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Wine Weekend of Ups and Downs
The life of an oenophile is never dull – of course, if an oenophile chooses such.
UP
Let’s talk about “ups” first.
Sine Qua Non. The legendary Sine Qua Non. The Sine Qua Non winery is unique in many ways. First and foremost, Sine Qua Non wines are unique. Of course, every winemaker is sure that his or her wines are unique. But for Sine Qua Non, these are not just bragging words. Every vintage, a different set of wines is produced, and wines do not or rarely repeat year after year. Each wine has a label designed by Manfred Krankl, who owns the winery together with his wife Elaine. And the wines are impossible to get – I had to wait for 10+ years to move from the waiting list to the mailing list.
My sister-in-law and her husband were visiting over the weekend. They both enjoy wine very much – which is a perfect reason to get out a special bottle. Sine Qua Non is better known for its Rhone-style reds, but they produce white wines as well. One of the first wines in my allocation was Sine Qua Non white wine. Communal notes on the internet seem to indicate that SQN white wines shouldn’t be aged for too long, so I decided that 4 years is a good age for this wine, to avoid any possible regrets (who am I kidding – there are always regrets when it comes to wine).
2019 Sine Qua Non Distenta 1 California White Wine (15.3% ABV) is a blend of 41% Roussanne, 26% Chardonnay, 14% Petit Manseng, 12% Viognier and 7% Muskat (Gelber Muskateller), fermented in barrel and matured on its lees, 23 months in 64% new French oak. The sublime nose of whitestone fruit, herbs, and flowers, with a distant hint of tropical fruit. And the palate, the bouquet… As a child, I loved to sing, and I spent some time in the chorus. I was perfectly fine singing in unison, but for the life of me, I could never do the canon, the subtype of polyphonic singing, where each singer has their own melody, and those melodies harmoniously combine together. This wine delivered such a canon singing – beautiful notes of sage, eucalyptus, tobacco, and whitestone fruit were changing into tropical fruit with a touch of bright honey notes. Somehow, it was possible to taste both profiles at the same time. I know I’m not describing it well, but this was the wine I really didn’t want to end… (Drinkability: 9)
By the way, an added bonus – it appears that I never had the Gelber Muskateller grape – and now I can unexpectedly increase my grape count.
DOWN
Over the years, I got two bottles of red wine from Newton Vineyards, a well-respected California winery, as presents, both from the same 2010 vintage, and both identical. I know the producer’s name, but it seems that I only tasted Newton Chardonnay before, and I have no memories of tasting their red wines.
Both bottles were gifted by the sister-in-law and her husband I just mentioned, so I thought their visit was a perfect opportunity to enjoy this wine together.
And so I opened the bottle of 2010 Newton The Puzzle Spring Mountain District Napa Valley (14.5% ABV, 60% Cabernet Sauvignon, 18% Cabernet Franc, 18% Petit Verdot, 4% Malbec).
And the bottle was corked.
I just recently mentioned in one of the social media discussions that I rarely encounter corked California wines. I guess I jinxed it… The cork faint was ever so slightly noticeable on the nose, and the palate kind of seemed okay, so I even decanted it and we even tried drinking it. The decanting made the corked nature of the wine even more apparent, and I pulled the second bottle.
The second bottle was not corked, and it was drinkable. However, it was a bit underwhelming. The fruit was there, it was possible to taste the cassis, but considering that this was a Californian wine, it showed leaner than expected. I would generally consider that Californian wine of such level need at least 20 years to develop, and under normal circumstances I would leave the second bottle alone for another 5-7 years, but oh well. We did enjoy it, of course, I was just hoping we would enjoy it more. (Drinkability: 8- )
STILL DOWN
I’m not going in chronological order here. The Newton red was planned to be the main wine to serve with dinner. As a “pre-gaming”, I gleefully pulled out the 2018 Alto Moncayo Veraton Campo de Borja (15.5% ABV). I opened a bottle of this 100% Garnacha last year, and it was absolutely spectacular from the get-go – succulent cherries and layers of pleasure. I loved the wine so much that it was included in the top two dozen list of 2022 wines as number 13.
Feeling great about myself, I opened the bottle and poured wine into the glasses. At the first tiniest sip, instead of excitement, my instant thought was “ohhh nooo, why is it so sweet???”. I also instantly knew that I’m in trouble with my sister-in-law, as she stopped drinking California Pinot Noirs for being too sweet… And her reaction was exactly what I was afraid of. After the first sip, she raised her head from the glass, looked at me inquisitively, and said with a wry smile “but why is it so sweet?”. This is when we put this bottle aside and proceeded with The Puzzle – and you just read how swimmingly well it went.
Truly, whatever goes up will go down.
AND UP AGAIN
Whatever went down still has a chance to go up.
The very next day, Veraton somewhat solidified at its core, the sweetness subsided, and the structure started to appear. On the third day, the wine was as delicious as I was expecting it to be – succulent ripe cherries, juicy and generous, with crunchy acidity and perfect balance. (Drinkability: 8+).
Here you go, my friends. Another weekend in wine – sometimes you win, sometimes you learn. With the exception of the corked bottle, which is never okay – but as my sales team always said, “it comes with the territory” – it was a great wine weekend, even with all the ups and downs. How was yours?
Weekend in Turley, With a Dash Of Carlisle and Hardy
Many moons ago, my friend Henry and I discovered Turley wines. We were at a restaurant in Manhattan with our wives, either before or after the Broadway show, and on the wine list, Turley Zinfandel (either Juvenile or Old Vines) was one of the reasonably priced wines, so that was the wine we ordered. I don’t remember if I heard about Turley before (maybe), but tasting that wine was a pivotal moment – we fell in love with Turley wines.
