Archive

Archive for the ‘Winemakers’ Category

Passion and Pinot Updates: Bells Up Winery

January 6, 2022 1 comment

And then we arrived at “micro-boutique, un-domaine” Bells Up Winery, our final stop of the Oregon wine country touring.

Out of 13 wineries profiled in the Stories of Passion and Pinot series, Bells Up is the youngest one, having been founded in 2013, with the first vineyard plantings of Pinot Noir going into the ground in 2014. Despite being a young winery, Dave (the winemaker) and Sara (the Boss) Specter have a clear vision as to where they are going with their distinctly un-domaine wine – if you are curious why I keep saying “un-domaine”, I would like to direct you to the (virtual) interview I did with Dave in 2019 – he explains the concept of un-domaine very well.

Everything is distinctly un-domaine (see, you need to read that interview) at Bells Up. The vineyard with a gentle slope, the winery right in the middle of the vineyard, a simple but elegantly appointed tasting room with lots of fresh flowers and beautiful views of the vineyards. Here you go – pictures, pictures, pictures:

 

 

After admiring all the views we proceeded with lunch and tasting. Our lunch was prepared by Sara and while it was somewhat of a simplistic summer chicken salad, the amazing part was that this salad perfectly paired with the majority of wines we tasted – if you ever tried pairing the salad with wine, you would have to agree that achieving great pairing is very far from easy.

As I mentioned, Dave and Sara have a clear vision of the future direction for Bells Up. While Bells Up estate vineyard will be mostly planted with Pinot Noir, and by 2022 Bells Up plans to be at 100% estate fruit for all Pinot Noir bottlings, they have a clear plan for making Bells Up unique and different – growing and producing Pinot Blanc instead of the more commonly available Pinot Gris; being first in Willamette Valley with Seyval Blanc plantings; planting (out of all grapes!) a little known Italian grape Scioppettino; already offering Syrah and adding Cabernet Sauvignon in the 2020 vintage. “Unique and different” is a good description, in my opinion.

 

Before we talk about wines I would like to mention that none of the wine names you will see below are random. All the names have connections to the classical music pieces under the same name, and every choice of the name has an explanation as to why the particular piece was selected to connect with a given wine. If you are interested, there is even a Spotify playlist that includes all of the relevant music pieces – you can find that list directly on the Bells Up Our Wines page.

We started our tasting with Pinot Blanc:

2020 Bells Up Rhapsody Pinot Blanc Willamette Valley ($32)
Great complexity, lemon, gunflint
Great acidity, lemon, clean, crisp, refreshing
Perfect pairing with summer chicken salad
8, Excellent

We almost had to beg Dave to let us Seyval Blanc which was practically sold out. As a curiously interesting fact, Seyval Blanc plantings had to be protected by the net, as it happened that birds loved the grapes too.

2020 Bells Up Helios Seyval Blanc Estate Chehalem Mountains AVA ($40)
Gunflint, minerality,
Clean fruit, Meyer lemon, good acidity, good creaminess
Great with summer chicken salad.
8

Next up was Pinot Noir Rosé, the first Pinot Noir wine entirely produced from the estate fruit:

2020 Bells Up Prelude Pinot Noir Rosé Estate Chehalem Mountains AVA ($28)
Strawberries, nice minerality
Strawberries, bigger body than Provence, good acidity, perfect balance.
8-

We followed up with the selection of Bells Up Pinot Noir wines:

2018 Bells Up Titan Pinot Noir Willamette Valley ($44)
Plums, violets, sandalwood
Crisp, clean, crunchy cranberry profile, a hint of cranberries, good acidity on the finish.
8-

2019 Bells Up Candide Pinot Noir Reserve Chehalem Mountains AVA ($54, 12 months in French oak)
Floral, nutmeg, warm spices
Cherries, cut through acidity, black pepper, perfect balance, delicious
8

2019 Bells Up Villanelle Pinot Noire Reserve Tonnelier Vineyard Yamhill-Carlton AVA ($58, 12 months in French oak, final vintage)
Blackberry/raspberry, Marionberry
Cassis leaves, light crunchy cherries, well-integrated tannins, good acidity on the finish, delicious.
8

2019 Bells Up Jupiter Estate Pinot Noir Chehalem Mountains AVA ($48, 12 months in French Oak)
Underbrush, summer forest, cherries, a touch of tobacco
Crunchy cherries, clean, fresh, delicious
8

While this is not a video, here is Dave talking about Bells Up wines:

This slideshow requires JavaScript.

Bells Up Syrah was served with an amazing seedless grape pie. As Sara explained, everyone gives wines as presents in Willamette Valley, but tasty grape pie is almost equivalent to the hard currency when exchanging gifts with neighbors. As I said, the pie was superb, and to think that sweet pie would pair with Walla Walla Syrah? I really wouldn’t – and I would be mistaken.

2019 Bells Up Firebird Syrah Summit View Vineyard Walla Walla Valley AVA ($52, 12 months in French oak)
Blueberries and blackberries on the nose
Berries all the way, nicely balanced
8, Amazing pairing with seedless grape pie with cardamom

Again, we almost had to twist Dave’s arm to let us taste the future release of Cabernet Sauvignon:

2020 Bells Up New World Cabernet Sauvignon Reserve Summit View Vineyard Walla Walla Valley AVA ($68, 12 months in French oak, barrel sample)
A hint of green bell pepper
Cassis, a hint of black pepper on the finish, good, round, smoky undertones.
8-

Here you have the summary of our “un-domaine” experience – an excellent set of wines and super-friendly hosts. If you will find yourself touring Willamette Valley, add Bells Up winery to your “must visit” list.

This is the last update in the Passion and Pinot series. For now, that is.

Until next time…

This post is a part of the Stories of Passion and Pinot series – click the link for more stories…

 

Passion and Pinot Updates: Utopia Vineyard

January 3, 2022 1 comment

And then we arrived in Utopia.

When your destination is called Utopia Vineyard, poking some fun is irresistible, isn’t it?

Upon our arrival to Utopia Vineyard in Ribbon Ridge AVA, we were warmly greeted by Dan Warnshuis, proprietor and winemaker, who poured us a glass of Utopia Pinot Noir Blanc (yep, a white wine made out of Pinot Noir) and took us on the tour of the vineyard, glass in hand. After speaking with Dan virtually about a year ago, it was definitely a pleasure to shake hands and move from the virtual to the real world where things can be touched and smelled.

Utopia Vineyard looks different from Le Cadeau and Lenné – no fighting with the rocks here. Gentle slope elevation of only 20 feet from top to bottom makes it easier to tend for grapes. Utopia Vineyard is farmed using Sustainable Organic practices and was L.I.V.E. certified in 2008. Dan practices dry farming and uses cover crops every second row – in normal conditions though. Summer 2021 was so dry and hot that by the second week in August when we visited, all of the cover crops were removed so it will not compete with vines for access to water. The grapes looked perfectly healthy and beautiful despite the hot weather – you can see it for yourself in the pictures below.

I don’t know how the actual utopia should look like, but I find these vineyard views pretty compelling:



There are 12 clones of Pinot Noir growing at Utopia Vineyard – one of the wines we tasted was made out of all 12 clones. There are also 3 clones of Chardonnay growing there, planted in 2010. Talking about “fashionable wines”, Utopia Vineyard doesn’t produce sparkling wines, but Dan makes Pinot Noir Blanc, a white wine from the red grapes, which we tasted upon arrival, and also had the pleasure of tasting it directly from the barrel (all notes below).

In 2018, Dan acquired additional 35 acres of land not far from Utopia Vineyard’s original location. That parcel of land also had a 5,500 sq. ft building which by the time of our arrival 3 years after the acquisition was fully converted into a state-of-the-art winery. We stopped by the winery a few times during our visit, and what was the most mind-boggling to me was that Dan was pretty much operating everything at the winery just by himself – moving barrels, emptying tanks, and so on. His son-in-law comes to help during the harvest, but otherwise, Dan is a one-man operation.

This additional property also hosts a freshly constructed log cabin which is called exactly that – Utopia Vineyard Log Cabin, which offers beautiful accommodations and spectacular views:






We visited Utopia Vineyard over two evenings and had some delicious food and tasted through a substantial range of Utopia Vineyard wines. I also learned about an interesting berry I never heard of before – Marionberry, which is a type of blackberry, which we tasted in the form of delicious pie – I wish this is something I can find here on the East coast. Marionberry takes its name from Marion County in Oregon, where it was selected in 1956 as a cross between Chehalem and Olallie blackberries.

Time to talk about wines – here are my notes:

2018 Utopia Bliss Pinot Noir Blanc Ribbon Ridge AVA ($45)
The nose of the buckwheat, yellow plums
Plums on the palate, good balance, good acidity, asks for food
8-

2015 Utopia Vineyard Chardonnay Estate Ribbon Ridge AVA ($45)
Nice, delicate, a hint of vanilla
A touch of vanilla, Golden delicious apples, good acidity
7+/8-

I mentioned before that we had an opportunity to taste some wines directly from the barrel.

2020 Chardonnay was outstanding, fresh apples and lemon, clean acidity, perfectly clean, vibrant, and balanced. If I would have an opportunity, I would drink this wine just like that.

2020 Pinot Noir Blanc from the barrel was even more exciting – a touch of toasted bread, a touch of fresh fruit, perfect minerality, vibrant, clean, full of energy. Again, I would love to drink this wine just like that.

