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WMC21: Live Wine Social
One of my favorite sessions at the Wine Media Conference is what was known in prior years as speed tasting – 10 wines, 5 minutes per wine for the winemakers to present and for attendees to comprehend and share their opinion on social media.
For WMC2021, a unique event in itself, the format was changed – winemakers were not going around the room with their wines – instead, the wines were placed on every table in advance, and winemakers had 5 minutes each to present their wines. And we only tasted 5 wines per session instead of 10. Not a very different format, but having winemakers not moving around the room all the time kind of reduced the level of energy this event always possessed – which might explain the new name – Live Wine Social.
We had two sessions – White and Rosé on Day 1, and Red on Day 2. With 5 wines in each session, it doesn’t make sense to report on the event in two separate posts, hence one post covering all 10 wines.
Day 1, White and Rosé:
Wine #1: 2019 Longevity Pinot Grigio Livermore Valley – this was an interesting wine, but it didn’t appeal to me – however, I heard other bloggers liking it very much.
Wine #2: 2020 Troon Vineyards Kubli Bench Amber – a wine with restrained aromatics and tangy orange notes on the palate. One of my favorites in the tasting.
Wine #3: 2019 Benton-Lane First Class Chardonnay Willamette Valley – this was a nicely restrained rendition of the famous grape, very well done.
Wine #4: 2019 Brooks Ara Riesling Willamette Valley – my perennial favorite – this wine never ceases to amaze and delight.
Wine #5: 2020 Rodney Strong Rosé of Pinot Noir – well-balanced California Rosé rendition, simple and tasty.
During the event, a live display was showing all the tweets relevant to the WMC2021 – here is one example for you:
And now Day 2, for the reds:
Red wine #1: 2019 Troon Vineyard Siskiyou Syrah Applegate Valley – we couldn’t start with better wine than Troon Syrah. Purity of expression is nothing short of the mind bogging, beautiful cold weather Syrah rendition. One of my absolute favorite wines of the conference and the trip overall.
Red wine #2: 2018 Benton-Lane Pinot Noir Willamette Valley – interesting wine in need of time to open.
Red wine #3: 2017 Pfeiffer Pinot Noir Willamette Valley – another Pinot Noir which didn’t resonate with me.
Red wine #4: 2017 Brooks Rastaban Pinot Noir Eola-Amity Hills – great aromatics, delicious wine on the palate.
Red wine #5: 2018 Knotty Vines Cabernet Sauvignon California – a part of the new line of wines from Rodney Strong – Knotty Vines. It doesn’t have the extensive concentration one comes to expect from California Cabernet Sauvignon, but it also doesn’t have a price tag associated with that type of wine. Without any regard to the price, this is simple, tasty, delicious, varietally correct, and perfectly drinkable from the moment you open the bottle, which is never an easy fit, especially when it comes to Cabernet Sauvignon.
That concludes the Live Wine Social report from the Wine Media Conference 2021. Cheers!
Let Your Palate Lead The Way
Wine can be intimidating.
Scrap that.
Wine is intimidating.
I’m always the first to disagree with the exact words I just wrote, but go watch the movie Somm, and tell me if you agree. Don’t have time to watch the movie? Go read about the German wine quality system, and then try to explain it to someone. Yes, wine is intimidating.
And no, it is really not.
If you are on a quest for the world’s most coveted wine expert title, such as the Master Sommelier – thinking of wine will keep you up at night. But if you want to casually enjoy a glass of wine, there is nothing intimidating about it.
Wine is simple. Wine is binary. You either like it or not. There is nothing else to it.
All you need to learn about the wine is to … trust your palate. Let your palate lead the way. It can be unnecessarily difficult, as humans generally are easily intimidated and influenced – “everyone likes it!”, “I paid $100 for this bottle”, “the experts said it was the vintage of the century”, “there were only 500 bottles produced”, yada, yada, yada. And nevertheless, the wine is personable, the wine is individual, it is only you who can tell if you like the wine or not – no matter what anyone else thinks or says. If you will learn to trust your palate, the intimidation will be gone out of wine at that very moment.
The best (and possibly the only) way to deal with this intimidation is through the blind tasting. When you are presented with a random glass of wine, you have no options but just to form your own opinion – swirl, sniff, sip, spit, repeat – say whatever you want, but all the external influences are out. It will be your own palate which will tell you “yeah, can I have more, please”, or “never again”. The value of the blind tasting goes even further than just conquering the wine intimidation – it also helps to deal with preconceived notions. Do you have a friend who keeps saying at every occasion “boy, I hate Chardonnay, how much I hate it”? Now imagine that person praising the delicious wine in their glass, only to find out that that was that exact Chardonnay they thought is the worst wine ever? In the wine world, blind tasting is the ultimate judge and jury, and your palate is all you got to rely on – and thus you have to simply trust it, as you are you.
Learning with and about your palate is not necessarily simple. Yes, you can go to the store, get a bunch of wine and create your own blind tasting – but it might be difficult not to cheat, right? How about leaving that arrangement to the professionals? Cue in the Palate Club.
Palate Club offers an opportunity to learn about your palate through the blind tasting – and then use that knowledge to find the wines which might better match your preferences. The way it works is this. You start by ordering a tasting kit. You can start with the red or white wines, and the cost of the kit at the moment of this writing is $49. The kit arrives neatly packed in the box, with 4 half-size bottles (375 ml) wrapped and numbered.
The next thing to do is to download the Palate Club app on your phone, install it, and create your profile. Once you have done that, you are ready to discover your palate’s wine preference. After you taste the bottle, you need to rate it using the app. The process is very simple as you have to rate the wine between the 1 and 5 stars. Once you rate the wine, you get a page with all the information about that particular wine. Once you will rate all four wines in your set, you will get your initial wine palate profile.
In your palate profile, you will find characteristics such as oak, fruitiness, acidity, and other – along with explanations for the numbers in your palate profile. Every time you will rate another bottle, the values in your profile will change accordingly – what you see below in the picture, are the new values after I rated the wine number 5. Right on your profile page, you will also receive recommendations for the wines to try. As palate Club is a wine club, you can also sign up for the regular wine deliveries which will be based on your preferences.
