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2021 UGCB Vintage Preview
Do you ever get the feeling that you already did something, and then, after spending a good half an hour looking for it you realize that you only thought about doing that but actually you never have?
This is my story with the Union des Grands Crus de Bordeaux tasting – I already had 3 opportunities to write about this Bordeaux Grand Crus tasting, and have not done that – and was sure that I did – but only in my mind. Thus finally I want to correct the situation so I will have an actual record.
Let’s start with a short explanation of UGCB, the Union des Grands Crus de Bordeaux. UGCB was founded in 1970s by a group of Bordeaux winemakers to help promote Bordeaux wines in Japan. From that day onward, the promotion of the best Bordeaux wines around the world is what the UGCB has been doing. To give you the current set of numbers (as presented on the UGCB website in January 2024), UGCB has 131 members, all of them Grand Crus throughout the Bordeaux territory. UGCB organizes 80 events per year throughout 15 countries and 65 cities, bringing together 50,000 professionals and wine enthusiasts to taste Bordeaux wines.
For many years, the UGCB tasting has taken place in January in New York City, and all of the events I attended through the years have been at Cipriani restaurant in midtown Manhattan. The 2024 event showcased the 2021 vintage, with about 80 wineries participating, pouring about 90 wines during the 3.5-hour trade tasting event (consumer tasting was a separate event taking place in the evening).
When it comes to events like this, busy and crowded, when you have to try to extend your hand holding the glass between the people’s backs, I’m not good at taking notes – handling the glass, the phone, notebook, and pen is just too much. So I primarily was taking pictures of the wines I liked and was trying to obtain an overall impression about the vintage in general and specific sub-regions in particular. For what it is worth, this is what I’m sharing with you here.
2021 Bordeaux vintage
While tasting wines, I asked many winemakers how they would assess the 2021 vintage. Based on what I heard, I got a mixed feeling, so here is how I see it. The 2021 was good overall, not great. Rain presented somewhat of a challenge, bringing powder mildew as a consequence. 2021 was also cooler than let’s say, 2020. 2021 also resulted in a lesser yield than 2020. Overall wines are leaner than 2020 but well structured. And my impression was also that winemakers had to work harder to achieve good results. To put things into perspective, the Bordeaux 2020 was outstanding, with pretty much ideal weather conditions throughout the whole season (still regret not writing about it on time). And I was told that 2022 was even better than 2020, which would, I guess, make it a proverbial “vintage of the century” – we just need to wait for a year and see.
Below are my bit more detailed impressions, primarily on the appellation level. These are all the wines that I liked to various degrees, with the top favorites shown in bold. As a general observation, I was surprised by the amount of the new oak used across the board.
Note – all of the wines below are Grand Cru wines, hence I didn’t add “Grand Cru” to every wine name below.
Pessac-Léognan – this is the only appellation in Bordeaux that produces both white and red wines at the Grand Cru level. I definitely enjoyed 2021 whites less than 2020. Most of the reds were just okay, nothing special.
2021 Château Smith Haut Lafitte Blanc Pessac-Léognan
2021 Domaine de Chevalier Blanc Pessac-Léognan
2021 Domaine de Chevalier Rouge Pessac-Léognan
2021 Château de Fiuzal Blanc Pessac-Léognan
2021 Château Malartic-Lagravière Blanc Pessac-Léognan
2021 Château Malartic-Lagravière Rouge Pessac-Léognan
2021 Château Olivier Blanc Pessac-Léognan
Margaux – It was hard to find anything I liked in Margaux – I don’t know why, but literally all the wines I tried were incredibly tannic, instantly shutting down the palate.
2021 Château Brane-Cantenac Margaux
2021 Château Rauzan-Ségla Margaux
Pauillac – no specific impressions, but I liked comparatively more wines from this appellation.
2021 Château d’Armailhac Pauillac
2021 Château Clerc Milon Pauillac
2021 Château Duhart-Milon Pauillac
2021 Château Grand-Puy Ducasse Pauillac
2021 Château Lynch-Bages Pauillac
2021 Château Haut-Batailley Pauillac
2021 Château Batailley Pauillac
Pomerol – these Merlot-based wines overall were softer and more approachable than Cabernet-based ones.
2021 Château Petit-Village Pomerol
2021 Château Le Gay Pomerol
2021 Château Le Bon Pasteur Pomerol
Saint-Émilion – I thought that Merlot might be a saving grace in the 2021 vintage, but apparently it is not as I only liked a few wines from this Merlot-driven appellation.
2021 Chateau Valandraud Saint-Émilion
2021 Château Villemaurine Saint-Émilion
Saint-Estèphe – no general impressions, very few wines were present
2021 Château Phélan Ségur Saint-Estèphe – might be my second-most favorite in the tasting.
Saint-Julien – same as with Pauillac, I liked quite a few wines here.
2021 Château Beychevelle Saint-Julien
2021 Château Langoa Barton Saint-Julien – this wine was tasty and had a standout, playful label.
2021 Château Léoville Barton Saint-Julien
2021 Château Léoville Poyferré Saint-Julien
2021 Château Gloria Saint-Julien
2021 Château Saint-Pierre Saint-Julien – this was probably my favorite wine of the tasting.
Sauternes – I had bad luck with Sauternes during UGCB tastings in the earlier years, as many wines were simply not balanced, with pronounced bitter notes. At this tasting, I literally liked them all. Note that the wines were presented from the different vintages.
2021 Château Rainey Vigneau Sauternes
2016 Château Sigalas Rabaud Sauternes
2016 Château Guiraud Sauternes
2018 Château Doisy-Védrines Sauternes
2016 Château Bastor-Lamontagne Sauternes
There were more appellations in the tasting (Haut-Médoc, Listrac-Médoc, Moulis-en-Médoc), but I didn’t like any particular wines from those so they are not covered here.
Here you are my friends – my report from the 2024 Union des Grands Crus de Bordeaux tasting. I finally did it.
And I’m already looking forward to the 2025 tasting of the 2022 vintage. Will see if reality will match my expectations. Cheers!
A Weekend In Unique Wines
A unique wine.
A unique concept.
We can take it to the extreme if we want. Wine in the bottle is a living thing. Wine is changing – for the better or worse, but wine is changing – enzymes are breaking, tannins are fading down. We can claim that every bottle of wine is unique, and similarly to “you can not enter the same river twice”, you can not taste the same wine twice.
Okay, let’s move away from such highly esoteric spaces, and let’s talk about personally unique wine happenings – and I will do my best to explain why I designate each encounter as “unique”.
Unique wine case #1 – “I never had it before”
“light golden color, guava, herbs, med-intensity, inviting; vanilla, apples, lemon, crisp, fresh, round, clean med-long finish” – in all modesty, I’m quoting the description of the wine from my own tweet a few days ago. Looking at this description, what wine do you think was in my glass?
Give it a thought for a few minutes. Meanwhile, I continue.
I will not be playing this #inmyglass game here, of course – especially since I actually borrowed this game from Le Bon Vin #inmyglass. The game was played on Twitter, asking people to identify the place and the grape(s) this wine was made from.
Chardonnay. Chennin Blanc. Sauvignon Blanc. Bordeaux Blend. Garganega from Soave. Lugana. Vermentino. Roero Arneis. These were some of the guesses, I’m sure I’m also missing a whole bunch.
Once we established the place – Italy – and after a few strong hints that the wine is a “curveball” and “thinking out of the box required”, we arrived at the correct answer.
Sangiovese in Bianco. A white wine made from red grapes.