2015 Utopia Vineyard Estate Pinot Noir Ribbon Ridge AVA ($55) – all 12 clones are used
Plums, cherries, a touch of iodine
Clean, crisp, plums, cherries and cranberries, good acidity
8, excellent

2014 Utopia Vineyard Estate Pinot Noir Ribbon Ridge AVA ($55)
A touch of sapidity, mushrooms,
Plums, round, soft, clean
8-

2013 Utopia Vineyard Estate Pinot Noir Ribbon Ridge AVA ($55)
Mushrooms, forest floor, underbrush
Earthy, restrained, plums, clean, round
8-

2017 Utopia Vineyard Estate Pinot Noir Ribbon Ridge AVA ($48)
Sweet plums, violets
Raspberries, red berries, round.
7+

2015 Utopia Vineyard Pinot Noir Clone 777 Estate Reserve Ribbon Ridge AVA ($65)
Violets, sweet plums, iodine
7+

2016 Utopia Paradise Pinot Noir Estate Reserve Ribbon Ridge AVA ($75)
Original 2002 plantings.
Mushrooms, underbrush, violets
Clean, ripe cherries, pepper, medium body,
8, excellent

I was also excited to try a late harvest Riesling which was absolutely delicious:

2016 Utopia Late Harvest Riesling Chateau Bianca Vineyard Willamette Valley AVA ($40)
Beautiful apricots, a touch of honey, clean acidity, good balance. Delicious.
8

Talking to Dan we learned that 99 percent of the sales at the winery are direct to consumers, via the wine club and visitors. Dan also has a few customers who like to take his wines as a private label. Dan is very much involved with philanthropy, supporting the Oregon Museum of Science and Industry, The Hampton Opera center in Portland, OR, making wine donations, offering cabin stays, and more.

Utopia Vineyard offers something for everyone – if you will find yourself visiting Portland, you might want to take a 30 minutes trip southwest of Portland and find your utopia there. Or better yet, just stay in the cabin – everything else might be optional.

This post is a part of the Stories of Passion and Pinot series – click the link for more stories…

The Next World Class Wine Frontier: Desert Wine

October 23, 2021 2 comments

Can you think of a desert? Even if you never visited one, and only saw them in the movies or read about them in the books, I’m sure the image readily jumps to the head. Sand. Heat. Hot air. Wind. More sand. More heat. More wind. Maybe a half-dried cactus. I’m sure that the luscious greens of a healthy vineyard are not part of that image.

Meanwhile, every desert has an oasis. If there is water, nothing stops beautiful greens from prospering in the desert. Desert doesn’t mean only heat. It is hot during the day, but cold during the night – and the diurnal shift – the difference between the hottest and coldest temperatures during the day – is beneficial for all the plants. If you are into the wine, I’m sure you heard of the importance of the diurnal shift to help build flavor in the grapes. And if we are talking about grapes, let me mention yet another benefit of the dry, arid air – it helps to avoid many diseases in the vineyard, such as mildew.

Let me ask you another question. Have you tried desert wines? The wines produced in the vineyards surrounded by desert? Before you will be quick to say “no”, I will ask you to think again. If you had wines from Argentina or Chile, there is a very good chance those wines came from the desert vineyards – Leyda Valley and the Atacama in Chile are nothing but desert; Uco Valley, Salta and overall large portions of Mendoza in Argentina are nothing but the desert. So yes, I believe you have. And today I want to bring to your attention yet another example of desert wines, these ones coming from the US – Aridus Wine Company in Arizona.

Source: Aridus Wine Company

Source: Aridus Wine Company

Aridus (Latin for dry or arid) started from purchasing 40 acres of land on Turkey Creek in the southeast corner of the Arizona state in the foothills of Chiricahua Mountain, at an elevation of 5,200 feet.

In 2012, Aridus opened its cellar doors, after refurbishing an old 28,000 sq. ft. apple warehouse (it was done so well that in 2014 Aridus was honored with the Design Excellence award for sustainability). The Aridus wines were made with the grapes brought from the vineyards in Arizona, New Mexico, and California; the cellar also served as a custom crush facility. Interestingly enough, this is not my first encounter with Aridus – back in 2014, while attending my first wine bloggers conference in Santa Barbara, I had 2013 Aridus Viognier presented during the speed tasting session, which was my first time tasting a wine from Arizona – and it was a very impressive wine.

Aridus started planting white grapes at its estate vineyard in 2015, with the first estate harvest taking place in 2017. The red grapes were planted from 2017 through 2020, and Aridus is planning to gradually increase the proportion of the wines made exclusively from the estate fruit every year. The plantings currently include Malvasia Bianca, Sauvignon Blanc, Viognier, Tempranillo, Petite Verdot, Merlot, Syrah, Cabernet Franc, Cabernet Sauvignon, Graciano, Petite Sirah, and Malbec, so nobody needs to worry about the range of Aridus estate wines.

Lisa Strid, who just celebrated her 5th year as the Aridus winemaker, definitely appreciates the unique challenges of working at the desert winery. Finding rattlesnakes, owls, roadrunners, hawks, and javelinas on the crash pad might be the least of her problems. Monsoons, strong rains and winds which run seasonally from mid-June through mid-September, represent a much bigger issue, as they have the potential to inflict a lot of damage on the grapes, especially when rain also comes with the hail.

But – it might be all well worth it as long as you can produce good wines. Based on the two wines I tasted, these desert vineyards deserve the full attention of wine lovers.

First, I was blown away by the Sauvignon Blanc – here are my notes:

2020 Aridus Sauvignon Blanc Arizona (12.6% ABV, $28)
Straw pale
White peach, guava, intense, round, inviting
Beautiful bright tropical fruit on the palate, fresh, crisp, good acidity, generous
8, this is summer in the bottle. New World Sauvignon Blanc “in your face”. “I’m bright, I’m beautiful, and you know that”.

Then the Aridus Malbec was perfectly on point:

2019 Aridus Malbec American (13.6% ABV, $36, 95% Malbec, 5% Petit Verdot, 15 months in French oak barrels, New Mexico fruit)
Dark garnet, almost black
Cassis, a hint of bell pepper, iodine, a touch of minerality
More cassis on the palate, both berries and leaves, soft, velvety, crisp acidity, long finish
8, excellent

Thinking about analogies, both wines are perfectly New World in style, without going overboard and losing their balance. The Sauvignon Blanc was somewhere between Californian and Chilean renditions with all of its bright fruit – yes, if you are craving the restraint of Cloudy Bay, this is not your wine – but if you want to simply brighten up your day, that would be a perfect pick.

And the Aridus Malbec was reminiscent of the best mountain desert Malbecs from Argentina – Amalaya, Casarena, and many others, again, fresh and well balanced.

Will the desert wines be the next rave? I’m bad at predictions, so I really can’t tell you that. But you are welcome to try answering this question on your own simply by finding the bottle of Aridus wine and giving it a try. Once you do, let’s compare notes. Cheers!

Winemaking: A Step by Step Guide

June 29, 2020 Leave a comment

Today I would like to offer you a guest post by William Reed, who is a passionate winemaker that continues his family’s the age-old tradition of producing quality homemade wine. With respect to
heritage and classic concepts as well as a zesty touch of the modern, William continues to explore the vast world of winemaking all while sharing his thoughts, ideas, and processes on his own personal website at myhomewine.com.

Winemaking or vinification is the process of making wine, from start to finish, which ends up having a lot of detailed steps you should know, so are you ready to begin this long but incredibly rewarding journey?

Some people say it’s easy to make wine but making good and fruity ones is only for the experts – well that’s not entirely true as we’ll see below. Summed up, the major steps on how to make wine are the selection of grapes, their fermentation to alcohol, and, lastly, the bottling. You can make all types of wine but the most common ones are red wine, white wine, or rosé, and even though they are pretty different between, their process is very similar.

Wine has been produced for thousands of years, being almost considered as an art, having an important role in religion and there is even a science that studies wine and winemaking, called oenology. Generally speaking, wine is an alcoholic drink made from fermented grapes with 5.5 – 15.5% alcohol and is a cultural symbol of the European life, changing from a nutritional supplement to a food complimentary beverage, compatible with a good lifestyle. Drinking isn’t safe for everyone and doing it more than moderate amounts can lead to health problems, however, a study from 2018 proved that wine can have great benefits because it contains antioxidants and it promotes anti-inflammatory and lipid-improving effects.

The classification of this beverage can be done according to its origin, methods, vintage, or variety used. Practices can be different in each country and have varied over time to achieve progress. Wine-growing regions all over the world have been improving their conditions with technological innovations to have better hygiene and control over the production process, contributing to the creation of wines suited to the taste of consumers. In fact, global wine consumption has risen with the purpose to enjoy in moderation, as part of a modern, sustainable, and healthy lifestyle. You can also take a look at the following guide in case you want to learn how to make wine at home.

With that said, I will now present you with the process of winemaking, in a thorough but also easy to understand step by step manner:

1 – Choosing the Perfect Grapes

The first step of all is harvesting! It’s one of the crucial stages in this operation, and it’s really easy to understand why – the better grapes you have, the better the product will be!

The moment the grapes are picked from the vineyard will determine their sweetness, flavour, and acidic and tannin levels – now we know why it’s called science. Some of the tracked conditions are the weather, the time of harvest and even the way you pick them – hand picking or mechanical harvesting. Even though there is a lot to consider and to control when it comes to reaching a nice final product, don’t get too scared, as you’ll only reach perfection through trial and error.

2 – Crush!

Once you have the grapes picked up from the vineyard, it’s time to de-stem them and gently squeeze them to liberate their content. This process, in the past or in traditional smaller scale farms, is done by foot. Nowadays, and in bigger wineries, mechanical presses are used to turn grapes into must (pulp) in a much faster and efficient way. Some say this can affect grapes negatively but it’s a more sanitary crushing step and also helps the quality of the final result. Personally, I’d prefer the machines rather than drinking wine crushed by some random farmer’s feet!

