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Stories of Passion and Pinot: Tony Rynders of Tendril Cellars
Wine and passion are indelible. Yes, wine is a business for the most parts, but making a bottle of wine which someone else is desiring to drink is a labor of love, and every such bottle has a bit of the winemaker’s soul invested in it (feel free to call me melodramatic). Thus I’m always happy to talk to the winemakers, trying to understand what moves them, what drives them to do what they do. A lot of my conversations are virtual, and you can find most of them on this blog.
Many of interviews are truly random in terms of profiling the wineries and winemakers. However, about 2 years ago, with a prompt and help of Carl Giavanti, I started a series of posts called Stories of Passion and Pinot, which are dedicated (so far, at least) to the winemakers in Oregon, producing Pinot Noir wines. Winemakers are always passionate about what they do and the grapes they use – but it seems to me that Pinot Noir, being a difficult grape it is, really asking for a special dedication to allow itself to be tamed – hence the name for the series.
My latest addition to the series is a conversation with Tony Rynders, the proprietor and winemaker at the Tendril Wine Cellars, a young winery in Willamette Valley in Oregon (the winery officially started 10 years ago, in 2008). While the winery is young, Tony is an accomplished winemaker, who started making wine back in 1989, honed his craft at the wineries around the world, including 10 years as a head winemaker at Domaine Serene, one of the best-known wineries in Oregon.
When Tendril Cellars started, it owned no vineyards, which essentially gave Tony a flexibility to bring the best fruit from the Oregon vineyards he was already familiar with. To my surprise, Tendril Cellars only offers one single-vineyard bottling in their line of 5 different Pinot Noir wines – but you will find an explanation below. In 2013, Tendril Cellars planted a 19 acres Maverick vineyard in Yamhill-Carlton district with Pinot Noir and Chardonnay – the vineyard already producing the fruit which is going into the Tendril Cellar’s second line of wines, Child’s Play (a creative name for the wine, don’t you think?).
Tony Rynders leading five course tasting
Tony calls his approach to winemaking “low and slow” – letting the nature to do its work. He is also aging all of his Pinot Noir wines for 16-17 months, which I find particularly appealing. And then, how many winemakers do you know who run organized tastings for their customers? That is what Tony does, presenting his wines as a “5-course meal” and explaining the concept of terroir to the wine consumers (after tasting Tendril wines, Tony’s approach to the tasting makes perfect sense to me – but we will discuss it in the next post).
After learning a bit about Tony and Tendril Cellars, I decided that the time came to sit down (yes, virtually) with Tony and ask him a few questions. Here is what transpired.
[TaV]: You started making wine for others in 1989. Was there something which prompted you to start making your own wines in 2010, a pivotal moment, or you simply decided that it is time to make wines “my way”?
[TR]: I have had several opportunities making wine since I began in 1989. Each one has contributed in some way to influence my approach to making wine. I can tell you that I am a much different winemaker today than I was when I started. I think it is critical that we continue to evolve and adapt as the climate, consumers, and wine preferences change.
In fact, I started my own brand, Tendril, in 2008. I was just coming off a 10-year stint as head winemaker at Domaine Serene. It was a highly formative period in my career as there was a massive shift toward new, estate vineyards during my tenure. The creative “heavy lifting” took place largely during my watch. I accomplished everything I set out to and more. It was time for my next big challenge…creating a portfolio of wines for my own brands from scratch. And tell a story about Pinot Noir in a way that it had not yet been told.
[TaV]: You worked at the wineries around the world. Are there any winemakers you would consider your mentors, either directly or indirectly?
[TR]: There is one fact in winemaking that I completely embrace: There is no way to learn it all…I will never stop learning, growing and evolving. Every winemaker I have worked with has mentored me, including but not limited to, Rollin Soles, Ken Wright, Co Dinn, Jean-Francois Pellet and David Forsyth.
[TaV]: Can you explain your “low and slow” approach to the winemaking?
[TR]: Just like the “slow food” movement, I use top quality ingredients (grapes) from attentive, engaged farmers (vineyards) with whom I have a very close relationship. I have hand chosen each of our vineyards myself and each brings a distinctive flavor profile (like spices) in order to make our signature “five-course meal” of Pinot Noir.
For all the Tendril wines, I over-vintage the wines in barrel (at least 16 months) and then bottle age 12 months or more prior to release. The wines are then at the front end of their drinkability curve, with the potential for a decade enjoyment ahead of them.
[TaV]: I find it interesting that in your range of Pinot Noir you have only one vineyard-designated bottling – I always think that designated vineyards and even specific plots are better identify with quality of the grapes and the resulting wines – obviously you don’t see it like that?
[TR]: While I love to make single vineyard wines, I find that not every site is able to produce balanced, compelling and complete wines every year. And that, simply put, is my goal as a winemaker. So this is how the unique story and line-up of wines for Tendril was born. When I started Tendril, I knew that I wanted to do something different with my portfolio of wines. And it took 6 years to complete the lineup (Extrovert 2008, TightRope 2009, Single Vineyard (Guadalupe) 2011, C-Note 2011, Pretender 2013).
The common model that exists for Pinot Noir is the single vineyard model. Wineries make 5-15 (or more) single vineyard wines in a given vintage. The problem is that not all of the sites deliver on their promise of distinctiveness every year. The true test is a horizontal tasting in which all of the wines are evaluated blind. In a given year, some wines are great, some under deliver and some taste quite similar in a given line-up. This is not consistent with my goal.
So, I created my own, unique model for Pinot Noir. Each of my wines is distinctive and complete. Collectively, they show a progression of flavors that mirrors the progression of dishes in a five-course meal. My wines gain in intensity, darker fruit character and structure as the “courses” progress. And each of the wines must re-qualify for their place in the lineup each and every year.
I believe single vineyard wines should be special. Since all wineries charge more money for them, I think they should be worth it. So we typically do just one offering per year that is, simply put, the “wine of the cellar” from just one site. As I had anticipated, it has proven to be rotational (4 vineyards in 7 vintages). It is like a Christmas present in that you don’t know what it is until you open it.
[TaV]: Your C-Note Pinot Noir is designated as “whole cluster fermented” – is that a substantial differentiator to make it the “top of the line” wine, or is there something else behind it?
[TR]: Of the Pinot Noir line-up, the C-Note is the most stylized wine yet at the same time requires the greatest amount of restraint. Whole cluster fermentation of Pinot Noir is a technique that I have only attempted since 2011. The was the first year I made a wine using 100% whole cluster…and it was so successful that it became our first C-Note bottling.
For C-Note, we use 100% Pinot Noir, 100% Whole Cluster fermentation, and age in 100% new French Oak barrels (air dried 3 + years). The restraint comes into play in order to reign in the “whole clustery-ness” and tame the oak impact to mimic a wine with half the new oak exposure. We are extremely gentle with our cap management to control the whole cluster notes and we select the most subtle, elegant barrels coupled with long aging to integrate the oak flavors. C-Note is all about complexity, texture and mind-blowing length. I love making wines that surprise and beguile.
[TaV]: You are one of the very few winemakers who conduct organized tastings. Can you explain what you are trying to showcase with your 5-course Pinot Noir approach?
[TR]: Yes, I believe the best way to showcase these wines and share this unique experience is to do seated tastings. Like a five-course meal, our tasting take time (typically an hour and a half or more). But people leave here feeling that that have experienced something truly special…and that is pretty rare. They are shocked that they enjoyed each and every wine they tasted.
I began working in restaurants at a young age. I cooked for several years and really enjoyed it. A few years after I started making wines, I realized that I was using the exact same skill set to make wine that I used to cook. I am truly a “wine cook” and make wine with that sensibility.
I wanted to showcase a diverse range of flavor profiles that can be accomplished on an annual basis with Pinot Noir in the Willamette Valley. Each offering is distinctive, unique and impeccably balanced. Collectively, they showcase perhaps the greatest range of flavors and textures of Pinot Noir under one brand.
[TaV]: To follow on the previous question, how receptive are your customers (typically) to what you are presenting in the tasting? Do they get your point? Do you offer people to taste the wines blind and to try to identify what they are tasting?
[TR]: The beautiful thing about the “five-course meal” context of our tasting is that EVERYBODY can relate to that experience. People completely get it and they really get into it. The wines show a progression of flavors just like a multi-course meal. They also increase in intensity much like turning up the volume on a radio.
At this stage, the tastings are not blind and are tasted one at a time. And I don’t have the ability to pair food at this time. But we have done the “five-course meal” here at the winery a few times. It was a huge success.
[TaV]: Maybe an odd-ball question here – wine is an adult beverage, and nevertheless, you called your line of wines “Child’s Play” (I personally like it very much, especially the labels). Do you think wine consumers might find this controversial? Did anyone ever comment on this wine name?
[TR]: I am a huge fan of the “double entendre”. Here it is actually triple. 1) My kids playing…my two daughters paintings are the original artwork for all the labels 2) We winemakers are big kids and we get to “play” with offering unique wines (the Pinot Chardonnay is the only still version of Chardonnay and white Pinot Noir in the country…to my knowledge), Zinfandel from WA (a unicorn wine), and a stylistically different Rose of Pinot Noir. The Pinot Noir is just damn good. 3) Child’s Play implies it’s easy…so easy a kid could do it. We are taking the pretension out of wine with the packaging and the wines inside. Great value for money…as it should be.
My customers love it. The only objection came from the Feds…and a simple paragraph explaining point 3) above got us our label approval.