Blind tastings are always fun – and I never do too well in them. For what it worth, below are my notes and the names of actual wines – you can see that I got ways to go to work on my blind tasting skill:
#1: California Pinot? Plums, smoke, medium to light body. Touch of an alcohol burn (wine: 2014 Pinot Noir Carneros)
#2: Not sure. syrah? Clean acidity, nice round fruit, Rutherford dust, good power. California Cab? (wine: 2015 Côtes du Rhône Réserve)
#3: Chianti? Nice cherries, needs a bit more body. I would rate it 3.5… why is that never a thing? (wine: 2014 Chianti Classico)
#4: California Cab or Cab blend? Dark fruit, baking spices, good acidity, round tannins. A touch of the alcohol burn, similar to the first wine (wine: 2015 Mendocino Zinfandel)
Now, let’s go back to the major point of this post – trusting your own palate to avoid intimidation by the bottle of wine. Would the Palate Club help you reach this goal? In my honest opinion – yes. Of course, the profile which you create has limited value outside of the Palate Club, as outside of the Palate Club nobody rates fruitiness and tannins of the wine on the 100 points scale. However, the fact that you can get your friends together and play with your wines and learn your wine liking and not liking is really something to appreciate and enjoy. Blind tasting holds the ultimate wine truth, and with the palate Club’s help, you can uncover it – and learn a thing or two about your own palate. I think this is a win-win. What do you think?
Procrastination and Carménère
Let me quickly put you at ease – procrastination has nothing to do with Carménère. Unfortunately, it has to do with yours truly, and this blog been behind on the content for years.
It happens a lot more often than I would even want to admit to myself – I attend a great tasting or an exciting dinner with the winemakers. I would typically leave the event excited and with lots of ideas for the post. I would start writing and envisioning that post in my head for the next day, two, five, ten… One out of five will probably make it onto these pages, and the rest will continue playing in the head until it will convert into permanent guilt. I would look at my blog to-do list and feel that pain of unaccomplished over and over again. Sometimes, I would break through and write that long overdue post – and sometimes, you just accept that guilt, you know…
How far back it would be appropriate to go for some untimely post? If you know, please tell me. This is the wine we are talking about – who knows what vintages people hold? As long as I have the notes, it is all good, right. Feel free to disagree, but I’m going three years back today, to experience again some tasty Carménère…
As I wrote a post about my recent experience with the world-class TerraNoble Carménère line, I recalled the Carménère tasting which was organized three years ago by Snooth (I wrote about many Snooth tastings in the past, but somehow managed to miss this one). In the tasting, we heard from 7 producers and tried their Carménère wines. For what it worth now, three years later, here are my notes:
2015 Viña Casa Silva Cuvee Colchagua Carmenere Colchagua Valley (14% ABV, $15, blend of grapes from Casa Silva’s Los Lingues vineyard in the Andes and the Lolol vineyard in the Costa zone, 8 months in French oak)
Dark garnet color, restrained nose, herbal nose, mineral notes, granite. On the palate, tobacco, nicely restrained, earthy, herbal, good acidity, dark fruit. Overall, nice. Needs time. Pioneer of Carmenere in Colchagua, started in 1892. Carmenere overall started in Colchagua
2015 Siegel Single Vineyard Los Lingues Carmenere Colchagua Valley (14% ABV, $28.99, 8 months in French oak)
dark garnet, inky, color. Herbal in your face on the nose, pure currant, rutherford dust. Very concentrated on the palate, lots of oak, restrained. Needs time.
2014 Viña Carmen Gran Reserva Carmenere Colchagua Valley (14% ABV, $15, 90% Carmenere, 7% Carignan and 3% Petite Verdot, aged 10 months in French oak barrels, 2 months in the bottle)
The oldest winery in Chile, founded in 1850. Practically black in color. Chocolate, coffee on the nose, sage, dark fruit. Open on the palate, sweet cherries, tobacco, perfectly balanced. Round, delicious. Best of tasting so far.
2015 Viña Requingua Toro De Piedra Carmenere Gran Reserva Maule Valley (14% ABV, $15, 12 months in French and American oak barrels)
Dark garnet color, herbal, funky nose, forest underfloor. Round on the palate, fresh herbal notes, sage, sweet cherries, blackberries. Good balance, very approachable.
2012 Valdivieso Single Vineyard Carmenere Valle de Peumo ($23, 12 months in French oak barrels, 35% new)
Almost black in color. Dark concentrated nose, currant leaves, very herbaceous, a touch of pepper. Sweet fruit on the palate. I can’t decide if this wine is corked on not. The nose says corked, palate says not. Need to give it a bit of time.
2014 Viña Ventisquero Grey Single Block Carmenere Trinidad Vineyard Maipo Valley (14% ABV, $22, aged for 18 months in French oak barrels, 34% new and 66% second and third use, 8 months in the bottle)
Practically black in color. Interesting nose, a touch of cabbage stew on the nose (in a good sense), funky nose, meaty. The palate follows on, beautiful pepper, black currant, delicious. Another favorite of the tasting.
2013 Valdivieso Caballo Loco Grand Cru Apalta Colchagua Valley ($35, 55% Carmenere, 45% Cabernet Sauvignon, aged 18 months in 100% French oak casks)
BAB, dark garnet color. Touch of funk on the nose, mocha, dark chocolate, touch of herbal notes. Delicious palate – pepper, tobacco, black currant, herb garden, clean acidity. Best of tasting overall.
I definitely find this interesting how 4 of the TerraNoble Carménère wines were all at the top of the game, and as you can tell from my notes here, many of these Carménère wines still have ways to go. But – unquestionably, Chile takes its star grape seriously, and there is a lot for us, winelovers, to enjoy, now and in the future.
With this post I also get to reduce my feeling of guilt, if at least by a hair – but I’m still happy. I hope I deserve another glass. No matter, I’m going to pour it anyway. Cheers!
Carménère – Lost, Found, Evolved, Delightful
According to the 2012 edition of the famous Wine Grapes book (written by Jancis Robinson, Julia Harding, and Dr. José Vouillamoz), there are 1368 grapes used in winemaking. It would be a safe bet to say that each one of those grapes has its own story. Of course, not all of those stories would be dramatic and exciting, but I’m sure some would read as a good detective story, probably without much of the shootouts.
Carménère is a perfect candidate for such a story. When Bordeaux ruled the wine world – which would be in the middle of 1800th – Carménère (which translates from French as crimson, identifying a beautiful color of the grapes) was one of the “big six” Bordeaux varieties, comprising all of the Bordeaux wines – Cabernet Sauvignon, Cabernet Franc, Merlot, Malbec, Petite Verdot, and Carménère. Carménère is related to Cabernet grapes, but historically it is not very clear if Carménère was some type of clone of Cabernet, or if it was the other way around.
The phylloxera epidemic of 1867 put a damper on all the wine production in France and forced vignerons to replant all of the vines on the Phylloxera-resistant rootstock. Carménère is not an easy grape to grow in the Bordeaux climate, and it was pretty much abandoned and considered extinct at the beginning of the 20th century.
