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Stories and Passion and Pinot: Shane Moore of Gran Moraine
“Gran Moraine prides itself on producing experiential art in the form of Chardonnay, Pinot Noir and sparkling wines made to express the exquisite terroir of our Yamhill-Carlton Estate Vineyards.”
Experiential Art.
Not a bad way to introduce the winery, what do you think? Wine is art, all wine lovers can sign under such a statement, so “experiential art” sounds very near and dear to any wine lover’s heart.
Gran Moraine vineyard was planted in 2004 by Premier Pacific Vineyards in the Yamhill-Carlton district of Willamette Valley in Oregon, with 200 acres of hillside vines of Pinot Noir and Chardonnay. The vineyard took its name from moraines, glacial sediment left after the glacier movements in the last ice age. In 2013, the Gran Moraine Vineyard was acquired by Jackson Family and it is one of the 4 major properties owned by the Jackson Family in Oregon Willamette Valley.
I visited Gran Moraine last August and had an opportunity to taste a number of the wines and have a quick chat with the winemaker, Shane Moore. Then I followed up with the usual, virtual “conversation” and here is what transpired:
[TaV]: Was there a pivotal wine in your life?
{SM]: I’ve had plenty of wines that have possibly changed my life’s trajectory. However, I feel like the most pivotal wines in my existence have been those that seem to stop time. These wines provide my most fond wine moments and provide me with the most inspiration.
[TaV]: Is there a winemaker you would call your mentor? Someone you learned the most from as a winemaker?
[SM]: I think if I gave any specific shoutouts I’d be doing a disservice to so many of the amazingly talented and thoughtful winemakers I have had the pleasure to have worked with. Over my time I worked with and under at least 40 winemakers – I for sure learned a great deal from all of them. Another great group I both learned a lot and derived much inspiration from are the seasonal cellar workers we hire each year. With that I’m proud to say many have went on to become winemakers themselves.
[TaV]: Pinot Noir and Chardonnay wines are all about blocks and clones. How many clones of Pinot Noir and how many clones of Chardonnay do you grow? How many individual blocks do you identify for the Pinot Noir and Chardonnay?
[SM]: At the Gran Moraine Vineyard, there are 6 different clones of Pinot Noir and only 2 of Chardonnay. Every block is harvested and vinified separately. At any given time, there are around 100-120 different lots of wines. There are approximately 80 blocks – I don’t bring them all in – it’s too big of a vineyard for that – I bring in what I think of as around the top 30% of the acres.
[TaV]: Following up on the previous question – what is your approach to the blending of the final wines, both Pinot Noir and Chardonnay? Do you ever produce single block or single clone wines, and if you don’t do it now, do you have a plan to start producing such wines in the future?
[SM]: Blending final wines starts with having an abstract notion of the experience which you would like to have said “wine endue.” Then you purposely work within the parameters of the vineyard, the growing season and your production capabilities to craft something with that end goal in mind.
We will sometimes produce single clone or block wines when the wine is so profound that it would be a disservice to humanity to blend it away.
[TaV]: You already produce a few of the sparkling wines. What is your approach to harvesting the grapes for those wines – do you have specific plots which you designate for sparkling wines, or do you take an early pass through the vineyard prior to general harvest to get the grapes for the sparkling wine production?
[SM]: You know when you eat something so acidic that it makes your ears ring? I like to pick the fruit for sparkling wine when it’s just a little riper than that. We use specific blocks for the sparkling wine that are purposely farmed. Generally, these blocks are some of the most marginal sites on the vineyard; for example, north facing and heavier soils.
[TaV]: How much focus the sparkling wines program gets at Gran Moraine? Do you expect to produce more sparkling wines in the future, or you expect to stay at the level where you are at?
[SM]: Sparkling wine is currently about 15% of our production. I can see it growing some, it seems to be very popular.
[TaV]: Gran Moraine is a ~200 acres vineyard. If I understand it correctly, it is all planted with Pinot Noir and Chardonnay. Do you plan to plant any other grapes – Pinot Gris, for example, or will it stay strictly as it is right now?
[SM]: The suitable acres on the piece of land are pretty much planted out. I don’t think we’ll be grafting any of the Chardonnay or Pinot Noir over to anything else anytime soon.
[TaV]: When you make Gran Moraine Chardonnay, is there a specific style you are trying to achieve?
[SM]: I want the Chardonnay to have umami, electricity and tension. Of course, I also want it to be delicious.
[TaV]: Same question for the Gran Moraine Pinot Noir?
[SM]: With the Pinot I try to focus on it being beautiful and sleek creating power and complexity daftly by DJing with great music and surrounding it with happy people.
[TaV]: What are your favorite producers in Oregon? In the USA? In the world?
[SM]: Oregon: Adelsheim, Antica Terra, Antiquim Farm, Alexana, Belle Ponte, Brickhouse, Beaux Freres, Bethel Heights…..that’s just getting to the B’s! Too many really to mention – I’m always trading wine with people. I’m totally in love with Oregon wine.
USA: I’d have to go to CA and say some of my favorites there are Ridge, Drew, Papapietro Perry, Navarro, Hartford.
[TaV]: Is there a winemaker you would love to work with? A dream winemaker so to speak?
[SM]: Jean-Herve and Laurent Chiquet of Jacquesson. I hope they are listening. I’ve got ideas.
[TaV]: What’s ahead for Gran Moraine? Where do you see it in 10 years?
[SM]: We’ll probably be doing the same thing but hopefully with even more intention and weirder.
[TaV]: Is there a dream wine you always wanted to make? What would that be?
[SM]: A great New World Nebbiolo.
Here are the tasting notes for a few of the Gran Moraine wines I had an opportunity to taste during the visit:
Gran Moraine Brut Rosé Sparkling Wine Yamhill-Carlton (58% Pinot Noir, 41% Chardonnay, 6% Pinot Meunier)
Toasted notes on the nose
toasted bread, a touch of yeast, good acidity, crisp, clean
8, delicious
2018 Gran Moraine Chardonnay Yamhill-Carlton
A touch of honey notes, vanilla
Good acidity, good acidity, needs time
7+
2018 Gran Moraine Pinot Noir Estate
Brilliant fresh cherry notes, sage
Crisp, restrained, tart cherries and earthy notes, fresh tannins
7+
2017 Gran Moraine Upland Pinot Noir
Restrained nose, a touch of funk, cherries
Light palate, fresh, bright, cherries and cranberries
8-
Here you go, my friends. Another winery, another story of Passion and Pinot. Until the next time – cheers!
This post is a part of the Stories of Passion and Pinot series – click the link for more stories…
Passion and Pinot Updates: Le Cadeau Vineyard
Five years ago, I started a new project in this blog called Stories of Passion and Pinot. The goal of the project was to interview winemakers in Oregon, who passionately went on to grow Pinot Noir and make wines often in conditions that many others would find impossible and untenable. All the way until August of 2021 my interviews were all virtual – I would read about the winery, come with the questions, get the answers, and then publish those conversations in this blog (you can find them using the top menu).
