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Wine Lover’s Guide To Lesser Known Wine Regions – Vinho Verde
Vinho Verde.
Let me ask you, wine lovers – when you hear the words “Vinho Verde”, what are the two things which are instantly come to mind? Let me guess – it should be “green” and “summer” – am I correct?
Let’s leave “green” aside for a minute and let’s talk about “summer”. Do you insist on pairing wine with the season? Of course, rich and opulent California Cabernet Sauvignon or tantalizing Barolo might not be the ideal choice of beverage for the pool party in the middle of summer. But then would you say that white wines should be only drunk when it is hot outside? Even if you will insist, I would have to disagree – the white is simply a color, and white wine can be equally enjoyed during any season. And to prove my point, let’s talk about Vinho Verde.
Oh, and let’s address the “green” thing – there nothing green about Vinho Verde. “Verde” here refers to the young wines – Vinho Verde wines are typically released 3-6 months after the harvest.
Here are some interesting facts about Vinho Verde. Vinho Verde is one of the oldest winemaking regions in Portugal, producing wine for the past 2,000 years. It is also the most northern wine region in Portugal, and the largest, with 51,000 acres planted. There are 19,000 grape growers and 600 wine producers, making over 85 million liters of wine, out of which 86% are white wines, and the rest is divided between Rosé, red and sparkling wines.
45 indigenous grape varieties are growing in Vinho Verde, out of which 9 are recommended – Alvarinho, Avesso, Azal, Arinto, Loureiro, and Trajadura for the whites, and Espadeira, Padeira, and Vinhão for the reds. Vinho Verde region subdivided into the 9 sub-regions named after rivers or towns – Monção, Melgaço, Lima, Basto, Cávado, Ave, Amarante, Baião, Sousa, and Paiva. It is also interesting to note that while Vinho Verde is identified as a DOC (top quality designation, similar to French AOC/AOP), the region called Minho Vinho Regional, completely overlaps Vinho Verde territory, however, its designation is similar to French Vin de Pays (lesser quality requirements).
Vinho Verde wines are typically low in alcohol and pair well with a wide variety of food. Quite often, Vinho Verde whites are also exhibiting very light fizz, this is really a hallmark of the region.
I had an opportunity to taste (samples) 3 whites and one Rosé from the region, here are my notes:
2018 Encosta do XISTO Vinho Verde DOC (12.5% ABV)
Straw pale with greenish hue
Vegetative nose, a touch of grass, sweet basil, restrained
A touch of fizz, lime, a hint of grapefruit, lots of minerality, fresh
8-
2018 Vercoope Pavāo Alvarinho Vinho Regional Minho (12% ABV, $8)
Light golden
Tropical fruit, candied lemon, sage, tobacco
Guava, a touch of honey, candied fruit, a touch of pink grapefruit. Good acidity.
7+/8-
2017 Seaside Cellars Rosé Vinho Verse DOC (11% ABV, $8, 40% Vinhão, 30% Borraçal, 30% Espadeiro)
Wild salmon pink
Nice minerality, whitestone fruit, a typical nose of white wine if there is such a thing
Underripe strawberries, good minerality, a distant hint of fizz, mostly on the finish.
7+/8-, fuller body than most of Rosé, not sweet at all despite low ABV. It also gives me two new rare grapes (Vinhão and Borraçal), which is always a nice bonus.
2018 Quinta da Calçada Alvarinho Vinho Regional Minho (13% ABV)
Light golden
Intense fresh lemon, a touch of grapefruit, noticeable minerality
Tart lemon, a touch of grapefruit, dry, intense, medium to full body, good minerality, good textural presence.
8, perfect any time you want a glass of dry white.
As you can tell, I liked all the wines. No, these wines are not mind-blowing, of course not. But considering the price, often less than $10, these wines offer an excellent, hard to beat QPR.
Here you go, my friends. No need to wait for the hot summer days. Just pick up a bottle of Vinho Verde, and enjoy it by itself, or pair it with good food and good company. You can thank me later. Cheers!
An Evening With Friends
What is your favorite part about wine? Is it the taste? The buzz? The sheer appearance of the bottle sometimes resembling the work of art? The joy of owning an exclusive object? The coveted status symbol?
My answer will be simple. My favorite part about wine is the ability to share it. Take a sip, reflect, have a conversation, preferably a slow-paced one. Friends are the best pairing for wine. Opportunity to share the experience, pleasure, and joy. Sharing makes it all worth it.
New Year celebration (the main holiday for anyone with the Russian upbringing) is a multi-step process for us. We like to celebrate the arrival of the New Year as many times as possible – the evening before the New Year, a midnight Champagne toast, the New Year’s day dinner, and more dinners shortly after (this is when the bathroom scales are the worst nemesis). Some or all of these dinners have to include friends – and it is the best when friends share your wine passion.
Such was our dinner on Saturday, bringing together a group of friends who truly enjoy what the wine world has to offer. We all contributed to the evening, both with food and wines, to make it fun and interesting. Below is the transcript of our wine extravaganza, with highs, lows, and surprises.
While we were getting ready to start our dinner, our first wine was something unique and different – how many of you know what Piquette means? It appears that Piquette is yet another type of sparkling wines. The story of Piquette goes back to 18th century France when the whole wine industry was in full disarray. Piquette is literally made by converting water into the wine – using water to rehydrate grape skins left after the wine production. We had 2019 Field Recordings Tang Piquette Central Coast (7.1% ABV, Rehydrated skins of Pinot Gris and Chenin Blanc) which was made using this exact process – grape skins were hydrated in well water for a week, then pressed, after which a little bit of the table wine was added, and the wine was bottled with leftover yeast and sugar to continue fermenting right in the bottle. To me, the wine was reminiscent of cider – light fizz, fresh apple notes, cloudy appearance of a nice unfiltered cider. Would I drink this wine again? On a hot summer day – yes, why not, but this is not the wine I would actively seek.
It is difficult to assess the “uniqueness” of the wines. There can be many reasons for the “unique” wine designation – small production, wine not produced every vintage, the wine which is no longer produced. There are, of course, many other reasons. How about spending 10 years to finally make about 200 (!) bottles of a drinkable wine? Don’t know about you, but this is unquestionably unique in my book. And so there was 2017 Olivier Pittet Les Temps Passés Vin de Pays Romand Switzerland (14.2% ABV, Arvine Grosso). Petite Arvine is a popular white grape in Switzerland, producing nice, approachable white wines. On another hand, Petite Arvine’s sibling, nearly extinct thick-skinned Arvine Grosso (or Gross Arvine), is a nightmare to grow and to work with. This was the Arvine Grosso which took about 10 years to restore the plantings and achieve a drinkable result. The wine needed a few minutes to open up – then it was delicious, fresh, with a touch of underripe white plums, bright acidity and full-body, similar to Marsanne/Roussanne. I wish this wine would be a bit easier to procure and not just through a friend who lives in Switzerland…
I was happy that Stefano brought a bottle of 2008 Berlucchi Palazzo Lana Satèn Riserva Franciacorta (12% ABV) – I love Franciacorta sparkling wines, they always offer a playful variation of the classic Champagne. Berlucchi is the founder of the Franciacorta sparkling wine movement. This wine was also a Satèn, a unique Franciacorta creation, which is specifically made to be a bit gentler than a typical Champagne with the lesser pressure in the bottle. The wine was soft, fresh, delicate, and admired by the whole table enough to disappear literally in the instance.