Turley Wine Cellars was founded in Napa Valley by emergency room physician, Larry Turley in 1993, and went on to become one of the most prominent Zinfandel producers in the US. Turley produces about 50 different wines from about 50 different vineyards, most of them organically farmed, from all around California. Many of those vineyards date back to the late 1800s. While Turley might be best known for its Zinfandel and Petitte Sirah, they also produce a number of white wines, a number of other reds, and even Cabernet Sauvignon, first produced in 2010, and eloquently called The Label (Larry Turley’s famous saying was that Cabernet drinkers drink “the label”, hence the name – I had my own share of troubles with this wine).
Turley wines are hard to get in the store, and if you really would like to enjoy them at will, you need to be on the Turley mailing list. Turley was one of the very first mailing lists I managed to get on more than 10 years ago, and I had been a happy customer ever since. My friend Henry finally got his first allocation about two years back.
A place on the mailing list still doesn’t guarantee you access to each and every wine Turley makes, and their list operates on a “first come, first serve” basis – I missed quite a few wines that were included in my offering, but disappeared much sooner than I could make up my mind.
Last Saturday, Henry was coming over for dinner, so I had to make it a Turley evening.
Turley makes only two white wines – Sauvignon Blanc and a blend called White Coat. The wine we opened was the 2019 Turley Estate Sauvignon Blanc Turley Estate Napa Valley (13.4% ABV). It is interesting that Sauvignon Blanc was one of the original wines produced back in 1993. Sauvignon Blanc plantings at Turles Estate were replaced with Zinfandel, but then Sauvignon Blanc was planted again on a small section of the dry-farmed, certified organic vineyard. The wine was fermented using natural yeast and it was bottled after 6 months in 100% French, used oak barrels. The wine was an absolute delight, showing beautiful whitestone fruit, perfectly present, perfectly elegant, with fruit and acidity singing in complete balance.
I had a little bit left in the bottle after that evening, and on Sunday I was able to please the most discerning palate in our household – my mother-in-law. She came over for Mother’s Day on Sunday and wanted to drink the white wine. When it comes to wine, she is completely unpredictable, and I always try to pour her wine without showing the bottle – she has lots of preconceived notions about wines and the regions, so I’m always trying to make sure she will just try the wine first, and then I can tell her where it is from. To my delight, she liked the wine, and even when I told her the wine was from California, she still liked it – a serious achievement in this household.
Our next wine was 2021 Turley Zinfandel Rosé California (12% ABV). This wine sometimes is called White Zinfandel, but only to poke fun at the uninitiated (and the bottle is adorned with the white label). This wine is impossible to score – you literally have to press “buy” as soon as your summer offering arrives. The wine is fermented in stainless steel and aged in used French barriques. It is lip-smacking, it speaks cranberries and strawberries, it is very Provençal in its presentation, but Californian in its soul.
And then there was Tecolote – 2018 Turley Tecolote Paso Robles Red Wine (15.7% ABV). This wine is rarer than rare, as you need to know it exists, to begin with. I got it once through some special holiday offer, but it is never included into the standard seasonal offerings. This wine is typically only available in the tasting room, but being a mailing list member has some advantages – I asked if I can get a few bottles, and they arrived just in time for us to enjoy. This wine is a Spanish-inspired blend of 60% of Grenache and 40% Carignane, coming from the specific block in Pesenti Vineyard, planted in the 1920s. Tecolote means “owl” in Spanish, and this is how the vineyard block is also called. The wine offered layers of lip-smacking black cherries, kitchen spices and sweet tobacco. A perfect balance of textual presence, fruit and acidity made this wine disappear in no time…
Next, let me step away from the wine for a bit – but not from the grapes. I rarely talk about cognac on these pages, but then I have an experience to share.
On an average day, I’m a scotch drinker. But of course, I would never refuse a sip of a good cognac. The keyword is “good” – nowadays, it is difficult to find a good-tasting cognac at a reasonable price in the US. However, my recent cognac tasting with my school friend led me to the discovery of Cognac Expert. Subsequently, I got a recommendation from Cognac Expert for the cognac I now enjoy immensely – without any need to break the bank – Hardy Legend 1863 Cognac. This cognac was produced by the Cognac House of Hardy, to commemorate the founding of the Hardy house back in – yes, you guessed it – 1863. This cognac is a blend of spirits made from the grapes coming from Borderies and Petite Champagne growing areas, aged from 2 to 12 years and finished in classic Limousine oak. From the first enticing smell to the long-lasting, coffee-loaded finish, this cognac offers the ultimate pleasure of balance of fruit, spices, and acidity. And at $40, this might be the best QPR cognac out there today.
Last but not least – 2015 Carlisle Mourvedre Bedrock Vineyard Sonoma Valley (14.9% ABV), which I opened on Sunday. Carlisle is another one of my favorite producers, specializing in Zinfandel, Syrah, and Petite Sirah – and some other grapes. The fruit for this wine came from the 130+ years old vineyard, planted in 1888. The wine was aged in French oak, 20% new. It is interesting that stylistically, this wine was similar to Turley Tecolote – succulent tart cherries on the nose and the palate, a touch of eucalyptus, refreshing acidity, perfect balance. This was an excellent wine to finish the weekend right.
Here you are, my friends – my weekend wine story. If you can find any of the wines mentioned in this post you should definitely look for them. And if you like cognac, this Hardy 1863 Legend is hard to beat. And you know where to find it.
Nevermind. I should have never told you that.
Until the next time – cheers!
Latest Wine News and Updates
While wine production is one of the oldest industries in the world, the amount of new, innovative products and scientific breakthroughs in the wine world is nothing short of breathtaking. Let’s take a look at some of the latest news from the field.