This year I attended Wine Media Conference 2021 which conveniently took place in Eugene, Oregon. After the conference was over, we drove with Carl Giavanti to meet some of the winemakers face to face – and now I can offer you updates, mostly in pictures, lots of pictures, and tasting notes for the wines I had an opportunity to taste.
Le Cadeau Vineyard was our first stop after we left Eugene.
Where do I start? First of all, the views. Le Cadeau Vineyard is a stunning oasis, surrounded by tall pine trees (I already told you how much I love those), and offering amazing views. You be the judge:
Tom Mortimer slowly walked us through the vineyard, talking about clones and all the work he invested into creating this vineyard simply on top of the rock (you can find the details in the original interview). It turns out that there are 18 Pinot Noir clones used in wine production at Le Cadeau – while I was somewhat shocked to hear that number (sounds high), it was simply due to my ignorance – for example, Sanford winery in Sta. Rita Hills uses more than 50 clones. Considering that Sanford winery is about 25 years older than the Le Cadeau, it is all makes sense. Tom was particularly proud of some of the clones, such as the Calera clone which is based on the DRC, and some additional Vosne clones (not trying to impress with the words here – Vosne here stands for Vosne-Romanée, one of the most coveted Pinot Noir production areas in Burgundy; DRC stands for Domaine Romanée-Conti, probably the most famous Pinot Noir producer in the world; Calera is one of the legendary California Pinot Noir producers and pioneers from Central Coast).
The beginning of August of this year (2021) happened to be the veraison time – the onset of ripening of the grapes when the grapes start changing their color. This was my first time actually being in the vineyard during veraison, so I couldn’t stop taking pictures as I saw bunches with more and more color – here are more pictures:
We also saw Chardonnay grapes growing:
Remember, we are talking about passion here. The amount of labor of love and passion which this vineyard required to be established was simply incredible. Tom had to use a special machine to break through the basalt to help the vine roots to get established. There were a few rows where he decided not to use the machine, and those rows look particularly different from the rest of the vineyard. The rocks which you can see in these pictures give you a good idea of what he had to deal with while establishing the vineyard.
After we finished walking around we sat down to taste the wines with Tom and to continue the conversation about the winemaking. Tom is highly analytical, he uses a lot of different charts, such as Degree Day reports to estimate when he might need to start picking up the grapes based on the historical data and what is the potential weight of the grapes might be at the harvest. Harvest is usually done in multiple passes, depending on the year – in 2015 and 2018, for example, he had to pick grapes 5 times; in 2016 and 2020 there were three picks made.
We started our tasting with 2018 Chardonnay, which was outstanding:
2018 Le Cadeau Vineyard Chardonnay Willamette Valley (14.1% ABV, $45)
Beautiful nose of vanilla with a hint of butter
Vanilla, butter, Granny Smith apples on the palate, beautifully clean and balanced
8+
It is really amazing to see the level of finesse Oregon Chardonnay has developed over the years.
It appears that Tom also makes sparkling wines, and he loves it, as making sparkling wines nicely complements making still wines – you remove perfect grapes for the sparkling (high acid), and the other grapes can ripen better. The sparkling wine we tried, was again, in a word, outstanding:
2013 Le Cadeau Rosé Brut Oregon (13.1% ABV, $50, 4.5 years on the lees)
A touch of funk and toasted bread
Sapidity, yeast, toasted notes, clean acidity, delicious.
8+
Now we moved on to the Pinot Noir. Tom is working with the winemaking team to produce his wines, including the consultant from Burgundy. Le Cadeau makes some of the reserve wines, but those are only produced in the best years. We tasted through the 4 Pinot Noir wines which were all excellent in their own right.
2018 Le Cadeau Côte Est Pinot Noir Willamette Valley (13.9% ABV, $60)
Beautiful cherries on the nose
Cherries on the palate, clean, round, soft, a touch of earthiness, delicious.
8
2018 Le Cadeau Diversité Pinot Noir Chehalem Mountains AVA (14.1% ABV, $60)
Beautiful minerality, sweet cherries, a hint of cranberry
Tart cherries on the palate, pepper, clean, fresh, light
8+
2018 Le Cadeau Rocheux Chehalem Mountains AVA (13.5% ABV, $60)
Stunning nose, cranberries, cherries, violets, a hint of sage
Superb balance of power, fruit, acidity, structure – everything is in perfect harmony.
9-/8+
2017 Le Cadeau Merci Reserve Chehalem Mountains AVA (13.3% ABV, $80)
Incredible aromatics, floral, violets
Beautiful, round, clean, open
8+
It is interesting that when I tasted the 2017 Le Cadeau vintage for the interview post, Diversité was my favorite, and Rocheux was a close second. This time, Rosheux was my favorite Pinot Noir from the tasting.
That’s all I have for my update. I don’t drink much of Burgundy, so I can’t really offer any comparisons – but I don’t think comparisons are needed. Oregon Pinot Noir are unquestionably world-class wines in their own right. I remember reading in Wine Spectator Matt Kramer’s article where he mentioned that the main characteristic of a world-class Pinot Noir is finesse. Going by this measure, Le Cadeau definitely got it – finesse is the virtue of all their wines. If you are looking for the Pinot Noir for a special occasion – don’t look any further than Le Cadeau.
This post is a part of the Stories of Passion and Pinot series – click the link for more stories…
American Pleasures #5: Burgundy in California, or the Wonders of Pop’n’Pour
Wine should give you pleasure – there is no point in drinking the wine if it does not. Lately, I had a number of samples of American wines, that were the delicious standouts – one after another, making me even wonder if someone cursed my palate. I enjoyed all of those wines so much that I decided to designate a new series to them – the American Pleasures.
Burgundy in California. Nonsense, right? Burgundy is located in France, and the last thing you want to hear is a review of Hearty Burgundy, proudly produced by Gallo (believe it or not, but you can still buy this wine at about $9 for 1.5L – a great deal, huh?). Rest assured – Gallo is the last wine I want to ever discuss on this blog. I would like, however, to talk about Burgundy’s star grape varieties, which are also working amazingly well in California – yes, you got it – Chardonnay and Pinot Noir.
California produces a lot of wine (#4 in the world, with 248 million cases in 2018), using a lot of different grapes – no matter where those grapes are typically from – from Clairette Blanc to Viura to Nebbiolo to Grenache to Tempranillo, you should expect to find them all in Californian wines. Aside from all of the abundance, there are some grapes that can be called California superstars.
With the white grapes, it is easy – Chardonnay clearly steals the show. California made Chardonnay its own way back, with Chateau Montelena already proving its prowess to the whole world by winning Judgement of Paris in 1976. Chardonnay’s style changed and changed again since those early days of success, and when you are opening a bottle of California Chardonnay today, very often you don’t know what to expect – too much butter, too little butter, too much oak, no oak. Most importantly, you have no guarantees that you will enjoy that bottle.