The next wine was as unique as only inaugural vintage can be. Christophe Baron is best known as Washington Syrah master, with his Cayuse, No Girls, and Horsepower lines. But Christophe’s roots are actually in Champagne, so it shouldn’t be terribly surprising that he decided to embrace his heritage. The first bottling, with a promise of many more, was as unique as all Christophe Baron’s wines are – pure Pinot Meunier, vintage, and bottled only in magnums – 2014 Champagne Christophe Baron Brut Nature Les Hautes Blanches Vignes Charly-Sur-Marne (12.5% ABV, 100% Pinot Meunier, 1613 1.5L bottles produced). I made a mistake of slightly overchilling the wine, but it came to its senses shortly after it was opened. The wine was nicely sublime, with all the Champagne traits present – the acidity, brioche, apples – everything balanced and elegant. This was definitely an excellent rendition of Champagne, but to be entirely honest, at around $300 it costs considering tax and shipping, I’m not sure it was unique enough to justify the price. Oh well… definitely was an experience.
Before we move to the reds, a few words about the food. The New Year celebration is a special occasion, which is asking for a special menu. Our typical New Year dinner menu is heavy with appetizers and salads. Our staple salads are “traditional” – Olivie and “Herring under the fur coat”. For the appetizers, we had red caviar, bacon-wrapped dates, stuffed Belgium endives, different kinds of cold cuts and cheeses, tiny prosciutto/pecorino sandwiches, and I’m sure some other stuff. Tea-smoked duck and delicious lasagna comprised the main course, then finishing with loads of baked goods and candies. Yeah, don’t even think about dragging me onto a bathroom scale.
Let’s get back to wine.
The next wine belongs to the “interesting” category. NV Channing Daughters Over and Over Variation Twelve Long Island (12.5% ABV, Merlot, Dornfelder, Syrah, 208 cases produced), a multi-vintage wine which is produced using Ripasso and Solera methods. The name “Over and Over” is emblematic of the production method of this wine – there are many manipulations which I will not even try to describe – you better read it here. I’m all for the fun and complexity, but my problem is that I tasted the standard vintage Channing Daughters red wines which were literally identical to this Over and Over wine. It is great to play with your wine, no questions – but only if the end result is different, and better than the individual parts. The wine showed very youthful, with fresh crunchy fruit and cut through acidity – but it was lacking complexity. It is not a bad wine, but I was not moved by it.
Next up – 1996 Château Sociando-Mallet Haut-Médoc AOC (12.5% ABV) – this was a happy wine. The cork came out easily in one piece, and the wine was perfect from the get-go. The perfect minty nose of Bordeaux with a touch of cassis, some hints of mature fruit on the palate, but only the hints – still good acidity, solid core, excellent balance – the wine to enjoy. Yep, was gone in no time.
Of course, the duck on the menu is calling for the Pinot Noir, and what can be better than the Burgundy? 2007 Louis Jadot Grands Echézeaux Grand Cru AOC (13.5% ABV) was our designated match for the duck. The wine opened up beautifully, with succulent plums and a touch of smoke, a delicious, classic Burgundy. However, the joy lasted in the glass for about 10 minutes or so – next, all the fruit was gone, and while you know you are drinking wine, this wine had no sense of place of origin. I don’t know what happened – the wine closed up, needed more time, or was already at the last stretch of its life? Don’t know, and don’t think I will ever find out. Well, there is always another bottle, right?
Now, let’s talk about surprises. No, not the Chateau d’Yquem, which you would assume should qualify as a surprise – the 1999 Finca Villacreces Crianza Ribera Del Duero (13% ABV) was a real surprise. I heard the name of Finca Villacreces as one of the venerable Ribera del Duero producers, but I never had it before. When I was able to score this wine at the Benchmark Wine, I was very excited. The New Year’s celebration seemed to be a perfect opportunity to open it, especially as nobody had it before and we were all looking forward to getting acquainted.
The cork came out easily, in one piece with no sign of any issues. Once I poured the wine into the glass, on the first whiff, the scary thought instantly showed up – the wine might be corked. I tasted the wine, and it seemed just a touch off – it didn’t feel unquestionably corked, but the fruit was not coherent and the wine had sharp, raspy undertones which in my experience are associated with the corked wine. We moved the wine into the decanter and continued tasting it throughout the evening – it stayed practically unchanged.
This was not some random bottle I can get replaced at any store, so I really couldn’t just pour it out. And I’m an eternal optimist. So I used plastic wrap to cover the top of the decanter and left the wine standing there overnight. The next day, about 22-23 hours since the wine was opened, I decided to check on it. Oh my god. The wine completely changed. The hint of the musty cellar was gone. The mighty fruit appeared on the palate, layered, present, velvety and powerful, covering your whole mouth and making you extort “ohh, this is good”. I thoroughly enjoyed the wine after 24 hours in the decanter, and even the next day the tiny leftover was still drinkable. How is this possible? What has happened? I don’t have any answers, but if you have any ideas, please share.
We finished the dinner on the high note – 1988 Château d’Yquem Lur-Saluces Sauternes AOC (13.5% ABV). I’m you sure you don’t need any introductions here – Château d’Yquem is the Bordeaux legend, an absolute hallmark of the Sauternes region, with every other Sauternes wine simply measured against the Château d’Yquem. A perfect pop of the cork from this bottle was music to my ears. The nose and the palate of this wine were in full harmony – it was all about apricots. Fresh apricots, dried apricots, candied apricots – the taste kept moving round and round. The apricots were supported by clean acidity, which became more noticeable as the wine had an opportunity to breathe. Well, this was a short time window in any case, as this half bottle was simply gone in the instance. This 32 years old wine was truly an experience and a perfect finish to our great evening with friends.
That’s all I have for you, my friends. How 2020 started for you? What did you have a chance to discover over the last few days? Cheers!
American Pleasures, Part 3 – Murrieta’s Well
How often do you drink wines from Livermore Valley? Not trying to offend, but do you even know where the Livermore valley is?
