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Daily Glass: Monday Night Wine
Monday night. The first working day of the week is over. Or it might not be over, who knows. But it is Monday, and the week is just starting. Is there a wine more suitable for Monday than any other day of the week?
Friday night is easy. Friday always means fun and celebration. Friday is already playful, so unless you have serious dinner plans aligned, Friday night wine might be even a cocktail for all I can tell.
I guess Saturday is asking for a serious wine, no matter what. It’s the middle of the weekend which is always special. Thursday… well, I don’t know about Thursday, let’s get back to Monday.
So how do we select the wine for Monday night? Most likely, you are at home. Most likely, it is only you and your spouse drinking. Most likely, you are not in a hurry. Most likely, you can take your time and enjoy that glass for as long as you want. Considering all of these “most likely” circumstances, let’s settle on the thought-provoking wine. The wine which shows its beauty slowly, sniff by sniff, sip by sip.
Can you think of a wine that would match this description?
While you think about it, I will lead by example and offer to talk about my Monday wine.
2019 Turley Bechtold Vineyard Cinsault Lodi (12.4% ABV). Wine from one of my favorite producers – Turley. Wine from one of my favorite wine regions in California (and not only in California) – Lodi.
Lodi flies under the radar for a lot of wine lovers. Everybody knows Napa and Sonoma. Californian Pinot Noir aficionados probably know Santa Barbara County. Meanwhile, Lodi is where Robert Mondavi went to high school and where his father run the grape-packing business. Lodi is the single largest AVA in North America, and Lodi is where Napa winemakers go to get their grapes. Maybe most importantly, Lodi is home to a number of old, continuously producing vineyards. Of course, everyone likes to lay a claim to the “oldest vineyard” here and there – however, Bechtold vineyard in Lodi was planted in 1886, and oldest or not, 136 years of continuously producing fruit deserves the utmost respect.
Lodi might be best known for its old vines Zinfandels, but our Monday wine tonight is made out of Cinsault, a grape typically used in Rhône and Provence. Cinsault wines typically offer a fruity and floral profile with some pungent undertones.
2019 Turley Cinsault was made using whole cluster fermentation with natural yeast and aged for about 7 months in used French oak barrels. The result was the wine that delivered that thought-provoking Monday night experience we were talking about.
On the nose, the wine offered fresh berries and a hint of the forest floor. On the palate, there was a delicate interplay of raspberries, sour cherries, tartness, and acidity, all packaged together delicately but firmly, and finishing off with sour cherries and cherry pits, long-lasting and offering an opportunity to enjoy a quiet moment. (Drinkability: 8/8+)
That’s how my Monday night wine was (delicious!). How was yours?
Pure Pleasure, And How To Express It
Does this glass give you pleasure?
You take a sip of wine. The wine is sublime. It is beautiful. It is complex. The wine solicits emotion – it makes you happy. It makes you moan quietly inside your head, you might extort an “OMG” or a “Wow”, and after a pause, you take another sip. You are not in a hurry. You want to extend this pleasure for as long as possible.
Wine is art. Wine doesn’t leave you indifferent. Wine solicits emotion.
Painting is art. Painting doesn’t leave you indifferent. Painting solicits emotion.
Music is art. Music doesn’t leave you indifferent. Music solicits emotion.
We can consider wine to be a form of art, the same as painting, music, poetry, architecture, and many other human creations which invite an emotional reaction. Do you know what makes wine a unique form of art? Your utter desire to share it.
You can quietly stare at a beautiful painting for a long time, slowly uncovering little details and being in the moment. Even if you stand next to someone else looking at the same painting, 99 out of 100 you are simply focused on your own personal moment.
When listening to the music, even if you are in the concert hall surrounded by thousands, the music is being played only for you and this is how you want to keep it. You can buy a recording and listen to it 100 times. Just by yourself, and you are happy about it.
Have you seen an oenophile get excited about wine? The excited oenophile grabs the total stranger by the sleeve, shoves the glass into their face and says “here, here, you must try this!!!” It is very important for an oenophile to be able to share the joy of the experience with others. There is an ultimate pleasure in sharing your excitement with others, as wine is an art that needs to be shared.
Sharing pleasure is easy in person. Have you tasted magnificent, life-altering wines in the group? If you had, you probably noticed the collective “ohh”, rolling the eyes, unprompted nodding, maybe a muttered “oh my god”, and then silence. The silence of the greatness of the moment, slowly settling in.
This in-person sharing of the pleasure is simple, and kind of just happens on its own. The real challenge comes when you decide to share that ultimate pleasure with the rest of the world.
So how can one express pure pleasure?
A typical way to describe the wine is via so-called tasting notes. Such tasting notes are often called “technical notes” as they usually describe the wine in terms of appearance, aroma, bouquet, and finish – using analogies such as “brickish color”, “smell of mushrooms”, or “taste of dark cherries”. The wine is described in the terms which the wine drinker is supposed to relate to – and it is a great review if you can relate to all of the terms used without trying to figure out what is Cascarilla and how it actually smells, or how Jabuticaba tastes like. What is usually not found in the tasting notes is the emotion – how this wine might make you feel; will you scream with joy when you will take a sip? Yes, I get it. Even the aromas and flavors are subjective. The emotion which you will experience while drinking the wine is yours and yours only – the person next to you might not experience the same enlightenment – and nevertheless, even the hope for greatness is worth sharing.
Can wine pleasure be expressed in the words by professional wine critics? You be the judge of it. Here is the collection of tatsing notes for the 1966 Domaine de la Romanée-Conti La Tâche Grand Cru. At this link, you will find the reviews from Robert Parker, Jancis Robinson, John Gilman, and others. Here is the best excerpt in my opinion. John Gilman: “La Tâche ‘66 is deep, full and opulent on the palate, with a grandiose delivery of thick, perfumed fruit, excellent balance, plenty of power, great focus and finesse, and an incredibly long, softly-tannic and astoundingly complex finish.” This might be the best description out of the six present, but does it convey the emotion?
Does this wine give you pleasure?
A few days ago, I had the pleasure of drinking two wines from the 1997 vintage (1997 is a special year for our family). These two wines really prompted this post. First, I opened the 1997 Château Haut-Piquat Lussac Saint-Émilion (12.5% ABV, 80% Merlot, 15% Cabernet Sauvignon, 5% Cabernet Franc). The wine was somewhat of a recent find at the Wine Exchange – after getting an email offer to buy 1997 Bordeaux for $19.99, I had no option but to get a few bottles. I was happy to see the cork coming out in its entirety with no issues. I was ready with the decanter, but the wine in the glass was quite approachable. After the initial grippy tannins dissipated in 20-30 minutes, what was left in the glass was an absolutely sublime beauty. You see, this is where the challenge lies. Here is the technical description from the Wine Exchange: “a wine that still possesses a youthful charm as there is something to be said for ex-chateau. A beautiful plum/garnet color with very little lightening for its age. This 1997 is full to medium-bodied, showing lots of forest floor, roasted herbs, cedar, tobacco, black cherry, blackcurrant, and new saddle leather. It is opulent and is just entering its plateau of full maturity. The tannins are soft and subtle with an elegant seamless finish. ”
The description is perfectly fine, but it doesn’t help me to express my emotion. The mind singing with every sip. Pure joy in each and every sip. Enough pleasure in every sip to give a nerve enough to tell my wife, who was enjoying the wine with me “this is almost as good as sex”. A personal perspective for sure, but yes, this was the wine.