Speaking about red grapes, ask a wine lover to name the most famous California red grape, and I’m sure 9 out of 10 will say Cabernet Sauvignon. I love California Cabernet Sauvignon as much as every one of those 9 out of 10 people. But based on my experience, the majority of the California Cabernet Sauvignon need time and time again to mellow down, to transform, to become truly enjoyable, and not just “drink the label and keep smiling” type of beverages. California Pinot Noir typically give you a lot more hope for finding the delicious Pop’n’Pour wines. And don’t forget – Pinot Noir, Chardonnay – it is the pleasure we are looking for here, so “pop, pour, drink, and ask for a second glass” is a sequence of events we are hoping for in here.
Here is a collection of the well-known wines I had the pleasure of enjoying – and have been blown away by the Pop’n’Pour quality, truly.
Domaine Anderson takes its roots from 1981, when Jean-Claude Rouzaud, patriarch of the Louis Roederer family came across Anderson Valley along the Mendocino coast in California, in search of the perfect spot to grow Chardonnay and Pinot Noir. Today, Domaine Anderson continues to be run by the Roederer family, farming organically and biodynamically 50 acres of Chardonnay and Pinot Noir vineyards. Here are 3 wines I had an opportunity to taste which were all just a perfection from the moment they were poured into the glass:
2017 Domaine Anderson Chardonnay (13.5% ABV, $30)
Light golden
Touch of honey, a hint of smoke, minerality
Clean acidity, tart lemon, a touch of smoke, texturally present, medium-plus body, earthy underpinning.
8/8+, this wine screams Chablis to me. Superb.
2015 Domain Anderson Pinot Noir Anderson Valley (13.8% ABV, $39.99, 15 months in French oak barrels, 19% new)
Dark ruby
Smoke, violets, earthy notes
Nicely restrained, good minerality, a touch of tart cherries
8, delicious
2017 Domaine Anderson Pinot Noir Anderson Valley (13.6% ABV, $45, 15 months in French oak barrels, 8% new)
Dark Ruby
Stewed plums, smoke, earthy undertones
Plums, cherries, lavender, tar, smoke, sweet tobacco, crisp, fresh, clean acidity, excellent balance
8, nicely restrained Pinot Noir, not over the board.
Merry Edwards Winery needs no introduction to wine lovers. Bright and noticeable labels always stand out on the shelf, it is hard to miss them. Merry Edwards’s sole focus is on the Russian River Valley Pinot Noir, which was first produced in 1999 (vintage 1997) – but she is also well known for her Sauvignon Blanc which was first produced in 2001. In addition to the passionate pursuit of Pinot Noir, Merry Edwards is also very passionate about sustainability, which is fully embraced at the winery and in the vineyards – you can read more about sustainability philosophy here.
2017 Merry Edwards Pinot Noir Meredith Estate Russian River Valley Sonoma County (14.5% ABV, $68)
Dark Garnet
Sage, tar, coffee, eucalyptus, freshly crushed dark berries
Tart, fresh cherries, crisp acidity, bright, invigorating
8, very uncalifornian, more Italian than anything else.
Considering how widely available La Crema wines are, I always made an effort to avoid them as “mass-produced”. After I tasted the wine, I completely changed my opinion – the wines might be produced in large quantities, but these are well-made wines. Also, the winery website has lots of good and well-presented information.
2017 La Crema Pinot Noir Sonoma Coast (13.5% ABV, $25)
Dark intense Ruby
Plums, fresh herbs, mineral undertones
Ripe fresh plums, mint, a touch of stewed strawberries, good acidity, good balance. Interestingly spicy finish.
8-, nice
Landmark Vineyards was founded in 1974 by a group of people that included Damaris Deere Ford, the great-great-granddaughter of John Deere. In 1991, Damaris Deere Ford, now a sole proprietor of the Landmark Vineyards, focused exclusively on the production of Chardonnay and released the first vintage of the flagship Overlook Chardonnay. In 1993, Helen Turley started working as a consulting winemaker helping to create the Landmark’s signature style. Two years later, Landmark released the first vintage of its Pinot Noir under the name of Great Detour. In 2016, Landmark Vineyards extended into the Russian River Valley via the acquisition of the Hop Kiln Estate – and this was one of the wines I had an opportunity to taste.
2018 Landmark Vineyards Overlook Chardonnay Sonoma County (14.3% ABV, $27)
Light golden
Vanilla, apple, lemon
Vanilla, a touch of butter, golden delicious apples, citrus profile, roll-off-your-tongue round, excellent balance, delicious
8/8+, excellent
2017 Landmark Vineyards Pinot Noir Santa Lucia Highlands (14.3% ABV, $45, 14 months in French oak, 35% new)
Dark ruby
Plums, dirt, forest floor
Plums, cherries, tobacco, iodine, short finish, good acidity, good balance.
8-, excellent and classic
2017 Landmark Vineyards Pinot Noir Hop Kiln Vineyard Russian River Valley (14.5% ABV, $40, aged in 40% new French oak)
Intense ruby
Cherries, underbrush, the nose says Oregon with dark intensity
Tart cherries, dark chocolate, tobacco, complex bouquet
8/8+, superb.
Here are you – a collection of delicious Pop’n’Pour American Pleasures. And don’t worry, I have a lot more wines to share with you. Cheers!
Daily Glass: Two Wines and The Sunset
Oenophiles are mysterious and easily influenced.
There.
Prove me wrong.
Here is the story of my weekend.
First, the “easily influenced” part, taking place on Saturday. My twitter wine friend Le Bov Vin #inmyglass likes to play a game – post a picture of a glass of wine with the description, asking everybody to guess the wine in the glass. Saturday’s post described the wine as “Redcherry.Blackfruit n strawberry,vanilla,licorice,hints of wood,smokedmeat Veryfresh,wellbalanced, polishedtannins,lingering finish“. My first guess was Pinotage, the second guess was leading to Washington Syrah/Grenache, but something here was also suggesting Spain, so I put all of these guesses into a tweet. After getting a confirmation that Spain is the right place, my first inclination was Ribera del Duero or Toro, as Rioja rarely would offer smoked meat notes – could’ve been something from Priorat, of course, but I decided to go with the first idea – and somehow I managed to hit it – the actual wine in the glass was Bodega Tinto Pesquera, one of the most classic producers from Ribera del Duero.
That made me crave Ribera del Duero wine, but somehow, while I always have a good amount of Rioja on hand, Ribera del Duero is a rare bird in my cellar. At this particular moment, it was as rare as none – but I recalled that I have a few bottles from Toro, the area down south from Ribera del Duero, producing densely concentrated and powerful renditions of Tempranillo, so I decided to obey my crave with 2015 Elias Mora Descarte Toro DO.
I wrote about this wine at the beginning of the year, when I called it Vinous Vino. Unlike the last time, I decided not to wait for the wine to come around slowly, and the wine went directly into the decanter upon opening. This definitely worked, as after about an hour in the decanter the wine showed massive and powerful, but also approachable enough to be enjoyed already, with dark cherries, espresso, and herbs-loaded profile.