Meanwhile, in 1850th, immigrants brought many of the French grapes with them to Chile, where the grapes started to strive in the warm and dry climate offered by the Andes mountains. In 1980th, Merlot became a star of Chilean winemaking, abundantly producing inexpensive wines that became well known in the world. It was noticed that the taste of the Chilean Merlot differs from the traditional Merlot and that Merlot was considered to be a Chilean-specific clone. Or at least it was until 1994 when visiting French scientist, Jean Boursiquot noticed that Chilean Merlot has different leaves and grape clusters from the traditional Merlot, and was able to show that this was not the Merlot, but long-extinct Carménère, which successfully made it to Chile in the 1850s with all the Bordeaux grape cuttings.
From that time, Carménère went on to become Chile’s own star grape, and answer to another French variety, Malbec, which Argentina made its own. As Phylloxera never made it to Chile, Chilean Carménère was even brought back to France, but it is not an easy grape to deal with, so it never regained its past glory in Bordeaux.
TerraNoble winery (Terra Noble means “Noble Land”), was founded in 1993 by a group of friends. From the beginning, TerraNoble focus was on producing high-end wines in Maule Valley, and the winery quickly established itself as a boutique producer of Chilean Merlot. After Chilean Merlot was identified as Carménère, TerraNoble continued focusing on the variety.
TerraNoble sustainably (certified sustainable since 2019) farms today about 750 acres, which comprises 4 vineyards in Maule Valley, Colchagua Valley, and Casablanca Valley. The winery produces a full range of wines you would expect a Chilean winery to produce – Chardonnay, Sauvignon Blanc, Cabernet Sauvignon, Merlot, Syrah – but Carménère is unquestionably the darling of TerraNoble, as presented by Marcelo Garcia, TerraNoble’s winemaker, during the virtual tasting a few weeks back.
While browsing Sotheby’s New Wine Encyclopedia by Tom Stevenson, I came across a small insert about Chilean Carménère, where it was mentioned that Carménère is site-specific to the extreme – you need to work hard to find the right location for Carménère to vines to deliver the best result. TerraNoble approach to Carménère is based exactly on this notion – site-specific Carménère wines. As we mentioned before, Carménère is a close relative of the core Bordeaux varieties – Cabernet and Merlot and has a similar taste profile as well. It is similar, but not the same, obviously. A typical Carménère has a much higher concentration of the aroma compound called pyrazines, which is often associated with the pronounced taste of the green bell pepper – here is a good article that explains pyrazines in depth. Green pepper is good for cooking and the salad, but probably not so much in wine. Also, when left unsupervised, Carménère has a tendency to develop a high concentration of the tannins. While someone might enjoy a big powerful wine with pronounced green bell pepper aromatics and powerful tannin structure, the appeal is not universal and this is what Chilean winemakers had to deal with.
TerraNoble CA project vineyards. Source: TerraNoble
In 1998, TerraNoble released Gran Reserva Carménère to the international markets. The grapes for this wine were coming from the La Higuera Vineyard in Maule Valley, near San Clemente. This wine still remains the winery’s flagship. I had been a fan of TerraNoble wines for a long time, after discovering them back in 2004. To the best of my memory, 2003 TerraNoble Carménère Gran Reserva was quite enjoyable, but I don’t have any detailed notes in that regard.
Following its Carménère calling, TerraNoble planted two new Carménère vineyards in Colchagua Valley – in 2004, Los Cactus Vineyard, about 25 miles from the coast, and in 2005, Los Lingues Vineyard, about 35 miles further inland, on the outskirts of Andes mountains. These two vineyards became a home to the special project called CA – producing two 100% Carménère wines using absolutely identical vinification at the winery, different only in the source of the grapes – CA1 from the Andes, and CA2 from the coast. The first wines in the CA project were released in 2009.
The goal of the project was to showcase the capabilities of Carménère grapes. With winemaking techniques identical for both wines, different taste profiles were only influenced by the different growing conditions, the terroir – soil and climate most of anything. How different are the wines? We had an opportunity to taste a few of the CA project wines, and they were demonstrably different. Here are my notes from the tasting.
We started with the tasting of the flagship Carménère
2017 TerraNoble Carmenere Gran Reserva Maule Valley, Chile (14% ABV, $18.99, aged 75% in previously used French oak barrels, 25% in untoasted casks, 6 months in the bottle)
Dark garnet
Currant leaves, blackberries
Bright red fruit, good acidity, soft, easy to drink, medium body, medium finish.
8-, nicely approachable from the get-go. 8 after a few hours.
Then we had an opportunity to compare two of the vintages of CA1 wines (from the Andes), and then CA1 and CA2 from the same vintage – again, you can see how different the wines are:
2016 TerraNoble CA1 Carmenere Andes Valle de Colchagua, Chile (14% ABV, $24.99, aged 85% in new and twice used French oak barrels, 15% in untoasted oak casks for 14 months, 12 months in the bottle)
dark garnet
touch of barnyard, dark fruit
black currant, a touch of bell peppers, noticeable french oak tannins, peppery, chewy tannins, big body
7+/8- initially, 8 after a few hours. Excellent, powerful wine.
2017 TerraNoble CA1 Carmenere Andes Valle de Colchagua, Chile (14% ABV, $24.99, aged 85% in new and twice used French oak barrels, 15% in untoasted oak casks for 14 months, 12 months in the bottle)
dark garnet
tobacco, currant leaves, pepper, dense and concentrated
good acidity, peppery notes, blackberries, concentrated
7+/8- initially, 8 in a few hours. Delicious.
2017 TerraNoble CA2 Carmenere Costa Valle de Colchagua, Chile (14% ABV, $24.99 aged 85% in new and twice used French oak barrels, 15% in untoasted oak casks for 14 months, 12 months in the bottle)
dark garnet
currant more noticeable
softer than the previous wine, but showing more of the green notes. black currant
7+/8- initially, 8 in a few hours.
We finished our tasting with a somewhat unexpected wine – Carignan. Carignan is another ancient French grape, this one coming from Rhône valley. Chile has very old Carignan vineyards (some are 120+ years old), however, for the longest time, Carignan was used by the farmers to make very strong, but not really drinkable alcohol. Carignan’s popularity started increasing around 2000. Another interesting fact about Carignan is that it is mostly growing in the small (and old) vineyards, where the vineyards became a part of a natural biodiverse habitat, which includes other plants and animals.
TerraNoble Carignan grapes were sourced from the vineyard planted in 1958 in Maule Valley close to the ocean, using dry farming. The wine was partially aged in the concrete eggs.
