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Guest Post: The Purpose of Oak Barrels in the Wine Making Process
Today, I’m offering to you a guest post by Rachel Moore who works as a Marketing Manager at Rocky Mountain Barrel Company. Rocky Mountain Barrel Company provides used wooden barrels for spirits, like bourbon barrels, whiskey barrels, rum barrels, and wine barrels. Rachel Moore loves her combination of nature, wine, and nerdy friends who appreciate her homemade wines.
The long history of wine and oak is worth exploring, mainly because oak barrels are being used in wine aging literally forever. Oak is used as a flavored seasoning to bring aroma and quality to the wine. Whether French, Hungarian, American, or others, Oak contributions leave a lasting impression on the bottled wine.
What Is the Aim of Aging Wines in Oak Barrels?
Before the invention of glass bottles (the 1600s and earlier), most wines were processed and packaged in wooden barrels. In reality, paintings from this era often depict wine barrels strewn about. Although we’ve outgrown the need for barrels to store and ship wine, we’ve developed a taste for it. Oak Wooden Barrels are an essential feature of the modern winemaking process.
What Benefits Do Oak Barrels Have for Wine?
Oak makes three significant contributions to wine:
- It includes spice compounds such as cocoa, clove, haze, and coconut aromas.
- It allows for the intake of oxygen, making wine taste a lot more complex.
- It produces an optimal condition for metabolic processes to occur, which results in creamier-tasting wines.
Let’s see some other advantages of using an oak barrel for the winemaking process.
1. Superior Aging Capability
In general, wines aged in oak barrels have greater aging capacity than those aged in steel tanks (or with alternatives, such as oak chips or oak staves). For example, if you age your red wine in an oak barrel, you are supplying your consumer with a commodity that can mature much more elegantly than red wine processed in a steel tank.
2. Re-Use Used Oak Barrels
First, used oak barrels can be used for the aging and fermentation process of the wine imparting milder flavors compared with brand new oak barrels. Second, oak wooden barrels can be purchased used at a substantial cost. Though bear in mind that the oak can lose the capacity to infuse after a few “cycles,” so pay particular attention to the aroma/flavor profile of your blend to ensure that the oak is strong enough. Moreover, oak barrels can be reused many times, reducing the initial investment.
3. High-End Brands’ Premium Association
It’s a myth that oak barrels are needed for luxury wines; in reality, many high-end wineries are transitioning to steel tanks for white wines and lighter wines intended to be consumed “fresh.”
However, there is no denying that there is a certain cachet synonymous with the use of oak barrels in the wine industry. Wines fermented in steel tanks are frowned upon in some circles. When deciding whether to use oak barrels or steel tanks, remember to think about your audience and how they will respond.
Two oak varieties are used to produce barrels worldwide: White oak from the United States and European oak from Europe. Of course, European oak barrels are not exclusive to European winemakers and vice versa.
Staves, which are broad pieces of oak wood closely fixed along with metal hoops, are used to make wooden barrels. Over a burn, the barrels are toasted to a normal, medium, or dark toast standard. Fresh barrels with a mild toast will have many vanilla and caramel flavors, while a darker toast will have various smokey, charred aromas.
The amount of oak taste transferred to the wine by oak wine barrels is affected by its age and size. Since they make more interaction between the wood and the wine, smaller barrels impart more oak flavor. Oak barrels lose their distinctive flavor compounds with age, necessitating replacement every few vintages.
Fresh oak aging alters the tannin composition of red wines in addition to incorporating oak flavors. Tannins from the wood leach into the wine, giving it a more robust structure. This helps a wine’s age-ability, just how long it lasts in the bottle. The wood also assists in the stabilization of tannins from grape skin, resulting in a silkier finish.
The Various Kinds of Oak Barrels Used in Winemaking
The American oak barrel and the French oak barrel are the two most popular wooden barrels used in winemaking.
As compared to French oak, American oak barrels are less expensive, have a larger grain, and have lower wood tannins. They also have a more substantial impact on the wine’s taste and aromatic ingredients, often imparting vanilla flavors with a much sweeter palate profile than French oak.
On the other hand, French oak is the wine industry’s “gold standard,” with higher wood tannins and tighter wood grains that have a more negligible effect on the aromatics and taste of the wine.
In a Nutshell
Whatever barrel you choose for the winemaking process, be sure it is of high-quality wood, and don’t forget to clean the barrels after use!