If you guessed that Livermore Valley is an area in California, or if you simply knew it, yes, of course – Livermore Valley is located a bit north and west of San Francisco and can be considered one of the little wine world secrets for the people in the know. While Napa and Sonoma are the regions everyone is looking up to, Livermore Valley is located a stone throw from both, and in most cases offers a lot more fun in the tasting room for much less money.
Murrieta’s Well Estate Vineyard is located in this exact Livermore Valley and yes, we can consider it as one of the hidden gems. The estate has a rich history, going back to 1884. This is not the first time Murrieta’s Well wines are making an appearance in this blog, so instead of repeating all the historical references, I would like to direct you to my previous post on the subject. Same as the last time, the wines were provided as a courtesy of Snooth, for the virtual tasting – you can find the video recording of that tasting here.
This series is not called American Pleasures for nothing. This is the third post in the series, following the posts about Silverado and Oceano wines and Peju. As I explained in the introduction to the series, I simply had a great number of wines which were surprisingly consistent – wine after wine, they delivered a great deal of pleasure. You can expect to equally enjoy two wines from a good producer; 4 wines in the row is not typical; 6 wines is seriously unexpected. The 4 wines I tasted from the Murrieta’s Well were perfectly consistent and unquestionably enjoyable, offering loads of pleasure. Yes, all four. And what is even more interesting, if you will compare my ratings from 2017 tasting versus 2019, you will see that I rated all the wines higher. It appears that the process is going in the right direction, to the joy of all of us, oenophiles.
Let me share my notes:
2018 Murrieta’s Well Small Lot Dry Orange Muscat Livermore Valley (14.6% ABV, $38, 100% Orange Muscat)
Light golden color
Plums, guava, tropical fruit
Bright acidity, an undertone of sweet tobacco, bright acidity on the finish
8, fresh, excellent
2018 Murrieta’s Well Dry Rosé Livermore Valley (13.5% ABV, $32, 42% Counoise, 33% Grenache, 25% Mourvèdre)
Medium intensity pink color
Underripe strawberries
Tart fresh strawberries, good acidity, clean, vibrant, perfect balance, long finish
8, an excellent wine.
2016 Murrieta’s Well Small Lot Merlot Livermore Valley (14.1% ABV, $48, 95% Merlot, 5% Cabernet Sauvignon)
Dark garnet
Touch of cassis, eucalyptus
Cassis, blackberries, nicely tart, a touch of coffee, good acidity, good structure
8+, excellent.
2017 Murietta’s Well The Spur Livermore Valley (14.5% ABV, $35, 64% Cabernet Sauvignon, 14% Petite Sirah, 13% Merlot, 9% Petit Verdot)
Dark Garnet
Smoke, tar, roasted meat, blackberries
Succulent blackberries, tobacco undertones, good acidity, medium to full body, good balance
8-, excellent
Here you go – 4 excellent wines, 4 sources of the great American [wine] pleasure. Have you had any of these wines? Have you had wines from the Livermore Valley? Cheers!
Seeking Peace with Sherry
Sherry, a.k.a Jerez or Xerez can be considered a graduation wine for the all-encompassing wine lover (pun intended or not, but I believe Sherry is actually a part of the last exam for the WSET diploma candidates, so you can read whatever you want into this). While Sherry has a very long history, it completely lost the clout it had in the 17th–18th centuries, and today it is more of a wine for the people in the know, a sort of the secret handshake for the true wine aficionados. “Do you like Sherry”? “Of course” – that answer would instantly create the bridge of understanding between the participants in the dialog.
Sherry is fascinating. It is not just another white wine. It offers a very complex taste. Sherry production involves some elements of magic – identified as Flor and Solera. Sherry usually undergoes the long aging process in the barrels. Sometimes, the thin veil, a layer of yeast is formed on top of the wine aging in the barrel – this layer is called Flor. Flor is thick enough to protect the aging wine from the oxidation, but it also requires a very specific level of alcohol in the wine in order to survive. If the wine will finish its aging while protected by the flor, it will become a fino or manzanilla Sherry. However, the formation and survival of the flor is the thing of the mystery.
And then there is Solera. In the solera method of aging the wine, which is often used in the production of Sherry, the set of barrels is always topped off with the younger wine, moving wine from one barrel to another as the wine ages. The barrels are never emptied and never washed, thus if the solera was started 100 years ago, there will be traces of the 100 years old wine in your glass – how cool is that?!
Now, it is time for the hard truth. 7 or 8 years ago, I truly enjoyed the range of Sherry wines, starting from the driest fino and manzanilla, and all the way to the “liquid sugar” Pedro Ximenez – here is the article I wrote back in 2011; I also talked about Sherry in the Forgotten Vines series of posts. Today, I’m avoiding dry Sherry like a plague, as I’m unable to enjoy it much. When I’m offered to taste a sample of the Sherry, I usually have to politely decline. Talking to the fellow bloggers who are raving about their love of Sherry, I usually try to avoid making eye contact as much as possible, so I don’t have to share my opinion.
When I was offered a sample of a Cream Sherry, my first reaction was “no, I’m not touching the Sherry”. But then I thought “hmmm, Cream Sherry – this should be a premixed liqueur, like Baileys and Cream – I can probably do that”, so I agreed to review the wine.
When the bottle showed up with all the explanations, I quickly realized that I was wrong in all of my assumptions.
First, there is no cream in Cream Sherry. It is simply a special style of Sherry – not dry, but not as sweet as Pedro Ximenez would be. The wine I got was Harveys Bristol Cream – and there is a slew of fun fact I would like to share with you, both about the Cream Sherry style and about this particular wine (courtesy of González Byass, a producer and importer of this wine):
“Did you know that Harveys Bristol Cream…
1) …was first created and registered in 1882 by John Harvey & Sons in Bristol,
England, creators of the “cream” Sherry category?
2) …is not a “cream” liqueur, like Baileys, but a Sherry? They decided to call it
a cream Sherry because the richness rivaled that of cream.
3) …is a blend of more than 30 soleras of Sherries aged from 3-20 years? And
it’s the only Sherry made from 4 different styles of Sherry: Fino,
Amontillado, Oloroso and Pedro Ximenez.
4) …is the only Spanish product with a Royal Warrant from the Queen of
England since 1895?
5) …first came to the United States in 1933 and quickly became a best-seller.
6) …is best served chilled? We think it’s perfect at around 50°-55°F.
7) …is defined by its blue glass bottle and now has a label with a logo that turns
blue when Harveys reaches its perfect temperature.
8) …can be stored in the fridge for up to one month? Although it rarely lasts
that long.
9) …pairs really well with cookies, especially Oreos?
10!…is the number one selling Sherry in the world?”
Secondly, I happened to enjoy this wine! Beautiful mahogany color, more appropriate for cognac or nicely aged scotch, a nose of hazelnut and a touch of fig, plus unmistakable Sherry salinity. The palate shows caramel, burnt sugar, hazelnuts, a dash of sea salt and perfect, clean acidity, which makes this wine a real pleasure to drink. Add a fireplace to this wine over a cold winter night, or a cigar on the deck in the summer, and you got your thirst of guilty pleasure fully satisfied.
