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Daily Glass: Unlimited Pleasures
I opened the bottle.
The wine was delicious. I will be happy to drink it again.
The end.
Simple story, right? Boring too, I guess, but – it doesn’t always work like that. Quite an opposite – I opened the wine. It was okay. I don’t want to drink it again. The end. But this is not the story anyone wants to talk about.
Let’s go back to the delicious wine.
If you read this blog for any extended period of time, I’m sure you already know: I love aged wines. Contrary to what typical wine articles advocate – stating that the absolute majority of the wines should be consumed young and should never be aged – I absolutely believe that a significant number of wines, especially reds, not only can age but also improve with age. The evolution of the wine in the bottle is what we are after. Young wine can be perfect and deliver lots of pleasure to the drinker. Well-aged wine delivers lots and lots more – it is not just pleasure, it is often the whole experience. My latest proof and case in point (wish you were there) – 1999 BV Rutherford Cabernet Sauvignon.
If you like drinking aged wines, and share my view that many wines can age, the good news is that you don’t always have to personally buy the wine and wait for 20 years before drinking it. I found this wine while browsing the Benchmark Wine website. Benchmark Wine Group buys collections and then sells the wines at the market price without an auction. “Collection” doesn’t necessarily mean only DRC and Petrus – collections also include wines suitable for everyday drinking. Those “everyday wines” represent great value, as aging is included, and often it doesn’t cost you anything – I paid $30 for this exact 1999 BV Rutherford – and I can get the current (2016) vintage of the same wine in New York area for $29.99. Yep, I rest my case.
BV, which is short for Beaulieu Vineyard, is one of the iconic California wineries, founded in 1900. This is where André Tchelistcheff, often referred to as Maestro, honed his winemaking craft, completely changed winemaking at BV, and tremendously influenced winemaking in California ever since his arrival to Napa in 1938. It is impossible to talk about André Tchelistcheff within a short blog post, and I’m sure you can find hundreds of articles and books talking about his legacy. André Tchelistcheff retired from the active winemaking duties in 1973 – and I read somewhere that the last great vintage from BV was 1972. I wish I could compare 1999 which I had with 1972, but for my palate, even 1999 completely over-delivered.
The wine opened up with an intense nose of eucalyptus and mint – you could tell from a distant corner of the room that this was classic California Cabernet Sauvignon in the glass. The palate followed with layers upon layers of black currant, eucalyptus, mint, bell pepper, all interwoven in complete harmony. A perfect balance of fruit, acidity, tannins – every sip was repeating that full performance over and over again.
At the end of the evening, the wine showed a bit of the plum and dried fruit and made me think that I was lucky to catch the wine at its peak. On the second day, the wine showed a bit more restrained, somewhat losing great energy it had the previous evening. On the third day, the wine changed again, bringing back the same black currant and eucalyptus, however this time in much leaner, classic Bordeaux fashion, and really showing up young, full of energy and promise.
Not only this was a delicious, well-aged wine, but it was also [expectedly] a memory catalyst. I had an instant flashback of memories of a wonderful visit we had at BV about 8 years ago, tasting not only multiple vintages of Georges de Latour Private Reserve Cabernet Sauvignon, but also unique clonal Cabernet Sauvignon wines. It is amazing in how many ways you can enjoy a simple sip of delicious wine.
That is my story, friends. Well-aged wines are amazing – can you tell yours?
Wine Opinions, Forming and Changing
Well, this might be a dirty laundry type of post which I might regret later – but sometimes, it is good to look into the mirror, so let’s talk.
How do you form an opinion about the wine? Is it on the first sip? Is it after a glass? Is it based on tasting the wine, let’s say, for an hour or two and slowly deciding if you like the wine or not, sip by sip? Equally important – what other factors contribute to that said opinion? Critic’s 95 rating – would that affect your opinion? Respected friend’s recommendation – how important is that? I’m not even talking about ambiance, mood, food, or any other factors.
Okay, now I have another question.
Your opinion about the wine is formed. What would it take to change it? Is it enough to taste the wine once to change your opinion completely? Or would you need multiple encounters to have your opinion changed completely, doesn’t matter in which direction? Well, actually I think here we need to differentiate here between positive and negative opinions. If your opinion was positive, it will probably take a few unsuccessful encounters with the same wine to decide that you made a mistake the first time. But in case of a negative opinion… it gets more complicated. Would you even be willing to give the wine a second chance in such a case? What would make you pick again the bottle of wine you didn’t appreciate before?
Let’s make it more practical.
For a long time, I saw John Fodera, who is an expert in Italian wines, give the highest praise to the wines of Campochiarenti from Tuscany. I had an opportunity to finally taste one of the Campochiarenti wines – 2016 San Nicola Chianti Colli Senesi, one of the most basic wines in the Campochiarenti portfolio. Granted, I tasted this wine during the grand festivities of the open house John hosted during the OTBN Saturday – after tasting a variety of Gran Selezione, Super Tuscans, and a magical 1999 Soldera. And in the middle of all that extravaganza, the Campochiarenti Chianti’s appeal was lost on me. I mentioned in the post that the wine was “classic and simple”, but the major point was the price – it was an okay wine for the expected $12 when the wine will finally make it into the USA. Not that I didn’t like the wine, but I didn’t care much for it either – my palate perceived it as too dry and unidimensional.
Erich Russell, who I wrote recently about, has a business relationship with Daniele Rosti, the winemaker at Campochiarenti (Rabbit Ridge soon will be releasing the wine which will be a blend of Italian and California wines), and Erich happened to import a good number of Campochirenti wines to be able to showcase his future joint releases, which he now has available via his website. A few weeks ago, while I was ordering the birthday present for my sister-in-law in the form of the Rabbit Ridge wines, I recalled that she and her husband love Italian wines, so I decide to include a few bottles of the Campochiarenti wines in my order.
This past weekend we visited my sister-in-law who lives on Cape Cod. While deciding on the wine to take with us to see the sunset, I realized that this was a great opportunity to see what am I missing about this 2016 Campochiarenti San Nicola Chianti Colli Senesi – considering the universal love the wine has, I needed to try it again. It only took me one sniff and sip to have my opinion changed completely. The wine was absolutely mindblowing, in both bouquet and the taste, bursting with succulent cherries and offering velvety mouthfeel and impeccable balance. The picture above perfectly summarizes the way I felt about the wine – a double score, an amazing sunset paired with a superb wine.
After coming back and ordering my own case, I can now offer you another case buy recommendation. Visit Rabbit Ridge wine shopping page here, and look for the wine called Danielle – at $15, this wine is an absolute steal. You can also try Campochiarenti Vernaccia di San Gimignano, which supposed to be on par with the Chianti (when ordering, you can specify how many bottles of white and red you want) – I’m waiting for mine to arrive soon.
That is my story of a changed wine opinion. It was very easy for me, one sip and done. How about you? Have you changed your wine opinions and how? Do tell! Cheers!
Latest Wine News and Updates
Of course, it would be too much to say that wine is in the center of everyone’s attention – but it is a beloved beverage for hundreds of millions, and some tens of millions are involved in wine industry one way or the other, so the wine news definitely gathers some attention.
From time to time, I share in this blog some of the interesting tidbits of what’s going on in the wine world, so here is the latest round of newsworthy happenings around the globe.
