Celebrate Riesling!
I have to admit, I’m missing most of the grape holidays lately. While checking the Twitter feed today, I was surprised to find out that today we celebrate International Riesling Day. Considering the fact that I never wrote a post about Riesling Day, I couldn’t resist an opportunity to reminisce about my Riesling experiences.
Riesling is one of the 3 main white grape varieties – Chardonnay, Sauvignon Blanc, and Riesling. Of course, there are lots more white grape varieties in the world, but in terms of plantings and production volumes, these three grapes are way ahead of all other white grapes. However, despite the “main variety” consideration, Riesling’s position in the wine world is rather peculiar.
Riesling is capable of a full range of expressions, from bone dry and acidic Rieslings of the Clare Valley in Australia to the dense and viscous late harvest Rieslings made in different parts of the world. Germany, which has about 38% of all Riesling plantings in the world, is typically associated with Riesling – however, there is hardly a wine-producing region in the world where Riesling wines are not made – Germany, Austria, Alsace, Australia, New Zealand, Canada, California, Washington, Oregon, New York – Riesling is literally produced everywhere. And yet walk into any wine store of your choosing – Riesling is typically relegated to the far corner of the store which almost nobody would visit. You can barely find any Riesling on the restaurant’s wine lists. And many consumers are often shy about their love for Riesling as it is almost shameful to be seen with a glass of Riesling in public.
I don’t fully understand the cause of this phenomenon. Germany’s overcomplicated labeling laws might play a role. The fact that it is very difficult to assess the level of sweetness of a bottle of Riesling also plays a role – put a few of the Kabinett Rieslings in the row and see how different the sweetness levels will be where you expect them all to be about the same.
But those of us who trust our own palate and are not afraid of being seen with a glass of Riesling in our hand are typically in for a treat. The everpresent hint of honey, maybe pears, white flowers, and honeysuckle, supported by the cleansing acidity, and hopefully my favorite, a hint of petrol make these wines an absolute delight in my book. Most of the Rieslings also age very well – to understand the pleasure of the 20-30 years old Riesling you simply need to taste one for yourself – the words are very limited in describing the pleasure.
Over the years, I had plenty of delicious Rieslings. And yet if you would ask about the most memorable ones, I would easily give you 3. First, Brooks Ara Riesling from Oregon, which I tasted during a few of the Wine Bloggers Conferences – a pure standout. My next choice would be Smith-Madrone Riesling, which is rather surprising coming from Spring Mountain District in Napa Valley in California – nobody would ever associate California with Riesling, and yet you have a live, delicious proof.
And then, of course, there are Clare Valley Rieslings from Australia. Grosset Polish Hill Riesling from Clare Valley might be a quintessential pleasure, with its high energy, brilliant acidity, intertwined with the fruit – another wine that needs to be tasted to believe it.
I have come across many other excellent renditions of Riesling, but the three I just mentioned are definitely my personal standouts.
What do you think of Rieslings? Do you have your favorite Rieslings which you care to share with everyone?
Happy Reisling Day!
American Pleasures #7: Barra of Mendocino, Part 2
Wine should give you pleasure – there is no point in drinking the wine if it does not. Lately, I have had a number of samples of American wines, that were delicious standouts – one after another, making me even wonder if someone cursed my palate. I enjoyed all those wines so much that I decided to designate a new series to them – the American Pleasures.
When I tasted Barra of Mendocino wines for the first time, I lamented that I was surprised. Delightfully surprised would be an even better way to put it. My surprise was related to the fact that both Pinot Blanc and Petite Sirah were absolutely delicious pop-and-pour Californian wines. Of course, there are lots and lots of delicious wines made in California, but many of them need time to open up and develop – especially the traditional heavyweights such as Petitte Sirah. And the wines I tasted were delicious and ready to drink from the moment they got into the glass.
Charlie Barra, the founder of the Redwood Valley winery in Mendocino, was farming organically for a very long time. And now Barra of Mendocino bottles carry the official organic certification by CCOF. To celebrate this achievement, Barra released three of their Reserve wines with a brand new label, showing intertwined oak and grape leaves. It took the winery more than a year to come up with this new design, the end product of multiple discussions in the focus groups of the club members, employees, and distributors. The oak tree represents an old oak tree found on the original Redwood Valley Vineyards plot. The grape leaf can be considered a tribute to Charlie Barra’s 70 years of grape growing carrier (he is often regarded as a “godfather of grape growing” in Mendocino county). The result – a beautifully looking bottle of wine. As part of this new design, the winery also eliminated foil caps from these Reserve bottles.
Let me now get back to the surprise associated with Barra wines. I got their three newly released bottles to try – Chardonnay, Pinot Noir, and Cabernet Sauvignon. Now, here lies the danger. This trio can be called THE California wines. Each category by itself – Califonia Chardonnay, California Pinot Noir, California Cabernet Sauvignon sets the bar really, really high. We have all tasted amazing wines in these three categories – that means that the frame of reference has very little room for error. You know my take here – if the bottle says “California Cabernet Sauvignon” on the label, it is better to be THE California Cabernet Sauvignon, the classic as is expected.
The new surprise? All three wines perfectly delivered. Each one was varietally correct and perfectly matched my expectations. Barra Chardonnay was Californian Chardonnay through and through. And so were Pinot Noir and Cabernet Sauvignon. And they continued to be pop-and-pour wines. And – these are very reasonably priced wines, considering the pleasure they deliver.
Here are my notes:
2021 Barra Chardonnay Reserve Redwood Valley Mendocino (14% ABV, $24, 7 months on the lees, 30% new French Oak, balance in neutral oak, made with organic grapes)
Light golden
A touch of the gunflint, earthy undertones
Buttery profile with green apples, good acidity, round, delicious.
8, beautiful. Would be happy to drink on any occasion.
2021 Barra Pinot Noir Reserve Redwood Valley Mendocino (14.5% ABV, $26, 8 months 25% new French oak, balance in neutral barrels)
Dark ruby
Tart cherries, herbs, restrained
Sweet cherries and plums on the palate, a touch of vanilla, medium body, round, clean, easy to drink
8-, perfectly quaffable.
8 on the second day, it needs a bit of time to show its true beauty.
2020 Barra Cabernet Sauvignon Reserve Redwood Valley Mendocino (14.5% ABV, $28, 18 months 30% new French oak, balance in neutral barrels)
Garnet
Cassis, earth, sweet basil
Dark berries, eucalyptus, minerality, clean acidity, beautifully layered texture. Shows almost sweet upon opening, but quickly loses baby fat to show tight, muscular texture.
8+, outstanding. I can make it my go-to Cabernet Sauvignon easily.