Everyone agrees that fake wine is a big problem for the wine industry. There are many tools employed by winemakers to protect the identity of their wines, but the quest for the perfect solution is still ongoing. After 15 years of intensive research, the French INAO (The National Institute of origin and quality), together with the College of Veterinary Medicine at Auburn University in the US announced the successful results of the initial trials of dogs being able to sniff fake wines. As part of the Canine Performance Sciences program, dogs had been trained to identify wines that don’t match the original wine. The training is a very involved process requiring the dog to spend about 2 years at the winery memorizing the original flavor profile of the wines. Once trained, the dogs can easily distinguish the original bottles from the fakes, the same as working dogs who identify illegal substances at customs in airports. The training process is intense and costs about $50K per dog, so this solution is not for every winery. Nevertheless, according to INAO, it will take about 7 years to satisfy all the requests for the dogs received to date.
There are plenty of wine lovers who crave massive, tannin-loaded wines. Such wines are often quite expensive as they require a long aging time in the oak barrels which are costly. What if the oak flavor can be concentrated in the grape itself while it is growing? Impossible, you say? Scientists from UC Davis in California think otherwise. Instead of using the traditional rootstock, UC Davis scientists managed to graft Cabernet Sauvignon vines onto the french Limousin oak rootstock, and after about 7 years of experimentation it seems that resulting wines demonstrate much higher tannin concentration than the wines obtained from the same clone of Cabernet Sauvignon but not grafted on the oak rootstock. Obtaining the same level of tannins would require about 6 months of age for the wines in the control group. Once the research is complete, it will result in significant savings for the wine producers which [hopefully] will be passed on to wine lovers. We should expect to find the first wines based on the results of this research by approximately 2028.
Many wine lovers live with a simple motto – coffee in the morning, wine in the evening. The next news I would like to share with you will, in a way, be related to both beverages. How so? Everyone knows Nespresso, a French company that mastered the simplicity of the perfect cup of espresso at any time with the help of a tiny coffee capsule. Working on a special (very sizeable) grant from French LVMH conglomerate, Nespresso just announced a brand-new machine called – maybe you guessed it – Winepresso. Nespresso scientists found a way to convert the content of the wine bottle to the dry form which is encapsulated in the tiny wine capsule, literally identical to the coffee one. Now, with a push of a button, a perfect glass of your favorite beverage is in your hand at any moment. Based on the opinion of the expert panel, the Winepresso-produced wine is practically identical to the original wine, which is a pretty amazing achievement in itself. The initial set of capsules available upon commercial availability of Winepresso will include two Bordeaux reds, one red from Burgundy, and 3 whites from Loire. It is also known that Nespresso is actively involved in conversations with a few of the famous wineries in Napa Valley. The capsules will be sold in the 5-packs (to be identical to the standard 5 glasses in the bottle of wine). Winepresso machines are expected to appear at select retailers such as Williams-Sonoma and Bloomingdales in time for Christmas shopping. The prices for the capsules and the machines had not been disclosed yet. If successful, you can only imagine how successful this product will be from point of view of sustainability and reduction of the carbon footprint.
Open any news source today, and you are guaranteed to read about ChatGPT, artificial intelligence (AI) software. ChatGPT writes poems, articles, and marketing materials, conducts market research and lots more. It appears that the wine world is starting also to embrace ChatGPT in a variety of ways, many of them quite unexpected. Champagne Piper Heidsieck just announced that they will start a new line of non-vintage Champagne, called Piper Heidsiek AI, where ChatGPT will play the role of the Chef de Cave, responsible for blending the final wines. After the initial offering, both Blanc de Blancs and Blanc de Noirs will be produced. While it is an interesting announcement in itself, I’m concerned with the impact of the ChatGPT on all areas of human lives, now including even wine production. Well, we will see how this story will unfold.
That’s all the latest news I have for you, my friends. Until the next time – cheers!
Stories of Passion and Pinot: Looking Back and Looking Forward 2023
What started from the little idea “yea, I don’t know, I don’t believe in it, but maybe I will try anyway” now became one of my favorite ongoing series in this blog – Stories of Passion and Pinot. Stories of Passion and Pinot are exactly what the title says – these are the stories of the winemakers passionate about one of the most finicky grapes there is – Pinot Noir.
It is a fun exercise to take a retrospective in the ongoing series and see how far I have gone from time to time. So here is the latest update – for me, and for you if you care to read it.
First, last year I created a new landing page for the whole series. This page is kept current, all new interviews are now added to this page and you always know when the page was updated last.
Four new stories were added since the last update: David Adelsheim of Adelsheim Vineyard, Shane Moore of Gran Moraine, Erik Kramer of Willakenzie Estate, and Bill Sanchez of Potter’s Vineyard. All of these are excellent, in-depth interviews – if you have not had a chance to read them yet, you really should do it now.
Interviews in the series have questions tailored to the individual wineries and winemakers with a little overlap between them. However, sometimes it is fun to ask people the same question and enjoy the diversity of the replies. I asked the same two questions to some of the winemakers who had been already profiled in this series – and now I want to share our short Q&A with you.
Sara Specter of Bells Up Winery, Bill Sanchez of Potter’s Vineyard, and Wayne Bailey of Youngberg Hill have graciously agreed to answer my questions, so below you can see my questions – and their answers:
[TaV]: How was the year 2022 for you? New grapes, new plantings, new wines, vineyard discoveries (a new plot/block, for example), new winemaking styles, new wine club, new tasting room, new markets, growing season and the vintage – please share anything and everything you are willing to with our readers.