When you hear Chateau d’Yquem, what do you think of first? Of course, the quintessential Sauternes, the magical elixir not even produced in all the years. But – do you know that Chateau d’Yquem also produces dry white wine? It is called “Y”, and it is a tasty blend of Sauvignon Blanc and Semillon. Last month, Chateau d’Yquem announced that they will be expanding their portfolio and adding … wait for it … a red wine which will be called Y Not. It appears that 5 years ago, Chateau d’Yquem replaced some of their Sauvignon Blanc plantings with the Cabernet Franc, Merlot, and Petit Verdot, and now it is ready to produce the first vintage. The 2019 Y Not will be released in 2022. The price had not been disclosed at the moment, but considering the total production of 300 cases, you can imagine that it will not be inexpensive.
We are not done with Chateau d’Yquem yet. It leaked to the press that venerable Harlan Estate from Napa Valley, one of the topmost cult wine producers in the USA, enlisted the help of Chateau d’Yquem to start production of the dessert wine! The wine will be produced from the late harvest Cabernet Sauvignon. It is expected that the wine will be aged for at least 2 years in the mix of old and new French oak barriques, and probably 1 year in the bottle. The wine will be called Sweet Baby Harlan, and the 2020 vintage will be offered to the mailing list members at one 375 ml bottle per customer with the starting price of $1,100. Considering the tiny production, this wine will be impossible to get for a while.
Our next news is really bazaar. It’s been reported in The Eagle-Tribune in North Andover, Massachusetts that a number of Market Basket supermarkets experienced a little mayhem in the bottled juice section of the stores – the juice bottles (narrowed down to the grape juice bottles only after the few incidents) started to blow up at random, covering customers in sweet and sticky liquid. The culprit was traced to the popular brand of grape juice – Welch’s. Welch’s recalled all of the grape juice bottles sold in Massachusetts supermarket and opened the investigation into the incident. Based on the initial analysis, it appears that the yeast was added to the bottles at the final steps of the production, and as you know, the combination of yeast and sugar is how the wine is made, so blown up bottles come at no surprise. Apparently, some of the customers who managed to get the unexploded bottle to the homes were pleasantly surprised with the bubbly version of the popular grape juice, and some are even planning to start a petition to Welch’s to make this new type of grape juice a new product, possibly using some reinforced bottles.
It is not a secret that Australian winemakers are always eager and willing to step away from traditions and try the pioneering technologies, no matter how unorthodox they are. A simple example is a so-called screw cap, also known as Stelvin, which was developed in the late 1960s, and Yalumba winery in Australia become one of the early adopters introducing new bottle closure in 1973. Now another Australian wine producer, Penfolds, maker of the legendary Grange, decided to step in with a brand new solution for reducing the carbon footprint of the wine, which the wine industry is constantly grilled for. With the help of scientists at The University of Adelaide, Penfolds developed a brand new plastic bottle that is completely safe for storing the wine. Not only it is lightweight, but it is also made from the recycled materials and – get this – biodegradable. The bottle is guaranteed to fully disintegrate in 5 years’ time. The only culprit? The bottle will disintegrate in 5 years no matter what, so it will not be any time soon that we will see Penfolds Grange offered in this form of packaging. But for all the regular wines, which should be consumed as they are acquired, this will be a perfect vessel. Just don’t “leave and forget” such a bottle in your cellar – or you will remember it for a long time…
While the wine industry is squarely rooted in traditions, it is never shy to enlist the latest technology to help to advance its cause – helping people to enjoy their life a little bit more. Knowing when to open the bottle of wine to ensure the best possible experience is one of the most difficult problems of any oenophile, whether he or she is a Master Sommelier or an occasional drinker consuming two bottles of wine a year. Some of the most technologically advanced companies in the wine industry, world-famous specialty glass producer, Riedel, and Coravin Wine Systems, maker of the popular wine dispensing solution, teamed up to create a product which they called Smart Bottle. Seemingly indistinguishable from the regular glass bottle, the Smart Bottle is equipped with the array of sensors which constantly monitor the state of the wine inside the bottle, and will inform the owner when the bottle reached the ideal consumption phase via embedded Wi-Fi transmitter directly to the owner’s phone. While working on the design of the Smart Bottle, both companies filed about 25 patents. Apparently all leading wine producers in the world – DRC, Petrus, Chateau Latour, Screaming Eagle, Sine Qua Non and many, many others already lined up to get the Smart Bottle as soon as it will be released. An important and attractive feature of the Smart Bottle is the ability for producers to set up the proper aging profile specific to their particular wine, as it is clear that ideal indications, let’s say for DRC and Sine Qua Non will be quite different. Riedel and Coravin reported that they are finishing field trials and the production is slated to start in 2021.
That’s all the latest news I have for you, my friends. Until the next time – cheers!
An Evening With Friends
What is your favorite part about wine? Is it the taste? The buzz? The sheer appearance of the bottle sometimes resembling the work of art? The joy of owning an exclusive object? The coveted status symbol?
My answer will be simple. My favorite part about wine is the ability to share it. Take a sip, reflect, have a conversation, preferably a slow-paced one. Friends are the best pairing for wine. Opportunity to share the experience, pleasure, and joy. Sharing makes it all worth it.
New Year celebration (the main holiday for anyone with the Russian upbringing) is a multi-step process for us. We like to celebrate the arrival of the New Year as many times as possible – the evening before the New Year, a midnight Champagne toast, the New Year’s day dinner, and more dinners shortly after (this is when the bathroom scales are the worst nemesis). Some or all of these dinners have to include friends – and it is the best when friends share your wine passion.
Such was our dinner on Saturday, bringing together a group of friends who truly enjoy what the wine world has to offer. We all contributed to the evening, both with food and wines, to make it fun and interesting. Below is the transcript of our wine extravaganza, with highs, lows, and surprises.
While we were getting ready to start our dinner, our first wine was something unique and different – how many of you know what Piquette means? It appears that Piquette is yet another type of sparkling wines. The story of Piquette goes back to 18th century France when the whole wine industry was in full disarray. Piquette is literally made by converting water into the wine – using water to rehydrate grape skins left after the wine production. We had 2019 Field Recordings Tang Piquette Central Coast (7.1% ABV, Rehydrated skins of Pinot Gris and Chenin Blanc) which was made using this exact process – grape skins were hydrated in well water for a week, then pressed, after which a little bit of the table wine was added, and the wine was bottled with leftover yeast and sugar to continue fermenting right in the bottle. To me, the wine was reminiscent of cider – light fizz, fresh apple notes, cloudy appearance of a nice unfiltered cider. Would I drink this wine again? On a hot summer day – yes, why not, but this is not the wine I would actively seek.
