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Daily Glass: Winning and Learning
Sometimes you win, and sometimes you learn.
You never lose – learning is the opposite of winning – I think this is a better approach to life, would you agree?
I love aging my wines. The popular wine press tells people that 95% of the wines in this world are meant to be consumed shortly after purchasing. “Absolute majority of the wine is not meant to be aged,” the message says. I don’t want to obnoxiously invalidate all the expert opinions, but the subject of wine aging is a lot more complicated than the simple statement portrays.
Lots of factors play a role. The wine itself is probably the most critical factor. White wines generally don’t age too well. To be more precise, percentage-wise, a lesser number of white wines can age well compared to red wines. But this doesn’t mean that all red wines age well. For example, red Cotes du Rhone typically don’t age for longer than 4-5 years.
I wish there was an easy method to tell us, wine lovers, that “this wine will age for 30 years”, but “this one got only 10 more left”. There is no such method, however, so we need to rely primarily on our experiences. I’m not trying to disqualify all of the wonderful advice we receive from the wine critic and publications – but it would be rare to receive an aging recommendation there unless the wine is deemed of a “collector” level – which pretty much means that it will not be really affordable.
At this point, you might wonder why is all this commotion with the aging of the wines. Simple. Wine is a living thing. The evolution of the wine continues in the bottle. It is a general hope that wine can improve with time, evolve, become more complex and multidimensional.But the wine can’t evolve forever – at some point it starts “turning”, losing its delicious, attractive qualities.
It is important that the wine drinker can appreciate the beauty of the aged wine – it is not for everyone. I don’t mean it in any disrespectful way – this is simply a matter of taste. One of my most favorite examples is the blind tasting of a few Champagnes which took place during Windows on the World wine classes. After blind tasting 4 Champagnes, the group was asked to vote for their favorite Champagne. Champagne #4 got almost no votes, it was clearly the least favorite of the group of 100+ people. While revealing the wines, Kevin Zraly, our wine teacher, said “and this is why, people, you should not drink vintage Champagne”. Bottle #4 was Dom Perignon – if people would see the label before voting, you know how that would work (”drink up, honey, it is French”). And Vintage Champagne is nothing more than just an aged wine. It is just a matter of taste. The same story goes for food. For example – I love fresh oysters, and I have friends who wouldn’t put an oyster into their mouth even if this will be required to save their own life. Just a matter of taste.
But for those of us who like aged wines, that elusive quest becomes an obsession. I love the Italian term “vino da meditazione”, which applies to the wines which make conversation stop upon the first sip, and puts the whole group of oenophiles into a quiet, self-reflective state. The silence at the table becomes not deafening, but instead a very comfortable one. The silence nobody wants to break.
Okay, such amazing encounters are possible but truly rare. But the pleasure of drinking the well-aged wine is real, and this is what we are seeking. And as we don’t have the scientific method of predicting the peak of enjoyment for a given wine, we have to rely on our own experience. Which takes us back to winning and learning. When we experienced well-aged wine, we clearly won. And when the wine with age doesn’t deliver the pleasure, this is where we learn.
It is not so binary, of course. The point is that no matter what happened, we learn something. When you taste a random but amazing $10 bottle of California red blend (Toasted Head) with 15 years of age on, you learn that inexpensive wines can age too. When you taste 2002 Barolo (Fontanafredda) 10 years after release, and you see that the vintage chart declares this vintage as literally horrible, but the wine tastes good, you learn that the producer matters more than the vintage. When you taste two bottles from the same producer and the same vintage, but you love one of them and can’t stand another, you learn that bottle variation is real and that you have to always manage your expectations.
This whole rambling about winning, learning and aging was prompted by a few wines I opened last week.
First, the learning part. 12 years ago we did the Pinot Noir blind tasting with friends, with a very unexpected outcome – 2008 Hamilton Russell Pinot Noir from South Africa was the best wine in that blind tasting. I loved the wine so much that I went and got a bottle to keep. Over the years, I made many attempts on the life of this bottle, until the last weekend I decided to share it with a friend. Upon opening the wine was reminiscent of the good Burgundy, with the nose offering some plums, iodine, and smoke. But the wine quickly succumbed to the tertiary aromas of dry herbs and maybe a hint of dried fruit, and while my friend really loved it, this was a complete loss learning in my book.
Then another friend was stopping shortly after his birthday. He always liked the wines, but recently started getting really “more into it”. He was stopping by for the dinner, and when we were talking about wines a few days prior, he mentioned that he started liking the Brunello and Amarone wines. There is no happier moment for the oenophile than to learn what the guest desires to drink – the cellar is instantly paraded in the search for the best and the most appropriate bottle.