2018 TerraNoble Carignan Gran Reserva Melozal, Maule Valley, Chile (13.5% ABV, $18.99, aged 50% in concrete egg, 50% in untoasted oak casks, 6 months in the bottle)
Dark Ruby
touch of licorice, distant hint of candied fruit
tart fresh cherries, good acidity, medium body, simple, easy, and pleasant. Might be a summer quaffer
7+
Here you are, my friends – TerraNoble tells the story of modern-day Chilean Carménère. The evolution of the Carménère wines is still ongoing, with TerraNoble winemakers starting to experiment with concrete eggs and amphorae, and who knows what else is coming to push the grape which Chile made its own even further. One thing for sure – winelovers are in for lots of pleasure.
A Quick Trip To Germany
Germany is one of the oldest wine-producing countries in Europe, tracing its roots to 100 BC. Believe it or not, but at some point, Germany and France were considered as the two best wine-producing countries in the world, with German Rieslings being traded and collected at the same level as Bordeaux and Burgundy. Germany made some strategic mistakes in the middle of the 20th century, producing large quantities of insipid sweet wines, and it is still trying to recover from those losses.
Thinking of German wines, what is the first wine which comes to mind? If you said Riesling, you are absolutely right. Riesling is a megastar, the grape which embodies German wines and maybe even Germany itself to many of the wine lovers. However, even in Germany, there is life after Riesling – for example, in the Pinot family – and these will be the wines which will be our tour guides today.
Let’s start with the white Pinot wine – Pinot Blanc. Pinot Blanc, also known as Weißer Burgunder, Weißburgunder, or Weissburgunder – all of which are different spellings for “White Burgundy”, where the grape presumably originated, is experiencing growing popularity in Germany. Its plantings nearly doubled in the past 10 years, and now Germany has the highest amount of Pinot Blanc plantings in the world.
I recently saw a reference to German Pinot Blanc to be an understudy of the Chardonnay. Based on my experience with 2017 Wittmann 100 Hills Pinot Blanc dry Rheinhessen (12% ABV, $17), I would have to agree with this statement. The wine showed all the traits of the good Chardonnay except a touch of butter – however, vanilla, fresh apples, minerality, and clean acidity were tastefully weaved around the plump, texturally present core. (Drinkability: 8-). To give you a quick reference, the Wittmann family had been growing grapes in Westhofen for more than 350 years and 15 generations. The estate has been certified organic since 1990, and biodynamic since 2004.
Our travel in Germany is half done – and the second part of the journey might really surprise you. Germany is really not known among wine lovers as the land of red wines – and nevertheless, Germany has third in the world amount of plantings of one of the absolute darlings of the wine world. Care to guess what grape it is? Well, as it should be red, and you already know that we are talking about the Pinot family, this should be an easy guess – of course, it is Pinot Noir, better known as Spätburgunder in Germany.
Most of the Pinot Noir plantings in Germany are in the areas of Baden and Ahr, which is interesting as Baden is southernmost, and Ahr is one of the northernmost regions.
The wine we have chosen for our trip is coming from Baden, from the winery called Shelter, produced by husband and wife team, with harvest by hand and no use of herbicides or pesticides.
2016 Shelter Winery Spätburgunder Baden (13% ABV, $28) is unquestionably an old world wine, built with perfect precision. Gunflint, earth, smoke, cranberries, all in the lip-smacking, densely textured, tight package – this wine packs a lot of pleasure. (Drinkability: 8). I have to honestly say that this was my very first German Pinot Noir I was able to enjoy and I would happily recommend it to anyone who needs proof that Germany actually can create a tasty red wine.
There you have it, my friends – our little journey is over, but worry not – we will be traveling again very soon. Cheers!
Tre Bicchieri 2020: A Mixed Bag
Tre Bicchieri is the highest distinction awarded to the Italian wine by the popular Italian wine guide, Gambero Rosso. About 45,000 wines are reviewed annually by the team of wine professionals, and about 1% of those wines (465 in 2020) receive the right to put coveted sticker depicting three wine glasses (Tre Bicchieri) on their wine bottles – if they so desire, of course.
Every year these best wines are presented around the world in the series of wine tasting events. I attended Tre Bicchieri tasting in New York which was one of the stops in this annual extravaganza.
I always make an effort to attend the Tre Bicchieri tastings – it is a great opportunity to taste the wines which at least someone considers to be the best Italy can produce. This tasting is typically quite overwhelming with more than 200 wineries, some of them presenting not 1, but 2 or even 3 wines, 4 hours, and a very constrained space with lots of people roaming around. 2020 event included 204 wineries – even with 1 wine per winery, you would have to taste one wine per minute to be able to taste them all – and this is only assuming that all wineries show only one wine, which is mostly not the case.
I always complain about the organization of this event – instead of grouping the wineries by the region, they are all grouped by the distributor. I’m sure this simplifies the logistics for exhibitors, but this doesn’t help attendees even for a bit. Another gripe is that you are given one single glass to use during the tasting, and you have no options of changing is once it becomes sticky and such. Of well… maybe one day organizers will read this blog? … yeah…
This year I decided to use a different navigation tactics – instead of trying to go sequentially from table 1 to table 204, or trying to frantically scavenge the show guide which is only available upon entering the event, and trying to find who you want to see by running through a 200-strong list, I decided first just to walk around, look for familiar names and taste what I want to taste first. Using this method, my first sip at Tre Bicchieri 2020 was 2016 Sassicaia, which provided a perfectly elegant opening to the event. Once I was done with a first walk, I took a pause to now look through the show guide and identify who did I miss and then go again and revisit.
Tre Bicchieri 2020 – busy as always
Thinking about the experience of Tre Bicchieri 2020, I’m not sure I can easily give you a simple and coherent summary of the event. One interesting observation was a noticeable number of Rosato wines represented at the event. I missed Tre Bicchieri tasting last year, but from the previous years, I don’t remember seeing much, if any, Rosé. I also tried to do the Amarone run (meaning: taste as many Amarone as I could), and it was not successful. With the exception of the Pasqua Amarone, which was not amazing but at least drinkable, the most of the rest simply were way too tannic and lacking any pleasure – I really don’t understand what was a rationale of awarding the coveted Tre Bicchieri to the insipid wines, outside of just recognizing the pedigree of the producers.
There were some excellent whites (Italian white wines still grossly underrated on the global scale), excellent sparkling wines (Giulio Ferrari, anyone?), and amazing values (like stunning $9 Sangiovese again from Ferrari), so, all in all, it was a good tasting, but overall I felt a bit underwhelmed. Anyway, here are my “best of tasting”, “worst of tasting” (if it’s okay to be so obnoxious), and notes on other wines I found worth mentioning. I’m using my “plus” ratings here, with “+++” meaning “excellent”, and “++++” being better than excellent :). With the exception of one wine, no wines with less than +++ are included in the list.