What is tapped from the must depends on the type of wine you are making. If white wine is what you want, then the seeds, solids and skins are removed from the grape juice. On the other hand, if red wine is what you prefer, the seeds, solids and skins should stay along with grape juice to offer it more flavour and that beautiful red colour.

3 – Sugar into Alcohol: Fermentation

It’s true, the third step is fermentation and is quickly defined as a transformation from sugar into alcohol – it seems like magic, am I right? It only seems like it, because here is where this process is the longest and most complicated, as it determines the quality of the final result.

As you already know, the product obtained from crushing will ferment because of the present yeasts that transform the sugar, as an energy source, producing ethanol and carbon dioxide. This explains the primary fermentation, which is called alcoholic fermentation, and will last from 5 to 14 days, requiring a lot of careful control (if the goal is a high premium luxurious wine). The second one is called malolactic fermentation, lasts another 5 to 10 days and it characterizes the pH 3,8 of red wines and 3,55 of white wines. Pure science! Temperature, speed and level of oxygen are also extremely important considerations and must be optimized. This whole process can take weeks or even months.

4 – Clarification and Stabilization

After fermentation, it’s time for clarification! This is where pulp, proteins, dead yeast, and other unwanted residues, created during the chemical reactions, are removed from the juice that you can almost call wine at this point. Particles that are insoluble and float, can be filtered and the ones that are soluble but still undesirable, can be centrifuged. Both of these methods need to be optimized to obtain a clear, healthy and appropriate wine. Some natural winemakers don’t clarify because they believe that it diminishes the aroma, texture, and color, so they leave the particles and compounds in red wines for aging – I follow this school of thought.

At this point, you already know that wine can be claimed as a complex mixture built upon microorganisms, and that it can be unstable and reactive depending on the environment and the condition submitted. One of the techniques to stabilize it is cold stabilization and it consists of exposing the wine to low temperatures, close to freezing, for two weeks. The complexity of this whole step is amazing because it enables winemakers to deliver their individual appeal to each wine.

5 – Aging and Bottling

This is the final step but one that is very important in winemaking, because it’s the relocation of the wine into oak barrels (my preferred vessel), stainless steel tanks or bottles.

Wine aging can be defined as a group of reactions that changes the properties of wine and allows it to develop unique flavors over time. Premium wines need to pass through this maturation step to acquire some amazing characteristics like aroma, color, flavour, texture and mouthfeel. Other light and fruity wines don’t need aging and reach their quality peak in a shorter time.

The major considerations in bottling are what kind of bottle to use, type of closure (sealing), (maybe cork), and if you want to add gas or not (not recommended at all for beginners). There are also a lot of kits available for you if you want to experiment making wine at home in a small but very educational manner.

Enjoy it – with Moderation!

Here is every important and crucial step in the winemaking process and you can apply them at your own industry or even at home! Yes, you can make this fruity, incredible juice without leaving your house. If you’re not interested in making your own, you can think about this whole procedure when you’re enjoying it, remembering the magic behind and realizing the work put on it.

Winemaking can be difficult because there are a lot of conditions you need to optimize, starting from picking the grape, to the act of bottling the wine, to the temperature you apply and the cleanliness. Now we can agree that this is almost an art and you have to learn a little bit of science too! Don’t forget that drinking wine in moderation has positive benefits linked to some cardiovascular disease due to the amount of antioxidants, isn’t that great? Thank you for reading and let’s have a glass of wine!

Stories of Passion and Pinot: Le Cadeau Vineyard

September 26, 2019 10 comments
Tom and Deb Mortimer. Source: Le Cadeau Vineyard

Tom and Deb Mortimer. Source: Le Cadeau Vineyard

Hello, wine lovers.

I’m going to ask you for something very valuable – your time. About 20 minutes of it, as this is how long it should take you to read this post, one of the longest posts I ever published. But I’m not asking for your time for free – in return, I’m offering you one of the very best interviews ever published in the Stories of Passion and Pinot series,  as well as the overarching One on One With Winemaker conversations.

Winemaking usually starts with passion, courage, and conviction – a belief that “you can”. Really. It is not always a degree in oenology (don’t get me wrong – of course that helps!), but the resolve to get going, as you have a burning desire to make world-class wine no matter what – this might be your main ingredient of success.

Tom and Deb Mortimer had such a resolve to make great Oregon Pinot Noir. After searching for a year, they found an uncultivated parcel of land on the south slope of Parrett Mountain in the Chehalem Mountains AVA, and the hard work began. Planting grapes, understanding your land, learning the soils and microclimates. All with the resolve to produce the best possible Pinot Noir. This is how the story of Le Cadeau Vineyard started (wonder if “Le Cadeau” means something? Keep on reading).

After tasting the wines of Le Cadeau, I was convinced that I want to learn more – which turned into a very enjoyable [virtual] conversation with Tom Mortimer, who generously offered his time to answer all of my questions. And this is what I want to share with you with a full conviction that it is well worth your time.

Here we go:

[TaV]: The story of Le Cadeau Vineyard started in 1996, when you purchased the 28 acres parcel in Chehalem Mountains AVA. When did you come up with the name Le Cadeau? What is the meaning behind this name?

[TM]: Le Cadeau (is French for “the gift”):  We like to say that “the wine is not ‘the gift’; rather, “the wine is the excuse”—the true gift is the land and friendships.”  When we first saw the Le Cadeau / BHV site, there was no view; it was obscured by scrub-oaks, blackberry bushes, and a lot of brush.  Clearing the land was a bit like unwrapping a present, and ultimately a gorgeous view emerged.  More significantly, rocky soils are coveted for top-tier vineyard sites.  As we cleared the site, the broken volcanic basalt cobbles were revealed; rock in Oregon is rare, so we were very fortunate to find a rocky site.  Lastly, wine is inherently relational.  Enthusiasts get-into wine for the product, but ultimately, they stay in wine for the people; when the glass is empty, the relationships remain.  So “the gift” has multiple manifestations.

[TaV]: When you found the parcel which became the future home for Le Cadeau, you said “For some reason, the property “felt right”. I don’t really know why”. So this was the love at first sight, right? Now, 23 years later, can you maybe better explain that feeling?

[TM]: Part of it was the location—the vineyard is only 35-minutes from downtown Portland, yet it was very serene countryside.  We came from suburban Minneapolis to start this project; 22-years ago the Willamette Valley was much less developed, so this location was perfect for us.  My wife (and I) didn’t want an isolated, rustic, farm experience.  But other than the location, it was a beautiful site—south slope, about the right grade, I was fairly certain the view existed.  It just had a different / better feeling than many of the other places we looked at.

At another level, I think I Iiked the fact that it was never-before-cultivated land.  There was something about “starting a vineyard from scratch” that was appealing… of course, at the time, I had no idea what I was getting us into… which is actually a good thing.  There are plenty of reasons to not take on a project like this.  Sometimes it is better to not know what lies ahead.

Source: Le Cadeau Vineyard

[TaV]: I really like the name “Black Hole Vineyard”, even though it has not necessarily a positive connotation about it. Have you ever bottled any wine which says “Black Hole Vineyard” on the label? What happened to that name? Is the Black Hole Vineyard simply became Le Cadeau Vineyard, or is it still exists under its own name?

[TM]: There was one “Black Hole” wine made by a fruit client.  It was small production, and was only released to his wine club.

Our business is corporately divided into two companies:  A farming company (the vineyard), and the wine biz.  Most of the fruit from the vineyard is sold to the wine biz, but some is sold to notable clients.  The farming company is named Black Hole Vineyard, LLC (or BHV, LLC), while the wine company is Le Cadeau.  So in that regard, the name lives on.  We also continue to personally refer to it as Black Hole among ourselves, and generally the winemakers like to call it Black Hole, vs. Le Cadeau.  But at some point you need to make a brand decision, and focus your time and energy on that brand.  We chose Le Cadeau vs. Black Hole.  Obviously, it is a much more positive message, though perhaps not as amusing.

[TaV]: What made you believe that you can conquer the rocky soil? What was the drive behind your passion, developing your vineyard against the difficult terrain and the cash flow?

[TM]: As noted above, a good part of my confidence was rooted in ignorance.  But as a wine collector I knew that many of the great wines of the world were grown in rocky soils.  I figured, “if they can do it, so can I”.

Over the years I have come to discover that there is one tool that is central and more important than any other in developing and farming a rocky site.  You might think that the tool is a chisel plow, or a big tractor, or whatever.  But the reality is that the single-most-important tool is a checkbook.  Unfortunately, unlike many of the folks that get into this business, my checkbook was about the size of a hand-held garden tool.  With a vineyard that is raw ground and solid rock, it is better to start with a checkbook that is the size of a bulldozer… and a D8 at that.  Fortunately, I kept my day-job.

[TaV]: How many Pinot Noir clones have you planted so far? Why so many?

[TM]: We’re up to about 16-Pinot Noir clones and 6-Chardonnay clones (the first Chardonnay, 2017, to be released in a couple months).  Why so many?—there are a handful of reasons:

  1. a) I cannot recall ever having a single clone wine that I felt was as complete and interesting as a multi-clone wine. We don’t put them all in a single wine; our cuvees result from different combinations of clones, soils, and aspect (climate). Most of the cuvees have 3 to 5 clones, Diversité has the most with 7 that make up the majority of the wine, and another 2 or 3 that are there in small quantities.
  2. b) Curiosity and experimentation. Quite simply, clones are exciting. You wait for 3-years wondering what the fruit will look like and taste like.  Often it takes several more years before you learn about the flavors, texture, physical characteristics of the fruit and how it affects the wine.  So there is always a sense of anticipation.  I liken clones to colors on an artist’s palette; they add “color” to wine—not in a literal sense, but in terms of variance, nuance, and complexity.
  3. c) Differentiation. I don’t want to make wine that is like everyone else’s.
  4. d) Optimization. Folks (i.e., typically winemakers) have varying views of how important clones are in the overall mix of variables. Most agree that the dirt / site are the most important elements, and I’d agree with that.  But for many, “clones” would be further down the list.  For me, the plant material is very central to extraordinary wine.  Great wines only happen when there is great dirt, perfect climate, excellent farming / viticulture, the very best and site-matched plant material, and of course great winemaking.  Like many things in life, something can only be as good as its weakest link.