Here you are, my friends. Three delicious wines for you to add to the “find end drink” category – beautifully packaged and now certified organic.
What were your great wine discoveries as of late?
Spanish Wines: Old and New
If I start calling wines “friends”, does it make me an alcoholic or a sad psychopath?
Whatever. We are who we are.
If you love wines, what are the emotions you experience when looking at a familiar bottle? “Ahh, I know you. Of course, I remember you. Oh, we had a great time together. Remember what happened the last time we met?” Wouldn’t that be very similar to a meeting with an old friend? I’m not equating humans and bottles in any way, but emotions connect us, and good wine always solicits emotion.
What happens when you see a new wine? If something strikes your interest – label, region, producer, grape, anything – your think “yeah, I want to get to know you better”. Making new friends in the human world would work pretty much the same – but I think we better get back to talking about wines before I will dig myself too deep.
I love Spanish wines – and you are well aware of this. I’m always happy to meet old wine friends. I’m equally excited to make new acquaintances. Especially when both old and new friends are Spanish wines.
The first wine I would like to talk about… Well, speaking of friends, it is an old and wonderful friend who makes you feel uneasy at a first sight. You know the feeling when you see an old friend and you are super-happy to embrace him (or her), and then your joy is instantly blemished with the next thought of “ohhh, I promised to send him the book, and I never did”. So this Godello from Arano wines is this exact friend. I had this wine a few years ago, was blown away, promised to myself to write about it – and yet never did. Yep, that feeling.
Speaking about Spanish white wines, most people would probably think of Albarino first, followed by Rueda/Verdejo, and then probably get to white Rioja (usually made from the Viura grape). Meanwhile, Godello might be the most interesting Spanish white grape, in many instances producing white wines easily rivaling the best renditions of Chardonnay. This Godello is definitely in the group:
2020 Virgen Del Galir Pagos del Galir Godello Valdeorras DO (13.5% ABV, $21)
Light golden
Whitestone fruit and lemon
Whitestone fruit, plump, mouthfeel between Chardonnay and Roussanne, round, perfect acidity, delicious.
8+, would perfectly compete with any Chardonnay
Here comes another old friend – Bela, one of the new projects of the Rioja powerhouse CVNE in the Ribera del Duero region. I tasted the 2017 vintage of Bela 3 years ago, which gives me the “old friend” rights. There are some notable differences between 2020 and 2017 vintages – 2017 was well-drinkable almost from the get-go, and 2020 needed 3 days to become the beauty it had become. I don’t know if the oak regimen can actively contribute to such a dire difference (the 2017 vintage spent 6 months in the mix of 1-year-old French and American oak, and 2020 seems to spend 9 months in the new French oak) – but nevertheless, this is definitely the wine for the long haul.
2020 CVNE Bela Ribera del Duero DO (14.5% ABV, $18, 95% Tempranillo, 5% Cabernet Sauvignon and Merlot, 9 months in French Oak barrels, 3 months in the bottle)
Dark Garnet
Earthy spicy herbal nose with dark fruit undertones and a touch of tasted meat
Cherries and cherry pit, tart, focus, firm, concentrated – beautiful on the 3rd day. Day one needed time and day 2 was completely closed.
Drinkability: (day 3): 8+
Now, my most beloved wine category – Rioja.
As you know, everything in life has two sides. Rioja is my favorite wine – but on the flip side, I’m very particular about my Rioja. Despite the absolute world-class of CVNE, I never saw this Bakeder Rioja before, which to me means “proceed with caution”. It appears that this wine is a tribute to the car-free village of La Guardia. As this is a new wine for me, let me quote from the CVNE website: “Bakeder, pronounced back-aid-er, is a wine from Laguardia, a village from Rioja Alavesa. The name, “beautiful as peace” is a loose translation from the Basque language. Let the Whole World know the beauty of the fortified medieval village of Laguardia, protected by its great sierra; its solemn churches and monuments; its historic vineyards, and of course, its magnificent wines.” All my fears dissipated with the first sip:
2019 CVNE Bakeder Rioja Alavesa DOC (13.5% ABV, 100% Tempranillo, 10 months in French oak barrels)
Dark ruby
Cherries, cigar box, eucalyptus
Cherries, plums, well-integrated but present tannins, earthy, firm structure, good acidity, perfect balance. Lots and lots of pleasure.
8+, pop’n’pour the wine you don’t want to stop to drink
The last wine for today comes from the legendary Spanish producer – René Barbier from Clos Mogador in Priorat. Clos Mogador needs no introduction to wine lovers as a producer of some of the most coveted wines in the world. Com Tu, which I never had before, is a relatively new wine, commercially produced only since 2005 from 35-50 years old Garnacha vines. The wine’s name can be summarized as ” I am like you (Com tú), you are like me”, has a lot of meaning and history as a special project, so I would like to simply direct you to the Clos Mogador website to read about it.
2019 Clos Mogador Com Tu Garnatxa Negra de la Figueroa Montsant DO (14.5% ABV, 100% Garnatxa (Grenache), 18 months in a foudre)
Dark ruby
Dark ripe fruit and dark chocolate
Cherries, plums, chocolate, good acidity, sage, good balance.
8, light and pleasant on day 1
Here you are, my friends – some old and some old new “wine faces” – each delivering lots and lots of pleasure.
I wish you many pleasant encounters with friends old and new. Cheers!
Stories of Passion and Pinot: Looking Back and Looking Forward 2023
What started from the little idea “yea, I don’t know, I don’t believe in it, but maybe I will try anyway” now became one of my favorite ongoing series in this blog – Stories of Passion and Pinot. Stories of Passion and Pinot are exactly what the title says – these are the stories of the winemakers passionate about one of the most finicky grapes there is – Pinot Noir.
It is a fun exercise to take a retrospective in the ongoing series and see how far I have gone from time to time. So here is the latest update – for me, and for you if you care to read it.
First, last year I created a new landing page for the whole series. This page is kept current, all new interviews are now added to this page and you always know when the page was updated last.
Four new stories were added since the last update: David Adelsheim of Adelsheim Vineyard, Shane Moore of Gran Moraine, Erik Kramer of Willakenzie Estate, and Bill Sanchez of Potter’s Vineyard. All of these are excellent, in-depth interviews – if you have not had a chance to read them yet, you really should do it now.
Interviews in the series have questions tailored to the individual wineries and winemakers with a little overlap between them. However, sometimes it is fun to ask people the same question and enjoy the diversity of the replies. I asked the same two questions to some of the winemakers who had been already profiled in this series – and now I want to share our short Q&A with you.