Tre Bicchieri 2020 Show favorites:
NV Barone Pizzini Animante Extra Brut Franciacorta – ++++, superb
NV Ruggieri & C. Cartizze Brut Veneto – ++++, outstanding, dry, clean
2008 Ferrari Giulio Ferrari Riserva del Fondatore Trento – +++, excellent
2018 Elena Walch Alto Adige Pinot Grigio Vigna Castel Ringberg – ++++, outstanding
2017 Leonildo Pieropan Soave Classico Calvarino – ++++, excellent
2018 Donnafugata Sicilia Grillo SurSur – ++++, excellent
2016 Tenuta San Guido Sassicaia Bolgheri Superiore – ++++, beautiful, perfect balance
2016 Le Macchiole Paleo Rosso Bolgheri Tuscany – ++++, 100% Cabernet Franc, excellent, perfectly drinkable
Sparkling:
2014 Bellavista Franciacorta Brut Teatro alla Scala Lombardy – +++, superb
2011 Barone Pizzini Franciacorta Dossagio Zero Bagnadore Riserva – +++, excellent
2018 Ruggieri & C. Valdobbiadene Extra Dry Giustino B. – +++, excellent
2018 Andreola Valdobbiadene Rive di Refrontolo Brut Col Del Forno – +++, excellent
White:
2016 Il Colombaio di Santachiara Vernaccia di San Gimignano L’Albereta Riserva – +++, excellent, clean
2018 Rosset Terroir Spraquota 900 Valle D’Aosta – +++, Petite Arvine grape
2017 Ottella Lugana Molceo Riserva – +++
2018 Ottella Lugana Le Creete – +++, excellent
2018 Elena Walch Alto Adige Gewürztraminer Vigna Kastelaz – +++, amazing aromatics, excellent
Rosé:
2018 Varvaglione 1921 Idea Rosa di Primitivo Puglia – ++-|. I was told that it was an attempt to create a Rosé for the red wine drinkers. I’m not sure it was ultra-successful, but it was drinkable.
Red:
2018 Corte Sant’Alda Valpolicella Ca’ Fiui – +++, high acidity
2013 Corte Sant’Alda Amarone della Valpolicella Valmezzane – +++, not bad but too tannic
2013 Masi Amarone della Valpolicella Classico Costasera Riserva – +++
2016 Donnafugata Etna Rosso Fragore Sicily – +++, tart, clean
2017 Pasqua Passimento Rosso Veneto – +++, excellent, approachable, excellent value (sold at Trader Joe’s)
2015 Pasqua Amarone della Valpolicella Famiglia Pasqua – +++, excellent
2011 Paolo Conterno Barolo Ginestra Riserva – +++, excellent
2018 Montalbera Ruché di Castagnole M.to Laccento – +++
2018 Montalbera Ruché di Castagnole M.to la Tradizione – +++, nice, needs time
2016 Ferrari Tenuta Podernovo Auritea (Cabernet Franc) Toscana IGT – +++, excellent
2017 Ferrari Tenute Lunelli Montefalco Rosso Ziggurat – +++, excellent
2011 Bertani Amarone della Valpolicella Classico – +++, very good
2015 Bertani Tenuta Trerose Vino Nobile di Montepulciano Simposio Riserva – +++
2016 Planeta Noto Nero d’Avola Santa Cecilia – +++, excellent
2018 Elena Walch Alto Adige Schiava – +++, easy to drink, light
2015 G.D. Vajra Barolo Bricco delle Viole – +++, excellent
2016 Varvaglione 1921 Primitivo di Manduria Papale Linea Oro – +++, good
Dessert:
2016 Donnafugata Passito di Pantelleria Ben Ryé Sicily – +++, good
Amarone run:
Tenuta Sant’Antonio (burnt finish, the real impression of a burnt wood), Allegrini (too much oak), Speri (too much oak), Masi single vineyard (too much oak), Corte Sant’Alda (too much oak), Pasqua single vineyard (too big, too tannic), Monte Zovo (too much oak)
This is my story of visiting the Tre Bicchieri 2020 in New York. Have you attended any of the Tre Bicchieri events? What is your take on those? Salute!
It Might Be Gone Already
Oenophiles are strange creatures. We love wine and derive out of it a tremendous amount of happiness, joy, and pleasure. We are also somewhat of a masochistic type. We like to torture ourselves around our beloved beverage. We can spend a lot of time trying to select a bottle of wine for a Monday night – multiply that by 10 if we are talking even about a casual Friday night. We need to take into account everything – the mood, the weather, who are we sharing the wine with, and on, and on.
One of the biggest problems we are always trying to solve is called “is it the time”. Yes, we know that it is a gamble. There is no science to know when the wine is ready to drink. And as we always like to enjoy the wine at its peak, we can take forever to decide on that right moment. And this is where the danger lurks – instead of getting the wine at its peak, we might be facing the wine which is … gone.
There are two types of special bottles we, oenophiles, get nervous around. There are those which we are trying to age to precisely hit the bullseye, the “oh my god” moment when tasting wine at its peak. The second type are those wines which we call “special”. “Special” is personal – a single bottle which reminds us of a wonderful trip or a moment in life, a special present from a dear friend, a super-rare or a super-expensive bottle we want to hold on to for as long as possible. Sometimes, this can be one and the same bottle which hits both characteristics. For the second type of “special” bottles there is the OTBN – ”Open That Bottle Night”, an event celebrated on the last Saturday in February, invented to help people to part with those special bottles. For the bottles we are waiting to become perfect… well, it might be the same OTBN, or maybe we just need to convince ourselves that “the time is now”.
This is what we decided to do, setting the theme for our wine dinner as “It might be gone already”. Usually, we set the rules for our tastings – what wines, what regions, what price ranges, etc. But for this dinner there were no rules – whatever anyone wants to have open, whatever the reason is to believe that the wine might be past prime (or not) – everything goes.
We managed to assemble a lot more wines than we were able to drink, so many of the wonderful bottles will have to wait until the next occasion. However, we still did great, finding lots of great surprises and enjoying the program very much. Here is my account of our tasting.
We started from a very simple wine – 2007 Saint-Hilaire Brut Blanquette de Limoux, a sparkling wine from the Languedoc, from the winery which claims that they were the first to make the Methodé Traditionelle wines, before Champagne ever saw a first bubble in the bottle. This is one of my most favorite sparkling wines – it is inexpensive ($12.99 or so), and tasty. But – 12 years old? That sounds like a little much for a wine like that. Nevertheless, it was perfect – still fresh, still a good amount of bubbles, a touch of yeast – a perfect start for our evening.
We continued our bubbly explorations with something of a truly next level – 1990 Dom Ruinart Ruinart Blanc de Blancs Champagne. Another perfect encounter – crisp, focused, a good amount of yeast and toasted bread – an outstanding vintage Champagne without a sign of age.