These were some of the purposes and uses of using oak barrels in the winemaking process. I hope this article was helpful to you and you select your oak barrels wisely!
Winemaking: A Step by Step Guide
Today I would like to offer you a guest post by William Reed, who is a passionate winemaker that continues his family’s the age-old tradition of producing quality homemade wine. With respect to
heritage and classic concepts as well as a zesty touch of the modern, William continues to explore the vast world of winemaking all while sharing his thoughts, ideas, and processes on his own personal website at myhomewine.com.
Winemaking or vinification is the process of making wine, from start to finish, which ends up having a lot of detailed steps you should know, so are you ready to begin this long but incredibly rewarding journey?
Some people say it’s easy to make wine but making good and fruity ones is only for the experts – well that’s not entirely true as we’ll see below. Summed up, the major steps on how to make wine are the selection of grapes, their fermentation to alcohol, and, lastly, the bottling. You can make all types of wine but the most common ones are red wine, white wine, or rosé, and even though they are pretty different between, their process is very similar.
Wine has been produced for thousands of years, being almost considered as an art, having an important role in religion and there is even a science that studies wine and winemaking, called oenology. Generally speaking, wine is an alcoholic drink made from fermented grapes with 5.5 – 15.5% alcohol and is a cultural symbol of the European life, changing from a nutritional supplement to a food complimentary beverage, compatible with a good lifestyle. Drinking isn’t safe for everyone and doing it more than moderate amounts can lead to health problems, however, a study from 2018 proved that wine can have great benefits because it contains antioxidants and it promotes anti-inflammatory and lipid-improving effects.
The classification of this beverage can be done according to its origin, methods, vintage, or variety used. Practices can be different in each country and have varied over time to achieve progress. Wine-growing regions all over the world have been improving their conditions with technological innovations to have better hygiene and control over the production process, contributing to the creation of wines suited to the taste of consumers. In fact, global wine consumption has risen with the purpose to enjoy in moderation, as part of a modern, sustainable, and healthy lifestyle. You can also take a look at the following guide in case you want to learn how to make wine at home.
With that said, I will now present you with the process of winemaking, in a thorough but also easy to understand step by step manner:
1 – Choosing the Perfect Grapes
The first step of all is harvesting! It’s one of the crucial stages in this operation, and it’s really easy to understand why – the better grapes you have, the better the product will be!
The moment the grapes are picked from the vineyard will determine their sweetness, flavour, and acidic and tannin levels – now we know why it’s called science. Some of the tracked conditions are the weather, the time of harvest and even the way you pick them – hand picking or mechanical harvesting. Even though there is a lot to consider and to control when it comes to reaching a nice final product, don’t get too scared, as you’ll only reach perfection through trial and error.
2 – Crush!
Once you have the grapes picked up from the vineyard, it’s time to de-stem them and gently squeeze them to liberate their content. This process, in the past or in traditional smaller scale farms, is done by foot. Nowadays, and in bigger wineries, mechanical presses are used to turn grapes into must (pulp) in a much faster and efficient way. Some say this can affect grapes negatively but it’s a more sanitary crushing step and also helps the quality of the final result. Personally, I’d prefer the machines rather than drinking wine crushed by some random farmer’s feet!
What is tapped from the must depends on the type of wine you are making. If white wine is what you want, then the seeds, solids and skins are removed from the grape juice. On the other hand, if red wine is what you prefer, the seeds, solids and skins should stay along with grape juice to offer it more flavour and that beautiful red colour.
3 – Sugar into Alcohol: Fermentation
It’s true, the third step is fermentation and is quickly defined as a transformation from sugar into alcohol – it seems like magic, am I right? It only seems like it, because here is where this process is the longest and most complicated, as it determines the quality of the final result.
As you already know, the product obtained from crushing will ferment because of the present yeasts that transform the sugar, as an energy source, producing ethanol and carbon dioxide. This explains the primary fermentation, which is called alcoholic fermentation, and will last from 5 to 14 days, requiring a lot of careful control (if the goal is a high premium luxurious wine). The second one is called malolactic fermentation, lasts another 5 to 10 days and it characterizes the pH 3,8 of red wines and 3,55 of white wines. Pure science! Temperature, speed and level of oxygen are also extremely important considerations and must be optimized. This whole process can take weeks or even months.