I didn’t have many expectations for 1997 Chateau Montelena Saint Vincent Red Wine Napa Valley (13.5% ABV, blend of Zinfandel, Primitivo, Sangiovese). Chateau Montelena is absolutely legendary with its role in the Judgement of Paris, especially if you had an opportunity to see the movie Bottle Shock. But Saint Vincent is an eclectic blend, produced only for 5 years from 1995 till 1999, and it is not given that this type of wine can age for 25 years. While very different from the previous Bordeaux in its profile of cherries, eucalyptus, and herbs, it had such a lip-smacking, savory and satisfying bouquet, that every sip was demanding to be followed by another sip.
Do you want a second glass?
I have no idea how to convey the pure pleasure the wine can bring. Maybe emotion is the key. There are lots of good wines out there. The wines you are happy to drink any day every day. Maybe it is the excitement that needs to be measured. Or maybe this is simply in the unyielding desire to share this pleasure with the world. The act of telling the world how amazing the wine was, and hoping that everybody will see it that way too.
Let’s share our little joys with one another. And if you know how to convey this pure wine pleasure, please let me in on that secret.
Making The Same Mistakes
Are we humans prone to repeat ourselves all the time? Good and bad – first we repeat what was done again and again, then wonder why we achieve exactly the same result as before. There is nothing wrong with repeating the good things, except that we might be limiting ourselves – think about bench-pressing 150 lb all the time, without ever trying to increase the weight. That’s a good weight to press, of course, but you need to increase the weight if you want your muscles to grow.
The process of repeating the bad things is far more peculiar. We know that something doesn’t work. We know that we did something in the past and it painfully didn’t work. Should we learn? Should the brain have a mental capacity to remember the bad result of the past and then simply remember not to repeat it? You think? This is so obvious, and yet unattainable at the same time. Why? Really, why?
Case in point. My business trip took me to Anaheim in California. Going to Anaheim, people who travel occasionally would fly to LAX (Los Angeles airport), and then have quite an expensive (and potentially very long) taxi ride to get to Anaheim. People who travel know that the closest airport to Anaheim is John Wayne, a.k.a. Orange County a.k.a. Santa Ana airport. As I belong to the second group (I generally travel for business), I took an early morning flight from Newark, NJ to John Wayne airport, arriving even faster than anticipated and enjoying the easy trip.
When traveling inside the US, ideally you want to take the early flight – outside of mechanical and horrible weather issues, you stand the best chance to arrive at your destination on time and in a happy state of mind. As the day progresses, travel becomes more chaotic, as flight schedules start shifting, and every slight delay aggregates to bigger and bigger ones. See, I know my flying rules. And what I said is 10 times true for the most overloaded (and badly run) airports in the country – Newark, Washington Dulles, Houston, Boston are all stand out in this category – by the end of the day, Newark would typically aggregate about 2 to 3 hours delay – and this is in the best weather throughout the country, God forbid it rains somewhere.
See, I know my traveling stuff, right? Do you think this knowledge helped me? Yep. Of course, you figured out the answer already. No, it did not. Instead of taking 6:30 AM out of John Wayne airport to fly back to Newark, I decided to fly at 12:30. Would you expect me to apply my knowledge? Of course, but I didn’t not. After arriving at the airport about two hours prior to my on-time departure, I spent the next 4 and a half hours (that includes 2.5 hours of an actual delay) literally swearing at myself, at United, at Newark, and back to myself. What’s even worse, I managed to repeat yet another old mistake again.
Insanity – repeating the same thing over and over again, every time expecting a different result
If you like wine, and if you ever traveled through Austin, Portland, San Francisco (and many other) airports, I’m sure you noticed restaurants/bars called Vino Volo. There are more than 50 Vino Volo locations around the country. Everything in Vino Volo revolves around wine. Every restaurant has a great selection of wines by the glass and wines to buy by the bottle – as they are located past security, you can buy a bottle of wine to bring to your destination if you are so inclined.
However, my main attraction at Vino Volo is wine tasting flights. At any given moment, Vino Volo offers 6-8 different tasting flights, red, white, Rosé, each flight typically consisting of 3 wines. Each flight is accompanied by detailed tasting notes. Very often you can find a selection of local wines offered as part of the flights – Oregon wines in Portland, Texas wines in Austin, and so on. When I have time, I never pass on an opportunity to visit a Vino Volo store and taste some new wines.
This brings us back to the subject of repeated mistakes. I know full well that young and expensive California Cabernet Sauvignon wines are undrinkable, 9 out of 10. I generally enjoy Vino Volo flights, with one memorable exception being Californian Bordeaux blend Overture, the second label of Opus, which I didn’t enjoy at all. And now, while at the John Wayne airport, I chose the flight of 3 high-end but young California Cabernet Sauvignon wines, instead of taking one of the other 7 or so. Why? Was a driven by the bad mood due to the flight already being delayed? Was there a hidden, subconscious desire to exacerbate the pain? I don’t know. But this was the flight I ordered. And it successfully exacerbated my pain – which you can see in these tasting notes:
2019 Faust Cabernet Sauvignon Napa Valley ($83)
Black currant, cherries, eucalyptus
Gripping tannins, green notes, black currants, tart finish.
Not enjoyable now.
2018 Vineyard 29 CRU Cabernet Sauvignon St. Helena ($84)
Cherries, dust
A bit more balanced than the previous wine, still weaved on the core of green notes, but definitely more approachable and enjoyable than the previous wine. Glimpses of greatness. Maybe decanting for an hour would make a miraculous change.
7+
2018 Grgich Hills Cabernet Sauvignon Estate Napa Valley ($82)
Distant hint of black currants and nutmeg
Tart, green, fruit is hiding. Almost flat in terms of soliciting an emotion.
Why do we do these bad things to ourselves? This question is half rhetorical, half actual. If you know the answer – or have a story to tell – please, I’m all ears.
Big Game, Big Decisions
I’m sure it is obvious what Big Game we are talking about.
The Super Bowl. One and only entertainment event of the year, almost a national holiday (many say that Monday after the Super Bowl should be made into a national holiday, as sometimes those games end past midnight).
