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Behind The Label
We eat with our eyes first – everybody knows that. We drink in exactly same way. While looking for the wine to buy, we always start from the label. Of course, sometimes we might be looking just for the specific producer’s name – but way more often than not, wine consumer is lured by the appearance of the bottle before anything else. We let the bottle speak to us.
Wine producers always knew the effect of the bottle appearance, and always tried to design attractive and appealing labels – think about Château Mouton Rothschild, for example, which started their “Artist” wine label series back in 1945. 20-25 years ago, the design, and most importantly, production capabilities were limited both in style and the cost. But not today- there are literally no limits to how creative the wine bottle design can get in today’s world. It is hard to tell what exactly makes the wine label instantly attractive, but we all can recognize that special label when we see it. I shared my fascination with the creativity of the wine labels on the multiple occasions in this blog – here is one example for you.
You don’t have to agree with me, but I see creative wine labels as objects of art. Art at large is a form of the human expression. Art takes lots and lots of different forms – beautiful building, successful surgery, a sublime glass of wine, a flower, a painting. I’m sure there are countless studies written on the subject, and I will not even try for the slightest bit to delve into it, but I’m convinced that art as a final expression always has its source, the origin, it is inspired – and this leads to the fundamental question – what inspires the art? I will leave you to ponder at that, and meanwhile, let me turn our conversation towards the … wine, of course.
When I saw the label of Vilarnau Brut Reserva Rosé, my first reaction was “wow, this is a beautiful bottle”. The next question was – what does it mean? Yes, I read the description connecting Vilarnau Trencadís Edition cavas to the work of famous architect Antoni Gaudí, but I still wanted to understand the true inspiration behind this label. I reached out to the winery, and asked a few questions – here is our short conversation:
[TaV]: Vilarnau produces Cava since 1949. When Trencadís labels were used on Vilarnau Cava for the first time?
[V]: We launched the Trencadis labels at the end of 2014.
[TaV]: What was the inspiration behind the Trencadís labels?
[V]: This form of mosaic is very famous in Catalunya, Spain. Inspired by the Park Guëll in Barcelona and the famous artist Gaudí. Vilarnau is the “Barcelona Cava” and we felt it was fitting to use such an iconic design to decorate the bottles.
‘Trencadís’ is a type of mosaic used in Catalan modernism, created from broken tile shards. The technique is also called ‘pique assiette’. The mosaic is done using broken pieces of ceramic, like tiles and dinnerware. The Catalan architects Antoni Gaudí and Josep Maria Pujol used trencadís in many projects, among which Barcelona’s Parc Güell is probably the most famous. Vilarnau being so close to Barcelona (not only geographically, but also with heart and soul), it was natural to pick up this typical artistic theme for our winery.
[TaV]: Are the Trencadís Cava target the specific market, or do they sell equally well world-wide?
[V:]: We are currently exporting this label to almost 30 markets (principle markets being the USA, UK, Germany, and Belgium) and the number is growing as consumers love the design and the wine.
[TaV]: Do you have plans to add any new wines to the Trencadís series?
[V]: When we first launched we only had the Brut Reserva NV in the trencadis design but we have added the Rosado Reserva to the range two years and the Brut Nature Vintage and Demi-Sec last year
[TaV]; Do you have plans for any other “creative label” designs under Vilarnau name?
[V]: Barcelona is a constant inspiration to us and we are full of ideas, however, we have so much to do with the Trencadis design that we probably won’t launch anything new for the next 2 years or so.
The beautiful label is very important, it sets the expectations and makes you anticipate more from the wine. But – the content of the bottle is better to support the beauty of the label, or the joy of wine drinking will quickly dissipate.
I’m happy to say that the NV Vilarnau Brut Reserva Trencadís Edition Rosé D.O. Cava (12% ABV, SRP: $15, 90% Trepat and 10% Pinot Noir, 15+ month in the bottle) didn’t disappoint. Beautiful intense pink color, classic Sparkling nose, with a touch of yeast and toasted bread on the nose, supported by fresh tart strawberries and lemon notes on the palate, crisp, succulent and invigorating. A perfect sparkling wine by itself, and at a price – almost an unbeatable value. (Drinkability: 8-/8).
What do you think of Art of the [wine] Labels? Do you have some favorites? Cheers!
Guest Post: 5 Wonderful Reasons Why Should Go a Culinary and Wine Vacation for Your Next Travel Getaway
Today I want to offer to your attention a guest post by Lystia Putranto, a personal & professional development blogger for BookCulinaryVacations.com. Lystia is a lover of travel, a self-professed foodie, and an amateur cook who admittedly spends way too much time surfing the web.
As the last quarter of the year is around the corner, many of us are taking advantage of this time to plan our next great adventure. If you happen to be a food and wine lover and you’re on the hunt for travel ideas, there’s no better way to indulge in your passions than by going on a culinary and wine focused vacation!
For starters, did you know that by 2015, 77% of leisure travelers can already be classified as culinary travelers? This trend has continued to rise and is predicted to rise even higher in the coming year. So, if you have yet to join in this exciting (and not to mention delectable) bandwagon, it’s about time that you do so.
As a lover of travel, food, and wine, I can personally attest that there’s much to gain and experience through this unique type of holidays. But if you’re not yet convinced, on this post, I’m sharing with you five of the many wonderful reasons why you should sign up for a culinary vacation too:
1. You’ll Discover New & Exciting Flavors
In order to truly make the most of our travels, keep in mind that we can only grow and enrich our lives by doing something we have yet to try. So instead of setting yourself up for yet another touristy sight-seeing trip, why not try (and taste) something different for a change?