It will not be the first – two out of the 3 main grapes in Champagne are red; Pinot Noir Blanco is quite popular in Oregon; I also had white Merlot and even white Cabernet Franc – and it will not be the last, I’m sure, but this was my personal first experience with white Sangiovese wine.
From the very first whiff 2021 La Loggia Toscaia Sangiovese in Bianco Toscana IGT (12.5% ABV) was special. Beautiful aromatics of guava and herbs, followed by a brilliantly balanced presentation on the palate, with lemon, apple and vanilla, crispy, fresh, delicious. If I would try this wine in the blind tasting, I would confidently make my bet on the old world Chardonnay – and yet this wine was made from Sangiovese.
I got this wine from the Last Bottle wines, which means that I might never see the same one again (I have a few more bottles to see how it will age) – but to my delight, I learned that an increasing number of producers offer Sangiovese in Blanco – I just hope the others will be as good as this one.
Unique wine case #2 – I might (will?) never try this again
Every Champagne lover knows Bollinger. A legendary producer whose Champagne was often 007’s wine of choice (yes, it is James Bond I’m talking about). Bollinger even produces one of the Champagnes under the “007” name. But I’m not talking about Champagne here.
Champagne appellation laws allow production of the still wines. The 2002 Bollinger Ay Rouge La Cote Aux Enfant Coteaux Champenois (12.5% ABV) is red Pinot Noir wine, produced from 2 acres of vineyard called La Cote Aux Enfant located in the heart of Grand Cru Aÿ region and aged in oak casks. This wine is only produced by Bollinger in exceptional years. I had this wine once 9 years ago, and at that time the wine was quite powerful, requiring some time to breathe. This time, the wine was ready to drink from the get-go, offering mostly the tertiary aromas – plums, dried fruit, still having enough acidity and some structure. My daughter offered probably the best descriptor for this wine – she said that the aromatics remind her of an old book – in a good sense. It is the book you lovingly and carefully take into your hands, expecting the magic to happen as you turn the pages. Do I wish I opened this wine 4-5 years ago? You bet. Did I regret my choice of keeping this wine for as long as I did? Not for a split second. A perfect rendition of the mature wine…
Unique wine case #3 – back from the dead and then red with cheese? Surprise!
1998 is one of the special vintages in my book, and I am always on the lookout for 1998 wines for a reasonable price. When I saw 1998 Chateau Saint-Nicolas Fronsac AOC (12.5% ABV) for $19.99 at Wine Exchange, I couldn’t help but grab a few bottles. I opened this bottle right after the 2002 Bollinger. The aromatics were very restrained, and on the palate, the wine just had some glimpses of fruit, but overall the wine gave an impression of the Bordeaux I don’t want to drink. A few hours later, things turned even to the worst – the wine was offering nothing on the nose or on the palate. Of course, it tasted like wine, but it had nothing going I would be able to apply any descriptor to. It was late in the day, so I pumped the air out and decided that I will deal with the wine the next day.
The next day I reopened the wine having literally zero hope for anything even half good happening to this bottle. The smell from the glass offered a glimpse of hope – dark fruit and a hint of eucalyptus showed up. To my delight, the palate completely transformed, offering silky cassis, anis, and lots of herbs. The wine didn’t even give out its age, it was still perfectly fresh with a good amount of acidity.
I had a small cheese board on the table, and without much thought, I took a sip of wine after a cracker with cheese. Combining wine and cheese is a lot more difficult than people like to think, so once again, I didn’t expect much. All of a sudden the taste buds jumped of joy, because the cheese, Bucheron soft-ripened goat cheese from Trader Joe’s, was perfectly complemented by this 21-year-old Bordeaux, creating a new level of hedonistic pleasure. A unique wine transformation and a unique pleasure of elevated food and wine experience – the experience worth remembering.
Here you are – my report on the weekend in unique wines. When was the last time you had a wine which you considered “unique”?
OTBN Conundrum
OTBN, short for Open That Bottle Night, is my favorite wine holiday. Nowadays, there are lots and lots of wine holidays, usually associated with a particular grape – International Chardonnay Day, International Cabernet Day, Beaujolais Nouveau celebration, and so on. The majority of such wine holidays encourage you to open a bottle of wine made from a particular grape, whether there is a story behind the bottle or not. You can take these grape holidays with all seriousness and meticulously prepare and select the right bottle, or you can just grab any random bottle you will see in the store – or skip the grape holiday altogether if you don’t feel like drinking Cabernet Sauvignon or Chardonnay on that particular day.
OTBN is different. OTBN was invented for people who take their wine seriously. Or maybe rather those who take their wine too seriously. Over the years, we accumulate wine bottles that are deemed special; brought home from the winery you visited in France; got this bottle after an amazing tasting event; a bottle from an amazing family vacation many years ago; a bottle given to you by a dear friend. We can continue on and on, but you got the point.
Many of those special bottles in your collection would have some similar traits: they exist in the quantity of 1 and they are too special to be opened at random. Those special single bottles stay put in your cellar, waiting for the special company, special circumstances, special moment, special friend’s visit to be opened and enjoyed. More often than not, they keep waiting, and waiting, and waiting, because that special moment keeps not happening. And then, when it finally arrives, you might open that special bottle you preserved with the best care in the world, only to find that the content can solicit the memory but can’t bring you joy anymore because the wine in the bottle simply turned past prime. And it also kind of ruins the moment. This is why OTBN was invented, and this is what makes it such a great holiday for all the winos out there.
My personal conundrum draws exactly along the lines I just described. I have a lot of single bottles (actually, an absolute majority of my wines in single bottles – I practically never buy any wine by the case), and as such making a decision about a “special” bottle of wine for an event or a holiday, never mind the hallmark of them all, OTBN, a long and tedious process. “Is this bottle good enough? Okay, but I only have one. What if I will open it now and would never know how great it could’ve been? What do I do? What do I do?”
Same as the last year, I had to celebrate OTBN early this year due to the business trip spanning over the intended OTBN last Saturday of the month, February 25th. My wife doesn’t drink much wine nowadays, so I had to count primarily on myself. I had no good ideas coming to my head, there were no special bottles of wine I was ready to sacrifice. Looking at one of the wine fridges, I noticed the bottle of Jean Bourdy from Jura.
I don’t take Jura wines lightly, they are very hard to procure in the US. And then Jean Bourdy is a legend in itself – I better have a damn good reason to open such a special bottle. Then I thought that I already had some Jean Boardy in the past – maybe I would find some notes in the blog? I entered Jean Bourdy in the search box, and sure enough, this post came up. I tasted this wine in 2011 when I attended a Natural Wines seminar at PJ Wine store in New York – my first, a truly memorable encounter with natural (low intervention) wines as a category. I tasted this exact wine, 2006 Jean Bourdy Cotes Du Jura Rouge (fun fact: 2006 was the first vintage of Biodynamic wine production at Caves Jean Bourdy). I really liked the wine then, and my note said “It appears that wines of Jean Bourdy are known to age very well (note to self)”. As soon I saw this “note to self”, I instantly put that single bottle of Jean Bourdy back, as 17 years is most likely not an age for it.
In the same post, I noticed another wine that happened to be next to Jean Bourdy bottle on the same shelf – 2007 Le Pavillon de Saint Jacques Lalande de Pomerol. I pulled this bottle many times from the fridge before, always remembering that this was a natural wine, but again, no moment felt special enough. Then I read my note from 2011, which was clearly less than favorable. Here it is in its entirety:
“Very interesting. Smells like dirt, pure dirt after the rain. Very vegetative, no fruit on the palate, just pure dirt again. Almost no acidity. This wine was fermented in concrete tanks, aged for 18 months. It is “certified organic” and made with 90% Merlot and 10% Cabernet Franc – classic Pomerol wine. I would love to taste it in 10-15 years – I think it will greatly evolve, but it is not easy to say ” I like it” now”.