I saw some interesting stats about this Super Bowl LVI (that’s 56 if you are not intimately familiar with Roman numerals). It is expected that 117 million viewers with watch the event – if this will be an actual number of viewers, it would set a new record (the previous one was 114M viewers in 2012), and a substantial increase over last year’s Super Bowl, which only attracted 96.4M of fans. Also, according to CNBC, the American Gaming Association projected that a record 31.4 million Americans would bet $7.6 billion on the Bengals-Rams game. Some staggering numbers, aren’t they?
But forget the numbers – I’m only here for the food 🙂
Source: Terlato Wines
So what are the big decisions we are talking about here? Leaving food aside, there is only one big decision to make – and you know which one it is.
Beer or Wine?
In any Super Bowl viewing party preparation discussion, this is an eternal question – what should you drink while watching the big game? What should you serve with the food?
Food is the right starting point for this discussion. I can’t resist throwing in another interesting data point – The National Chicken Council estimates that Americans will consume 1.42 billion wings while the Cincinnati Bengals play the Los Angeles Rams. Yep – 1.42 billion! Super Bowl is a finger food festival – sandwiches, chicken strips, shrimp, chicken wings, and lots of other usually salty and often spicy indulgences. So beer seems to be the obvious answer to our eternal question.
Except when it is not.
Beer is boring. Yes, I drink beer from time to time, but I’m rarely excited about it unless I’m in a pub in the Czech Republic or some other European countries which have a culture of beer drinking – and the beer is served always fresh. Heck, if I would be watching Super Bowl at some Beer Garden in the US, I would definitely stay with beer. But at home, I unquestionably prefer wine. Wine brings excitement, and even if it wouldn’t perfectly complement the food spread on the table, it will make the game a lot more enjoyable to watch.
So how about some hard-core American wine? Does American Craft Wine sound good? An American craft wine for the American craft game – that should work together, right? So the wine I would like to bring to your attention is The Federalist, proudly crafted in California.
The Federalist winery was founded in 2009 in Sonoma, California, with an initial focus on producing Zinfandel – it makes perfect sense for an American craft winery to focus on the grape which America considers uniquely its own. Cabernet Sauvignon, Red Blend, and Chardonnay complete the lineup today, also connecting with another uniquely American product – Bourbon. The second line of Cabernet Sauvignon, Red Blend and Zinfandel wines are aged in the Bourbon barrels, uniquely amplifying the power of traditional Californian varieties.
I had an opportunity to taste a few of the Federalist wines latest releases – here are my notes:
2017 Federalist Cabernet Sauvignon Lodi (13.9% ABV, $17.99, 93% Cabernet Sauvignon, 5% Zinfandel, 2% Petite Sirah, Merlot, and Cabernet Franc, 15 months in 35% new oak)
Light garnet
Cassis, dark berries, eucalyptus, open, inviting
Unmistakable Lodi on the palate, cassis, nutmeg, warm spices, a touch of dark chocolate, good balance, well-integrated tannins, medium-long finish.
8-, easy, simple, will work well with a range of foods.
2018 Federalist Chardonnay Mendocino County (14.5% ABV, $17.99, aged in 35% new oak)
Light golden
A hint of vanilla, Whitestone fruit, a touch of gunflint
Restrained on the palate, golden delicious apples, crisp, fresh, good acidity, medium finish with prevailing acidity.
8-, needs food.
2019 Federalist Zinfandel Dry Creek Valley (15% ABV, $24, 100% Zinfandel, 16 months in 20% new oak)
Dark garnet
Raspberries, eucalyptus, earthy notes
Dark fruit, cut through acidity, well present tannins, a touch of raspberries, medium-plus finish with lots of acidity
7+/8-, food wine, needs time
The Federalist wines are well connected to the big game, being an official premiere wine sponsor of the San Francisco 49ers ( who I would much prefer to see in the Super Bowl together with the Kansas City Chiefs), so it would be only appropriate if you will open a bottle of the Federalist Cabernet Sauvignon to celebrate the big game.
And if not the big game, the Federalist wines are perfectly appropriate to celebrate the next official American holiday, The President’s Day, taking place exactly in a week.
Game, ads, half-time show, food, wine – I wish you a great evening.
Daily Glass: A Rare Turley, And a Question of Wait
I love Turley wines.
My first encounter with Turley was way back, maybe 20 years ago, when my friend and I were having dinner at a restaurant in Manhattan, and we saw a bottle of Turley on the wine list, probably a Juvenile Zinfandel or the Old Vines Zin, and it was one of the most affordable wines on the list, so we decided to try it. Right after the first sip, I remember we looked at each other and said ‘wow”. Turley became the love from the first sight sip for both of us, and when I go visit him, I always bring a bottle of Turley, which makes him very happy.
If you will ask a wine lover about Turley, most likely you will get an instant reaction “ahh, Zinfandel”. More advanced wine lovers might also add “oh yes, and Petite Sirah”. First and foremost, Turley Wine Cellars is known for its Zinfandels, and yes, the Petite Sirah. Altogether, Turley produces 50 wines from 50 different vineyards. And while an absolute majority of those wines are Zinfandels, there are few exceptions – two white wines, Sauvignon Blanc and the White Coat, Cinsault from 135 years old Bechthold Vineyard in Lodi, Casa Nuestra and Tecolote red blends, two Cabernet Sauvignon wines, and one Zinfandel Rosé, which sometimes is playfully identified as White Zinfandel (believe me, it is a proper Rosé, not a sweet plonk). With the exception of the Estate Cabernet, it is pure luck when any of these non-Zin, non-Petite Sirah wines are included in your allocation – doesn’t happen often.
Another question we can ask wine lovers – should Zinfandel wines be aged or consumed upon release? I don’t want to get too far into the woods with presenting such a broad question, but for the sake of simplicity here we are talking only about well-made wines from producers such as Turley, Carlisle, Robert Biale, Ridge, and similar. Again, posing this question to the wine lovers I heard the same answer from a number of well-qualified individuums: “I like my Zinfandel with some age on it”.
From my personal experience, mostly with Turley and Carlisle, I definitely appreciate the age on my Zins, but it also depends on the style of the wine. Turley Juvenile and Old Vines Zins are built to be enjoyed young, however, they are also perfectly capable of aging for 8-10 years with no issues. The majority of single-vineyard Zinfandels definitely benefit from aging, and best not being touched for the first 5-7 years upon release. The same applies to the Petite Sirah, probably even in the higher degree – it is better to wait for about 8-10 years to enjoy a bottle of Turley Petite Sirah.
Okay, so this is all nice, cool, and theoretical, but then, in reality, we don’t always follow our own best advice, don’t we?