[Bells Up Winery]: Harvest 2022 was our 10th under the Bells Up label, having moved to Newberg, Oregon in 2012 and making our first vintage in 2013. Harvest 2022 was also what we’ve been calling “the end of the beginning.” It was the first year we were “100% Pinot Independent,” meaning we didn’t source Pinot Noir from any other grower for the first time. It was a wonderful experience working with other micro-site growers who were very much like us. But our goal has always been to be as close to 100% estate as possible, and now we are… at least for the Pinot Noir. We were also delighted to see that the Pinot Blanc we planted in Fall 2021 and the Schioppettino we planted in Fall 2020 continued to do well, despite some initial concern from the late frost we had in April.
[Potter’s Vineyard]: 2022 was good but tough. It was tough due to the spring frost that wiped out 80% of the primary buds in our vineyard. The cool, wet spring led to a late start to bloom and fruit set. We literally did not know if we would have only a tiny harvest or something close to normal until late in the season, which led to a lot of turmoil. We decided to stay the course and farm it normally assuming that we would have something and of course take care of the vines for the following year. Amazingly, the vines rebounded and we ended up with about 70% of our normal yield. And because we farmed and sprayed diligently we did not suffer from the very high amount of powdery mildew that descended upon the Northern Willamette Valley that year. It was also a year where we added some new effective organic compounds to our organic farming spray program that probably helped fend off powdery mildew. The Pinot noir fruit was beautiful but we had much less of it. 2022 was also a pivotal year for us in our business. We bottled our 10th vintage and pondered all year what we would do for the next 10 years. We’ve made good wine but we decided to try to make better wine as our goal. We hired a Burgundy trained winery consultant with 35+ years experience. Combined with our 15+ years we now had over 50 years of combined experience to gain from. We fine tuned every protocol we had in place and added a lot of additional analyses to our tool box. We also added a new barrel-side wine analysis device to help us get more analyses done more efficiently and timely. This helped us get through a tough set of late fermentations of our other varietals that ripened later than normal due to cool spring throughout the NW. So for us it was a long, tough, and educational year but successful due to our added help and resources.
[Youngberg Hill]: Great growing season. Great balance and complexity in the fruit. A more typical season for the Willamette Valley, later wet spring, cool September and October harvest.
[TaV]: What are your plans for 2023? What do you think the future holds?
[Bells Up Winery]: In 2023 we hope to get enough fruit from the Schioppettino to make a proof-of-concept batch. We will also be releasing our very first bottling of bubbles. The 2022 crop of Seyval Blanc from our estate (first planting in the Willamette Valley of this French hybrid and only the second in the state of Oregon) will be released in a brut style under a new label, “Joy.” In keeping with our practice of naming wines after pieces of music that have terrific French Horn parts, this one is named for Ludwig van Beethoven’s Symphony No. 9 in D Minor, “Ode to Joy.”
[Potter’s Vineyard]: We plan to continue with this new approach to taste the ‘fruits of our labor’ and continue improving as much as we can. We know the future will be tough with another global recession looming, however, we will continue to work hard to provide wine lovers a small vineyard & clay art gallery experience and premium wine.
[Youngberg Hill]: We will get our first fruit from the new Wayne’s World block this year, clones 667 and 115. Regarding what the future holds – who knows?
It is so interesting to see different takes on the vintage, the conditions, etc – and of course the future plans. It will also make it fun to ask the exact same questions next year.
There is a number of new interview ideas in the works, so as they like to say it – watch this space…
Uruguay Wines – Coming Of Age
Do you know the problem many wine lovers share? We are creatures of habit.
Once we develop our inner “favorite wine” profile, we don’t let any changes happen to it. We like what we like. Never heard of this region? Thank you, I’ll pass. God forbid we fall in love with the particular producer – this is even worse than the region – nothing is ever good enough outside of the circle of our favorites.
And this is generally okay. Except we are putting ourselves in danger of losing on new, enlightening, delicious experiences.
When I was invited to the Uruguay wine webinar, my first reaction was “nah”. I mean, Uruguay, really? Between Chile and Argentina, my South American world-class wine circle is already full – do I need to bother with the wines from a totally unknown region?
On second thought – this is a webinar. Wine is coming to me, not like I need to travel somewhere to taste the wines I can potentially be disappointed by. Why not?
I’m glad I accepted the invitation. Both the information and the wines were lots of fun. We learned that while Uruguay has a population of 3.5M people, 2nd smallest size-wise country in Latin America, the country has a 98.7% level of literacy, the highest in Latin America. People in Uruguay are mainly descendants of Italians and Spaniards so they literally have wine embedded in their DNA.
Winemaking in Uruguay started in the 13th century. Today, there are 164 active wineries, producing 70M bottles of wine annually. Uruguay is currently in the process of implementing its own sustainability program. And by the way, the oldest winery in Uruguay dates back to 1854 and is called Los Cerros de San Juan (still open today!).
Uruguay has primarily a maritime climate with strong Atlantic influence, with the majority of low-lying coastal vineyards. Uruguay’s climate is closer to Bordeaux than the rest of South America, and it is significantly wetter if compared with Chile, where it rains only during the winter. Soils are clay based with lots of river deposits. Uruguay has six main winemaking areas, boasting 5 different terroirs. Warm and cold ocean currents collide right around Uruguay, creating significant influence. Interestingly enough, Uruguay is the only winemaking country in South America whose terroir is affected by the Atlantic Ocean.
When it comes to grapes, there are 14,804 acres under vine (a little smaller than Alexander Valley in California). Tannat is unquestionably a star, accounting for 27% of vineyard plantings., but it is not the only grape, obviously – Merlot, Cabernet Sauvignon, Cabernet Franc, Sauvignon Blanc are all quite popular as well.
And before we talk about wines, few more interesting tidbits: cows outnumber humans in Uruguay 4 to 1 and Uruguayans consume more meat per capita than any other country in the world!
Okay, now you know all that I learned in the webinar, and we can talk about the wines.