Sara Specter of Bells Up Winery, Bill Sanchez of Potter’s Vineyard, and Wayne Bailey of Youngberg Hill have graciously agreed to answer my questions, so below you can see my questions – and their answers:
[TaV]: How was the year 2022 for you? New grapes, new plantings, new wines, vineyard discoveries (a new plot/block, for example), new winemaking styles, new wine club, new tasting room, new markets, growing season and the vintage – please share anything and everything you are willing to with our readers.
[Bells Up Winery]: Harvest 2022 was our 10th under the Bells Up label, having moved to Newberg, Oregon in 2012 and making our first vintage in 2013. Harvest 2022 was also what we’ve been calling “the end of the beginning.” It was the first year we were “100% Pinot Independent,” meaning we didn’t source Pinot Noir from any other grower for the first time. It was a wonderful experience working with other micro-site growers who were very much like us. But our goal has always been to be as close to 100% estate as possible, and now we are… at least for the Pinot Noir. We were also delighted to see that the Pinot Blanc we planted in Fall 2021 and the Schioppettino we planted in Fall 2020 continued to do well, despite some initial concern from the late frost we had in April.
[Potter’s Vineyard]: 2022 was good but tough. It was tough due to the spring frost that wiped out 80% of the primary buds in our vineyard. The cool, wet spring led to a late start to bloom and fruit set. We literally did not know if we would have only a tiny harvest or something close to normal until late in the season, which led to a lot of turmoil. We decided to stay the course and farm it normally assuming that we would have something and of course take care of the vines for the following year. Amazingly, the vines rebounded and we ended up with about 70% of our normal yield. And because we farmed and sprayed diligently we did not suffer from the very high amount of powdery mildew that descended upon the Northern Willamette Valley that year. It was also a year where we added some new effective organic compounds to our organic farming spray program that probably helped fend off powdery mildew. The Pinot noir fruit was beautiful but we had much less of it. 2022 was also a pivotal year for us in our business. We bottled our 10th vintage and pondered all year what we would do for the next 10 years. We’ve made good wine but we decided to try to make better wine as our goal. We hired a Burgundy trained winery consultant with 35+ years experience. Combined with our 15+ years we now had over 50 years of combined experience to gain from. We fine tuned every protocol we had in place and added a lot of additional analyses to our tool box. We also added a new barrel-side wine analysis device to help us get more analyses done more efficiently and timely. This helped us get through a tough set of late fermentations of our other varietals that ripened later than normal due to cool spring throughout the NW. So for us it was a long, tough, and educational year but successful due to our added help and resources.
[Youngberg Hill]: Great growing season. Great balance and complexity in the fruit. A more typical season for the Willamette Valley, later wet spring, cool September and October harvest.
[TaV]: What are your plans for 2023? What do you think the future holds?
[Bells Up Winery]: In 2023 we hope to get enough fruit from the Schioppettino to make a proof-of-concept batch. We will also be releasing our very first bottling of bubbles. The 2022 crop of Seyval Blanc from our estate (first planting in the Willamette Valley of this French hybrid and only the second in the state of Oregon) will be released in a brut style under a new label, “Joy.” In keeping with our practice of naming wines after pieces of music that have terrific French Horn parts, this one is named for Ludwig van Beethoven’s Symphony No. 9 in D Minor, “Ode to Joy.”
[Potter’s Vineyard]: We plan to continue with this new approach to taste the ‘fruits of our labor’ and continue improving as much as we can. We know the future will be tough with another global recession looming, however, we will continue to work hard to provide wine lovers a small vineyard & clay art gallery experience and premium wine.
[Youngberg Hill]: We will get our first fruit from the new Wayne’s World block this year, clones 667 and 115. Regarding what the future holds – who knows?
It is so interesting to see different takes on the vintage, the conditions, etc – and of course the future plans. It will also make it fun to ask the exact same questions next year.
There is a number of new interview ideas in the works, so as they like to say it – watch this space…
Uruguay Wines – Coming Of Age
Do you know the problem many wine lovers share? We are creatures of habit.
Once we develop our inner “favorite wine” profile, we don’t let any changes happen to it. We like what we like. Never heard of this region? Thank you, I’ll pass. God forbid we fall in love with the particular producer – this is even worse than the region – nothing is ever good enough outside of the circle of our favorites.
And this is generally okay. Except we are putting ourselves in danger of losing on new, enlightening, delicious experiences.
When I was invited to the Uruguay wine webinar, my first reaction was “nah”. I mean, Uruguay, really? Between Chile and Argentina, my South American world-class wine circle is already full – do I need to bother with the wines from a totally unknown region?
On second thought – this is a webinar. Wine is coming to me, not like I need to travel somewhere to taste the wines I can potentially be disappointed by. Why not?
I’m glad I accepted the invitation. Both the information and the wines were lots of fun. We learned that while Uruguay has a population of 3.5M people, 2nd smallest size-wise country in Latin America, the country has a 98.7% level of literacy, the highest in Latin America. People in Uruguay are mainly descendants of Italians and Spaniards so they literally have wine embedded in their DNA.
Winemaking in Uruguay started in the 13th century. Today, there are 164 active wineries, producing 70M bottles of wine annually. Uruguay is currently in the process of implementing its own sustainability program. And by the way, the oldest winery in Uruguay dates back to 1854 and is called Los Cerros de San Juan (still open today!).
Uruguay has primarily a maritime climate with strong Atlantic influence, with the majority of low-lying coastal vineyards. Uruguay’s climate is closer to Bordeaux than the rest of South America, and it is significantly wetter if compared with Chile, where it rains only during the winter. Soils are clay based with lots of river deposits. Uruguay has six main winemaking areas, boasting 5 different terroirs. Warm and cold ocean currents collide right around Uruguay, creating significant influence. Interestingly enough, Uruguay is the only winemaking country in South America whose terroir is affected by the Atlantic Ocean.
When it comes to grapes, there are 14,804 acres under vine (a little smaller than Alexander Valley in California). Tannat is unquestionably a star, accounting for 27% of vineyard plantings., but it is not the only grape, obviously – Merlot, Cabernet Sauvignon, Cabernet Franc, Sauvignon Blanc are all quite popular as well.
And before we talk about wines, few more interesting tidbits: cows outnumber humans in Uruguay 4 to 1 and Uruguayans consume more meat per capita than any other country in the world!
Okay, now you know all that I learned in the webinar, and we can talk about the wines.
We had 2 whites, 6 reds, and one Vermouth wine in the tasting. Spoiler alert: I literally liked them all. In the blind tasting, these wines would be surely regarded as world-class, placing them in California, France, maybe Chile – Uruguayan origin of these wines would be a total surprise for many – for sure for me. And yet, here they are – world-class wines from Uruguay.