Italy is better known in the world as the source of great red wines. However, Italian whites shouldn’t be ignored. Jermann makes some of the very best Italian white wines, and these wines are unquestionably a world class. Vintage Tunina is a flagship wine, made out of a field blend of Sauvignon, Chardonnay, Ribolla Gialla, Malvasia, and a small percentage of a local sweet grape. According to the notes on the Jermann website, Vintage Tunina can age for 7–8 years, 10 in the exceptional vintages. This 2006 Jermann Vintage Tunina Venezia Giulia IGT was 13 years old, and in a word, it was superb. Bright, vibrant, whitestone fruit and a touch of honey, medium+ body – an outstanding wine.
Our next white was 2007 Château St Jean Chardonnay Reserve Sonoma County – it was not as impressive as Vintage Tunina, but still was not over the hill, with a good amount of white apple, a touch of butter, and good acidity. I never had this wine before, and understand from the people who did that the wine was starting its journey down the hill, but it was still quite enjoyable.
I was trying to convince my friends that our next wine was not ready to be opened – 2011 Antica Terra Erratica Rosé from Oregon. I had 2010 last year, and the wine was mind-blowing (ended up being wine #2 on my Top Wines list of 2018). After being ostracized – “what are you talking about, it is 8 years old Rosé ?!?!” – I angrily pulled out the cork. 2011 was equally mind-blowing to the last year’s 2010. Pungent, lip-smacking, full of smoky cranberries and herbs, medium body – delicious. I don’t know for how long this wine can age, but I would definitely love to see it with at least another 5 years of age. Oh well…
Now, we are reaching practically a culmination point of the evening – 1966 Château Leoville Poyferré St. Julien. Well, it was conditionally the culmination point – when I received this bottle 2 years ago, the capsule showed a significant amount of wine stain, which is an indication of the wine potentially slowly sipping through the cork. But – it was 1966, so that alone deserves the utmost respect.
As we expected, the wine was past its prime. It had dark brown color in the glass – a color you expect to see on a well-aged tawny port, but not on Bordeaux at any age. The wine had the tasting profile of a nice hearty stew, but again, not the Bordeaux. To be entirely honest, I enjoyed a few sips of it (my friends refused it almost instantly), but this was definitely not the wine anyone should drink.
I’m not going in the right order, but let’s talk about maybe the biggest disappointment of the evening – 2010 Yves Boyer-Martinot Meursault-Perrier. 9 years old white Burgundy should be way too young to drink. But then the Meursault wines have a known issue – Premature Oxidation, or PremOx as it is often abbreviated. Fear of PremOx was a driving factor behind the decision to open this wine. Unfortunately, the fear was justified – kind of. The wine was not oxidized – but it was literally undrinkable. It showed a little sign of life at first, and we decided to decant it – however, it didn’t help. The wine showed very tired, some stewed plums, no vibrancy of any kind. Definitely not a good surprise.
Let’s get back to the red wines. Our next wine was 1978 Barbera. The label lost practically all of its color, so I don’t know who was the producer. But the bottle had been very important memorabilia – at the age of 9, our friend Stefano was helping to bottle that exact wine, so it clearly had a special meaning. The wine was still drinkable, had good acidity and some dark fruit. Not amazing, but well drinkable.
The next two red wines aptly compensated for all the misgivings of our tasting. 1997 Shafer Firebreak Napa Valley, a blend of Sangiovese and Cabernet Sauvignon, was excellent. The core of the dark fruit and espresso, firm structure, excellent balance, the wine was alive and delicious. It is a pity that this wine is not produced anymore, as Shafer replaced all the plantings of Sangiovese with the other grapes – this was definitely a delicious wine.
And maybe for the biggest surprise of the evening, let me present to you 1995 Navarro Correas Coleccion Privada Cabernet Sauvignon Mendoza. What, you never heard of this wine? Me too! Until our tasting that is. When originally acquired, the wine price was something under $10. So who would expect that 24 years old simple Argentinian Cab would age so beautifully? The wine was fresh, no sign of age, tart cherries on the nose, the same tart cherries, herbs and a touch of sweet oak on the palate – the wine was going and going. A tasty, totally unexpected, surprise.
We had to finish this tasting with a dessert wine, didn’t we? 1988 Franciscan Estate Johannisberg Riesling Napa Valley, as rare and precious as you can find, as this wine is simply not produced anymore. This wine was definitely at its peak – beautiful figs, honey, and a perfect dose of acidity – an excellent finish to our great tasting.
Let’s try to summarize our tasting. Out of 11 wines, 6 can be safely designated as an “amazing experience”. Three wines were “good”. Two wines were a flap. I would take it as a very respectful, and very successful outcome – I’m sure you can think of a lot more tastings with a much lesser degree of success and enjoyment.
Here you are, my friends. Feel free to copy the idea – if you have anything reminiscent of a cellar, I’m sure you got the bottles that might benefit from being open. Open now, before it is too late. Cheers!
Want To Learn More About German Wines? Join Snooth Virtual Tasting Tonight
Ripe Riesling Grapes, as captured in Wikipedia
Do you like German wines? I’m sure you do, even if secretly or unbeknownst to oneself, as Germany is one of the oldest producers of some of the most delicious wines in the world.
Tonight, November 13, 2019, at 8:30 PM US Eastern time, you have an opportunity to learn about or expand your wine knowledge by joining virtual tasting on Snooth, called German Wines To Be Thankful For:
http://www.snooth.com/virtual-tasting/video/german-wines-to-be-thankful-for/
You can also follow German Wines USA on Twitter and Instagram:
Spain’s Great Match 2019 – A Mixed Bag?
I love Spanish wines.
Anyone who reads this blog for a while is aware of this. Spanish wines have a special place in my heart, as even today they are some of the best-kept secrets in the wine world, allowing those in the know to enjoy amazing wines still at reasonable prices (some of the best QPRs around).
For many years I had been attending Spanish Wine Tasting in New York, called Spain’s Great Match. I usually attend the early morning seminar, and then go for the walk-around tasting – here you can find my reports from 2014 and 2017 events.
The seminars at Spain’s Great Match are meant to showcase some of the best and interesting Spanish wines. 2014 event was an absolute stand out in this regard, as this was a special event celebrating 30 years of Spanish wines in the USA. The wines served in that seminar were way beyond amazing.
The 2017 seminar was also quite good – maybe not as good as 2014, but still, very, very good. Now, before I will report on the 2019 event, let me talk a bit about the setting.
The event took place in one of the trendiest New York neighborhoods, Hudson Yards, at the recently opened Mercado Little Spain. Mercado Little Spain is conceptually similar to the Eataly, with the space filled with all possible produce, food and drink options which you would otherwise find…yes, in Spain. So the setting itself was outstanding, creating the right atmosphere to enjoy Spanish wines as they should be.