Will this be a pivotal wine for me to find Sherry love again? I can’t say it for sure, but I will definitely try. If anything, I’m now at peace with Sherry. And I’m off to pour another glass.
Wine Discovery Pack
My relatives, a young couple, are getting into the wine. In search of what they like, which they still have to determine, they are starting the process of discovery – taking notes, making records of what they like and don’t like – something which will definitely lead them to the right path.
I wanted to help them, so I decided to create a special wine set, which I called the Discovery Pack – 6 wines which can help the beginners to identify their preferences – yes, it takes a lot more than 6 wines to figure the wine world out, but still, it is a guided start as opposed to the pure trial and error.
While working on putting together a good learning set of wines, I came up with the following criteria to decide on what wines to include:
- The wine should be reasonably priced, so I set the limit at $20 per bottle. Yes, you can find well drinkable wines under $10 – but finding such wines is quite difficult. Yes, I could go higher, but a lot of expensive young wines are simply not drinkable, they need to age, and besides, expensive wines might not be what the young family might be excited about.
- The wines should be mainstream wines – there should be no problems finding these wines anywhere in the US. It doesn’t make sense to offer someone an amazing bottle of wine which will be impossible to find, as the idea is to help with finding the favorites, and then being able to buy the wines again with ease.
- The wines should be representative of their region or styles. It is easily possible to find unique and amazing wines in any price range – however Bobal, Trepat, Teroldego, or Schiava, no matter how tasty, are hard to find and always a hit or miss exercise. Once you are a bona fide wine lover, you do as you pleased, but when you are just learning, missteps might have long term consequences – once someone decides “oh, I don’t like this type of wine”, it might take a very long (if ever) time to reverse that sentiment.
Okay, so the playing field is set. Let’s see how I managed to address my own requirements.
First, I decided that it will be all red wines set. A typical wine lover’s evolution is sweet – red – white – dessert, so red is a good starting point. There is some sort of uniformity between major red grapes, at least texturally – any whites will be all over the place (think of a range of expressions of Sauvignon Blanc: Sancerre – Italy – New Zealand – California – Chile). Red wines are easier to deal with. Secondly, I wanted to offer a trip around the world – not necessarily easy with only 6 bottles, but I tried.
My first selection was the easiest for me – Bogle Vineyards Petite Sirah California ($10-$12). This wine is a solid, you-can’t-go-wrong choice in the $9.99 – $11.99 price range. The recommendation here is not the style or the region so much as the particular wine. It typically has good amount of fruit, nicely restrained and perfectly drinkable upon pulling out the cork. Always a safe choice when in doubt; will work perfectly with a casual Friday dinner or a Saturday BBQ. On a wider scale, California Petitte Sirah is a good grape to be familiar with – yes, you can always find renditions that require long aging, such as Retro or Runquist, but on the other hand, you might get lucky with Turley or Quivira.
Wine #2 is another favorite which first and foremost represents itself – Original House Wine Red Blend ($9.99). The wine is a blend of Cabernet Sauvignon, Merlot, Syrah, Petit Verdot, and other red grapes. In the older days, the wine was designated as Columbia Valley, Washington – now it seems to be saying just “American wine” on the website, however, the back label indicates Walla Walla, Washington. In any case, at around $9.99, this is an excellent wine – supple, fruity, bold – but not overboard. You can build upon this wine as it can be an introduction into the well-made blends, and it can be also a nice introduction into the Washington wines.
Wine #3 – Las Rocas Garnacha Catalayud Spain ($15). If you are familiar with this blog, you could easily predict that Spanish wine will be on the list – but you probably were expecting to see Rioja or Ribera del Duero wine. I went with Garnacha, known outside of Spain as Grenache because, in the under $20 price range, both Rioja and Ribera del Duero are hit and miss. Yes, I can find drinkable examples of Rioja under $20, but there are so many insipid Rioja wines in that price range that it will not do anyone any good. Garnacha is a much safer choice – there is a good level of consistency in this price range. Las Rocas Garnacha is a good example, with a core of red fruit over the medium body. Easy to drink and at around $15, nobody needs to break the bank to enjoy another Monday night. This wine is selected to be more of a representative of style, grape, and the region, so you can continue trying a variety of Garnacha wines, maybe eventually graduating with Alto Moncayo Aquilon or even Clos Erasmus.
Wine #4 – Saint Cosme Cotes du Rhone France ($15). There is absolutely no way France can be left outside of such a discovery portfolio. When it comes to France, the most obvious options are Bordeaux or Burgundy, however, Burgundy just doesn’t exist in under $20 price category, and Bordeaux will be extremely inconsistent. Besides, I wouldn’t recommend Bordeaux and Burgundy to the beginner wine drinkers. However, Cote du Rhone is an entirely different story. Cote du Rhone wines, which are typically a blend of Grenache, Syrah, and Mourvedre (so-called GSM blend) in various proportions, are easy to drink. They are soft, simple, loaded with tasty cherries and plums smothered over medium body. Saint Cosme, which is a very good producer, simply represents the region here. Delas, M. Chapoutier, Guigal, Perrin, and many others offer reliable choices in the same price range. GSM blends can be found everywhere throughout the Rhone, so after you establish your palate with Cote du Rhone wines, you can graduate to Gigondas, Chateauneuf-du-Pape, and then slowly embrace the Northern Rhone.
Wine #5 – Ciacci Collosorbo Rosso di Montalcino Italy ($19.99). The Discovery pack must include Italian wine, isn’t it? Choosing one Italian wine based on the 3 criteria set here is very far from easy. To stay under $20, Chianti, Salice Salentino, Montepulciano represent far better options than most other Italian regions. However, Chianti and Montepulciano can be hit and miss, and with Salice Salentino you will be limited to 1-2 choices your wine store will offer – if you are lucky. The original plan was still to go with Cecchi Chianti Classico, highly recommended by John Fodera – however, the wine didn’t make it into the stock, so I decided to go with the so-called baby Brunello. Rosso di Montalcino as a category is well approachable, offering wines which are unmistakably Italian with all of the cherry, leather, and tobacco notes – and easy to drink while young, without the need to cellar them. I might be bending the rules on this wine just a bit because while I got it at $19.99 here in Stamford, it might be a bit more expensive in many places. Well, it should be possible to find Rosso di Montalcino wines under $20, so we are okay here. And then the Rosso offers a graduation pass to the Brunello di Montalcino, and then maybe a jump to the Super Tuscans.