With a new destination comes plenty of delicious local eats & drinks. Through culinary holidays, you’ll get an amazing opportunity to explore a variety of new and exciting flavors through its delicacies and locally produced beverages – and yes, in many sought after destinations such as France, South Africa, Chile, and California, this certainly includes a whole lot of wine!
As you already know, food is almost always much more delicious and authentic when we enjoy it in the country or place of origin. You’d also be interested to know that some local dishes and ingredients are extremely rare and would not be easily found anywhere else in the world so this the time to take full advantage of it.
2. You’ll Expand Your Knowledge
Looking to deepen your culinary and/or wine knowledge? During a wine vacation, for example, you won’t only be tasting the various wine that the winery produces, you’ll get to learn all about wine far beyond what you would learn in a wine tasting event such as how to harvest grapes as well as the steps of the entire wine production right up to its bottling process.
3. You’ll Learn How to Prepare Authentic Delicacies
Image credit: Alila Manggis Bali
What makes culinary vacations stand out from the usual “run-of-the-mill” vacations or food tours is that you also get the opportunity to prepare them from scratch yourself! This way, you can learn to recreate them back home. That is the simple yet powerful beauty of a hands-on cooking experience.
As a self-professed foodie, I adore all type of cuisines – but I must admit that Thai food is amongst my top 3 favorites. So, on my last trip to Thailand, I decided to sign up for a cooking class in Bangkok to learn how to prepare authentic Thai dishes such as Tom Yum Goong and Pad Thai.
In the end, not only did I thoroughly enjoyed the experience, thanks to the warm guidance of the school’s professional instructors, I was also genuinely impressed how fun and easy it all was!
As an added bonus, some cooking vacations may include visits to the local markets where you get to purchase the ingredients for your meal or even pick your own fresh produce straight from their own farm. In this case, it’s not uncommon that everything you make is farm-to-table ready, making your holiday that much more special.
4. You’ll Make New Friends
Image credit: Porto Club Travel Services
Whether you prefer traveling solo, with a partner or in a group, through a cooking vacation, you are bound to meet plenty of new people. This includes both locals as well as other travelers from all corners of the globe. This is your chance to cultivate a better understanding of the diverse culture and languages of the world. Who knows? Perhaps some of the people you meet on your trip may just end up becoming (new) lifelong friends!
5. You’ll Immerse Yourself in the Local Culture
Image credit: Cris Puscas
They say that travel is the only thing that one can buy that makes us richer. I personally believe this to be true. It allows us to learn more about what our beautiful world has to offer. And there’s no better group of people that will be able to teach us a destination’s local culture than the locals themselves.
Culinary travel allows you to center your trip on cultural immersion – meeting the locals, sampling local cuisines and beverages, and indulging yourself in the local ways of life. It’s an experience that will not only tantalize your taste buds but also one that will open your eyes and mind to a whole new perspective of seeing the world.
Drink Local, Colorado Edition (and Don’t Lose Hope)
I’m an eternal optimist. Even when I’m worrying about something, deep inside, I still believe that everything will be okay – one way or the other (sometimes we really have to look for this “okay”, but this is a subject for the whole other post).
This “life’s attitude”, of course, reflects on my approach to wines. Particularly, a belief that in today’s world, good wines can be made everywhere and anywhere – not only in a few places we know can produce the good wines. And anywhere I travel, I’m always looking to prove myself right – which I call “drink local”.
This time, my travel took me to Denver, Colorado. Colorado sounds as good as any other state in the US to be able to produce wines, so once I situated at my hotel in downtown of Denver, off I went to the closest liquor store in Denver.
While walking to the store, literally few steps before it, I saw a sign for the “Wild Women Winery” – I couldn’t even believe my luck, to find a city winery short walking distance from the hotel, also with a very cool sounding name. So I walked in and situated at a bar table, looking at the bottles with super-creative, super-colorful labels.
Talking to the bartender, I learned that while the winery is located in the Colorado (downtown Denver, to be precise), they make wines from the grape juice which they get from California Central Valley, as the winemaker believes that local Colorado grapes are too young to produce a good wine. Fine – the proof is always in the glass, right?
I decided to try 3 wines for $5 (happened to be an extremely wise decision, as opposed to trying 7 for $10, you will understand why in a minute).
The first wine was Viognier – a touch of overripe Apple with sage on the nose. Good fruity palate nice acidity, golden delicious apples. Not my favorite, but not bad. Not amazing, but drinkable.
My next choice was Cab/Merlot blend and that wine really threw me off – too sweet all around, no balance, no acidity, just a sweet fruit. Don’t remember when was the last time I disliked the wine so intently.
At that point I realized that all of the wines the winery offers are non-vintage wines, so I tried to discuss it with the bartender, but unfortunately, she didn’t know what “vintage” means, and I had to face the issue that certain basic concepts we, oenophiles, take for granted, are not so easy to explain in the simple terms. Nevermind.
The last wine, Petite Sirah, had a sweet chocolate nose, bitter-sweet type. Sweet fruit compote on the palate, definitely too sweet, but more acidity than the previous wine. Mostly plum notes with the equivalent acidity of just ripe, but not overripe plum. A marginal improvement.
This visit really left me at the feeling of deep disconcert – I see a lot of passion on the labels, but the soulless concoctions inside the bottles were really conflicting with the bright images.