This “note to self” clearly stated that the wine was not good in 2011, but I should give it another try in 10-15 years. I was pretty much in the middle of that suggested term – 12 years after the original tasting, so opening that bottle all of a sudden became a perfect thing to do.
Cork came out easily, showing a good amount of crystals on the bottom, but otherwise perfectly fresh. The first sip instantly put my inner wine geek into a nirvana state. Barnyard. Pure, beautiful barnyard. If you belong to the group which screams “brett” at the first whiff of the barnyard smell on the wine, I’m sorry but we can’t be friends. Yes, there are limits to everything, but the reasonable amount (don’t ask me to quantify, everyone has to define their own “reasonable amount”) enhances the wine pleasure for me. I typically find barnyard associated with Syrah wines – possibly, this was my first Bordeaux with the barnyard aroma – but the barnyard aromas were followed by the classic, concentrated cassis. Layered, concentrated, softly rolling harmonious wine with perfect, firm structure and clean acidity. Beautiful, classic Bordeaux. This was truly an OTBN-worthy pure pleasure experience (by the way, my wife also loved the wine very much).
Here you go – my typical wine selection conundrum, happily resolved to make another memorable night. And as a bonus, the expectation of improvement of the wine with age fully came through (patting myself on the back).
The official OTBN night is almost here. You still have time to select the bottle or 5, maybe get some friends together and make some wonderful wine memories. If you want to celebrate only one wine holiday a year, make it OTBN – don’t risk the wine not being there for you, or you not being there for the wine.
And please share your OTBN stories – I would love to hear them.
Daily Glass: The Beauty of Aged Wine
Many wine critics and professionals alike insist that majority of the wines should be drunk while young, and only a few, less than 5% of all the wines produced, can be successfully aged. Well, I can’t speak about the percentages here – I’m a wine consumer, not a wine statistician – but I do like the majority of my wines aged.
Why do people age the wines? There are many reasons. Collectors age wines because they might (and many definitely will, if you pick right) increase in price. Well, that is not the type of wine aging which is worth our attention here, so let’s leave it aside. Many people age wine because they have a special memory attached to those bottles – birth year, memory of the trip, given by a special friend, signed by the winemaker – the OTBN was invented specifically for those people (I’m one of “those people” too, never sure if the moment is already right, or if it can become “righter”). And then there are those who believe that the wine might will improve with age, and therefore, willing to put some bottles aside and wait for the right moment, which we often refer to as “wine at its peak”.
When we finally open that aged bottle of wine, we enjoy it more often than not. There are many reasons and many ways in which we enjoy that aged wine – some of those are purely related to the taste, which we expect to change for the better; some of those reasons are purely emotional. Drinking 50 your old wine at your 50th birthday is definitely a moving experience – the wine might not be perfect, but hey, it is as old you are, give it some respect! Drinking the wine brought from the trip to Italy 20 years ago is guaranteed to send you down the memory lane, letting you re-live those special moments and recreate its pleasure. The wine might not even taste that great (yeah, I knew I should’ve spent another $50), but who cares – those were the times! But the best of all is when, after the aging, we actually get to drink the wine which evolved and got to its peak.
Very often we praise the aged wine for how youthful it tastes (it is especially true of the wines under the screwtop, which pretty much don’t age at all while closed). Assuming the wine was tasty from the very beginning, this is great and deserves full respect, but this is not really what we want when we are tasting the aged wine. We are looking for the next level of taste, for the wine at its peak, for the wine which evolved. We want the wine to deliver a truly special tasting experience, we are looking for the whole bouquet instead of just individual aromas, we are looking for the interplay of complexity which young wine can rarely offer. We are looking for the wine which can possibly become a life-changing experience. We are looking for the wine which can be pondered at, which can stop the conversation and just let the wine lovers be.
A few days ago, a friend was coming over, and it was right before her birthday. Of course, when someone is coming to the house for a dinner, my worry is always to have the right wine for the occasion. So I asked my wife what year our friend was born, and when I heard “1986”, my immediate thought was – “hmmm, I think I have a bottle”. Memory served me right, and the desired bottle was retrieved.
So the bottle at hand was 1986 Chateau Cordeillan-Bages Pauillac AOC (12.5% ABV, $54.97). After inspecting the cork, I decided to try the regular corkscrew first, before getting out the two-prong opener. It actually worked fine, as you can see. Next was the sigh of relief after a quick sniff – no sign of any faults, and off the wine went into the decanter, both to avoid the sediment and to add to the aesthetics (the wine simply looks grander in the decanter, isn’t it?).
Once in the glass, the first sniff simply extorted the “OMG”. The complexity of the aromas was mind-boggling. Rutherford dust, smoke, roasted meat, cassis, minerality, baking spices, graphite, an incredible bouquet. The palate showed soft dark fruit, clean acidity, fresh, vibrant, graphite, well-integrated tannins, pencil shavings, all with the super-sexy, velvety texture. The 32 years old wine – incredible, and it was a conversation stopper. (Drinkability: 9+).
Trying to understand how and where I got this bottle, I figured that I have to thank PJWine, one of my favorite wine stores in New York, for that. The wine is produced at the Chateau Cordeillan-Bages, a tiny property of only 5 acres in Pauillac, planted with 80% of Cabernet Sauvignon and 20% of Merlot. The property is owned by the Cazes family of the Chateau Lynch-Bages fame (5th growth in the 1855 classification), and it also hosts a 2 Michelin star restaurant and a Relais & Chateaux hotel. The Chateau Coreillan-Bages wine is typically only offered at the restaurant, but the Cazes family decided to make a library release to the public, and PJWine buyers were at the right time in the right place – the rest was a history.
Here you are, my friends – a beautiful wine and a special experience. Do you have the aged wine stories of your own? Share them below. Cheers!
Daily Glass: An [Opportunistic] Bordeaux Discovery and a Case Buy Recommendation
If you read this blog regularly, you might have noticed my claim of “rediscovering Bordeaux” after the Cru Bourgeois virtual tasting. Now, my happy feeling about Bordeaux was reinforced further, after a spontaneous Bordeaux tasting.
After somewhat of an extended break, we got together with the friends for dinner. Before we would eat, we were presented with a difficult task – we needed to taste 5 different Bordeaux wines – I hope you see my attempt at humor here.
The reason for this “obligatory tasting” was simple. My friend (and our dinner host) frequents a large and well known wine store on Long Island, called Pop’s Wine and Spirit, which routinely offers some legendary deals – I can’t call them any other way as the savings for the wine buyers are quite substantial. So my friend got a recommendation from his trusted sales rep to try few of the Bordeaux wines offering great value, and come back for more if he would like them.
There were 4 Bordeaux wines we needed to try as such – plus one which is my perennial favorite. Three of those Bordeaux wines were coming from the same producer, whose name I never heard before – Denis Durantou, who supposedly is a well known, and the wines we had in front of us were more of the side project for him.
After tasting the wines, which were magnificent and a great value (notes below), I had to do some research and found out that Denis Durnatou is indeed more of a pioneer and the legend, making wines at Chateau l’Eglise-Clinet in Pomerol. Chateau l’Eglise-Clinet is a part of so called “Pomerol Triangle”, which is an area with the best soils in Pomerol, where most of the “Pomerol greats” are located – I hope the names like Le Pin, Vieux Chateau Certan, l’Evangile, Pétrus spell magic for you (yes, all amazing producers). Denis Durantou was the first to start green harvesting in Pomerol (green grapes are removed at the early stages, to allow remaining grapes to concentrate flavor). He was also a big proponent of thermo regulation in the cellar, which is critical when you ferment the grapes. Actually, I can’t do justice to the Denis Durantou’s work in a few sentences – instead, let me refer you to an excellent article which you can find here.