4 – Clarification and Stabilization
After fermentation, it’s time for clarification! This is where pulp, proteins, dead yeast, and other unwanted residues, created during the chemical reactions, are removed from the juice that you can almost call wine at this point. Particles that are insoluble and float, can be filtered and the ones that are soluble but still undesirable, can be centrifuged. Both of these methods need to be optimized to obtain a clear, healthy and appropriate wine. Some natural winemakers don’t clarify because they believe that it diminishes the aroma, texture, and color, so they leave the particles and compounds in red wines for aging – I follow this school of thought.
At this point, you already know that wine can be claimed as a complex mixture built upon microorganisms, and that it can be unstable and reactive depending on the environment and the condition submitted. One of the techniques to stabilize it is cold stabilization and it consists of exposing the wine to low temperatures, close to freezing, for two weeks. The complexity of this whole step is amazing because it enables winemakers to deliver their individual appeal to each wine.
5 – Aging and Bottling
This is the final step but one that is very important in winemaking, because it’s the relocation of the wine into oak barrels (my preferred vessel), stainless steel tanks or bottles.
Wine aging can be defined as a group of reactions that changes the properties of wine and allows it to develop unique flavors over time. Premium wines need to pass through this maturation step to acquire some amazing characteristics like aroma, color, flavour, texture and mouthfeel. Other light and fruity wines don’t need aging and reach their quality peak in a shorter time.
The major considerations in bottling are what kind of bottle to use, type of closure (sealing), (maybe cork), and if you want to add gas or not (not recommended at all for beginners). There are also a lot of kits available for you if you want to experiment making wine at home in a small but very educational manner.
Enjoy it – with Moderation!
Here is every important and crucial step in the winemaking process and you can apply them at your own industry or even at home! Yes, you can make this fruity, incredible juice without leaving your house. If you’re not interested in making your own, you can think about this whole procedure when you’re enjoying it, remembering the magic behind and realizing the work put on it.
Winemaking can be difficult because there are a lot of conditions you need to optimize, starting from picking the grape, to the act of bottling the wine, to the temperature you apply and the cleanliness. Now we can agree that this is almost an art and you have to learn a little bit of science too! Don’t forget that drinking wine in moderation has positive benefits linked to some cardiovascular disease due to the amount of antioxidants, isn’t that great? Thank you for reading and let’s have a glass of wine!
Stories of Passion and Pinot: Looking Back and Looking Forward
Back during the fall of the last year, I ran a series of posts talking about passion and Pinot Noir. Pinot Noir is a finicky grape which, I can only guess, has some enchanting properties – for the winemakers and wine lovers alike. Pinot Noir has an ability to grab you and never let you go – once discovered, it becomes an object of obsessive desire: winemakers go out of their way to make the best Pinot Noir wine, and oenophiles go out of their way to find it.
To give you the best examples of Pinot Noir’s passion and obsession, I decided to [virtually] sat down with a pioneer, a rocket scientist, a soil fanatic, biodynamic believer and some true farmers – all of them from Oregon. Through our conversations, I wanted to convey the unwavering belief in the magic of that little black grape, Pinot Noir.
We talked with Ken Wright of Ken Wright Cellars, David Nemarnik of Alloro Vineyard, Mike Bayliss of Ghost Hill Cellars, Wayne Bailey of Youngberg Hill Vineyards, Steve Lutz of Lenné Estate and Don Hagge of Vidon Vineyard – the passion was easy to see, through their words and through their wines.
The essential Pinot Noir map includes four major players – Burgundy, California, New Zealand and Oregon. Out of these four, Oregon usually beats Burgundy in consistency, and often California and New Zealand in finesse. That consistency and finesse don’t go unnoticed – and not only by wine consumers but by the big domestic and international wine businesses and investors as well. Big businesses are great, but – they are, first and foremost, big businesses – and passion is often replaced just by pragmatic business needs and shareholders value.
The wine quality and creativity is on the upswing around the world, and while consumers are driving this trend with an ever increasing thirst for the wine, nothing can be taken for granted – the wines have to find the consumers, and convince them that they are worth paying for.
The big business interest and more and better wines – what does it mean for the Oregon wine industry, the passion and the Pinot Noir? To answer this question, I asked once again for the help of Carl Giavanti of Carl Giavanti Consulting, wine marketing and PR firm, who reached out to the Willamette Valley Wineries Association. As you can imagine, I had more than one question, so here I would like to share with you what I have learned.