It is difficult to assess the “uniqueness” of the wines. There can be many reasons for the “unique” wine designation – small production, wine not produced every vintage, the wine which is no longer produced. There are, of course, many other reasons. How about spending 10 years to finally make about 200 (!) bottles of a drinkable wine? Don’t know about you, but this is unquestionably unique in my book. And so there was 2017 Olivier Pittet Les Temps Passés Vin de Pays Romand Switzerland (14.2% ABV, Arvine Grosso). Petite Arvine is a popular white grape in Switzerland, producing nice, approachable white wines. On another hand, Petite Arvine’s sibling, nearly extinct thick-skinned Arvine Grosso (or Gross Arvine), is a nightmare to grow and to work with. This was the Arvine Grosso which took about 10 years to restore the plantings and achieve a drinkable result. The wine needed a few minutes to open up – then it was delicious, fresh, with a touch of underripe white plums, bright acidity and full-body, similar to Marsanne/Roussanne. I wish this wine would be a bit easier to procure and not just through a friend who lives in Switzerland…
I was happy that Stefano brought a bottle of 2008 Berlucchi Palazzo Lana Satèn Riserva Franciacorta (12% ABV) – I love Franciacorta sparkling wines, they always offer a playful variation of the classic Champagne. Berlucchi is the founder of the Franciacorta sparkling wine movement. This wine was also a Satèn, a unique Franciacorta creation, which is specifically made to be a bit gentler than a typical Champagne with the lesser pressure in the bottle. The wine was soft, fresh, delicate, and admired by the whole table enough to disappear literally in the instance.
The next wine was as unique as only inaugural vintage can be. Christophe Baron is best known as Washington Syrah master, with his Cayuse, No Girls, and Horsepower lines. But Christophe’s roots are actually in Champagne, so it shouldn’t be terribly surprising that he decided to embrace his heritage. The first bottling, with a promise of many more, was as unique as all Christophe Baron’s wines are – pure Pinot Meunier, vintage, and bottled only in magnums – 2014 Champagne Christophe Baron Brut Nature Les Hautes Blanches Vignes Charly-Sur-Marne (12.5% ABV, 100% Pinot Meunier, 1613 1.5L bottles produced). I made a mistake of slightly overchilling the wine, but it came to its senses shortly after it was opened. The wine was nicely sublime, with all the Champagne traits present – the acidity, brioche, apples – everything balanced and elegant. This was definitely an excellent rendition of Champagne, but to be entirely honest, at around $300 it costs considering tax and shipping, I’m not sure it was unique enough to justify the price. Oh well… definitely was an experience.
Before we move to the reds, a few words about the food. The New Year celebration is a special occasion, which is asking for a special menu. Our typical New Year dinner menu is heavy with appetizers and salads. Our staple salads are “traditional” – Olivie and “Herring under the fur coat”. For the appetizers, we had red caviar, bacon-wrapped dates, stuffed Belgium endives, different kinds of cold cuts and cheeses, tiny prosciutto/pecorino sandwiches, and I’m sure some other stuff. Tea-smoked duck and delicious lasagna comprised the main course, then finishing with loads of baked goods and candies. Yeah, don’t even think about dragging me onto a bathroom scale.
Let’s get back to wine.
The next wine belongs to the “interesting” category. NV Channing Daughters Over and Over Variation Twelve Long Island (12.5% ABV, Merlot, Dornfelder, Syrah, 208 cases produced), a multi-vintage wine which is produced using Ripasso and Solera methods. The name “Over and Over” is emblematic of the production method of this wine – there are many manipulations which I will not even try to describe – you better read it here. I’m all for the fun and complexity, but my problem is that I tasted the standard vintage Channing Daughters red wines which were literally identical to this Over and Over wine. It is great to play with your wine, no questions – but only if the end result is different, and better than the individual parts. The wine showed very youthful, with fresh crunchy fruit and cut through acidity – but it was lacking complexity. It is not a bad wine, but I was not moved by it.
Next up – 1996 Château Sociando-Mallet Haut-Médoc AOC (12.5% ABV) – this was a happy wine. The cork came out easily in one piece, and the wine was perfect from the get-go. The perfect minty nose of Bordeaux with a touch of cassis, some hints of mature fruit on the palate, but only the hints – still good acidity, solid core, excellent balance – the wine to enjoy. Yep, was gone in no time.
Of course, the duck on the menu is calling for the Pinot Noir, and what can be better than the Burgundy? 2007 Louis Jadot Grands Echézeaux Grand Cru AOC (13.5% ABV) was our designated match for the duck. The wine opened up beautifully, with succulent plums and a touch of smoke, a delicious, classic Burgundy. However, the joy lasted in the glass for about 10 minutes or so – next, all the fruit was gone, and while you know you are drinking wine, this wine had no sense of place of origin. I don’t know what happened – the wine closed up, needed more time, or was already at the last stretch of its life? Don’t know, and don’t think I will ever find out. Well, there is always another bottle, right?
Now, let’s talk about surprises. No, not the Chateau d’Yquem, which you would assume should qualify as a surprise – the 1999 Finca Villacreces Crianza Ribera Del Duero (13% ABV) was a real surprise. I heard the name of Finca Villacreces as one of the venerable Ribera del Duero producers, but I never had it before. When I was able to score this wine at the Benchmark Wine, I was very excited. The New Year’s celebration seemed to be a perfect opportunity to open it, especially as nobody had it before and we were all looking forward to getting acquainted.
The cork came out easily, in one piece with no sign of any issues. Once I poured the wine into the glass, on the first whiff, the scary thought instantly showed up – the wine might be corked. I tasted the wine, and it seemed just a touch off – it didn’t feel unquestionably corked, but the fruit was not coherent and the wine had sharp, raspy undertones which in my experience are associated with the corked wine. We moved the wine into the decanter and continued tasting it throughout the evening – it stayed practically unchanged.
This was not some random bottle I can get replaced at any store, so I really couldn’t just pour it out. And I’m an eternal optimist. So I used plastic wrap to cover the top of the decanter and left the wine standing there overnight. The next day, about 22-23 hours since the wine was opened, I decided to check on it. Oh my god. The wine completely changed. The hint of the musty cellar was gone. The mighty fruit appeared on the palate, layered, present, velvety and powerful, covering your whole mouth and making you extort “ohh, this is good”. I thoroughly enjoyed the wine after 24 hours in the decanter, and even the next day the tiny leftover was still drinkable. How is this possible? What has happened? I don’t have any answers, but if you have any ideas, please share.
We finished the dinner on the high note – 1988 Château d’Yquem Lur-Saluces Sauternes AOC (13.5% ABV). I’m you sure you don’t need any introductions here – Château d’Yquem is the Bordeaux legend, an absolute hallmark of the Sauternes region, with every other Sauternes wine simply measured against the Château d’Yquem. A perfect pop of the cork from this bottle was music to my ears. The nose and the palate of this wine were in full harmony – it was all about apricots. Fresh apricots, dried apricots, candied apricots – the taste kept moving round and round. The apricots were supported by clean acidity, which became more noticeable as the wine had an opportunity to breathe. Well, this was a short time window in any case, as this half bottle was simply gone in the instance. This 32 years old wine was truly an experience and a perfect finish to our great evening with friends.
That’s all I have for you, my friends. How 2020 started for you? What did you have a chance to discover over the last few days? Cheers!
American Pleasures – Part 2, Peju Napa Valley
A few weeks ago I shared with you my view on [strictly wine] American pleasures – some of the wine samples which I had a pleasure to taste recently. Yes, it is the pure hedonistic pleasure we are talking about here – the wines which have a magical power of making you want another glass even before the first one is empty. Today I want to continue that conversation and talk about Peju Province Winery in Napa Valley.
The story of Peju Province Winery is simple and similar to many others – it started from a dream. Tony Peju had a drawing of the winery with the tower two years prior to the first Peju grape been harvested. Tony found early success in Los Angeles as a horticulturist, using his landscaping skills in the real estate, improving and reselling the houses. But his dream was to own the farm.