I generally don’t open a new bottle of wine late in the evening. Yesterday, coming home after Taekwondo training, I realized that I crave a glass of wine. This is really a bad thought at around 9 pm because the process of selecting the bottle to open can take another 30 minutes or so. I have a lot of Turley bottles stored in the simple wine cage, which makes the selection process a lot easier as I don’t need to move the wine fridge shelves back and forth, so this is where I decided to look. I looked past most of the younger Zins – as you remember, I also like them with some age, and then I saw a bottle of 2018 Tecolote. It was pure luck that I had it, as it came via the special offer for the 2020 holiday season – this wine is typically available only in the tasting room. I never had this wine before, which provided a legitimate opportunity to ignore my own aging rules and simply open the bottle, which is exactly what I did.
Tecolote is a blend of 60% Grenach and 40% Carignane, both grapes harvested from dry-farmed Pesenti Vineyard in Paso Robles, from the vines planted in the 1920s. As this is a Catalon-inspired blend, and the grapes come from the specific plot in Pesenti vineyard which looks like an owl, the wine was called Tecolote, which is the Spanish word for “owl”.
Boy, was I happy with my decision… The first sniff of the 2018 Turley Tecolote Red Wine Paso Robles (15.9% ABV) was pure heaven – barnyard, forest underbrush, and spices. I know that the “barnyard” descriptor is polarizing, and deeply hated by some – I always love it, for sure on the red wines (never had it on the white), so I really enjoyed that aroma. On the palate, the wine had pure tart cherries, acidic, juicy, and succulent, fully supporting and continuing the initial enjoyment of the smell. I literally couldn’t stop refilling the glass until only about a third of the bottle was left.
And again I have to state that I’m happy that I left some of the wine for the second day, as the wine transformed. I usually preserve the wines by pumping the air out of the bottle. Sometimes I preserve the wines like that for 2,3,4,5 days, tasting the wine, pumping the air out, and leaving it until the next day. From my experience, I consider that each next day the wine still tastes good or even better than the day before is equivalent to the 5 years of aging. So if you don’t like the barnyard smell, don’t touch your Tecolote for another 5 years. When I opened the wine today, the barnyard smell was gone, and it was replaced by cherries and a telltale sign of Grenache in my book – dark chocolate. The wine also had cherries and dark chocolate on the palate and it was perfectly balanced and absolutely delicious (Drinkability: 9-). What is even more interesting, the wine paired very well with dark chocolate-covered raisins from Trader Joe’s and Italian truffled cheese. Go figure…
Here you are, my friends – a delicious wine, good when young, and perfectly capable of aging. If you can, go find your bottle…
Sangiovese Games and Power of Words
Okay, folks, this might be the scariest post I have ever written. This might lead to unsubscribes, unfollows, ostracism, and public shaming. Well, it is what it is.
Here it comes, my confession.
I don’t know how Sangiovese tastes like.
Here, I said it. You heard me right, and I can repeat. I do not know how Sangiovese tastes like.
Still here? Okay, then I would like to ask for a chance to explain.
I know how Cabernet Sauvignon tastes like. Whether it is produced in Bordeaux, California, Australia or Tuscany, I still expect to find cassis, maybe eucalyptus, maybe mint, maybe bell peppers.
I know how Pinot Noir tastes like. No matter whether it comes from Burgundy, South Africa, Oregon, New Zealand, or California, I still expect to find cherries, maybe plums, maybe violets, maybe some smoke.
I can continue – I know how Chardonnay tastes like (from anywhere), I know how Riesling tastes like (from anywhere), I know how Sauvignon Blanc tastes like (from anywhere). I still don’t know how Sangiovese tastes like.
While we are talking grapes, we are also talking about the power of words. As soon as we hear Cabernet Sauvignon, Pinot Noir, Chardonnay, Riesling, Sauvignon Blanc, we have an instant mental image, set our expectations, and the first sip of wine is judged against that mental image. Of course, we make regional adjustments – Pinot Noir from Oregon might offer dark chocolate, espresso, and mocha in addition to the cherries, but cherries will be there. Bordeaux (okay, it is usually a blend, so this might be a bad example) is expected to be leaner that’s California Cab, but it will still show that cassis core. And I still have no clue how Sangiovese should taste like.
I know how Brunello tastes. It is 100% Sangiovese, but it has its own unique taste profile with layers of tart cherries and cherry pits framed by oak notes and firm tannins. I know how Vino Nobile de Montepulciano tastes. It is also 100% Sangiovese, with tart cherries usually weaved around a core of acidity. I know how Chianti typically tastes. It has to be at least 80% Sangiovese, plus other grapes, and it will have the cherries usually surrounded by leather and tobacco.
Brunello, Vino Nobile, Chianti are renditions of Sangiovese, but they are references only to themselves. When I hear any of these names, I know what to expect. But I still don’t know how Sangiovese tastes like.
I don’t know if you ever had a chance to experience Shafer Firebreak. This wine used to be made from California Sangiovese (92%) with the addition of Cabernet Sauvignon (8%), the percentages are representative of the last vintage which was in 2003 (Sangiovese plantings were removed after that). This wine had nothing in common with any of the Italian Sangiovese renditions, but instead had a smoke, espresso, and powerful dark fruit. A very memorable rendition of Sangiovese – but not referenceable.
You might be annoyed at this point by me constantly repeating “I don’t know how Sangiovese tastes like” and wondering where I might be going with that. So this post was triggered by a few events. Last year, I got a few samples of Sangiovese from Castello di Amorosa. When I tasted them, they were reminiscent of Chianti, and I even had to open a bottle of Cecchi Chianti, which is an outstanding producer making Sangiovese wines with exemplary regional expressions, to compare. I also tasted a bottle of California Sangiovese which had only a name of Sangiovese, but really tasted more like a fruit compote mixed with a fruit cake. As the end result I realized that I have no idea how Sangiovese actually should taste like – and here I am, pondering at the subject with you, my dear reader (I hope someone is still reading this, eh?)
So let me take you a bit further with a few of the tasting notes and references.
First, I have to say that I probably found what can be considered a reference Sangiovese. Two years ago I had an opportunity to taste a range of wines from Cecchi, and one of the wines was called Sangiovese Toscana IGT. It was not Chianti of any kind, it was pretty much an unadulterated rendition of a pure Sangiovese from the motherland, from Tuscany, which was not even aged in oak, only 2 months in the bottle. Here are the notes:
2018 Cecchi Sangiovese Toscana IGP (13% ABV, $10)
Dark ruby
Cherries, coriander, sage
Light, bright, fresh cherries, crisp acidity, sweet basil, refreshing.
8+, can be perfect even on a summer day, but I can’t complain on a winter day either. Unique and different.
The wine was absolutely spectacular in its pristine beauty and an absolute steal for the money. Ever since I tasted this wine it became my reference for how pure Sangiovese might take like.