We had 2 whites, 6 reds, and one Vermouth wine in the tasting. Spoiler alert: I literally liked them all. In the blind tasting, these wines would be surely regarded as world-class, placing them in California, France, maybe Chile – Uruguayan origin of these wines would be a total surprise for many – for sure for me. And yet, here they are – world-class wines from Uruguay.
2022 Marichal Sauvignon Blanc Canelones Uruguay (12.5% ABV, $14)
C: light golden
N: plump, round, Whitestone fruit, a hint of gunflint
P: crisp acidity, fresh, bright. More resembling Muscadelle than anything else. Good balance.
V: 8, very refreshing.
2022 Bracco Bosca Ombú Moscatel Atlantida East Costal Region of Uruguay (13% ABV, $16)
C: light golden
N: very interesting. Muscat’s spicy, nutmeg profile comes as a distant hint. A touch of perfume
P: restrained tropical fruit with an acidic finish.
V: 7, not balanced enough for me; On the second and third days the wine showed much better, more coherent and more elegant – Drinkability: 8-.
2020 Familia Deicas Bodegones del Sur Vineyards Select Cabernet Franc Juanico Region Uruguay (13.5% ABV, $20, 30% aged in American and French oak)
C: Beautiful bright ruby
N: round vanilla, new world style
P: interestingly restrained on the palate, with noticeable tannins. The palate shows the absolutely old world (Saumur, Chinon). Interesting cranberry notes after an hour and a half in the open bottle.
V: 7+/8-, a bit unexpected, but not bad
Improved on the second day, became more round. Final: 8-
2020 Giménez Méndez Alta Reserva Tannat Las Brujas Canelonés Uruguay (14% ABV, $18, aged for 9 months)
C: Dark Garnet
N: Open, inviting, dark fruit, blackberries
P: Dark fruit, firm structure, smokey undertones, herbs, very good balance.
V: 8, well drinkable now
2019 Montes Toscanini Gran Tannat Premium Uruguay (14% ABV, $59, 18 months aged in oak, BAB with a huge punt)
C: dark garnet, practically black
N: wow. Cassis, sweet oak, eucalyptus, open, inviting, invigorating. In a blind tasting, I would bet my life on Napa Cabernet Sauvignon.
P: the palate is leaner than the nose suggests. Red and black fruit weave around a firm structure, tannins showed up a while after opening.
V: 8-/8, very impressive
2018 Pisano RPF Reserva de la Familia Tannat Region Progreso Uruguay (% ABV, $24, 10–12 months in French oak)
C: dark garnet
N: dark fruit, coffee, smoke
P: a hint of smoke, sapidity, dark, concentrated but not overpowering. Good balance, medium-long finish
V: 8-/8, very nice. Will be great with the steak.
2018 Alto de la Ballena Tannat – Viognier Uruguay (14% ABV, $24, 85% Tannat, 15% Viognier)
C: Dark garnet, almost black
N: herbs-forward nose, sage, a hint of cherries
P: fresh fruit, salivating acidity, sage, firm structure, and perfectly lingering cherries and cherries pit finish.
V: 8, great by itself, and will be great with beef roast
2019 Bouza Monte Vide Eu Montevideo Uruguay (13.5% ABV, $67, 20% Tempranillo, 30% Merlot, 50% Tannat, vinified separately, 16 months in French and American oak barrels)
C: dark garnet with a beautiful ruby hue
N: very complex, cherries, rosemary
P: roasted notes, dark fruit, elegant package, firm structure with a perfectly balanced mouthfeel.
V: 8, excellent, a world-class wine.
Basta Spirit Vermut Flores Rosé Uruguay (16% ABV, $16, Tannat, 27 botanicals)
C: beautiful salmon pink
N: Herbaceous, but a bit strange, stewed strawberries
P: a bit too sweet for my palate.
V: I’m very particular about the vermouth, so this is probably not the one for me.
Here you are, my friends. Next time you see an Uruguayan wine on the shelf, obey your thirst and grab it – and you don’t even have to thank me later.
OTBN Conundrum
OTBN, short for Open That Bottle Night, is my favorite wine holiday. Nowadays, there are lots and lots of wine holidays, usually associated with a particular grape – International Chardonnay Day, International Cabernet Day, Beaujolais Nouveau celebration, and so on. The majority of such wine holidays encourage you to open a bottle of wine made from a particular grape, whether there is a story behind the bottle or not. You can take these grape holidays with all seriousness and meticulously prepare and select the right bottle, or you can just grab any random bottle you will see in the store – or skip the grape holiday altogether if you don’t feel like drinking Cabernet Sauvignon or Chardonnay on that particular day.
OTBN is different. OTBN was invented for people who take their wine seriously. Or maybe rather those who take their wine too seriously. Over the years, we accumulate wine bottles that are deemed special; brought home from the winery you visited in France; got this bottle after an amazing tasting event; a bottle from an amazing family vacation many years ago; a bottle given to you by a dear friend. We can continue on and on, but you got the point.
Many of those special bottles in your collection would have some similar traits: they exist in the quantity of 1 and they are too special to be opened at random. Those special single bottles stay put in your cellar, waiting for the special company, special circumstances, special moment, special friend’s visit to be opened and enjoyed. More often than not, they keep waiting, and waiting, and waiting, because that special moment keeps not happening. And then, when it finally arrives, you might open that special bottle you preserved with the best care in the world, only to find that the content can solicit the memory but can’t bring you joy anymore because the wine in the bottle simply turned past prime. And it also kind of ruins the moment. This is why OTBN was invented, and this is what makes it such a great holiday for all the winos out there.
My personal conundrum draws exactly along the lines I just described. I have a lot of single bottles (actually, an absolute majority of my wines in single bottles – I practically never buy any wine by the case), and as such making a decision about a “special” bottle of wine for an event or a holiday, never mind the hallmark of them all, OTBN, a long and tedious process. “Is this bottle good enough? Okay, but I only have one. What if I will open it now and would never know how great it could’ve been? What do I do? What do I do?”