[TaV]: This one is more of the pet peeve question for me. Your Tendril wines are enclosed with the corks (makes me very happy to see it). The Child’s Play line uses screwtops, so obviously the screwtop idea is not foreign to you. I know that some winemakers in Oregon swear by alternative closures (like Don Hagge at Vidon with the glass stopper), but I personally think that the wine needs a cork to age properly. What is your take on this subject?
[TR]: While I like the idea of cork, the execution of the closure has haunted me for my entire career. Corks are highly variable in both their flavor impact on the wines as well as the oxygen permeability. Each one is unique and has an unintended impact on my wine. I believe natural corks are a huge problem and as such, I no longer use them. But I do gladly use a cork product in my Tendril wines (looks like a duck and quacks like a duck) that provides consistency of density and very low aromatic impact. I would be happy to talk to you about this topic some time. I have researched it for years.
Screw caps are new to me, but I love them in the Child’s Play line to further differentiate the brand from Tendril. I think the MSRP $30 price point avoids any potential push back on the choice of closure.
[TaV]: Sparkling wines are so popular nowadays, almost everyone is making them, and often with very good results. Considering your experience at Argyle, should we expect to see Tendril sparkling wine at some point in the future?
[TR]: Maybe…but I will wait until we have a great sparkling wine vintage (cool and slow ripening) to make that decision. If you asked my wife (who is a sparkling junkie), the answer would be yes.
I would only do it if it could have the potential to be a truly special offering.
Maverick Vineyard
[TaV]: What is in the store for your new Maverick vineyard? How are you planning to farm it – sustainable, organic, biodynamic? Out of 19 acres, you have 10.5 allocated for Chardonnay and Pinot Noir – what about the rest? Any plans to expand beyond Pinot Noir and Chardonnay – let’s say, Pinot Gris, Riesling, etc?
[TR]: At this time, Maverick is LIVE. We plan to move towards organic over the next few years. It is an incredibly well behaved site that is already producing strong personality wines. I view this as a highly desirable trait for a young vineyard. The Chardonnay for the Pinot Chardonnay (70% of the blend) is all Maverick. This is the first bottled wine coming from Maverick.
No plans for other varietals at this time. But the clonal mix for the Pinot Noir (943, Swan, Calera and Mt. Eden) is pretty unusual.
[TaV]: Oregon is clearly a leader in Pinot Noir, considered by many as simply the best in the world, and it is also getting to the same level of recognition with the Chardonnays. What is ahead for the Oregon wine industry? Is the future bright and sunny, or do you see any clouds on the horizon?
[TR]: To me, the only constant is change. By that I mean that to continue to succeed as an industry, we need to be engaged (both locally and on a world stage), we need to be adaptive (as our climate continues to change, we are in for more and different challenges), and we need to be more concerned about the sustainability of our environment (both locally and throughout the world).
I believe we will have sun and clouds…and perhaps some rain. Just the weather we always have in Oregon 😉
[TaV]: When you are not drinking Tendril wines, what are your favorites from the other producers and/or regions?
[TR]: Lately I have been enjoying Graham-Beck sparkling wine from South Africa.
Or give me a good single malt Scotch…
Here we are, my friends. I’m sure you are thirsty at this point, but we will talk about Tendril Cellars wines in the next post.
To be continued…
Discover Wines Of Loire Valley
What do you think of the wines from the Loire Valley? Why, you say you are not sure? Come on, give yourself a credit – there is a good chance you had Loire Valley wines, but maybe you simply didn’t associate those wines with the Loire Valley? Let me help you – Sancerre, Pouilly-Fumé (not to be confused with Pouilly-Fuissé), Muscadet, Vouvray, Touraine, Anjou, Saumur, Chinon – had any of the wines with these words on the label? Ah, of course, you are saying? Then now you know – those are all the wines from the Loire Valley in France.
Loire Valley appellations map. Source: http://www.loirevalleywinetour.com/
The Loire Valley is not the most famous winemaking region in France, but it deserves the utmost respect. Here are some facts for you. Number one region in France for production of the white wines. The largest producer of the sparkling wines in France outside of Champagne. Number two producer of Rosè wines in France after Provence. The largest in France vineyard declared UNESCO World Heritage site. 79 sub-appellations and denominations and more than 2,000 years of winemaking history. These numbers speak for themselves. And to round up the stats – five grapes (Sauvignon Blanc, Chenin Blanc, Melon de Bourgeois, Cabernet Franc and Pinot Noir) comprise most of the Loire wines, but a total of 24 grapes are used there.
A few weeks ago, I was happy to attend the “Spring To Loire” trade tasting in New York City, alongside the inimitable, one and only JvB Uncorked – we definitely had lots of fun tasting through the Loire wines together. It was also literally the first tasting this year which I managed to attend, so “happy” is the right word. Besides, I love Loire wines, with Chinon and Saumur been personal pet peeves, as producers of delicious Cabernet Franc.
The tasting was unquestionably interesting. First, it had a couple of curious moments. There was a seminar which offered an excellent introduction to the region, tasting all major styles and varieties. Two of the reds in the tasting were rather green and aggressive. At the end of the tasting, I asked a lady sitting next to me how did she liked the wines, and she told me that she didn’t like the red wines individually, but she mixed them (!?!?) and they became more palatable – truly a wow moment in the professional tasting. And then it was another lady who (accidentally or not) dumped what seemed like a whole bottle of perfume on herself – trying to smell nuances of the wine standing next to her was beyond mission impossible. Some memorable moments…
Okay, let’s talk about the wines. I have a few favorites which I will be happy to mention, but first, let me give you my broad stroke impressions.
- Sancerre had a much lesser amount of fresh cut grass than I was expecting. Okay, I’m not an expert on Sancerre evolution, as I rarely drink them. However, based on what I remember from my education and some of the previous experiences, classic Sancerre is supposed to have pronounced grass and cat pee notes – didn’t find much of the Sancerre like that. Touraine Sauvignons, on another hand, were delicious across the board with an abundance of the freshly cut grass.
- Many of the Muscadet-Sèvre-et-Maine wines were lacking the characteristic acidity. When going for Muscadet, I’m expecting acidity which will plucker my mouth and make the cheeks to go meet each other. Many Muscadet in the tasting were nice white wines, but they were lacking their prized quality.
- The Chenin Blanc was a star. We had a number of delicious Vouvray and not only wines, which offered bright acidity, sometimes a touch of sweetness, a round mouthfeel – all which you would expect from a nicely done old world Chenin.
- Many of the Chinon and Saumur Reds were too tannic. This was a total surprise – the wines were fermented and aged in stainless steel tanks, nevertheless, the mouth was drying up almost as much as if you would be tasting the young Barolo. I was told that the whole cluster fermentation and aging was a culprit, but this was not a pleasant surprise. I really expect much more elegant and approachable wines to come from those regions. Nevertheless, we managed to find a few of the superb reds.
Done with my general impressions – here are some limited notes on my favorite wines.
Sparkling:
Crémant de Loire:
NV Maurice Bonnamy Crémant de Loire Brut (SRP: $16.99, 65% Chenin Blanc, 20% Chardonnay, 15% Cabernet Franc) – nice, refreshing, yeasty
NV Maurice Bonnamy Crémant de Loire Rosé (SRP: $16.99, 100% Cabernet Franc) – toasted bread and strawberries, nice, refreshing, great mouthfeel
NV Ackerman Crémant de Loire Brut (70% Sauvignon Blanc, Chardonnay and Cabernet Franc for the rest) – this wine was presented in the seminar, so I had a bit more time to spend with it – great nose, toasted bread, fresh, a touch on a sweeter side but still very nice
White:
Melon de Bourgogne:
2017 Sauvion Muscadet-Sèvre-et-Maine AOC (SRP $13.99) – crisp, fresh, great acidity
2014 Château de la Cormerais Monnieres-Saint Fiacre Muscadet Sèvre et Maine (SRP $19.99) – outstanding. fresh, clean
2012 Domaine de Colombier-Mouzillon-Tillières Muscadet Sèvre et Maine (SRP $19.99) – great complexity
Sauvignon Blanc:
2016 Domaine Pascal Jolivet Les Caillottes Sancerre AOC (SRP: $38) – steely acidity, crisp, a touch of grass.
2015 Domaine Pascal Jolivet Sauvage Sancerre AOC (SRP: $73) – this wine was just ok. The only reason to include it – this was probably the most expensive wine in the tasting, and it really didn’t deliver.
2016 Domaine Michel Vatan Calcaire Sancerre AOC – presented at the seminar – on the nose, minerality, lemon, distant touch of the grass, crisp, fresh. Excellent acidity on the palate, very nice overall.
2017 Raphael Midoir De Silex et Tuffeau Touraine AOC (SRP $14.99) – outstanding. Classic nose, delicious.
2016 Pierre Prieuré & Fils Domaine de Saint-Pierre Sancerre AOC (SRP $19.99) – excellent, fresh
2016 Raphael Midoir La Plaine des Cailloux Touraine-Oisly AOC (SRP $19.99) – outstanding, great complexity.
Chenin Blanc:
2016 Château de la Mulonnière M De Mulonnière Anjou – presented at the seminar – delicious. White stone fruit, peaches on the nose. A touch of sweetness and perfect balance on the palate. Outstanding.
2017 La Croix des Loges Anjou White AOC (SRP $14.99) – outstanding. Clean, fresh, touch of sweetness.
2014 La Croix des Loges Trois Failles Anjou AOC (SRP $22.99) – outstanding, gunflint on the nose, clean, balanced palate.