Now, the peculiar California Sangiovese I mentioned before was the 2017 Seghesio Venom. 100% Sangiovese from Rattlesnake Hill in Alexander Valley, 14.9% ABV, $55. Seghesio is a Zinfandel specialist, and they are good at that. If this wine would be called Zinfandel, I would have no issue with it. But under Sangiovese name, it makes me only wonder what possessed Seghesio to make a wine like that. A fruit compote with a bit of a structure doesn’t equate to Sangiovese in any shape and form. And at the price, if you just want to drink a California wine, it might be fine, but if you are looking for Sangiovese, just look elsewhere.
Well, you don’t need to look too far. Castello di Amorosa in Napa Valley is really focusing on bringing their Italian heritage to wines they craft in California. Yesterday I talked about their range of Pinot Noir wines, which was excellent. Their California Sangiovese can probably be called a glorious success as I even had to open a bottle of classic Chianti to compare the notes.
I tasted two Sangiovese wines from Castello di Amorosa (for the history of the Castello, which is very fascinating, I would like to refer you to the link I included above).
2017 Castello di Amorosa Sangiovese Napa Valley (14.7% ABV, $36)
Dark garnet
Plums, cherries, baking spices
Plums, tart cherries, light tannins, medium body, good structure, a hint of leather.
8-/8, it is reminiscent of the Chianti, nicely approachable, but will improve with time, judging by the late tannins on the finish on the second day.
2018 Castello di Amorosa Voyager Vineyard Sangiovese Napa Valley (14.5% ABV, $45, single vineyard)
Dark garnet
Smoke, granite, gunflint, tobacco, dark fruit, Very promising.
Tobacco, baking spices, cut through acidity, medium body. Very unusual. Needs a bit of time.
Tart cherries, a hint of vanilla, bright acidity. Reminiscent of Chianti, but not as earthy
8-
And then I opened a bottle of Cecchi Chianti and was pleasantly surprised how successful Castello di Amorosa was with their Californian Sangiovese rendition.
2017 Cecchi Chianti DOCG (13% ABV, $14)
Dark garnet
Herbs with a hint of cherries
Tart cherries, good acidity, fresh berry profile, medium body. Was earthy upon opening, but mellowed out after a few hours in the open bottle.
8-, easy to drink, nice.
As you can tell, the wines are similar, and I would call it a very successful effort.
Well, I still don’t know how Sangiovese should taste like, because this is all in the words. Unless we taste blind, we are bound by the power of words, and therefore our excitement and disappointment are fully dependent on those words. Was the Venom a bad wine? No, but it is an utter disappointment when called a Sangiovese. Thanks to Castello di Amorosa successfully offering a saving grace. While I still don’t know how Sangiovese should taste like, I’m willing to continue the quest for the tastiest rendition.
If you are still with me – thank you for reading and cheers.
Californian Stars, Italian Flair
Californian stars.
Of course, we are talking about wines and grapes. What would those be?
I recently called California Cabernet Sauvignon a king. We can safely designate Chardonnay as a queen. But who would you call a prince? Capricious, spiky, moody royalty? Whatever grape you think of, the correct answer is Pinot Noir, because this is the grape I mostly would like to talk about today. And tell me if you think Pinot Noir is not qualified for the role of the royal prince – finicky, demanding, and unpredictable.
Okay, we got our stars for the day. Now, the Italian flair. How would you add the Italian flair to the Californian grapes?
There are a few options. For example, you can call your sparkling wine a Spumante. Or you can call your winery Castello, and build it in the form of a medieval Italian castle. You can also make wines out of Sangiovese – but this we will discuss later. Anyway, as you can see, you got options.
Vittorio Sattui, an Italian immigrant, founded St. Helena Wine Cellars in 1885. The business had to be closed due to the prohibition in 1920, but the Sattui family continued living at the winery. In 1975, Dario Sattui, great-grandson of Vittorio, restarted the family business by opening V. Sattui winery in St. Helena.
After finishing college, Dario traveled around Europe and became obsessed with medieval castles, monasteries, farmhouses. In 1993, Dario found the next home for his future winery – 171 acres parcel near Calistoga. In 1994, the construction began initially for the 8,500 sq. ft building without cellars. That slowly morphed into a 121,000 sq. ft. 13th-century Tuscan castle with 107 rooms, drawbridge, five towers, high defensive ramparts, courtyards and loggias, a chapel, stables, an armory, and even a torture chamber. Lots of bricks and artifacts were delivered directly from Europe to ensure the full authenticity of the castle. Castello de Amorosa (Castle of Love) opened its doors to visitors in 2007 after 15 years of construction.
I was fortunate enough to visit the Castello di Amorosa in 2017 as part of the Wine Bloggers Conference 2017 in Santa Rosa, so I can share (inundate is a better word, of course) my first-hand impressions:
Thinking about misbehaving? Might not be recommended:
Touring the cellars:
The ceiling of the room where we had our tasting in 2017:
A bit of education – Napa Valley Regions:
Castello di Amorosa works with 14 vineyards, most of them in Napa and Sonoma, out of which 6 are estate vineyards. The focus of winemaking is on showcasing each individual terroir and on the small-batch production.
I had an opportunity to taste a range of Pinot Noir expressions from Castello di Amorosa, and I have to honestly say that I was very much impressed with what I found in my glass.
First, two sparkling wines, both produced using the classic method.
2017 Castello di Amorosa Spumante del Castello Brut Napa Valley (12.5% ABV, $39, 73% Chardonnay, 27% Pinot Noir)
Light Golden, fine bubbles
Toasted bread, apples, gunflint
Toasted bread, Granny Smith apples, more gunflint, great minerality, a touch of sweetness, bigger body than typical champagne.
8, excellent,
2017 Castello di Amorosa Spumante del Castello Brut Rosé Napa Valley (12.5% ABV, $49, 100% Pinot Noir)
Salmon pink, fine mousse
Steely strawberries, a hint of toast
Dry, crisp, strawberries, clean acidity, good minerality
8, excellent
Next up, Rosé. The grapes for this wine come from the Green Valley area in the Russian River Valley AVA, and the wine is partially aged in concrete egg. I had an opportunity to taste both 2019 and 2020 vintages over a few months timeframe, and you can see that my tasting notes are almost identical for both wines. Somehow I missed including this wine into my 2021 top wines list, which makes me upset – this was one of the best Rosé wines and wines overall that I tasted during 2021.
2019 Castello di Amorosa Rosato Cresta d’Oro Vineyard Green Valley of Russian River Valley (13.6% ABV, $39, 100% Pinot Noir)
Light bright pink
Fresh ripe sweet strawberries, good intensity, inviting
Beautiful ripe strawberries, a touch of lemon, clean acidity, impeccable balance. Wow.