Now, let’s talk about the seminar, which was called “Vinos de Vanguardia: Wines on the Cutting Edge”.
As you can tell from the name, the idea was to present a unique and different side of Spanish wines. Yes, I get it – Spanish wines might be relegated by “ordinary”, “predictable”, and “same all, same all”, and the seminar was designed to break that myth and to show the forward-thinking of the Spanish winemakers.
I don’t discriminate against any type of wines – natural, low intervention, “orange”, unoaked, unfiltered, canned, boxed, all is good. I’m willing to try absolutely anything – at least one time. When I taste the wine, I trust my palate, and that sip will be simply binary – I will either like the wine, or not. Yes, temperature, air, of course – I’m willing to give literally an unlimited amount of time to the wine to show itself properly – but at some point, the wine has to deliver what it is supposed to deliver – a pleasure. That’s all I’m looking for in wine – pleasure.
I’m sure the wines in the seminar were hand-selected to represent the avant-garde thinking of the Spanish winemakers. However, for me, only 3 wines out of 8 delivered that pleasure, and two out of those leftover 5 were not only boring, but they were also off-putting. I rarely call wines “bad”, I typically say that the wines are “not for me”. So these 2 wines were truly not for me – here are the notes:
2018 Can Sumoi Xarel-lo DO Penedès (100% Xarel-lo)
Golden
Great acidity, sour apples, an unusual ting of a fermenting fruit
Mostly acidity, a bit violent to my taste. Fresh lemon acidity, devoid of any sweetness. The bitter-sour finish lingered. It might be a food wine, but I would definitely prefer a Muscadet if I really look for food-friendly acidity.
Natural wine, the panel was talking about a sense of place and so on, but one can relate to that only if one is visiting, and without that “place” connection the wine was … well, you got my point
2018 Tajinaste Blanco DO Islas Canarias (90% Listán Blanco, 10% Albillo)
Golden color
Fresh grass, underripe white plums, distant hint of a grapefruit
Fresh acidity, Meyer lemon. Unfortunately, boring.
2018 A Coroa Godello DO Valdeorras (100% Godello)
Golden color
Whitestone fruit, a touch of lemon
Good acidity, distant hint of buttery notes, but this was mostly it – the acidity. This wine might well be improved with time, judging by the acidity, but at the moment, boring.
2016 Enrique Mendoza La Tremenda DO Alicante (100% Monastrell)
Garnet
Beautiful intense nose of fresh berries, a touch of iodine
Tannins-forward, tannins mostly take over the wine, some fruit present. Not great.
2018 Bodegas Ponce Clos Lojén DO Manchuria (100% Bobal)
Dark garnet
Touch of roasted meat, violet, very inviting floral aromatics
Beautiful pepper note, fresh berries, medium body, open, inviting, short finish. First good wine in the tasting.
2016 Marañones 30.000 Maravedies DO Vinos de Madrid (90% Garnacha, 10% Morate/Syrah)
Ruby
Hay and cherries, light
Tart, tannins forward, mouth-puckering, cherry pits on the back end. Maybe a food wine, and maybe it will improve with time. Ok wine for now.
2015 Alberto Orte Atlántida VT de Cádiz (100% Tintilla)
Dark ruby/garnet
Beautiful open inviting nose – sage, ripe plumes, thyme, lavender – one of the most herbs-driven aromas I ever experienced
Beautiful palate, herbs with a complex interplay, fresh berries, delicious. Second excellent wine in the tasting.
2015 Guímaro Finca Meixeman DO Ribeira Sacra (100% Mencía)
Garnet
Mostly closed, a touch of cherries, hint of currant leaves
The beautiful playful palate, crunchy wild blueberries, lots of herbs, medium body, medium+ finish. Also one of the best in the tasting.
As you can tell, Bobal, Tintilla, and Mencía were excellent wines which I really enjoyed – and all these wines are uniquely Spanish. When it comes to Spanish wines, you don’t need to try too hard – Spain offers lots of unique and delicious wines – but oh well, this was fine anyway.
Right after the seminar, we went back to the main floor, which was all converted into the walk-around wine tasting space. Spanish food was carried around, from famous Jamón to Manchego cheese to Spanish omelet to Potatas Bravas and more. I have to say that Gazpacho was my favorite bite without a doubt, but overall, there was no shortage of food.
I have to honestly say that in my 5 years of attending these “Spain’s Great Match” events, the “big guns” never showed up in the tasting – I don’t mean Pingus, Clos Mogador or Vega Sicilia, but even more accessible staples such as La Rioja Alta, Lopez de Heredia, Emilio Moro, Alto Moncayo and many others never made an appearance outside of occasional representation in the seminars. This year’s event was not an exception, with really minor representations of the better-known wines. Don’t get me wrong, there were plenty of excellent wines available, but been a bit spoiled (sorry), I just made a quick round, mostly looking to taste the new vintages of the wines I already knew, so I’m not going to inundate you with a long list of my wine recommendations.
In no particular order, here are the wines I tasted and liked:
Sparkling and white:
2017 Martinsancho Bodegas y Viñedos Martinsancho Rueda DO ($15) – this is one of the best Rueda wines, and it is a lot of wine for the money
2016 CUNE Monopole Classico Rioja DOCa ($27) – deliciously complex, oak-aged white Rioja
NV Anna de Codorníu Brut Rosé Cava DO ($15) – an excellent glass of bubbly for any occasion
NV Segura Viudas Reserva Heredad Penedes DO ($30) – this wine never disappoints, and a beautiful bottle makes it a perfect gift
Red:
2016 Viña Real Crianza Rioja DOCa ($16)
2014 CUNE Reserva Rioja DOCa ($29)
2012 CUNE Gran Reserva Rioja DOCa ($39)
2012 CUNE Imperial Gran Reserva Rioja DOCa ($80)
2016 Teofilo Reyes Crianza Ribera Del Duero DO ($37)
2018 Bodegas Divina Proporcion 24 Mozas Toro DO ($16) – a nice rendition of powerful Toro Tempranillo, good value
2010 Bodegas Martinez Lacuesta Reserva Rioja DOCa ($38)
2014 Bodegas Sonsiera Pagos de la Sonsiera Rioja DOCa ($38)
2016 Bodegas Valderiz Ribera Del Duero DO ($25)
2014 Boada Campo de Bueyes Crianza Ribera Del Duero DO ($15) – might be my favorite wine from the whole tasting. Approachable, round, delicious. Great value.
In terms of price versus quality, or the QPR as we like to call it, Spain still remains unbeatable, and it still remains more of a secret for a casual wine lover. Well, I guess it is all better for us – those who discovered the secret already.