1977 La Croix des Loges Bonnezeaux AOC – yes, 1977, this is not a typo – this was an off the list, off the charts treat – a Chenin Blanc dessert wine, still elegant and complex.
Other:
2017 Domaine du Colombier Vla de Loire IGP ($14.99, 100% Sauvignon Gris) – excellent, fresh, complex.
Reds:
Cabernet Franc:
2015 Domaines des Varinelles Saumur-Champigny AOC (SRP: $20) – amazing similarity with Lodi wines on the palate – soft, aromatic, touch of cinnamon, ripe blueberries and raspberries, hint of blueberry compote. The similarity with Lodi is mind-boggling. Let’s not forget that this is Cabernet Franc wine, so there must be something there which can explain it. Need to dig deeper into this, I’m really curious.
2015 Domaines des Varinelles Laurintale Saumur-Champigny AOC (SRP: $24) – muted nose, and practically identical on the palate to the previous wine from the same domain. I will look into it… But two superb wines by all means – the wine are coming from the old world, but clearly, are screaming “new world”.
2017 Domaine du Raifault Chinon AOC (SRP: $17.95) – wow! Cassis on the nose, cassis on the palate – spectacular. This was my best of tasting red wine. This wine is not available in the US yes (we tasted one of only two bottles brought in for tasting) – in the process of being imported. Once it arrives, do yourself a favor – go find it and buy a case, or two. You can thank me later.
2016 Sauvion Chinon AOC (SRP: $17.99) – interesting dense nose, great palate, sandalwood, smoke, fresh, present. Tannins are still aggressive, but not as much as others.
Pinot Noir:
2014 Xavier Flouret Domaine de Chatenoy Menetou-Salon AOC (SRP: $20.95) – great Pinot Noir – excellent fresh nose, great balance of dark fruit on the palate, outstanding. 15 generations of vignerons know what they are doing. Definitely one of the highlights of the tasting.
2015 Domaine Gérard Millet Sancerre Red (SRP: $25) – fresh, crisp, herbs, spices, light.
Blends:
2014 Domaine de la Chaise Touraine-Chenonceaux AOC ($22, 70% Cabernet Franc, 30% Côt) – fresh, delicious, cassis and tobacco, excellent balance
The Spring is finally here (or at least it seems so in New York), so go on, find some Loire wines to explore on your own. Cheers!
Daily Glass: Textbook Precision
Once you fully embrace the wine world, one of the important lessons you learn is rather simple – “there are no guarantees”. The bottle of wine can perfectly say “Cabernet Sauvignon” – there are absolutely no guarantees that Cabernet Sauvignon from Washington, California, and Chile will have any smell and taste similarities, never mind Cabernet Sauvignon from China, Czech Republic, and Moldova. And this is okay, we can all accept it – at the end of the day, the only thing which matter is whether we like the wine or not.
Despite all the differences, when it comes to the major grapes, such as Cabernet Sauvignon, Chardonnay, Merlot, Sauvignon Blanc, Pinot Noir and so on, we usually know how the “classic” wine should taste like – especially if we take any formal wine education or make enough effort to study the wine, pay attention to what we drink and make it a lesson to learn. Yes, there might be a bit of our perception in it too, but still, we usually have that “classic profile ” idea in the mind.
What prompted this post was a lucky happenstance, an encounter with two classic, textbook wine profiles for two nights in the row.
First, there was Pinot Noir. When it comes to Pinot Noir, there are probably four classic profiles – Burgundy (of course!), with lots of dark fruit power and a little bit of funk (especially with age, but drinking young Burgundy is almost like killing a baby, right?). Then you have New Zealand, which usually can be identified by the pronounced acidity. Oregon Pinot Noir often screams minerality, mocha and dark chocolate. And then you got California, with luscious smokey plums and silky, seductive texture.
So the wine I had a pleasure of experiencing was a textbook, unmistakable California Pinot Noir – 2015 Field Recordings Derbyshire Vineyard Pinot Noir San Luis Obispo County (13.1% ABV, $28, 20% whole cluster fermentation, foot tread in open top bins, 12 month in French oak) – smokey plums on the nose, bright cherries and plums profile on the palate with a perfect balance of acidity, velvety layers – tremendous amount of pleasure in every sip. Drinking this wine evokes comparisons with other California classics such as Siduri. It doesn’t reach the ultra-luxurious texture of Sandhi, but if you have any experience with classic California Pinot, one sip of this wine will perfectly put you in the right place.
Now, talking about classics, let’s talk about the grape which is not a relative of Pinot Noir, but more often than not, a closest friend and neighbor – Chardonnay. What is interesting about Chardonnay, in my opinion, is that good Chardonnay is a lot more cosmopolitan than a Pinot Noir. With the exception of Chablis, which often can be recognized by the gunflint on the nose, the classic Chardonnay profile includes vanilla, apples and a touch of butter. You can often differentiate Burgundy from California by the amount of butter (California usually offers lots more) and acidity (that’s what you will get with the young Burgundy), but still, Chardonnays from Australia, Burgundy, Chablis, and California have quite a bit of similarity.
Oregon, which is definitely an established world leader when it comes to Pinot Noir, lately also started to show its Chardonnay provenance. Two years ago, I was blown away by the perfection of Vidon Chardonnay. This time around, the 2016 Knudsen Vineyards Chardonnay Dundee Hills (13.5% ABV, $45) made me say “wow” many, many times. Perfect nose of vanilla and golden delicious apples with a distant hint of butter and even honey (honey is usually showing up in Chardonnay after some aging) was supported by the same profile on the palate – vanilla, apples, butter – all perfectly mended together in cohesive, sublime package resting on the vibrant core of acidity. This was definitely a textbook Chardonnay for me, and the one which I would love to see aged, at least for another 5-7 years.
Here you go, my friends – a textbook experience with two classic grapes. What are your textbook wine experiences? Cheers!
Stories of Passion and Pinot: Knudsen Vineyards
It takes courage to be a pioneer. It takes vision, belief, perseverance and lots and lots of hard work to convert the dream into reality – but this is how many great wine stories start.
Nobody questions “World Class” status of Oregon wines today. But back in 1971, this was really not the story. One had to see the potential and believe that Oregon is meant to produce the world-class wines. Cal and Julia Lee Knudsen did when they purchased the remnants of the walnut orchard in 1971 and established Knudsen Vineyards. The whole family – Cal, Julia Lee and four of their children worked hard to clean up the land and plant the vines. In 1972, they established a 30 acres vineyard, which was the largest in the Willamette Valley. By 1976, they had 60 acres planted, which made them the biggest in Oregon (as a matter of fact, Knudsen Vineyards still have some of the 1974 vines which produce fruit). Today, Knudsen Vineyards plantings span 130 acres, which is certainly one of the largest in the state where the typical vineyard size is 35 acres. And in 1975, in partnership with Oregon winemaking legend, Dick Erath, Knudsen Erath Winery became first commercial winery in the Dundee Hills appellation.
In 1987, the Australian Brian Croser met Cal, and the new chapter started for Knudsen Vineyards. Cal always had a dream of making sparkling wines, and the Knudsen Vineyards entered into the new partnership, now with the Oregon sparkling wine pioneer, Argyle Winery. Today, many of the Oregon wineries are starting to add Chardonnay to their repertoire – Knudsen Vineyards was growing Chardonnay for the very long time, and Chardonnay is essential for a good sparkling wine. As a matter of fact, Julia Lee’s Block, which you can see designated on one of the top Argyle’s sparkling wines, contains the oldest in the new world plantings of French Chardonnay Dijon clones 76 and 96. Also, while you will not see it widely advertised, Knudsen Vineyards grows 3 acres of Pinot Meunier, used only for the production of Argyle sparklers.
Knudsen Vineyards, Dundee Hills, Willamette Valley, Oregon
Ever since Knudsen Vineyards started working with Argyle, all of their fruit was going into Argyle sparkling wines. Five years ago, the four siblings who run the vineyard now, decided to start producing the wine under their own label, which resulted in the 2012 release of Knudsen Vineyards Pinot Noir. The first release of Chardonnay was added a year after, in 2013. This year, Knudsen Vineyards added the new premium bottling – 2015 Pinot Noir Reserve. All of the wines are produced with the help of the winemaking team at Argyle, which vinifies the juice from the different blocks of the Knudsen Vineyards – but the family gets together to decide on the final blend of the wines they later release.
If you followed any of the Passion and Pinot stories, you probably expect that I will have an interview for you – and you are right. Only this time around, it is slightly different – in addition to the virtual part, I also had an opportunity to sit down face to face with Page Knudsen Cowles, managing partner at Knudsen Vineyards, and extend our virtual conversation with the personal one. I learned lots of interesting things which are really impossible to get to in the format of the virtual interview.
For instance, have you ever heard of the “Suitcase clones“? I certainly never had. It appears that it is a common name for the vine cuttings which are smuggled into the country in the suitcases. For the Knudsen family, the “suitcase” was not exactly a choice tool for vine transportation – the ski bag was the one, as every family skiing vacation in Europe saw new cuttings finding its way home.
At some point, Cal started experimenting with the effects of the birds’ chirping on the vines. The birds’ sounds were played between the rows of the vines. The unfortunate part is that the results of this experiment are not known. But when birds became a problem in the vineyards in 2010/2011, the sound of distressed robin came to the rescue – it was played throughout the night and helped to shoo the birds away – however, made the stay at the small cottage the family has right in the vineyard very problematic.