Wine #6 – Alamos Malbec Selección Mendoza Argentina ($16.99). There were multiple contenders for the last spot in our discovery set – Argentina, Australia, Chile, New Zealand, South Africa. Australia, Chile, and South Africa don’t offer consistency in this price range, and while New Zealand reds can be available under $20, it really doesn’t offer much of the selection. I decided to go with Malbec, as it is usually something most of the beginners can appreciate, with its soft dark fruit and vanilla notes. There is also a level of consistency associated with Argentinian Malbec, and $15 – $20 range allows for the higher quality wines such as this Alamos Malbec Selección or Trapiche Broquel.
Here you go – my 6 wines discovery set. Now, I have a question for you, wine buffs, snobs, and aficionados – what would you offer for the beginner wine drinkers as a learning introduction into the world of wines, also based on the three principals I outlined? Don’t be shy – comment away! Cheers!
Want To Learn More About German Wines? Join Snooth Virtual Tasting Tonight
Ripe Riesling Grapes, as captured in Wikipedia
Do you like German wines? I’m sure you do, even if secretly or unbeknownst to oneself, as Germany is one of the oldest producers of some of the most delicious wines in the world.
Tonight, November 13, 2019, at 8:30 PM US Eastern time, you have an opportunity to learn about or expand your wine knowledge by joining virtual tasting on Snooth, called German Wines To Be Thankful For:
http://www.snooth.com/virtual-tasting/video/german-wines-to-be-thankful-for/
You can also follow German Wines USA on Twitter and Instagram:
Spanish Wines: Beyond The Reds
Let me ask you something: if you hear the words “Spanish wine”, what is the first type of wine which comes to mind – red, white or Rosé? I’m a self-admitted Spanish wine aficionado, and I can honestly tell you that my first association will be “red”, then probably Rosé, and only then white (when it comes to Spain, your wine type choices are quite wide, as you got also Cava, Jerez, Málaga – but let’s not make it too complicated).
There is a good chance that your associations were the same – Spanish wine equals Red. I certainly started my Spanish wine love embrace from the Rioja, best known for its reds with Lopez de Heredia Viña Gravonia, one of the best white wines made in Spain, being rather a curiosity than a norm. It took me several years until I heard the name Albariño and tasted what is today probably best known Spanish white wine. And then, of course, let’s not forget about the Rosé revolution which took place around the world over the last 5 years or so – Spain gladly joined the movement with wonderful Rosé, or rather, Rosado renditions of Grenache and Tempranillo rapidly showing up over the Spanish wine map.
Let’s explore a bit a Spanish non-red wine scenery – as I like to say, have wine – will travel. First stop – Rueda, the wine region located almost in the middle of the country.
Rueda is a part of the Castilla y León region in Central Spain. History of winemaking in Castilla y León goes back to the 10th/11th centuries and closely associated with the arrival of Catholic monks, who started vine cultivation and winemaking. We can say that the modern part of winemaking history in Castilla y León started in 1980 with Rueda becoming the first local winemaking region to receive the status of D.O. which stands for Designation of Origin, the quality designation in Spanish wine.
The majority of Rueda vineyards are located at an altitude of 800m (2400 FT) and higher. Rueda is known for its extreme climate conditions, where diurnal temperature shift can reach 50 degrees during the day – which is actually good for the grapes, as it helps to concentrate flavors, sugars and acidity. White grape called Verdejo is typically associated with Rueda wines, even though Sauvignon Blanc wines can also be found coming out of Rueda.
I thought it would be appropriate to give you some fun facts about Rueda, taken from Ribera and Rueda wine website: ”
- There are 32,500 acres of vineyards in Rueda, of which 28,800 acres are Verdejo.
- The area has 69 wineries and is cultivated by over 1,500 growers.
- To be “Rueda Verdejo”, wines must contain at least 85 percent Verdejo.
- Verdejo is harvested at night to allow the grapes to cool from the scorching summer heat.
- Verdejo was almost wiped out by Phylloxera in the late 19th century, but it was revived in the 1970s.”
A few weeks ago I had an opportunity to taste a few of the Rueda wines offered as part of virtual tasting at Snooth (here is the link to the video recording of this session if you are interested in learning more). The tasting covered wines of Rueda and Ribera del Duero (I only tasted wines from Rueda), and Snooth had a great wine deal offering related to the tasting, which is, unfortunately, already sold out.
We had three of the Rueda Verdejo wines in the tasting, all three were 100% Verdejo, 100% delicious, and 100% great value.
Just to give you a brief summary: Marqués de Riscal is better known as one of the oldest wineries in Rioja. However, they were also one of the first commercial wineries in Rueda, opening the winery in 1972 and being a driving force behind 1980 DO Rueda designation. While Bodegas Menade might be a new kid on the block, with winery established in 2005, the family had been in grape growing business in Rueda for 6 generations, going back to 1820. The grapes used for the Menade Verdejo come from the organically farmed vines which are 80 to 100 years old. The last Verdejo comes from one of the personal favorites – Bodegas Shaya. Shaya Habis, an oaked rendition of the Verdejo, had been my favorite Verdejo wine for a long time. While working on this post it was fascinating (or shameful, depending on your take – I had been writing about Shaya wines for many years, only now finally doing some research) to learn that Bodegas Shaya was a project of Gil family, whose El Nido (predominantly Cabernet Sauvignon with the addition of Monastrell) is one of the “cult”, sought-after Spanish wines. Bodegas Shaya project was started by Gil family in 2008, with the wines produced from old, low-yielding Verdejo vines.
Here are my notes for the wines we tasted:
2018 Marqués de Riscal Rueda Verdejo Rueda DO (13.5% ABV, $13)
Light golden
Touch of fresh grass, lemon, lemon zest, sage, rocks
Crisp, vibrant, lemon, a touch of gunflint, excellent minerality, medium-plus finish
8/8+, Delicious white wine – by itself or with food.
2016 Bodegas Menade Rueda Verdejo Rueda DO (13% ABV, $18)
Golden color
Great complexity, Whitestone fruit, a touch of honey, honeysuckle, interesting undertones of sapidity
Savory and sweet, minerally-forward, Whitestone fruit, crisp acidity, vibrant, fresh, medium+ finish
8-/8, should be good with food
2016 Bodegas Shaya Rueda DO (13.5% ABV, $13, 20%-30% of grapes fermented in barrels with 500 – 600 liters capacity)
Straw pale
Very unusual, dusty nose, a hint of grass and white flowers
High viscosity, roll of your tongue wine, restrained white fruit, Granny Smith apples, buttery impressions of a good balanced Chardonnay.
8+, my favorite of the 3, especially after being open for a few days.
How do you like the trip so far? Now it is time to move east to the region called Cariñena.