[TaV]: Is there an Oregon (or maybe Burgundian) winery(ies) which were instrumental in the development of your own winemaking style?

[TM]: We have always wanted to make wines that are true to the estate site.  In this regard, Le Cadeau is more of a European model, in that the “rock star” is the vineyard, not the winemaker.  The wide range of cuvees exist to showcase the range of “faces” of the vineyard.  But more recently we’ve been searching for more freshness and aromatic excitement.  This is why I engaged our French consultant, Pierre Millemann several years ago.  Not surprisingly, this has led us to produce higher acid / lower alcohol wines.

It would be difficult to pick a particular winery to reference against; again, our dirt / site is very unique.  There are many wineries, both in Oregon, Europe, (and California) that we respect, but I think it would wrong to say that we try to emulate any of them.

[TaV]: Do you still have any bottles from the 2002 vintage? If you do, how do they hold?

[TM]: I have a few bottles of 2002.  The last one I had was about 2-years ago.  It was doing well, but I think it was past its prime.  Keep in mind that the vines from that vintage were only 4-years old.  I recently had an ’05 Diversité from magnum; it is going strong and will continue to last for a long time.

[TaV]: According to what I see on your website, you produce [at least] 7 Pinot Noir wines. Is there an idea behind such a range of Pinot wines? What are you trying to showcase?

[TM]: As noted above, the majority of the cuvees showcase various attributes of the vineyard:  Rocky soils (Rocheux); the cooler East-side (Cote Est); clonal diversity (Diversité); heritage clones (Merci Reserve).  More recently, we’ve added two cuvees that are more inclusive of winemaking technique—Trajet Reserve is 100% whole cluster; and “Pierre” has considerable input from our consultant, Pierre.  It is about “freshness” and higher acidity.

[TaV]: Going back to the Pinot Noir clones – considering the sheer number of them, you must be blending your wines. What is your approach to blending? Do you have any Estate Pinot Noir wines where you trying to maintain consistency throughout the different vintages?

[TM]: Generally we favor co-fermentation of multiple clones in a single tank.  Most of the cuvees are made of two separate tank fermentations that go to barrel separately, and are then combined to make the final cuvee.  But for the most part, all of the wine from each ferment ultimately goes into the cuvee.

I like to say that the Le Cadeau wines are “made in the vineyard”… I don’t mean that literally, but rather that the specific “Cote Est” fruit is picked separately, and it is made into the Cote Est cuvee.  Same for Rocheux, Diversité, and Merci.  In this regard, there is clonal consistency from year to year, because the wine for each cuvee is consistently made from the same section of the vineyard.  For example, Rocheux is always roughly 45% Dijon 777; 45% Pommard; and 10 % Wadenswil… that is what is planted in the sections where the Rocheux fruit is grown.  … and fortunately, the vines don’t move around at night when we’re not looking… that would be a mess.

Aerial view over Le Cadeau Vineyard, Chehalem Mountain AVA, Willamette Valley, Oregon. Source: Le Cadeau Vineyard

[TaV]: How did you come to the idea of the Sparkling wines? You offer 2011 vintage sparkling wine, so clearly you started making sparkling wines before they became “the thing” in Oregon, so how did you get there?

[TM]: 2011 was a very cool, late, year, and the clusters were uneven.  Some of them were quite large (a fairly rare event, given our rocky soils).  On October 15th, the bigger clusters had only gotten to about 19-Brix—not good for still PN.  I know we wouldn’t/couldn’t pull them all out on the sorting table, so we did a sort in the vineyard.  I told the crew to harvest the three biggest clusters off of each plant in certain sections of the vineyard.  Since these were at a perfect stage for sparkling, and we had them hanging on the vine for a full season at that point, it seems silly to drop that fruit on the ground.  So we took a shot at sparkling—it worked out very well, so now we make it generally every other year.

[TaV]: I’m sure you knew this question is coming J – it seems that you only work with Pinot Noir grapes. Do you grow any other varieties? Do you have any plans for the white wines? If yes, what grapes would you plant?

[TM]: As noted above, we have 6-clones of Chardonnay that are now in production.  The first Chardonnay will be 2017, released in a few months.  We’ll only do Chardonnay at Le Cadeau (other than Pinot Noir).  But under our other brand, Aubichon, we’ve made some wonderful “Alsatian Style” Pinot Gris, as well as a Pinot Gris-based Rosé, and a wine we call “Sur Peaux”, which is an “orange wine” from Pinot Gris.  All the Pinot Gris is sourced from old vine vineyards, about 25-years old.  So it’s nice fruit, and the wines are quite special.

Le Cadeau, Chehalem Mountains AVA, Willamette Valley, Oregon. Source: Le Cadeau Vineyard

[TaV]: And one more common question I like to ask – when you are not drinking your own wines, what are your favorite wines and/or wineries, in Oregon or anywhere in the world?

[TM]: I have a diverse range of preferences:

I’m a huge fan of Weinbach in Alsace; Chave Hermitage is often special, Guigal Condrieu (the good version, not so much the standard one), Huet and Chidane Chenin Blanc; Fevre Chablis; Robert Weil German Reisling (and many others—Keller dry from their rocky vineyard is nice); any good Bonne Mares; love white Bordeaux—Chevalier, Smith H-L, and of course the “big guys”, but they’re too expensive.  Barberescos from Italy—Gaja (also like Gaja Chardonnay), and I think Produtorri does an amazing job for the price, along with Albino Rocca.  I’ve had a Foradori wine that I thought was special, certain Brunellos, but many have become Parker-ized, that’s unfortunate.  I like Ciacci wines though.  … the list goes on…

In Oregon, there are many that I respect, and a small group that I like, but I’d prefer to leave those thoughts anonymous.

[TaV]: What is ahead? Where do you see Le Cadeau in 10-15 years?

[TM]: I think we’re just beginning to make our best wines, and really beginning to understand the vineyard’s nuances.  Some of our more exciting clones are still quite young, so it will be interesting to see what sort of wines we make from the more exciting clones when the vines are older.  The 2018 wines that we have in the barrel are possibly our finest to date.  Very excited about getting them into the bottle and out on the market.

I’m hopeful that our Chardonnay program will be noteworthy.  Pierre’s guidance on Chardonnay has been very helpful.  2018 in barrel looks to be very promising, and I’m excited about the first 2019 fruit from a rocky grafted section of the vineyard.  We have a couple interesting Larry Hyde clones of Chardonnay planted in that area as well.  The fruit looks to be quite different.  I’ll have a better sense of the Chardonnay potential in another year, but I’m hopeful that we can produce “the real deal”.

Le Cadeau Vineyard Pinot Noir wines

Thirsty? Here are my tasting notes for the wines:

2017 Le Cadeau Côte Est Pinot Noir Willamette Valley (13.9% ABV, $50, 145 cases made)
Dark Ruby
Smoke, plum, iodine, medium-plus intensity
Wow. Touch of smoke, Sage, medicinal notes (cough syrup), good acidity, excellent balance
8

2017 Le Cadeau Rocheux Pinot Noir Willamette Valley (13.2% ABV, $50, 174 cases made)
Dark Ruby
Plums, cherries, violets, intense, inviting
Bright, clean, succulent ripe cherries, licorice, great minerality, excellent balance, superb
8+

2017 Le Cadeau Diversité Estate Pinot Noir Willamette Valley (13.9% ABV, $50, 245 cases made)
Ruby
Delicate, lavender, a touch of smoke, perfect
Beautiful, plums, ripe strawberries, great acidity, baking spices, delicious overall
8+/9-

2016 Le Cadeau Merci Pinot Noir Reserve Chehalem Mountains Willamette Valley (14.1% ABV, $80, 143 cases made)
Garnet
Intense, ripe cherries and plums, candied fruit
Wow, great intensity, cherries, cherry compote, ripe plums, minerally notes, good acidity, good balance
8+

As you can tell, I really liked the wines – they were literally one better than another.

Here you go, my friends – yet another story of Passion and Pinot. I hope you enjoyed reading it as much as I enjoyed writing it, and I thank you for your time and attention.

Will there be more Passion and Pinot stories? Well, do you think the passion ran out of the Pinot winemakers and aficionados? I will bet my virtual DRC bottle that it did not. So we will continue our conversations as soon as the next opportunity will present itself.

Obey your passion!

P.S. Here are the links to the posts profiling wineries in this Passion and Pinot series, in alphabetical order:

Alloro Vineyard, Bells Up Winery, Ghost Hill Cellars, Iris Vineyards, Ken Wright Cellars, Knudsen Vineyards, Lenné Estate, Tendril Cellars, Youngberg Hill Vineyards, Vidon Vineyard

Alie Ammiraglia – The Rosé Experience

September 17, 2019 5 comments
Livia le Divelec

Livia le Divelec introducing Alie Rosé

Rosé Every Day – is that your wine motto?

Okay, that might be a bit much – occasionally, we would like to drink white and red too, don’t we? How about this:

Rosé is For Every Day – would you be able to subscribe to that?