First three questions were answered by Anthony King, 2017 President of WVWA Board of Directors and General Manager of the Carlton Winemaker’s Studio:
[TaV]: Willamette Valley squarely joined the ranks of world-class wine regions. Does it mean that everything is great, or you still have big issues to solve on your agenda?
[AK]: Willamette Valley is certainly on the rise and we are all thankful for the attention. Our biggest issue is to continue to share the spotlight with the other classic regions of the world without losing our roots, our authenticity, and collaborative spirit.
[TaV]: It seems that lately big corporations are paying lots of attention for the WV wineries – or rather money, as for example, Jackson Family which acquired 3 WV wineries over a short period of time. Are you concerned with this development? Do you think it might change the soul and spirit of WV wines?
[AK]: Most of us are flattered by the attention that our wines, vineyards, and wineries have been getting from producers all over the world. JFW, in specific, has invested heavily, but have done so with a soft touch and an eye towards the community and their neighbours. In the end, the region will have diversity that consumers will ultimately benefit by. Our hope, however, is that this interest doesn’t drive vineyard and fruit prices into a range that makes the hands-on artisan winemaking that has made Oregon so special too expensive for entry.
[TaV]: There are many white grapes which can be called “next frontier” for the WV wineries – Pinot Gris (yes, okay, this is an old news), Chardonnay, even Riesling. However, if we look at the red grapes, WV wineries are a “one trick pony”, only working with Pinot Noir. Do you see any problems with that? is there a next big red grape for the WV, or is it not necessary?
[AK]: Great question. I don’t think that any of us, as winemakers, regret that we are working with Pinot noir in such an ideal locale. It presents a lifetime of challenges and, hopefully, rewards. Although much more rare, Gamay can be thrilling and has been successful planted alongside Pinot noir. Syrah, too, has a lot of potential, making compelling, Northern Rhone style reds in warmer years. Cooler-climate Italian reds could have potential as well. We’ve already seen an increase in planting of these “other reds,” but the more dramatic shift is (as you mentioned) towards focusing on whites and sparkling wine, which are very well suited to this climate. Ultimately, I foresee increased experimentation with a range of red varieties in the warmer sites in the Willamette Valley in the short-term; time and the weather will tell what succeeds.
The rest of the questions were answered by Emily Nelson, Associate Director for Willamette Valley Wineries Association.
[TaV]: What percentage of WV wineries are LIVE certified? Do you see this number dropping, increasing, staying the same?
[EN]: In 2016, there are 13,170 Oregon vineyard acres certified sustainable, which is 48% of total planted acres in the state. 8,218 acres are LIVE Certified, which is 30% of total planted acres. We do see the number of certified sustainable vineyard acres increasing year after year. As the home of the nation’s most protective land use policies, the first bottle recycling law, and the highest minimum wages for farm workers, it’s fitting that the Oregon wine industry is committed to sustainable farming and winemaking practices.
For LIVE Certified acres in particular, the number has increased annually from 2,368 acres in 2007 to 8,218 acres today.
[TaV]: How important is Biodynamic viticulture for the WV wine industry? Do you see more wineries embracing it?
[EN]: Biodynamic viticulture in Oregon has also steadily increased over the years, from 289 certified acres in 2007 to 1,585 certified acres today. It is an important component of our sustainable character in the region, reinforcing our belief that agriculture in general and viticulture in particular can flourish in harmony with our natural environment. In general, Demeter Biodynamic certification is in accord with many practices that characterize the certification of organic farms. However, certain practices are unique to Biodynamic agriculture, including managing the whole farm as a living organism; maintenance of a healthy, diverse ecosystem that includes not only the earth, but as well the cosmic influences and rhythms of which the earth is a part; and use of the Biodynamic preparations to build soil health through enlivened compost.
[TaV]: Are there any new wineries showing up in the WV? If yes, is there a trend there (more than the last 5/10 years, less than the last 5/10 years, the same?
[EN]: Yes! Our number of wineries in the region has climbed over the last five to ten years. We had about 110 wineries in the Willamette Valley in the year 2000. By 2010 that had more than doubled to 300 wineries. And now in 2016 our most recent census shows 531 wineries in the region. People are drawn to grape growing and winemaking here for many of the same reasons that brought our pioneers in the 1960s—unique climate and soils ideally suited to Pinot noir and a wine industry culture that celebrates collaboration, inventiveness, and land stewardship.