2022 Marichal Sauvignon Blanc Canelones Uruguay (12.5% ABV, $14)
C: light golden
N: plump, round, Whitestone fruit, a hint of gunflint
P: crisp acidity, fresh, bright. More resembling Muscadelle than anything else. Good balance.
V: 8, very refreshing.
2022 Bracco Bosca Ombú Moscatel Atlantida East Costal Region of Uruguay (13% ABV, $16)
C: light golden
N: very interesting. Muscat’s spicy, nutmeg profile comes as a distant hint. A touch of perfume
P: restrained tropical fruit with an acidic finish.
V: 7, not balanced enough for me; On the second and third days the wine showed much better, more coherent and more elegant – Drinkability: 8-.
2020 Familia Deicas Bodegones del Sur Vineyards Select Cabernet Franc Juanico Region Uruguay (13.5% ABV, $20, 30% aged in American and French oak)
C: Beautiful bright ruby
N: round vanilla, new world style
P: interestingly restrained on the palate, with noticeable tannins. The palate shows the absolutely old world (Saumur, Chinon). Interesting cranberry notes after an hour and a half in the open bottle.
V: 7+/8-, a bit unexpected, but not bad
Improved on the second day, became more round. Final: 8-
2020 Giménez Méndez Alta Reserva Tannat Las Brujas Canelonés Uruguay (14% ABV, $18, aged for 9 months)
C: Dark Garnet
N: Open, inviting, dark fruit, blackberries
P: Dark fruit, firm structure, smokey undertones, herbs, very good balance.
V: 8, well drinkable now
2019 Montes Toscanini Gran Tannat Premium Uruguay (14% ABV, $59, 18 months aged in oak, BAB with a huge punt)
C: dark garnet, practically black
N: wow. Cassis, sweet oak, eucalyptus, open, inviting, invigorating. In a blind tasting, I would bet my life on Napa Cabernet Sauvignon.
P: the palate is leaner than the nose suggests. Red and black fruit weave around a firm structure, tannins showed up a while after opening.
V: 8-/8, very impressive
2018 Pisano RPF Reserva de la Familia Tannat Region Progreso Uruguay (% ABV, $24, 10–12 months in French oak)
C: dark garnet
N: dark fruit, coffee, smoke
P: a hint of smoke, sapidity, dark, concentrated but not overpowering. Good balance, medium-long finish
V: 8-/8, very nice. Will be great with the steak.
2018 Alto de la Ballena Tannat – Viognier Uruguay (14% ABV, $24, 85% Tannat, 15% Viognier)
C: Dark garnet, almost black
N: herbs-forward nose, sage, a hint of cherries
P: fresh fruit, salivating acidity, sage, firm structure, and perfectly lingering cherries and cherries pit finish.
V: 8, great by itself, and will be great with beef roast
2019 Bouza Monte Vide Eu Montevideo Uruguay (13.5% ABV, $67, 20% Tempranillo, 30% Merlot, 50% Tannat, vinified separately, 16 months in French and American oak barrels)
C: dark garnet with a beautiful ruby hue
N: very complex, cherries, rosemary
P: roasted notes, dark fruit, elegant package, firm structure with a perfectly balanced mouthfeel.
V: 8, excellent, a world-class wine.
Basta Spirit Vermut Flores Rosé Uruguay (16% ABV, $16, Tannat, 27 botanicals)
C: beautiful salmon pink
N: Herbaceous, but a bit strange, stewed strawberries
P: a bit too sweet for my palate.
V: I’m very particular about the vermouth, so this is probably not the one for me.
Here you are, my friends. Next time you see an Uruguayan wine on the shelf, obey your thirst and grab it – and you don’t even have to thank me later.
Stories of Passion and Pinot: Bill Sanchez of Potter’s Vineyard
Bill and Sandy Sanchez. Source: Potter’s Vineyard
Wine is art.
More often than not, the connection goes beyond that simple statement. Have you visited wineries that are housed in beautifully designed buildings, or offer various pieces of art – paintings, sculptures – for everyone’s viewing enjoyment? Wine is a form of art, made by artists, and it thrives surrounded by art in a multitude of shapes and forms.
Bill Sanchez extended his 30+ years of PhD experience in nutritional science and 15 years as a professional Potter to the art of winemaking when he and his wife Sandy bought 3.5 acres estate winery in Laurelwood District AVA in Oregon from Laura Volkman in September of 2012. He had to learn 1,000 steps of making great Oregon Pinot Noir from Laura, who planted the vineyard in 2001. Guided by this knowledge, love of art, and utmost respect for one of the most famous artists of all time, Michelangelo, Bill and Sandy operate their winery with a full commitment to “staying small”.
Organic, LIVE and Salmon Safe certified winery, Potter’s Vineyard produces about 1,000 cases annually, supplementing estate Pinot Noir with Chardonnay, Cabernet, Merlot, Sangiovese, and Syrah coming from single vineyard estates in Washington. Connecting visitors to art, the winery also offers a full exhibit of handcrafted Clay Art.
I had an opportunity to sit down (yes, virtually) with Bill Sanchez and ask him a few questions about his passion for Pinot and art. Here is what transpired in our conversation:
[TaV]: What is Vino Vasai Wines and how it is different from Potter’s Vineyard wines?
[BillS]: There’s a back story on Vino Vasai, which means Wine of The Potter. We used it when a large company said ‘they would oppose’ our trademark for Potter’s Vineyard. Vino Vasai is the wine brand, and Potter’s Vineyard is the name of our company and Estate Vineyard.
Source: Potter’s Vineyard
[TaV]: You worked for 35 years in nutritional science field. How does this experience affect your work in the vineyard and the winery?
[BillS]: That experience has focused my work on the vineyard where I am taking a ‘nutritional health’ approach to our farming. We practice organic farming and use natural ‘nutritional compounds’ to improve the health of the vineyard. We are gathering clinical data that shows this helps to prevent major pests like powdery mildew.
[TaV]: I read in your story that you learned 1,000 steps of making great Oregon Pinot. Can you please tell me what step 367 is all about? 🙂 just kidding 🙂 but seriously, what are these 1,000 steps all about?
[BillS]: When you break everything down there is probably many, many starting with 30 passes in the vineyard (that starts in January by the way), and many more steps involved in growing quality fruit (pruning, tying down, flailing, rubbing buds, trellising, mowing, spraying, hedging, etc. Then, when you add all the steps after harvest you get many, many more – I know I exaggerated it at 1,000 but someday I will add them all up and I know I will be closer to 1,000 than 100!
[TaV]: Especially because of your extensive scientific background, I have to ask you the same question I like to ask many winemakers – Biodynamics. What do you think of biodynamics? Would you ever implement it at your winery?
