by Coco line, but the date for the second release had not been confirmed yet.
Capitalizing on the popularity of the wine, literally every self-respecting brand is involved in the wine business, whether it is private label wines, special releases or simply store-branded lines of products – I’m sure you all had Kirkland wines, Trader Joe’s wines, Wine Farmer line at Whole Foods and more – never mind wine retailers such as Total Wines who offers thousands of private label wines in their “Winery Direct” program. Yes, we all know that and are usually not surprised by those private label wines. However, Walmart, the largest in the world retailer of discounted goods, managed to surprise everyone (and I meant it), by unveiling their partnership with none less than Old Rip Van Winkle, the producer of the most thought-after bourbon in the world. It appears that two of the iconic American companies joined forces to offer whiskey aficionados two new bourbons – Old Rip Wal Winkle 10 years old and Wal Winkle Special Reserve. The pricing and availability will be announced later, but it is expected that both whiskeys will appear in Walmart stores in the USA only at the beginning of 2019. Walmart shoppers and whiskey lovers, rejoice!
That’s all I have for you, my friends. Cheers!
Daily Glass: The Beauty of Aged Wine
Many wine critics and professionals alike insist that majority of the wines should be drunk while young, and only a few, less than 5% of all the wines produced, can be successfully aged. Well, I can’t speak about the percentages here – I’m a wine consumer, not a wine statistician – but I do like the majority of my wines aged.
Why do people age the wines? There are many reasons. Collectors age wines because they might (and many definitely will, if you pick right) increase in price. Well, that is not the type of wine aging which is worth our attention here, so let’s leave it aside. Many people age wine because they have a special memory attached to those bottles – birth year, memory of the trip, given by a special friend, signed by the winemaker – the OTBN was invented specifically for those people (I’m one of “those people” too, never sure if the moment is already right, or if it can become “righter”). And then there are those who believe that the wine might will improve with age, and therefore, willing to put some bottles aside and wait for the right moment, which we often refer to as “wine at its peak”.
When we finally open that aged bottle of wine, we enjoy it more often than not. There are many reasons and many ways in which we enjoy that aged wine – some of those are purely related to the taste, which we expect to change for the better; some of those reasons are purely emotional. Drinking 50 your old wine at your 50th birthday is definitely a moving experience – the wine might not be perfect, but hey, it is as old you are, give it some respect! Drinking the wine brought from the trip to Italy 20 years ago is guaranteed to send you down the memory lane, letting you re-live those special moments and recreate its pleasure. The wine might not even taste that great (yeah, I knew I should’ve spent another $50), but who cares – those were the times! But the best of all is when, after the aging, we actually get to drink the wine which evolved and got to its peak.
Very often we praise the aged wine for how youthful it tastes (it is especially true of the wines under the screwtop, which pretty much don’t age at all while closed). Assuming the wine was tasty from the very beginning, this is great and deserves full respect, but this is not really what we want when we are tasting the aged wine. We are looking for the next level of taste, for the wine at its peak, for the wine which evolved. We want the wine to deliver a truly special tasting experience, we are looking for the whole bouquet instead of just individual aromas, we are looking for the interplay of complexity which young wine can rarely offer. We are looking for the wine which can possibly become a life-changing experience. We are looking for the wine which can be pondered at, which can stop the conversation and just let the wine lovers be.
A few days ago, a friend was coming over, and it was right before her birthday. Of course, when someone is coming to the house for a dinner, my worry is always to have the right wine for the occasion. So I asked my wife what year our friend was born, and when I heard “1986”, my immediate thought was – “hmmm, I think I have a bottle”. Memory served me right, and the desired bottle was retrieved.
So the bottle at hand was 1986 Chateau Cordeillan-Bages Pauillac AOC (12.5% ABV, $54.97). After inspecting the cork, I decided to try the regular corkscrew first, before getting out the two-prong opener. It actually worked fine, as you can see. Next was the sigh of relief after a quick sniff – no sign of any faults, and off the wine went into the decanter, both to avoid the sediment and to add to the aesthetics (the wine simply looks grander in the decanter, isn’t it?).
Once in the glass, the first sniff simply extorted the “OMG”. The complexity of the aromas was mind-boggling. Rutherford dust, smoke, roasted meat, cassis, minerality, baking spices, graphite, an incredible bouquet. The palate showed soft dark fruit, clean acidity, fresh, vibrant, graphite, well-integrated tannins, pencil shavings, all with the super-sexy, velvety texture. The 32 years old wine – incredible, and it was a conversation stopper. (Drinkability: 9+).
Trying to understand how and where I got this bottle, I figured that I have to thank PJWine, one of my favorite wine stores in New York, for that. The wine is produced at the Chateau Cordeillan-Bages, a tiny property of only 5 acres in Pauillac, planted with 80% of Cabernet Sauvignon and 20% of Merlot. The property is owned by the Cazes family of the Chateau Lynch-Bages fame (5th growth in the 1855 classification), and it also hosts a 2 Michelin star restaurant and a Relais & Chateaux hotel. The Chateau Coreillan-Bages wine is typically only offered at the restaurant, but the Cazes family decided to make a library release to the public, and PJWine buyers were at the right time in the right place – the rest was a history.
Here you are, my friends – a beautiful wine and a special experience. Do you have the aged wine stories of your own? Share them below. Cheers!

