9-/9, one of the best Rosé I ever had. Just wow.
2020 Castello di Amorosa Rosato Cresta d’Oro Vineyard Green Valley of Russian River Valley (12.5% ABV, $39, 100% Pinot Noir)
Light bright pink
Fresh strawberries, a touch of herbs, crisp, inviting, and invigorating
Beautiful ripe strawberries, a touch of lemon, clean acidity, impeccable balance. Wow.
9, one of the best Rosé I ever had. Just wow. Superb.
Last up – Pinot Noir from Morning Dew Ranch in Anderson Valley. This vineyard was purchased in 2015 from Burt Williams, founder of the iconic William Selyem Winery. The 12-acre vineyard is in a very cool microclimate and divided into 9 blocks of Pinot Noir planted with DRC, 115, 777, Rochioli, 23, and 828 clones. All the blocks and clones give quite a bit of room to experiment to the winemaking team.
2018 Castello di Amorosa Morning Dew Ranch Pinot Noir Anderson Valley (13.1% ABV, $75, 11 months in Burgundian oak barrels)
Dark ruby
Somewhat unexpressive on the first day, a hint of fruit
Closed up, concentrated, dark fruit, not amazing
Classic Pinot on the second day – iodine, violets, underbrush
Beautifully elegant on the palate – good acidity, smoke, tobacco, fresh berries, cherries, firm structure combined with medium body, medium-long finish.
8+ second day, super-enjoyable.
Here you go, my friends – a little Italian oasis – scratch that – a large Italian Castle in the middle of Napa Valley, producing magnificent California wines. Castello di Amorosa is definitely a unique travel destination and a must-visit if you are ever in the area.
American Pleasures #6: A Tale of Two Cabs
Wine should give you pleasure – there is no point in drinking the wine if it does not. Lately, I had a number of samples of American wines, that were the delicious standouts – one after another, making me even wonder if someone cursed my palate. I enjoyed all of those wines so much that I decided to designate a new series to them – the American Pleasures.
California Cabernet Sauvignon.
Magical words for any wine connoisseur. Out of more than 100 grape varieties used in wine production in California, I would safely bet that Cabernet Sauvignon clout exceeds that of Chardonnay, Merlot, and Pinot Noir, and even including Pinot Noir in this list is a stretch. Cabernet Sauvignon is The One of California wines (if you are willing to disprove this with actual numbers, I will be happy to publish a correction, but until someone will step forward, this stands as unquestionable truth).
While we can agree that California Cabernet Sauvignon is an object of craving for uncounted many, it also should be recognized as an object of controversy. How do I mean it? Easy. There are probably 50 or so producers whose wines are impossible to get, due to both availability and pricing – you have to be on the mailing list with a waiting list stretching for 20 years or so, and once you get there you should be willing to pay $500++ per bottle of wine you will need to wait for another 10-15 years to enjoy. Alternatively, you need to be prepared to pay an upward of $500 per bottle and scour the internet daily looking for those special bottles.
On the flip side, you can join most of us walking into the wine store asking (begging?) for a good bottle of Cabernet Sauvignon under $20, trying not to notice the poorly hidden smirk on the face of the salesperson, who knows that we are on the quest for the impossible. If you like Cabernet Sauvignon and not buying those wines from your expense account, I’m sure you can relate to the experience firsthand. Even $50 per bottle doesn’t come with any guarantees. But – that number gives us hope. Yes, folks, it is possible to find a good bottle of Cabernet Sauvignon under $50. Let’s talk about it.
Lots of my wine learning and discoveries are linked to unimitable wine educator Kevin Zraly and his Windows on the World Wine School. I remember one of the lessons where we were talking about California Cabernet Sauvignon. One of the wines was particularly good, and I remember Kevin remarking that the wine was produced by Louis M Martini, who doesn’t charge nearly enough for the quality of the wines they produce. That reference got engraved in my memory literally forever, and Louis M Martini became somewhat of the safe bet when looking for reasonably priced and consistent California Cabernet Sauvignon.
Louis M Martiny winery was founded in 1922 when Prohibition was already in full swing. It was actually known as L.M. Martini Grape Products Company and was focused on the production of sacramental wines and concentrate for home winemaking. In 1933, expecting that Prohibition will end, the new winery building was constructed north of the town of Napa. This was the actual beginning of the Louis M Martini winery and pioneering role of the Martini family in the Californian wine industry, helping to establish Napa Valley Vintners Association in 1943, being one of the first to use wind machines to prevent frost in the vineyards, and being one of the first to bottle varietal Merlot in 1970.
Louis M Martini offers a substantial range of wines today, going way beyond standard Sonoma and Napa Cabernet Sauvignon offerings, including Cabernet Sauvignon from some of the best regions in Napa Valley such as Stagecoach Vineyard and Howell Mountain, as well as a number of Merlot, Malbec, Petite Sirah, and Zinfandel wines – unfortunately, most of those are priced well beyond the $50 we are talking about today. Sill, there is Sonoma Valley Cabernet Sauvignon which can be found at around $15, and Napa Valley Cabernet Sauvignon around $35. The Napa Valley bottling I tasted was simply outstanding with or without any regard to the price:
2016 Louis M Martini Cabernet Sauvignon Napa Valley (15.1% ABV, $40)
Garnet
Cassis, eucalyptus, baking spices
Roll of your tongue smooth, velvety, fresh cassis, perfectly ripe fruit but over, firm structure, long finish.
8+/9-, excellent, classic California Cabernet Sauvignon
If Louis M Martini can be called an iconic winery, then our next winery can be only referred to as the most iconic winery in Napa Valley. Charles Krug winery, established in 1861 in Napa Valley by Prussian immigrant Charles Krug was the very first winery in Napa Valley, the 540 acres estate which Charles Krug received via marriage. In 1943, an immigrant family from Italy, Mondavi, purchased the Charles Krug estate which had been run by the family now in 4th generation.
Charles Krug winery also offers a good number of wines, including Chardonnay, Malbec, Merlot, Zinfandel, and others, with Cabernet Sauvignon still being a flagship offering, including clonal selections (one of the Charles Krug Cabernet Sauvignon wines is called X Clone as it is produced as a blend of 10 Cabernet Sauvignon clones). I always wanted to try the Charles Krug wines, and finally, I was able to do so:
2017 Charles Krug Cabernet Sauvignon Napa Valley (14.1% ABV, $39, 87% Cabernet Sauvignon, 5% Merlot, 5% Petit Verdot, 3% Petite Sirah)
Dark garnet
Blueberry, blueberry jam, dark chocolate, pipe tobacco
A touch of nutmeg and cloves, much crispier on the second day, firm tannins, firm structure, good acidity.
8-/8, definite improvement on the second day.