2014 Chateau l’Eglise-Clinet will set you back at around $180, the futures for the 2015 seems to be closer to the $225. At the same time, all 3 of the “other” Denis Durantou wines we had a pleasure of tasting, were in the range of $17 to $24 (all prices come from Pop’s Wine and Spirit).
Here are my notes:
2014 Château Montlandrie Castillon Côtes de Bordeaux Denis Durantou (14.5% ABV, $22, 75% Merlot, 20% Cabernet Franc, 5% Cabernet Sauvignon) black currant on the nose, classic, clean, mint, wow; perfect Classic Bordeaux on the palate, beautiful fruit, cassis, firm structure, perfect balance, ready now, will evolve. Drinkability: 8+
2014 Château Les Cruzelles Lalande de Pomerol Denis Durantou (14% ABV, $24, 90% Merlot, 10% Cabernet Franc) green bell peppers on the nose, touch of Cassie , eucalyptus; dusty palate, firm tannins, meaty texture, very round, cherries. Will evolve. Drinkability: 8-
2014 Saintayme Saint-Emilion Grand Cru Denis Durantou (14.5% ABV, $17, 100% Merlot) dusty nose, plums, touch of roasted meat; fresh fruit on the palate, delicious, silky smooth, fresh tannins, well balanced. Drinkability: 8
Let’s talk about two more wines.
What I love about Chateau Simard is that they take great care of us, oenophiles. Chateau Simard wines are aged at the Chateau for 10 years, and only then they are released to the public – all at incredibly reasonable prices, at least so far. As you can tell, this wine was perfectly fitting my comment price-wise, and it was delicious:
2004 Château Simard Saint-Émilion (12.5% ABV, $22, 70% Merlot, 30% Cabernet Franc) – very funky nose, and lotsr of barnyard, mint, truffles ; sweet fruits on, fresh tannins, nice depth, touch of licorice, cured meat, great balance, delicious wine. Drinkability: 8+
Now, for our last wine, you don’t even have to read this post anymore – just run to the store and get a case of this wine – at least one. You can thank me later. And by the way, I’m not the only one who thinks this wine is great – 2014 vintage got 89 points from Wine Enthusiast magazine.
2015 Château Roc de Levraut Bordeaux Superieur ($8, Cabernet Sauvignon, Merlot, Cabernet Franc) – beautiful smoke on the nose, roasted meat, dark fruit; plums and smoke on the palate, good acidity, nice minerality, savory notes, excellent overall. Drinkability: 8, incredible QPR.
Here we are, my friends – few of my “Bordeaux finds” for you. By the way, I need also to mention that my friend, who kept tasting the leftover wines over a few days, said that they all kept on opening up, especially our QPR star, so I’m serious about that case buy recommendation. I also just realized that 4 of these wines are predominantly Merlot wines, so this post is also perfectly fitting for the October being the month of #MerlotMe!
Have you made any exciting Bordeaux discoveries as of late? How is your Merlot? Cheers!
Craving Bordeaux Again
Source: Cru Bourgeois
If you listen to the stories of oenophiles, learning how they become who they are (oenophiles, wine lovers, it is), you will hear often that their world was changed with the first sip of that coveted First Growth (best of the best in Bordeaux wines), or another Bordeaux bottle of the similar pedigree – this might not be the story of millennials, but for sure it is the one for the older generations.
As I started getting into the wines, I developed utmost respect to the Bordeaux wines first by reading all possible books and articles about the Bordeaux greatness – this was well before China put the Bordeaux world upside down. This was also happening around the Vintage of the Century in the year 2000, when each and every magazine was going nuts about the greatness of that said vintage. At that time it was still possible to buy Chateau Latour for about $90, which was completely unthinkable to me as a spending on a single bottle of wine.
My first experience with Bordeaux was $6 or $7 Bordeaux AOC or Bordeaux Superiore AOC wine, acquired at a local supermarket in New Jersey – I’m sure I don’t need to describe to you how those wines tasted like – think green branches, lots and lots of green branches, and don’t add any fruit…
Needless to say that this type of experience, coupled with prices for the better Bordeaux wines increasing faster than disappearing TGV train and discovering that the wine world is bigger than anyone’s imagination with more wines to try than there are days in an average human life, put a damper on my interest to Bordeaux wines. Don’t get me wrong – I was privileged to taste Chateau Margaux 2000, and it was beyond amazing, along with lots of other absolutely delicious Bordeaux wines. But the end result is that you will practically never find me in the Bordeaux aisle at the wine store – I will drink Bordeaux if offered or recommended, but will not proactively seek it on my own.
Until now.
Back in June, I was lucky to be invited to Cru Bourgeois virtual tasting. First of all, that means that I had to drink a lot of Bordeaux wines. Leaving that aside, it was also interesting to find women winemakers behind all of those wines – and practically all of them representing their multi-generational winemaking families.
Before we talk about wines which made me craving Bordeaux again, let’s talk about Cru Bourgeois, as this is not just some random designation.
Origins of the Cru Bourgeois go back to the Middle Ages, so you can imagine that it is impossible to give it due respect in the few lines of the blog post. According to the official Crus Bourgeois description, “The bourgeois were inhabitants of the “bourg” of Bordeaux, a town of merchants and craftsmen. During the period of English rule, they acquired rights and privileges, including exemption from taxes on the sale of the wines from their vineyards both locally (Guyenne) and abroad.
By the fifteenth century, enriched by international commerce, the bourgeois of Bordeaux were able to acquire the finest properties in the region, which gradually acquired the name of “Crus des Bourgeois”.”
Cru Bourgeois classification significantly predates the the famous 1855 Bordeaux classification, but it also went through multiple turbulent times affected by French Revolution and later on by the Great Depression of 1929. In the early 19th century, Cru Bourgeois classification included about 300 producers; 248 Crus Bourgeois were listed in 1858 (divided into 3 categories); in 1932, Bordeaux wine brokers designated 444 Crus Bourgeois.
Source: Crus Bourgeois
Fast forward, the latest chapter in Crus Bourgeois history started in 2010, when union of the Crus Bourgeois du Médoc finalized its new quality procedures and published its first official selection of the Crus Bourgeois producers. The whole idea behind the Cru Bourgeois classification is to control quality and ensure that the Cru Bourgeois sticker on the bottle gives consumers piece of mind. Crus Bourgeois du Médoc classification covers 8 AOCs – Médoc, Haut-Médoc, Listrac-Médoc, Moulis en Médoc, Margaux, Saint Julien, Pauillac and Saint Estèphe. If producers from those appellations would like to be listed in the official Crus Bourgeois classification, they have to apply for it, pass the inspection and continue operating within the quality requirements of the classification – otherwise, their status will be revoked. Each bottle from the officially classified Chateaux carries a secure sticker which can be easily scanned to obtain all authentic information about producer, vintage and the wine.
To give you an idea about the process, for the 2013 classification, 251 producers were selected from 400 applications – as you can tell, obtaining Crus Bourgeois status is not guaranteed. Few more numbers – Crus Bourgeois production for 2013 stood at about 20 million bottles, representing about 26% of the total wine production in Médoc. For the past 6 vintages (starting from 2008), total Crus Bourgeois du Médoc production was about 166 million bottles. Well, if you need more facts and numbers, you can continue reading on the official Crus Bourgeois du Médoc web site.