After his search for the farm land led him up north to the Napa Valley, he was able to find the location of his dreams – a 30 acres Stephanie vineyard in Rutherford, located next to Robert Mondavi, Inglenook and Beaulieu vineyards, growing Cabernet Sauvignon and Colombard vines, some 60 years old or maybe even older. Tony and his wife, Herta, purchased Stephanie vineyard in 1983. At first, Tony and Herta were only selling the grapes, however taking advantage of Tony’s green thumb, improving the vineyard and learning what it is capable of. They identified the section of the vineyard, about 5 acres in size, which produced the best Cabernet Sauvignon fruit. The vineyard, which was renamed into HB in honor of Tony’s wife, Herta Behensky, was replanted using cuttings from that best section grafted on the phylloxera-resistant rootstock. The time has come to start making Peju’s own wine.
Peju Province Winery Grounds. Source: Peju Province Winery
Tony went on to get a degree in enology from UC Davis, and the rest was history. Well, there is one interesting hurdle worth mentioning. If you remember, Tony had a full drawing of the winery done in 1981, two years before HB vineyard was even found and purchased. Once they had the land and were ready to convert dreams into reality, in order to fund the project, Tony and Herta started selling wine out of their garage converted into the wine tasting room. This, however, was against Napa County’s rules, which required all the wine sales to be made from the legitimate winery building. However, California law allowed winegrowers to sell the wines in the place where the grapes were grown, so the issue ended up in the court. The judge sided with Peju, agreeing that if Tony is growing the grapes, he should be allowed to sell the wine. This became a pivotal case that significantly changed the landscape of the Napa Valley.
Peju went on to build the impressive 50-foot tall tower in the French Provencal style, using Brazilian cherry wood, beams from old Midwestern farm buildings and 1906 antique stained glass window. Way before that new winery building was complete, Peju acquired 350 acres of land at the 2000 feet elevation in the nearby Pope Valley section of Napa, which they named Persephone Vineyard, after the goddess of Greek mythology. In 1997, 120 acres of that land was planted to Cabernet Sauvignon (using HB Vineyard clone), as well as Cabernet Franc, Merlot, Syrah, Petit Verdot, Sauvignon Blanc, Chardonnay, and Zinfandel. In 2007, Rutherford HB vineyard became certified organic, and today all three of Peju vineyards are using sustainable viticultural methods. In 2009, Peju Province Winery was certified as a Napa County Green Winery and Bay Area Green Business. Also in 2006, Peju started installing solar panels on 10,000 square feet of winery roof and generating 35% of all electricity consumed at a winery.
Okay, so now you learned a lot about the winery, so let’s talk about the wines, as a proof is always in the glass. I had an opportunity to try 6 wines from Peju, and I was literally blown away by what I tasted. To be entirely honest, these wines were one of the most inspirational coming up with the title for this series – American Pleasures. 6 out of 6 delicious wines, one better than another – I taste enough wines during the year to tell you that this is not given. Below are my notes:
2018 Peju Province Winery Sauvignon Blanc Napa Valley (13.8% ABV, $25)
Straw pale, practically clear
A touch of freshly cut grass, white flowers, maybe a distant hint of cat pee – only because I want to find it there?
Layers of flavors. Crisp lemony acidity first, then a hint of plums and slightly underripe melon, unusual plumpness for the Sauvignon Blanc, the wine rolls off your tongue like a nice Marsanne.
8, excellent, a unique and different Sauvignon Blanc.
2015 Peju Province WineryCabernet Sauvignon Napa Valley (14.8% ABV, $60, 85% Cabernet Sauvignon, 8% Petit Verdot, 7% Merlot, 18 months in French and American oak, 45% new)
Dark garnet
Black currant, cherries, eucalyptus, sweet oak
A beautiful mix of black currant and cherries on the palate, a touch of herbal notes, good minerality, firm texture, vibrant acidity, medium+ finish
8/8+, the first sip says “I’m a Napa Cab”. Delicious.
The next wine is one of the few in “Nostalgia Series”, where every label depicts a moment in Peju’s history.
2015 Peju Province Winery Nostalgia Series The Farm Napa Valley (15.2% ABV, $80, 80% Cabernet Sauvignon, 20% Sangiovese, 18 months in oak)
Dark garnet, practically black
Dark fruit, eucalyptus, restrained, mineral undertones
Perfectly balanced fresh fruit, soft, luscious, black currant, tar pencil shavings, perfect balance, delicious.
8, delicious wine
2016 Peju Province Winery Merlot Napa Valley (14.8% ABV, $48, 95% Merlot, 4% Cabernet Sauvignon, 1% Petit Verdot, 18 months in oak)
Garnet
Sweet licorice, eucalyptus, underbrush
Coffee, tart cherries, cherry pit, minerality
8-, probably need more time. The finish is a bit astringent, however, it plays well with savory food (cheese and crackers)
Cabernet Franc is one of my favorite grapes – this wine was truly a Cabernet Franc experience.
2013 Peju Province Winery Petit Trois Cabernet Franc Napa Valley (14.8% ABV, $75, 100% Cabernet Franc, 18 months in oak, 333 cases produced)
Deep Garnet
Cassis, licorice, mocha, a hint of sweet tobacco
Cassis, mint, gently present tannins (after a few hours), firm structure, sweet oak, unmistakably California
9-, wow, tons of pleasure in every sip. Needs decanting. Outstanding on the second day.
This wine has its own story. It is the result of the barrel experiments run by Peju winemaker, Sara Fowler. For the 2017 vintage, she worked with 37 different barrel tasting styles and 22 coopers, then discussed the effects of the oak regimen with the group of the fellow Napa Valley winemakers. To have all new-oak, effectively a young wine, to be ready to drink from the get-go is something really incredible in my opinion.
2017 Peju Province Winery The Experiment Napa Valley (14.5% ABV, $100, 100% Cabernet Sauvignon, 18 months in French, American, and Hungarian oak, 100% new, 1075 cases produced)
Dark garnet
An “Oh my god!” nose – Black currant, eucalyptus, pure, intense
Wow, supple black currant, mint, eucalyptus, silky smooth tannins, good minerality, all delivered in layers. Clean acidity, impeccable balance, and immense pleasure.
9/9+, wow. An exemplary Napa Cab
There you have it, my friends – some incredible wines. Of course, these are not inexpensive wines, but in my opinion, the $100 bottle which gives you lots of pleasure is worth splurging for the right moment. Cheers!
The Curse and Mystery Of The Top 100 Wine Lists
Lists and numbers – who doesn’t like that? We, humans, are all about lists, we like to sort things out – to-do lists, shopping lists, “best” lists, “best of the best ” lists, Top 10 lists, Top 100 lists. No area of people’s interest is immune to the lists – and of course, the world of wine is no exception – come to the end of the year, and you are guaranteed to see lists and lists of the lists, ranking wines, wineries, regions, winemakers, what have you.
I don’t know how much attention you are paying to the top wine lists. Talking about myself, I like to ponder at the Top 100 lists, especially the one produced by Wine Spectator – not because it is any better or different than the others, but simply because I had been a subscriber for a long time, and it formed more into a habit. My main interest is to see what wines can I recognize, and then to play with the data a bit – countries, prices, grapes. I’m a number junkie. It is always fun to organize numbers in a few different ways, no matter if it means anything or not, and so the Top 100 lists present a good opportunity to conduct such a “research”.