Comparing these two Cabernet Sauvignon wines, Louis M Martini was a perfect pop and pour example, which is ultra rare among California Cabernet Sauvignon, where Charles Krug bottling definitely needed time.
Here you are, my friends. If you are looking for a good bottle of Cabernet Sauvignon under $50, there is still hope!
Sanford Winery: Evolution Of Growing Up
In the 1960s, two friends, Michael Benedict and Richard Sanford were looking for a good cool-climate site in California where they would be able to make wine rivaling in quality the best European wines.
In 1971, after successfully completing very extensive research, they decided on the location in the Sta. Rita Hills area, a part of the Santa Ynez Valley about 15 miles east of the Pacific Ocean. They first planted the vineyard to Chardonnay and Riesling, but in 1972 they were the first in the region to plant Pinot Noir (and now these are the oldest Pinot Noir plantings in the country).
In 1997, an adjacent hillside vineyard was planted next to Sanford and Benedict, named La Rinconada, which also became a home to the winery building and the tasting room. In 2001, Sta. Rita Hills area was officially certified as an AVA (American Viticultural Area). In 2002, the Terlato family became involved with the Sanford winery (the winery was only carrying the Sanford name as Michael Benedict part his ways with Richard Sanford in 1980), and in 2005 Terlato family became majority owners and partners at the winery. In 2006, John Terlato got closely involved with the winery operations, and that really opened a new chapter for Sanford winery.
In June of 2019, I got invited to the Sanford winery tasting dinner with John Terlato and Michael Benedict at the Wild Ink restaurant in New York, in one of the hottest neighborhoods – Hudson Yards. I was, obviously, very excited. Which helped me to fail as a wine writer – read on, I will explain.
As we situated at the table, the wines started to appear in rapid succession – 2011 Sanford and Benedict Pinot Noir, 2012 Sanford and Benedict Pinot Noir, then 2013, 2014, 2015, 2016… I didn’t check the press packet in advance of the dinner, and was unprepared for the sheer number of wines presented – also the wines were just brought up one after another, without much of the pause, much of presentation, and too cold – I remember complaining about the wines being too cold and thus really not allowing for a proper evaluation. Don’t get me wrong – I loved the wines, but I had no opportunity to actually compare the vintages and understand the differences. We also tasted 2016 La Rinconada Chardonnay, 2015 Founders’ Vines Chardonnay, 2015 La Rinconada Pinot Noir and 2014 Founders’ Vines Pinot Noir – for which again I didn’t capture a single tasting note, carried away with a conversation, food, delicious wines, and amazing views of the sunset over Hudson.
Or maybe the tasting notes were not that important? In 2006, when John Terlato got involved in Sanford winery operations, he started learning about the best Pinot Noirs in the world. He went to Burgundy, met with winemakers, and tasted lots and lots of wines to understand what can be done differently at Sanford, what is next. He started the vineyard block program at Sanford, identifying unique vineyard blocks at both Sanford and Benedict and La Rinconada, with unique soil, microclimate and terroir, to let literally every bunch of grapes be the best they can be. John brought his notebooks to the dinner, and he was showing us pages and pages of copious notes, both about the wines he tasted in Burgundy and all the experiments and work done at the Sanford vineyards.
Both John and Michael were obviously proud of what they achieved, but what is important, they were both optimistic about their work at the winery and the best yet to come as the learning process doesn’t stop. “I want you to come to the winery and taste 2017, 2018, 2019, 2020, 2021… I want you to see how they [wines] change. I want you to see how much better they will become” said Michael Benedict in his quiet voice sitting next to me.
If I would’ve done my homework before coming to the dinner, I would’ve come armed with some incredible facts summarizing 13 years of hard work at the Sanford vineyards. Here are some numbers for you. 30% of the Sanford and Benedict vineyard are still planted on its original vines, which is very rare in California considering the spread of Phylloxera. The vineyard is home to the oldest Pinot Noir vines in Santa Barbara County, planted in 1971. Sanford and Benedict Vineyard has a total of 144 acres under vines – 109 acres of Pinot Noir, 33 of Chardonnay, and 2 of Viognier. There are more than 20 vineyard blocks identified, and there are more than 11 clones growing there.
La Rinconada, which was planted in 1997, is 117 acres in size, 63 acres of Pinot Noir, and 54 acres of Chardonnay. It also has 20 vineyard blocks and 12 clones. Between 2 vineyards, there are 261 total vine acres, 50+ Vineyard Blocks, 20+ clones, 6+ soil blends.
Taking all of this into perspective, it is amazing how Pinot Noir is becoming an obsession of the winemakers – I see this through all of the Stories of Passion and Pinot, through the deep research of soil done by Alit in Oregon. Identifying vineyard blocks, vinifying blocks separately, using multiple clones, blending, trying, and trying again. Passion and Pinot, truly.
Not writing about that memorable dinner was one of my biggest disappointments – to my disdain, I have a good memory for disappointments, so it was really hunting me down. But sometimes, life offers us second chances.
Trey Fletcher got schooled in world-class Pinot Noir and Chardonnay during his tenure at Littorai Winery, also learning biodynamic, organic, and sustainable viticulture at the same time. In 2011, Trey moved to Santa Barbara to become Winemaker and GM at Bien Nacido Vineyards. A few years back, Trey joined the Sanford team as Senior Winemaker, and 2019 became the first vintage where he was responsible for all the winemaking and blending decisions. I had an opportunity to taste Trey’s wines and here are my impressions:
2019 Sanford Chardonnay Sta. Rita Hills (13.5% ABV, $40, aged 11 months in French oak, 25% new)
Light golden
A hint of minerality, vanilla, apple, elegant, inviting
Similar profile on the palate – vanilla, apple, a distant touch of honey, perfect acidity, clean, fresh, delicious
8, an outstanding example of California Chardonnay
2020 Sanford Rosé of Pinot Noir Sta. Rita Hills (13% ABV, $20, aged 6 months in stainless steel and neutral barrels)
Salmon pink
Strawberries, nice mineral component
Tart strawberries, lemon, crisp, fresh, bigger body than a typical Provence, but still light and perfectly balanced. Nice medium-long finish.
8/8+
2019 Sanford Pinot Noir Sta. Rita Hills (13.5% ABV, $45, aged 11 months in French oak, 25% new)
Dark ruby
Plums, cherries, smoke. Classic Pinot nose
Sweet plums, tart cherries, probably a whole cluster fermentation based on a tiny hint of a green bite. Restrained, elegant, the sweetness is just hinted, and overall wine is well structured.
8, Should age well. A California Pinot with a lot of restraint
Pinot and Passion. There is truly something magical about the grape which becomes an obsession and an object of desire. The best proof, however, is always in the glass.
May you never stop growing.