[BillS]: I’m very intrigued, but I don’t understand it yet, especially the ‘cosmos’ connection. I understand Organic much better and am excited to see the increasing amount of quality science that demonstrates not only that Organic farming works, but that it is healthier for the entire farm.
[TaV]: Pottery seems to be your other passion besides wine. Today, amphorae are popular vessels among winemakers to work with their wines (fermentation, aging, etc.). Do you use amphorae at your winery? As a potter, would you attempt to simply make one for this purpose?
[BillS]: Again, I’m very intrigued by amphorae but I haven’t yet found them to deliver higher quality wines compared to oak barrels. This is especially true for reds and chardonnay, which are my primary focus. I have tried some delicious crisp whites from amphorae, but I am not working with those varietals (yet)! I would rather buy Amphorae from my neighbor, fellow potter and winemaker, Andrew Beckham than attempt to make one myself (especially at the size needed to make enough wine for a club pickup).
[TaV]: I understand that you and your wife are big fans of Michelangelo and his work. How does Michelangelo’s work inspire you in your daily dealings at the vineyard and the winery?
[BillS]: I like the fact that Michelangelo was so diverse in his work (sculpture, painter, and architect) and I think we all aspire to be like him, not only one of greatest in his time but one of the greatest of all time!
Source: Potter’s Vineyard
[TaV]: You stated that Potter’s Vineyards is dedicated to staying small. How difficult it is keep that resolution and to stay small?
[BllS]: It’s most difficult financially, but because my wife and I did not plan on needing the income into our retirement years, we are happy to break even and live and work with less stress.
[TaV]: How does this decision affect your daily work?
[BillS]: It is very rewarding to have something we enjoy very much that keeps us busy every day and provides a product that enriches people’s lives, especially in creating a pleasurable memory they can share with family and friends.
[TaV]: Potter’s Vineyards is a certified sustainable winery. Can you talk about your approach to sustainability and why sustainability is important to you?
[BillS]: Our approach is to focus on the health of the entire farm. I like to think about the health of the soil (insects, microbes, organic matter), the vegetation diversity between the rows, the flowering plants surrounding the vineyard, the birds, the bees, the insects and of course the people who visit. I believe this approach will allow the farm to thrive for many years (if not forever).
[TaV]: You have two wine clubs, B club and M club. I understand that M stands for Michelangelo. What B stands for?
[BillS]: Botticelli (another great Italian artist)
[TaV]: In terms of distribution, what percentage of your wine is sold through the club and local visits?
[BillS]:Over 90%.
[TaV]: Are your wines available in retail or maybe the restaurants?
[BillS]: We don’t actively pursue distribution, but if local retailers request our wines, we make them available and support these local establishments. Our wines are currently available at Our Table Farm Store in Sherwood, OR., 503 Uncorked Wine Bar in Sherwood, OR., Old Town Bar & Grill in Newberg, OR., and Crushed & Crafted Wine Bar in Newport.
[TaV]: I see that you produce a Sangiovese wine. Sangiovese is largely atypical for an Oregon winery. Is that a nod to your Italian connection?
[BillS]: Yes, my wife Sandy actually.
[TaV]: How popular is this wine with your customers?
[BillS]: They love it and love the story where we discovered Sangiovese during our trip to Italy in 2011 and then bought our vineyard in 2012. Releasing a Sangiovese in our 10th year of business was truly a dream come true!
[TaV]: You already make a full line of Pinot Noir wines (sparkling, Rosé, white Pinot and of course the large range of Pinot wines themselves). You also make Cabernet Sauvignon, Merlot, Sangiovese. Do you plan to plant any new grape varieties or make new wines?
[BillS]: Someday we may offer a Sauvignon Blanc, but Sandy says that’s it after that!
[Tav]: Where do you see Potter Vineyard in 10 years? What would you like to accomplish during the next 10 years?
[BillS]: If my children take a serious interest, I would love for the business to grow enough to support their families into the next generation and beyond but if not, we will find someone to nurture it along just as Laura Volkman found us!
There you are, my friends – another story of Passion and Pinot, another story of wine and art.
I didn’t get a chance to try Bill’s wines yet, so please stay tuned for the update…
P.S. For more stories of Passion and Pinot please visit the series’ main page.
OTBN Conundrum
OTBN, short for Open That Bottle Night, is my favorite wine holiday. Nowadays, there are lots and lots of wine holidays, usually associated with a particular grape – International Chardonnay Day, International Cabernet Day, Beaujolais Nouveau celebration, and so on. The majority of such wine holidays encourage you to open a bottle of wine made from a particular grape, whether there is a story behind the bottle or not. You can take these grape holidays with all seriousness and meticulously prepare and select the right bottle, or you can just grab any random bottle you will see in the store – or skip the grape holiday altogether if you don’t feel like drinking Cabernet Sauvignon or Chardonnay on that particular day.
OTBN is different. OTBN was invented for people who take their wine seriously. Or maybe rather those who take their wine too seriously. Over the years, we accumulate wine bottles that are deemed special; brought home from the winery you visited in France; got this bottle after an amazing tasting event; a bottle from an amazing family vacation many years ago; a bottle given to you by a dear friend. We can continue on and on, but you got the point.
Many of those special bottles in your collection would have some similar traits: they exist in the quantity of 1 and they are too special to be opened at random. Those special single bottles stay put in your cellar, waiting for the special company, special circumstances, special moment, special friend’s visit to be opened and enjoyed. More often than not, they keep waiting, and waiting, and waiting, because that special moment keeps not happening. And then, when it finally arrives, you might open that special bottle you preserved with the best care in the world, only to find that the content can solicit the memory but can’t bring you joy anymore because the wine in the bottle simply turned past prime. And it also kind of ruins the moment. This is why OTBN was invented, and this is what makes it such a great holiday for all the winos out there.
My personal conundrum draws exactly along the lines I just described. I have a lot of single bottles (actually, an absolute majority of my wines in single bottles – I practically never buy any wine by the case), and as such making a decision about a “special” bottle of wine for an event or a holiday, never mind the hallmark of them all, OTBN, a long and tedious process. “Is this bottle good enough? Okay, but I only have one. What if I will open it now and would never know how great it could’ve been? What do I do? What do I do?”
Same as the last year, I had to celebrate OTBN early this year due to the business trip spanning over the intended OTBN last Saturday of the month, February 25th. My wife doesn’t drink much wine nowadays, so I had to count primarily on myself. I had no good ideas coming to my head, there were no special bottles of wine I was ready to sacrifice. Looking at one of the wine fridges, I noticed the bottle of Jean Bourdy from Jura.