[TaV]: Do you see a lot of foreign capital coming into the WV winemaking industry (buying, partnering, starting new wineries)? Again, is there a trend?
[EN]: There is a trend of outside investment in the Willamette Valley wine industry, and it speaks to the quality of the wines being produced here. We see Burgundian investors who’ve found the New World home of Pinot noir, as well as those from Washington and California who are expanding their premium Pinot noir brands with Willamette Valley wines.
[TaV]: Last question – are there any new and coming, or may be old but coming around wineries wine lovers should watch for? Anything which makes you particularly excited?
[EN]: We’re particularly excited about a few things here: first, many of our pioneering wineries are handing the reigns down to second generation winegrowers and owners. The children who grew up in the vineyards and cellars of the wineries who put our region on the map are now at the helm. They continue to innovate and improve, so watching their brands and their wines flourish and evolve is a thrill. Second, we’re excited about the Burgundian presence in the Valley. French winemakers who come here to experience the Oregonian version of their time-honored grape offer unique expressions of the wines and outside confirmation that there’s something really special happening here. Lastly, we’re excited about new winemakers just entering the industry, who contribute a vibrant sense of experimentation and energy to the Valley.
All the good things come to an end, so this was the last of the conversations in the Passion and Pinot series – for now, at least. As I said before, Pinot Noir has some very special properties, making people fall in love with it and not letting them go. And whether you agree or disagree – you know what to do. Until the next time – cheers!
P.S. Once again, here are the links to the web sites for the wineries profiled in this series:
Alloro Vineyard: www.allorovineyard.com
Ghost Hill Cellars: www.ghosthillcellars.com
Ken Wright Cellars: www.kenwrightcellars.com
Lenné Estate: www.lenneestate.com
Youngberg Hill Vineyards: www.youngberghill.com
Vidon Vineyard: www.vidonvineyard.com
One on One With Winemaker: Ken Wright of Ken Wright Cellars
Source: Ken Wright Cellars
Grape grower. Pioneer. Visionary. Winemaker. Mentor. Teacher. Philanthropist.
It makes perfect sense to start our “Stories of Passion and Pinot” series by conversing with Ken Wright. After starting making wines in Willamette Valley in Oregon in 1986, Ken came to the realization of a tremendous diversity of soils and microclimate conditions in the region. Ken was instrumental in establishing 6 AVAs in the region; he also focused his winemaking on showcasing terroir through single-vineyard bottlings. The rest is the history which you can read on Ken Wright Cellars web site and various publications, such as Wine Spectator May 2015 issue.
I have limited exposure to Ken’s wines – the production is small, and there are lots of people who love to drink his wines. But even my limited encounters resulted in long-lasting impressions – and not only the wines but also the labels which you need to see only once to remember forever. Thus when I had an opportunity to ask Ken a few questions, albeit virtually, I was very happy to do so – and the outcome of our conversation you can see below. This might be a tad long, so arm yourself with a nice tall glass of Pinot – and enjoy!
Source: Ken Wright Cellars
- When it comes to the winemaking, is there someone who you would name as your mentor or a teacher?
KW: My first position was in California and included working with Dick Graff of Chalone on their Gavilan brand. Dick started a research group, in 1979 I believe, that met once a month at Mount Eden Vineyards. The group included many of the best wineries in the state including Mt. Eden, Kistler, Calera, Sanford, Acacia, Forman, Chalone and the Paragon group among others. The opportunity, as a novice winemaker, to be part of that group of successful producers allowed me to be part of cutting edge winemaking discussions. Ears were perked, respectfully my mouth was generally closed. I was a sponge.
- As a pioneer and a long standing and successful winemaker, I’m sure many young winemakers look up to you and want to learn from you. Are there any winemakers who you would call your students?
KW: Once I moved to Oregon, in 1986, to pursue the production of Pinot noir I had a learning curve to understand the new area that I was in. During those early years I fell in love with the ability of Pinot noir to connect myself and our buyers with the qualities of individual sites. After blending sites for several years I began in 1990 to produce site specific wines that connected us to place.