Before we delve into the numbers, let’s talk about the Mystery. What is mysterious about the top 100 wine lists? I would say most everything? How the wines are chosen? How wine #1 is decided? According to the information on the James Suckling web site, they select the top 100 wines out of the 25,000 wines tasted throughout the year. How do decide on 100 out of 25,000? Do you run a separate list of potential candidates throughout the year, or do you sit down at the end of the year and try honestly recall the most memorable wines of the year? What role the ratings play?
Here is what Wine Spectator says on the subject: “Each year, Wine Spectator editors survey the wines reviewed over the previous 12 months and select our Top 100, based on quality, value, availability and excitement”. I like the “excitement” part, this is how I decide on my top dozen wine of the year. The other two publications I studied with Top 100 lists don’t talk about their methodology, they just talk about the content of their lists.
So here are some stats we can gain from looking into the details of the Top 100 lists.
Wine Spectator:
Wine Spectator offers two lists – the regular Top 100 Wine and Top 100 Value Wines, which includes wines priced under $25 (you can find all the lists here). I didn’t spend time with the top value list, so all the numbers below are related to the Top 100 list:
- Distribution by country: France – 23, California – 22, Italy – 21, Spain – 7, Australia and Oregon – 5 each, Chile and Portugal – 3 each, Austria, Germany, New Zealand, and Washington – 2each, Argentina, Israel, and South Africa – 1 each
- Distribution by the wine type – 74 reds, 21 whites, 1 Rosé, and 4 Sparkling.
- Prices – most expensive – $197, least expensive – $13. 14 wines are priced above $100, 13 wines are in the $75 – $99 range, 11 wines are in the $50 to $74 range, 27 wines are priced in the $25 – $49 range, and 35 wines are in the $13 – $25 range.
- Ratings: the top score is 98, the lowest is 90. There is only one wine on the list with a rating of 98, 6 wines have a rating of 97. The ratings of 96, 95 and 94 are assigned to 14 wines each. 11 wines have a rating of 93, 10 wines each have ratings of 92 and 91, and 20 wines have a rating of 90.
- Wine Spectator’s top wine of the year 2019 was 2016 Château Léoville Barton St.-Julien with a rating of 97 and priced at $98.
Wine Enthusiast:
Wine Enthusiast produces not one, but 3 Top Wine lists – Top 100 Wines, Top 100 Best Buys, and Top 100 Cellar Selections – these links will allow you to retrieve PDFs for each list. General notes on Wine Enthusiast site say that more than 24,000 wines are tasted during the year and afterwards condensed into the 3 Top Wine lists. Note that Wine Enthusiast Best Buys list covers only wines under $15. Focusing on the Top 100, I did a limited analysis, using the data already provided in the PDF file:
- Distribution by country: California – 18, Italy – 17, France – 16, Australia, Oregon and Spain – 5 each, Argentina, Chile, Portugal and Washington – 4 each, Austria and Germany – 3 each, NY State and South Africa – 2 each, Georgia, Greece, Israel, Uruguay and Virginia – 1 each
- Prices – most expensive – $114, least expensive – $16. Only one wine is priced above $100, the majority of the wines are less than $50 with an average price of $33.
- Ratings: the top score is 99, the lowest is 90. There is only one wine on the list with a rating of 99, 3 wines are rated at 98, 5 wines have a rating of 97, 8 wines are rated at 96. Most of the rated wines fall in the 91-93 range (55 wines)
- Wine Enthusiast top wine of the year 2019 was NV Nino Franco Rustico Brut Valdobbiadene Prosecco Superiore with a rating of 94 and priced at $20.
James Suckling:
This one is the most exclusive Top 100 club in a number of ways. First, you need to be a subscriber to see any wine details. Second, all the wines on the Top 100 list are rated 98-100 points. This is the only stats available from the James Suckling Top 100 Wines website: “We have 41 100-point wines in the list and another 35 with 99 points. The rest of the wines scored 98 points. All the wines were produced in quantities of 300 cases or more.”
Let’s leave James Suckling Top 100 list aside and talk about Wine Spectator and Wine Enthusiast lists. The makeup of both lists is quite similar when it comes to the countries – California, France, and Italy represent at least half of the Top 100 wines (2/3 in case of Wine Spectator list). Where the list differ quite a bit is in the pricing – 14 $100+ wines on the Wine Spectator list versus only 1 on the Wine Enthusiast. But the biggest difference to me is the Wine #1 – Grand Cru Classé versus Prosecco. Okay, call me a snob or whatever you want, but I’m really missing the point of the Wine Enthusiast choice. To my defense, I can only say one thing – I tasted this wine. Nino Franco Rustico is a nice Prosecco, and but it is really, really far away from the memorable, exciting wine. Here you go – another case of the wine list mystery.
I also wanted to talk about the “curse” of the Top 100 wine list, for sure when it comes to the one from the Wine Spectator. As soon as the wine makes it on that list, it instantly becomes unavailable. Adding to the mystery side, it is a mystery to me why an average wine consumer puts such a value on the Top 100 list nomination. But talking about availability, are we looking at the scalping phenomenon in the works? Buy bulk and resell for a quick buck? This is annoying, and it is a real problem for the wine retailers who can’t find enough of those top wines to offer them to consumers. It also gets worse every year – a friend of mine, who has a wine store in Stamford, was able to assemble about 40 Top 100 wines to offer to his customers last year – this year he will barely make it to 20.
There you have it my friends – a deeper look into the mystery (and curse) of the Top 100 wine lists. Do you pay attention to those? What do you think of this year’s top wines? Do you see any trends? Cheers!
Wine Discovery Pack
My relatives, a young couple, are getting into the wine. In search of what they like, which they still have to determine, they are starting the process of discovery – taking notes, making records of what they like and don’t like – something which will definitely lead them to the right path.
I wanted to help them, so I decided to create a special wine set, which I called the Discovery Pack – 6 wines which can help the beginners to identify their preferences – yes, it takes a lot more than 6 wines to figure the wine world out, but still, it is a guided start as opposed to the pure trial and error.
While working on putting together a good learning set of wines, I came up with the following criteria to decide on what wines to include:
- The wine should be reasonably priced, so I set the limit at $20 per bottle. Yes, you can find well drinkable wines under $10 – but finding such wines is quite difficult. Yes, I could go higher, but a lot of expensive young wines are simply not drinkable, they need to age, and besides, expensive wines might not be what the young family might be excited about.
- The wines should be mainstream wines – there should be no problems finding these wines anywhere in the US. It doesn’t make sense to offer someone an amazing bottle of wine which will be impossible to find, as the idea is to help with finding the favorites, and then being able to buy the wines again with ease.
- The wines should be representative of their region or styles. It is easily possible to find unique and amazing wines in any price range – however Bobal, Trepat, Teroldego, or Schiava, no matter how tasty, are hard to find and always a hit or miss exercise. Once you are a bona fide wine lover, you do as you pleased, but when you are just learning, missteps might have long term consequences – once someone decides “oh, I don’t like this type of wine”, it might take a very long (if ever) time to reverse that sentiment.
Okay, so the playing field is set. Let’s see how I managed to address my own requirements.