Knudsen Second Generation: Page, Colin, Cal Jr, David
Okay, let’s move on. Let me share with you our [now virtual] conversation with Page Knudsen Cowles. Get a glass of wine in hand, and here you go:
[TaV]: The first vines were planted at Knudsen Vineyards in 1971. Are there any of the original vines still around, and if yes, are they still producing fruit?
[PKC]: The oldest currently-producing vines were planted in 1974. They are Pinot Noir vines that produce fruit for sparkling wine.
[TaV]: I understand that back in 1971, Cal and Julia Lee purchased a 200-acre former walnut tree orchard – are there any of those trees still around and producing [commercially}? Was/is Knudsen family ever in walnut business?
[PKC]: No, the Knudsen family was never in the walnut business. The walnut tree orchard was destroyed in the 1962 Columbus Day storm that wrecked havoc through the Willamette Valley at that time.
[TaV]: The first Knudsen wines under Knudsen Erath label were produced in 1975. Are any of those wines still around? Have you ever tasted wines from that inaugural vintage?
[PKC]: I have not had the pleasure of tasting that very first vintage. I have found in the secondary market a stash of Knudsen Erath Winery 1983 Vintage Select Pinot Noir and some bottles of the Knudsen Erath Winery 1985 Vintage Select Pinot noir. Both wines have held up remarkably well and are fun to drink and share with wine aficionados who appreciate the provenance and age of the wine.
[TaV]: Continuing the previous question, what are the oldest vintages which can be found at the Knudsen Vineyards library? What are the oldest Knudsen wines you ever tasted?
[PKC]: The oldest vintages we have in the Knudsen Vineyards library are:
- 1979 Knudsen Erath Winery Merlot
- 1983, 1985, 1986, 1987 Knudsen Erath Winery Pinot Noir
The oldest wines I have ever tasted are the 1983 and 1985 Knudsen Erath Winery Vintage Select Pinot Noirs.
[TaV]: Today Knudsen Vineyards has about 130 acres under the vines. What grape varietals do you grow today?
[PKC]: We grow 73% Pinot Noir including a variety of French Dijon Clones 667, 777, 115, and 4407, plus the heritage clone Pommard; 24% Chardonnay including the French Dijon clones 76, 95 and 96; and 3% Pinot Meunier.
[TaV]: Knudsen Vineyards just started producing the wines under its own label, and it is not surprising that the first two wines are Pinot Noir and Chardonnay. Moving forward, do you have any plans to start producing any other wines, such as Pinot Gris or Riesling?
[PKC]: No, we do not have plans to produce either of these varietals.
[TaV]: Within the 130 acres of vineyards, you probably identified some of the plots which perform better or, at least, different than the others. Do you plan to produce “single-plot” wines?
[PKC]: Our current planning does not include production of “single plot” wines. We have favorite estate grown blocks that we like to blend when we produce our wines.
Aerial View over Knudsen Vineyard, Dundee Hills, Willamette Valley, Oregon
[TaV]: Knudsen Vineyards have a strong connection to the production of the sparkling wines through the partnership with Argyle Winery. Nevertheless, do you have any plans to produce sparkling wines under the Knudsen Vineyards label?
[PKC]: Our father, Cal Knudsen, had a love affair with sparkling wines from around the world, though he was most attached to those from the region of Champagne and Oregon sparkling wine. He allied Knudsen Vineyards with Argyle in order to make sparkling wine. Knudsen Vineyards would love to produce a small amount of sparkling wine in the future in honor of our father’s love for that expression of the fruit from our vineyard.
[TaV]: When making wines, do you rely on natural yeast, or do you work with some specific strains of yeast?
[PKC]: I reached out to our winemaker, Nate Klostermann, of Argyle Winery, for the answer to this one. We grow several selected yeast cultures and then inoculate with the one that seems best suited to the vintage.
[TaV]: What kind of oak regimen do you use in the production of your Chardonnay and Pinot Noir?
[PKC]: All of our oak comes from French barrels. Our inaugural 2013 Chardonnay has 35% new oak and was aged over 13 months in barrel; our 2014 Chardonnay had 25% new oak and was aged over 10 months in neutral and new oak barrel; and our 2015 Chardonnay has 27% oak over 10 months in barrel.
For the Pinot Noir, our oak usage is as follows:
Knudsen Vineyards 2014 Pinot Noir 25% new oak barrels; remainder aged in 2 – 4 year old previously used oak barrels; aged for 15 months in barrel, nine months in bottle Knudsen Vineyards 2015 Pinot Noir 20% new oak barrels; remainder aged in 2 – 4 year old previously used oak barrels; aged for 16 months in barrel, nine months in bottle Knudsen Vineyards 2015 Estate Reserve Pinot Noir 35% new oak barrels; remainder aged in 2 – 4 year old previously used oak barrels; aged for 16 months in barrel, nine months in bottle
[TaV]: What is the total production of your Pinot Noir and Chardonnay (how many bottles)? Do you plan to increase the production in the near future or you are happy with the current production?
[PKC]: Currently, we produce between 1,000 and 1,200 cases of our Pinot Noir and Chardonnay combined (between 12,000 and 14,400 bottles). The mix is approximately 60% Pinot Noir and 40% Chardonnay. We are content at this level of production for a couple of years. In the future, we hope to expand.
[TaV]: Is there a “next big grape” for Knudsen Vineyards?
[PKC]: Pinot Noir and Chardonnay are what we intend to grow into the foreseeable future.
[TaV]: What about Willamette valley in general – is it going to stay a Pinot Noir land for the foreseeable future, or would there be a “next big grape”, white or red, for the Willamette Valley?
[PKC]: I believe the North Willamette Valley will stay devoted to Pinot Noir and will increase its production of Chardonnay.
[TaV]: Do you have a dream wine – the wine you always wanted to try, but never have?
[PKC]: I would like to try a bottle of Domaine de la Romanée-Conti from Burgundy and a bottle of any of the Bordeaux First Growth red wines: Château Latour, Château Lafite Rothschild, Château Margaux and Château Haut-Brion. I also would love to try a bottle of Opus One from California.
Now for sure it is time to drink the wine. I had an opportunity to try Knudsen Vineyards wines, here are the notes:
2015 Knudsen Vineyards Chardonnay Dundee Hills Willamette Valley (14% ABV, $45)
C: light golden
N: vanilla, touch of toasted oak, medium intensity
P: fresh, crisp, slightly underripe Granny Smith apples, touch of minerality, distant hint of butter and vanilla, quite an acidic finish
V: 8/8+, not bad, but needs time to evolve. Opens in the glass quite elegantly. Second day was outstanding – nice buttery note while fridge cold, and more vanilla-driven as the wine warmed up
2015 Knudsen Vineyards Pinot Noir Dundee Hills Willamette Valley (141% ABV, $55)
C: light bright ruby
N: tart cherries, lavender, hint of smoke
P: cherries, round, good acidity, touch of mushrooms, fresh, Burgundian style
V: 8-, very nice
2015 Knudsen Vineyards Pinot Noir Reserve Dundee Hills Willamette Valley (14.1% ABV, $70)
C: dark ruby
N: smoke, mushrooms and forest floor aromatics
P: cherries, good acidity, layers, smooth, lavender-driven on the second day
V: 8/8+, very polished, elegant, will evolve with time.
Thus we conclude another story of Passion and Pinot (and a little bit of Chardonnay). Wine is a family affair, and Knudsen Vineyards shows it very well. Now the third generation of Knudsens is entering the business, and I’m sure there are lots we should expect to see from the Knudsen Vineyards in the future. Cheers!
One on One With Winemaker: Phil Rose of Wairau River, New Zealand
It just happened to be that once again, we will be talking about New Zealand wines. Once again, we are going to visit Marlborough. And once again, we are going to meet with a pioneer.
Source: Wairau River
Wairau River Wines‘ story started in 1978 when Phil and Chris Rose became grape growers (Phil was a farmer since the childhood, so the transition was not that dramatic). In 1991, they also became winemakers, producing their first wine. Today, Wairau River vineyards span 550 acres, making it one of the biggest family owned wineries in New Zealand. And it is all truly in the family, as Phil and Chris’ two sons and three daughters are all working at the winery.
Wairau River Wines produces two lines of wines. The Estate collection includes all of the usual suspects, such as Sauvignon Blanc, Pinot Gris, Pinot Noir, Riesling, and Chardonnay, but you can also find some oddballs there, such as Albariño. The Reserve line also includes Syrah and Viognier, as well as late harvest botrytized Riesling.
I had an opportunity to sit down with Phil Rose (albeit, virtually), and inundate him with questions – here is what transpired.
[TaV]: You started growing grapes in 1978. Was there a pivotal moment which got you into the grape growing? Were grapes a long-time passion before you started, or was there an event which brought you into the world of the wine?
[WR]: The oil shock in the 1970’s meant we looked for an alternative away from the farming of beef and sheep plus the growing of Lucerne and other crops. However due to a rural council district scheme rule, grape growing was prohibited on land north of old Renwick road.
We were required to apply for permission to establish a vineyard, which we did but the application received 56 objections and not one single vote of support. There were a number of reasons for the objections. Forestry owners were concerned they would no longer be able to use sprays like 2.4.5.t because of its impact if grapes were nearby. Local farmers were also concerned their normal farming methods would be threatened. There was also the moral opposition such that no one should be able to grow a product that could be turned in to alcohol.