It amazes me that today it still requires courage for an average wine consumer to happily say “I love Rosé” and stop right there without adding any “buts” – “only in the summer”, “only when it is hot outside”.

It is a given for us, wine aficionados and geeks, but an average wine drinker is still afraid that they are simply not supposed to like Rosé, and openly admitting your “Rosé love” in public is akin to loudly proclaiming “ohh, I have no taste in wine, no class”. This is mindboggling as we truly are living through the Rosé wine revolution.

Ten years ago, Rosé was strictly for summer, and the only Rosé you would find available during the winter months was the one from Tavel from the southern Rhône in France – only found in better wine stores or adventurous restaurant wine lists (Rosé is the major, if not the only type of wine produced in Tavel), or whatever ended up in the discount bins as not been sold during the prime season. Today, Rosé can be found at most of the wine stores throughout the whole year, no matter what season it is. It is also not surprising that literally every winery in the world, big and small, added Rosé to their repertoire. Actually, it might be still difficult to find Rosé at the wineries – it is usually produced in the small quantities and thus sold out in no time at all.

As we mentioned before, Rosé often considered an afterthought – while the winery is starting to make the red wine, whatever juice will bleed from the harvested grapes would be good enough to make Rosé – or whatever grapes are not good enough for the main wine still can be used for Rosé.

This, however, was never the case in Provence in France, where Rosé is The Main Product and never an afterthought. In Provence, the grapes were and are purposefully grown for the Rosé, and harvested at its proper ripeness to be made into Rosé – the best possible Rosé. But – “the best Rosé” crown is heavily contested today – literally, the whole wine world is after it.

Let me share with you an encounter with a perfect contender – Alìe Ammiraglia, an Italian Rosé produced by Frescobaldi family in Tuscany.

View from Polynesian Rooftop bar

At the end of July, I attended an event in New York City, where the new vintage of Alìe Rosé (in case you are wondering about the name, Alìe is “a figure from Greek mythology, a sea nymph and a symbol of sensuality and beauty”) was presented in style.

Let’s compact the whole experience into one very long sentence, just for fun: Alìe Rosé, made out of Syrah and Vermentino specifically grown for this Rosé wine, was presented at the event in New York City in the hottest setting of a roof-top bar, poured strictly from magnum and double-magnum bottles into the glasses specifically designed to enhance the qualities of the Alìe Rosé, accompanied by delicious bites of Polynesian cuisine on a hot summer day.

How about this long sentence?

Now, let’s repeat it, but a bit slower.

2018 Tenuta Ammiraglia Alìe Rosé Toscana IGT was introduced by Livia le Divelec, Frescobaldi Brand Ambassador and winemaker. 2018 is the fifth vintage of Alìe Rosé. The wine is made out of Syrah and Vermentino grapes grown at Tenuta Ammiraglia vineyards in Maremma, the region best known for the super-Tuscan wines. Maremma is a coastal region in Tuscany, thus the climate, soil, and terroir overall have a lot of maritime influence, hence the name and various sea-life elements of the design – the label, the glass. The bottles for Alìe Rosé are specifically designed in Mediterranean style, again to stress the origins of the wine.

The event took place at The Polynesian, bar and restaurant located at the Pod Times Square hotel and offering a roof-top seating. What can be better than sipping on a glass of beautiful Rosé, overlooking New York’s busy life from above on a warm summer afternoon? Well, let’s cue in delicious appetizers of Polynesian origin, harmoniously supporting the delight of Rosé – and now you got the whole picture.

Oh, wait, let’s not forget about the wine glasses! The wine glasses were specifically designed by German company Rastal for Alìe Rosé to accentuate qualities of the wine, both organoleptic (aroma, taste, …) and visual, with the glasses serving as another reminder of maritime-influenced origins of Alìe.

Well, I guess I still didn’t tell you how was the wine – got carried away with a beautiful setting of the roof-top bar, seductive bottles, and designer wine glass. Never mind all these accents – the wine was a real star, otherwise, I wouldn’t be talking about all this. Beautiful fresh strawberries on the nose, strawberries with a hint of Meyer lemon on the palate, crisp and fresh. Delicious cold, and still delicious even at room temperature – my litmus test for a quality white and Rosé. I would drink that wine any day, and any season. Remember, Rosé all day!

That concludes my brief. What is your Rosé of the Year? Cheers!

 

 

Stories of Passion and Pinot, Year 2019

April 15, 2019 2 comments

Back in 2014, during the Wine Bloggers Conference in Santa Barbara (my first WBC), I was listening to the panel discussion of the professional wine writers, who basically had only one message for all the bloggers – interviews, interviews, interviews. Of course, they were talking about integrity, writing skills and other important subjects, but the concept of “interview” was brought up multiple times, with all the explanations how to do it properly, what, why, where and so on.

At that point, I had been writing my blog for about 5 years, and the idea of the interview didn’t resonate. “I want to write about the wine, not about some conversations and other people opinions” was my prevailing thought. “Interviews? I don’t want to do no interviews” (use of broken English intended).

You don’t need to fast forward too far to see how everything changed. Next year, I was offered a meeting with a winemaker which I couldn’t attend, so I said “all right – can we have a virtual conversation?” – and the concept of “One of One With Winemaker” posts was born. Since then, I’ve done quite a few interviews, most of them virtual and a few are in person – if you are curious, here is the link for you to see them all. Yes, the “virtual” concept might be limiting, as you can’t explore an interesting angle which would come up in the conversation. However, as most of my questions are unique and specifically tailored for a particular conversation, virtual interviews remove intimidation, allowing people time to provide the best answers.

In 2016, I had a conversation with Carl Giavanti, who asked if I would be interested to create a series of interviews with Oregonian winemakers – and that became the beginning of the Stories of Passion and Pinot series, all connected under the “One on One” umbrella. In 2016, I had an opportunity to “talk” to Ken Wright of Ken Wright Cellars, David Nemarnik of Alloro Vineyard, Mike Bayliss of Ghost Hill Cellars, Wayne Bailey of Youngberg Hill VineyardsSteve Lutz of Lenné Estate, and Don Hagge of Vidon Vineyard. In the same series, Knudsen Vineyards was profiled in 2017, and last year I had a conversion with Tony Rynders of Tendril Cellars. All of these wineries are from Oregon, and all of them share a common passion for the Pinot Noir, one of the most finicky grapes out there.

You probably guessed that I’m not writing this post just to give you a retrospective into the Talk-a-Vino interviews. Yes, I’m writing it to tell you that the Stories of Passion and Pinot will continue in 2019, again with the help of Carl Giavanti. The wineries we will look at in the near future are:

By the way, do you know what “Bells Up” means? Well, if you do – great, if you don’t  – you will learn all about it soon.

To be continued…

 

Stories of Passion and Pinot: Tony Rynders of Tendril Cellars

May 11, 2018 8 comments

Wine and passion are indelible. Yes, wine is a business for the most parts, but making a bottle of wine which someone else is desiring to drink is a labor of love, and every such bottle has a bit of the winemaker’s soul invested in it (feel free to call me melodramatic). Thus I’m always happy to talk to the winemakers, trying to understand what moves them, what drives them to do what they do. A lot of my conversations are virtual, and you can find most of them on this blog.

Many of interviews are truly random in terms of profiling the wineries and winemakers. However, about 2 years ago, with a prompt and help of Carl Giavanti, I started a series of posts called Stories of Passion and Pinot, which are dedicated (so far, at least) to the winemakers in Oregon, producing Pinot Noir wines. Winemakers are always passionate about what they do and the grapes they use – but it seems to me that Pinot Noir, being a difficult grape it is, really asking for a special dedication to allow itself to be tamed – hence the name for the series.

My latest addition to the series is a conversation with Tony Rynders, the proprietor and winemaker at the Tendril Wine Cellars, a young winery in Willamette Valley in  Oregon (the winery officially started 10 years ago, in 2008). While the winery is young, Tony is an accomplished winemaker, who started making wine back in 1989, honed his craft at the wineries around the world, including 10 years as a head winemaker at Domaine Serene, one of the best-known wineries in Oregon.

When Tendril Cellars started, it owned no vineyards, which essentially gave Tony a flexibility to bring the best fruit from the Oregon vineyards he was already familiar with. To my surprise, Tendril Cellars only offers one single-vineyard bottling in their line of  5 different Pinot Noir wines – but you will find an explanation below. In 2013, Tendril Cellars planted a 19 acres Maverick vineyard in Yamhill-Carlton district with Pinot Noir and Chardonnay – the vineyard already producing the fruit which is going into the Tendril Cellar’s second line of wines, Child’s Play (a creative name for the wine, don’t you think?).

Tony 5 Courses instruction 2

Tony Rynders leading five course tasting

Tony calls his approach to winemaking “low and slow” – letting the nature to do its work. He is also aging all of his Pinot Noir wines for 16-17 months, which I find particularly appealing. And then, how many winemakers do you know who run organized tastings for their customers? That is what Tony does, presenting his wines as a “5-course meal” and explaining the concept of terroir to the wine consumers (after tasting Tendril wines, Tony’s approach to the tasting makes perfect sense to me – but we will discuss it in the next post).

After learning a bit about Tony and Tendril Cellars, I decided that the time came to sit down (yes, virtually) with Tony and ask him a few questions. Here is what transpired.

[TaV]: You started making wine for others in 1989. Was there something which prompted you to start making your own wines in 2010, a pivotal moment, or you simply decided that it is time to make wines “my way”?

[TR]: I have had several opportunities making wine since I began in 1989.  Each one has contributed in some way to influence my approach to making wine.  I can tell you that I am a much different winemaker today than I was when I started.  I think it is critical that we continue to evolve and adapt as the climate, consumers, and wine preferences change.