First, I decided that it will be all red wines set. A typical wine lover’s evolution is sweet – red – white – dessert, so red is a good starting point. There is some sort of uniformity between major red grapes, at least texturally – any whites will be all over the place (think of a range of expressions of Sauvignon Blanc: Sancerre – Italy – New Zealand – California – Chile). Red wines are easier to deal with. Secondly, I wanted to offer a trip around the world – not necessarily easy with only 6 bottles, but I tried.
My first selection was the easiest for me – Bogle Vineyards Petite Sirah California ($10-$12). This wine is a solid, you-can’t-go-wrong choice in the $9.99 – $11.99 price range. The recommendation here is not the style or the region so much as the particular wine. It typically has good amount of fruit, nicely restrained and perfectly drinkable upon pulling out the cork. Always a safe choice when in doubt; will work perfectly with a casual Friday dinner or a Saturday BBQ. On a wider scale, California Petitte Sirah is a good grape to be familiar with – yes, you can always find renditions that require long aging, such as Retro or Runquist, but on the other hand, you might get lucky with Turley or Quivira.
Wine #2 is another favorite which first and foremost represents itself – Original House Wine Red Blend ($9.99). The wine is a blend of Cabernet Sauvignon, Merlot, Syrah, Petit Verdot, and other red grapes. In the older days, the wine was designated as Columbia Valley, Washington – now it seems to be saying just “American wine” on the website, however, the back label indicates Walla Walla, Washington. In any case, at around $9.99, this is an excellent wine – supple, fruity, bold – but not overboard. You can build upon this wine as it can be an introduction into the well-made blends, and it can be also a nice introduction into the Washington wines.
Wine #3 – Las Rocas Garnacha Catalayud Spain ($15). If you are familiar with this blog, you could easily predict that Spanish wine will be on the list – but you probably were expecting to see Rioja or Ribera del Duero wine. I went with Garnacha, known outside of Spain as Grenache because, in the under $20 price range, both Rioja and Ribera del Duero are hit and miss. Yes, I can find drinkable examples of Rioja under $20, but there are so many insipid Rioja wines in that price range that it will not do anyone any good. Garnacha is a much safer choice – there is a good level of consistency in this price range. Las Rocas Garnacha is a good example, with a core of red fruit over the medium body. Easy to drink and at around $15, nobody needs to break the bank to enjoy another Monday night. This wine is selected to be more of a representative of style, grape, and the region, so you can continue trying a variety of Garnacha wines, maybe eventually graduating with Alto Moncayo Aquilon or even Clos Erasmus.
Wine #4 – Saint Cosme Cotes du Rhone France ($15). There is absolutely no way France can be left outside of such a discovery portfolio. When it comes to France, the most obvious options are Bordeaux or Burgundy, however, Burgundy just doesn’t exist in under $20 price category, and Bordeaux will be extremely inconsistent. Besides, I wouldn’t recommend Bordeaux and Burgundy to the beginner wine drinkers. However, Cote du Rhone is an entirely different story. Cote du Rhone wines, which are typically a blend of Grenache, Syrah, and Mourvedre (so-called GSM blend) in various proportions, are easy to drink. They are soft, simple, loaded with tasty cherries and plums smothered over medium body. Saint Cosme, which is a very good producer, simply represents the region here. Delas, M. Chapoutier, Guigal, Perrin, and many others offer reliable choices in the same price range. GSM blends can be found everywhere throughout the Rhone, so after you establish your palate with Cote du Rhone wines, you can graduate to Gigondas, Chateauneuf-du-Pape, and then slowly embrace the Northern Rhone.
Wine #5 – Ciacci Collosorbo Rosso di Montalcino Italy ($19.99). The Discovery pack must include Italian wine, isn’t it? Choosing one Italian wine based on the 3 criteria set here is very far from easy. To stay under $20, Chianti, Salice Salentino, Montepulciano represent far better options than most other Italian regions. However, Chianti and Montepulciano can be hit and miss, and with Salice Salentino you will be limited to 1-2 choices your wine store will offer – if you are lucky. The original plan was still to go with Cecchi Chianti Classico, highly recommended by John Fodera – however, the wine didn’t make it into the stock, so I decided to go with the so-called baby Brunello. Rosso di Montalcino as a category is well approachable, offering wines which are unmistakably Italian with all of the cherry, leather, and tobacco notes – and easy to drink while young, without the need to cellar them. I might be bending the rules on this wine just a bit because while I got it at $19.99 here in Stamford, it might be a bit more expensive in many places. Well, it should be possible to find Rosso di Montalcino wines under $20, so we are okay here. And then the Rosso offers a graduation pass to the Brunello di Montalcino, and then maybe a jump to the Super Tuscans.
Wine #6 – Alamos Malbec Selección Mendoza Argentina ($16.99). There were multiple contenders for the last spot in our discovery set – Argentina, Australia, Chile, New Zealand, South Africa. Australia, Chile, and South Africa don’t offer consistency in this price range, and while New Zealand reds can be available under $20, it really doesn’t offer much of the selection. I decided to go with Malbec, as it is usually something most of the beginners can appreciate, with its soft dark fruit and vanilla notes. There is also a level of consistency associated with Argentinian Malbec, and $15 – $20 range allows for the higher quality wines such as this Alamos Malbec Selección or Trapiche Broquel.
Here you go – my 6 wines discovery set. Now, I have a question for you, wine buffs, snobs, and aficionados – what would you offer for the beginner wine drinkers as a learning introduction into the world of wines, also based on the three principals I outlined? Don’t be shy – comment away! Cheers!
It Might Be Gone Already
Oenophiles are strange creatures. We love wine and derive out of it a tremendous amount of happiness, joy, and pleasure. We are also somewhat of a masochistic type. We like to torture ourselves around our beloved beverage. We can spend a lot of time trying to select a bottle of wine for a Monday night – multiply that by 10 if we are talking even about a casual Friday night. We need to take into account everything – the mood, the weather, who are we sharing the wine with, and on, and on.
One of the biggest problems we are always trying to solve is called “is it the time”. Yes, we know that it is a gamble. There is no science to know when the wine is ready to drink. And as we always like to enjoy the wine at its peak, we can take forever to decide on that right moment. And this is where the danger lurks – instead of getting the wine at its peak, we might be facing the wine which is … gone.
There are two types of special bottles we, oenophiles, get nervous around. There are those which we are trying to age to precisely hit the bullseye, the “oh my god” moment when tasting wine at its peak. The second type are those wines which we call “special”. “Special” is personal – a single bottle which reminds us of a wonderful trip or a moment in life, a special present from a dear friend, a super-rare or a super-expensive bottle we want to hold on to for as long as possible. Sometimes, this can be one and the same bottle which hits both characteristics. For the second type of “special” bottles there is the OTBN – ”Open That Bottle Night”, an event celebrated on the last Saturday in February, invented to help people to part with those special bottles. For the bottles we are waiting to become perfect… well, it might be the same OTBN, or maybe we just need to convince ourselves that “the time is now”.
This is what we decided to do, setting the theme for our wine dinner as “It might be gone already”. Usually, we set the rules for our tastings – what wines, what regions, what price ranges, etc. But for this dinner there were no rules – whatever anyone wants to have open, whatever the reason is to believe that the wine might be past prime (or not) – everything goes.
We managed to assemble a lot more wines than we were able to drink, so many of the wonderful bottles will have to wait until the next occasion. However, we still did great, finding lots of great surprises and enjoying the program very much. Here is my account of our tasting.