I don’t take Jura wines lightly, they are very hard to procure in the US. And then Jean Bourdy is a legend in itself – I better have a damn good reason to open such a special bottle. Then I thought that I already had some Jean Boardy in the past – maybe I would find some notes in the blog? I entered Jean Bourdy in the search box, and sure enough, this post came up. I tasted this wine in 2011 when I attended a Natural Wines seminar at PJ Wine store in New York – my first, a truly memorable encounter with natural (low intervention) wines as a category. I tasted this exact wine, 2006 Jean Bourdy Cotes Du Jura Rouge (fun fact: 2006 was the first vintage of Biodynamic wine production at Caves Jean Bourdy). I really liked the wine then, and my note said “It appears that wines of Jean Bourdy are known to age very well (note to self)”. As soon I saw this “note to self”, I instantly put that single bottle of Jean Bourdy back, as 17 years is most likely not an age for it.
In the same post, I noticed another wine that happened to be next to Jean Bourdy bottle on the same shelf – 2007 Le Pavillon de Saint Jacques Lalande de Pomerol. I pulled this bottle many times from the fridge before, always remembering that this was a natural wine, but again, no moment felt special enough. Then I read my note from 2011, which was clearly less than favorable. Here it is in its entirety:
“Very interesting. Smells like dirt, pure dirt after the rain. Very vegetative, no fruit on the palate, just pure dirt again. Almost no acidity. This wine was fermented in concrete tanks, aged for 18 months. It is “certified organic” and made with 90% Merlot and 10% Cabernet Franc – classic Pomerol wine. I would love to taste it in 10-15 years – I think it will greatly evolve, but it is not easy to say ” I like it” now”.
This “note to self” clearly stated that the wine was not good in 2011, but I should give it another try in 10-15 years. I was pretty much in the middle of that suggested term – 12 years after the original tasting, so opening that bottle all of a sudden became a perfect thing to do.
Cork came out easily, showing a good amount of crystals on the bottom, but otherwise perfectly fresh. The first sip instantly put my inner wine geek into a nirvana state. Barnyard. Pure, beautiful barnyard. If you belong to the group which screams “brett” at the first whiff of the barnyard smell on the wine, I’m sorry but we can’t be friends. Yes, there are limits to everything, but the reasonable amount (don’t ask me to quantify, everyone has to define their own “reasonable amount”) enhances the wine pleasure for me. I typically find barnyard associated with Syrah wines – possibly, this was my first Bordeaux with the barnyard aroma – but the barnyard aromas were followed by the classic, concentrated cassis. Layered, concentrated, softly rolling harmonious wine with perfect, firm structure and clean acidity. Beautiful, classic Bordeaux. This was truly an OTBN-worthy pure pleasure experience (by the way, my wife also loved the wine very much).
Here you go – my typical wine selection conundrum, happily resolved to make another memorable night. And as a bonus, the expectation of improvement of the wine with age fully came through (patting myself on the back).
The official OTBN night is almost here. You still have time to select the bottle or 5, maybe get some friends together and make some wonderful wine memories. If you want to celebrate only one wine holiday a year, make it OTBN – don’t risk the wine not being there for you, or you not being there for the wine.
And please share your OTBN stories – I would love to hear them.
Daily Glass: Trial and Error, and Variety of Opinions
Drinking wine is complicated.
I guess I lost you right here and now.
Let’s try again.
Drinking wine is not complicated. Things preceding the wine getting into your glass are complicated. Deciding on the wine to buy, deciding on the wine to drink, deciding how long to keep the bottle before opening is complicated. Dealing with influences, both positive and negative is complicated. If you don’t see it that way – you are lucky. And if you do share my opinion, let me have your ear.
Today, let’s talk about influences. First, let’s take a look at the positive influences. A trusted friend said that the wine was amazing and you must try it. You visited your favorite, trusted wine store, and the salesperson recommended the wine. You saw a raving review for the wine on the website you already bought 10 excellent wines before. You obviously trust the recommendation and happily buy the wine. All is good, right?
Of course, all is good. Maybe not all, but almost all. What might not be good in such a beautiful picture? The expectations. Getting a recommendation from a trusted source sets your expectations. It sets them way, way too high. If your high expectations are not met upon the first sip that obviously creates disappointment. What was supposed to bring you instant joy is now making you upset. Your expectations now failed, and because it was a trusted source, it makes things even worse.
Before you get too upset, let’s think. Maybe the problem is not with the recommendation, but with the way you took it? This is wine, remember? Aeration, temperature, mood, food, environment – all affect the perceived taste of wine. Serve heavy red too cold, and the wine will become bitter. Serve it too hot, and you will be running away from the alcohol hit. Serve a 3 years old bottle of Howell Mountain Cabernet Sauvignon without decanting, and I literally guarantee you pain and disappointment. In wine, these little things matter.
Case in point – 2019 Viña Cobos Felino Cabernet Sauvignon Mendoza (14% ABV, $6.98 ($22 original price), 100% Cabernet Sauvignon, aged for 8 months in oak barrels 10% new). A few months back, I got an email from Wine Exchange, with an offer no wine lover can resist – outstanding Cabernet Sauvignon which was originally priced at $22 and is now $6.98 as a black Friday promotion. I bought 6 bottles. A week or so later opened one and had a feeling of being duped – the wine didn’t show much of anything. I made a mental knot to remember that this was not the wine I can enjoy. Can you imagine my level of disappointment? Of course, at this price, nobody can really complain, but the disconnect between the trusted expert’s recommendation and the actual experience was too dramatic and definitely contributed to the feeling of disappointment.
Two weeks ago, I was looking for a bottle to open for a house guest and just came across this wine again – yeah, sometimes I suck as a host, I know. After my guest had a few glasses (I was not drinking that evening), I pumped the air out and put the bottle aside. The next evening, I was not looking forward to it, but I said I would just have a sip and then put the bottle aside to cook with. Wow. What a transformation. The wine was beautiful, it opened up, it had cassis, it had cherries, it was clean and succulent, exactly as the description promised. Do you see now what I’m talking about? The positive expectations were not met – I’m glad I didn’t stop at that moment of disappointment, but the overall experience could’ve turned out for the worst.
Now, let’s talk about the negative influence. When a trusted expert tells you that the bottle of wine is not good or that you will not like it – you listen. If this is the conversation in the wine shop before you buy the bottle, the outcome is clear – you would just not buy the bottle. And if you already own the bottle? Well, it is what it is then…
A few weeks ago, I spoke with my friend Zak (the wine store owner) who mentioned his recent experience with Peter Michael wine – he open a bottle of an older Peter Michael Sauvignon Blanc, and it was practically on the way out, actively developing tertiary aromas. A few days after this conversation, after a long day, I suddenly had an urge for a glass of white wine late in the evening. This doesn’t happen that often, but hey, obey your craving… After mindlessly pulling a few shelves in the wine cabinet, I came across the one with Peter Michael bottles. “Aha, this 2012 Peter Michael L’Après-Midi Estate Napa Valley (15.6% ABV, 95% Sauvignon Blanc, 5% Semillon, 8 months in French oak) is probably gone already anyway, why don’t I open that”.