Unfortunately the council denied our application, so we appealed. But things moved even slower back then than they do now – and it took 18 months for the independent tribunal to take place. 18 months where we worked hard to try and convince the powers that be and our own neighbors that grape growing in the Rapaura area of Marlborough had huge merits.
Finally in 1978 we got a unanimous decision from the tribunal which gave us the permission we needed to become contract grape growers. As a result, the council had to change the district plan and open the Rapaura area up to grape growing.
[TaV]: Can Marlborough Sauvignon Blanc age? What was the oldest Marlborough Sauvignon Blanc you ever tried? What is the oldest Sauvignon Blanc you have in your cellars?
[WR]: Of course the wine will age well although the wine takes on different characters with age as do all wines. Most sauvignon blanc now though is consumed in its youth as its fresh, crisp and lively style that have become hallmarks of our success. 1991 was our first vintage and we still have a few bottles of that in the cellar.
[TaV]: Did you ever experiment with cork versus Stelvin closures? Obviously, all your wines use the screw tops, but I wonder if you ever tried to create a control batch with the conventional corks and see how the wines would compare.
[WR]: We bottled our first wine in screwcaps in 2002. Prior to that we were 100% cork but never really happy with the closure. We felt that cork was tainting, oxidising and affecting the delicate aromas of sauvignon blanc in particular.
Wairau River was part of the New Zealand screwcap initiative that was formed in 2001 and we did many trials in the early days – all of them showing that wine under screwcap was far better in terms of consistency and quality than corks.
Today we are 100% screwcap for all of our wines.
[TaV]: It seems that Wairau River is truly a family operation top to bottom. Do you ever have any work conflicts? If yes, how do you resolve them?
[WR]: Yes we now have the whole family and some their partners involved in running the business across vineyards, winery, cellar door and restaurant. It is not often there are any issues but having a voice and opinion is important and so we all listen and work through this and will always achieve a result that works for everyone. We also have a board of directors which meets regularly which helps with accountability and offers independent advice.
[TaV]: The question I always like to ask: what was the worst vintage you remember at Wairau River and why?
[WR]: I think 1995 will long be remembered as the toughest vintage we have had. It rained and rained
[TaV]: And the second question I always like to ask: what were your most favorite vintage years and why?
[WR]: Actually there are many years we look back and think that was one of the best vintages however we never like to look backwards for too long. We are always striving to improve our wines each year so lately it seems every year we are getting better results across all varieties.
[TaV]: How would you differentiate Sauvignon Blanc from Wairau Valley and Awatere Valley? Are the pronounced differences there? Do you think Marlborough needs further subdivision?
[WR]: There are quite big differences between the 2 valleys in terms of flavor profiles however strategically the Rose family have chosen to focus in the Wairau Valley and then within that a tight area surrounding our home vineyard and winery.
Further sub regions like Rapaura or Dillons Point will develop with time however Marlborough as an overall region will still be the key to our success and the protection of that is paramount.
[TaV]: It seems that your wine portfolio is very diverse and includes a wide variety of grapes as well as styles (white, rosé, red, dessert) – the only notable absence nowadays is Sparkling wine – do you plan to fix it?
[WR]: haha – always a good topic of conversation…..we are happy with what we are doing at the moment, however we have a rule of never saying no to anything so who knows what the future will bring – perhaps the next generations may want to make sparkling wine.
[TaV]: Sauvignon Blanc and then Pinot Noir squarely put New Zealand on the world wine map. Is there a next big white and/or red grape for the New Zealand?
[WR]: We consider Pinot Gris to be the next big thing especially from Marlborough. It has a certain style that resonates well with wide variety of cuisines and will help those drinkers that are looking for NZ wine and want to try an alternative to our Sauvignon Blanc.
In the reds perhaps the wines from Hawkes Bay may make a statement but this will also be limited by smaller production.
[TaV]: Outside of New Zealand and your own wines, do you have any other favorite producers or regions for Sauvignon Blanc?
[WR]: We are lucky enough to travel the world selling wines and meeting customers so we are exposed to a number of different wine areas and styles.
In all honesty I think we produce a world class Sauvignon Blanc that is hard to beat however I do quite enjoy wines from Sancerre in particular Domaine Vacheron.
[TaV]: Same question as before, but only for the Pinot Noir – any favorites outside of New Zealand?
[WR]: Of course, we enjoy Jim Clendenen wines at Au Bon Climat.
[TaV]: What are your next big plans at Wairau River? Any exciting projects you have started or about to start?
[WR]: We are comfortable with where we are at in terms of our vineyard ownership and winery capabilities – our challenge is to grow sales and return better margins in all markets as we have wines that are in high demand but with limited availability.
Gaining recognition for our other varieties such as Pinot Gris and Pinot Noir will be a key focus. Ros sales have become very hot lately so this will also be a focus going forward.
[TaV]: Last question: as you run winery as a family, I’m sure you had some funny moments in your daily wine business. Anything you care to share?
[WR]: We work extremely hard throughout the year and don’t often come together as a whole family outside of the work environment. Although I can’t pick one particular moment we have a lot of fun with the family when we gather to celebrate Christmas in the Marlborough sounds with our 5 children, their partners and 12 grandchildren there is always something happening that creates some funny occasions and a great laugh.
I’m sure you are thirsty by now, so let’s taste some wine, shall we? Here are the notes for a few Wairau River wines I had an opportunity to taste:
2016 Wairau River Sauvignon Blanc Marlborough New Zealand (13% ABV)
C: white pearl, pale
N: intense, currant, touch of grass, bright, fresh
P: herbaceous, nicely restrained, fresh, bright, touch of grapefruit on the finish.
V: 7+/8-, an excellent example of Marlborough Sauvignon Blanc
2015 Wairau River Pinot Gris Marlborough New Zealand (13.5% ABV)
C: light golden
N: medium intensity, minerality, limerock
P: white stone fruit, nice minerality, salinity, crisp, refreshing
V: 7+
2015 Wairau River Pinot Noir Marlborough New Zealand (13% ABV)
C: bright ruby
N: freshly crushed berries, cherry, plums
P: cherries, fresh fruit, plums, touch of smoke, medium body
V: 7+, nice, traditional Marlborough Pinot Noir
Passion and perseverance rule in the wine world – we all know that, but it is always fun to listen to the stories. Pour yourself another glass – you deserve it. Cheers!
Stories of Passion and Pinot: Looking Back and Looking Forward
Back during the fall of the last year, I ran a series of posts talking about passion and Pinot Noir. Pinot Noir is a finicky grape which, I can only guess, has some enchanting properties – for the winemakers and wine lovers alike. Pinot Noir has an ability to grab you and never let you go – once discovered, it becomes an object of obsessive desire: winemakers go out of their way to make the best Pinot Noir wine, and oenophiles go out of their way to find it.
To give you the best examples of Pinot Noir’s passion and obsession, I decided to [virtually] sat down with a pioneer, a rocket scientist, a soil fanatic, biodynamic believer and some true farmers – all of them from Oregon. Through our conversations, I wanted to convey the unwavering belief in the magic of that little black grape, Pinot Noir.
We talked with Ken Wright of Ken Wright Cellars, David Nemarnik of Alloro Vineyard, Mike Bayliss of Ghost Hill Cellars, Wayne Bailey of Youngberg Hill Vineyards, Steve Lutz of Lenné Estate and Don Hagge of Vidon Vineyard – the passion was easy to see, through their words and through their wines.
The essential Pinot Noir map includes four major players – Burgundy, California, New Zealand and Oregon. Out of these four, Oregon usually beats Burgundy in consistency, and often California and New Zealand in finesse. That consistency and finesse don’t go unnoticed – and not only by wine consumers but by the big domestic and international wine businesses and investors as well. Big businesses are great, but – they are, first and foremost, big businesses – and passion is often replaced just by pragmatic business needs and shareholders value.
The wine quality and creativity is on the upswing around the world, and while consumers are driving this trend with an ever increasing thirst for the wine, nothing can be taken for granted – the wines have to find the consumers, and convince them that they are worth paying for.
The big business interest and more and better wines – what does it mean for the Oregon wine industry, the passion and the Pinot Noir? To answer this question, I asked once again for the help of Carl Giavanti of Carl Giavanti Consulting, wine marketing and PR firm, who reached out to the Willamette Valley Wineries Association. As you can imagine, I had more than one question, so here I would like to share with you what I have learned.
First three questions were answered by Anthony King, 2017 President of WVWA Board of Directors and General Manager of the Carlton Winemaker’s Studio:
[TaV]: Willamette Valley squarely joined the ranks of world-class wine regions. Does it mean that everything is great, or you still have big issues to solve on your agenda?
[AK]: Willamette Valley is certainly on the rise and we are all thankful for the attention. Our biggest issue is to continue to share the spotlight with the other classic regions of the world without losing our roots, our authenticity, and collaborative spirit.
[TaV]: It seems that lately big corporations are paying lots of attention for the WV wineries – or rather money, as for example, Jackson Family which acquired 3 WV wineries over a short period of time. Are you concerned with this development? Do you think it might change the soul and spirit of WV wines?
[AK]: Most of us are flattered by the attention that our wines, vineyards, and wineries have been getting from producers all over the world. JFW, in specific, has invested heavily, but have done so with a soft touch and an eye towards the community and their neighbours. In the end, the region will have diversity that consumers will ultimately benefit by. Our hope, however, is that this interest doesn’t drive vineyard and fruit prices into a range that makes the hands-on artisan winemaking that has made Oregon so special too expensive for entry.