Then there was Sunday, and the weather was noticeably cooler, one of the first cold days this fall so far. I wanted to sit down outside with a glass of wine, which obviously begged the question “what to open”. While going through the options inside my head, my inner voice insistingly proclaimed “Chardonnay”. I tried to argue – why Chardonnay, we can do Albarino, Chenin, Viognier, Riesling – but most importantly – why should it even be the white wine? It is cold enough to crave red! But the inner voice was unyielding – it has to be Chardonnay, there is nothing to discuss.
I don’t have a huge selection of Chardonnay, so the 2013 Lynmar Estate Chardonnay Russian River Valley (14.5% ABV) was almost the easiest choice. Boy, what a good choice it was… After a few minutes in the glass, the wine was singing with a core of vanilla with supporting voices of butter and green apples, all in perfect harmony. I don’t know if the wine was at its peak, or if it had another 10 years of life left – but it was perfect at the moment, no matter what mystery possessed me to open the bottle of Chardonnay.
And then there was the sunset. I love taking pictures of the sunset, one of my most favorite types of photography. I often can take a decent picture of sunset right from my backyard – not all of those worth sharing though. But this Sunday sunset happened to be really special. A little rain started all of a sudden in the evening, forcing me to seek cover under the umbrella on the deck. The rain was very short, maybe 5 minutes or less. Once the rain didn’t look bothersome anymore, I stepped out from under the umbrella to go sit in the chair in the backyard – and then I saw THIS:
It appears that rain before the sunset creates some truly magical conditions for the sunset – some of the most memorable sunset experiences all took place after the rain. Once I saw this sunset, I spent the next 15 minutes taking pictures, with the glass and without, every moment being special and really worth capturing. Below are some of those pictures, I hope you will enjoy them as much as I did while talking them:
My failed attempt to catch the reflection of the sunset on the glass
That’s all I have to share for now. How was your weekend?
Daily Glass: Textbook Precision
Once you fully embrace the wine world, one of the important lessons you learn is rather simple – “there are no guarantees”. The bottle of wine can perfectly say “Cabernet Sauvignon” – there are absolutely no guarantees that Cabernet Sauvignon from Washington, California, and Chile will have any smell and taste similarities, never mind Cabernet Sauvignon from China, Czech Republic, and Moldova. And this is okay, we can all accept it – at the end of the day, the only thing which matter is whether we like the wine or not.
Despite all the differences, when it comes to the major grapes, such as Cabernet Sauvignon, Chardonnay, Merlot, Sauvignon Blanc, Pinot Noir and so on, we usually know how the “classic” wine should taste like – especially if we take any formal wine education or make enough effort to study the wine, pay attention to what we drink and make it a lesson to learn. Yes, there might be a bit of our perception in it too, but still, we usually have that “classic profile ” idea in the mind.
What prompted this post was a lucky happenstance, an encounter with two classic, textbook wine profiles for two nights in the row.
First, there was Pinot Noir. When it comes to Pinot Noir, there are probably four classic profiles – Burgundy (of course!), with lots of dark fruit power and a little bit of funk (especially with age, but drinking young Burgundy is almost like killing a baby, right?). Then you have New Zealand, which usually can be identified by the pronounced acidity. Oregon Pinot Noir often screams minerality, mocha and dark chocolate. And then you got California, with luscious smokey plums and silky, seductive texture.
So the wine I had a pleasure of experiencing was a textbook, unmistakable California Pinot Noir – 2015 Field Recordings Derbyshire Vineyard Pinot Noir San Luis Obispo County (13.1% ABV, $28, 20% whole cluster fermentation, foot tread in open top bins, 12 month in French oak) – smokey plums on the nose, bright cherries and plums profile on the palate with a perfect balance of acidity, velvety layers – tremendous amount of pleasure in every sip. Drinking this wine evokes comparisons with other California classics such as Siduri. It doesn’t reach the ultra-luxurious texture of Sandhi, but if you have any experience with classic California Pinot, one sip of this wine will perfectly put you in the right place.
Now, talking about classics, let’s talk about the grape which is not a relative of Pinot Noir, but more often than not, a closest friend and neighbor – Chardonnay. What is interesting about Chardonnay, in my opinion, is that good Chardonnay is a lot more cosmopolitan than a Pinot Noir. With the exception of Chablis, which often can be recognized by the gunflint on the nose, the classic Chardonnay profile includes vanilla, apples and a touch of butter. You can often differentiate Burgundy from California by the amount of butter (California usually offers lots more) and acidity (that’s what you will get with the young Burgundy), but still, Chardonnays from Australia, Burgundy, Chablis, and California have quite a bit of similarity.
Oregon, which is definitely an established world leader when it comes to Pinot Noir, lately also started to show its Chardonnay provenance. Two years ago, I was blown away by the perfection of Vidon Chardonnay. This time around, the 2016 Knudsen Vineyards Chardonnay Dundee Hills (13.5% ABV, $45) made me say “wow” many, many times. Perfect nose of vanilla and golden delicious apples with a distant hint of butter and even honey (honey is usually showing up in Chardonnay after some aging) was supported by the same profile on the palate – vanilla, apples, butter – all perfectly mended together in cohesive, sublime package resting on the vibrant core of acidity. This was definitely a textbook Chardonnay for me, and the one which I would love to see aged, at least for another 5-7 years.
Here you go, my friends – a textbook experience with two classic grapes. What are your textbook wine experiences? Cheers!
Discover Wines of South Africa
Let me start with a question: when was the last time you had South African wine? You can take a few minutes to ponder at it – but I would bet that if you are a wine consumer in the USA, there is a very good chance that the answer will be “hmmm, never”. But if “never” or “many years ago” is your answer, we need to change that.
The winemaking history in South Africa goes back to the 17th century, when immigrants from Europe brought the vine cuttings with them, as they’ve done in all other places. South African wine story somewhat resembles most of the Europe, as it also includes the phylloxera epidemic and replanting of the vineyards. Unfortunately for South African winemakers and the rest of us, the wine story of South Africa also had heavy political influence, with apartheid, KWV monopoly, and resulting boycott from most of the countries for the majority of the 20th century (here is an article on Wikipedia if you want to learn more). The new chapter for South African wines opened up in the 1990s, with the end of apartheid and subsequent changes in all areas of life, winemaking included.
In the past, South Africa was best known for its Chenin Blanc wines, which was also called Steen. Another grape South Africa was famous for was Pinotage – dinking of the Pinotage wines was likened by some wine critics to the drinking of the “liquified rusty nails”. On much brighter note, while talking about the past, I want to mention Klein Constantia Vin de Constance – the nectar of gods (don’t take my word for it – find it and try it), made from Muscat de Frontignan grapes and favorite wine of the French emperor Napoleon Bonaparte, who was buying it by the barrel (legend has it that it was Napoleon’s deathbed wish wine).