“Whoa” was my instant reaction upon the first sip. 10 years old white wine from California, with 15.6% ABV… You would definitely expect the wine to turn, and yet it was fresh, complex, exuberant, brimming with juicy whitestone fruit, plump vanilla, and fresh acidity. Could my low expectations contribute to the elevated enjoyment? This is always a possibility, but I’m not sure. The wine was not comparatively good, it was simply good on its own. What made my experience different from Zak’s? I have no idea – it is a mystery. And this mystery is what makes wine so much fun.
There you are – an account of indecisive winelover dealing with influences and preconceived notions.
But for some reason, I don’t think my situation is unique. I’m sure you got your own stories – do tell…
A Few Days In Florida
Time flies.
Just a month ago It’s already been a month since we visited our close friends in Naples, Florida. We spent a week at our friends’ house, sometimes enjoying the sun and sometimes not (on the morning we were flying back to New York, the temperature was balmy 40°F). However, this is not a post about the weather – this is primarily a post about the wine, and some flowers – in pictures, that is. Possibly, quite a few pictures.
My friends enjoy an occasional glass of wine, but it doesn’t have to be absolutely anything in particular – the price should be right (low), that’s the main criteria. Therefore I enjoyed exploring the random collection – but of course, I couldn’t also resist an opportunity to visit some of the local wine stores.
First, there was an early morning flight – always an opportunity to enjoy the sunrise.
Talking about the wines, we started our first day in Florida with a few tasty whites. 2018 Grgich Hills Estate Sauvignon Blanc Fumé Blanc Napa Valley was outstanding – bright, succulent, bristling with acidity, and supporting core of the whitestone fruit. I love Sauvignon Blanc in all of its renditions, and this was the quintessential Napa Valley version. I also had the 2019 Whipstitch Barrel-Fermented Chenin Blanc Clarksburg which was restrained and interestingly elegant, with good acidity and a plump, fuller body mouth feel.
Our dinner plan for the evening was very simple – steak, a nice porterhouse from Pat LaFrieda. Ever since I made Bistecca alla Fiorentina a few years back, I got hooked on this specific way of cooking the steak every time I come across a good porterhouse. And then, of course, my preferred wine for such a dish is Montalcino, either Rosso or Brunello. There was no Montalcino on hand, so I went to the nearby Total Wine to pick up the bottle. After a long deliberation with myself in front of the Montalcino section (not very large), I settled for the familiar – 2020 Il Poggione Rosso di Montalcino. This was kind of a safe choice remembering a great experience I had with the 2016 Il Poggione Rosso and the steak.
The steak portion of our dinner was excellent – after all, Pat LaFreida provides top-quality meat, so my job was only not to overcook it. The wine, however, didn’t deliver. The 2016 Rosso was superb in its perfect balance of cherries and earthy flavors. The 2020 Rosso, which I also had a few months back, was simply too tight and rather void of any pleasure. The same two years of age (I had 2016 in 2018, and 2020 at the beginning of 2023), but the difference was profound. Oh well, at least we enjoyed the steak.
The next day we visited the supermarket store called Seed to Table, one of the local hallmarks in Naples. If you are familiar with Stew Leonard’s stores in Connecticut and New York, that will give you an idea of what Seed to Table is – only 10 times better. Seed to Table would deserve a special post of its own, which I might do after our next visit to Naples. But for now, I have to mention the wine section at the store – it was mind-boggling. The American wines were extremely well represented – California, Oregon, Washington, Virginia, and other states – very solid choices, not inexpensive, but still all the reasonable stuff, in the $30 – $80 range for the majority of the wines. I regret not taking the pictures to share with you – I will correct it the next time.
I picked up two bottles of wine there. The first one was the 2020 Textbook Cabernet Sauvignon Napa Valley, the wine which is rumored to be made from the same fruit as Harlan. I had Textbook Cab many times before and enjoyed it. This wine was not bad, but it was definitely opened too early. It was bold, tight, and “in-your-face” concentrated, nicely hiding a beautiful cassis core that was trying to present itself but was unable to. Give this wine 8-10 years, and you will be able to start enjoying it.
My second pick was 2020 We The People Cabernet Sauvignon California. This wine was a lot more approachable than the Textbook and was showing the telltale signature of Cabernet from Lodi – a hint of warm cinnamon notes, just enough to be noticed but not enough to get in the way of enjoying the wine. This wine was perfectly drinkable and enjoyable from the get-go.
A few days later my sister-in-law and her husband were planning to visit, so I decided to go to the Seed to Table again. This time, I came across the Spanish wine section and decided to pick up a few of the perennial favorites.
2016 Coto de Imaz Reserva Rioja DOC was spot on. Coto de Imaz is lesser known than Lopez de Heredia, La Rioja Alta, or CVNE. Nevertheless, Coto de Imaz Rioja is well worth seeking, as I had never been disappointed by their wines. This wine offered beautiful round dark fruit, a cigar box, and a touch of eucalyptus, all velvety and polished.
2019 Emilio Moro Ribera del Duero DO didn’t fare as well as the previous wine. It was too tight, and the fruit was not showing even a few hours after the bottle was opened. It is possible that this wine needs good 10-15 years in the cellar to mellow out, but at this point, this is probably not something you want to open.
Time for flowers! We visited Naples Botanical Garden, and so here are some flowers I picked there, especially for you:
I would like to mention a few more wines in passing here. 2020 Chateau Roudier Montagne-Saint-Emilion AOC is a budget Bordeaux from Trader Joe’s. While not mind-boggling, it comes from an outstanding 2020 vintage and is easy to drink, mellow, and round. 2016 Ferrari Carano Cabernet Sauvignon Alexander Valley was a solid California Cabernet Sauvignon rendition, with a good amount of power, good structure, and underpinning of cassis. I picked up the 2017 Torbeck Cuvée Juveniles Barossa Valley Australia for a friend who swears by Chateauneuf-du-Pape – I wanted him to compare the CdP with a similarly made GSM (61% Grenache, 28% Mataro, 11% Syrah). The wine had cherries and plums with a hint of some spicy notes – quite delicious all in all.
When visiting Florida, taking pictures of the palm trees is unavoidable:
Before we part, last but not least – delicious scotch. Alexander Murray Benrinnes Distillery 19 years old (distilled in 1995). It had beautiful complexity, not heavy, without any noticeable peat, very elegant, and perfect with a cigar. Alexander Murray is an independent bottler I was not aware of before – but definitely will be now.