I gladly left the winery and headed over to the liquor store. Here I had another surprise – a sticker shock. I understand that the wine store is located in the downtown of Denver. But Colorado wines aren’t that well-known, aren’t they? There was a good selection of the local Colorado wines present, none of them cheaper than $20 (okay, $19.99 if it makes you feel any better). Really? On my recent trip to Canada, I had a phenomenal selection of tasty wines under $15. Now, especially after the first tasting fiasco, I had to spend $20+ for a bottle which I might just have to pour down the drain?
After going back and forth and trying (unsuccessfully) to obtain an advice of the store clerk (”I tasted only this one wine”, “yeah, yeah”, “huh, you don’t like sweet wines? Really?”), I settled on the bottle which looked the most Colorado-authentic while still staying in the low $20s- Two Rivers Syrah – at least the information on the back label suggested that the grapes were harvested in Colorado.
The wine was definitely an upgrade over the previous experience, but still no cigars. As this was nevertheless a better wine, here are my typical-style notes:
2015 Two Rivers Château Deux Fleuves Vineyards Syrah Mesa County, Colorado (14.1% ABV, $22.95)
C: dark garnet, nice visible legs
N: blackberries, tar, tobacco, sage, medium to high intensity
P: sweet berries, tobacco, good acidity
V: 7-, it is drinkable, but sweetness too prevalent.
7 on my the second day – sweetness subsided a bit, and roasted meat notes showed up. Still, the finish is mostly sweet fruit with a touch of tobacco.
On the last day before leaving Denver, I still had a bit of the free time and decided to give Colorado wines one more try. I found another wine store, still within short walking distance from the hotel, with good reviews on Google, and took 20 minutes walk. This store had a much smaller selection of Colorado wines, but a little bit better prices (by a few dollars, nothing major), and incomparably better, knowledgeable service. I left with the bottle of The Infinite Monkey Theorem Cabernet Franc – The Infinite Monkey Theorem is another city winery – but unlike Wile Women Winery, this one I would be happy to visit if I had more time.
Remember I told you about eternal optimism? It finally worked, as this Cabernet Franc was well worth of writing home about:
2015 The Infinite Monkey Theorem Cabernet Franc, Colorado (12.9% ABV, $21)
C: dark ruby
N: tobacco, sweet bell peppers, freshly crushed blackberries
P: bright, fresh, freshly crushed berries, intense sweet tobacco, a touch of pepper, clean acidity, vibrant.
V: 8, outstanding. Would gladly drink that every day.
There you have it, my friends – my first real encounter with Colorado wines. I was happy to prove myself right and find a good wine made in Colorado. As a collector of experiences, I was also happy to add another checkmark to the list of states I tried the wines from – if you are like me, feel free to compare your records 🙂 Have you had the wines from Colorado? Express yourself in the comments section below. Cheers!
Pleasures of Drinking Local
I love travel -seeing the world, different cultures, different people, different traditions, and, of course, different food and drinks. Food is given, as we all have to eat, so one way or the other we get to experience local cuisine. But then what I drink is also very important to me, with the same spirit of exploration.
I love drinking local. And, of course, when I say “drinking”, I primarily mean wine. When travel, I always make an effort to find and try local wines. Unknown and obscure? Perfect – the less I know about the wine, the more pleasure it brings. Drinking local wines doesn’t mean I have to visit the wineries. More often than not, my trips don’t include any spare time and any facilities to reach the wineries. But – in many places, and I would even say, in increasingly more places, you can still find local wine at local shops, as long as you willing to look for it.
It is, of course, the best when you are visiting places where the wine is part of the culture, like most countries in Europe (sorry, never been to Latin America or Australia, but somehow I think I would do fine there as well). If the wine is a part of the culture and tradition, it almost guarantees you authentic wine experiences – and what is very important – without breaking the bank. In the USA, for instance, the wine is still a part of the fashion and not part of the tradition, thus in USA, finding reasonably priced wines is extremely difficult, and finding locally produced and reasonably priced wines is simply a mission impossible. Wait, I didn’t mean for this post to be a rant, so let me get back on track.
This time around, my travel took me to Prague, the capital of the Czech Republic. I’m sure for many (most?) of people, as soon as they will hear “Czech Republic”, the very next image of the local drink is – of course – a beer. This makes perfect sense, as Czechs are internationally known for their beer, same as Germany or Belgium, and rightfully so. But – what most of the people don’t know is that Czechs also had been making wines almost forever – okay, starting from approximately the 2nd century – long enough? Czech wine never made it to the levels of fame of French or Italian wines – but that doesn’t decrease the pleasure of drinking Czech wines in any way.
I discovered Czech wines for myself last year, when I had delicious Pinot Noir and Pinot Gris ( you can read about it here). Thus I had no doubts that Czech wine is something I’m going to look for upon arrival.
The hotel I’m staying at is adjacent to the shopping mall, which includes a supermarket, a wine store and some other food stores, all of them selling wines. And mind you – at the prices which make you smile from ear to ear. So far I got the wines from the supermarket, and you will see the prices I paid in the descriptions of the wines, as usual.
I had an easy criterion for selecting the wines. Price – of course, but there was another important requirement – new grapes. As you can see the grape count in the right column of my blog page, I continue my grape journey, so I’m always on the lookout for the additions to the list. Of course, it is usually not that easy – the name of the grape in the local language might sound new and unique – but once you do the research, you can easily find out that there is nothing new about that grape. For instance, take a look at Rulandské modré – sounds unique, right? Meanwhile, it is only a local name for Pinot Noir. Or Rulandské šedé – must be something indigenous, right? Nope, it is simply the Pinot Gris.