In the mid 90’s I was part of a group we created, quite similar to the California research group, that focused on research both in the vineyard and winery. My partners were Bethel Heights, Cristom, Solena and Penner-Ash. Beaux Freres joined at a later date. Our experiments provided a volume of information that I believe changed the way in which we all grew grapes and made wine. That information was openly shared with anyone who cared to ask. Many viticulturists and winemakers are now approaching their craft with the lessons we learned whether or not they are aware of where this information came from. I would not want to take any personal credit for the success of those that have benefited from this work or from my many direct relationships. Information comes from so many sources. If I have benefited someone along the way that would be great but I would only be one of many.
- You personally helped to define 6 AVAs in Oregon. Do you think there are still areas in Oregon which would benefit from their own designated AVAs?
KW: It is a natural evolution for regions to define themselves. All areas must first identify which wine varieties have inherent superiority. It’s a process. What is clear at this time is that the Willamette Valley, particularly the area of the six new AVA’s, is world class. We are producing Pinot noir that is riveting. While there are regions that can say they are older there is no area on the planet that can say they are better, period. I suspect there will be new AVA’s within the six new identified AVA’s that will further define each region in more detail.
- In the description of the Freedom Hill vineyard, there is a mention of Phylloxera. How did it come around? How difficult was it to contain it and deal with it? Is that the only one of your vineyards which was affected?
KW: Phylloxera reared its ugly head in 1990 at Fuqua Vineyard in the Dundee Hills. With the first inexpensive own rooted plantings of Eyrie in 1966, the industry coasted until this time with the hope the blight would never come. But it did. It is impossible to know what the source of the “infection” may have been. This was an older vineyard so unless they were purchasing replacement vines on a regular basis from a nursery that had an issue it would be hard to assign blame on the source of vine material. Not impossible though.
Phylloxera became real in the mid 90’s. Freedom Hill began to fail. Guadalupe began to fail. Shea began to fail. There were a number of others. Vineyard owners, hoping to forestall the infection, did whatever they could to protect their sites. At the time the concern was that the insect was being transferred on soil. We had chlorine foot baths. Incredible cleaning of vineyard equipment. It did not help. It is only my opinion but I believe most of the “infection” was directly from the replacement vines from nurseries that had the bug in their soil material that came with new or replacement vines.
- Can you make parallels between any of your vineyards and Burgundy vineyards, in terms of wines which they are capable of producing?
KW: Burgundy could only hope to make wine that consistently produces the quality of wine that we produce. They are in our rear view mirror. It’s sad that people automatically assume age of region is related to quality. Do truly blind tastings and you will not be able to assign label prestige to the result.
- Same question regarding your wines – would you compare any of your wines with any of the wines from Burgundy, and if yes, which with which?
KW: If there is any comparison I would say that Oregon Pinot noir has a perfect fresh fruit profile. Burgundy tends to be more acidic, angular in youth and less forward.
- It seems that you only produce Pinot Noir from all of the vineyards you are working with, and the only white wine you are producing comes from Washington. Is there a reason why? Have you ever thought of planting white grapes in Oregon?
KW: As a business, anything we produce that is not Pinot noir is harder to sell and less profitable. The entire world recognizes the quality of Pinot noir from our region but no other variety resonates. We have a half acre of the Chardonnay Dijon 548 clone at Savoya. It is delicious but only sold to our mailing list. We will not plant more Chardonnay in my lifetime.
- I find your wine labels fascinating. How do you come up with the designs? Are you making those yourself or you are working with an artist? Do you change any of the labels from vintage to a vintage?
KW: The artist that created our labels is David Berkvam, a Portland native. He is a dessert chef at a local Italian restaurant named Geno’s. The original artworks are 100% beeswax carvings. Incredible depth that we attempt to relay on paper. Our relationship with David began with seeing his work at a gallery in 1999 in Portland.
Our original label for Ken Wright Cellars was a clean, straightforward text only label. It was not memorable or noticeable. My wife Karen and I decided to make a significant change to the look of our label. We asked David to produce a label that showed the efforts of the Mexican laborers in our vineyards during the difficult time of winter pruning. There was no other labor that would do this work. Yet the Mexican women and men who did this work did so with graciousness and humor. That was our first label with David. Now each vineyard has its own artwork from him and each is quite personal for us.
- What is your approach to the oak aging? For how long do you typically age your wines? What type of oak do you use most often?