Winemaking in Cariñena goes back to Roman times. History of Cariñena wines includes Royal proclamations of “Cariñena wines above all”, and even the quality control instituted at the end of the 17th century, monitoring yield levels and production areas. Cariñena also managed to escape the Phylloxera epidemic of the 19th century. In 1932, Cariñena became the second D.O. in Spain (after Rioja). Here is the link for you if you want to learn more about the region.
Cariñena is best known and typically associated with Garnacha (Grenache for all outside of Spain), and it is also often considered to be the birthplace of that grape. Some of the Garnacha plantings in Cariñena exceed 100 years of age. The second important red grape in Cariñena actually shares its name with the region – it is called Cariñena, and also known locally as Mazuelo, and outside of Spain as Carignan. Other red grapes can also be found in the region – Cabernet Sauvignon, Merlot, Monastrell, Syrah, Tempranillo, Vidadillo. White wine production in Cariñena is much less than red; you can find Chardonnay, Garnacha Blanca, Macabeo (Viura), Moscatel, and Parellada growing there.
At the beginning of the post, we mentioned the “Rosé revolution”. So very appropriately, I had an opportunity to taste two Cariñena Rosado wines, made out of Garnacha, and the Chardonnay coming from one of the favorite producers, Bodegas San Valero. Here are my notes:
2018 Bodegas Paniza Fábula de Paniza Garnacha Rosé Cariñena DOP (13.5% ABV)
Beautiful salmon pink
Delicate nose of tart strawberries with a touch of lemon
Crisp, clean, refreshing, tart strawberries, good minerality, a hint of cranberries
8, excellent Rosé, a perfect wine for a summer day, but will work well with food at any time.
2018 El Circo Payaso Garnacha Rosé Cariñena DOP (13% ABV, $10)
Intense pink
Wild ripe strawberries
Ripe Strawberries all the way, good acidity, lemon, medium body
7+/8-, craves food
2017 Bodegas San Valero Particular Chardonnay Cariñena DOP (12.5% ABV)
Light golden
Touch of vanilla and apple, a hint of white flowers
Crisp, clean, fresh lemon, a touch of white pepper, vanilla, a round finish.
7+/8-, definitely a delightful wine
Here you are, my friends – Spain makes delicious wines, and not all of those wines are red. And let’s not forget that those wines represent an amazing value. Do you have any favorite Spanish white wines? Cheers!
Spain’s Great Match 2019 – A Mixed Bag?
I love Spanish wines.
Anyone who reads this blog for a while is aware of this. Spanish wines have a special place in my heart, as even today they are some of the best-kept secrets in the wine world, allowing those in the know to enjoy amazing wines still at reasonable prices (some of the best QPRs around).
For many years I had been attending Spanish Wine Tasting in New York, called Spain’s Great Match. I usually attend the early morning seminar, and then go for the walk-around tasting – here you can find my reports from 2014 and 2017 events.
The seminars at Spain’s Great Match are meant to showcase some of the best and interesting Spanish wines. 2014 event was an absolute stand out in this regard, as this was a special event celebrating 30 years of Spanish wines in the USA. The wines served in that seminar were way beyond amazing.
The 2017 seminar was also quite good – maybe not as good as 2014, but still, very, very good. Now, before I will report on the 2019 event, let me talk a bit about the setting.
The event took place in one of the trendiest New York neighborhoods, Hudson Yards, at the recently opened Mercado Little Spain. Mercado Little Spain is conceptually similar to the Eataly, with the space filled with all possible produce, food and drink options which you would otherwise find…yes, in Spain. So the setting itself was outstanding, creating the right atmosphere to enjoy Spanish wines as they should be.
Now, let’s talk about the seminar, which was called “Vinos de Vanguardia: Wines on the Cutting Edge”.
As you can tell from the name, the idea was to present a unique and different side of Spanish wines. Yes, I get it – Spanish wines might be relegated by “ordinary”, “predictable”, and “same all, same all”, and the seminar was designed to break that myth and to show the forward-thinking of the Spanish winemakers.
I don’t discriminate against any type of wines – natural, low intervention, “orange”, unoaked, unfiltered, canned, boxed, all is good. I’m willing to try absolutely anything – at least one time. When I taste the wine, I trust my palate, and that sip will be simply binary – I will either like the wine, or not. Yes, temperature, air, of course – I’m willing to give literally an unlimited amount of time to the wine to show itself properly – but at some point, the wine has to deliver what it is supposed to deliver – a pleasure. That’s all I’m looking for in wine – pleasure.
I’m sure the wines in the seminar were hand-selected to represent the avant-garde thinking of the Spanish winemakers. However, for me, only 3 wines out of 8 delivered that pleasure, and two out of those leftover 5 were not only boring, but they were also off-putting. I rarely call wines “bad”, I typically say that the wines are “not for me”. So these 2 wines were truly not for me – here are the notes:
2018 Can Sumoi Xarel-lo DO Penedès (100% Xarel-lo)
Golden
Great acidity, sour apples, an unusual ting of a fermenting fruit
Mostly acidity, a bit violent to my taste. Fresh lemon acidity, devoid of any sweetness. The bitter-sour finish lingered. It might be a food wine, but I would definitely prefer a Muscadet if I really look for food-friendly acidity.
Natural wine, the panel was talking about a sense of place and so on, but one can relate to that only if one is visiting, and without that “place” connection the wine was … well, you got my point
2018 Tajinaste Blanco DO Islas Canarias (90% Listán Blanco, 10% Albillo)
Golden color
Fresh grass, underripe white plums, distant hint of a grapefruit
Fresh acidity, Meyer lemon. Unfortunately, boring.
2018 A Coroa Godello DO Valdeorras (100% Godello)
Golden color
Whitestone fruit, a touch of lemon
Good acidity, distant hint of buttery notes, but this was mostly it – the acidity. This wine might well be improved with time, judging by the acidity, but at the moment, boring.
2016 Enrique Mendoza La Tremenda DO Alicante (100% Monastrell)
Garnet
Beautiful intense nose of fresh berries, a touch of iodine
Tannins-forward, tannins mostly take over the wine, some fruit present. Not great.
2018 Bodegas Ponce Clos Lojén DO Manchuria (100% Bobal)
Dark garnet
Touch of roasted meat, violet, very inviting floral aromatics
Beautiful pepper note, fresh berries, medium body, open, inviting, short finish. First good wine in the tasting.
2016 Marañones 30.000 Maravedies DO Vinos de Madrid (90% Garnacha, 10% Morate/Syrah)
Ruby
Hay and cherries, light
Tart, tannins forward, mouth-puckering, cherry pits on the back end. Maybe a food wine, and maybe it will improve with time. Ok wine for now.
2015 Alberto Orte Atlántida VT de Cádiz (100% Tintilla)
Dark ruby/garnet
Beautiful open inviting nose – sage, ripe plumes, thyme, lavender – one of the most herbs-driven aromas I ever experienced
Beautiful palate, herbs with a complex interplay, fresh berries, delicious. Second excellent wine in the tasting.