Obviously, that didn’t stop me. I found two new white grapes, and for the red, the name looked so cool (Svatovavřinecké) that I had to get it, despite the fact that this was the local name for the St. Laurent grape – well, how often do you drink St. Laurent wines anyway?
I started with the red wine, as whites needed some chilling – and 2015 Templářské Sklepy Svatovavřinecké Morava Czech Republic (11.5% ABV, 119 Kč ~ $5, 100% St. Laurent) didn’t disappoint – light garnet color. Pleasant nose with touch of spices, sage, lavender, tobacco, hint of blueberries. Fresh fruit on the palate, tobacco, pepper, medium body, mouth-watering acidity, light, pleasant. Drinkability: 8-/8, a proof that delicious wine doesn’t have to be a fruit or tannin bomb.
The whites where new, unique and different. One was made out of the grape called Muškat moravsky, which is a cross between Muscat Ottonel and Prachtraube. The other grape was called Pálava, and it was a cross between Müller Thurgau and Gewürztraminer, first selected in 1953. I’m always a bit concerned with the new white wines (many things can go wrong), but this two were simply a stand out. I guess I was simply lucky. Or may be my palate is cursed. Of well. Here are the notes for the white wines:
2015 Chateau Bzenec Muškat moravsky Morava Czech Republic (11.5% ABV, 119 Kč ~ $5)
Straw pale color. Perfumy nose, reminiscent of Gewurtztraminer but of a lesser intensity, white peaches, lemon undertones, touch of minerality. Delicious on the palate – succulent fresh whitestone fruit with practically no sweetness, ripe green apple and touch of lemon. Clean, balanced, fresh, excellent acidity. Medium-short finish, pleasure to drink. Very impressive. Drinkability: 8/8+
2015 Vinium Velké Pavlovice Pálava Pozdní Sber Morava Czech Republic (12% ABV, 239 Kč ~ $10)
Light golden color. Very pleasant nose, perfumy, touch of honey, tropical fruit (guava, pineapple), medium intensity. Delicious lip smacking palate – crisp acidity, medium to full body, wine is nicely present, mouth coating, acidity keeps lingering with tart apples underpinning, then some ripe apples showing with addition of white plums. Another excellent wine. Unique and different, perfectly enjoyable on its own, but will play very nicely with the food. Drinkability: 8/8+, outstanding.
That’s all I have for you, my friends. When travel, take risk, drink local – your reward will be new experience and lots and lots of pleasure. And if you will not like it – the experience will still be with you. Cheers!
Argentina Beyond Malbec with Achaval-Ferrer and #WineStudio
Of course, Argentina wine industry can’t be subsided only to Malbec – Torrontes and Chardonnay for the whites and Malbec and Cabernet Sauvignon (and Bordeaux-style blends, of course) for the reds comprise an absolute majority of Argentinian wines available at any given moment. You can find some Argentinian Bonarda, Pinot Noir and Sauvignon Blanc, but they don’t carry the full recognition of the 4 main grapes.
Winemaking has a long history in Argentina, starting in the 16th century and entering an international trade in the second half of 19th century. If we will take into account that most of the grape plantings in Argentina are at high altitude, with climatic conditions and terroir overall ideal for the grape growing and providing protection against many grape diseases, such as phylloxera, we will quickly realize that Argentina is home to some of the best and oldest vineyards in the world. However, it is only during the last 20-25 years Argentinian wines start receiving a full international recognition they deserve, with Malbec been the brightest shining star.
Achaval-Ferrer winery was founded in 1998, and over its relatively short history, became a leading winery in Argentina, garnering numerous awards and high critic scores for its wines. To the great pleasure of wine geeks, wines of Achaval-Ferrer were also a focus of April #WineStudio educational program, allowing us to experience some of the very best wines Argentina is capable of producing – Malbec, Cabernet Sauvignon and Bordeaux blend called Quimera. But for the last April session, Achaval-Ferrer and #WineStudio took us on the trip in entirely new direction with the inaugural vintage of the Cabernet Franc wine.
I guess it is time to reveal one of my (no, not darkest) deepest wine secrets – I have “a thing”, an obsessive passion for the Cabernet Franc wines. I can’t explain to you why or how. I don’t know how it happened that out of most grapes, the words “Cabernet Franc” make me literally jump. No matter how tired I am at the end of the large tasting, say to me “let’s go try Cab Franc” and I’m ready to run. Thus you can imagine how excited I was at this opportunity to try a new first release of Cabernet Franc.
There was a lot of excitement around this wine, seems everybody really enjoyed it. As for all the wines of Achaval-Ferrer, the grapes for this Cabernet Franc came from the high altitude vineyards (3,280 ft above sea level) in the Uco Valley, mostly sustainably farmed. Here are my tasting notes:
2015 Achaval-Ferrer Cabernet Franc Mendoza Argentina (14.5% ABV, $24.99, 100% Cabernet Sauvignon, 10 months in 3-year old French oak barrels)
C: Dark garnet
N: intense, baking spices, dark fruit, mint, dark chocolate
P: medium-full body, fresh cut-through acidity, mint, hint of cassis, touch of white pepper on the finish, smooth, long finish with tannins kicking in at the end and lingering. Needs time…
V: 8, nice, can be drunk on its own, will be great with the food, and will evolve with time – at least 10 years. The wine opened up more on the second day, and I’m sure will further improve on the 3rd.