That’s all, my friends – that concludes my Florida story in wines and flowers. Cheers!
Low Calories, Low Alcohol Wines – First Encounter
Low calories, low alcohol.
In my book, these are trigger words.
Don’t get me wrong – watching your caloric intake is definitely a first-world problem, and I generally pay attention to it when it comes to daily food. However, wine is an indulgence. I drink wine for pleasure. Wine is not a necessity. Yes, it is possible to live perfectly happily without drinking wine – however, this is a choice. And you already know what choice I made.
As I drink wine for pleasure, the number of calories is not a criterion I would ever use when selecting a wine to drink. The company, food, mood, ambiance, grape, region, winery, winemaker – there are lots of factors influencing the decision, but the number of calories in a glass of wine is definitely not one of them. If one selects wine by the number of calories, what is the point of drinking the wine? May I suggest water as a better choice?
Now, let’s scrap all of this. Let’s pretend I didn’t say yet anything in this post.
Apparently, knowing the calorie count in the glass of wine is important, especially if you are a part of Gen Z (not my opinion – this is what I read). Apparently, there is a demand for wines to have the same labels as any food product, listing all the ingredients and providing the breakdown of nutrients, calories, etc. ( I hope this will never materialize as a law – but oops, I’m not supposed to be expressing my opinion). And apparently, there is enough demand for low-calorie, low-alcohol, and alcohol-free wines that my friend Zak even allocated specific shelf space for such wines at his wine store in Stamford, as there are enough people asking for them.
As I visited the store and chatted with Zak about wine trends, he showed me these shelves with low-alcohol wines, and I surprised both him and myself by grabbing a bottle to taste.
There are a few reasons to be surprised. The first one, of course, is the fact that I decided to try a type of wine that I consider simply a gimmick. A bigger surprise was that I grabbed the bottle of Meiomi Pinot Noir – the wine I normally can’t stand. I don’t like pretty much any wine the Wagner family produces, including the flagship Caymus – and my dislike for Meiomi Pinot is very strong as I can’t get through the sweet and burning mouthfeel this wine delivers. And yet here I am – getting a low-calorie version of the wine I normally don’t drink. Talk about surprises.
Let’s continue on the subject of surprises. To my yet another surprise, I didn’t dislike this 2021 Meiomi Bright Pinot Noir California (8% ABV, $19.99, 90 calories, 9.7g of carbs per 5 oz glass). I guess the reduced alcohol was good for this wine as it was showing a nice dark berry medley with blueberries and blackberries taking the leading role, supported by sweet oak and a nice silky mouthfeel. If it would not be for the cloyingly sweet finish, this would be a good wine experience overall – but again, the wine was quite palatable, even during re-tasting over the next 4 days.
This encounter with the low-alcohol, low-calorie wine made me do something which I had never done before – trying to understand the calories in wine.
I don’t pretend to be a scientist here, so below is my layman’s understanding of what we are dealing with when counting the number of calories in a glass of wine. I’m fully open to criticism, and if someone thinks this is all baloney and the calculations are all wrong, I will be delighted to correct this text to set things straight.
First, some basics. Calories in a glass of wine come from 2 sources – alcohol and sugar. There are 7 calories in one gram of alcohol (there are multiple sources of info on this, I used this one), which by the way makes alcohol the second highest source of calories after fat, which delivers 9 calories per gram. There are 4 calories in a gram of sugar (you can verify via google search). One more important point – a standard wine pour is considered 5 ounces glass, and there are 5 standard pours in a bottle of wine, which contains approximately 25 oz of wine. As we measure calories per gram, we need to convert between ounces and grams. One ounce is equal to 28.3495 grams – however, as I don’t want to deal with a calculator all the time, we will assume that 1 oz is equal to 30 grams, for the simplicity of this exercise.
Alcohol is always presented on the label in the form of ABV – Alcohol By Volume. Thus the percentage shown with the ABV letters simply identifies what percentage of the bottle content is pure alcohol, the one which clocks 7 calories per gram. To provide a simple example, a 1 liter of 10% ABV wine will contain 100 grams of alcohol. By the same token, a standard pour of such 10% ABV wine which amounts to 5 oz, will contain 0.5 oz of pure alcohol. If you want to do it in grams, with our previous assumptions, 5 oz is equal to 150 grams, which will translate into 15 g of pure alcohol – which in turn will deliver 15*7 = 105 calories per glass just for the alcohol portion of the content.
Now, let’s analyze our Meiomi wine based on what we just learned (yes, I know it says on the bottle “90 calories” front and center, but let’s see if we can come up with the same number). This Meiomi Pinot Noir has 8% ABV, which means that the standard pour/serving of 5 oz (150g) contains 12g of pure alcohol. 12*7 = 84, which brings us to the perfect proximity of the 90 calories. However, according to the information on the back label, the same 5 oz of wine contains 9.7g of carbs, and the only source of carbs in wine is residual sugar – this is the sugar left in the wine after fermentation was finished. We can safely round our 9.7g to 10g, and when multiplied by 4 (calories per gram of sugar) we will get 40 calories. Adding 84 and 40 brings us to 124 calories in that glass of Meiomi Pinot.
I wanted to compare this caloric count with any regular wine. As an example, I took information from the technical note of the 2020 Barra Cabernet Sauvignon from Mendocino. This wine has 14.5% ABV and 3.2 g/l of residual sugar. At 14.5% ABV, our 150g of Barra Cab (5 oz, standard pour) will contain 21.75g of pure alcohol, which will give us 152 calories from alcohol. 3.2 grams of sugar per liter will translate into approximately 0.5g of sugar per same standard pour which in turn will only add 2 calories, for the grand total of 154 calories. That also means that there is only 30 calories difference between low-calorie, low-alcohol, manipulated wine and normal wine. You can make your own conclusion, but I’m sure you can figure out mine.
There is one more thought I would like to share. I’m afraid that a low-alcohol wine can give people a false impression that they can simply drink more of it because each glass supposedly contains less. So it is not impossible to presume that someone can drink 3 glasses instead of two, based on the premise of “light wine”. Using our calculations above, there will be 372 calories in these 3 glasses – 2 glasses of Barra Cabernet Sauvignon will set you back 308. Again, you can (and should) make your own conclusions.
I clearly understand that my personal viewpoint and perception are not important at the scale of the market – when there is a demand, the product will appear. Low-calories, low-alcohol wines are here to stay, no matter what I think of them. But I’m glad this Meiomi Bright Pinot prompted me to do some research and acquire some understanding of the calories in wine.
I guess when they say “liquid diet”, they are not really kidding. Cheers!
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