2015 Guímaro Finca Meixeman DO Ribeira Sacra (100% Mencía)
Garnet
Mostly closed, a touch of cherries, hint of currant leaves
The beautiful playful palate, crunchy wild blueberries, lots of herbs, medium body, medium+ finish. Also one of the best in the tasting.
As you can tell, Bobal, Tintilla, and Mencía were excellent wines which I really enjoyed – and all these wines are uniquely Spanish. When it comes to Spanish wines, you don’t need to try too hard – Spain offers lots of unique and delicious wines – but oh well, this was fine anyway.
Right after the seminar, we went back to the main floor, which was all converted into the walk-around wine tasting space. Spanish food was carried around, from famous Jamón to Manchego cheese to Spanish omelet to Potatas Bravas and more. I have to say that Gazpacho was my favorite bite without a doubt, but overall, there was no shortage of food.
I have to honestly say that in my 5 years of attending these “Spain’s Great Match” events, the “big guns” never showed up in the tasting – I don’t mean Pingus, Clos Mogador or Vega Sicilia, but even more accessible staples such as La Rioja Alta, Lopez de Heredia, Emilio Moro, Alto Moncayo and many others never made an appearance outside of occasional representation in the seminars. This year’s event was not an exception, with really minor representations of the better-known wines. Don’t get me wrong, there were plenty of excellent wines available, but been a bit spoiled (sorry), I just made a quick round, mostly looking to taste the new vintages of the wines I already knew, so I’m not going to inundate you with a long list of my wine recommendations.
In no particular order, here are the wines I tasted and liked:
Sparkling and white:
2017 Martinsancho Bodegas y Viñedos Martinsancho Rueda DO ($15) – this is one of the best Rueda wines, and it is a lot of wine for the money
2016 CUNE Monopole Classico Rioja DOCa ($27) – deliciously complex, oak-aged white Rioja
NV Anna de Codorníu Brut Rosé Cava DO ($15) – an excellent glass of bubbly for any occasion
NV Segura Viudas Reserva Heredad Penedes DO ($30) – this wine never disappoints, and a beautiful bottle makes it a perfect gift
Red:
2016 Viña Real Crianza Rioja DOCa ($16)
2014 CUNE Reserva Rioja DOCa ($29)
2012 CUNE Gran Reserva Rioja DOCa ($39)
2012 CUNE Imperial Gran Reserva Rioja DOCa ($80)
2016 Teofilo Reyes Crianza Ribera Del Duero DO ($37)
2018 Bodegas Divina Proporcion 24 Mozas Toro DO ($16) – a nice rendition of powerful Toro Tempranillo, good value
2010 Bodegas Martinez Lacuesta Reserva Rioja DOCa ($38)
2014 Bodegas Sonsiera Pagos de la Sonsiera Rioja DOCa ($38)
2016 Bodegas Valderiz Ribera Del Duero DO ($25)
2014 Boada Campo de Bueyes Crianza Ribera Del Duero DO ($15) – might be my favorite wine from the whole tasting. Approachable, round, delicious. Great value.
In terms of price versus quality, or the QPR as we like to call it, Spain still remains unbeatable, and it still remains more of a secret for a casual wine lover. Well, I guess it is all better for us – those who discovered the secret already.
What was your favorite Spanish wine discovery as of late?
Judging Wine
Let’s do some math. There are about 8,700 wineries in the USA. Some wineries make only 2–3 wines, but this is quite rare. Some wineries make 10, 15 or more, especially if you will take into account all the “winery-only” specials. Let’s average, say, at 10 (I’m sure I’m reasonably conservative here). In this case, we are talking about roughly 87,000 different wines. Produced every year. In the USA alone.
How do we choose the wines? Presented with an average selection of at least a few hundred bottles even at a small wine store, we need all the help we can get to select that one bottle we want to drink tonight. One of such “helpers” is so-called ratings. Ratings are professional wine critics’ opinions, generally expressed in the form of the numbers (points), from 50 to a 100 – 89 points, 95 points, 100 points. Those ratings are produced by several wine publications (magazines and newsletters), such as Wine Spectator, Wine Advocate, Wine Enthusiast, and a few others. Let’s say there are about 4 main publications in the USA (there are lots more, of course, if you will attempt a full count, but let’s just stay with the major ones). Now, to produce the ratings for all 87,000 wines among 4 publications, working 365 days a year (no breaks!), it will be necessary to evaluate about 60 wines per day, every day – and these are just wines from the USA, based on our rough assumption of 10 wines per winery. Mission impossible – and mission unnecessary.
What else is there besides ratings, to help our poor, indecisive selves? Well, how about some awards? If you ever visited some lesser-known wineries – maybe on Long Island, or in Finger Lakes, upstate New York, Pennsylvania, etc – have you noticed a display of the bottles wearing straps with various medals around the neck? Those are the exact awards we are talking about. How the wineries get those? By participation (and winning) at the various wine competitions, in the USA or even in the world.
There are about 70 of major (or better known) wine competitions in the USA, plus probably hundreds of lesser-known, more regional wine competitions. Wineries submit their wines for the competitions. The wines are grouped into the categories (white, blend, Chardonnay, Merlot, Dessert, etc), and get rated in a blind tasting within those categories by the wine judges. The best wines in the categories can subsequently compete for the “best in show”, “best red”, “best dessert” and so on. And then wineries get to brag about their awards and to display the medals, sometimes at the winery, and sometimes even on the labels – I’m sure you’ve seen those.
Wondering how the wine judging is done? Let me give you a first-hand account, as I just attended my second wine competition as a judge – at the Hudson Valley Wine Festival – obviously focused on the wines of Hudson Valley.
As we mentioned, the wines are judged blind, with only a variety (or blend composition) and vintage known for every wine. The wines are split into the categories such as white and Rosé, red, dessert, fruit, and can be split into varieties within the categories, each category presented as a separate flight – for example, Merlot and Cabernet Franc for reds, or Chardonnay and Riesling for the whites. The wines are assessed at the Hudson Valley Wine Festival according to the American Wine Society wine evaluation chart, which you can find in its entirety here. According to that chart, the wine can get the maximum of 20 points comprising of the following categories
- Wine color – up to 3 points. This is an easy one – as long as your 1-year-old dry Riesling is not a deep golden, or not hazy/cloudy, it is 3 points.
- Aroma and bouquet – up to 6 points. The 6 points are awarded if the wine is absolutely on point for the varietal expression.
- Taste and texture – again, up to 6 points. To get 6 points the wine should be varietally perfect.
- Finish – up to 3 points. Here the long and enjoyable is what is required to qualify for 3.
- Overall impression – up to 2 points. Here is an opportunity for a judge to express his or her personal opinion about the wine – nah, okay, or wow.