I don’t know how I came into possession of the 2008 Altesino Brunello di Montalcino Montosoli, I can only guess I got it as a present. This single vineyard Brunello di Montalcino was absolutely spectacular – beautiful cherries on the palate – not the fresh and crunchy ones, but more subdued, more elegant, eloped in the sage and other herbal aromatics. The wine was spectacular when we opened it, and when I finished the last drop 2 days later (wine was kept in the bottle with the air pumped out), I had a clear feeling of regret as the wine was not gone, but instead was still fresh and even more complex, with a promise of becoming the Vini da meditations in 10 years, same the 1999 Soldera had become for us – alas, I don’t have another bottle…
And then my pet peeve – you know how much I love Amarone. I got a few bottles of the 2006 Trabucchi d’Illasi Amarone della Valpolicella from WTSO 7 years ago. This was my last bottle, and boy it didn’t disappoint. It was absolutely beautiful in its finesse and impeccable balance all the way through. Dried fruit on the nose, powerful, well-structured wine on the palate, with more of the dried fruit, cherries, plums and herbs, and with good acidity, perfect balance and delicious bitter finish. It is not for nothing Amarone means Great Bitter – and there was this pleasant bitterness on the finish, something hard to find in most of the Amarone wines.
Here you are, my friends, my story of winning and learning. Three aged wines, two of them delicious, two that could age for far longer (learning!). One learning experience – but who knows, maybe it was only that particular bottle. Moving on.
What did you win and learn lately?
Re-post: Best Hidden Secrets of The Wine World: Wines of South Africa
During 2011 I wrote a number of posts for the project called The Art Of Life Magazine – of course talking about my favorite subject, wine. The project closed, but I still like the posts I wrote, so I decided to re-post them in this blog. Also, in that project, posts were grouped into mini-series, such as “Best Hidden Secrets” you see here – I will continue re-posting them from time to time.
Also note that the series was written for a slightly different audience – I hope none of my readers will take offense in the fact that sometimes I’m stating the obvious…
Continuing the subject of “secrets” of the wine world (you might remember our past conversations about Rioja, Second Labels, Georgian Wines and more), let’s talk about wines of South Africa. If you are asking why South African wines should be considered a “hidden secrets”, please read below.
As one would rightfully expect, history of South African wines is tightly intertwined with history of South Africa as a country. Winemaking in South Africa started in 17th century, and for the long time, South Africa was making dessert wines, some of them still famous, like Constantia. Most of the wines were exported into United Kingdom. Similar to the most of the winemaking world, South Africa experienced Phylloxera epidemic in the 19th century, and lots of vines had to be replanted. The 20th century was marked by the political issues – as apartheid was a bad problem for the South Africa, the institute of wine regulations by KWV also became a limitation for the wine industry. Combination of the KWV restrictions with boycott of the South African goods, including wines, as a means to fight apartheid regime, lead to South African wines staying largely non-existent for the wine lovers around the world. With collapse of apartheid the situation changed, and then KWV monopoly was also broken, which lead to the great advances in the South African wine making. If you want to read more about the history of
A number of different grapes are used in winemaking in South Africa. First we need to mention Chenin Blanc, which is still one the major white grapes used in wine production (it is also known locally under the name of Steen). Similar to the Loire valley, where Chenin Blanc is shining, it makes whole range of wines in South Africa, starting from very dry and acidic, and going all the way up to the dessert wines. Next we need to mentioned Pinotage, which is unique grape, produced and cultivated only in South Africa. Pinotage is a cross between Cinsault and Pinot Noir grapes, and has a number of strange characteristics, such as being reminiscent of liquefied rusty nails in the glass. Then whole bunch of international varietals are also planted (amount of those plantings is increasing), and it includes Chardonnay, Cabernet Sauvignon, Shiraz and many others.
So why are we placing South African wines into the “secrets” category? Once you will try [good] wines from South Africa, chances are you will be blown away. It is important to note that South African wines are new world wines masquerading as an old world – which makes blind tasting with South African wines very challenging.
As our tradition goes, let’s open a bottle or two, and let’s talk about the wines. First, 2008 Hamilton Russell Pinot Noir. This wine is simply amazing – very restrained and polished, with beautiful restrained fruit, lots of smokiness and earthiness on the palate. This wine shows off as a classic Burgundy, and only when you look at the label you experience almost a shock – this wine is from South Africa, last place one would expect to produce classy Burgundy (you can read about our blind tasting experience here).
Then comes 2007 Thelema Chardonnay, again, very reminiscent of beloved White Burgundy – restrained, with balanced fruit, hint of butter and vanilla on the palate and good tannins – very elegant.
Last I would like to mention 2003 Cirrus wine – a predominantly Shiraz ( 96%) with addition of small amount of Viognier (4%). On the palate, this wine mostly represents liquid smoke, but it really comes alive in a glass, with excellent tannins, toned down fruit and perfect acidity, well balanced.
I don’t know if I manage to convince you in the “secrets” status of South African wines. But if you will think about it, either way you have to find a bottle of South African wine – to either agree or disagree with me. Look for the one we talked about here – and judge it for yourself. Cheers!