Definitely an excellent wine which will be hard to find – 1,400 cases total production, and a lot of this wine went to Morton’s steakhouse (so if you plan to visit Morton’s keep that in mind) – but it is well worth seeking. If you will score some of these bottles, lay them down in the cellar and let them evolve. At least this is what I would do.
This wine concluded a delicious #WineStudio experience with the Achaval-Ferrer wines, and to sum it up, I want to leave you with the twitter quote from Tina Morey, the host of #WineStudio:
I can fully sign under every word here – beautiful, expressive wines, well representing what Argentina is capable of. Salud!
Finding Peace with Chappellet and 2007 Napa Vintage
Vintage. An essential word in the wine lovers’ lexicon. “How was the vintage” often is a defining question, something we certainly have to find out and then store in the brain compartment for important wine facts. Depending on the stated greatness, some vintages might keep their recognition almost forever, like 1949 or 1982 Bordeaux, and 1964 or 2001 Rioja. The vintage by itself is no guarantee of quality of the particular wine from a particular producer, but it is generally considered that in the better vintages, there are more good wines available across the board.
2007 was lauded as a truly outstanding vintage in Napa Valley in California. According to the Wine Spectator vintage charts, 2007 [still] is the best vintage since 1999, with the vintage rating of 97. When the first 2007 Napa wines appeared, I was very eager to taste them – only to be disappointed for the most cases. In my experience, the wines were lacking finesse and balance, they were often devoid of fruit and had demonstrably attacking and astringent tannic structure. My main thought tasting 2007 Napa wines was “it needs time, and a lot of it”.
Chappellet is one of the famous producers in Napa, making wines for more than 40 years, now in the second generation of the family; their wines are highly regarded by consumers and critics alike. Some time back in 2010 I scored a few bottles of 2007 Chappellet Mountain Cuvee Napa Valley (14.9% ABV, Cabernet Sauvignon 51%, Merlot 46%, Malbec 1%, Cabernet Franc 1%, Petit Verdot 1%). My first taste was also one of the early posts in this very blog, and nothing short of disappointment (read it here). Continuing tasting throughout the years, I was still missing that “aha moment”, an opportunity to say “ahh, I like it”. It particularly applies to the 2007 vintage of Chappellet, as in 2014 I had an opportunity to taste the 2012 vintage of the same wine (Mountain Cuvee), and the wine was quite pleasant.
A couple of days ago I was looking for the wine to open for dinner and the last bottle of 2007 Chappellet caught my attention. Well, why not? 10 years is a good age for the California wine – let’s see how this wine is now ( even though I have not much of a hope based on the prior experience). Cork is out, wine is in the glass. The color, of course, shows no sign of age, still almost black. But the nose was beautiful – fresh, intense, inviting, with a touch of cassis and mint. The first sip confirmed that the wine completely transformed – open, rich, succulent fruit, cassis and blackberries, supported by the firm structure of the tannins without any overbearing, eucalyptus and touch of sweet oak, clean acidity. Perfectly powerful, but also perfectly balanced with all the components been in check. Now this was the “ahh, this is so good” wine which I would be glad to drink at any time. (Drinkability: 8+/9-).
This delicious experience prompted this post. I’m glad to find it with my own palate, that “needs time” is not a moniker for the “crappy wine”, but a true statement. I’m sure this is not universally true – some wines are simply beyond the help of time – but this definitely worked for this particular wine and for the 2007 Napa vintage. I don’t have any more of this 2007 Chappellet, but I have other 2007 Napa wines, and I just upped my expectations significantly.
Have you had similar experiences? How would you fare 2007 Napa vintage? Cheers!
Open That Bottle Night 2017 – What A Night!
Let’s say you have a bottle of an excellent wine. Do you know how to make it better than it is? I guarantee you this works every time, so listen carefully. You share it with a friend. Yes, that makes any excellent wine into an amazing one. Works like a charm.
Saturday, February 25th was Open That Bottle Night (OTBN for short) – the night when there is no bottle in your cellar which is off limits. If you are not familiar with OTBN, you can read more here. What made my OTBN twice as special was the visit by Oliver and his wife Nina.
For me, the decisions around wine are never easy. I typically buy wine in the single bottle quantities (okay, maybe four at the most, when I need to get a free shipping from WTSO) – thus any bottle can qualify as a special one. As an exception to my long and almost painful decision process, for this OTBN I had a very clear idea – 1982 Olga Raffault Chinon, of which I had a single bottle. The bottle out of the wine fridge and ready for the prime time.
This is what I was looking at after cutting the top foil:
As you can tell, this is not very encouraging. However, if you like older wines and get an opportunity to open them, you know that the state of the top of the cork is nothing to fret about. More often than not, behind most terrible looking mildew there is a delicious wine.
As this was 35 years old wine, I didn’t want to take any chances and used the two-prong opener to pull the cork out. This turned out to be an unnecessary precaution – while cork looked red throughout, it was perfectly firm and came out as a single piece without any crumbling – here is our OTBN corks collection, the red one is the one I’m talking about:
And for the wine… what can I tell you… This 1982 Olga Raffault “Les Picasses” Chinon, Loire looked perfectly fresh in the glass – not a sign of losing color. Here are the two glasses, one is with 1982 Cabernet Franc, the second one is with 2014 – care to guess which glass contains 1982?