We started from a very simple wine – 2007 Saint-Hilaire Brut Blanquette de Limoux, a sparkling wine from the Languedoc, from the winery which claims that they were the first to make the Methodé Traditionelle wines, before Champagne ever saw a first bubble in the bottle. This is one of my most favorite sparkling wines – it is inexpensive ($12.99 or so), and tasty. But – 12 years old? That sounds like a little much for a wine like that. Nevertheless, it was perfect – still fresh, still a good amount of bubbles, a touch of yeast – a perfect start for our evening.
We continued our bubbly explorations with something of a truly next level – 1990 Dom Ruinart Ruinart Blanc de Blancs Champagne. Another perfect encounter – crisp, focused, a good amount of yeast and toasted bread – an outstanding vintage Champagne without a sign of age.
Italy is better known in the world as the source of great red wines. However, Italian whites shouldn’t be ignored. Jermann makes some of the very best Italian white wines, and these wines are unquestionably a world class. Vintage Tunina is a flagship wine, made out of a field blend of Sauvignon, Chardonnay, Ribolla Gialla, Malvasia, and a small percentage of a local sweet grape. According to the notes on the Jermann website, Vintage Tunina can age for 7–8 years, 10 in the exceptional vintages. This 2006 Jermann Vintage Tunina Venezia Giulia IGT was 13 years old, and in a word, it was superb. Bright, vibrant, whitestone fruit and a touch of honey, medium+ body – an outstanding wine.
Our next white was 2007 Château St Jean Chardonnay Reserve Sonoma County – it was not as impressive as Vintage Tunina, but still was not over the hill, with a good amount of white apple, a touch of butter, and good acidity. I never had this wine before, and understand from the people who did that the wine was starting its journey down the hill, but it was still quite enjoyable.
I was trying to convince my friends that our next wine was not ready to be opened – 2011 Antica Terra Erratica Rosé from Oregon. I had 2010 last year, and the wine was mind-blowing (ended up being wine #2 on my Top Wines list of 2018). After being ostracized – “what are you talking about, it is 8 years old Rosé ?!?!” – I angrily pulled out the cork. 2011 was equally mind-blowing to the last year’s 2010. Pungent, lip-smacking, full of smoky cranberries and herbs, medium body – delicious. I don’t know for how long this wine can age, but I would definitely love to see it with at least another 5 years of age. Oh well…
Now, we are reaching practically a culmination point of the evening – 1966 Château Leoville Poyferré St. Julien. Well, it was conditionally the culmination point – when I received this bottle 2 years ago, the capsule showed a significant amount of wine stain, which is an indication of the wine potentially slowly sipping through the cork. But – it was 1966, so that alone deserves the utmost respect.
As we expected, the wine was past its prime. It had dark brown color in the glass – a color you expect to see on a well-aged tawny port, but not on Bordeaux at any age. The wine had the tasting profile of a nice hearty stew, but again, not the Bordeaux. To be entirely honest, I enjoyed a few sips of it (my friends refused it almost instantly), but this was definitely not the wine anyone should drink.
I’m not going in the right order, but let’s talk about maybe the biggest disappointment of the evening – 2010 Yves Boyer-Martinot Meursault-Perrier. 9 years old white Burgundy should be way too young to drink. But then the Meursault wines have a known issue – Premature Oxidation, or PremOx as it is often abbreviated. Fear of PremOx was a driving factor behind the decision to open this wine. Unfortunately, the fear was justified – kind of. The wine was not oxidized – but it was literally undrinkable. It showed a little sign of life at first, and we decided to decant it – however, it didn’t help. The wine showed very tired, some stewed plums, no vibrancy of any kind. Definitely not a good surprise.
Let’s get back to the red wines. Our next wine was 1978 Barbera. The label lost practically all of its color, so I don’t know who was the producer. But the bottle had been very important memorabilia – at the age of 9, our friend Stefano was helping to bottle that exact wine, so it clearly had a special meaning. The wine was still drinkable, had good acidity and some dark fruit. Not amazing, but well drinkable.
The next two red wines aptly compensated for all the misgivings of our tasting. 1997 Shafer Firebreak Napa Valley, a blend of Sangiovese and Cabernet Sauvignon, was excellent. The core of the dark fruit and espresso, firm structure, excellent balance, the wine was alive and delicious. It is a pity that this wine is not produced anymore, as Shafer replaced all the plantings of Sangiovese with the other grapes – this was definitely a delicious wine.
And maybe for the biggest surprise of the evening, let me present to you 1995 Navarro Correas Coleccion Privada Cabernet Sauvignon Mendoza. What, you never heard of this wine? Me too! Until our tasting that is. When originally acquired, the wine price was something under $10. So who would expect that 24 years old simple Argentinian Cab would age so beautifully? The wine was fresh, no sign of age, tart cherries on the nose, the same tart cherries, herbs and a touch of sweet oak on the palate – the wine was going and going. A tasty, totally unexpected, surprise.
We had to finish this tasting with a dessert wine, didn’t we? 1988 Franciscan Estate Johannisberg Riesling Napa Valley, as rare and precious as you can find, as this wine is simply not produced anymore. This wine was definitely at its peak – beautiful figs, honey, and a perfect dose of acidity – an excellent finish to our great tasting.
Let’s try to summarize our tasting. Out of 11 wines, 6 can be safely designated as an “amazing experience”. Three wines were “good”. Two wines were a flap. I would take it as a very respectful, and very successful outcome – I’m sure you can think of a lot more tastings with a much lesser degree of success and enjoyment.
Here you are, my friends. Feel free to copy the idea – if you have anything reminiscent of a cellar, I’m sure you got the bottles that might benefit from being open. Open now, before it is too late. Cheers!
What Do I Need To Know To Enjoy A Glass Of Wine
So you are wondering what do you need to know to enjoy a glass of wine.
This is actually a very simple question. Let me give you a very simple answer.
Nothing.
Nothing at all. You need to know nothing about the wine.
You don’t need to know who made it, where was it made, how was it made, what grapes were used, how much it costs. None of this matters.
The wine in your glass is binary. You either like it or not. If you are not sure if you like it, then ask yourself another simple question: “do I want a second glass, or not?” If you want a second glass, then it goes into the “I like it category”. If you don’t – well, you got my point.
I’ve not been fictitious or sarcastic here. I’m very serious. Wine is food. No, it is not a necessity, it is rather a luxury, it is a food you can live without. But still, wine is food, with about 100 calories in a standard size glass of dry red wine. When you take a bite of steak, your impression is binary – you either like it or not. The same is with wine – when you take a sip, you either like it or not. End of story.
Now, let’s get things straight. I’m not trying to invalidate here the whole wine ecosystem, where millions of people are studying and make their living around the oldest continuously produced beverage in the world. I’m not saying that wine is a simple subject. Depending on one’s life outlook, nothing is simple in this world, and the wine has unlimited levels of complexity (simple fact – at the moment of this writing, there are only 269 (!) Master Sommeliers (highest distinction of wine knowledge) in the world). Nevertheless, for a casual encounter with a glass of red, white, or pink liquid in the tulip-shaped glass, there are only two possible outcomes – “I like it” and “I don’t like it”.