[TaV]: There are many white grapes which can be called “next frontier” for the WV wineries – Pinot Gris (yes, okay, this is an old news), Chardonnay, even Riesling. However, if we look at the red grapes, WV wineries are a “one trick pony”, only working with Pinot Noir. Do you see any problems with that? is there a next big red grape for the WV, or is it not necessary?
[AK]: Great question. I don’t think that any of us, as winemakers, regret that we are working with Pinot noir in such an ideal locale. It presents a lifetime of challenges and, hopefully, rewards. Although much more rare, Gamay can be thrilling and has been successful planted alongside Pinot noir. Syrah, too, has a lot of potential, making compelling, Northern Rhone style reds in warmer years. Cooler-climate Italian reds could have potential as well. We’ve already seen an increase in planting of these “other reds,” but the more dramatic shift is (as you mentioned) towards focusing on whites and sparkling wine, which are very well suited to this climate. Ultimately, I foresee increased experimentation with a range of red varieties in the warmer sites in the Willamette Valley in the short-term; time and the weather will tell what succeeds.
The rest of the questions were answered by Emily Nelson, Associate Director for Willamette Valley Wineries Association.
[TaV]: What percentage of WV wineries are LIVE certified? Do you see this number dropping, increasing, staying the same?
[EN]: In 2016, there are 13,170 Oregon vineyard acres certified sustainable, which is 48% of total planted acres in the state. 8,218 acres are LIVE Certified, which is 30% of total planted acres. We do see the number of certified sustainable vineyard acres increasing year after year. As the home of the nation’s most protective land use policies, the first bottle recycling law, and the highest minimum wages for farm workers, it’s fitting that the Oregon wine industry is committed to sustainable farming and winemaking practices.
For LIVE Certified acres in particular, the number has increased annually from 2,368 acres in 2007 to 8,218 acres today.
[TaV]: How important is Biodynamic viticulture for the WV wine industry? Do you see more wineries embracing it?
[EN]: Biodynamic viticulture in Oregon has also steadily increased over the years, from 289 certified acres in 2007 to 1,585 certified acres today. It is an important component of our sustainable character in the region, reinforcing our belief that agriculture in general and viticulture in particular can flourish in harmony with our natural environment. In general, Demeter Biodynamic certification is in accord with many practices that characterize the certification of organic farms. However, certain practices are unique to Biodynamic agriculture, including managing the whole farm as a living organism; maintenance of a healthy, diverse ecosystem that includes not only the earth, but as well the cosmic influences and rhythms of which the earth is a part; and use of the Biodynamic preparations to build soil health through enlivened compost.
[TaV]: Are there any new wineries showing up in the WV? If yes, is there a trend there (more than the last 5/10 years, less than the last 5/10 years, the same?
[EN]: Yes! Our number of wineries in the region has climbed over the last five to ten years. We had about 110 wineries in the Willamette Valley in the year 2000. By 2010 that had more than doubled to 300 wineries. And now in 2016 our most recent census shows 531 wineries in the region. People are drawn to grape growing and winemaking here for many of the same reasons that brought our pioneers in the 1960s—unique climate and soils ideally suited to Pinot noir and a wine industry culture that celebrates collaboration, inventiveness, and land stewardship.
[TaV]: Do you see a lot of foreign capital coming into the WV winemaking industry (buying, partnering, starting new wineries)? Again, is there a trend?
[EN]: There is a trend of outside investment in the Willamette Valley wine industry, and it speaks to the quality of the wines being produced here. We see Burgundian investors who’ve found the New World home of Pinot noir, as well as those from Washington and California who are expanding their premium Pinot noir brands with Willamette Valley wines.
[TaV]: Last question – are there any new and coming, or may be old but coming around wineries wine lovers should watch for? Anything which makes you particularly excited?
[EN]: We’re particularly excited about a few things here: first, many of our pioneering wineries are handing the reigns down to second generation winegrowers and owners. The children who grew up in the vineyards and cellars of the wineries who put our region on the map are now at the helm. They continue to innovate and improve, so watching their brands and their wines flourish and evolve is a thrill. Second, we’re excited about the Burgundian presence in the Valley. French winemakers who come here to experience the Oregonian version of their time-honored grape offer unique expressions of the wines and outside confirmation that there’s something really special happening here. Lastly, we’re excited about new winemakers just entering the industry, who contribute a vibrant sense of experimentation and energy to the Valley.
All the good things come to an end, so this was the last of the conversations in the Passion and Pinot series – for now, at least. As I said before, Pinot Noir has some very special properties, making people fall in love with it and not letting them go. And whether you agree or disagree – you know what to do. Until the next time – cheers!
P.S. Once again, here are the links to the web sites for the wineries profiled in this series:
Alloro Vineyard: www.allorovineyard.com
Ghost Hill Cellars: www.ghosthillcellars.com
Ken Wright Cellars: www.kenwrightcellars.com
Lenné Estate: www.lenneestate.com
Youngberg Hill Vineyards: www.youngberghill.com
Vidon Vineyard: www.vidonvineyard.com
Celebrate with Ferrari!
Would anyone argue that holidays are better with Ferrari? Both of eponymous Italian hallmarks of quality would greatly enhance one’s holiday, but one of them – the car – is a bit less accessible to the general populace, so let’s talk about the one which is – sparkling wine from a beautiful region in the Italian Alps – Trento.
More than 100 years ago, Guido Ferrari recognized the potential of the green slopes to grow world-class Chardonnay. While Chardonnay is an undisputed star of the still white wine, its swan song might be delivered best with the bubbles. Champagne comes only from Champagne, but Méthode Champenoise is successfully used around the world to produce sparkling wines easily rivaling Champagne in quality.
This is what Guido Ferrari set out to do in 1902 – produce world-class sparkling wines – the task which he completed successfully. As Guido Ferrari had no direct heirs, in 1952 he sold the winery and vineyards to the Bruno Lunelli, a friend and wine merchant. Now in the third generation, Lunelli family proudly continues Ferrari traditions into the 21st century.
Earlier in the year, I had a virtual conversation with Marcello Lunelli, a winemaker at the Ferrari winery – you can find that post here. Then during summer I had an opportunity to meet, talk to and taste the wines together with Camilla Lunelli, Managing Partner at Ferrari, who visited New York on the occasion of attending The World’s 50 Best Restaurants Awards ceremony, where Ferrari was sponsoring The Art of Hospitality Award (it went to Madison Eleven restaurant in New York city). As we combined conversation with the tasting of the wines, I want to share here my brief notes about both the winery and the wines we tasted.
Today Ferrari is producing about 2 million bottles per year. They are working in close cooperation with the network of 500 growers and employ 8 agronomists who work literally around the clock to ensure the quality of the grapes. All Ferrari vineyards are certified organic, which is something not to be taken lightly – think about the work required to convince 500 growers to change their ways, to adapt Best Practices developed by Ferrari and get certified (it took most of the growers between 3 and 5 years to change). Talking about the vineyards, an interesting side note: Trento is a mountainous region, and all Ferrari vineyards are located on the slopes which provide for large temperature shifts between day and night, which is significant for the development of the Chardonnay grapes.
Italy is the biggest market for Ferrari sparkling wines. However, when I asked which market is the next big one after Italy, I got a surprising answer – it is Japan! (Yeah, I knew it is not the US, as Ferrari wines are hard to find in the US stores).
I also asked what would be an interesting food pairing for the Ferrari sparklers, and Camilla recommended Rosé sparkling wine with Pizza (yes, I can see it) and then bubbles with the BBQ, which is something I will need to try.
Okay, let’s get to the wines now, shall we?
NV Ferrari Brut Metodo Classico Trento DOC (SRP $25, 100% Chardonnay) – Delicious. Perfect acidity, lightly yeasty, refreshing, clear acidic finish.
2007 Ferrari Perlé Metodo Classico Trento DOC (SRP $38, 100% Chardonnay) – complex nose, minerality, complex palate with musk undertones, full bodied and refreshing
2009 Ferrari Perlé Metodo Classico Trento DOC (SRP $38, 100% Chardonnay) – we didn’t taste this wine with Camilla – I recently got a sample of 2009, so it was a good opportunity to include it here. On the nose, fine fizz, mostly closed nose with just a touch of an apple. The palate showed toasted bread notes, restrained, good acidity, tart, very clean and austere. Perfectly reminiscent of a good Champagne, however, too astringent for my personal enjoyment. I would definitely prefer 2007.
2008 Ferrari Perlé Rosé Metodo Classico Trento DOC (SRP $59, 80% Pinot Noir, 20% Chardonnay) – Delicious nose, hint of strawberries, yeast, great concentration, complex, toasted bread, refreshing.
2008 Ferrari Perlé Nero Metodo Classico Trento DOC (SRP $79.99, 100% Pinot Nero) – great nose, plump, open, full-bodied, lots of fruit on the nose, fresh baguette, not just yeast or toasted bread, toasted caramel, butterscotch
2006 Ferrari Riserva Lunelli Metodo Classico Trento DOC (SRP $56, 100% Chardonnay) – the grapes for this wine come from the single area around Villa Margon. This wine is aged in neutral Austrian oak casks. Excellent, seriously complex nose, with a touch of tropical fruit; tremendous palate – roasted meat, super-complex, delicious.
2004 Ferrari Riserva del Fondatori Giulio Metodo Classico Trento DOC (SRP $120, 100% Chardonnay) – the grapes for this wine come from a single high altitude vineyard called Maso Panizza. The wine has the classic nose, great acidity, it just screams “classic vintage Champagne” all the way.