Now, let’s talk about the virtual tasting. It was done in the usual format, over the UStream, with live chat and ability to ask questions, which was, of course, a big part of fun. Seven producers represented seven Crus Bourgeois regions (out of 8 – very nice coverage). Every winemaker had a few minutes to introduce themselves and their wines – I did my best to capture at least a few words coming from each presenter – this is easier said than done, so below are the results of my efforts together with detailed tasting notes (except one wine – you will see below). Overall, very impressive level of quality.
Here we go:
Magali Gyuon – the wines should be drunk at the right time – only 2009 ch la Cardonne is available on US market. 2012 is an exception. It is very good At the moment. It will close in 1–2 years, and then it will reopen in about 4 years – I have to say that this is perfectly resonates with my viewpoint on the wines – I truly believe that many wines have their “close up”, “sleeper” periods and if you are unlucky to open wine in such a period, you might not be able to enjoy it at all. This is why you always need to buy more than one bottle 🙂
2012 Château La Cardonne Médoc AOC (13% ABV, $25, 50% Merlot, 45% Cabernet-Sauvignon, 5% Cabernet Franc, 12 mo in French oak)
C: garnet
N: warm, inviting, dark berries, cassis, sage
P: round, supple, touch of green undertones, but good balance overall. Acidity on the finish even on the day two.
V: 7+, rating unchanged on the second day
Armelle Cruse – Château has open door policy. Studied in California, and she wanted to reintroduce the same style in Bordeaux. First women to become a winemaker in the family (out of 5 girls).
2012 Château du Taillan Haut-Médoc (14.5% ABV, $25, 70% Merlot, 20% Cabernet Sauvignon, 10% Cabernet Franc, 12 mo in French oak)
C: dark Ruby
N: fresh fruit, warm, open
P: fruit core, but finish is very tart, almost bitter. Needs time? yes! Much more round and approacheable on the second day; dark concentrated fruit.
V: 7- first day, 8- on the second day – much improved, tannins subsided, fruit appeared
Nathalie Meyre, has B&B at the château, winery in the family for 6 generations
2012 Château Cap Léon Veyrin Listrac-Médoc (13.5% ABV, $30, 60% Merlot, 35% Cabernet Sauvignon, 5% Petit Verdot, 12 mo in French oak)
C: dark garnet, almost black
N: freshly crushed cherries, touch of the savory notes
P: supple, fresh, good acidity, cherries, touch of white pepper, good balance, excellent spicy aftertaste
V: 8-, excellent wine, this verdict stands on the second day, may be the wine is a bit softer, but still with a good balance.
Pierre Cazeneuve represented his mother, who is the winemaker. Has strong marketing presence on Internet.
2012 Château La Garricq Moulis-en-Médoc (13% ABV, $21, 48% Merlot, 40% Cabernet Sauvignon, 12% Petit Verdot, 12 in French and American oak)
C: dark garnet
N: warm, inviting, cassis, eucalyptus,
P: Classic, cassis, green bell pepper, perfect balance, perfect tannin core on the finish – just right.
V: 8, excellent right now and has a great promise of aging; 8+/9- on the second day.
Mélanie Fabre – taking care of the vineyard and also a winemaker, works in partnership with parents. Makes the wine she likes – fruit forward and balanced.
2012 Château Bellevue de Tayac Margaux AOC (13% ABV, $30, 70% Merlot, 20% Cabernet Sauvignon, 10% Petit Verdot, 12-18 mo ageing )
C: dark garnet, almost black
N: roasted meat, smoke, dark, brooding, tar, pencil shavings
P: dark fruit, more roasted meat, good concentration, excellent balance
V: 8, excellent, second day is equally good. Round.
Pascals Peyronie – small property works very hard and can produce wines at the reasonable price ( I have cheaper than the famous neighbors). Society of women in winemaking, 12 members, formed in 1994, first organization in France.
2012 Château Fonbadet Pauillac AOC (13% ABV, $54, 65% Cabernet Sauvignon, 35% Merlot, 16-18 mo in French oak)
C: dark garnet
N: borderline corked, can’t evaluate
Violaine Labauge – involved in the marketing of the wine. The Château belongs to the same family for 3 centuries. Wine is made to be enjoyable now but can be cellared for 10–15 years.
2012 Château La Haye Saint-Estèphe AOC (13.5% ABV, $20, 50% Merlot, 45% Cabernet Sauvignon, 5% Petit Verdot, 12-14 mo in oak)
C: dark garnet, almost black
N: mostly closed, touch of fruit and kitchen spices
P: nice touch of cherries, pencil shavings, soft, round, explicit minerality, good acidity, good balance
V: 7+/8-, rating stands the second day.
That’s all I have for you for today, my friends. I’m glad to find some great values coming from Bordeaux – I’m sure more is to come. What were your recent Bordeaux discoveries? How often do you drink Bordeaux wines? What do you think of them? Put that comments section to the good use! Cheers!
One On One With Winemaker: Michel Rolland
To anyone inside of the wine circles, the name “Michel Rolland” needs no introduction. If you enjoy an occasional glass of wine but don’t dig deep, very deep into what is behind the label, it will probably tell you nothing. Unlike Araujo, Bryant Family, Harlan, Staglin – right? All of these are the cult wines from California, revered, adored and drooled upon by many wine connoisseurs. Let’s not forget Tenuta dell’Ornellaia from Italy, Angélus and Ausone from St-Emilion and l’Evangile from Pomerol. In case you didn’t know, Michel Rolland, classically trained French winemaker, is behind these and hundreds (I’m not exaggerating – search for his name on Wikipedia) of other wines. He is a consulting winemaker, sometimes also referred to as “flying winemaker”, who made wine on all continents and all possible and impossible corners of the world.
When I got an invitation for lunch with Michel Rolland, who was visiting New York to introduce some of his newest wines, I was excited at first, and then bummed. The lunch was overlapping with the Jura wine tasting, which I was planning to attend for a very long time. So as a last resort, I asked if I can meet with Michel Rolland after the lunch so I can ask him a few questions. To my absolute delight, kind folks at Deutsch Family, a wine importer company hosting the event, managed to arrange the time for me right after the lunch to sit down and talk to Michel Rolland.
As you understand by now, unlike most of my virtual interviews in this “one on one” series, this was a real face to face conversation, with a real handshake and visible emotions. At first, I was thinking about recording our conversation. That probably would be okay, but I never did this before, and fighting with technology in front of the busy man who was doing me a favor didn’t feel right. So I did what I always do – I prepared my questions in advance. After a subway ride and a brisk walk, I arrived – on time – and shake hands with the legend. We sat at the table, three different glasses of red wine appeared on the table. And conversation started – here is what we were talking about, with the precision of my fingers hitting the screen of the trusted iPad:
Q1: You made wine all over the world. Is there one place or one wine which was your absolute favorite?
“No. I like the challenge, so every time I’m going to the new place, it is very exciting.”
Q2: What was your most difficult project and why?
“To make wine, we need soil, grapes, and weather. When the weather is not playing, it is very difficult. There were 2 places which were the most difficult. First one was India – everything is great except the climate. India has only 2 seasons – dry and wet. Another one was China – extreme climate, very difficult to make wines. In the project in China, years 1,2 and 3 had no frost, then in the year 4 we decided not to cover the vines, and half of the vineyard became dead.”
Q3: You are known to create big and bold style wines. At the same time, it seems that wines with restrained are more popular today. Did you make any changes to your winemaking style to yield to the popular demand?
“After 43 years in this job, it is good that I have style. So the style is what the market is asking – the wines are made to be sold, so we have to follow tendencies in the market. Even that not everything is changed at the same time, it is more of the evolution and adhering to the fashion. The wine to drink tonight is not the one to be stored for 10–15 years. So the wine have to be made more enjoyable younger, and this is what we do.”
Q4: Where there any projects which you rejected and if yes, why?
“Yes, of course, but it doesn’t happen very often. The biggest concern is the relationship with the team. Day to day in the cellar and field it is the team – if the relationship with the team is not good, I prefer to leave. For sure if nobody is happy, then it is better to leave. I never refused project because it is too challenging. In Chile, 25 years ago the variety called Sauvignonne had to be used, which was hard – and I didn’t refuse the project because it was challenging. So the relationship is the major part.”
Q5: Again, appealing to your worldwide expertise, what do you think is the hottest new wine region today, if there is one?
“We have to look back – we have new world and old world. France, Italy, Spain – being there before. Then came US, then South America. Chile, and Argentina is growing the fastest now. Then there is New Zealand and Australia. But I think the area around the Black Sea, which was historically there, is very promising. Now Turkey, Georgia, Armenia, Russia all started making really good wines and we will see great wines coming from there. I [actually] currently work in Turkey, Russia, Bulgaria.”
Q6: What are the most undervalued wine regions in the world today, if there are any left?
“One of the most difficult countries to make and produce wines is South Africa – great wines which sell well only in UK, but very difficult everywhere else.”
Q7: What do you think of natural wines, which are very often are very opposite in style to “big and bold”
“We can’t fight against natural wines, but all the wines are natural [laughing], minimal intervention. We have to slow down with all the chemicals, but the wines should be made to be good wines – a lot of “Bio” is done only for marketing, so if it is done smart, it is good. I have small estate Val de Flores in Argentina which is for 8 years is completely “bio”, so yes, I support that.”
Q8: What are the latest projects you are working on?
“The one in Tuscany (Maremma) running by the German family, they have a wonderful vineyard and wonderful winery, and now making very good wines.”
Q9: You are a role model and a teacher for many in the wine world. Who were your role models and teachers?
“When I began my job my mentor was Émile Peynaud. It was another era. When I began the oenology, we were not speaking about quality. The goal was to avoid problems. I discussed this a lot with Peynaud. Peynaud was convincing people to do better in the cellar, to have clean wines, to use better material. It was very difficult, but Peynaud was great dealing with the people, so I learned a lot from him, including the patience for dealing with people. I often said that my job is 80% psychology, and 20% oenology, this is what I learned from Peynaud.”
Q10: What are the new trends in the wine world? What wine consumers should expect to see and experience over the next few years?
“I think people like more and more approachable, and gentle wines – full bodied, but gentle. The big problem I see is that during the 90s, I did a lot of work where we dramatically improved quality. In the 2000s, we drunk best wines we could. What I don’t like now that everybody is going after cheaper and cheaper wines – we can still do good wines, but not better than in the previous years. In the end, the wine is a business, so I don’t want to see people reduce quality just to survive.”
As you can imagine, Michel Rolland didn’t come to the New York to talk to me. He was promoting his latest project, the wines of André Lurton which he helped to create. André Lurton is the winemaker in Bordeaux whose family winemaking heritage goes back more than 200 years, and who is not only known as a winemaker but also was very instrumental in advancing Bordeaux wine industry, including creating of the new appellations.
Here is the story of how Michel Rolland started working with André Lurton (don’t you love wines with the story?):
“Lurton is one of the last projects. I had an interview on the radio, and the journalist asked me if I have any regrets. I said at 65 years old, I don’t have a lot of regrets. When making wines, you get to meet wonderful people from all over the world. So the regret is “why I never met this guy” – one of such people is André Tchelistcheff – I met his wife, but never met him. And then the journalist asked me “who else”. So I said in Bordeaux, there is André Lurton, who I never met and worked together.
3 hours after the interview I received a call from Andre Lurton who said: “come and meet me”. Now we are working together.
So what we are doing is looking after the future, what can we produce for the people. We have to make approachable wines – still with the ability to age, but more approachable. “
This was the end of my conversation with Michel Rolland. We spoke for about 45 minutes, and it was clear that Michel had to continue on with his day. But there were still three wines standing in front of me, so I had to go through the speed tasting and only capture general impressions, there was no time for detailed notes. Here are my brief notes:
2012 Château Bonnet Réserve Rouge Bordeaux ($14.99, Merlot/Cabernet Sauvignon blend) – beautiful tobacco nose, fresh fruit, soft, round – clearly Bordeaux on the palate, green notes, restrained. Green notes do get in the way, though.
2012 Château de Rochemorin Rouge Pessac-Léognan ($33.99, Cabernet Sauvignon/Merlot blend) – beautiful, classic Bordeaux, great finish, some presence of the green notes
2012 Château La Louviére Rouge Pessac-Léognan ($74.99, Cabernet Sauvignon/Merlot/Petite Verdot), new oak, open fruit on the nose, lots of complexity, very beautiful, layers, delicious finish. Overall delicious wine, my favorite of the tasting. This wine was polished and concentrated, and I would love to drink it every day.
What is interesting for me here (besides the clear proof that I’m a wine snob who prefers expensive wines) is that there is a clear progression of taste and pleasure in this three wines – the price was increasing accordingly, and this is how things are quite often in the wine world.
After an encounter like this one, and the pleasure of talking with the legend, if blogging would be my job, I would gladly proclaim “I love my job”. But even without it, I still would proudly say that I love blogging as it makes possible conversations like this one, which is priceless for any oenophile. Cheers!
Daily Glass: France, New Jersey, Oregon
Glass of wine (or two, but who’s counting) is a standard daily routine at our house (most of the time anyway). Hence these “Daily Glass” posts, where I talk about those “everyday” wines. What I’m trying to stress here that it is really an “everyday” wine phenomenon, as opposed to the wine dinners, birthday, holidays and other special occasions.
In today’s post I want to talk about my recent “everyday” wine experiences, which included wines from France, New Jersey and Oregon. I’m sorry, what are you saying? You never heard of the New Jersey wines? Really? Okay, fine, you got me. New Jersey wines are not my everyday wines either. But the wines are made in New Jersey, and some of them are pretty good wines, I have to admit.
Anyway, let’s talk about those recent “everyday” wines – shall we?
Let’s start with the two wines from France. First, 2005 Domaine Rolet Chardonnay Arbois AOC, Jura (13.5% ABV, $20?) – yes, a pretty rare bird – the wine from Jura. I got two bottles few years ago at the store in Massachusetts. This was my second bottle, and while I’m sure the wine would still can go on and on, I thought that 10 years should be good enough to open it. After initial whiff of oxidation on the nose (quite typical for Jura), the wine opened into delicious, balanced Chardonnay. White fruit on the nose, touch of vanilla. Clean acidity, Chablis-like minerality, touch of lemon and Granny Smith apples, perfectly fresh and balanced. Drinkability: 8-
Next wine was really an unexpected treat. I have to admit – I rarely drink Bordeaux. Inexpensive Bordeaux often under-delivers. And I really don’t want to experiment with $50 wines; $120+ wines are out of my league for the everyday consumption. But with this particular wine, the story was much simpler – “try before buy” is the best thing since the sliced bread, people! Stopped by my local favorite wine store, Cost Less Wines, for the traditional Saturday tasting. Lester, who usually runs the tastings, poured the wine from the decanter and warned me – “you might not like it”. 1994 Chateau Lilian Ladouys Saint-Estéphe (12.5% ABV, $15) – this is just a tasting, how bad can it be? First smell – amazing, mature wine with complex, fragrant bouquet. First sip – wow, dried fruit, hazelnut, spices, distant hint of cinnamon, fresh acidity – a perfect package. Turns out that the first bottle opened for the tasting was somewhat off, this is what prompted Lester’s warning. This wine was decanted for 2 hours, and it was perfect – I don’t know how much life it still has, but considering the way it was drinking, it definitely has a few more years to enjoy it. Drinkability: 9
And now, the moment you’ve been waiting for – New Jersey wines. Let me ask you something – what would be your expectations of the New Jersey wines? Yes, New Jersey is better known for its humongous malls, Jersey Shore or evenly spaced, monotonically numbered highway exits. Wines? Not something people would readily associate with the Garden State. I also had sad prior experience with one of the New Jersey wines, which I simply deemed “undrinkable”, so when I was asked if I want to participate in the virtual tasting of New Jersey wines, my first inclination was “thank you, but no”. After a second (or a fifth) thought, there was “well, may be?” moment, so I said – sure, will be glad to.
You would understand my skepticism even better if I will tell you that the wines offered for the tasting were not anything less than the classic varietals – Chardonnay and Merlot. I’m very particular with the flavor profile of both, as from my experience, it is very easy to screw up the respective wines. Okay, so the winery in point – Old York Cellars. Vineyards at Old York Cellars were planted in 1979, and the winery was first to produce commercial wines in New Jersey in 1981. Today winery produces about 6,200 cases from the 18 different grape varieties with Vidal Blanc, Cabernet Sauvignon and Marechal Foch been most popular among the customers. We learned these and many other interesting facts during the #VirtualVines twitter session with winemaker Scott Gares, who had been making wines for more than 20 years – “it’s the family business” he twitted.
Now, let’s talk about the wines. First, 2012 Old York Cellars Chardonnay (under 12% ABV, $18). When I just pulled the cork and poured wine into the glass, the first sip was simply not good. There was lots of salinity and soap, so my first thought was “here we go again” (referring to my prior experience with NJ wine). Oh well, let’s see what will happen. 30 minutes later, it was totally different wine. Touch of vanilla showed up on the nose. On the palate, the wine opened up into a clean, classic Chardonnay, plump, medium to full body, vanilla, apples and touch of butter on the palate, excellent balance. Don’t know why the wine started like it did, but the transformation was very impressive. I was upset when the bottle was finished, would love to have another sip. Drinkability: 8
Next wine was 2013 Old York Cellars Merlot (15.5% ABV, $18). From get go, this was one tasty wine. Dark fruit on the nose (without characteristic cassis though). On the palate, very interesting smoke and spice, with undertones of mudrooms and forest floor, and well present sapidity. A thought provoking red wine. Full bodied and concentrated, with excellent balance. What was also very interesting is that at 15.5% ABV, the alcohol was extremely well integrated – it was not showing on the nose or on the palate. Drinkability: 8-
So here are two wines which greatly exceeded my expectations – you know, it is the sip of the wine which becomes an ultimate truth. Perception holds a lot of power in the world of wine – but more on this later in the separate post. For now I can only recommend that if you will have an opportunity, try the Old York Cellar wines – at least I plan to continue doing that.
The last wine for today – 2011 Brick House Vineyards ‘Cuvée du Tonnelier’ Pinot Noir, Ribbon Ridge, Oregon (13% ABV, $45). Lately, I come across many wines made with biodynamic grapes – most of them are really good wines, but I’m still trying to form an opinion if those are just lucky accidents or a trend. Also, label specifically says that the wine is made with Biodynamic® grapes – Biodynamic with upper case and registered trademark symbol next to it – is “Biodynamic” like “Champagne” now? Anyway, the wine was delicious – a classic Pinot Noir nose with smoke and mushrooms, bright fresh fruit on the palate, very clean, round, perfectly balanced – a new world wine, yes, but perfect finesse and elegance. Biodynamic or what, but it was one tasty wine. Drinkability: 8
And we are done here. Have you had any of these wines? Have you ever had wines from New Jersey? What do you think of Biodynamic wines? If you are willing to talk, I’m ready 🙂 Cheers!
Note: Old York Cellars wines where supplied as a media sample. All opinions are my own.
Re-Post: Best Hidden Secrets Of The Wine World: Second Labels
During 2011 I wrote a number of posts for the project called The Art Of Life Magazine – of course talking about my favorite subject, wine. The project closed, but I still like the posts I wrote, so I decided to re-post them in this blog. Also, in that project, posts were grouped into mini-series, such as “Best Hidden Secrets” you see here – I will continue re-posting them from time to time.
Also note that the series was written for a slightly different audience – I hope none of my readers will take offense in the fact that sometimes I’m stating the obvious…
Second labels. Second is a keyword here. Second – meaning second best? How good it is to be second best?
When it comes to competition, second best is always only second best. Second best means you scored less, you ran not as fast as the best, you jumped not as far as the best. By all means, you really tried – but someone else was better in the same art.
Luckily, the notion of “second best” is not applicable to the world of wine. Of course, you might have your favorite (the best) wine, and then second favorite wine, and the third, and the fourth and many others. However, those are your personal favorites which are driven by your own personal taste. It is entirely possible even that someone’s most favorite wine is totally not drinkable for someone else (I think this is one of the most fascinating aspects of the wine world.
So what is the second label? Many wineries around the world have one wine which is considered the best, most well known and well regarded. Such wine would be their “First Label”. Typically, those wines have two” external” characteristics: they are very expensive and made in the limited quantities – and one way or the other, these subsequently become driving factors to produce so called “second label” wines, which are at least less expensive (quantity still might be an issue).
Actually, officially designated second labels started in Bordeaux in France simply to avoid throwing out the grapes which didn’t make it into the best wines. What started from so called “first growth” Bordeaux wines from famous 1855 classification in the 18th century, the second label movement spread widely across many wine making regions in the last quarter of 20th century (you read more on the subject here). From being only a Bordeaux phenomenon, it became adopted by many wineries all over the world as their main wines elevated to the “cult” status.
Today many of the cult wines from California, Italy and Spain ( other regions joining in as well) have their second labels. It is interesting to point out one essential difference between Bordeaux second labels and the rest of the world. Based on In Bordeaux AOC rules, second label or not, if Chateau is specified on the wine label all the grapes (100%) for that wine have to come from the vineyards which belong to that Chateau. This is not the case for most of the world. For instance, when particular AVA (analog of AOC in USA) is mentioned on the wine label, it means only that at least 85% of the grapes in that wine should be coming from the specified AVA, and 15% of grapes can be coming from any other places. I’m not saying that this is good or bad – this is just something to take into account when talking about second label wines.
Now, putting all the technicalities aside, what is all the fuss? Why are we talking about some kind of “second labels” as a great secret of the wine world? Very simply, it is all about QPR. Let me give you an example. If you hadn’t done so recently, go check how much Chateau Latour or Chateau Lafite costs. 2008 (somewhat of a sleeper vintage, not declared as outstanding) Chateau Latour will cost $1,600 or more, and Chateau Lafite is somewhere in the $2,000 – $2,500 range. No, not for 5 cases – these are the prices per bottle… 2008 Les Forts de Latour, second label of Chateau Latour, will cost about $250 per bottle, and Carruades de Lafite, second label of Chateau Lafite, will cost about $600.This is still very steep, but I’m sure you can see the magnitude of price difference. In addition to the better QPR, second labels are ready to be enjoyed much faster compare to the main wines. You need to wait for 15-20 years for great Bordeaux to open up, and second labels often cane enjoyed right away or after the short time in the cellar.
Let’s talk about some practical examples, but instead of Bordeaux, let’s start from Italy.
Le Volte is so called Super Tuscan wine made by Tenuta dell’Ornellaia. Their flagship wine, Ornellaia, has won numerous accolades and consistently rated above 95 points by various wine critics. You can buy Ornellaia for about $180 – $220 per bottle. Le Volte is produced by the same winery (it is technically a third label, with Le Serre Nouve being the second) from the grapes which were not selected for the main wine, and you can buy it for about $20-$25 per bottle (about one tenth of the price of Ornellaia).
2008 Le Volte was very tight and aggressive initially. After a while, it changed beautifully showing luscious fruit (dark fruits) and silky smooth tannins. It can be enjoyed right now with the appropriate breathing time (an hour in decanter might be the right call), but it will benefit from another 5 years in the cellar.
Here is another example – Crouix de Beaucaillou, second label from Chateau Ducru Beaucaillou. Chateau Ducru Beaucaillou is so called second growth winery from Saint-Julien region in Bordeaux – again based on 1855 classification. Taking 2008 as a reference year again, their flagship wine, Chateau Ducru-Beaucaillou, can cost $110 and above (just for comparison, same wine from 2005, which was one of the best years in Bordeaux, will cost you $180+, and 2009 prices start from $250). 2005 Croix de Beaucaillou can be found for about $45 per bottle, which is one fourth of the price of the first label. This 2005 Croix de Beaucaillou opens one with beautiful nose of ripe black plums, oak and spice box. On the palate the wine is very restrained initially, and then opens up with some cedar notes and exhibits pronounced acidity and powerful tannins. Despite my earlier statement about second labels being ready to drink earlier, this particular wine definitely need more time in the cellar (but we should still keep in mind that 2005 was a great year).
After learning the first great secret of the wine world – beautiful Rioja wines, now you are armed with even more knowledge and you can have a lot of fun exploring the world of hidden gems, the second labels. Just to leave you with a little reference, below you will find a table with names of some of the second labels throughout the world, you can enjoy hunting for. And stay tuned, as more secrets are coming!
Note: this post was prompted by the post “Second Label Values” by the fellow blogger wpawinepirate.
Reference: Second Label Wines
| Primary Wine | Second label |
| France – Bordeaux, 1st growth | |
| Chateau Haut-Brion | Le Clarence de Haut-Brion |
| Chateau Lafite Rothschild | Carruades de Lafite Rothschild |
| Chateau Latour | Les Forts de Latour |
| Chateau Margaux | Pavillon Rouge |
| Chateau Mouton Rothschild | Le Petit Mouton |
| France – Bordeaux, others | |
| Chateau Ausone | Chapelle d’Ausone |
| Chateau Cheval Blanc | Le Petit Cheval |
| Château Rauzan-Ségla | Ségla |
| Château Léoville-Las Cases | Le Petit Lion de Marquis de las Cases (Clos du Marquis before 2007) |
| Château Léoville-Poyferré | Château Moulin Riche |
| Château Léoville Barton | La Réserve de Léoville Barton |
| Château Gruaud-Larose | Sarget de Gruaud-Larose |
| Château Lascombes | Chevalier de Lascombes |
| Château Pichon Longueville Baron | Les Tourelles de Longueville |
| Château Pichon Longueville Comtesse de Lalande | Reserve de la Comtesse |
| Château Ducru-Beaucaillou | La Croix de Beaucaillou |
| Château Cos d’Estournel | Les Pagodes de Cos |
| Italy | |
| Sassicaia | Tenuta San Guido Guidalberto |
| Ornellaia | Le Serre Nouve, Le Volte |
| Spain | |
| Vega Sicilia | Valbuena 5° |
| Alto Moncayo | Alto Moncayo Veraton |
| Bodegas El Nido | Clio |
| Clos Mogador | Clos Manyetes |
| USA – California | |
| Bryant Family | DB4 |
| Duckhorn | Migration, Decoy |
| Harlan Estate | Maiden |
| Pahlmeyer | Jayson |
| Paul Hobbs | Crossbarn |
| Screaming Eagle | Leviathan |
| Quilceda Creek | Quilceda Creek Columbia Valley Red |
Ten Cabernet Sauvignon Facts For The Cabernet Day
Cabernet Sauvignon Grapes, Wikipedia
Today (or it might be yesterday, depending on when I will finish this post), on August 30th, we are celebrating Cabernet wines, which include some of the most coveted and sought-after wines in the world.
For this event, I want to talk a bit about Cabernet wines in general. While Cabernet wines often include both Cabernet Sauvignon and Cabernet Franc grapes, I want to focus today on the wines which have Cabernet Sauvignon as the only or at least a primary ingredient – I should save something (Cabernet Franc, to be precise) for an easy post next year, shouldn’t I?
For what it worth, here are ten facts about Cabernet Sauvignon – some might be actual facts, and some might be… myths? I will let you be the judge…
- Cabernet Sauvignon grape is relatively young, first appearing in 17th century as the result of the cross between Cabernet Franc and Sauvignon Blanc grapes (hence the name).
- Cabernet Sauvignon grapes are very small with the thick skin, which means that the ratio of seeds and skin versus pulp is quite high, leading to lots of tannins being extracted during maceration process. More tannins = bigger wine, which usually also can age for a long time, but on a flip side needs an additional breathing time to open up.
- Cabernet Sauvignon wines are successfully made all over the world, but the best known regions are Bordeaux, California, Tuscany and Australia. These main regions are closely followed by Argentina, Chile, Israel, Spain and South Africa.
- Typical flavor profile of Cabernet Sauvignon wines include black currant (Cassis), green bell peppers and eucalyptus (not necessarily all at the same time).
- Not all the Bordeaux wine are predominantly Cabernet Sauvignon based. The wines made in Médoc and all the sub-appellations (situated on the left bank of Garonne river) are actually based on Cabernet Sauvignon (70% is quite typical). The wines made on the right bank of Dordogne river are predominantly Merlot wines (typically containing about 70% of Merlot grapes). Some of the most successful Bordeaux wines, such as Chateau Petrus and Le Pin, are actually made out of Merlot.
- The oldest continuously producing Cabernet Sauvignon vines in the world are located in Australia – it is Block 42 of the Kalimna Vineyard in the Barossa Valley, which belongs to Penfolds. It is assumed that the vines were planted between 1886 and 1888, which will give us an approximate age of 125 years.
- Typical California Cabernet Sauvignon wine needs about 13 years to reach its peak (see, I told you – patience is one of the important traits of oenophile).
- Malbec was the most popular grape in Bordeaux until early 18th century, when it was replaced by Cabernet Sauvignon.
- Cabernet Sauvignon holds the title of most expensive wine ever sold in the world. An Imperial (6L = 8 bottles) of 1992 Screaming Eagle Cabernet Sauvignon was sold at the auction (proceeds went to charity) for $500,000 in year 2000.
- When it comes to pairing with food, there are two combinations which are typically stand out. Cabernet Sauvignon and steak are usually go very well together, and same is true for Cabernet Sauvignon and dark chocolate (be advised – your mileage might vary).
That’s all I have for you for today, folks. I have to admit that I didn’t get a chance to drink Cabernet today (I promise to compensate tomorrow) – but I really want to know what was in your glass for the Cabernet day? Please comment below. Cheers!
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