Yes, the one on the left is with 1982 wine, but I believe you would agree that the color shows perfectly young. The nose and the palate were an incredible study in Cabernet Franc flavor profile 101. The wine opened full of bell pepper – both on the nose and the palate. In about 10 minutes, the bell pepper was gone – and what was left was pure, unadulterated black currant – stunning, full flavorful black currant, also known as cassis if we want to use traditional French terminology. The wine had perfect structure, firm, with fresh acidity, almost crisp – and loads and loads of black currant. This was truly a treat.
We followed with a beautiful rendition of Ruchè – 2012 Poggio Ridente Ruchè di Castagnole Monferrato DOCG San Marziano (organic grapes). Ruchè is a little known red grape, cultivated in the Monferrato region in Piedmont, capable of making very concentrated wines. This particular bottle, brought by Oliver and Nina directly from Italy, was fresh and open, with nicely restrained palate with mostly herbal flavors, and a twist – dried mango undertones. Nina was the one to identify the dried mango, while I was desperately trying to figure out what that strange flavor was – but that was a spot-on descriptor. An outstanding wine by all means.
Our next wine was 1989 Kaseler Nies’chen Riesling Auslese Mosel-Saar-Ruwer. No issues with the cork (makes me happy). Still fresh, clean light golden color (28-years old wine!). The nose and the palate were singing in unison here, and the music was simple – peaches and apricots. Slightly underripe peaches and fresh, plump apricots. The balance of sweetness and acidity was impeccable – the wine was fresh and alive, without any sign of age. Wow.
As an added bonus, the grapes for this wine were harvested in November of 1989 – the year and a month when Berlin Wall was demolished – and this is what the label of this wine commemorates.
Our OTBN night didn’t finish there. You would expect us to go to something nice and sweets after such a beautiful Riesling, right? In the conversation, it came out that Oliver doesn’t like Tempranillo wines. Being a Spanish wine buff, I had to fix that immediately, so I had to pull out the big guns. 2001 La Rioja Alta Viña Ardanza Rioja Reserva Especial was absolutely beautiful from the get-go – cedar box and eucalyptus on the nose, soft and gentle cherries on the palate, fresh, round. I hope I made Oliver a convert – but will see about that the next time we will meet.
There you are, my friends. A stunning OTBN with great wines and great company. Hope you enjoyed your OTBN as much as we did – feel free to share your OTBN stories below. Cheers!
Obscure: Oenophile’s Pleasure
Today, class, we will be talking about things obscure. Yes, things obscure, but not in the whole entire world, of course, but in the world of wine.
In your opinion, if we use the word “obscure” in conjunction with the word “wine”, would that be a good thing or a bad thing? For starters, let’s think about the meaning of the word itself. Here is how New Oxford American Dictionary defines “obscure”:
Well, yes, we could’ve done without the dictionary, as the word is simple enough – but dictionaries exist for something, so why not use one.
Now that we are clear on the meaning, let’s go back to our original question: “obscure + wine” – is it good or bad?
Reading wine’s description, have you ever come across the words “obscure grapes”? I’m not talking about the stuff you read on the back label, as there you will rather find the words “indigenous grapes”, “traditional grapes”, or maybe, “local grapes”. But if are reading blogs, or any of the “peer reviews”, I’m sure you’ve encountered the “obscure grapes”. I get it – “obscure” often implies that we got something to hide in a bad way – but not in this case. Referring to the definition we just saw, “obscure” here simply means “not discovered or known about”. Need examples? How about Trepat, Bobal, Gros Manseng, Khikhvi – heard of those grapes?
My favorite part is that obscure often translates into pleasure – lots of pleasure for the oenophile. Unlike most of the other food and drinks humans consume, wine taste is largely perceived. We have expectations for how Cabernet Sauvignon or Chardonnay should taste, and when we don’t find that taste while drinking one of the “well known” wines, we often get disappointed. But when presented with the “obscure bottle”, all those preconceived notions are largely thrown out of the window, and we take wine for what it actually is – which gives us a great chance to enjoy something we wouldn’t otherwise.
It is not only wine drinkers who get more pleasure from the obscure grapes – when using those little-known grapes, winemakers are also not bound by any “customer expectations”, which gives them more freedom to express themselves. From the personal experience, I found that more often than not, I truly enjoy those obscure wines, and quite honestly, I like hunting down those unknown wines and grapes because of the pure mystery in the glass.
By the same token, lesser known wine regions (read: obscure) have the same advantage for both oenophiles and winemakers. What do you expect when you see Czech Republic, Georgian Republic, Mallorca or Valle d’Aosta written on the bottle? Most likely, you wouldn’t know what to expect, and thus you would take the wine for what it is. However, when you drink Napa Valley Cabernet Sauvignon or Spanish Rioja, you have a set of expectations in your head, and you always are ready to say “ahh, this doesn’t taste anything like Napa Cab”. Presented with the Czech Pinot Noir or Chinese Cabernet Sauvignon, you have no choice but to try it and decide whether you like it or not. Same as in the case of the obscure grapes, winemakers get an opportunity to freely create without the need to comply with a given set of expectations.
What we need to keep in mind though that the concept of “obscure” is very personal. For someone who lives in the Republic of Georgia, Georgian wines are very far from obscure. For someone who grew up in Conca de Barberà region in Catalonia in Spain, Trepat might be a perfectly familiar grape. But looking at the big picture, all of us, wine lovers, have our own, personal obscure territories – and this is where we might discover great pleasure. What makes it even more interesting is that the more we learn about the wine world, the more we understand how still little we know. And so we can keep on that road, shedding the light on obscure and making it (if we are lucky) dear and familiar, one discovery at a time.