Yesterday during the wine dinner I asked my neighbor at the table if she enjoys the wine we were drinking. “Well, I don’t know enough about wine”, she started, instead of simply answering the simple question – “yes, I do”, or “no, I don’t”. I heard this answer many times, and I find it instantly annoying. There is nothing you need to know to enjoy the wine in your glass. You don’t have to be a chef or a food critic to say if the omelet in front of you is tasty or not. The same is with wine – it either tastes good to you or not.
There is definitely a lot of intimidation around the wine. There are wine magazines that tell you what you should be drinking today. There are wine ratings – “here is an excellent wine for you – it got 95 points from Robert Parker”. You have no idea who Robert Parker is, but you would never admit it, “ahh, of course”. There are knowledgeable friends who tell you “try this – you are going to love this”. There are sommeliers and wine stewards at the restaurants who tell you that this is the best wine for your dinner tonight (nevermind that this is one of the most expensive wines on the list). All these things are part of the intimidation around the wine, and yes, it is very hard to say “hmmm, I don’t like it” if Robert Parker said that he did. But – you really have to learn to trust yourself. Everyone’s palate is different. There are only 4 basic tastes (sweet, sour, salty, bitter – we can skip the umami for this conversation) – but everyone perceives those tastes differently, has different sensitivity to each one of those (if you ever had to reduce salt consumption, you know that after a month or so of such a low-sodium diet, any restaurant dish comes as oversalted). And so what you taste is completely unique to you, and it is only you who is entitled to state “I like it” or “I don’t like it”, without any regard to any professional opinion in the world.
Again, I want to repeat my statement – you don’t need to know anything about wine to know if you enjoy it or not. But – and it is a major, major, supersized but – you might want to know about the wine as this might simply increase your level of enjoyment of that same wine. But even in this case, you don’t need to become an expert to better enjoy thye wine. You can start simple. When you find the wine you like and enjoy, take notice of the producer and the name of the wine (there are many apps today which can help you simplify this process). This can help you next time at the restaurant, trying to select wine from the list – once you see the wine you already tried and liked, this instantly reduces intimidation. Of course, it will also help you in the wine store, so you will get the wine you know you liked.
Maybe once you recognize some producers, you might start taking notice of the regions the wine is coming from. You might find, for example, that you are usually enjoying white wines from Germany and red wines from Piedmont. This knowledge can help you further in your quest for the enjoyable wine, as even when you have your favorite producer and wine, you might not be able to always find that specific wine at a restaurant or in the store. In this case, you can use that knowledge to select the wine from the different producers but still from the same region, as this still increases your chances of liking the wine.
You don’t have to stop at the producer and region, and you can continue your wine knowledge acquisition literally forever, as the subject of the wine is endless. Vintages, vineyards, single vineyards, blocks and plots, grapes, blends, terroir, climate conditions, winemakers, oak regimen, age of the vines, visits to the wine regions, and on, and on, and on – all of this knowledge might help you enjoy the wine more. I can even take it further and tell you that all this knowledge might change the perceived taste of wine, as, for example, trying the wine made at the winery you visited can trigger happy memories, and definitely make the wine to taste even better – to you. Very important – this knowledge will only change the way the wine tastes to you. If the friend you are sharing dinner with never visited the winery, he or she can’t necessarily share your excitement and wholeheartedly say that they enjoy the wine if they don’t. And that’s okay. Everyone’s palate is different, and tasting and liking of the wine are strictly individual.
Remember this next time you are at a restaurant. If you know about the wines, don’t intimidate your friends. they don’t have to like what you like. At the same time, if you know nothing about the wine, don’t get intimidated by anyone or anything. “The truth is in the eye of the beholder” – if you don’t enjoy the wine, it is your truth, and it is nothing to be ashamed of or to worry about. Everyone’s palate is different. End of the story.
I hope you learned today everything you need to know to enjoy a glass of wine. Which is, literally, nothing. And nothing should be standing in your way of enjoying the wine in your glass. Cheers!
Daily Glass: Oh, Turley
I remember discovering Turley Zinfandel many years ago for the first time at the pre-theater dinner in New York with my friend Henry. I wouldn’t tell you now if I heard something about Turley before we picked the bottle of Turley the off the wine list, or if it was just a happy accident. I just remember our reaction of a pure “wow” at how beautiful the wine was. Ever since that discovery, Turley wine almost became our secret handshake – when I show up with a bottle of Turley at my friend’s house, I get an understanding smirk and a nod – “you did good, buddy”.
Once the Turley was discovered, the very next question was – how can I get it. This is where I learned about the concept of the wine mailing list, starting with the waitlist (I talked about all those terms before – if you need a refresher, the link is here). I believe Turley was one of the first if not the first of the wine lists I signed up for (meaning, got on the waiting list for the mailing list). Turley also happened to be the very first mailing lists I got accepted to – to my big surprise and delight, as the wait was not that long (a few years).
In case you are not familiar with Turley and don’t readily share into the excitement of the subject, here is a brief introduction. Turley Wine Cellars is a winery in Napa Valley in California, which specializes in Zinfandel and Petite Sirah. The winery was started in 1993 by Larry Turley, who was actively working in the wine before and developed a serious passion for Zinfandel and Petite Sirah, especially for the old vine Zinfandel (some of Turley vineyards are continuously producing since the late 1800s). Today, Turley produces 47 different wines from 50 different vineyards throughout Napa Valley, Paso Robles, Lodi, Amador Couty and other regions in California. You can find Turley wines in the stores and the restaurants, but they are scarcely available, as while they are making 47 different wines, most of the wines are produced in the hundreds of cases only, so the best way to get Turley wines is by signing up for the mailing list. One more thing I want to mention, as it is important to me – even with all the [rightly deserved] fame (they are definitely one of the top 5, or maybe even top 3 Zinfandel producers in the USA), Turley wines are still affordable on the mailing list, with some of the wines still priced at $20, and with absolution majority of the wines costing under $50 (Hanes Vineyard Zinfandel is probably the only exception at $75).
Since I got on the mailing list, Turley wines became my favorite present for the wine-loving friends. Every time we meet, my friend Patrick gets a bottle of Turley to take home to Switzerland – it is an equal exchange though, as I always get a bottle of unique and interesting Swiss wine – not something you can casually find here in the US. I also love the reaction such a present causes when people look at the bottle. I brought Turley for my friend Oz when we met in Singapore, and I handed it to him when we were finishing dinner. I perfectly remember huge, ear to ear smile on his face when he saw the bottle, and his exact words sharing the excitement with his friends “look, he got me a Turley!”. Lots of fond memories associated with Turley, in a variety of ways.
What caused this outpour of Turley love? Opening of the bottle of 2014 Turley Estate Zinfandel Napa Valley. How can I describe it? To me, a well made Zinfandel should have a perfect core of raspberries and blackberries with the addition of spices – it should have restrained sweetness and not be jammy. If you drink Zinfandel often, you know that what I just described is difficult to find. This wine had exactly that. A perfect core of ripe, succulent raspberries and blackberries, covered in pepper, sage, sweet tobacco and eucalyptus. Perfectly dry, with a firm structure and layers and layers of flavor. This is the wine you say “ahh” after every sip, and you say “ohh” when the bottle gets empty. And to complete my description, note that 15.6% ABV was not noticeable at all. A perfect balance and pure pleasure is what makes this wine so special.
Here it is, my wine love story of the day. What’s yours? Cheers!
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