Here you are, my friends – a full range of beautiful sparkling wines, worthy of any celebration you will have. I wish they would be a bit easier to find in the US, but these are the wines worth seeking. Cheers!
Daily Glass: Ah, Pinot!
Nothing is simple around wine for us, oenophiles, right? We need to meticulously arrange proper experiences – perfectly match wine with food, with the company, with the mood, with the moment. If we don’t, we question ourselves to eternity – what would’ve happened if I would’ve open that other bottle I had in mind; should’ve I just plan it all differently?
But every once in a while, we let our guards down, and let things just happen. When we think about it right after, we realize – wow, totally random, and totally delightful. Yay!
That “random and delightful” was my experience yesterday. My plan was to open a bottle of wine from 1998, and I have a very small selection of those, so the one I picked happened to be a Burgundy. So that one was a special bottle, waiting for the evening and the decanter.
I can’t cook without the wine, so of course, the bottle had to be opened. The “before Thanksgiving” shipment from Field Recordings contained more than one interesting bottle – the one I told you about already was Pét Nat from California. Another bottle I never saw before had a bold Nouveau word printed across shiny, golden label:
I’m an avid fan of the “Beaujolais Nouveau” phenomenon. But I have to admit that a few years back, I tasted few of the attempts by California wineries to join the Nouveau movement, and those were widely unsuccessful.
So how would Field Recordings’ Nouveau rendition fare? Actually, spectacularly. As the label says, the grapes for this wine were hand-harvested only 74 days prior to the bottling. And nevertheless, the wine had all the finesse you expect from the perfectly balanced California Pinot Noir. This 2016 Field Recordings Nouveau California (12.1% ABV, 100% Pinot Noir) had lean, uplifting nose of fresh fruit, but less fruity than typical Nouveau, nothing grapey. On the palate, unmistakably Californian, touch of smoke with fresh plums and a bit of mint. Good acidity, more round than a typical French Nouveau version, perfectly drinkable. 8+. Outstanding, in a word. Would happily drink it again any day.
Remember I told you this was one of the days when things are just happening? I have a good number of bottles in the cellar, but absolute majority of the bottles are in the single amounts – just one bottle of particular wine from particular vintage, and that’s it. Thus sometimes, I spend good 20 minutes trying to select a bottle (in the fear of missing on what it can evolve into) and end up pouring myself a splash of Scotch instead. But yesterday, I had enough courage to grab a bottle of the wine which might be the only bottle in the US – unless someone also has good friends in Switzerland.
This wine was made by the family producer in Vaud region in Switzerland, Henri Cruchon, who I had pleasure meeting about 6 years ago. What makes it special is that this wine, called Nihilo, is not filtered, made from organic grapes, and doesn’t have any added sulfites. To preserve the wine better, the cork is covered in wax. And to be entirely correct, the wine goes beyond organic, as the back label sports Demeter logo, which means that the winery is certified biodynamic.
It is great to know that the wine is non-filtered and organic – but the ultimate verdict is in the glass. This 2015 Henri Cruchon Nihilo La Côte AOC Switzerland (13.5% ABV, blend of Pinot Noir, Gamay and Gamaret) had a spectacular nose, very complex – iodine, anise, crunchy cherries, mint. The palate was equally spectacular with sweet cherries, pepper, roasted notes, peppermint, crispy, fresh blackberries – once you start, you can’t stop. 8+/9-, outstanding wine.
And then there was 1998 Patrick Lesec Gevrey-Chambertin Vieilles Vignes (13% ABV) – an 18 years old Burgundy wine, as Pinot Noir as it can be.
18 years shouldn’t be an age for Burgundy, but I still was a bit concerned. Decided to decant the wine, to avoid sediment and let it breathe a bit, for about an hour. I’m clearly abusing the word “spectacular” in this post, but this is what this wine was. Touch of barnyard on the nose, on the palate – gunflint, smokey cherries, roasted meat, lots of herbs – oregano, mint, sage – every sip was a “wow” experience. By the end of the evening, the wine mellowed out and started showing more of the sweet cherries, still perfectly balanced with acidity. A pure treat for sure. Drinkability: 9.
There you have it, my friends. An accidental and hugely enjoyable Pinot Noir deep immersion – from California to Switzerland to France – very different wines holding one common trait – delivering lots and lots of pleasure. Cheers!
Stories of Passion and Pinot: David Nemarnik of Alloro Vineyard
David Nemarnik and Tom Fitzpatrick. Source: Alloro Vineyard
Let’s say you are looking for the site to plant the vineyard of your dreams. After many years of research, you finally find what you were looking for – it should be perfect. And so the site you find is located on Laurel Ridge, and it has Laurelwood soils. Now assume you have an Italian heritage: how would you call your vineyard? What do you think of “Alloro Vineyard”? Alloro is an Italian for “laurel”, so it makes perfect sense, doesn’t it?
For sure it did for David Nemarnik, who was born into a Croatian – Italian family, and he was the one who started looking for the good vineyard site in Oregon in the late 1980s and finally purchased one in 1999 – and yes, named it Alloro Vineyard. First Pinot Noir vines were planted in 1999, and the first vintage was 2002. In addition to the Pinot Noir, the varietal line-up today also includes Chardonnay and Riesling.
Alloro Vineyard is a lot more than just a vineyard. Actually, the vineyard occupies only 33 acres out of the 80 acres estate, and the whole estate is a full-blown farm, with cattle, sheep, chicken and gardens. Altogether, it became a holistic habitat, where growing grapes and making wines is simply part of the lifestyle, perfectly attuned to David’s family traditions. The vineyard is sustainably farmed, L.I.V.E. certified sustainable and certified Salmon-Safe. To top that off, David installed solar panels on the property, and now generates 100% of the electricity he needs for all the operations.
I had an opportunity to [yes, virtually] sit down with David and ask him a few questions, and here is what transpired from our conversation:
Alloro Winery, Chehalem Mountain AVA, Willamette Valley, Oregon. Source: Alloro Vineyard
TaV: Having Italian roots and memories of winemaking in Italy, have you ever thought of planting some of the Italian varietals? Moreover, Croatia also offers some interesting and unique grapes – how about those?
DN: I grew up with an Italian-American mother and grandmother who were all about family meals, which also always included wine. Not the high-end stuff, we are talking Familia Cribari Red Table Wine. My father was Croatian and born just outside of Triesta Italy. Family visits to my father’s village impressed upon me a lifestyle of artisan food and wine production. There was the home-made prosciutto and sausage, farm raised grain for bread, corn for polenta, and of course wine and grappa.
I love Nebbiolo and the wonderful Barolo and Babaresco wines of Piedmonte. If I were to plant an Italian varietal it would be Nebbiolo. I was recently in Piedmonte and observed the grapes were at about the same stage of development as our own Pinot Noir vineyard here in Oregon. It would be fun to put in an acre or two. Learning and trying new things is part of what keeps this winegrowing business fun!
TaV: Why Riesling? This is not a very common grape for Oregon – how did you decide to plant Riesling? In a blind tasting with German, Alsatian, Finger Lakes and Australian Riesling, where do you think people would most likely place your Riesling?
DN: Years ago in the mid-nineties I was making wine in my garage for family and friends. This was mostly Cabernet and Zinfandel. A friend of mine who was making wine in his apartment bedroom closet finally was given an ultimatum from his wife that led him to join me in my garage. He turned me on to Riesling. I really like Riesling’s versatility, dry, off dry, and sweet. So it was a natural to plant my own Riesling and make an estate wine.
TaV: Any expansion plans for the vineyards? May be some new grapes outside of Pinot Noir and Chardonnay?
DN: Well we recently planted a new 5 acre block that is mostly Chardonnay with the balance Pinot noir. I planted this on the east side of the road for a different exposure and aspect. We also have our Riesling and a small block of Muscat. So we currently have 33 acres planted out of 130 acres total. I’m sure at some point I’ll plant more grapes, perhaps that small block of Nebbiolo.
TaV: You produced your first vintage in 2002, so starting from that year, what was your most difficult vintage for Pinot Noir and why?
DN: The most difficult vintage for me was 2011. 2011 was the coolest year with the least amount of heat units since I started farming grapes in 1999. Bud break and bloom were 3-4 weeks later than our average year. We had a very cool summer and by early October we still had not fully completed veraison and were worried the fruit would not have time to ripen sufficiently. We did everything we could, thinned to one cluster, pulled leaves on both sides, and prayed. Thankfully we had an incredible October with dry and sunny weather. In the end, we made some really nice wine.
Source: Alloro Vineyard
Terrazza view. Source: Alloro Vineyard
TaV: Continuing the previous question , what was your most favorite vintage and why
DN: My favorite vintage in the cellar is our 2010. What started off as a cool growing year transitioned to a mostly dry summer with mild temperatures leading to great conditions during that critical month of ripening prior to harvest. The wines are elegant and complex with a wonderful balance of red and dark fruit.
TaV: You operate not just a vineyard, but also a farm , a whole habitat with lots of things happening. I’m sure you had plenty of funny stories over the years – do you care to share some of them?
DN: Yes, Alloro is really a sustainable whole farm that includes raising hay for our cattle and sheep, as well as an extensive garden, hazelnuts, and numerous fruit trees. We compost manure from our cattle barn that is then spread on our fields as a natural fertilizer. We have a strong food culture that I would say is aligned with the Slow Food and Locavore folks.