Same as the last year, I had to celebrate OTBN early this year due to the business trip spanning over the intended OTBN last Saturday of the month, February 25th. My wife doesn’t drink much wine nowadays, so I had to count primarily on myself. I had no good ideas coming to my head, there were no special bottles of wine I was ready to sacrifice. Looking at one of the wine fridges, I noticed the bottle of Jean Bourdy from Jura.
I don’t take Jura wines lightly, they are very hard to procure in the US. And then Jean Bourdy is a legend in itself – I better have a damn good reason to open such a special bottle. Then I thought that I already had some Jean Boardy in the past – maybe I would find some notes in the blog? I entered Jean Bourdy in the search box, and sure enough, this post came up. I tasted this wine in 2011 when I attended a Natural Wines seminar at PJ Wine store in New York – my first, a truly memorable encounter with natural (low intervention) wines as a category. I tasted this exact wine, 2006 Jean Bourdy Cotes Du Jura Rouge (fun fact: 2006 was the first vintage of Biodynamic wine production at Caves Jean Bourdy). I really liked the wine then, and my note said “It appears that wines of Jean Bourdy are known to age very well (note to self)”. As soon I saw this “note to self”, I instantly put that single bottle of Jean Bourdy back, as 17 years is most likely not an age for it.
In the same post, I noticed another wine that happened to be next to Jean Bourdy bottle on the same shelf – 2007 Le Pavillon de Saint Jacques Lalande de Pomerol. I pulled this bottle many times from the fridge before, always remembering that this was a natural wine, but again, no moment felt special enough. Then I read my note from 2011, which was clearly less than favorable. Here it is in its entirety:
“Very interesting. Smells like dirt, pure dirt after the rain. Very vegetative, no fruit on the palate, just pure dirt again. Almost no acidity. This wine was fermented in concrete tanks, aged for 18 months. It is “certified organic” and made with 90% Merlot and 10% Cabernet Franc – classic Pomerol wine. I would love to taste it in 10-15 years – I think it will greatly evolve, but it is not easy to say ” I like it” now”.
This “note to self” clearly stated that the wine was not good in 2011, but I should give it another try in 10-15 years. I was pretty much in the middle of that suggested term – 12 years after the original tasting, so opening that bottle all of a sudden became a perfect thing to do.
Cork came out easily, showing a good amount of crystals on the bottom, but otherwise perfectly fresh. The first sip instantly put my inner wine geek into a nirvana state. Barnyard. Pure, beautiful barnyard. If you belong to the group which screams “brett” at the first whiff of the barnyard smell on the wine, I’m sorry but we can’t be friends. Yes, there are limits to everything, but the reasonable amount (don’t ask me to quantify, everyone has to define their own “reasonable amount”) enhances the wine pleasure for me. I typically find barnyard associated with Syrah wines – possibly, this was my first Bordeaux with the barnyard aroma – but the barnyard aromas were followed by the classic, concentrated cassis. Layered, concentrated, softly rolling harmonious wine with perfect, firm structure and clean acidity. Beautiful, classic Bordeaux. This was truly an OTBN-worthy pure pleasure experience (by the way, my wife also loved the wine very much).
Here you go – my typical wine selection conundrum, happily resolved to make another memorable night. And as a bonus, the expectation of improvement of the wine with age fully came through (patting myself on the back).
The official OTBN night is almost here. You still have time to select the bottle or 5, maybe get some friends together and make some wonderful wine memories. If you want to celebrate only one wine holiday a year, make it OTBN – don’t risk the wine not being there for you, or you not being there for the wine.
And please share your OTBN stories – I would love to hear them.
Daily Glass: Unexpectedly Stunning
Expect the unexpected.
When people hear that beaten up “expect the unexpected”, I’m sure in at least 80% of the cases, the expectations are negative. “Expect the unexpected” generally implies that one should always be prepared to deal with seemingly unexpected and often hostile circumstances.
In the wine world, we might want to adjust the “expect the unexpected” ever so slightly. By its nature, wine is always unexpected. Bottle variations, spoiled wine (think corked, for example), serving temperature, ambiance, food, company – everything affects the taste of wine – and I’m not even talking about root and flower days. Every bottle is a mystery – even if you had that same wine from the same producer and the same vintage 100 times before, when you are looking for pleasure you should open the bottle with trepidation. Every bottle is a mystery, and you never know what you will find inside.
I already had this exact wine before. 1998 d’Arenberg Cabernet Sauvignon High Trellis McLaren Vale was number 16 on my top 20 wines of 2020 list. 1998 is one of the special years in my book, so I’m always on the lookout for affordable 1998 wines. I came across this specific wine at the Benchmark Wine Group wine store, and at $19 per bottle, it was well worth the risk. Of course, d’Arenberg is an excellent producer and I trust their wines – but aging the wine changes a lot of things and nobody can truly predict what would happen with wine as the result of the aging.
When it comes to aged wines, when everything works well, the expectations are resembling the bell curve. In the optimal case, we expect the wine to gradually improve, then stay at its peak, and then gradually decline. But every bottle has its own bell curve associated with it – how long will it take for the wine to reach the top of the peak, for how long the wine will stay at the peak, when the wine will start declining – every bottle has its own story, and nobody can predict how a particular bottle of wine would behave. This makes drinking aged wines great fun – you never know what you will find behind the cork. This also makes drinking the aged wines a source of frustration – until you successfully pull the cork out, take a sip, and smile happily, the frustration lingers.