Today South Africa offers lots more than a typical wine consumer would expect. The South African wines are often described as “old world wines masquerading as new world wines”, and this is perfectly showing in the wide range of the wines. You really need to try for yourself South African Chardonnay, Sauvignon Blanc, Pinot Noir, Cabernet Sauvignon, Merlot, Shiraz, and don’t skip the Chenin Blanc, especially if it is an FMC by Ken Forrester. You shouldn’t skip even Pinotage, as it dramatically evolved compared to the old days. The old world winemaking foundation really shows through many of the South African wines today, and they are always ready to surprise a curious wine drinker.
Case in point – our recent virtual tasting on Snooth. We had an opportunity to taste 6 white wines, well representing South African grapes, styles and regions. The tasting included 3 out of the 4 most popular white grapes in South Africa (Chenin Blanc, Chardonnay, and Sauvignon Blanc) – the second most planted grape, Colombard, is used primarily in the brandy production. Another interesting fact for you – until 1981, there was no Chardonnay planted in South Africa, which makes it all more impressive (read my notes below). Two of the Chardonnays and Sauvignon Blanc from the tasting were simply stunning, and the rest of the wines were perfectly suitable for the everyday drinking. What is even better is that you don’t need to rely on my notes if you want to discover what South Africa is capable of – Snooth offers that exact set of 6 wines for purchase, at a very reasonable price of $79.99 for the whole set.
Here are my notes from the tasting:
2016 Glenelly Glass Collection Unoaked Chardonnay WO Stellenbosch (13.5% ABV, $20, 100% Chardonnay)
C: straw pale
N: Beautiful, vanilla, touch of guava, fresh, medium+
P: good acidity, granny smith apple, crisp, maybe a bit too restrained now, lemony acidity on the finish
V: 8, excellent now, but I definitely want to see it evolve.
2016 De Wetshof Estate Limestone Hill Chardonnay WO Robertson (14% ABV, $16, 100% Chardonnay)
C: light golden
N: complex, vanilla, popcorn, medium intensity. Nose clears up as the wine breathes. Golden delicious and honeysuckle appeared. Delicious nose.
P: quite restrained, touch of Granny Smith apples as opposed to the golden delicious. Perfect acidity, vanilla, fresh.
V: 8, will evolve. Definitely an interesting wine.
2016 Badenhorst Family Wines Secateurs Chenin Blanc Swartland WO Steen (12.5% ABV, $15, Chenin Blanc with a sprinkling of Palomino and another secret grape)
C: straw pale
N: interesting, yeast, touch of white stone fruit
P: crisp, restrained, mostly lemony, acidic notes
V: 7, too simple and single-dimensional
2016 Raats Original Chenin Blanc Unwooded WO Stellenbosch (12.5% ABV, $16, 100% Chenin Blanc)
C: straw pale+
N: inviting, medium plus, minerality, hint of peach
P: clean acidity, interesting touch of pear and white plum with acidic finish
V: 7+, interesting wine, by itself and with food.
2014 Thelema Sutherland Sauvignon Blanc WO Elgin (13% ABV, $20)
C: light golden
N: lots of minerality, touch of gunflint, touch of grass (distant hint), white stone fruit as the wine is opening up – doesn’t resemble SB at all
P: crisp, clean, lemon acidity, very restrained, mineral-driven, limestone. Almost astringent. Needs food.
V: rated it first 7+/8-, noting “will be interesting to see how the wine will open up”. More playful after 30 min in the open bottle. Interesting. After two days, this clearly became 8/8+ wine
2016 The Wolftrap White WO Western Cape (13.5% ABV, $12, Viognier 42%; Chenin Blanc 37%; Grenache Blanc 21%)
C: light golden
N: lemony notes, grass
P: a little too simplistic, mostly lemony notes. Drinkable, not great
V: 7, too simple, might work better with food
South African wines are definitely here, at the world-class level. If you pride yourself as a wine lover, they are all ready for your undivided attention.
Villa Torrigiani: Traditional Roots, Modern Wines
Source: Villa Torrigiani
When it comes to traditions, Italians definitely know how to preserve them. Tour the country, and you will see that finding a 500 years old villa or palace in Italy is very easy; there are plenty of places where the connection can be made through even a 1000 years of history. Italians definitely know how to preserve their traditions.
Talking about traditions, Villa Torrigiani, located in the heart of Tuscany, is exactly one of those well-preserved places, tracking its history back for 1000 years if not longer. Here is the information you can find on Wikipedia:
“In the hills of San Martino alla Palma, vineyards and olive groves have been cultivated for more than a 1,000 years. The estate is located not far from the Via Francigena, the route used by crusaders returning from the Holy Land, and as such a point of passage, the location took its name from Saint Martin, patron saint of vintners and grape harvesters, and Palma (Olive tree), the symbol brought home by crusaders as proof of their travels.
In the mid-1400s, in the very midst of the Renaissance, the marquises Torrigiani, bankers and wine sellers, bought the land that extends from Castellina all the way to the top of the hill of San Martino alla Palma, thus founding Fattoria Torrigiani (The Torrigiani farm). The marquises Torrigiani called on the renowned Florentine architect Michelozzo who designed the stately Villa Torrigiani, which was constructed from 1470 to 1495. The villa, with its numerous halls frescoed by master Florentine painters, is situated at the center of the farm and looks out over the valley of Florence and the cupola of the Duomo.
At the beginning of the 16th century, the farm was divided into 22 “poderi”, or farmsteads, each run by a family group, many of whom have descendants who live in San Martino to this day. The farm was so well organized that it was self-sufficient and no longer dependent on Florence, and consequently, its inhabitants were able to avoid the bubonic plague outbreak of the 1600s.
Fattoria Torrigiani remained the property of the same family for around 500 years until 1967 when it was purchased by the Zingone family who carried out an extensive restoration of the villa and an expansion of agricultural production, of wine and olive oil in particular.”
Fattoria San Martino alla Palma covers almost 900 acres, out of which the vineyards take about 115 acres, and about 300 acres dedicated to the olive trees – in addition to wines and grappa, Villa Torrigiani also produces olive oil.
Now, the wines produced by Villa Torrigiani are unquestionably modern. Unoaked Chianti, Chardonnay from Tuscany, super-toscan – while the wines are rooted in tradition, it is hard to argue that they also represent modern Italian winemaking.
I had a pleasure to taste a number of Villa Torrigiani wines, and my tasting notes are below:
2015 Villa Torrigiani Monte Mezzano Bianco Toscana IGT (13% ABV, 100% Chardonnay, 6 mo in French oak barriques)
C: light golden
N: medium intensity, green apples, touch of vanilla
P: needed about 15 minutes in the glass, opened up nice and plump, vanilla, golden delicious apples, crisp acidity, disputants hint of butter
V: 8-, very nicely made, pleasant
2015 Villa Torrigiani Chianti DOCG (12.5% ABV, 90% Sangiovese, 10% Canaiolo, Stainless steel)
C: garnet
N: fresh, open, medium intensity, caraway seed, touch of sweet cherries
P: fresh, clean, medium body, ripe cherries, touch of cherry peats
V: 7+, needed about 20 minutes to open up and come together, after that delicious all the way through
2012 Villa Torrigiani Chianti Reserva DOCG (13.5% ABV, 90% Sangiovese, 10% Canaiolo, 12-14 month in barrique, additional 6-8 month large oak botti)
C: dark garnet
N: espresso, sweet oak, ripe plums, tobacco, sweet plums
P: dry, perfect balance, dark fruit, supple cherries, good acidity, medium body, medium finish, fresh and open
V: 8-
2008 Villa Torrigiani San Martino Rosso Toscana IGT (13.5% ABV, 85% Cabernet Sauvignon, 15% Sangiovese, 12 month barrique, additional 12-14 month in large oak botti)
C: garnet
N: open, inviting, cassis, eucalyptus
P: fresh, playful, polished, layers of dark fruit, cassis, clean acidity, excellent balance. A true delight.