American Pleasures #5: Burgundy in California, or the Wonders of Pop’n’Pour
Wine should give you pleasure – there is no point in drinking the wine if it does not. Lately, I had a number of samples of American wines, that were the delicious standouts – one after another, making me even wonder if someone cursed my palate. I enjoyed all of those wines so much that I decided to designate a new series to them – the American Pleasures.
Burgundy in California. Nonsense, right? Burgundy is located in France, and the last thing you want to hear is a review of Hearty Burgundy, proudly produced by Gallo (believe it or not, but you can still buy this wine at about $9 for 1.5L – a great deal, huh?). Rest assured – Gallo is the last wine I want to ever discuss on this blog. I would like, however, to talk about Burgundy’s star grape varieties, which are also working amazingly well in California – yes, you got it – Chardonnay and Pinot Noir.
California produces a lot of wine (#4 in the world, with 248 million cases in 2018), using a lot of different grapes – no matter where those grapes are typically from – from Clairette Blanc to Viura to Nebbiolo to Grenache to Tempranillo, you should expect to find them all in Californian wines. Aside from all of the abundance, there are some grapes that can be called California superstars.
With the white grapes, it is easy – Chardonnay clearly steals the show. California made Chardonnay its own way back, with Chateau Montelena already proving its prowess to the whole world by winning Judgement of Paris in 1976. Chardonnay’s style changed and changed again since those early days of success, and when you are opening a bottle of California Chardonnay today, very often you don’t know what to expect – too much butter, too little butter, too much oak, no oak. Most importantly, you have no guarantees that you will enjoy that bottle.
Speaking about red grapes, ask a wine lover to name the most famous California red grape, and I’m sure 9 out of 10 will say Cabernet Sauvignon. I love California Cabernet Sauvignon as much as every one of those 9 out of 10 people. But based on my experience, the majority of the California Cabernet Sauvignon need time and time again to mellow down, to transform, to become truly enjoyable, and not just “drink the label and keep smiling” type of beverages. California Pinot Noir typically give you a lot more hope for finding the delicious Pop’n’Pour wines. And don’t forget – Pinot Noir, Chardonnay – it is the pleasure we are looking for here, so “pop, pour, drink, and ask for a second glass” is a sequence of events we are hoping for in here.
Here is a collection of the well-known wines I had the pleasure of enjoying – and have been blown away by the Pop’n’Pour quality, truly.
Domaine Anderson takes its roots from 1981, when Jean-Claude Rouzaud, patriarch of the Louis Roederer family came across Anderson Valley along the Mendocino coast in California, in search of the perfect spot to grow Chardonnay and Pinot Noir. Today, Domaine Anderson continues to be run by the Roederer family, farming organically and biodynamically 50 acres of Chardonnay and Pinot Noir vineyards. Here are 3 wines I had an opportunity to taste which were all just a perfection from the moment they were poured into the glass:
2017 Domaine Anderson Chardonnay (13.5% ABV, $30)
Light golden
Touch of honey, a hint of smoke, minerality
Clean acidity, tart lemon, a touch of smoke, texturally present, medium-plus body, earthy underpinning.
8/8+, this wine screams Chablis to me. Superb.
2015 Domain Anderson Pinot Noir Anderson Valley (13.8% ABV, $39.99, 15 months in French oak barrels, 19% new)
Dark ruby
Smoke, violets, earthy notes
Nicely restrained, good minerality, a touch of tart cherries
8, delicious
2017 Domaine Anderson Pinot Noir Anderson Valley (13.6% ABV, $45, 15 months in French oak barrels, 8% new)
Dark Ruby
Stewed plums, smoke, earthy undertones
Plums, cherries, lavender, tar, smoke, sweet tobacco, crisp, fresh, clean acidity, excellent balance
8, nicely restrained Pinot Noir, not over the board.
Merry Edwards Winery needs no introduction to wine lovers. Bright and noticeable labels always stand out on the shelf, it is hard to miss them. Merry Edwards’s sole focus is on the Russian River Valley Pinot Noir, which was first produced in 1999 (vintage 1997) – but she is also well known for her Sauvignon Blanc which was first produced in 2001. In addition to the passionate pursuit of Pinot Noir, Merry Edwards is also very passionate about sustainability, which is fully embraced at the winery and in the vineyards – you can read more about sustainability philosophy here.
2017 Merry Edwards Pinot Noir Meredith Estate Russian River Valley Sonoma County (14.5% ABV, $68)
Dark Garnet
Sage, tar, coffee, eucalyptus, freshly crushed dark berries
Tart, fresh cherries, crisp acidity, bright, invigorating
8, very uncalifornian, more Italian than anything else.
Considering how widely available La Crema wines are, I always made an effort to avoid them as “mass-produced”. After I tasted the wine, I completely changed my opinion – the wines might be produced in large quantities, but these are well-made wines. Also, the winery website has lots of good and well-presented information.
2017 La Crema Pinot Noir Sonoma Coast (13.5% ABV, $25)
Dark intense Ruby
Plums, fresh herbs, mineral undertones
Ripe fresh plums, mint, a touch of stewed strawberries, good acidity, good balance. Interestingly spicy finish.
8-, nice
Landmark Vineyards was founded in 1974 by a group of people that included Damaris Deere Ford, the great-great-granddaughter of John Deere. In 1991, Damaris Deere Ford, now a sole proprietor of the Landmark Vineyards, focused exclusively on the production of Chardonnay and released the first vintage of the flagship Overlook Chardonnay. In 1993, Helen Turley started working as a consulting winemaker helping to create the Landmark’s signature style. Two years later, Landmark released the first vintage of its Pinot Noir under the name of Great Detour. In 2016, Landmark Vineyards extended into the Russian River Valley via the acquisition of the Hop Kiln Estate – and this was one of the wines I had an opportunity to taste.
2018 Landmark Vineyards Overlook Chardonnay Sonoma County (14.3% ABV, $27)
Light golden
Vanilla, apple, lemon
Vanilla, a touch of butter, golden delicious apples, citrus profile, roll-off-your-tongue round, excellent balance, delicious
8/8+, excellent
2017 Landmark Vineyards Pinot Noir Santa Lucia Highlands (14.3% ABV, $45, 14 months in French oak, 35% new)
Dark ruby
Plums, dirt, forest floor
Plums, cherries, tobacco, iodine, short finish, good acidity, good balance.
8-, excellent and classic
2017 Landmark Vineyards Pinot Noir Hop Kiln Vineyard Russian River Valley (14.5% ABV, $40, aged in 40% new French oak)
Intense ruby
Cherries, underbrush, the nose says Oregon with dark intensity
Tart cherries, dark chocolate, tobacco, complex bouquet
8/8+, superb.
Here are you – a collection of delicious Pop’n’Pour American Pleasures. And don’t worry, I have a lot more wines to share with you. Cheers!
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