One funny story has us picking strawberries in the garden. My chocolate lab named Abby disappears for a while and then returns with my neighbor’s Chinese runner duck in her mouth. The duck with its long neck sticking out of Abby’s mouth seems perfectly calm as she proudly brings me the duck. I carefully take the duck back to her owner’s pen…it never happened…
TaV: I’m assuming you produce your top of the line “Justina” Pinot Noir only in the best years – how many times have you produced it so far?
DN: Our Justina is a very special barrel selection. Although a blend of multiple barrels, it is a barrel equivalent (or 25 cases). Before any other barrel selections are made, we comb through every barrel looking for the very best of the vintage. Within the context of the vintage, our Justina has the most weight; the broadest, densest, finest, and most persistent texture; the most complex aromas; and typically a higher percentage of new oak. We have produced this wine every year since 2010.
TaV: You get all your power from the solar energy. Was the winery designed like that from the very beginning, or did you install solar panels at some point later on?
DN: The winery was completed in time for our 2003 vintage. The solar panels were installed in 2008 as part of the Oregon Business Energy Tax System program. Our goal was to invest in a green sustainable energy source.
TaV: Which are more difficult to tend for – the vines or your farm animals?
DN: Oh, by FAR the vines!!
TaV: You produce White, Rosé, Red and Dessert wines. The only one which is missing is Sparkling wines. Any plans to produce your own sparkling wines?
DN: Possibly, if we were to add one new wine to our lineup, this would be it. We love bubbles!
TaV: When you are not drinking your own wines, what are your favorites from Oregon or around the world, both for whites and the reds?
DN: To be honest, I wish I spent more time visiting and tasting the many well made wines produced here in our state. When I go to industry tastings I am always amazed at the overall quality. I am really excited about Oregon Chardonnay and what seems to be an explosion of well made sparkling wines. Outside of Oregon, I am a Barolo and Barbaresco fan.
Of course our conversation would be incomplete without tasting David’s wine. I had an opportunity to try his estate Pinot Noir and here are the notes:
2014 Alloro Vineyard Pinot Noir Estate Chehalem Mountains Oregon (14.1% ABV, $35)
C: dark Ruby
N: earthy smoky plums with licorice, open, medium intensity
P: sweet red fruit, licorice, touch of sage, espresso and mocca, excellent acidity, nice “meaty” undertones, medium long finish
V: 8, the wine has a lot of finesse, nice Burgundian style. Will evolve.
Source: Alloro Vineyard
Believe it or not, but our Passion and Pinot journey is almost over. 6 winemakers, 6 stories of Passion – and Pinot, of course. I’m not saying good bye yet – Oregon is one of the hottest winemaking areas today in the USA, and with lots happening, I want to take another look at what we learned here and what might lay ahead. So I’m finishing the post with the rhetorical “stay tuned”… Is it Pinot time yet? Cheers!
To be continued…
P.S. This post is a part of the “Stories of Passion and Pinot” series <- click the link for more stories.
One on One with Winemaker: Steve Lutz of Lenné Estate
Steve Lutz. Source: Lenné Estate
For many years, I was trying to start my garden. Every year I would order my tomato plants, some peppers, and some herbs, plant them and then meticulously make sure to water them on the regular basis and hope for the best. Every year my reward would be a nice rosemary and sage (basil would always die) and maybe 10 mediocre tomatoes from 8 or so plants.
This was the story until this year, when I built raised beds, got a perfect top soil, premixed with all the proper organic fertilizers, planted tomatoes and lots more, and still collect (it is October now) a nice daily harvest of tomatoes, eggplants, and cucumbers. The soil is the king, you know – that rich, soft, almost greasy dark goodness of the good dirt.
Don’t worry, this post is not about me and not about my amateur gardening escapades. Talking about wine, do you think the soil is important? Would you want the best possible soil for your vines, the richest and the most nutritious? Or would you believe that someone would purposefully choose the plot with the poorest possible soil, and plant there the vineyard of their dreams? Enters Steve Lutz, who did exactly that.
In the year 2000, after searching for the perfect vineyard site for 8 months, Steve Lutz climbed a steep hill on the outskirts of the town of Yamhill in Northern Oregon, and after an hour of negotiations became an owner of the plot where Lenné vineyard was planted. The chosen site had peavine soil, which is not all that rich in the nutrients. Couple that with the steep slope and no irrigation, and you got the ideal farming conditions, right?
In 2001, 11 acres of Pinot Noir vines were planted, consisting of 3 blocks (one Pinot Noir clone per block). In the first year, Steve lost 35% of his plantings. In 2003, the additional 2.5 acres were planted, only to lose practically all of it to the record heat in the same year. It was only in 2007 that Steve was able to harvest enough fruit to vinify individual Pinot Noir clones. Also in 2007, Steve opened the tasting room, and the rest of it is a history which you can read for yourself on Lenné Estate web site.
Source: Lenné Estate
I had an opportunity to [virtually, of course] sit down with Steve and ask him a few questions – here is what came out of our conversation:
TaV: Before you purchased that parcel of land that became Lenné, what made you believe that that soil can produce great Pinot Noir wines?
SL: All great soils for growing grapes have low nutrient value that limits the vines vigor. The soil type I am on is classified as the poorest Ag soil in Yamhill County. I knew the shallow, low nutrient, sedimentary soil would produce smaller clusters and berries with more concentration.
TaV: It took you about 6 years (from 2001 to 2007) to get to any level of commercial success. How many times (if ever) you were ready to declare the project to be a failure?
SL: Well there was too much sweat equity and personal money involved to turn back, but after we planted a 2.5 acre block in 2003 (one of the hottest springs ever) and lost all of it, we came close.
TaV: The soil at Lenné sounds it can produce some other interesting wines – have you thought about planting grapes other than Pinot Noir, let’s say Syrah?
SL: Well, we have grafted some Pinot to Chardonnay and have thought about grafting a little over to Gewurztraminer. The issue is that you can’t do much because it isn’t economically viable. We do have a neighbor that grows syrah which I find interesting but it’s a little like swimming upstream; cool weather Syrah is fascinating with bottle age but a hard sell young.
TaV: Outside of your own wines, what is your most favorite wine what you ever tasted?
SL: Well, years ago I had all the DRC wines about a half a dozen times and those would have to be my favorites.
TaV: Looking at the names of your wines, I’m assuming Jill’s 115 and Eleanor’s 114 are named after your daughters?
SL: No, Jill is my mother in law who lives in England and Eleanor is named after my late mother. We also have a wine called Karen’s Pommard named after my wife.
TaV: Along the same lines, I’m sure there should be a story behind the name of “Kill Hill”?
SL: Yes, that is the most shallow, stressed soil in the vineyard and we had many dead vines when we planted there in spite of burning out a clutch on a tractor trying to keep them watered the first year. I always referred to it as “kill hill” because of all the mortality. When we finally got it established I decided to blend the two clones there (114 and 667) and call it “Kill Hill.”
Source: Lenné Estate
TaV: You are teaching a class for the wine consumers on Dundee Hills and Yamhill-Carlton District soils, Red and Black, which includes blind tasting. How often do your students identify the wines correctly to the type of soil?
SL: Probably about 70% of the time.
TaV: Do you plan to expand the vineyard in the future?
SL: No, we have planted most of which is plantable.
TaV: If you are to expand the vineyard, would you ever consider planting white grapes, such as Pinot Gris or Chardonnay?
SL: Refer to above.
TaV: I understand that you are using low intervention, dry farming. Do you have any plans to obtain any certifications, such as LIVE, or maybe even going all the way into biodynamics?
SL: We are looking at the LIVE program right and I have thought about experimenting with biodynamics though I think some of the practices are more about marketing than having anything to do with good farming practices.
TaV: I’m really curious about particular significance of “11 months in oak” which seems all of your wines are going through. Why exactly 11 months? Do you ever change the duration of time the wine spends in oak based on the qualities of the particular vintage?
SL: No, not really. The practice is based partially on practicality in that we like to get the wines out of the barrel before harvest. But having said that my philosophy is to get the wines in the bottle as intact as possible. Letting them sit in oak for extended periods of time leads to oxidation. Pinot is very sensitive to oxidation and I would rather put it in the bottle with as much of a reflection of the vineyard as possible and let what happens in the bottle happen. Some vintages could benefit in terms of mouthfeel with extended barrel aging, but they will get that in the bottle and have less oxidation than if you gave them extended barrel age.
TaV: If you would have an opportunity to “do over”, would you choose any other location for your winery, or may be more generally, what would you do differently?
SL: I would do a lot of things differently in terms of the way we started, attention to detail in terms of farming the first year. We were in such a hurry to put the plants in the ground that we didn’t have our farming practices completely dialed in with the right equipment. As far as the site I can honestly say there is not another 21 acre site in Oregon that I would even think about trading my site for. The one thing we got completely right was finding the site.
Time to taste some wine, isn’t it? I had an opportunity to taste Steve’s basic Pinot Noir, and I can tell you that left on the kitchen table, the bottle was gone in no time. Here are my notes:
2014 Lenné Pinot Noir Willamette Valley (14.2% ABV, $38)
C: Garnet
N: Smoke, lavender, ripe blackberries, medium intensity
P: tart cherries, fresh, vibrant acidity, firm tannins and firm structure, earthiness, excellent balance
V: 8-, very good wine, food friendly, will evolve with time
Here you are, my friends – another story of Passion and Pinot – now it is all about the soil and believing in yourself. We are not done yet, so until the next time – cheers!
To be continued…
P.S. This post is a part of the “Stories of Passion and Pinot” series <- click the link for more stories.
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