V: 9-, outstanding. I would love to drink this wine every day.
Here you are, my friends. A beautiful estate with a very long history, producing excellent wines. The only challenge we have at the moment is finding these wines in the USA – but hopefully this will change soon. Cheers!
One on One with Winemaker: Don Hagge of Vidon Vineyard
Don Hagge. Source: Vidon Vineyard
What do most people do at the age of 69? Retire, or at least, semi-retire, right? Humans live longer than ever before, and many still have enough energy and desire to continue doing what they are doing. But let me rephrase the question a bit – how many people do you know who would start a totally new business at the age of 69? Might be a difficult question, I understand. Sure it would be for me, but now I can proudly say that I know at least one person like that. Let me introduce to you Don Hagge.
So what does rocket scientist (with degrees from UC Berkeley in physics and business from Stanford), whose resumé includes Lawrence Berkeley Laboratory, Centre d’Etude Physiques Nucleare in Paris, Apollo Mission at NASA and Silicon Valley high-tech industry, upon retirement? Of course, starts his own winery! Well, it sounds radical, but considering that Don grew up on a farm in North Dakota, and had an opportunity to live in France and experience wines of Burgundy, maybe it is only logical?
Vicky and Don Hagge started Vidon Vineyard in 1999 in Willamette Valley, in the Chehalem Mountains AVA of Oregon (you can probably figure that name of the winery, Vidon, is made up after Vicky and Don). Fast forward to today, Vidon Vineyard produces primarily Pinot Noir, plus small amounts of Chardonnay, Pinot Gris, Pinot Blanc, Viognier, Syrah, and Tempranillo. Vidon Vineyard is sustainable, LIVE and Salmon-safe certified, and practices minimal intervention winemaking. Don Hagge not only makes wines, he also plays the role of a handyman when it comes to various winemaking tools and equipment. Plus, he is very opinionated about the use of glass enclosures instead of corks…
Source: Vidon Vineyard
I had an opportunity to [virtually] sit down with Don Hagge and ask him a few questions, so here you can find our conversation:
TaV: For many years, you had been living and working in California. Why have you decided to build a brand new winery in Oregon and not in California?
DH: I was recruited to Oregon by a venture capitalist as the CEO of a startup semiconductor company. During this time, I biked in the Willamette Valley regularly and loved the vineyards. Since I lived in France some time ago, Pinot Noir has been a favorite wine. I grew on a farm and decided to make a career change and what could be better than buying land, planting a vineyard and learning how to make wine? Oregon was gaining a reputation for Pinot Noir so here I am.
TaV: Your very first wines were made in 2002. Do you still have any of those bottles left? If you do, how do they drink today?
DH: Unfortunately, the 2002 vintage is gone. I made only 40 cases and didn’t label it, only for friends and personal use. We just had a 2006 vintage this evening which is fantastic.
TaV: During all the years of Vidon Vineyard existence, what was the most difficult vintage for you and why?
DH: Probably the 2007 vintage. This was the first year I used my own winery so many things were new. I saw the forecast for heavy weather, got a crew and pulled in 16 tons on September 25th. Before we finished cleaning the equipment it started raining and didn’t stop for a month. Most people suffered through the rains and the vintage got a bad rap in the press. We were lucky – it’s still a beautiful wine!
TaV: For how long do you typically age your Pinot Noir wines in French oak Barrels?
DH: Most of my wine carries the 3-Clones label and gets 11 months in French oak barrels which are on average 30% new. I’m not a fan of big oak in any wine.
TaV: You are an enthusiastic proponent of glass enclosures instead of traditional cork. When did you start using glass enclosures? Also, did you ever try to bottle the same vintage both with glass enclosures and traditional corks and then compare the results of the aging?
DH: Until the 2008 vintage I used corks and usually quite expensive ones. However, I determined that no matter what they cost, they still taint wine because of TCA and pre-oxidize occasionally. Therefore, in 2008 I began using Stelvin screw caps. In 2009 I started using Vinoseals for the Single Clone labels. No, I’ve never done a comparison of cork vs Vinoseal glass closures. It’s not necessary, I know what corks do and Vinoseals and screw caps don’t do. I don’t understand why anyone uses a closure that ruins a percentage of their wines when there are alternatives that don’t.
TaV: Today, you are producing a number of different white and red wines. Do you have any plans (if not plans, may be at least some thoughts) about starting to produce Rosé and/or Sparkling wines?
DH: I made Rosé for two vintages and one was great, I was told. I’d like to do a Sparkling but my winery is too small given what I’m now doing. That’s not to say I’m not dreaming of a winery expansion and interested in trying more and different wines.
Vidon Winery. Source: Vidon Vineyard
TaV: Outside of your own wines, which are your favorite Pinot Noir producers in the world?
DH: Good Bourgogne wines are what I like to emulate. The 2004 vintage was the nearest to a great Bourgogne that I’ve made.
TaV: If you would have an opportunity to start your winery again, would you do something different?
DH: Given the resources I had, not much. Perhaps I’d build a better winery instead of an expensive house, but I have a wife. 🙂
TaV: You describe your approach in the vineyard as “minimal intervention”, and your winery is LIVE Certified. Do you have any plans to become certified organic or biodynamic winery?
DH: I’m a scientist and Biodynamic winemaking isn’t scientific. Many of their practices are good, how they treat the land, etc. But I don’t believe in VooDoo. I don’t’ believe that Organic Certification results in better wine or land management than what we do in the LIVE program.
TaV: I understand that you have built your own bottling line wine dispenser for the tasting room. What are the other technological tools which you built at your winery?
DH: I don’t think I’ve built anything for winemaking that any good farm boy couldn’t have. I’m always trying to find ways to simplify tasks and become more efficient in using time and material. I have an idea about saving wine and labor in barrel topping but haven’t implemented it yet. My use of Flextanks to replace some barrels is already saving wine and labor by eliminating barrel topping while producing wine that’s equivalent to that from barrels.
TaV: You already work with quite a few grapes (Chardonnay, Pinot Gris, Pinot Noir, Tempranillo, Cab Franc, Syrah). Do you plan to add any other grapes in the vineyard?
DH: No more varieties. No more land to plant. However, I do hope to plant a small plot of Coury clone Pinot Noir next year. Planting of the clone date back 50 years to the original plantings.