You are unquestionably doubling this frustration when you are opening the aged wine you already enjoyed before. In general, before you open the wine, you base your expectations on the reputation of the producer, the region, the winery, and maybe on the vintage. Once you tasted the wine, you acquire the frame of reference, so when you will be opening the bottle of the same wine as you already had, your expectations are based on your prior experience – “ahh, I liked it before, I hope the wine will be as good as it was the last time”.
The last Sunday, we had a good reason to open a bottle from the 1998 vintage, so this was the bottle I decided on – for no particular reason, the decision formed in the head by itself. I used the ah-so to gently extract the cork, only to find out that I had no reason to worry, and the regular corkscrew would do just fine – the cork was in very good shape.
Once in the glass, the color increased the hopes for the enjoyable experience – dark ruby, not a hint of brickish color which old reds might acquire. And the first whiff from the glass put absolutely all the worries away. Ripe cassis, eucalyptus, a touch of sweet oak – the aroma was beautifully enticing, seducing you only as the Cabernet Sauvignon can. And the palate… The palate completed this mesmerizing experience, offering ripe dark fruit, cassis, still fresh and firm structure, a beautiful herbal bouquet, and a perfect balance. Not to try to take anything from the Australian wines, this was a Napa Cab-like experience. (Drinkability: 8+/9-).
I pumped the air out and couldn’t get to the wine for the next two days. On the third day, I poured a glass, this time expecting that the wine is gone. To my total surprise, the wine closed up, now more resembling the young Brunello, perfectly firm, dense, and cherry-forward. The fact that the wine was perfectly fine 3 days after being opened gives me hope that the wine will be good at least for another 15 years – and this time around yes, I have another bottle.
Here is my story of the sudden pleasure. Do you like aged wines? Are you intimidated by aged wines? Do you also expect the unexpected? Let me know what you think.
Until the next time – cheers!
I Still Don’t Understand…
This is not really a rant. I guess this can classify as rambling. Or “asking for a friend” might be the best way to classify this post.
Nevertheless, let me share my frustration.
The question is as simple as it is proverbial. When you take a sip of wine (you can make it a glass, doesn’t matter), do you judge the wine at that moment?
Hold on, while you ponder this, let me add a few layers.
You read the description of the wine. The wine sounds great. The wine sounds like something you want to buy and you want to drink, so you buy it.
Some time later (let’s say, 10 months later), you open a bottle. You remember it came with the recommendation, so you are full of anticipation – or not, maybe you even forgot the raving review. But this bottle is in your cellar, as you had a reason to buy it. So it is rightfully expected to be a good bottle of wine.
You pour a glass. You take a sip. The wine is perfectly fine, no faults, all is good, but the wine gives you nothing. Forget pleasure – the wine is flat and pedestrian, it doesn’t deliver anything, doesn’t cause any emotion. Just flat and boring. You let it breathe for an hour or even two, and still, there is nothing. Does this story sound familiar? Can you picture yourself in this situation?
So here is the first part of the question. How do they do it? The people who reviewed the wine and called it “Killer Bourgogne Rouge” – how come you can’t see an eye to eye with them? I get it when the wine solicits emotion and it is not your wine – this I understand. I remember Robert Parker raving about Ball Buster Shiraz, and the wine was incredibly overdone to my taste, I couldn’t enjoy it at all, but at least that wine didn’t leave me indifferent. But this is not my point. Let’s continue.
While I was not happy – I rarely get to drink Burgundy, so I really want every Burgundy experience to be special – I still did what I always do. Pumped the air out and left the bottle on the counter.
The next evening, I poured another glass to decide on the fate of the half bottle which was left. I took a sip, and couldn’t believe that I’m drinking the same wine that was flat and boring the day before. The wine opened up, it had depth, the fruit, minerality, forest underfloor, hint of smoke, acidity – all were at a beautiful interplay. The wine instantly went into the “delicious” category, and that half a bottle didn’t last for too long.
This brings us to the second part of the question. How do they do it? The wine critics and professional reviewers – are their palates so much more sophisticated than mine? There is no way they wait for the wine for a day or two to open up. Where I see “flat”, they can really see the full beauty? Or is there something I miss?
Domaine Rebourgeon-Mure is one of the oldest in Burgundy, tracing its roots back to 1552. The property spreads over 3 appellations – Pommard, Volnay, and Beaune, allowing wines to be produced in each one of those applications. The domain practices sustainable viticulture; the grapes are harvested by hand, and the wines are aged in 17th-century cellars in partially new oak for 14-18 months.
The wine I’m talking about here was 2019 Domaine Rebourgeon-Mure Cuvée de Maison Dieu Bourgogne (13.5% ABV, $26.98 at Wine Exchange), and after giving this wine time to open, I have to fully agree with “Killer Bourgogne Rouge” definition. Yet I know that I couldn’t enjoy this wine from the get-go.
So what can you tell me? Is this simply my personal handicap, or is there something fundamental I’m missing?
Whatever you want to say, I’m all ears…
Daily Glass: Monday Night Wine
Monday night. The first working day of the week is over. Or it might not be over, who knows. But it is Monday, and the week is just starting. Is there a wine more suitable for Monday than any other day of the week?
Friday night is easy. Friday always means fun and celebration. Friday is already playful, so unless you have serious dinner plans aligned, Friday night wine might be even a cocktail for all I can tell.
I guess Saturday is asking for a serious wine, no matter what. It’s the middle of the weekend which is always special. Thursday… well, I don’t know about Thursday, let’s get back to Monday.
So how do we select the wine for Monday night? Most likely, you are at home. Most likely, it is only you and your spouse drinking. Most likely, you are not in a hurry. Most likely, you can take your time and enjoy that glass for as long as you want. Considering all of these “most likely” circumstances, let’s settle on the thought-provoking wine. The wine which shows its beauty slowly, sniff by sniff, sip by sip.