I wish you all, oenophiles, lots of pleasant encounters with obscure sides of the wine world – as this is where the pleasure is hiding. Cheers!
This post is an entry for the 27th Monthly Wine Writing Challenge (#MWWC30), with the theme of “Obscure”. Previous themes in the order of appearance were: Transportation, Trouble, Possession, Oops, Feast, Mystery, Devotion, Luck, Fear, Value, Friend, Local, Serendipity, Tradition, Success, Finish, Epiphany, Crisis, Choice, Variety, Pairing, Second Chance, New, Pleasure, Travel, Solitude, Bubbles, Smile, Winestory
Top Twelve of 2016
And now, the moment you’ve been waiting for … cue in the drum roll… Talk-a-Vino Top 12 wines of 2016. Well, okay. I’m sure you were not really waiting for this moment, but nevertheless, I made up my mind about best of the best wines I experienced this year, and now I’m ready to present you with my list.
The list of top wines of 2016 consists of 2 dozens of wines – here you can find the first half of this list, containing the wines from 13 to 24 – note, the order is not essential, it doesn’t mean that I liked wine #13 more than wine #14. That first post also explains how the wines are selected for this Top Dozen list. In this post, I would like to share the top wines of 2016 (the order is not essential with the exception of the top 3 wines.
Here we go:
12. 2010 Fields Family Wines Tempranillo Lodi ($25) – I’m a Tempranillo buff, a snob, if you will, and this was one of the very first wines I tasted while attending the welcome reception at the Wine Bloggers Conference in Lodi. And I have to honestly say that table of the Fields wines was the closest to the food. Once I had a sip of this Tempranillo, everything changed – Ribera del Duero style, fresh and firm, just outstanding.
11. 2012 Viña Maipo Syrah Limited Edition DO Buin Valle del Maipo ($35) – Here is another great discovery of 2016 – Chile is not only the land of Cabernet, it makes perfect Syrah. This wine was spicy, dark, vibrant but restrained, a classic, classic Syrah. Yum!
10. 2013 McCay Cellars Grenache Abba Vineyard Lodi ($32) – Here is another standout from Lodi – the smoke and roasted meat over the violets. A “dangerous wine”.
9. 2013 Tenuta San Guido Sassicaia Bolgheri Sassicaia ($200) – ahh, the layers. The layers of goodness. Silky smooth, mouth-coating nectar. This is not called “Super” Tuscan for nothing. The most amazing part – this 3 years old wine was ready to drink. Wow.
8. 2013 Viña Maipo Protegido Cabernet Sauvignon Valle del Maipo ($50) – World-class Chilean Cabernet at its best. Fruit, herbs, balance. Smooth, powerful and delicious.
7. 2016 Field Recordings Pét Nat Arroyo Grande Valley ($20?) – I might be just lucky around Field Recordings wines, as I understand that Pét Nat wines can be all over the place – but this wine had a perfect finesse of bubbles in a very simplistic package – a bottle topped with a beer cap, and delicious, classic sparkling goodness of Chardonnay in a glass. A perfection.
6. 2012 Tenuta dell’Ornellaia Bolgheri Superiore Ornellaia ($210) – I now learned my ways at Gambero Rosso, so I know to start from the most “cult” wines first (after missing on Massetto 5 years ago). The Ornellaia was definitely a personal surprise – didn’t expect 4 years old Super Tuscan to be so ready to drink – but it was. Generous fruit, perfect structure, layers of pleasure – this is the wine you finish with “ahh”.
5. 2001 The Lucas Winery Chardonnay Lodi California ($37?) – there are 4 wines from Lodi among the 24, and I had to hold myself from including more. An absolute surprise of the tasting – I couldn’t expect 15 years old California Chardonnay to taste this fresh and vibrant. Yes, the wine was made by Heather Lucas, an owner/winemaker, in Burgundian style – nevertheless, I’ve seen way too many failed California Chardonnay to truly appreciate what was done here.
4. 2005 Domaine des Monts Luisants Les Genavriéres Morey-Saint-Denis Premier Cru ($50) – I.want.to.drink.this.wine.every.day. That’s it.
3. 2015 Vidon Vineyard Chardonnay Estate Chehalem Mountains, Oregon ($35) – Oregon’s supremacy is unquestionable when it comes to Pinot Noir. Pinot Gris from Oregon are also a safe bet anywhere you find them. But Chardonnay? Considering this wine from Vidon Vineyard, the Chardonnay is also a thing in Oregon. Bright, beautiful, vanilla laced golden delicious apples chased by the pure lemon. I wish your white Burgundy would be as good as this wine.
2. 1997 Cesari Bosan Amarone Della Valpolicella DOC, Italy ($85) – Amarone might be my “curse of oenophile”. Ever since trying this wine for the first time and been blow away with the contrast of beautiful nose of dry fruit and perfectly dry, powerful and balanced palate, I had been on the quest to repeat that experience. And I keep failing and failing over that, with Masi single vineyard wines providing an occasional salvation. This Cesari Bosan single vineyard Amarone brought that old memory back – dry fruit on the nose and polished, structured wine on the palate. A pure delight.