TaV: What drives your passion? You started Vidon vineyards at the age when most of the people are happily retiring, so there must be some deep reason for you to engage in such a – of course, a labor of love – but hard labor?
DH: I like to live. I’m not ready to “stop” and watch TV. I think having a ToDo list every morning and a little anxiety and stress about getting things done will result in a longer life. To have no challenges is pretty dull and boring. When one is doing things that one enjoys, it’s not labor.
What do you say, my friends? This interview continues our Stories of Passion and Pinot series, and I think it is a perfect sequel to the conversation with Ken Wright – Don Hagge exudes the same righteousness, passion, and confidence in everything he does.
And you know what supports Don’s ways and means? His wines! I had an opportunity to try his Chardonnay and Pinot Noir, and in a word, I can tell you – what a treat! Two stunning, perfectly balanced and perfectly Burgundian in style – made with passion and care in Oregon.
For what it worth, here are my notes:
2015 Vidon Vineyard Chardonnay Estate Chehalem Mountains, Oregon (12.9% ABV, $35)
C: golden color
N: initially, very restrained, mostly minerality. After 2 days in the fridge, honey and vanilla, quite spectacular
P: initially tight, minerally and acidic. Two days later – exuberant, golden delicious apples, perfect acidity, vanilla, medium finish. Every sip leaves you craving for more
V: 9, simply outstanding, delicious.
2013 Vidon Vineyard 3 Clones Pinot Noir Estate Chehalem Mountains, Oregon (14.3% ABV, $40)
C: bright Ruby, cranberry undertones
N: inviting, intense, a touch of smoke, lavender, red fruit
P: nicely restrained, minerality, crushed red fruit, mouthwatering acidity, fresh, elegant, lots of finesse
V: 9-, outstanding wine, Burgundian style
Here you are, my friends – another story of Passion and Pinot. And I have more for you, so until the next time – cheers!
To be continued…
P.S. This post is a part of the “Stories of Passion and Pinot” series <- click the link for more stories.
And This Is Why I Love Spanish Wines
Yes. Confessed uncountable number of times, in this blog and everywhere (want proof? Click here, here, here, here or here).
I love Spanish wines. Never tried to hide it, so no, there is nothing to look for in the closet.
Spain is one of the so called “Old World” wine countries, with biggest grape area plantings in the world and one of the highest volumes of the wine production. But of course this is not the reason for my high sentiment towards Spanish wines. What is important, however, that if we will take 10 random wines produced in any country, in about the same price range, I will find the most of the wines to my liking out of those hypothetical 10 among Spanish wines – compare to any other region. Another equally important point for me is the value – Spanish wines offer one of the best values in the world; not only that – they are possibly the best QPR wines in the world. For example, if you will compare 1964 Rioja, which is still perfectly drinkable today and still can be found for less than $150, to majority of the wines of the similar age but from the other regions, most of them will not come anywhere close in the amount of pleasure they deliver, never mind the cost.
And then we have to talk about innovation and drive forward. Spanish wines are not standing still. Styles are changing, wine quality is improving, new and unexpected grapes are made into delicious wines. To make this conversation more practical, let me share with you some of my recent Spanish wine encounters.
Today, Albariño needs no introduction. The star white grape of the Rias Baixas region in Northern Spain is known to produce wines with explosive acidity and profile of salinity, which makes them an ideal companion to oysters and anything seafood for that matter. While Albariño wines are generally very good, there is one word I would rarely associate with them – finesse. Or at least I was not, until I had an opportunity to try these two Albariño.
2014 Bodegas LA VAL Albariño Rias Baixas D.O. (12% ABV, SRP $17, 2 month sur lie) had greenish/straw pale color; intense and open nose of minerals, wet stone and lemon. On the palate, the wine was plump with invigorating acidity, intense lemon finish, crisp, fresh – excellent overall (Drinkability: 8).
2014 Viña Moraima Albariño Rias Baixas D.O. (12.5% ABV, SRP $19, 7 month sur lie) had light golden color. Nose was very unusual, with candied lemon, intense, tropical, guava notes. On the palate, the wine showed remote hint of sweetness, full body, round and layered with hint of salinity, good acidity. This was definitely the next level of Albariño, thought provoking and different. (Drinkability: 8)
As you can see, Albariño is really starting to deliver on the next level, and I can’t wait to see how far it can go. What is interesting, however, is that all of the best Spanish white wines – to my knowledge, of course – are made from the indigenous varieties – Albariño, Godello, Verdejo and Viura would be the “major four”. The situation is slightly different for the reds, where the local stars, Tempranillo and Garnacha, are joined by the international best, such as Cabernet Sauvignon and Merlot. Going back to the whites, outside of some experimental plantings, Riesling, Sauvignon Blanc and Chardonnay are nowhere to be found in Spain, yes? Well, that would be my statement as of the month ago, but not anymore.
Enters Hacienda de Arínzano. Having tasted recently Hacienda de Arínzano Rosé, which was outstanding, I know that Pago de Arínzano, first Pago (highest denomination of quality in Spain) in Northern Spain, can produce excellent wines. Still, this 2014 Hacienda de Arínzano Chardonnay Pago de Arínzano DOP (13.5% ABV, SRP $19.99, 100% Chardonnay. 12 month French oak barrels – 30% new) far exceeded my expectations. From the first smell the wine in the glass was screaming “Chardonnay” – touch of vanilla, hint of golden delicious apples, just classic Chardonnay. The palate reaffirmed the “classic Chardonnay” impression – fresh, open, creamy, with perfectly balanced white fruit, vanilla, distant hint of butter, perfect amount of acidity – a delicious world-class Chardonnay which I would be glad to drink at any time – and almost a steal at this price. Drinkability: 8+.
We talked about new wines and new styles. Let’s talk about quality now – well, not the quality per se, but let’s talk about changing mindset. If you would ask me “should I open 5 years old Rioja Reserva”, my immediate answer would be “absolutely not – give it at least another 5 years to enjoy it fully”. By law, Rioja Reserva has to spend at least 1 year aging in the barrel, and most of the producers age it for much longer, so the resulting wines typically should be given ample time in the bottle to evolve. But once again I was proven wrong. I opened the bottle of 2011 Bodegas Beronia Rioja Reserva (14% ABV, SRP $21, 94% Tempranillo, 4% Graciano, 2% Mazuelo, 18 month in barrel, 20 month in the bottle) and was absolutely blown away. Concentrated nose of dark fruit, cigar box and eucalyptus was supported by bright, dense, perfectly structured palate, with dark fruit and touch of sweet oak. This was definitely one of the best PnP (Pop ‘n Pour) wines I ever experienced, and a nice surprise. Drinkability: 8+
I want to mention one more beautiful Rioja wine – this one with a bit more age on it. I like it when I have a reason to open a nice bottle of wine, which otherwise would be still laying down and waiting for the “perfect moment”. The special reason was my son’s high school graduation, and as he was born in 1998, this was the first 1998 bottle I pulled out of the wine fridge (well, I’m not telling all the truth – this was the one I knew the exact location of).