What was your favorite Spanish wine discovery as of late?
Between The Worlds
What lies on the intersection of the Old World and the New World?
Yep. Starting with the question. As many of you have come to expect. Let me repeat – what lies on the intersection of the old world and the new world? Of course it is the wine we are talking about.
I can spin this question differently if you want. What is the name of the major winemaking region (a country, rather) which is most often overlooked at dinner tables, wine stores, and restaurant wine lists? Yes, give it a thought. I’m sure you know the answer. But it is too obvious, which makes it difficult.
Let’s continue?
If you said “South Africa”, pat yourself on the back. You got it. Yes, it is South Africa. The wines of South Africa are often described as “old world wines masquerading as the new world”, and when you taste the wines from the region, you can easily see why such description makes a lot of sense.
I wrote about wines of South Africa many times in the past, also including them into the “best hidden secrets” series. Winemaking history of South Africa goes back more than 400 years, to the mid-1600s. From there on, South African wine had good times, bad times, phylloxera, political issues, boycott, and lots, lots more. Many times in history the wine production was focused on quantity and not quality, which obviously had consequences and not a good ones.
I had been tasting South African wines for quite a while, and I have to say that I perceive a definite upswing in quality. As I mentioned at the beginning, South African wines are still rare and underrepresented in the modern wine scene, for sure in the USA – nevertheless, every time I get a chance to taste South African wines, they make me say “wow” more often than not.
Case in point – recent tasting of the South African wines in New York. It was not a large tasting, by all means, maybe 60–70 wines, but out of those 60–70, I probably was wowed by at least a half of them, which is very unusual for the trade tasting, maybe with the exception of Gambero Rosso Tre Bicchieri. Below are my brief notes – as I had a bit more time than at the typical trade tasting, but absolutely not enough to do a full assessment, I’m using words instead of plus signs. Plus, I share here some of my general impressions.
Let’s go:
I love Graham Beck wines – their sparkling wines represent great value. These wines are similar to Champagne, as they undergo secondary fermentation in the bottle, so any time you are looking for the bubbles but want to spend the half of what you will spend on the Champagne, see if your wine store carries Graham Beck wines.
NV Graham Beck Brut Methode Cap Classique WO Western Cape – love it! Fresh, generous
NV Graham Beck Brut Rosé Methode Cap Classique WO Western Cape – beautiful, elegant
2012 Graham Beck Rosé Methode Cap Classique WO Western Cape – a touch of strawberries, toasted notes, excellent
2013 Graham Beck Blanc de Blancs Methode Cap Classique WO Western Cape – wow! Elegant, clean, polished
2012 Graham Beck Brut Zero Methode Cap Classique WO Western Cape – good
NV Graham Beck Bliss Demi-Sec Methode Cap Classique WO Western Cape – beautiful! Touch of sweetness, good acidity, elegant
I had some past (and delicious!) experience with Glenelly Chardonnay, so I was definitely looking forward to tasting their line of wines:
2018 Glenelly Unoaked Chardonnay Stellenbosch – excellent
2016 Glenelly Estate Chardonnay Reserve Stellenbosch – excellent, a touch of vanilla, burgundy style
2015 Glenelly Glass Collection Cabernet Sauvignon Stellenbosch – excellent, cassis forward
2012 Glenelly Estate Reserve Stellenbosch (45% Cabernet Sauvignon, 38% Shiraz, 11% Petit Verdot, 6% Merlot) – restrained, clean, herbaceous, salinity. The wine is built for the long haul.
2012 Glenelly Lady May Stellenbosch (89% Cabernet Sauvignon, 10% Petit Verdot, 1% Cabernet Franc) – Bordeaux style, needs time
This was an unknown producer for me:
2018 Beau Joubert Oak Lane Chenin Blanc – Sauvignon Blanc Stellenbosch – unusual, might be a touch sweet
2017 Beau Joubert Oak Lane Merlot – Cabernet Sauvignon Stellenbosch – simple
2017 Beau Joubert Oak Lane Shiraz – Cabernet Sauvignon Stellenbosch – earthy, nice pepper note
2013 Beau Joubert The Ambassador Stellenbosch – needs time
2014 Beau Joubert Fat Pig Stellenbosch – port style, very good balance, tasty
Yes, there was food too:
Let’s get back to wines.
The next set of wines surprised me in a lot of ways – packaging (labels), creative wine names, unusual grape varieties for South Africa (Barbera? Touriga Nacional?!) and most importantly, tasty wines. When I commented to the lady who was presenting the wines how unique and tasty the wines were, she said very unpretentiously “ah, it is my brother, he is always running around with new ideas, experimenting with the wines”. Little did I know that Bruce Jack is a star winemaker who was making wines for more than 25 years and who has almost a cult following. I can tell you, as the proof is in the pudding, this line of Drift Estate wines offered plenty of proof.
2018 Bruce Jack Year of the Rooster Rosé Western Cape – nice and restrained, excellent Rosé rendition. You would never guess the grape this wine is made out of – Touriga National. Yep. As I did a bit of research, I found out that 2017 was made out of Pinotage, and 2016 out of … Touriga Franca. Yep, talk about South African wines.
2014 Bruce Jack Moveable Feast Red Blend Western Cape – excellent. Dark fruit, spices, just excellent.
2017 Bruce Jack Gift Horse Single Vineyard Barbara Western Cape – another hit. Dark fruit, tar, pencil shavings, tobacco, just wow. Yep, a South African Barbera.
2016 Bruce Jack There Are Still Mysteries Single Vineyard Pinot Noir Western Cape – beautiful, elegant, restrained, truly a mix of the new world and an old world. If you didn’t discover yet South African Pinot Noir, go on, try to find this wine.
And a few more wines:
2018 Boschendal Rose Garden Rosé South Africa – excellent, restrained, Provençal style. Merlot + Pinot Noir blend
NV Boschendal Brut Rosé Methode Cap Classique South Africa – excellent
2016 Boschendal Elgin Chardonnay South Africa – Burgundy! Wow, spectacular wine – might be the best 9fnthe tasting.
2016 Bellingham The Bernard Series Old Vine Chenin Blanc Coastal Region – (3 Chenin Blanc vineyards, vines are 35 to 47 years old) – petrol on the nose, beautiful, clean, delicious.
2014 Bellingham The Bernard Series SMV Coastal Paarl Region (Shiraz, Mourvèdre, Viognier) – Elegant! Excellent
2014 Brampton Roxton Stellenbosch (41% Syrah, 33% Petit Verdot, 26% Malbec) – outstanding. Lots of power. This wine is named after a bull.
That competes my report. What do you think of wines of south Africa? Any favorites? Cheers!
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