In fact, I started my own brand, Tendril, in 2008.  I was just coming off a 10-year stint as head winemaker at Domaine Serene.  It was a highly formative period in my career as there was a massive shift toward new, estate vineyards during my tenure. The creative “heavy lifting” took place largely during my watch.  I accomplished everything I set out to and more.  It was time for my next big challenge…creating a portfolio of wines for my own brands from scratch.  And tell a story about Pinot Noir in a way that it had not yet been told.

[TaV]: You worked at the wineries around the world. Are there any winemakers you would consider your mentors, either directly or indirectly?

[TR]: There is one fact in winemaking that I completely embrace: There is no way to learn it all…I will never stop learning, growing and evolving.   Every winemaker I have worked with has mentored me, including but not limited to, Rollin Soles, Ken Wright, Co Dinn, Jean-Francois Pellet and David Forsyth.

[TaV]: Can you explain your “low and slow” approach to the winemaking?

[TR]: Just like the “slow food” movement, I use top quality ingredients (grapes) from attentive, engaged farmers (vineyards) with whom I have a very close relationship.  I have hand chosen each of our vineyards myself and each brings a distinctive flavor profile (like spices) in order to make our signature “five-course meal” of Pinot Noir.

For all the Tendril wines, I over-vintage the wines in barrel (at least 16 months) and then bottle age 12 months or more prior to release.  The wines are then at the front end of their drinkability curve, with the potential for a decade enjoyment ahead of them.

[TaV]: I find it interesting that in your range of Pinot Noir you have only one vineyard-designated bottling – I always think that designated vineyards and even specific plots are better identify with quality of the grapes and the resulting wines – obviously you don’t see it like that?

[TR]: While I love to make single vineyard wines, I find that not every site is able to produce balanced, compelling and complete wines every year.  And that, simply put, is my goal as a winemaker.  So this is how the unique story and line-up of wines for Tendril was born.  When I started Tendril, I knew that I wanted to do something different with my portfolio of wines.  And it took 6 years to complete the lineup (Extrovert 2008, TightRope 2009, Single Vineyard (Guadalupe) 2011, C-Note 2011, Pretender 2013).

The common model that exists for Pinot Noir is the single vineyard model.  Wineries make 5-15 (or more) single vineyard wines in a given vintage.  The problem is that not all of the sites deliver on their promise of distinctiveness every year.  The true test is a horizontal tasting in which all of the wines are evaluated blind.  In a given year, some wines are great, some under deliver and some taste quite similar in a given line-up.  This is not consistent with my goal.

So, I created my own, unique model for Pinot Noir.  Each of my wines is distinctive and complete.  Collectively, they show a progression of flavors that mirrors the progression of dishes in a five-course meal.  My wines gain in intensity, darker fruit character and structure as the “courses” progress.  And each of the wines must re-qualify for their place in the lineup each and every year.

I believe single vineyard wines should be special.  Since all wineries charge more money for them, I think they should be worth it.  So we typically do just one offering per year that is, simply put, the “wine of the cellar” from just one site.  As I had anticipated, it has proven to be rotational (4 vineyards in 7 vintages).  It is like a Christmas present in that you don’t know what it is until you open it.

Tendril Cellars Pinot Noir

[TaV]: Your C-Note Pinot Noir is designated as “whole cluster fermented” – is that a substantial differentiator to make it the “top of the line” wine, or is there something else behind it?

[TR]: Of the Pinot Noir line-up, the C-Note is the most stylized wine yet at the same time requires the greatest amount of restraint.  Whole cluster fermentation of Pinot Noir is a technique that I have only attempted since 2011.  The was the first year I made a wine using 100% whole cluster…and it was so successful that it became our first C-Note bottling.

For C-Note, we use 100% Pinot Noir, 100% Whole Cluster fermentation, and age in 100% new French Oak barrels (air dried 3 + years).  The restraint comes into play in order to reign in the “whole clustery-ness” and tame the oak impact to mimic a wine with half the new oak exposure.  We are extremely gentle with our cap management to control the whole cluster notes and we select the most subtle, elegant barrels coupled with long aging to integrate the oak flavors.  C-Note is all about complexity, texture and mind-blowing length.  I love making wines that surprise and beguile.

[TaV]: You are one of the very few winemakers who conduct organized tastings. Can you explain what you are trying to showcase with your 5-course Pinot Noir approach?

[TR]: Yes, I believe the best way to showcase these wines and share this unique experience is to do seated tastings.  Like a five-course meal, our tasting take time (typically an hour and a half or more).  But people leave here feeling that that have experienced something truly special…and that is pretty rare.  They are shocked that they enjoyed each and every wine they tasted.

I began working in restaurants at a young age.  I cooked for several years and really enjoyed it.  A few years after I started making wines, I realized that I was using the exact same skill set to make wine that I used to cook.  I am truly a “wine cook” and make wine with that sensibility.

I wanted to showcase a diverse range of flavor profiles that can be accomplished on an annual basis with Pinot Noir in the Willamette Valley.  Each offering is distinctive, unique and impeccably balanced.  Collectively, they showcase perhaps the greatest range of flavors and textures of Pinot Noir under one brand.

[TaV]: To follow on the previous question, how receptive are your customers (typically) to what you are presenting in the tasting? Do they get your point? Do you offer people to taste the wines blind and to try to identify what they are tasting?

[TR]: The beautiful thing about the “five-course meal” context of our tasting is that EVERYBODY can relate to that experience.  People completely get it and they really get into it.  The wines show a progression of flavors just like a multi-course meal.  They also increase in intensity much like turning up the volume on a radio.

At this stage, the tastings are not blind and are tasted one at a time.  And I don’t have the ability to pair food at this time.  But we have done the “five-course meal” here at the winery a few times. It was a huge success.

[TaV]: Maybe an odd-ball question here – wine is an adult beverage, and nevertheless, you called your line of wines “Child’s Play” (I personally like it very much, especially the labels). Do you think wine consumers might find this controversial? Did anyone ever comment on this wine name?

[TR]: I am a huge fan of the “double entendre”.  Here it is actually triple.  1) My kids playing…my two daughters paintings are the original artwork for all the labels 2) We winemakers are big kids and we get to “play” with offering unique wines (the Pinot Chardonnay is the only still version of Chardonnay and white Pinot Noir in the country…to my knowledge), Zinfandel from WA (a unicorn wine), and a stylistically different Rose of Pinot Noir.  The Pinot Noir is just damn good. 3) Child’s Play implies it’s easy…so easy a kid could do it.  We are taking the pretension out of wine with the packaging and the wines inside.  Great value for money…as it should be.

My customers love it.  The only objection came from the Feds…and a simple paragraph explaining point 3) above got us our label approval.

[TaV]: This one is more of the pet peeve question for me. Your Tendril wines are enclosed with the corks (makes me very happy to see it). The Child’s Play line uses screwtops, so obviously the screwtop idea is not foreign to you. I know that some winemakers in Oregon swear by alternative closures (like Don Hagge at Vidon with the glass stopper), but I personally think that the wine needs a cork to age properly. What is your take on this subject?

[TR]: While I like the idea of cork, the execution of the closure has haunted me for my entire career.  Corks are highly variable in both their flavor impact on the wines as well as the oxygen permeability.  Each one is unique and has an unintended impact on my wine.  I believe natural corks are a huge problem and as such, I no longer use them.  But I do gladly use a cork product in my Tendril wines (looks like a duck and quacks like a duck) that provides consistency of density and very low aromatic impact.  I would be happy to talk to you about this topic some time.  I have researched it for years.

Screw caps are new to me, but I love them in the Child’s Play line to further differentiate the brand from Tendril.  I think the MSRP $30 price point avoids any potential push back on the choice of closure.

[TaV]: Sparkling wines are so popular nowadays, almost everyone is making them, and often with very good results. Considering your experience at Argyle, should we expect to see Tendril sparkling wine at some point in the future?

[TR]: Maybe…but I will wait until we have a great sparkling wine vintage (cool and slow ripening) to make that decision.  If you asked my wife (who is a sparkling junkie), the answer would be yes.

I would only do it if it could have the potential to be a truly special offering.

Maverick Vineyard

Maverick Vineyard

[TaV]: What is in the store for your new Maverick vineyard? How are you planning to farm it – sustainable, organic, biodynamic? Out of 19 acres, you have 10.5 allocated for Chardonnay and Pinot Noir – what about the rest? Any plans to expand beyond Pinot Noir and Chardonnay – let’s say, Pinot Gris, Riesling, etc?

[TR]: At this time, Maverick is LIVE.  We plan to move towards organic over the next few years.  It is an incredibly well behaved site that is already producing strong personality wines.  I view this as a highly desirable trait for a young vineyard.  The Chardonnay for the Pinot Chardonnay (70% of the blend) is all Maverick.  This is the first bottled wine coming from Maverick.

No plans for other varietals at this time.  But the clonal mix for the Pinot Noir (943, Swan, Calera and Mt. Eden) is pretty unusual.

[TaV]: Oregon is clearly a leader in Pinot Noir, considered by many as simply the best in the world, and it is also getting to the same level of recognition with the Chardonnays. What is ahead for the Oregon wine industry? Is the future bright and sunny, or do you see any clouds on the horizon?

[TR]: To me, the only constant is change.  By that I mean that to continue to succeed as an industry, we need to be engaged (both locally and on a world stage), we need to be adaptive (as our climate continues to change, we are in for more and different challenges), and we need to be more concerned about the sustainability of our environment (both locally and throughout the world).

I believe we will have sun and clouds…and perhaps some rain.   Just the weather we always have in Oregon 😉

[TaV]: When you are not drinking Tendril wines, what are your favorites from the other producers and/or regions?