To begin with, I was impressed with the state of the cork on this 18 years old wine – it was perfect, showing literally no age on it whatsoever. 1998 Coto de Imaz Rioja Reserva (13% ABV, 100% Tempranillo) still had enough freshness on the nose, with the notes of ripe plum, and the palate had ripe fruit with the distant hint of sweetness without any tertiary aromas, good acidity, medium to full body and excellent balance. I’m sure this wine would go on happily for many years. Drinkability: 8+
Okay, we are done here. Do you think I explained my passion for Spanish wines well enough? Great wines, great values, great QPRs, and lots and lots of pleasure – what is not to love? If you had any of the wines I mentioned here, I would love to know your opinion. Until the next time – cheers!
New and Noteworthy: Two Classic Regions, Three Classic Pairs
I tend to abuse certain words in the conversation, especially when talking on the subject of wine. As you might easily guess, one of such words is “Classic”. I use this word in hope that it is the quickest way to convey my impressions about the wine. For instance, the words “Classic Red Bordeaux” or “Classic White Burgundy” would most likely paint a quick and vivd picture for the most of oenophiles to imagine how the wine actually tastes. While the wine is produced all around the world, such a broad stroke reference can be only applied to the well known and well referred to regions – saying “Classic Red Bio-Bio” (wienmaking region in Chile) or “Classic White Valais” (winemakiing region in Switzerland) would be an empty sound for majority of the wine lovers.
Looking past the regions, we can also apply the word “classic” to the grapes themselves. There are probably 15-20 grapes which can be easily referred to in this way – “classic Cabernet Sauvignon” or “Classic Sauvignon Blanc”, for example, would give you quick pointers to how the wine might taste like. Yes, “Classic Bobal” or “Classic Resi” will leave most of us with no information at all.
As this is not an epistolary exercise on the applications of the word “Classic” in the wine world, let’s get closer to the subject at hand, and talk about few wines in the practical terms. Today I want to talk about 2 classic regions and 3 classic grapes – for sure for those regions. So the classic regions are: California and Oregon. Would you agree that it is easy to refer to these two world renowned winemaking regions as “Classic”? I hope you are nodding. And for the grapes, I also hope you would share my “classic” sentiment – Pinot Noir and Chardonnay from California Napa Valley – aha, I see you smacking your lips. And Pinot Noir and Pinot Gris from Oregon – need I say more?
Talking about the wines from Oregon, the Pinot Noir is of course an uncontested king of the Pacific Northwest of the USA. Commercial Pinot Noir production in Oregon started in the 1960s, and then from the beginning of the 1990s, Pinot Noir from Oregon needed no introduction anymore. With Oregon Pinot Gris, you might argue with my “classic” designation, however, today, you will practically not find a single Oregon winery which will not produce Pinot Gris. Oregon Pinot Gris has its own, easily recognizable style and character, so in my mind, Pinot Gris wines are the “classic” element of the Oregon winemaking.
Thus let me present to you the first two of the “classic” pairs – Pinot Gris and Pinot Noir from two wineries in Oregon: Willamette Valley Vineyards and Pike Road Wines.
Willamette Valley Vineyards was established in 1983, planting Pinot Noir, Pinot Gris and Chardonnay vines where blackberries and plums were growing before. The original Estate vineyard spans 53 acres at the 500 to 750 feet in elevation. Today, Willamette Valley vineyards farms more than 250 acres of vines, including one of the oldest in Oregon, Tualatin Estate, which are all LIVE (Low Input Viticulture and Enology) certified. I had a pleasure of trying Willamette Valley Pinot Gris and Pinot Noir wines earlier in the year, so here are my notes:
2014 Willamette Valley Vineyards Pinot Gris, Willamette Valley, Oregon (12.4% ABV, SRP: $16)
C: straw pale
N: white stone fruit, touch of grass
P: hint of candied lemon, white stone fruit, nicely round, refreshing, good acidity, medium to full body
V: 7+/8-, very pleasant
2013 Willamette Valley Vineyards Pinot Noir Estate Willamette Valley, Oregon (13.7% ABV, SRP: $30, retail: ~$20)
C: beautiful Ruby
N: fragrant, fresh, cranberries with touch of cherries, sweet raspberries
P: wow, lots of fresh fruit – cranberries, raspberries, fresh, super-clean, touch herbal, great restrained finish
8+, one of the most delicious Pinot ever, perfect.
Our second Oregon winery takes its name from the Pike Road, which winds through the hills of Yamhill-Carlton AVA. This is the second winery for the Campbell family, who founded Elk Cove Vineyards in 1974. Pike Road takes advantage of 5 generations of the farming experience, including 40 years of tending the wines.
Here are my notes:
2015 Pike Road Pinot Gris Willamette Valley, Oregon (13.5% ABV, SRP: $15)
C: pale greenish color
N: tropical fruit, candied lemon, fresh, intense, inviting
P: crisp, clean, perfect fresh acidity and white stone fruit, creamy. Outstanding.
V: 8-/8, delicious white wine, perfect year around and superb during summer
2014 Pike Road Pinot Noir Willamette Valley, Oregon (13.5% ABV, SRP: $19, 10 month in French oak barrels)
C: dark Ruby
N: delicious. Touch of sweet fruit, open, inviting, raspberries, herbs, super-promising, wow
P: soft, layered, silky, spices on top of traditional smokey profile, triple-wow
V: 8+/9-, wow, totally unexpected and amazing. I know Oregon Pinot delivers, but this far exceeded my expectations. Might be the best QPR for Oregon Pinot Noir in existence. Love rustic labels too.
Our last classic pair comes from the classic of the classics, none less than Napa Valley, and it is Chardonnay and Pinot Noir from Artesa winery. Artesa winery is located in Carneros region of Napa Valley. While Artesa recently celebrated is 25th vintage, their winemaking traditions go way, way, way back – say by another [almost] 500 years. How come? Artesa winery was founded by Codorniu Raventós family from Spain, which takes its winemaking heritage 17 generations back to the 1551. Artesa sustainably farms 150 acres of vines, all Napa Green Land certified, and produces a range of wines, starting with a few sparklers and finishing with another Napa classic – Cabernet Sauvignon. Two wines which I had an opportunity to taste are the new Estate Reserve release from the winery:
2013 Artesa Estate Reserve Chardonnay Napa Valley (13.9% ABV, SRP: $40)
C: light golden
N: touch of vanilla, hint of butter, white fruit, intense
P: touch of butter, green apples, good acidity, medium to full body, vibrant and balanced
V: 8-, a classic Chardonnay
2013 Artesa Estate Reserve Pinot Noir Napa Valley (14.4% ABV, SRP: $40)
C: dark garnet
N: warm, inviting, sweet plums
P: round, polished, present silky texture, touch of smoke, more plums, minerality, restrained
V: 8-, nice, smooth and restrained
There you have it, my friends – some new and interesting wines worth seeking. And whether they will hit the “classic” note for you – it is entirely your decision. Cheers!
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