KW: Unfortunately, we have to use French oak for our wines. Would prefer to buy from the US but our native oak species are very resinous which does not rhyme with Pinot noir. Pinot noir spends 11 months in oak before bottling.
- Based on the information on the web site, your general philosophy around winemaking is “minimal intervention”. Did you ever consider going into organic or even biodynamic wine production?
KW: Winemaking has nothing to do with your farming approach. Yes, the winemaking at the highest level is minimal intervention, assuming a very high level of professional babysitting. All inherent quality comes from the vineyard. Any winemaker at the highest level knows they are subservient to the quality of what they receive.
- You’ve been making wine in Oregon for the very long time. Did you have any scary (okay, most difficult) moments you can share with us?
KW: The beauty of our area is that we do in fact have “vintages”. No robotic wines. The year is reflected in the wine. A great example of a “scary” vintage was 1991. A cool year that produced wine that was at first reticent. With age this vintage proved to be perhaps the best of the decade for most producers.
- Among all the wines you made in Oregon since the beginning, can you share a few of your most favorite vintages and particular wines?
KW: 1990 was the best vintage I have seen in Oregon. An unusual year in that it was amazing for so many regions in the world, Germany, Italy, Champagne, Burgundy and more.
- Do you export your wines outside of the US? If yes, what are your top export destinations?
KW: We export to all provinces of Canada, Sweden, Switzerland, Denmark, France, Italy, Japan, China, Singapore, Hong Kong, Puerto Rico, the Bahamas, South Korea and of course Luxembourg.
- Today, Oregon wines are well known and well recognized by the wine lovers. What is ahead for the Oregon wines? What are the latest trends and new directions for the Oregon wines?
KW: We will always hang our hat on Pinot noir because we truly have a world treasure with this variety. As world markets emerge we will find a place at the table in each of these markets.
- You have a very extensive list of charities you support. How do you go about deciding which charities you are going to support?
KW: Karen and I normally choose to support local charities that keep our immediate area healthy. We have hosted Flavors of Carlton for 15 years which is by far the most impactful event that keeps the pre school, after school, summer work experiences, 12 sports programs and more financially sound. We are founding sponsors of Salud, started in 1992, which is a combined effort of Wineries, hospitals, clinics and Medical Teams International that has provided health care for vineyard workers. Karen and I were the initial 50K endowers of the local Community College program for their vineyard curriculum.
We partnered with the local FFA Alumnae, High School FFA teacher, YC Board, the curriculum writers from the local college and members of our AVA board to create a path for our local young people to get real world experience in growing grapes. We created a 1.5 acre vineyard on the high school property so they would have real world experience, not book knowledge.
Source: Ken Wright Cellars
We are done – and I hope you are still here, as there was a lot to read (and I thank you for that). Hope you found this interesting, and now have an increased desire to drink Ken Wright Cellars Pinot Noir (good luck with that unless you already have one in your cellar). I also believe that this was an excellent opening into our Stories of Passion and Pinot – you can clearly feel passion and pride in every word of Ken’s answers…
We will continue our series next week, so for now – cheers!
To be continued…
P.S. This post is a part of the “Stories of Passion and Pinot” series <- click the link for more stories.
Stories of Passion and Pinot
An important note: Stories of Passion and Pinot is a series that was started in 2016 and it keeps updating year after year with new stories. This post will serve as the starting page for the series and will be constantly updated as new stories are added…
It is easy to declare this grape a king. It is a lot more difficult to have people agree to and support such a designation. And here I am, proclaiming Pinot Noir worthy of the kingship, despite the fact that this title is typically associated with Barolo (made from Nebbiolo grape) or Cabernet Sauvignon.
Barolo might be a king, why not – but its production is confined strictly to Italy, and can be considered minuscule in terms of volume. Cabernet Sauvignon is commanding attention everywhere – but I would argue that it is more because of the ease of appeal to the consumer and thus an opportunity to attach more dollar signs to the respective sticker. Don’t get me wrong – I love good Cabernet Sauvignon as much or more than anyone else, but having gone through so many lifeless editions, I developed a healthy dose of skepticism in relation to this noble grape.
Pinot Noir grapes. Source: Vidon Vineyard
Talking about Pinot Noir, I’m not afraid to again proclaim it a king. If anything, it is the king of passion. Hard to grow – finicky grape, subject to Mother Nature tantrums, prone to cloning, susceptible to grape diseases – and nevertheless passionately embraced by winemakers around the world refusing to grow anything else but this one single grape – a year in, year out.
Historically, Pinot Noir was associated with Burgundy – where the love of the capricious grape originated, and where all the old glory started. Slowly but surely, Pinot Noir spread out in the world, reaching the USA, New Zealand, Australia, Chile, and Argentina – and even Germany, Italy, Spain, Canada, and South Africa are included in this list. Looking at the USA, while the grape started in California, it then made it into Oregon, and now started showing along the East Coast, particularly in Hudson Valley.
I don’t know what makes winemakers so passionate about Pinot Noir. For one, it might be the grape’s affinity to terroir. Soil almost always shines through in Pinot Noir – it is no wonder that Burgundians treasure their soil like gold, not letting a single rock escape its place. While soil is a foundation of the Pinot Noir wines, the weather would actually define the vintage – Pinot Noir is not a grape easily amended in the winery. But when everything works, the pleasures of a good glass of Pinot might be simply unmatched.
However important, terroir alone can’t be “it”. Maybe some people are simply born to be Pinot Noir winemakers? Or maybe this finicky grape has some special magical powers? Same as you, I can’t answer this. But – maybe we shouldn’t guess and simply ask the winemakers?
Willamette Valley in Oregon is truly a special place when it comes to the Pinot Noir. Similar to the Burgundy, Pinot Noir is “it” – the main grape Oregon is known for. It is all in the terroir; the soil is equally precious, and the weather would make the vintage or break it. And passion runs very strong – many people who make Pinot Noir in Oregon are absolutely certain that Oregon is the only place, and Pinot Noir is the only grape. I’m telling you, it is one wicked grape we are talking about.
Aerial view of Oregon vineyards. Source: Youngberg Hill Vineyards
I see your raised eyebrow and mouse pointer heading towards that little “x”, as you are tired of all the Pinot Noir mysticism I’m trying to entangle you in. But let me ask for a few more minutes of your time – and not even today, but over the next few weeks.
You see, I was lucky enough to have a conversation (albeit virtual) with a few people who combined Pinot and Passion in Oregon, and can’t see it any other way. What you will hear might surprise you, or maybe it will excite you enough to crave a glass of Oregon Pinot Noir right this second, so before you hear from a pioneer, a farmer, a NASA scientist, and a few other passionate folks, do yourself a favor – make sure you have that Pinot bottle ready. Here are the people you will hear from:
- Ken Wright of Ken Wright Cellars
- David Nemarnik of Alloro Vineyard
- Mike Bayliss of Ghost Hill Cellars
- Wayne Bailey of Youngberg Hill Vineyards
- Steve Lutz of Lenné Estate
- Don Hagge of Vidon Vineyard
I would like to extend a special note of gratitude to Carl Giavanti of Carl Giavanti Consulting, a wine marketing and PR firm, who was very instrumental in making all these interviews possible.
As I publish the posts, I will link them forward (one of the pleasures and advantages of blogging), so at the end of the day, this will be a complete series of stories. And with this – raise a glass of Pinot Noir – and may the Passion be with you. Cheers!
2017 – 2020 Updates:
This Passion and Pinot Series continues to live on. Here is what had been added during these 4 years – and you should expect to see more stories as we continue talking with the winemakers who made Pinot Noir their passion:
- Page Knudsen of Knudsen Cellars
- Tony Rynders of Tendril Cellars
- Dave Specter of Bells Up Winery
- Richard Boyles of Iris Vineyards
- Tom Mortimer of Le Cadeau Vieyard
- Dan Warnshuis of Utopia Vineyard
2021 Updates:
2021 was a good year as I added one more “Passion and Pinot” interview and also met in person with a number of winemakers I only spoke with virtually before – and this resulted in Passion and Pinot Updates.
New interview:
Passion and Pinot Updates:
P.S. Here are the links to the websites for the wineries profiled in this series:
Alloro Vineyard
Battle Creek Cellars
Bells Up Winery
Ghost Hill Cellars
Iris Vineyards
Ken Wright Cellars
Knudsen Vineyards
Le Cadeau Vineyard
Lenné Estate
Tendril Cellars
Vidon Vineyard
Utopia Vineyard
Youngberg Hill Vineyards
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