[TR]: Lately I have been enjoying Graham-Beck sparkling wine from South Africa.

Or give me a good single malt Scotch…

Here we are, my friends. I’m sure you are thirsty at this point, but we will talk about Tendril Cellars wines in the next post.

To be continued…

 

One on One With Winemaker: Phil Rose of Wairau River, New Zealand

July 15, 2017 2 comments

It just happened to be that once again, we will be talking about New Zealand wines. Once again, we are going to visit Marlborough. And once again, we are going to meet with a pioneer.

Wairau River Vineyards

Source: Wairau River

Wairau River Wines‘ story started in 1978 when Phil and Chris Rose became grape growers (Phil was a farmer since the childhood, so the transition was not that dramatic). In 1991, they also became winemakers, producing their first wine. Today, Wairau River vineyards span 550 acres, making it one of the biggest family owned wineries in New Zealand. And it is all truly in the family, as Phil and Chris’ two sons and three daughters are all working at the winery.

Wairau River Wines produces two lines of wines. The Estate collection includes all of the usual suspects, such as Sauvignon Blanc, Pinot Gris, Pinot Noir, Riesling, and Chardonnay, but you can also find some oddballs there, such as Albariño. The Reserve line also includes Syrah and Viognier, as well as late harvest botrytized Riesling.

I had an opportunity to sit down with Phil Rose (albeit, virtually), and inundate him with questions – here is what transpired.

[TaV]: You started growing grapes in 1978. Was there a pivotal moment which got you into the grape growing? Were grapes a long-time passion before you started, or was there an event which brought you into the world of the wine?

[WR]: The oil shock in the 1970’s meant we looked for an alternative away from the farming of beef and sheep plus the growing of Lucerne and other crops. However due to a rural council district scheme rule, grape growing was prohibited on land north of old Renwick road. 
We were required to apply for permission to establish a vineyard, which we did but the application received 56 objections and not one single vote of support. There were a number of reasons for the objections. Forestry owners were concerned they would no longer be able to use sprays like 2.4.5.t because of its impact if grapes were nearby. Local farmers were also concerned their normal farming methods would be threatened. There was also the moral opposition such that no one should be able to grow a product that could be turned in to alcohol. 
Unfortunately the council denied our application, so we appealed. But things moved even slower back then than they do now – and it took 18 months for the independent tribunal to take place. 18 months where we worked hard to try and convince the powers that be and our own neighbors that grape growing in the Rapaura area of Marlborough had huge merits. 
Finally in 1978 we got a unanimous decision from the tribunal which gave us the permission we needed to become contract grape growers. As a result, the council had to change the district plan and open the Rapaura area up to grape growing.

[TaV]: Can Marlborough Sauvignon Blanc age? What was the oldest Marlborough Sauvignon Blanc you ever tried? What is the oldest Sauvignon Blanc you have in your cellars?

[WR]: Of course the wine will age well although the wine takes on different characters with age as do all wines. Most sauvignon blanc now though is consumed in its youth as its fresh, crisp and lively style that have become hallmarks of our success. 1991 was our first vintage and we still have a few bottles of that in the cellar.

[TaV]: Did you ever experiment with cork versus Stelvin closures? Obviously, all your wines use the screw tops, but I wonder if you ever tried to create a control batch with the conventional corks and see how the wines would compare.

[WR]: We bottled our first wine in screwcaps in 2002. Prior to that we were 100% cork but never really happy with the closure. We felt that cork was tainting, oxidising and affecting the delicate aromas of sauvignon blanc in particular. 
Wairau River was part of the New Zealand screwcap initiative that was formed in 2001 and we did many trials in the early days – all of them showing that wine under screwcap was far better in terms of consistency and quality than corks. 
Today we are 100% screwcap for all of our wines.

[TaV]: It seems that Wairau River is truly a family operation top to bottom. Do you ever have any work conflicts? If yes, how do you resolve them?

[WR]: Yes we now have the whole family and some their partners involved in running the business across vineyards, winery, cellar door and restaurant. It is not often there are any issues but having a voice and opinion is important and so we all listen and work through this and will always achieve a result that works for everyone. We also have a board of directors which meets regularly which helps with accountability and offers independent advice.

[TaV]: The question I always like to ask: what was the worst vintage you remember at Wairau River and why? 

[WR]: I think 1995 will long be remembered as the toughest vintage we have had. It rained and rained

[TaV]: And the second question I always like to ask: what were your most favorite vintage years and why? 

[WR]: Actually there are many years we look back and think that was one of the best vintages however we never like to look backwards for too long. We are always striving to improve our wines each year so lately it seems every year we are getting better results across all varieties.

[TaV]: How would you differentiate Sauvignon Blanc from Wairau Valley and Awatere Valley? Are the pronounced differences there? Do you think Marlborough needs further subdivision?

[WR]: There are quite big differences between the 2 valleys in terms of flavor profiles however strategically the Rose family have chosen to focus in the Wairau Valley and then within that a tight area surrounding our home vineyard and winery. 
Further sub regions like Rapaura or Dillons Point will develop with time however Marlborough as an overall region will still be the key to our success and the protection of that is paramount.

Wairau River Wines

[TaV]: It seems that your wine portfolio is very diverse and includes a wide variety of grapes as well as styles (white, rosé, red, dessert) – the only notable absence nowadays is Sparkling wine – do you plan to fix it?
[WR]: haha – always a good topic of conversation…..we are happy with what we are doing at the moment, however we have a rule of never saying no to anything so who knows what the future will bring – perhaps the next generations may want to make sparkling wine.

[TaV]: Sauvignon Blanc and then Pinot Noir squarely put New Zealand on the world wine map. Is there a next big white and/or red grape for the New Zealand?

[WR]: We consider Pinot Gris to be the next big thing especially from Marlborough. It has a certain style that resonates well with wide variety of cuisines and will help those drinkers that are looking for NZ wine and want to try an alternative to our Sauvignon Blanc.
In the reds perhaps the wines from Hawkes Bay may make a statement but this will also be limited by smaller production.

[TaV]: Outside of New Zealand and your own wines, do you have any other favorite producers or regions for Sauvignon Blanc?

[WR]: We are lucky enough to travel the world selling wines and meeting customers so we are exposed to a number of different wine areas and styles.
In all honesty I think we produce a world class Sauvignon Blanc that is hard to beat however I do quite enjoy wines from Sancerre in particular Domaine Vacheron.

[TaV]: Same question as before, but only for the Pinot Noir – any favorites outside of New  Zealand?
[WR]: Of course, we enjoy Jim Clendenen wines at Au Bon Climat.

[TaV]: What are your next big plans at Wairau River? Any exciting projects you have started or about to start? 

[WR]: We are comfortable with where we are at in terms of our vineyard ownership and winery capabilities – our challenge is to grow sales and return better margins in all markets as we have wines that are in high demand but with limited availability. 
Gaining recognition for our other varieties such as Pinot Gris and Pinot Noir will be a key focus. Ros sales have become very hot lately so this will also be a focus going forward.

[TaV]: Last question: as you run winery as a family, I’m sure you had some funny moments in your daily wine business. Anything you care to share?

[WR]: We work extremely hard throughout the year and don’t often come together as a whole family outside of the work environment. Although I can’t pick one particular moment we have a lot of fun with the family when we gather to celebrate Christmas in the Marlborough sounds with our 5 children, their partners and 12 grandchildren there is always something happening that creates some funny occasions and a great laugh.

I’m sure you are thirsty by now, so let’s taste some wine, shall we? Here are the notes for a few Wairau River wines I had an opportunity to taste:

2016 Wairau River Sauvignon Blanc Marlborough New Zealand (13% ABV)
C: white pearl, pale
N: intense, currant, touch of grass, bright, fresh
P: herbaceous, nicely restrained, fresh, bright, touch of grapefruit on the finish.
V: 7+/8-, an excellent example of Marlborough Sauvignon Blanc

2015 Wairau River Pinot Gris Marlborough New Zealand (13.5% ABV)
C: light golden
N: medium intensity, minerality, limerock
P: white stone fruit, nice minerality, salinity, crisp, refreshing
V: 7+

2015 Wairau River Pinot Noir Marlborough New Zealand (13% ABV)
C: bright ruby
N: freshly crushed berries, cherry, plums
P: cherries, fresh fruit, plums, touch of smoke, medium body
V: 7+, nice, traditional Marlborough Pinot Noir

Passion and perseverance rule in the wine world – we all know that, but it is always fun to listen to the stories. Pour yourself another glass – you deserve it. Cheers!

One on One With Winemaker: Brett Jackson of Viña Valdivieso, Chile

June 19, 2017 4 comments
Viña Valdivieso vineyards

Source: Viña Valdivieso

Today, sparkling wines are produced everywhere, and we are getting quite used to it. Sometimes, it comes almost to a surprise when we hear that particular producer doesn’t offer any sparkling, at least as part of the “winery special”. But this was not the case even 10 years ago, when the sources of the sparkling wine were much more limited.

When you are thinking about Chilean wines, well respected worldwide, what kind of wines come to mind first? I would bet you are thinking about Cabernet Sauvignon, Merlot, Carmenere, Sauvignon Blanc and may be some Chardonnay. I would also safely bet that you don’t think of Chile as a producer of the sparkling wines, right? So without asking google or reading ahead, can you pause for a second and think when could Sparkling wines be commercially made in Chile?

While spending time in France, Don Alberto Valdivieso fell in love with Champagne. As a matter of fact, he loved it so much that upon his return to Chile in 1879, he founded Champagne Valdivieso and became the first producer of the sparkling wines in Chile and the whole of South America.