1. 2002 Pol Roger Sir Winston Churchill Champagne ($230) – definitely surprised myself with this choice of the wine #1 of 2016. I had vintage Champagne from the very solid producers before – Krug, Piper-Heidsieck, Dom Perignon, Roederer Cristal; in the same tasting there was ’02 Bollinger RD and ’06 Roederer L’Ermitage, both superb. But this Winston Churchill Champagne… The interplay on the nose, the complexity and richness were stunning. Before you take a sip, you have to smell this wine. And smell. And smell. Reflect. And smell again. Wow. Too emotional? Might be. Find the bottle of this wine, invite me over, let’s smell it together, then talk.
This is it, my friends. Two dozens of most memorable wines of 2016. Can’t wait to see what 2017 will bring. Cheers!
Top Wines of 2016 – Second Dozen
Here we are again – another year is about to become a history, which means it is time for one of my favorite wine aficionado exercises – reliving the best wine moments of the year to create the list of Top Dozen wines of 2016.
Ever since this blog started back in 2010, Top Dozen list was always a feature – here are the links for 2010, 2011, 2012, 2013, 2014, and 2015. Many years I couldn’t even limit myself to one dozen, thus some of the years had two dozens of top wines. It seems that 2016 is one of those years – so I’m really trying hard to stay within that two cases limit (how many of you were successful with limiting yourself at the wine store, raise your hands, please), will see where I will end up.
The way these Top Dozen lists are built is simple. These are the most memorable wines I had throughout the year. As I was preparing for this post, I looked at some of the wines in the past Top Dozen posts and had an immediate “ahh, I remember that…” emotions. Wine creates emotional connections, wine creates and enhances memories – this is what makes the wines “top list”-worthy.
I always try to present the wines randomly – and I’m reasonably successful, with the exception of the wine #1 – that wine is always the most memorable wine of the entire year, and sometimes that internal deliberation takes a while to complete.
I wrote about some of these wines during the year – some, but not all. If there is already a post about the wine in this Top list, the link to such post will be included. I also include the pricing information where available, but not any of the technical details of the wines or my ratings – the idea is to focus on what made those wines memorable.
Without further ado, here we go:
24. 2013 Domaine de la Vallée du Bras OMERTO Vin Apéritif de Tomate Moelleux Québec ($20) – the tomato wine? Yes, please, any time! This was a delicious treat which nobody could believe can be made out of tomatoes. As you can see , this wine has the vintage designation, so it would be fun to taste a flight and try to pickup the differences. In any case, the wine is reminiscent of a nice Riesling or a Muscat, slightly off-dry style. Try it for yourself!
23. 2012 Kaiken Ultra Malbec Uco Valley, Argentina ($25) – sexy is the word. Layered, seductive, silky smooth. Not sure will get you laid, but worth a try!
22. NV Champagne Emile Leclère Cuvèe Du Bicentenaire ($26) – growers champagne at that price? Thank you WTSO! Toasty, rich, voluptuous – lots of delicious Champagne pleasure in every sip.
21. 2016 Field Recordings Nouveau California ($20?) – It is a rare treat to drink the wine that young and that delicious. Outside of the name, there is nothing really “Nouveau” about this wine – it has enough restrain, but still delivers plenty of succulent, balanced fruit with classic California Pinot Noir flair. Would love to get more of this wine, but I think it was a rare treat for the club members – thank you, Andrew Jones.
20. 2011 Masciarelli Marina Cvetić Montepulciano d’Abruzzo Riserva ($28) – “rich and opulent” – describes this wine completely. Dense, smooth, texturally present – drinking this wine is truly a decadent experience.
19. 2014 Maeli Fior d’Arancio DOCG Sweet ($27) – this was a perfect starter to the memorable lunch with Gianluca Bisol. While sweet, the wine was effervescent, elusive and seductive. It would be equally perfect at the end of the meal – albeit if you will be able to find it.
18. 1998 Mauritson Zinfandel Dry Creek Valley California ($31) – love surprises! This was clearly an odd bottle in a tiny liquor shop in Florida, I’m sure forgotten there by some accident. The wine, however, was spectacular – lots of mature fruit, enough freshness and acidity, an abundant pleasure in every sip. Yum!
17. 2014 Attems Pinot Grigio Ramato Venezia Giulia IGT ($18) – it is hard to believe the conversion of somewhat pedestrian Pinot Grigio left in the contact with the skin for 24 hours – onion peel, sapidity, intrigue – definitely the next level of enjoyment.
16. 2013 Borra Vineyards Heritage Field Blend Lodi ($25) – if you love smoke and tar in the wine as much as I do, this is your wine. Spectacular depth, tobacco, tar, dark fruit – this is how delicious power tastes like. I’m so glad about my discovery of the Lodi wines in 2016 – this wine is a great example of what Lodi is capable of.
15. 2015 Henri Cruchon Nihilo La Côte AOC Switzerland (25,00 CHF) – ahh, fresh crunchy fruit, live, succulent, delicious – organic, biodynamic, pure – the wine I would be happy to drink every day.
14. 2013 Carlisle Grüner Veltliner Steiner Vineyard Sonoma Mountain ($30) – if you want summer in the glass, this wine might be it. Perfect balance of fresh fruit and grass, sprinkled with lemon zest. Refreshing and delicious.
13. 1998 Patrick Lesec Gevrey-Chambertin Vieilles Vignes ($NA) – the barnyard hint on the nose is often polarizing for the oenophiles, but I’m squarely in the “love it!” camp. Add to that touch of barnyard smoke and ripe plums, and you will get a delicious, mature adult beverage. Judging by the wine like this, I need to drink Burgundy way more often (I wish I could).
This was not easy, but we are done for now. Cheers!
To be continued…
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