The assessment of the wines done in the flights, where each wine is individually labeled with a code. The judges are working in the groups of 3, with each group having a captain who manages the group’s work and fills up all of the final decision forms. While the wines in the flight had been assessed, all judges keep it quiet and filling up the form. Once the flight’s assessment is finished, the wines are been discussed one by one, to arrive at a final score for the wine. Based on the score and opinion, the recommendations can be made for double gold, gold, silver, and bronze, as well as for the inclusion into the best of show tasting.
Once all the flights are done by all the judges at all tables, the results are processed, which takes about 30 minutes. During this 30 minutes break, it is a perfect opportunity for judges to walk around and see a bit of the show floor before it gets ultra-crowded. Here are some of the pictures of what you can find on the show floor of the Hudson Valley Wine and Food Festival. These are the things which attracted my attention, and I can tell you that the bacon salsa you see below was superb. Both single malt and rye whiskey which you can see below were good, but not $100 good as it was the show’s asking price. And how about those cans and wine labels!
After the break, the final part of the judging is set up – now the wines are judged for the best in category (best red, best white, etc), and then all of the best in categories are included into the “best in show” tasting. Best in category and best in the show are judged by all the judges at all the tables by the show of hands, and each judge can vote only once.
Best in Show tasting flight
An interesting by-product of all the voting is the title of the “winery of the year” for the region – I don’t know the exact formulae, but it is determined by the number of wines awarded the medals, taking into account how many wines were submitted versus how many wines got awards, and the type of those awards – for example, it is better to submit 2 wines, one of which will take double gold, versus 4 wines, out of which 2 will take silver.
That’s all there is to it – now you know all about the wine judging.
Here you can see our list of flights, and some of my notes. I have to honestly tell you that somehow I liked the wines from last year a bit more than the wines from this year – but then last year our red wines flight was Cabernet Franc, and this year it was Merlot – and Hudson Valley produces better Cabernet Franc than Merlot (personal opinion, of course). Also, last year we tasted no DPMs at our table – in case you never heard the term which I learned last year, DPM stands for Don’t Put in your Mouth – and DPM can happen anywhere, it has nothing to do with any particular region. So last year we got lucky, and this year, we were blessed with two – one wine was completely spoiled (can’t describe it, just terrible, like a spoiled fruit), and the second one tasted like it had cheese blended in the wine – as one of the judges said, “I like cheese with my wine, but not in my wine”. Anyway, bad wines happen anywhere in the world – nothing else there is to it.
Overall, however, I have nothing to complain about, it was fun and successful tasting, and we completed our work with no issues.
Debbie Gioquindo, Chair of the competition, deep at work
I will not be repeating here all the results – you find them all here, on the website of Debbie Gioquindo, Hudson Valley Wine and Spirits Competition Chairwoman for the past 12 years. For my personal favorites, 2017 Millbrook Castle Hill Vinyard Chardonnay Hudson Valley was absolutely spectacular – it is hard to believe the Chardonnay of such a world quality can be produced in Hudson Valley (I mean no disrespect, but you have to taste this wine to believe it) – perfectly Burgundian with a distant hint of vanilla and butter. 2015 Glorie Farm Winery Cabernet Franc was simply perfect – an excellent rendition of the Cabernet Franc, the grape which Hudson Valley mastered to perfection for a while – and it was the Best in Show wine. And the Baldwin Vineyards Spiced Apple, entered in the fruit wine category, simply blew my mind with its perfect expression of a drool-inducing apple pie – the one you eat with the spoon directly from the tray, and you know you are not supposed to do it, but you can’t stop yourself…
In case you want to see it, here is the aftermath of the competition:
That’s all, my friends. This was definitely a fun experience, and I’m already looking forward to the next year’s event. Cheers!
Celebrate The End Of BBQ Season with The Federalist, The American Craft Wine
Here you have the title I’m really not sure about.
Let’s see.
The end of the BBQ Season. First, who said that BBQ season is ending? Even on the East Coast of the USA people proudly fire up their grill in January, bragging about battling knee-deep snow. Never mind California, and let me not offend the South. So what’s ending?
What’s BBQ? When I grill the steak on a gas grill, is it classified as BBQ, or is the open fire required? Is charcoal qualified as a source of fire, or do I have to use the actual wood? Food is not as polarizing as politics these days, but it still has its share.
And then even if BBQ season is ending, is that something worth celebrating?
Never mind all this blabbering, as maybe the most important question is: what is The American Craft Wine?
Let’s watch this short clip:
If you will search online for the “American Craft Wine”, The Federalist will be the very first link which will come up. The Federalist is the winery in California, which makes a range of traditional American wines, and defines itself as “Born from the virtues of every forward-thinking, hard-working, red-blooded American, this is The Federalist. This Is American Craft Wine.”
Is craft wine an answer to the craft beer, an extremely popular consumer category (if you ever “checked in” on Yelp, “do they serve craft beer” question is one of the most popular ones while filling up a small check-in questionnaire)? Beer is often associated with BBQ, and of course, it is better to be a craft beer. But why not a craft wine? I think we would all agree that wine is the result of winemaker’s craft; good wine requires a good skill, a craft – so maybe The Federalist is paving a way to the new wine category?
I had an opportunity to taste The Federalist wines for the first time 3 years ago, and I liked them. Therefore, when I was offered a sample of The Federalist wines a few days ago, I was really curious to see how they will fair now, as both the style of wine and my tastebuds can easily change.
I’m glad to report that even if my tastebuds changed, I still found the wines delicious:
2016 The Federalist Cabernet Sauvignon Lodi (14% ABV, $17.99, 93% Cabernet Sauvignon, 5% Zinfandel, 2% Petite Sirah, Merlot, and Cabernet Franc; 15 months in oak, 35% new)
Garnet Color
Coffee, dark fruit, a hint of currant, eucalyptus
Soft, approachable, licorice, sweet cherries, a touch of cinnamon and nutmeg
8-, unmistakably Lodi, generous and easy to drink
2017 The Federalist Honest Red Blend North Coast (15% ABV, $21.99, 45% Zinfandel, 24% Merlot, 20% Cabernet Sauvignon, 7% Malbec, 4% Cabernet Franc; grapes sourced from: 42% Mendocino County, 33% Sonoma County, 25% Napa County; 15 months in oak, 35% new)
Dark garnet
Blackberries, sweet oak, cassis, a hint of mocha
Firm, wells structured, blackberries, tobacco, dry tannins, dusty cherries, good acidity, good balance
8, excellent, perfect by itself, will work perfectly with the steak
Is the BBQ season ending? You’ll be the judge of that. But if you have any BBQ plans this weekend, fire up whatever you designate as your BBQ machine, and give a try to The American Craft wine, paired with your own crafted BBQ. There is a good chance you might like it. Cheers!
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