Fast forward to today and Viña Valdivieso produces the full range of sparkling wines, including both Viña Valdivieso produces the full range of sparkling wines, including both méthode champenoise and Charmat, and the extensive line of still wines which includes a unique solera-method dry red called Caballo Loco. I had an opportunity to sit down (albeit, virtually) with the Viña Valdivieso Winemaker, Brett Jackson, and ask him a few  bunch of questions – here is what transpired from our conversation:

[TaV]: I would guess that Viña Valdivieso first sparkling wines were made with the Traditional Method. When did the Viña Valdivieso start producing sparkling wines using Charmat method?

[VV]: Valdivieso started making sparkling wines from 1879, all the bottles in traditional method. Only from the eighties began the elaboration by Method Charmat

[TaV]: What is the oldest sparkling wine which can be found in your cellars? What was the oldest Viña Valdivieso sparkling wine you ever tried?

[VV]: For the earthquakes of 1985 and 2010, that affected our underground cava,  we lost bottles from the early fifties to the present. We only recovered some bottles from 1996 onwards that are still preserved in our cellar.

[TaV]:  Do you make any single vineyard sparkling wines? What about vintage sparklers?

[VV]: For Traditional method, we have single vineyard Valdivieso Blanc du Blanc made of 100 % Chardonnay and Valdivieso Blanc du Noir with 100% Pinot Noir

Since 2013, we started using the label vintage in Valdivieso Blanc du Blanc. Actually, the new portfolio sparkling for Champenoise Caballo Loco Grand Cru 2014 uses an exceptional vintage.

[TaV]:  When you produce Traditional Method sparkling wines, do you follow the path of the French Champagne and try to achieve consistent “Chateau” taste profile? How many Vin Clairs your typical blend include? Do you use also reserve wines, and what would be the oldest you would use?

[VV]: We use different vintages to give consistency to our portfolio. Charmat Limited include 2 years at least in different percentage of varieties, blending,   Traditional method we use Both of 1 vintage as well as several in blending. Currently, the use of expedition liquor for some 2014 bottles of traditional method is from 2011 vintage.

[TaV]:  Do you use sustainable farming methods? What about organic – you do it now or have any plans?

[VV]: Our farming methods are sustainable, being certified with the Wines of Chile Sustainable code. We are working with a 15Ha organic vineyard in the south of Chile with some very exciting red varieties. Grenache, Tempranillo, Mourvedre, Carmenere, Tannat, Carignan, Syrah, and Petit Syrah. The first wines from this vineyard should be appearing late 2018.

[TaV]:  What was your most challenging vintage for the sparkling wines and why?

[VV]: 2012 and 2013 the most difficult, extremely challenging because of the huge amount quantity per hectare. We don´t have Traditional method these years, except Blanc du Blanc 2013, 100%  chardonnay.  The Chardonnay variety was the only one that excelled to maintain consistency in quality and longevity for its storage in bottles.

[TaV]: What was your most difficult vintage for the still wines and why?

[VV}: 2016, the most difficult, lots of rain during April. Chile lost around 30% of the harvest due to these rains. Extremely challenging conditions.

[TaV]: What were you favorite vintages for the still and sparkling wines?

[VV]: For still wines 2000 through to 2010 were exceptional with a string of outstanding vintages, 2001, 2005, 2007, 2009, 2010. I would give the edge to the 2005 vintage, great balance in the wines, maturity, acidity, and exceptional flavor.

For sparkling wines 2010, 2014, 2015, 2016. because of the balance of fresh maturity, big natural acidity, fresh fruity character . 2014 was the best, with the fruit from consolidated new areas for traditional method such as Biobio, Limarí, Itata, and new improves for charmat with vines so close to Andes mountains and Coastal range. 2014 is the first vintage for a new sparkling label called Caballo Loco Grand Cru Biobio Valley , Brut Nature and Blanc du Noir, currently available.

Viña Valdivieso wines

[TaV]: Today you produce still white wines from Chardonnay and Sauvignon Blanc. Have you ever experimented with any other white varietals? Any plans to introduce any new Viña Valdivieso white wines?

[VV]: We do a small amount of Viognier. In the near future we will be launching Rousanne and Marsanne. Both look very promising with great potential.

[TaV]: What is the “Next Big White Grape” for Chile? Is there one?

[VV]: The “next big” is white wine. It is not easy to see as on an international scale, Sauvignon Blanc and Chardonnay dominate to such an incredible extent.

[TaV]: Same question for the reds – is there “Next Big Red Grape” for the Chilean wines?

[VV]: For individuality and exceptional quality, the old vine Carignan from the Maule Valley is making a substantial mark. Also, Syrah has the potential to produce exceptional wines from many different areas of Chile.

[TaV]: For how long do you produce your Syrah wines? What is your inspiration for the Syrah? Is there an international style you would compare Viña Valdivieso Syrah to?

[VV]: We have been producing Syrah for around 10 years. When looking at what we try and achieve, I really look to the northern Rhone, trying to capture spice, black and white pepper. Our style has evolved over the years, initially being more of a new world dark rich style, whereas now I would compare more to soft spicy Rhone style. However Syrah is so unique in that as a red wine every area it is grown in, it produces a wine which is unique to that area.

[TaV]: What is the story behind Caballo Loco? Why all of a sudden to produce Solera-style red wine? Do you produce this wine every year? How do you say it is changing year over year?

[VV]: Caballo Loco, has a long history in Chile, the first edition being released in the early nineties. It was created through a series of events between the winemaking team, sales team, and owners. It is a reflection of the innovative nature of Valdivieso, and not being afraid to try new  While it is based on our solera Sistema, each bottling is unique and such receives an individual edition number. The current edition on the market is the N°16, which contains 20 different vintages. The new edition N°17 will contain 50% of the previous edition (in this case N°16), and 50% of the new vintage wine. This method allows us to evolve the nuances of the wine over time. Over the years new vineyards, areas, varieties, and techniques have been incorporated into the wine. Each new edition is released when it is ready, which is not necessarily on an annual basis. Roughly every 18 months a new edition is released.  The subtle changes over the years for me is principally increasing complexity and depth as we have come to better understand the vineyards of Chile and the opening of new areas.

[TaV]: It seems that Valdivieso ÉCLAT was produced only once in 2011, with an unusual for Chile blend of grapes. As there a story behind this wine? Any plans to produce a new vintage?

[VV]: Eclat VIGNO, is a blend of Old vine Carignan and Mourvedre. We are part of the VIGNO, a group of 13 wineries which has created this label VIGNO. It is an aggrupation which has been lead by winemakers with the objective to highlight the exceptional quality of these old vine vineyards in the Maule Valley. To place VIGNO on the label the wine must contain 100% of old vine from the Maule Valley. Of this, a minimum of 65% must be old vine Carignan. This is also intended to improve the situation of the small growers in the area, an area with many small growers which had in the past been obliged to sell there Carignan grapes for generic red blends, in which they were diluted away. Now with this initiative, the fruit is sought by many wineries for its quality potential resulting in substantially better prices for the growers. There will definitely be another vintage when the wine is ready.

[TaV]: What’s ahead for the Viña Valdivieso – new markets, new wines – what makes you excited?

[VV]: New wines to come, we have some really fun projects coming on. From the Maule Valley, we will shortly have some wines from an organic vineyard, being from an exciting range of varieties. Grenache, Syrah, Petit Syrah, Tempranillo, Tannat, Carignan, Carmenere, and Mouvedre. We still do not have a name for the range, but the quality of wine from these low yielding vineyards is exceptional.

Late this year we will be launching in the Eclat range 3 new wines under the Curiosity label. Cinsault from the Itata Valley, on the coast, old vines being cultivated in the traditional methods they have been using since vines were first introduced into Chile. There are records of wine being produced in this area since the 17th century. Also, a Rousanne, and a Marsane. These two whites look great, and for me show the potential for these Mediterranean varieties in Chiles conditions.

In the markets around the world it is a very exciting time for Chile, after years as been considered the supplier of good easy drinking wines, Chile has now become a very respected wine producer where people are respecting and expecting wines of the highest world class level. As a foreigner who has accepted into the industry I feel very privileged and lucky to have been able to play a small part in what has been this transformation of the wines from Chile.

I hope you are still here and reading this – I really love these conversations – while virtual, they still share the passion and even the obsession those little grapes bestow on us.

I’m sure you are thirsty by now, so pour yourself a glass, and let me share my impressions from tasting of the few of the Viña Valdivieso wines:

NV Viña Valdivieso Brut Chile (12% ABV, Chardonnay 60%, Semillon 40%, Charmat method)
white stone fruit, distant note, light mousse, good acidity on the palate, touch of grapefruit notes. Drinkability: 7+

NV Viña Valdivieso Rosé Chile (12% ABV, Pinot Noir 70%, Chardonnay 30%, Charmat method)
beautiful color, inviting nose of fresh berries with touch of herbs, light, round, touch of fresh fruit, excellent balance, refreshing. Drinkability: 7+/8-

2015 Viña Valdivieso Sauvignon Blanc Gran Reserva DO Valley de Leyda Chile (12% ABV)
straw color, very intense nose of blackcurrant and black currant leaves, same on the palate but with restraint, nice acidity, black currant, excellent. Drinkability: 8

2013 Viña Valdivieso Cabernet Franc Single Vineyard DO Valle Sagrada Familia Chile (14% ABV, Punta de Rosa Vineyard)
dark ruby color, touch of bell pepper, berries and leaves of the cassis, mint, touch of roasted meat. Palate follows the nose – medium body, good acidity, fresh red berries, touch of cassis, nice savory notes. Enjoyable by itself, but will work well with food. Drinkability: 8

Here we are, my friends. Sparkling from Chile? Yes, please! Cheers!

 

%d bloggers like this: