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Stories of Passion and Pinot: Looking Back and Looking Forward 2023
What started from the little idea “yea, I don’t know, I don’t believe in it, but maybe I will try anyway” now became one of my favorite ongoing series in this blog – Stories of Passion and Pinot. Stories of Passion and Pinot are exactly what the title says – these are the stories of the winemakers passionate about one of the most finicky grapes there is – Pinot Noir.
It is a fun exercise to take a retrospective in the ongoing series and see how far I have gone from time to time. So here is the latest update – for me, and for you if you care to read it.
First, last year I created a new landing page for the whole series. This page is kept current, all new interviews are now added to this page and you always know when the page was updated last.
Four new stories were added since the last update: David Adelsheim of Adelsheim Vineyard, Shane Moore of Gran Moraine, Erik Kramer of Willakenzie Estate, and Bill Sanchez of Potter’s Vineyard. All of these are excellent, in-depth interviews – if you have not had a chance to read them yet, you really should do it now.
Interviews in the series have questions tailored to the individual wineries and winemakers with a little overlap between them. However, sometimes it is fun to ask people the same question and enjoy the diversity of the replies. I asked the same two questions to some of the winemakers who had been already profiled in this series – and now I want to share our short Q&A with you.
Sara Specter of Bells Up Winery, Bill Sanchez of Potter’s Vineyard, and Wayne Bailey of Youngberg Hill have graciously agreed to answer my questions, so below you can see my questions – and their answers:
[TaV]: How was the year 2022 for you? New grapes, new plantings, new wines, vineyard discoveries (a new plot/block, for example), new winemaking styles, new wine club, new tasting room, new markets, growing season and the vintage – please share anything and everything you are willing to with our readers.
[Bells Up Winery]: Harvest 2022 was our 10th under the Bells Up label, having moved to Newberg, Oregon in 2012 and making our first vintage in 2013. Harvest 2022 was also what we’ve been calling “the end of the beginning.” It was the first year we were “100% Pinot Independent,” meaning we didn’t source Pinot Noir from any other grower for the first time. It was a wonderful experience working with other micro-site growers who were very much like us. But our goal has always been to be as close to 100% estate as possible, and now we are… at least for the Pinot Noir. We were also delighted to see that the Pinot Blanc we planted in Fall 2021 and the Schioppettino we planted in Fall 2020 continued to do well, despite some initial concern from the late frost we had in April.
[Potter’s Vineyard]: 2022 was good but tough. It was tough due to the spring frost that wiped out 80% of the primary buds in our vineyard. The cool, wet spring led to a late start to bloom and fruit set. We literally did not know if we would have only a tiny harvest or something close to normal until late in the season, which led to a lot of turmoil. We decided to stay the course and farm it normally assuming that we would have something and of course take care of the vines for the following year. Amazingly, the vines rebounded and we ended up with about 70% of our normal yield. And because we farmed and sprayed diligently we did not suffer from the very high amount of powdery mildew that descended upon the Northern Willamette Valley that year. It was also a year where we added some new effective organic compounds to our organic farming spray program that probably helped fend off powdery mildew. The Pinot noir fruit was beautiful but we had much less of it. 2022 was also a pivotal year for us in our business. We bottled our 10th vintage and pondered all year what we would do for the next 10 years. We’ve made good wine but we decided to try to make better wine as our goal. We hired a Burgundy trained winery consultant with 35+ years experience. Combined with our 15+ years we now had over 50 years of combined experience to gain from. We fine tuned every protocol we had in place and added a lot of additional analyses to our tool box. We also added a new barrel-side wine analysis device to help us get more analyses done more efficiently and timely. This helped us get through a tough set of late fermentations of our other varietals that ripened later than normal due to cool spring throughout the NW. So for us it was a long, tough, and educational year but successful due to our added help and resources.
[Youngberg Hill]: Great growing season. Great balance and complexity in the fruit. A more typical season for the Willamette Valley, later wet spring, cool September and October harvest.
[TaV]: What are your plans for 2023? What do you think the future holds?
[Bells Up Winery]: In 2023 we hope to get enough fruit from the Schioppettino to make a proof-of-concept batch. We will also be releasing our very first bottling of bubbles. The 2022 crop of Seyval Blanc from our estate (first planting in the Willamette Valley of this French hybrid and only the second in the state of Oregon) will be released in a brut style under a new label, “Joy.” In keeping with our practice of naming wines after pieces of music that have terrific French Horn parts, this one is named for Ludwig van Beethoven’s Symphony No. 9 in D Minor, “Ode to Joy.”
[Potter’s Vineyard]: We plan to continue with this new approach to taste the ‘fruits of our labor’ and continue improving as much as we can. We know the future will be tough with another global recession looming, however, we will continue to work hard to provide wine lovers a small vineyard & clay art gallery experience and premium wine.
[Youngberg Hill]: We will get our first fruit from the new Wayne’s World block this year, clones 667 and 115. Regarding what the future holds – who knows?
It is so interesting to see different takes on the vintage, the conditions, etc – and of course the future plans. It will also make it fun to ask the exact same questions next year.
There is a number of new interview ideas in the works, so as they like to say it – watch this space…
Stories of Passion and Pinot: Bill Sanchez of Potter’s Vineyard
Bill and Sandy Sanchez. Source: Potter’s Vineyard
Wine is art.
More often than not, the connection goes beyond that simple statement. Have you visited wineries that are housed in beautifully designed buildings, or offer various pieces of art – paintings, sculptures – for everyone’s viewing enjoyment? Wine is a form of art, made by artists, and it thrives surrounded by art in a multitude of shapes and forms.
Bill Sanchez extended his 30+ years of PhD experience in nutritional science and 15 years as a professional Potter to the art of winemaking when he and his wife Sandy bought 3.5 acres estate winery in Laurelwood District AVA in Oregon from Laura Volkman in September of 2012. He had to learn 1,000 steps of making great Oregon Pinot Noir from Laura, who planted the vineyard in 2001. Guided by this knowledge, love of art, and utmost respect for one of the most famous artists of all time, Michelangelo, Bill and Sandy operate their winery with a full commitment to “staying small”.
Organic, LIVE and Salmon Safe certified winery, Potter’s Vineyard produces about 1,000 cases annually, supplementing estate Pinot Noir with Chardonnay, Cabernet, Merlot, Sangiovese, and Syrah coming from single vineyard estates in Washington. Connecting visitors to art, the winery also offers a full exhibit of handcrafted Clay Art.
I had an opportunity to sit down (yes, virtually) with Bill Sanchez and ask him a few questions about his passion for Pinot and art. Here is what transpired in our conversation:
[TaV]: What is Vino Vasai Wines and how it is different from Potter’s Vineyard wines?
[BillS]: There’s a back story on Vino Vasai, which means Wine of The Potter. We used it when a large company said ‘they would oppose’ our trademark for Potter’s Vineyard. Vino Vasai is the wine brand, and Potter’s Vineyard is the name of our company and Estate Vineyard.
Source: Potter’s Vineyard
[TaV]: You worked for 35 years in nutritional science field. How does this experience affect your work in the vineyard and the winery?
[BillS]: That experience has focused my work on the vineyard where I am taking a ‘nutritional health’ approach to our farming. We practice organic farming and use natural ‘nutritional compounds’ to improve the health of the vineyard. We are gathering clinical data that shows this helps to prevent major pests like powdery mildew.
[TaV]: I read in your story that you learned 1,000 steps of making great Oregon Pinot. Can you please tell me what step 367 is all about? 🙂 just kidding 🙂 but seriously, what are these 1,000 steps all about?
[BillS]: When you break everything down there is probably many, many starting with 30 passes in the vineyard (that starts in January by the way), and many more steps involved in growing quality fruit (pruning, tying down, flailing, rubbing buds, trellising, mowing, spraying, hedging, etc. Then, when you add all the steps after harvest you get many, many more – I know I exaggerated it at 1,000 but someday I will add them all up and I know I will be closer to 1,000 than 100!
[TaV]: Especially because of your extensive scientific background, I have to ask you the same question I like to ask many winemakers – Biodynamics. What do you think of biodynamics? Would you ever implement it at your winery?
[BillS]: I’m very intrigued, but I don’t understand it yet, especially the ‘cosmos’ connection. I understand Organic much better and am excited to see the increasing amount of quality science that demonstrates not only that Organic farming works, but that it is healthier for the entire farm.
[TaV]: Pottery seems to be your other passion besides wine. Today, amphorae are popular vessels among winemakers to work with their wines (fermentation, aging, etc.). Do you use amphorae at your winery? As a potter, would you attempt to simply make one for this purpose?
[BillS]: Again, I’m very intrigued by amphorae but I haven’t yet found them to deliver higher quality wines compared to oak barrels. This is especially true for reds and chardonnay, which are my primary focus. I have tried some delicious crisp whites from amphorae, but I am not working with those varietals (yet)! I would rather buy Amphorae from my neighbor, fellow potter and winemaker, Andrew Beckham than attempt to make one myself (especially at the size needed to make enough wine for a club pickup).
[TaV]: I understand that you and your wife are big fans of Michelangelo and his work. How does Michelangelo’s work inspire you in your daily dealings at the vineyard and the winery?
[BillS]: I like the fact that Michelangelo was so diverse in his work (sculpture, painter, and architect) and I think we all aspire to be like him, not only one of greatest in his time but one of the greatest of all time!
Source: Potter’s Vineyard
[TaV]: You stated that Potter’s Vineyards is dedicated to staying small. How difficult it is keep that resolution and to stay small?
[BllS]: It’s most difficult financially, but because my wife and I did not plan on needing the income into our retirement years, we are happy to break even and live and work with less stress.
[TaV]: How does this decision affect your daily work?
[BillS]: It is very rewarding to have something we enjoy very much that keeps us busy every day and provides a product that enriches people’s lives, especially in creating a pleasurable memory they can share with family and friends.
[TaV]: Potter’s Vineyards is a certified sustainable winery. Can you talk about your approach to sustainability and why sustainability is important to you?
[BillS]: Our approach is to focus on the health of the entire farm. I like to think about the health of the soil (insects, microbes, organic matter), the vegetation diversity between the rows, the flowering plants surrounding the vineyard, the birds, the bees, the insects and of course the people who visit. I believe this approach will allow the farm to thrive for many years (if not forever).
[TaV]: You have two wine clubs, B club and M club. I understand that M stands for Michelangelo. What B stands for?
[BillS]: Botticelli (another great Italian artist)
[TaV]: In terms of distribution, what percentage of your wine is sold through the club and local visits?
[BillS]:Over 90%.
[TaV]: Are your wines available in retail or maybe the restaurants?
[BillS]: We don’t actively pursue distribution, but if local retailers request our wines, we make them available and support these local establishments. Our wines are currently available at Our Table Farm Store in Sherwood, OR., 503 Uncorked Wine Bar in Sherwood, OR., Old Town Bar & Grill in Newberg, OR., and Crushed & Crafted Wine Bar in Newport.
[TaV]: I see that you produce a Sangiovese wine. Sangiovese is largely atypical for an Oregon winery. Is that a nod to your Italian connection?
[BillS]: Yes, my wife Sandy actually.
[TaV]: How popular is this wine with your customers?
[BillS]: They love it and love the story where we discovered Sangiovese during our trip to Italy in 2011 and then bought our vineyard in 2012. Releasing a Sangiovese in our 10th year of business was truly a dream come true!
[TaV]: You already make a full line of Pinot Noir wines (sparkling, Rosé, white Pinot and of course the large range of Pinot wines themselves). You also make Cabernet Sauvignon, Merlot, Sangiovese. Do you plan to plant any new grape varieties or make new wines?
[BillS]: Someday we may offer a Sauvignon Blanc, but Sandy says that’s it after that!
[Tav]: Where do you see Potter Vineyard in 10 years? What would you like to accomplish during the next 10 years?
[BillS]: If my children take a serious interest, I would love for the business to grow enough to support their families into the next generation and beyond but if not, we will find someone to nurture it along just as Laura Volkman found us!
There you are, my friends – another story of Passion and Pinot, another story of wine and art.
I didn’t get a chance to try Bill’s wines yet, so please stay tuned for the update…
P.S. For more stories of Passion and Pinot please visit the series’ main page.
Stories of Passion and Pinot: Erik Kramer of WillaKenzie
Source: WillaKenzie Estate
The first LIVE Certified Sustainable winery in the Pacific Northwest, LIVE member 0001. Wines worthy of serving at the White House gala, state dinners, and even to the French President and British First lady. One of the first Direct to Consumer wine programs in Willamette valley. The list of accolades of the WillaKenzie Estate can go on and on.
Founded a little more than 30 years ago, WillaKenzie Estate takes its name from the eponymous sedimentary soils of Willamette Valley in Oregon where the winery is located. The name is also a tribute to the Willamette Valley’s two major rivers, the Willamette and McKenzie which are also displayed on the winery’s crest.
WilleKenzie Estate was founded in 1991 by Bernard and Ronni Lacroute who purchased 420 acres of farmland near the town of Yamhill, Oregon. Bernard and Ronni brought their Burgundian heritage to the newly planted vineyards, and with the help of another Frenchman, Laurent Montalieu, the first winemaker at WillaKanzie, produced its first vintage in 1995. The rest is history, as they say (if you are interested in more historical details, here is the link). In 2016, Lacroutes entrusted their legacy to the Jackson Family Wines.
In 2017, Erik Kramer became WillaKenzie’s third winemaker. I had an opportunity to sit down with Erik (yes, virtually), and ask him a few questions. Here is what transpired in our conversation:
[TaV]: Before making wines in Willamette Valley, you were working in New Zealand. New Zealand is also world-famous for its Pinot Noirs. How would you compare New Zealand and Oregon Pinot Noirs?
[EK]: That’s a broad question. With the Willamette Valley, we’re generally talking about one region with a few sub-appellations (e.g. Yamhill Carlton, Dundee Hills, etc.). When speaking about Pinot from the Willamette, it’s tough for me to do so without speaking about the climate, which moves between Mediterranean and Maritime. The result is a balanced expression of Pinot anchored in freshness and clarity of fruit. With New Zealand, there are quite a few different regions within the country where Pinot is being grown and each is a bit different. The region in New Zealand that often seems to garner the most attention is Central Otago, which has a climate that is much more continental than the Willamette Valley and it’s reflected in the wines that are grown there (dark, savory, and energetic). For me, the region in New Zealand that most resembles the Willamette Valley in terms of Pinot expression is Martinborough (complex Pinots with great energy and complexity). I believe Martinborough leans toward Mediterranean in terms of climate with similar levels of heat accumulation to the Willamette. It may just be a little drier on a year-round basis.
[TaV]: This conversation series is about “Passion for Pinot Noir”. What drives your passion for this grape commonly identified as a “finicky grape”?
[EK]: One of the things I love about Pinot is the level of complexity and cellaring potential it can offer in such a graceful and balanced package. It really can be the proverbial ‘iron fist in the velvet glove.’ One of my favorite Pinot memories dates to a conversation I had one evening at the home of a famous consulting oenologist named Andrea Paoletti. He’d consulted with many of the world’s best producers on viticulture, what to plant and where, clones, etc. We were sitting on his patio, overlooking his olive tree grove on a hillside just outside Chianti (it was a great evening!). I remember him saying to me over a glass of wine, “when Pinot Noir is good, I think it’s the best one.” He was speaking about the grape compared to all the others he’d worked with. That stuck with me, and I tend to agree.
[TaV]: It seems that you grow all the components of the sparkling wines (Chardonnay, Pinot Noir, even Pinot Meunier), and yet I don’t see a sparkling wine as part of WillaKenzie’s offerings. Will this change in the future, or do you have a particular reason not to produce Sparkling wines?
[EK]: Funny you ask this question! We tirage bottled our first WillaKenzie Estate Brut from the 2019 vintage in the summer of 2020 and have been bottling sparkling wines ever since then (made from the grapes you asked about). We just haven’t released anything yet. Our club members will be the first to get a glimpse of our first-ever Brut later this year.
[TaV]: Outside of the sparkling wines, any plans to plant new grapes? How about new types of wines, maybe Pinot Noir Blanco?
[EK]: On the new planting front, Chardonnay has become a much more important role player in our portfolio. We added about 4 acres of Chardonnay a few years ago and have an additional 3 acres planned for this spring (and more a few years down the road). We produce several terroir specific Pinot Noirs from several parts of the Estate and are moving in the same direction with Chardonnay (blanc and rouges from the same location). As far as new wines go, we bottled our first vintage of Tourdion (named after a 14th century Burgundian dance meant to signify a play on grape varieties). It’s a barrel fermented white blend that is made from Pinot Noir, Pinot Blanc, Pinot Gris and Pinot Meunier.
[TaV]: Today you make single vineyard wines. Any plans to produce “single block” wines?
[EK]: WillaKenzie Estate is a large, contiguous farm from which we produce several terroir specific wines that tell a story about the place. In essence, they are all single block wines from one Estate.
[TaV]: WillaKenzie was the first winery in Oregon to receive LIVE certification back in 2008. How do you see sustainability evolving at WillaKenzie today? Are there things you would like to change to further advance sustainability?
[EK]: Sustainability has always been an important part of the WillaKenzie identity. The farm has been managed sustainably since it was established in 1992. Maintaining a healthy, biologically diverse landscape is part of our holistic approach to land management. More recently, we established a bee colony on the Estate as well as experimented with different wildflower species. We also have several initiatives in place aimed at lowering our carbon footprint. We already have a solar array that provides between 40% and 50% of our power and we are looking at increasing the size of our array to provide up to 100% of our power. With that, we’re transitioning heavily to an all-electric model to move away from greenhouse gases and become more carbon neutral. We have a brand-new Ford F150 Lightning pickup truck that just rolled up last week. We already have one electric forklift and next year, we’ll replace the remaining gas-powered forklift with another electric unit. So yeah, we have a lot going on here.
[TaV]: Other than WKE, if you would have an opportunity to make wine at any winery in the world, what winery would you choose and why?
[EK]: This is a tough one. So many choices! I’ve already been very fortunate to work at some great places in and outside of the US. I guess if push comes to shove, I’d go with Ata Rangi in Martinborough, New Zealand right now. Those Pinots are so delicious, and I’ve not worked in Martinborough, but love the area. The bonus would be that I’d be able to visit my son on weekends (he’ll be studying at the University of Auckland for the next few years, which is only a few hours drive from there). Ask me again in 4 years and I’ll have a different answer. Probably something more obscure like living and working at Boutari in Santorini making delicious Asyrtiko and enjoying the view after work and on the weekend.
[TaV]: Where do you see yourself, and also WillaKenzie in 10 years?
[EK]: Me? I honestly don’t know and am not looking that far ahead right now, which is unusual since I’m a goal-oriented planner. Perhaps I’m still involved with WillaKenzie in some capacity? Perhaps I’m working on some exciting new wine project outside of the U.S.? Perhaps I’m teaching wine production or viticulture classes at some community college? As Eddie Vetter sings in the song ‘Release’ off Pearl Jam’s first album (Ten) – I’ll ride the wave where it takes me!
WillaKenzie in ten years? That’s easier. It’s regarded as one of the great estates of the Willamette Valley. The winery’s Estate Cuvee Pinot Noir and Chardonnay are on important wine lists around the country. Our club members have been enjoying WillaKenzie’s Brut and Blanc de Blanc in their club shipments. We are not just growing terroir specific Pinot Noirs from places on the Estate like Aliette and Emery, but also Chardonnays. Tourdion (that exciting white blend) is available nationally. The winery’s solar array now provides 100% of the Estate’s power supply. Our HVAC systems have been modified from LPG to electric. We have not just one bee colony, but several and our club members are taking WillaKenzie Estate honey home as gifts at club events. The list goes on and the future is very bright.
Okay, it is time to taste some wines:
2018 WillaKenzie Estate Chardonnay Yamhill-Carlton (13.8% ABV)
Straw pale
Apples, vanilla, a touch of honey, hint of fresh herbs
Granny Smith apple, tart lemon and lemon zest, good structure, crisp, good body, well integrated tannins on the finish
8, excellent by itself, but will work well with a range of dishes.
2019 WillaKenzie Estate Cuvée Pinot Noir Yamhill-Carlton (13.9% ABV)
Dark garnet
Cherries, sage, violets
Cherries, a hint of dark chocolate, cut-through, lip-smacking acidity supported by well-integrated tannins on the back end. Good structure, good balance. Succulent dark cherries on the medium+ finish.
8-/8, very nice.
Here you, my friends. Another story of passion for the finicky grape. When it’s good, it is really good. Until the next time – cheers!
P.S. For more stories of Passion and Pinot please visit the series’ main page.
Stories of Passion and Pinot: David Adelsheim
For those of us, eternal optimists and romanticists, who also happen to be wine lovers, wine always has a story. A glass of good wine always solicits an emotional response, and we truly believe that passion trumpets the world of wine. To create a wine that can move emotions, passion must be one of the key ingredients.
In the wine world, passion alone will not get you very far. It needs to be supported by hard labor. Unwavering resolve. Gumption and belief that you can not fail. Or so I learned by talking with winemakers in Oregon who made Pinot Noir their passion, growing it sometimes in places where nothing is supposed to grow. These conversations became the series that I called Stories of Passion and Pinot – in these stories you can see for yourself what that passion means.
Among winemakers, there are those who rightly deserve to be called pioneers. They come first, building the road that others can follow. David and Ginny Adelsheim were such pioneers, planting some of the first Pinot Noir vines in Willamette Valley in 1971, starting Adelsheim Vineyard, and never looking back. I had the pleasure of briefly meeting David about 10 years ago at a trade wine tasting in Connecticut and tasting some of his wines. A few months ago, Carl Giavanti helped me to actually have a conversation with David and ask him a few questions albeit virtually. David’s achievements over the 50 years and his role in promoting Oregon wines and bringing them to the world stage are nothing short of legendary and very hard to capture in a short interview format – but I believe it still will be well worth a few minutes of your time.
[TaV]: You learned a lot over the 50 years. If you would start the winery again, would you do something differently?
[DA]: Probably, I’d try to focus more attention on the quality of wines we produced and the fiscal stability of the winery. Or hire a winemaking consultant and a CFO, who could do those things, since my time is probably better spent helping the industry and selling wine.
[TaV]: Over the course of your winemaking career, what were your favorite vintages and why?
[DA]: I don’t really have favorite vintages because it was my job to be excited about every vintage. There are vintages, like 2021, where the weather cooperated, and the vineyard and winery logistics were easy. There are vintages, like 1983, 1988, 1990, 1999, 2005, 2012, and 2019, where the wines received great scores from the critics. There are vintages, like 1986, 1991, 1997, 2007, 2013, where the wines got so-so scores, but with time became glorious. There have been a couple of disastrous vintages like 1984 that, with time in bottle, became better than I would have expected. And then there are a few vintages, like 2003, 2006, 2009, and 2015, that ended up being very ripe.
[TaV]: Not to go too far on this tangent, but what is your opinion of biodynamic winemaking?
[DA]: Our vineyards are not biodynamically farmed, and our winery does not follow biodynamic principles. All our vineyards are LIVE-certified as is our winery. In addition, we use no herbicides in our vineyards.
Quarter Mile Lane Vineyard. Source: Adelsheim Vineyard
[TaV]: Adelsheim Vineyard farms about 200 acres in Chehalem Mountains AVA with a large variety of soil types and microclimates. Based on your experience, is this the time to think about establishing additional sub-AVAs?
[DA]: The 1979 regulations establishing the system of American Viticultural Areas is not rigorous enough. The word “wine” does not appear, no expertise is required to submit a petition, and there is no top-down guidance to ensure a logical, helpful system of AVAs. It is time to help everyone, from consumers to our own winemakers, understand the connection between where grapes come from and how a wine smells and tastes. In the Chehalem Mountains, we have undertaken a project to define distinct neighborhoods of wine, using a winemaker tasting panel working under the guidance of a researcher in Burgundy. If we are able to define such neighborhoods, just by tasting single vineyard wines, the wineries in the Chehalem Mountains area will have to decide whether to petition for additional nested, nested-AVAs (like Ribbon Ridge and Laurelwood District) or devise a better way to communicate with the public.
[TaV]: What are the oldest Adelsheim wines in the winery’s cellar?
[DA]: We have an extensive library that is supposed to contain examples of every wine we’ve ever produced, included from 1978, our first vintage.
[TaV]: How are they holding up?
[DA]: I haven’t tasted the 1978s in a pretty long time. The estate Pinot noir was served at our 40th anniversary in 2011. I was surprised that had held up. The whites – an estate Chardonnay and a WA Sémillon – are, of course, pretty oxidized but both still have fruit. And I bet that the two WA Merlots are pretty stunning – I can’t remember when I last tried one.
[TaV]: Over the last 4-5 years, significant efforts were made to protect the origins of Willamette Valley wines, such as the case against Copper Cane from California. How widespread is this problem, and what more needs to be done to better protect the Oregon wine industry?
[DA]: The Copper Cane case is getting resolved, I believe. But it illustrates that there are people, who would like to take advantage of the geographic brands we created – like Oregon and Willamette Valley. We saw a Chilean Pinot noir, bottled by a company with “Oregon” in their brand name. That’s illegal under TTB rules, but where’s the enforcement? Of course, I believe that the Willamette Valley AVA should have stricter rules – a 100% requirement to use the varietal name and 100% to use the Willamette Valley AVA or its nested AVAs. But proposing that to the 2019 legislature ended up splitting the industry so there’s little appetite for a second round any time soon.
[TaV]: Last year, the EU awarded Protected Geographical Indication status to Willamette Valley. Is that sufficient to protect the Oregon wine industry as a whole, or more needs to be done?
[DA]: We probably should figure out how to protect the name “Willamette Valley” in China and, perhaps, other parts of the world. Napa isn’t going through the work of protecting the names of their nested AVAs with the EU, so we probably don’t have to do that either.
Calkins Lane Vineyard. Source: Adelsheim Vineyard
[TaV]: Should Oregon also receive a PGI status?
[DA]: Probably, yes. But someone will need to volunteer to complete the incredibly long application and the revisions required. It took Harry Peterson-Nedry ten years to get the EU to grant Willamette Valley TGI status. The Oregon Wine Board should do that application. But probably doesn’t have the bandwidth.
[TaV]: You are often referred to as an ambassador of Oregon wines to the world. Are Oregon wines well recognized worldwide?
[DA]: Well, the top wines from the Willamette Valley (mostly Pinot noirs) are starting to be recognized in markets that can afford them. The problem is that they are being called “Oregon,” which leads to confusion of consumers. We need to stop using “Oregon” when we’re referring only to the wines of the Willamette Valley.
[TaV]: What are the main exporting countries for Willamette Valley Pinot noir?
[DA]: Number 1 is Canada, followed by the UK and Japan, followed by Sweden and Denmark. Other Asia markets (Korea, Singapore, Taiwan, the Philippines) are growing as are Caribbean markets. In the EU, there are countries that can afford WV PNs – Germany, France, Italy, Holland, Belgium in particular. But they continue to focus primarily on French, German, and Mediterranean wines.
[TaV]: What needs to be done to make Willamette Valley wines better known internationally?
[DA]: Education of the importers about our region and the brands available in the particular country. Once enough wineries have representation, then we can start educating the media and the trade. Finally, once the wines are available in stores and restaurants, with stories appearing in wine and lifestyle media, then we can start education consumers.
[TaV]: What are the main problems facing the Willamette Valley wine industry, now, and say, over the next 20 years?
[DA]: You mean besides global climates change, which threatens all of today’s top wine regions. Well, beyond that, we need to ensure that Oregonians are buying the State’s successful wineries, not just wine companies from outside the State and, often, outside the country. You can’t talk about Avis being the best rental car company if it’s owned by Hertz.
[TaV]: What would be your advice to the young winemakers who are just getting started?
[DA]: They don’t seem to need my advice. They have figured out the pathway to starting their own brand – start at the bottom, working for others. Buy grapes and rent space to make tiny amounts of amazing wine. Grow slowly, never making enough wine, always over-delivering on quality. Don’t borrow capital. Once they have a strong reputation and a successful brand, they can start thinking about their own vineyards, and way down the road, their own bricks-and-mortar winery.
[TaV]: If you could select just “one thing” you’d like to be remembered for, let’s call it your legacy trademark, what would that one thing be?
[DA]: Heck if I know; you pick one:
1973 – Worked with Bill Blosser, Dick Erath and others to map where grapes could be grown in Yamhill County, which led to the saving of YC hillsides for agriculture; and adoption of a similar approach in other counties
1973-1977 – Drafted the strict Oregon Labeling Regulations, lobbied the industry to support and the OLCC to adopt them
1974 – Realized the importance of PN & CH clones in Burgundy while an intern at the Lycée Viticole in Beaune
1974-1983 – Helped establish the clonal importation & evaluation programs at OSU
1975 – Coordinated the importation of clones from Alsace, including first Pinot blanc in the U.S.
1976 – Coordinated the importation of clones from ANTAV, including first Gamay noir in the U.S.
1977 – Participated in the effort to pass legislation to establish the TWRAB
1982 – Wrote petitions to establish the Willamette Valley and Umpqua Valley AVAs
1983-1993 – Led the discussion program at the Steamboat PN Conference each summer
1987 – Requested Raymond Bernard send clones of Chardonnay (incl 95) and Pinot noir (incl 667 and 777) to OSU
1987 – Helping Robert Drouhin find and buy land for DDO
1987/8 – Responsible for the Burgundians attending first and second IPNC
2000 – Cofounded OPC with Pat Dudley
2002 – Wrote the petition to establish the Chehalem Mountains AVA
2003 – Led the lobbying effort to change OWAB to OWB
2005 – Drafted extensive amendments to the labeling regulations
2005 – Helped lead the effort to rebuild the WVWA into one of the U.S.’s most important wine marketing organizations
2014 – Founded Chehalem Mountains Winegrowers
2015 – Proposed and led the creation of the first Chardonnay Technical Tasting that has elevated the style of WV Chardonnay
2015 – Leader in the effort to pass legislation to limit the number of non-sales-related events at wineries
2016 – Helped envision Willamette Valley: the Pinot Noir Auction
2019 – Leader in the lobbying effort for stricter regulations for varietal content and origin for WV wines, which failed
2020-202? – Envisioned and played a leadership role in the Neighborhoods Project for the region of the Ribbon Ridge, Laurelwood District and Chehalem Mountains AVAs
2021 – Conducted and edited the Founders’ Stories for Adelsheim’s 50th anniversary
2022/3 – Working with Josh Bergstöm on a technical winemaker event for Pinot noir
[TaV]: It seems that your motto is “never stop”, and for sure when it is necessary to advocate for and advance the Willamette Valley wine industry. What special Willamette Valley wine projects are you involved in now?
[DA]: I mentioned the Neighborhoods Project, focused on Pinot noirs from the Ribbon Ridge, Laurelwood District and the Chehalem Mountains AVAs back under question #5. I’m finishing up video interviews of the Founders of the first ten wineries in the Willamette Valley. Short versions are on our winery’s website (“Founders’ Stories.”) Videos of the entire interviews are in the Linfield University Wine History Archive. I’m working with other winemakers to create a way to come together and taste each other’s wines, so that the Pinot noirs of the Willamette Valley can evolve in a thoughtful way. Yeah, and the book… everyone says I need to write a book, and maybe I will.
Here you are – another addition to the Stories of Passion and Pinot. I hope you enjoyed this encounter with the winemaker’s passion and maybe even learned something new.
Until the next time…
P.S. For more stories of Passion and Pinot please visit the series’ main page.
One on One with Winemaker – Maya Hood White of Early Mountain Vineyards, Virginia
Source: Virginia.org.
Virginia Is For Lovers.
This simple slogan, coined in 1969, became the foundation of one of the best marketing campaigns of all time. It is simple, it gets stuck in your head and once you hear “Virginia” the image of a red heart with the words “Virginia is for Lovers” automatically pops up in your mind.
Virginia is for lovers, but what many people might not realize, Virginia is for Wine Lovers. Virginia is probably the oldest wine-producing state in the USA, where Thomas Jefferson planted vineyards in the last quarter of the 17th Century, way before any wineries were established in New York and California. Virginia’s climate is one of the closest to Bordeaux out of all wine-producing states in the USA. But if you don’t live in Virginia or close by, you might not even know that Virginia produces world-class wines. But Virginia actually does, and we need to rectify this gap in your knowledge, one winery at a time.
Early Mountain is a relatively young winery, founded only 10 years ago, in 2012. However, it was founded by Steve and Jean Case – founders of AOL, the legendary early days Internet provider for millions of Americans. Early Mountain was founded with the vision and mission of representing and promoting the Virginia wine industry. In the Early Mountain tasting room, you can order Best of Virginia wine flights and taste the wines from the 10 vineyards around Virginia – of course, in addition to the full range of wines Early Mountain produces.
The original Early Mountain vineyard which gives the name to the winery was planted in 2006; the Quaker Run vineyard, the second major holding of Early Mountain was planted in 1999. Early Mountain farms about 350 acres of land, out of which 55 are planted under vines. The estate-produced fruit is also complemented by the fruit coming from the local Virginia growers, in an approximately 50/50 ratio.
I had an opportunity to speak with Maya Hood White, Early Mountain’s winemaker over a zoom session, and taste Early Mountain wines. As this was a live interview, below you will find pretty much a transcript of our conversation, not a detailed account that I manage to provide using an email interview format. I still hope you will get enough information, and most importantly, will be curious enough to go and find Early Mountain wines.
Why Early Mountain?
– The name relates to John Early, a historical figure who lived in Virginia in the second half of the 17th century. There is also a historic building on the property that relates to John Early.
What are those curved lines on your wine label?
– It is a topographic map. The lines represent the true topography of the land surrounding the winery.
What does the logo mean?
– These are letters E and M 🙂 (my reaction – duh…)
What is the meaning of the pointer arrow?
– Again, it is a map attribute, a locational arrow.
At this point, we poured our first glass, 2021 Early Mountain Rosé Virginia (11.3% ABV, $26, 72% Merlot, 10% Malbec, 9% Cabernet Franc, 6% Cabernet Franc, 3% Syrah) – Early Mountain site fruit is used to produce this wine. Grapes for Rosé are harvested earlier than the grapes for the red wines. Depending on the year some grapes are co-fermented. Mostly stainless steel but some Acacia barrels were used as well. The wine was beautiful, salmon pink color, leading with strawberries, cranberries, and cleansing acidity. Very present, balanced, and refreshing.
Speaking with the winemaker always offers us, mere mortal oenophiles, a chance to geek out and learn. When you hear about clones, the first thought is always Pinot Noir, maybe a Chardonnay. Maya works with clones of Sauvignon Blanc, and those clones produce dramatically different wines. She also works a lot with and was speaking fondly of Petite Manseng, the grape best known in Southwest France. Petite Manseng is producing excellent wines in Virginia, and it makes one of the flagship wines at Early Mountain. Petite Manseng grapes grow in such tight clusters that Maya prefers to harvest them after the rain, it helps to process the grapes better.
I asked Maya about Viognier, which is considered to be a star in Virginia. First, I learned an interesting fact from her: Viognier looks like a white grape version of Syrah – the same format of clusters, the same shape of leaves – I guess it is not surprising that Viognier is often used in winemaking to play together with Syrah. It appears that Viognier was growing before at Early Mountain, and it was pulled out and replaced – Viognier is a problematic grape that ripens irregularly and sometimes doesn’t ripen at all. It is definitely preferred to work with more reliable grapes.
We continued our tasting with 2021 Early Mountain Five Forks Virginia (12.9% ABV, $27, Petit Manseng 59%, Sauvignon Blanc 38%, Malvasia Blanca 2%, Muscat 1%) – rich and inviting white fruit nose, followed by a crisp, clean, playful bouquet on the palate. I loved the plumpness, roundness of the wine, reminding me of my favorite Roussanne bottles. The wine was perfect cold, and it was very tasty at room temperature – this is my standard hallmark test of good white wine – good white wine is delicious cold or not.
And then there was time to ask more questions:
What is your winemaking philosophy?
– Maya oversees grape growing as well as production. Listening to the vineyard – not set on what should be produced from the specific lot. Sites are closely watched for what they can do best – vines can be pulled and replaced.
What does the line of Young Wines represent?
– Approachable, low-intervention, fruit is sourced from the growers in the Shenandoah Valley. Wines are often made using a whole cluster approach. Also, the wines in the Young Wines line appeal more to younger wine drinkers.
Where do you stand on sustainability/organic?
– The low-touch approach, use biodynamic teas, certain blocks are processed only in an “organic” way. The holistic approach to the overall vine growing – over cropping, etc. low touch is a key.
What is your take on biodynamics?
– There is a lot to learn. Compost teas, herbal teas, oak bark – many things work, but the approach is more “what makes sense” than religious.
What winemaking vessels do you use? Oak barrels, amphorae, concrete tanks, stainless steel?
– I gravitate towards bigger casks; we have concrete egg, which is used primarily for whites. We also work with Northern European oak, Acacia wood
Next, we had two Cabernet Franc wines. Cabernet Franc is one of my favorite grapes and a staple of Virginia winemaking, so I was definitely looking forward to trying the wines.
We started with 2020 Early Mountain Cabernet Franc Shenandoah Valley Virginia (13.3% ABV, $30) – pulled from different sites in Shenandoah Valley. Uses larger size barrels, 500 liters or larger, Northern European oak barrels. 2020 was a rainy vintage, and the wine was rather on the mellow side. When I tried the wine during our zoom session, I was not terribly impressed. While the wine had all the traits of Cabernet Franc – cassis, bell pepper – it was a bit underwhelming. The next day, the wine really came around offering a lot more depth and structure.
My second Cabernet Franc was supposed to be a 2019 Cabernet Franc Quaker Run Vineyard, which Maya was absolutely raving about, defining the 2019 vintage as an epiphany. However, the bottle I got was the 2018 Early Mountain Cabernet Franc Quaker Run Vineyard Virginia (12.5% ABV, $45). 2018 was a very challenging vintage – too much rain, even the road was washed away. I never thought of Cabernet Franc in terms of clones, but it appears that this wine was composed of 2 different clones with different aromatics. Despite the vintage challenges (or maybe thanks to? :)) the wine was superb from the getgo – a good amount of dark fruit, good structure, cassis, eucalyptus, herbal underpinning – this Cabernet Franc was more expressive than a typical Chinon or Saumur, but less fruity than a typical west coast Cabernet Franc. Delicious.
Another interesting note from Maya – there is completely anecdotal evidence that in Virginia, even vintages are lean, and odd vintages give you bigger wines. I will need to pay attention next time I will be drinking Virginia wine, to see if this observation would hold true.
And a few more questions to complete our conversation.
How is the harvest in 2022? What to expect?
– Ha! Harvest is still ongoing, 10 days to 2 weeks later than last year, and some of the white grapes are still on the vine. Rain showers got in the way. Reds have another month. Hard to tell yet. There was a got fruit set, some fruit was dropped, so it is too early to tell.
What’s ahead? Single block wines? New varieties?
– New hybrids are coming from Italy – Merlot Kanthus, Sauvignon Rytos, VCR Tocai, The new grapes will account for about 1%. Will be planted in 2023. These new hybrids are important as they are disease resistant, and with grape diseases, the question is not if, but when. There will be also a new wine made from Petite Manseng which was planted instead of Cabernet Sauvignon.
That concluded our conversation with Maya, the time flew by very quickly.
If you are familiar with Virginia wines already, the Early Mountain can offer an excellent refresher course. And if you are not – what are you waiting for? Virginia wine has lots to offer, start your journey already.
One on One With Winemaker: Lucio Salamini of Luretta
If you call yourself a wine lover, you definitely have an affinity for Italian wine. I have yet to meet a wine lover who doesn’t like Italian wine – there is such a range of wines coming from Italy, everyone can find at least something which speaks to their heart and palate.
By the same token, I’m sure that the knowledge of Italian wines is quite widespread among the wine-loving public. So let’s play a simple game. There are 20 administrative regions in Italy. I will give you the name of the region, and you will tell me one, the most famous wine associated with that region. Let’s start with Tuscany – what wine do you associate with Tuscany? Of course, you are correct, it is more than one – Chianti, Brunello, super-Tuscan. How about Piedmont? You are right again – Barolo and Barbaresco come to mind first. Veneto? Yes, correct – Valpolicella, and if you said Amarone, you get an extra point (I’m a sucker for a good Amarone).
Now, how about Emilia-Romagna? Are you drawing a blank? I can help you – a large region in northern-central Italy, right above Tuscany? Still nothing? If someone said “Lambrusco”, congratulations, it is actually the most famous wine coming out of Emilia-Romagna, but it is absolutely not the only one.
The winemaking region of Colli Piacentini is located in the western part of Emilia-Romagna, with winemaking history in Colli Piacentini going back to 2000 B.C. Colli Piacentini DOC covers about 9,000 acres of vineyards with various microclimates defined by mountains, hills, and river valleys. There are 16 DOCs within Colli Piacentini, with grape varieties ranging from the typical Italian varieties such as Barbera, Croatina, Malvasia, and Trebbiano to the international stars – Cabernet Sauvignon, Sauvignon Blanc, and others. It is interesting that Colli Piacentini DOC rules allow putting the name of some of the grape varieties on the front label, quite unusual for the old world.
After spending some time in France and learning local agricultural traditions, Felice Salamini, a cattle breeder, came across the Castle of Momeliano, a fortress almost 1,000 years old, nestling in the hills of Emilian valley. This seemed to be an ideal place to grow grapes, make, and age wines, and in 1988 Luretta was born.
Luretta vineyards occupy 123 acres, surrounding Castle of Momeliano on the hill from 800 to 1,650 feet elevation. From the beginning, Luretta started using organic viticulture, with no herbicides, no synthetic fertilizers, and no irrigation. In 2000, Lureta obtained Italian certification for sustainable practices. Many of the French varieties – Cabernet Sauvignon, Merlot, Petitte Verdot, Pinot Noir – are growing there among the indigenous varieties – Barbera, Malvasia, Trebbiano, and many others.
Lucio Salamini. Source: Luretta
Lucio Salamini, the second-generation owner of Luretta, is now leading the charge at the winery, working together with winemaker Alberto Faggiani, the longtime enologist at Jermann, overseeing the annual production of about 300,000 bottles. Each white, red, and sparkling wine produced by Luretta has its own unique story, showcasing the diversity of Colli Piacenti terroir. I had an opportunity to virtually sit down with Lucio and ask him a few questions – here what transpired in our conversation:
[TaV]: Let’s start with your website, which I find very interesting. Each wine has its own set of images associated with it on the website – how do you come up with those images?
[LS]: We really enjoy creating personalized and evocative image for the company. Usually we draft drawings that can create mental associations to get closer to the wine, that recalls its history, flavors, and characteristics, and then we embed them in our labels and throughout the website. We have always been believers of ‘mental’ pairings, so to create a match not just between a wine and a dish, but also a song, a climate, a mood, a season, a moment in the day or a moment in life. These drawings are vehicle for those impalpable connections.
[TaV]: One more question related to the same subject. Each wine also has a quote associated with that specific wine. How do you come up with those? What is the message you are trying to convey?
[LS]: It is a quote I like from a song, a book or a movie. These mental associations help me get deeply into the mood of that specific wine.
[TaV]: You have been farming organically since 2000. Have you ever considered biodynamic farming? What is your take overall on biodynamics?
[LS]: The company has been organic since almost the beginning of its practice, since the early 1990s. Then in 2011, Europe introduced the regulation of Organic Wine and we aligned to sustainable practices also for what concerns the processes in the cellar. However, we do not follow the Steiner philosophy of biodynamic agriculture. I do not often approve it but admire it as a whole concept and I think that this movement is too often carried followed in a superficial way that does not deserve. Biodynamic farming is a way of cultivating the land and making wine aimed to preserve nature and what people drink. It is an all-embracing philosophy and, as such, it should concern the whole lifestyle of the producer and his vision of the world. In this light, for me is not coherent to ship the wine on a boat or a plane to sell it on the other side of the world. But maybe let’s leave this controversy alone!
[TaV]: You have quite an international selection of the grapes – Pinot Noir, Sauvignon Blanc, Cabernet Sauvignon, etc. What made you plant international varieties in the first place? Do you find your terroir particularly conducive to the international varieties?
[LS]: We were pioneers in this area of Piacenza. We had to experiment first in order to understand better. Thus, planting International varieties was a part of a whole pioneristic phase that informed our practice since the beginning. Often, but not always, this has proved us right. Indeed, it is an area that is well suited to international vines as well as, of course, traditional vines.
Besides the drive to try and experiment, we also have a pure deep passion for international varieties.
[TaV]: In a blind tasting, if your Cabernet Sauvignon would be placed together with super-Tuscan, which wine do you think might win?
[LS]: In the autumn of 2021, there was this tasting by the famous critic Daniele Cernilli ( Dr. Wine ) where my cabernet came out very well, despite costing on average a third of the other bottles. And I was very proud of that, of course! In general, though, I believe that parallel tastings should not be done to see who wins but rather to understand and enjoy the differences between the various territories.
[TaV]: The same question as before, but let’s replace super-Tuscan with Napa Valley Cabernet Sauvignon – how do you think your wine would fare against those?
[LS]: I would say that whether the super Tuscans and Napa wines focus on food, power, softness and low acidity, my wine has more tertiary hints of evolution such as spices, aromatic woods, pepper, balsamic, and then, instead of looking for softness, it pushes towards a tannic acid balance in the mouth, underlining the sapid and mineral notes of Colli Piacentini, our soils.
[TaV]: Do you have any plans for additional international varieties – Syrah, for example?
[LS]: I have experimented over the years with plantings of Syrah, Grenache, Cabernet Franc and Petit Verdot. But they have not been successful. And the vineyards were either grubbed up or replanted, proving that not all varieties can adapt to these soils.
[TaV]: You are farming 123 acres of estate vineyards. Have you identified vineyard plots that perform better/different from the others? Do you have any plans for single-plot wines in the future?
[LS]: The map of the single vineyards with names, varieties, altitudes and soil differences will be ready in September. It is a project we have been working on since January. Broadly speaking, we have the autochthonous vines planted up to an altitude of 820 ft above sea level, characterized by the “Terre rosse antiche” (old red soils in English) soil, loaded with red clay.
The international vines, on the other hand, are planted in vineyards ranging from an altitude of 800 ft to 1400 ft above sea level, in the lands of lower Apennines, characterized by a greater concentration of limestone. Most of the vineyards are located within the small Val Luretta – which gives the name to the company- characterized by a temperate microclimate, protected from either spring frosts, summer heat waves and large concentrations of humidity thanks to a lucky flux of air that constantly blows in our lands.
Wine time!
I had an opportunity to taste 2 of Luretta’s wines.
2019 Luretta Boccadirossa Colli Piacentini DOC (13.5% ABV, $30, 100% Malvasia di Candia Aromatica) had beautiful golden color. A beautifully perfumed nose of wild flowers and tropical fruit was supported by the body which was plump and crisp at the same time, with white plums and lemon and a perfectly acidic finish. Overall, solid and delicious.
2018 Luretta Superiore Gutturnio DOC (14.5% ABV, $25, 50% Barbera, 40% Croatina, 9 months in wood) was as quintessential Italian as only the Italian wine can be. The nose of leather and cherries followed by the exquisite palate of sweet cherries, leather, and a hint of tobacco, layered, generous, earthy, and complex.
Here you are, my friends – unexpected, unconventional, and well worth seeking Italian wines, waiting to be discovered by wine lovers around the world. Cheers!
Stories and Passion and Pinot: Shane Moore of Gran Moraine
“Gran Moraine prides itself on producing experiential art in the form of Chardonnay, Pinot Noir and sparkling wines made to express the exquisite terroir of our Yamhill-Carlton Estate Vineyards.”
Experiential Art.
Not a bad way to introduce the winery, what do you think? Wine is art, all wine lovers can sign under such a statement, so “experiential art” sounds very near and dear to any wine lover’s heart.
Gran Moraine vineyard was planted in 2004 by Premier Pacific Vineyards in the Yamhill-Carlton district of Willamette Valley in Oregon, with 200 acres of hillside vines of Pinot Noir and Chardonnay. The vineyard took its name from moraines, glacial sediment left after the glacier movements in the last ice age. In 2013, the Gran Moraine Vineyard was acquired by Jackson Family and it is one of the 4 major properties owned by the Jackson Family in Oregon Willamette Valley.
I visited Gran Moraine last August and had an opportunity to taste a number of the wines and have a quick chat with the winemaker, Shane Moore. Then I followed up with the usual, virtual “conversation” and here is what transpired:
[TaV]: Was there a pivotal wine in your life?
{SM]: I’ve had plenty of wines that have possibly changed my life’s trajectory. However, I feel like the most pivotal wines in my existence have been those that seem to stop time. These wines provide my most fond wine moments and provide me with the most inspiration.
[TaV]: Is there a winemaker you would call your mentor? Someone you learned the most from as a winemaker?
[SM]: I think if I gave any specific shoutouts I’d be doing a disservice to so many of the amazingly talented and thoughtful winemakers I have had the pleasure to have worked with. Over my time I worked with and under at least 40 winemakers – I for sure learned a great deal from all of them. Another great group I both learned a lot and derived much inspiration from are the seasonal cellar workers we hire each year. With that I’m proud to say many have went on to become winemakers themselves.
[TaV]: Pinot Noir and Chardonnay wines are all about blocks and clones. How many clones of Pinot Noir and how many clones of Chardonnay do you grow? How many individual blocks do you identify for the Pinot Noir and Chardonnay?
[SM]: At the Gran Moraine Vineyard, there are 6 different clones of Pinot Noir and only 2 of Chardonnay. Every block is harvested and vinified separately. At any given time, there are around 100-120 different lots of wines. There are approximately 80 blocks – I don’t bring them all in – it’s too big of a vineyard for that – I bring in what I think of as around the top 30% of the acres.
[TaV]: Following up on the previous question – what is your approach to the blending of the final wines, both Pinot Noir and Chardonnay? Do you ever produce single block or single clone wines, and if you don’t do it now, do you have a plan to start producing such wines in the future?
[SM]: Blending final wines starts with having an abstract notion of the experience which you would like to have said “wine endue.” Then you purposely work within the parameters of the vineyard, the growing season and your production capabilities to craft something with that end goal in mind.
We will sometimes produce single clone or block wines when the wine is so profound that it would be a disservice to humanity to blend it away.
[TaV]: You already produce a few of the sparkling wines. What is your approach to harvesting the grapes for those wines – do you have specific plots which you designate for sparkling wines, or do you take an early pass through the vineyard prior to general harvest to get the grapes for the sparkling wine production?
[SM]: You know when you eat something so acidic that it makes your ears ring? I like to pick the fruit for sparkling wine when it’s just a little riper than that. We use specific blocks for the sparkling wine that are purposely farmed. Generally, these blocks are some of the most marginal sites on the vineyard; for example, north facing and heavier soils.
[TaV]: How much focus the sparkling wines program gets at Gran Moraine? Do you expect to produce more sparkling wines in the future, or you expect to stay at the level where you are at?
[SM]: Sparkling wine is currently about 15% of our production. I can see it growing some, it seems to be very popular.
[TaV]: Gran Moraine is a ~200 acres vineyard. If I understand it correctly, it is all planted with Pinot Noir and Chardonnay. Do you plan to plant any other grapes – Pinot Gris, for example, or will it stay strictly as it is right now?
[SM]: The suitable acres on the piece of land are pretty much planted out. I don’t think we’ll be grafting any of the Chardonnay or Pinot Noir over to anything else anytime soon.
[TaV]: When you make Gran Moraine Chardonnay, is there a specific style you are trying to achieve?
[SM]: I want the Chardonnay to have umami, electricity and tension. Of course, I also want it to be delicious.
[TaV]: Same question for the Gran Moraine Pinot Noir?
[SM]: With the Pinot I try to focus on it being beautiful and sleek creating power and complexity daftly by DJing with great music and surrounding it with happy people.
[TaV]: What are your favorite producers in Oregon? In the USA? In the world?
[SM]: Oregon: Adelsheim, Antica Terra, Antiquim Farm, Alexana, Belle Ponte, Brickhouse, Beaux Freres, Bethel Heights…..that’s just getting to the B’s! Too many really to mention – I’m always trading wine with people. I’m totally in love with Oregon wine.
USA: I’d have to go to CA and say some of my favorites there are Ridge, Drew, Papapietro Perry, Navarro, Hartford.
[TaV]: Is there a winemaker you would love to work with? A dream winemaker so to speak?
[SM]: Jean-Herve and Laurent Chiquet of Jacquesson. I hope they are listening. I’ve got ideas.
[TaV]: What’s ahead for Gran Moraine? Where do you see it in 10 years?
[SM]: We’ll probably be doing the same thing but hopefully with even more intention and weirder.
[TaV]: Is there a dream wine you always wanted to make? What would that be?
[SM]: A great New World Nebbiolo.
Here are the tasting notes for a few of the Gran Moraine wines I had an opportunity to taste during the visit:
Gran Moraine Brut Rosé Sparkling Wine Yamhill-Carlton (58% Pinot Noir, 41% Chardonnay, 6% Pinot Meunier)
Toasted notes on the nose
toasted bread, a touch of yeast, good acidity, crisp, clean
8, delicious
2018 Gran Moraine Chardonnay Yamhill-Carlton
A touch of honey notes, vanilla
Good acidity, good acidity, needs time
7+
2018 Gran Moraine Pinot Noir Estate
Brilliant fresh cherry notes, sage
Crisp, restrained, tart cherries and earthy notes, fresh tannins
7+
2017 Gran Moraine Upland Pinot Noir
Restrained nose, a touch of funk, cherries
Light palate, fresh, bright, cherries and cranberries
8-
Here you go, my friends. Another winery, another story of Passion and Pinot. Until the next time – cheers!
This post is a part of the Stories of Passion and Pinot series – click the link for more stories…
Passion and Pinot Updates: Bells Up Winery
And then we arrived at “micro-boutique, un-domaine” Bells Up Winery, our final stop of the Oregon wine country touring.
Out of 13 wineries profiled in the Stories of Passion and Pinot series, Bells Up is the youngest one, having been founded in 2013, with the first vineyard plantings of Pinot Noir going into the ground in 2014. Despite being a young winery, Dave (the winemaker) and Sara (the Boss) Specter have a clear vision as to where they are going with their distinctly un-domaine wine – if you are curious why I keep saying “un-domaine”, I would like to direct you to the (virtual) interview I did with Dave in 2019 – he explains the concept of un-domaine very well.
Everything is distinctly un-domaine (see, you need to read that interview) at Bells Up. The vineyard with a gentle slope, the winery right in the middle of the vineyard, a simple but elegantly appointed tasting room with lots of fresh flowers and beautiful views of the vineyards. Here you go – pictures, pictures, pictures:
After admiring all the views we proceeded with lunch and tasting. Our lunch was prepared by Sara and while it was somewhat of a simplistic summer chicken salad, the amazing part was that this salad perfectly paired with the majority of wines we tasted – if you ever tried pairing the salad with wine, you would have to agree that achieving great pairing is very far from easy.
As I mentioned, Dave and Sara have a clear vision of the future direction for Bells Up. While Bells Up estate vineyard will be mostly planted with Pinot Noir, and by 2022 Bells Up plans to be at 100% estate fruit for all Pinot Noir bottlings, they have a clear plan for making Bells Up unique and different – growing and producing Pinot Blanc instead of the more commonly available Pinot Gris; being first in Willamette Valley with Seyval Blanc plantings; planting (out of all grapes!) a little known Italian grape Scioppettino; already offering Syrah and adding Cabernet Sauvignon in the 2020 vintage. “Unique and different” is a good description, in my opinion.
Before we talk about wines I would like to mention that none of the wine names you will see below are random. All the names have connections to the classical music pieces under the same name, and every choice of the name has an explanation as to why the particular piece was selected to connect with a given wine. If you are interested, there is even a Spotify playlist that includes all of the relevant music pieces – you can find that list directly on the Bells Up Our Wines page.
We started our tasting with Pinot Blanc:
2020 Bells Up Rhapsody Pinot Blanc Willamette Valley ($32)
Great complexity, lemon, gunflint
Great acidity, lemon, clean, crisp, refreshing
Perfect pairing with summer chicken salad
8, Excellent
We almost had to beg Dave to let us Seyval Blanc which was practically sold out. As a curiously interesting fact, Seyval Blanc plantings had to be protected by the net, as it happened that birds loved the grapes too.
2020 Bells Up Helios Seyval Blanc Estate Chehalem Mountains AVA ($40)
Gunflint, minerality,
Clean fruit, Meyer lemon, good acidity, good creaminess
Great with summer chicken salad.
8
Next up was Pinot Noir Rosé, the first Pinot Noir wine entirely produced from the estate fruit:
2020 Bells Up Prelude Pinot Noir Rosé Estate Chehalem Mountains AVA ($28)
Strawberries, nice minerality
Strawberries, bigger body than Provence, good acidity, perfect balance.
8-
We followed up with the selection of Bells Up Pinot Noir wines:
2018 Bells Up Titan Pinot Noir Willamette Valley ($44)
Plums, violets, sandalwood
Crisp, clean, crunchy cranberry profile, a hint of cranberries, good acidity on the finish.
8-
2019 Bells Up Candide Pinot Noir Reserve Chehalem Mountains AVA ($54, 12 months in French oak)
Floral, nutmeg, warm spices
Cherries, cut through acidity, black pepper, perfect balance, delicious
8
2019 Bells Up Villanelle Pinot Noire Reserve Tonnelier Vineyard Yamhill-Carlton AVA ($58, 12 months in French oak, final vintage)
Blackberry/raspberry, Marionberry
Cassis leaves, light crunchy cherries, well-integrated tannins, good acidity on the finish, delicious.
8
2019 Bells Up Jupiter Estate Pinot Noir Chehalem Mountains AVA ($48, 12 months in French Oak)
Underbrush, summer forest, cherries, a touch of tobacco
Crunchy cherries, clean, fresh, delicious
8
While this is not a video, here is Dave talking about Bells Up wines:
Bells Up Syrah was served with an amazing seedless grape pie. As Sara explained, everyone gives wines as presents in Willamette Valley, but tasty grape pie is almost equivalent to the hard currency when exchanging gifts with neighbors. As I said, the pie was superb, and to think that sweet pie would pair with Walla Walla Syrah? I really wouldn’t – and I would be mistaken.
2019 Bells Up Firebird Syrah Summit View Vineyard Walla Walla Valley AVA ($52, 12 months in French oak)
Blueberries and blackberries on the nose
Berries all the way, nicely balanced
8, Amazing pairing with seedless grape pie with cardamom
Again, we almost had to twist Dave’s arm to let us taste the future release of Cabernet Sauvignon:
2020 Bells Up New World Cabernet Sauvignon Reserve Summit View Vineyard Walla Walla Valley AVA ($68, 12 months in French oak, barrel sample)
A hint of green bell pepper
Cassis, a hint of black pepper on the finish, good, round, smoky undertones.
8-
Here you have the summary of our “un-domaine” experience – an excellent set of wines and super-friendly hosts. If you will find yourself touring Willamette Valley, add Bells Up winery to your “must visit” list.
This is the last update in the Passion and Pinot series. For now, that is.
Until next time…
This post is a part of the Stories of Passion and Pinot series – click the link for more stories…
Passion and Pinot Updates: Utopia Vineyard
And then we arrived in Utopia.
When your destination is called Utopia Vineyard, poking some fun is irresistible, isn’t it?
Upon our arrival to Utopia Vineyard in Ribbon Ridge AVA, we were warmly greeted by Dan Warnshuis, proprietor and winemaker, who poured us a glass of Utopia Pinot Noir Blanc (yep, a white wine made out of Pinot Noir) and took us on the tour of the vineyard, glass in hand. After speaking with Dan virtually about a year ago, it was definitely a pleasure to shake hands and move from the virtual to the real world where things can be touched and smelled.
Utopia Vineyard looks different from Le Cadeau and Lenné – no fighting with the rocks here. Gentle slope elevation of only 20 feet from top to bottom makes it easier to tend for grapes. Utopia Vineyard is farmed using Sustainable Organic practices and was L.I.V.E. certified in 2008. Dan practices dry farming and uses cover crops every second row – in normal conditions though. Summer 2021 was so dry and hot that by the second week in August when we visited, all of the cover crops were removed so it will not compete with vines for access to water. The grapes looked perfectly healthy and beautiful despite the hot weather – you can see it for yourself in the pictures below.
I don’t know how the actual utopia should look like, but I find these vineyard views pretty compelling:
There are 12 clones of Pinot Noir growing at Utopia Vineyard – one of the wines we tasted was made out of all 12 clones. There are also 3 clones of Chardonnay growing there, planted in 2010. Talking about “fashionable wines”, Utopia Vineyard doesn’t produce sparkling wines, but Dan makes Pinot Noir Blanc, a white wine from the red grapes, which we tasted upon arrival, and also had the pleasure of tasting it directly from the barrel (all notes below).
In 2018, Dan acquired additional 35 acres of land not far from Utopia Vineyard’s original location. That parcel of land also had a 5,500 sq. ft building which by the time of our arrival 3 years after the acquisition was fully converted into a state-of-the-art winery. We stopped by the winery a few times during our visit, and what was the most mind-boggling to me was that Dan was pretty much operating everything at the winery just by himself – moving barrels, emptying tanks, and so on. His son-in-law comes to help during the harvest, but otherwise, Dan is a one-man operation.
This additional property also hosts a freshly constructed log cabin which is called exactly that – Utopia Vineyard Log Cabin, which offers beautiful accommodations and spectacular views:
We visited Utopia Vineyard over two evenings and had some delicious food and tasted through a substantial range of Utopia Vineyard wines. I also learned about an interesting berry I never heard of before – Marionberry, which is a type of blackberry, which we tasted in the form of delicious pie – I wish this is something I can find here on the East coast. Marionberry takes its name from Marion County in Oregon, where it was selected in 1956 as a cross between Chehalem and Olallie blackberries.
Time to talk about wines – here are my notes:
2018 Utopia Bliss Pinot Noir Blanc Ribbon Ridge AVA ($45)
The nose of the buckwheat, yellow plums
Plums on the palate, good balance, good acidity, asks for food
8-
2015 Utopia Vineyard Chardonnay Estate Ribbon Ridge AVA ($45)
Nice, delicate, a hint of vanilla
A touch of vanilla, Golden delicious apples, good acidity
7+/8-
I mentioned before that we had an opportunity to taste some wines directly from the barrel.
2020 Chardonnay was outstanding, fresh apples and lemon, clean acidity, perfectly clean, vibrant, and balanced. If I would have an opportunity, I would drink this wine just like that.
2020 Pinot Noir Blanc from the barrel was even more exciting – a touch of toasted bread, a touch of fresh fruit, perfect minerality, vibrant, clean, full of energy. Again, I would love to drink this wine just like that.
2015 Utopia Vineyard Estate Pinot Noir Ribbon Ridge AVA ($55) – all 12 clones are used
Plums, cherries, a touch of iodine
Clean, crisp, plums, cherries and cranberries, good acidity
8, excellent
2014 Utopia Vineyard Estate Pinot Noir Ribbon Ridge AVA ($55)
A touch of sapidity, mushrooms,
Plums, round, soft, clean
8-
2013 Utopia Vineyard Estate Pinot Noir Ribbon Ridge AVA ($55)
Mushrooms, forest floor, underbrush
Earthy, restrained, plums, clean, round
8-
2017 Utopia Vineyard Estate Pinot Noir Ribbon Ridge AVA ($48)
Sweet plums, violets
Raspberries, red berries, round.
7+
2015 Utopia Vineyard Pinot Noir Clone 777 Estate Reserve Ribbon Ridge AVA ($65)
Violets, sweet plums, iodine
7+
2016 Utopia Paradise Pinot Noir Estate Reserve Ribbon Ridge AVA ($75)
Original 2002 plantings.
Mushrooms, underbrush, violets
Clean, ripe cherries, pepper, medium body,
8, excellent
I was also excited to try a late harvest Riesling which was absolutely delicious:
2016 Utopia Late Harvest Riesling Chateau Bianca Vineyard Willamette Valley AVA ($40)
Beautiful apricots, a touch of honey, clean acidity, good balance. Delicious.
8
Talking to Dan we learned that 99 percent of the sales at the winery are direct to consumers, via the wine club and visitors. Dan also has a few customers who like to take his wines as a private label. Dan is very much involved with philanthropy, supporting the Oregon Museum of Science and Industry, The Hampton Opera center in Portland, OR, making wine donations, offering cabin stays, and more.
Utopia Vineyard offers something for everyone – if you will find yourself visiting Portland, you might want to take a 30 minutes trip southwest of Portland and find your utopia there. Or better yet, just stay in the cabin – everything else might be optional.
This post is a part of the Stories of Passion and Pinot series – click the link for more stories…
Passion and Pinot Updates: Le Cadeau Vineyard
Five years ago, I started a new project in this blog called Stories of Passion and Pinot. The goal of the project was to interview winemakers in Oregon, who passionately went on to grow Pinot Noir and make wines often in conditions that many others would find impossible and untenable. All the way until August of 2021 my interviews were all virtual – I would read about the winery, come with the questions, get the answers, and then publish those conversations in this blog (you can find them using the top menu).
This year I attended Wine Media Conference 2021 which conveniently took place in Eugene, Oregon. After the conference was over, we drove with Carl Giavanti to meet some of the winemakers face to face – and now I can offer you updates, mostly in pictures, lots of pictures, and tasting notes for the wines I had an opportunity to taste.
Le Cadeau Vineyard was our first stop after we left Eugene.
Where do I start? First of all, the views. Le Cadeau Vineyard is a stunning oasis, surrounded by tall pine trees (I already told you how much I love those), and offering amazing views. You be the judge:
Tom Mortimer slowly walked us through the vineyard, talking about clones and all the work he invested into creating this vineyard simply on top of the rock (you can find the details in the original interview). It turns out that there are 18 Pinot Noir clones used in wine production at Le Cadeau – while I was somewhat shocked to hear that number (sounds high), it was simply due to my ignorance – for example, Sanford winery in Sta. Rita Hills uses more than 50 clones. Considering that Sanford winery is about 25 years older than the Le Cadeau, it is all makes sense. Tom was particularly proud of some of the clones, such as the Calera clone which is based on the DRC, and some additional Vosne clones (not trying to impress with the words here – Vosne here stands for Vosne-Romanée, one of the most coveted Pinot Noir production areas in Burgundy; DRC stands for Domaine Romanée-Conti, probably the most famous Pinot Noir producer in the world; Calera is one of the legendary California Pinot Noir producers and pioneers from Central Coast).
The beginning of August of this year (2021) happened to be the veraison time – the onset of ripening of the grapes when the grapes start changing their color. This was my first time actually being in the vineyard during veraison, so I couldn’t stop taking pictures as I saw bunches with more and more color – here are more pictures:
We also saw Chardonnay grapes growing:
Remember, we are talking about passion here. The amount of labor of love and passion which this vineyard required to be established was simply incredible. Tom had to use a special machine to break through the basalt to help the vine roots to get established. There were a few rows where he decided not to use the machine, and those rows look particularly different from the rest of the vineyard. The rocks which you can see in these pictures give you a good idea of what he had to deal with while establishing the vineyard.
After we finished walking around we sat down to taste the wines with Tom and to continue the conversation about the winemaking. Tom is highly analytical, he uses a lot of different charts, such as Degree Day reports to estimate when he might need to start picking up the grapes based on the historical data and what is the potential weight of the grapes might be at the harvest. Harvest is usually done in multiple passes, depending on the year – in 2015 and 2018, for example, he had to pick grapes 5 times; in 2016 and 2020 there were three picks made.
We started our tasting with 2018 Chardonnay, which was outstanding:
2018 Le Cadeau Vineyard Chardonnay Willamette Valley (14.1% ABV, $45)
Beautiful nose of vanilla with a hint of butter
Vanilla, butter, Granny Smith apples on the palate, beautifully clean and balanced
8+
It is really amazing to see the level of finesse Oregon Chardonnay has developed over the years.
It appears that Tom also makes sparkling wines, and he loves it, as making sparkling wines nicely complements making still wines – you remove perfect grapes for the sparkling (high acid), and the other grapes can ripen better. The sparkling wine we tried, was again, in a word, outstanding:
2013 Le Cadeau Rosé Brut Oregon (13.1% ABV, $50, 4.5 years on the lees)
A touch of funk and toasted bread
Sapidity, yeast, toasted notes, clean acidity, delicious.
8+
Now we moved on to the Pinot Noir. Tom is working with the winemaking team to produce his wines, including the consultant from Burgundy. Le Cadeau makes some of the reserve wines, but those are only produced in the best years. We tasted through the 4 Pinot Noir wines which were all excellent in their own right.
2018 Le Cadeau Côte Est Pinot Noir Willamette Valley (13.9% ABV, $60)
Beautiful cherries on the nose
Cherries on the palate, clean, round, soft, a touch of earthiness, delicious.
8
2018 Le Cadeau Diversité Pinot Noir Chehalem Mountains AVA (14.1% ABV, $60)
Beautiful minerality, sweet cherries, a hint of cranberry
Tart cherries on the palate, pepper, clean, fresh, light
8+
2018 Le Cadeau Rocheux Chehalem Mountains AVA (13.5% ABV, $60)
Stunning nose, cranberries, cherries, violets, a hint of sage
Superb balance of power, fruit, acidity, structure – everything is in perfect harmony.
9-/8+
2017 Le Cadeau Merci Reserve Chehalem Mountains AVA (13.3% ABV, $80)
Incredible aromatics, floral, violets
Beautiful, round, clean, open
8+
It is interesting that when I tasted the 2017 Le Cadeau vintage for the interview post, Diversité was my favorite, and Rocheux was a close second. This time, Rosheux was my favorite Pinot Noir from the tasting.
That’s all I have for my update. I don’t drink much of Burgundy, so I can’t really offer any comparisons – but I don’t think comparisons are needed. Oregon Pinot Noir are unquestionably world-class wines in their own right. I remember reading in Wine Spectator Matt Kramer’s article where he mentioned that the main characteristic of a world-class Pinot Noir is finesse. Going by this measure, Le Cadeau definitely got it – finesse is the virtue of all their wines. If you are looking for the Pinot Noir for a special occasion – don’t look any further than Le Cadeau.
This post is a part of the Stories of Passion and Pinot series – click the link for more stories…
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