Can you think of a wine that would match this description?
While you think about it, I will lead by example and offer to talk about my Monday wine.
2019 Turley Bechtold Vineyard Cinsault Lodi (12.4% ABV). Wine from one of my favorite producers – Turley. Wine from one of my favorite wine regions in California (and not only in California) – Lodi.
Lodi flies under the radar for a lot of wine lovers. Everybody knows Napa and Sonoma. Californian Pinot Noir aficionados probably know Santa Barbara County. Meanwhile, Lodi is where Robert Mondavi went to high school and where his father run the grape-packing business. Lodi is the single largest AVA in North America, and Lodi is where Napa winemakers go to get their grapes. Maybe most importantly, Lodi is home to a number of old, continuously producing vineyards. Of course, everyone likes to lay a claim to the “oldest vineyard” here and there – however, Bechtold vineyard in Lodi was planted in 1886, and oldest or not, 136 years of continuously producing fruit deserves the utmost respect.
Lodi might be best known for its old vines Zinfandels, but our Monday wine tonight is made out of Cinsault, a grape typically used in Rhône and Provence. Cinsault wines typically offer a fruity and floral profile with some pungent undertones.
2019 Turley Cinsault was made using whole cluster fermentation with natural yeast and aged for about 7 months in used French oak barrels. The result was the wine that delivered that thought-provoking Monday night experience we were talking about.
On the nose, the wine offered fresh berries and a hint of the forest floor. On the palate, there was a delicate interplay of raspberries, sour cherries, tartness, and acidity, all packaged together delicately but firmly, and finishing off with sour cherries and cherry pits, long-lasting and offering an opportunity to enjoy a quiet moment. (Drinkability: 8/8+)
That’s how my Monday night wine was (delicious!). How was yours?
Daily Glass: Yin and Yang
Obey your inspiration.
Yin and Yang are too big of a concept to casually use while discussing everyday wines. Black and white. Darkness and light. Night and day. Passive and active. There is a lot of meaning behind the revolving black and white semi-spheres, and we would need a few (4, 5, …) bottles of wine to discuss it. So what gives?
I was drinking a bottle of wine for 5 days. Open, pour a little into a glass, drink, hope to be amazed, close, pump the air out, put aside. Repeat. And then I opened a bottle for a Friday night dinner of homemade tacos, and the wine was delicious and approachable from the moment it hit the glass. Yin and Yang, the brain said. This is a perfect title for the post. Who am I to argue?
Yin is a black portion of the circle of life. 2014 Bodegas Riojanas Rioja Gran Reserva (13.5% ABV, $19.99 at WTSO, $49.99 on the web) was the Yin at the moment.
Bodegas Riojanas was founded in 1890 by the Artacho family which had a long winemaking history prior to that. Unlike many other Rioja’s Greats, who set up their wineries close to the train station in Haro, Bodegas Riojanas winery was built in Cenicero, where the grapes grew. Bodegas Riojanas was among the 13 founding wineries behind the Rioja DOC denomination. Today, Bodegas Riojanas farms 250 acres of vineyards and produces a large number of white, red, Rosé, and sparkling wines.
Bodegas Riojanas Gran Reserva is one of the flagship wines. 100% Tempranillo, aged for 24-30 months in the casks, produced in traditional Rioja style. 2014 vintage was rated “good” in the official Rioja vintage classification – the best years are identified as “Excellent”, then “very good”, and then “good” – so we can say that this was an okay year. Traditional style Gran Reserva wines are typically tight and need time – and so was this wine. For 5 days, as I was tasting it little by little, the wine was opening up ever so slightly. Don’t get me wrong – it was drinkable for someone who likes the power and likes to drink super-structured, super-tight wines. On day 5, there was a glimpse of cherries and a cigar box, which was slowly replaced by the tannins on the finish. This is the wine with promise, but we need to wait until the Yin will turn.
Now, the Yang – 2018 Casa Santos Lima Confidencial Reserva Vinho Regional Lisboa (13.5% ABV, $9.99, 10+ grape varieties, 6 months in the French oak cask).
Casa Santos Lima also has a history that lasts more than 100 years. The company had great success as a producer and exporter at the end of the 19th century. In 1990, the company was restarted, and today 90% of the produced wines are exported to more than 50 countries on 5 continents. Casa Santos Lima produces a wide range of wines in all the regions in Portugal, with a significant focus on providing value.
It is not for nothing this wine is called Confidencial. You might know that I excel and take pride in being a very capable grape sleuth. And nevertheless, as the name says, I was only able to find out that the wine is produced out of more than 10 confidential varieties – nowhere there are any hints on what those grapes might be.
This is not necessarily surprising. Yes, it can be a clever marketing play (humans love mystery), but at the same time, lots of grapes in Portugal are growing as field blends, where the grape grower doesn’t exactly know what grapes are growing in a given vineyard or a given plot – this might be a great idea to simply declare such blend as “confidential”.
Based on my experience with Portuguese grapes varieties, I would think that Touriga Nacional is a part of the blend, with the wild strawberries being a telltale sign. In any case, the wine was delicious with soft and supple wild strawberries and raspberries forming the core, and sage and other garden herbs playing a supporting role. Layered, velvety, and round – perfectly approachable and enjoyable right at this moment. (Drinkability: 8-/8).
Yin and Yang are all about harmony, and things that are changing in life – what was white can become black, and the other was around. The light can bring warmth or it can kill. The darkness can be scary, or it can be comforting.
With time, these two wines can completely change places. The Rioja might become absolutely stunning in 25-30 years., The Portuguese red might be past prime even in 10. The Yin and Yang can swap places. But we don’t know what will happen in the future, and that makes it all fun. Let’s drink to the harmony in life. Cheers!
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