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Starfield Vineyards: Delicious Wines, Passion, and a Dash of Astronomy

November 4, 2026 Leave a comment

Do you know what happens when you combine the passion for astronomy, photography, and winemaking together? It is not a trick question. And this question has a simple answer.

Tasty wine.

Let’s start with the Astronomy.

Father and son duo, Tom and Rob Sinton, believe that not only is the location of the vineyard very important (of course), but the exposure to the stars makes it extra special (hence the name of the vineyard, Starfield). Okay, it is not just stars, even though it is easier to observe them from a high mountain elevation, such as the one where Starfield vineyards are located in the Sierra Nevada Mountains in California. In addition to stars looking down at the vineyards, the vineyards are also surrounded by a large assortment of pine trees. High elevation allows for more oil to permeate the leaves, the bark, and the grape skins themselves, imparting more spice and flavor.

Next, the Photography.

You know that legends warn you about looking directly at the sun (you can lose your sight). And if you ever tried to look directly at the sun with an unprotected eye, the experience becomes too painful too quickly. But you still can, with the help of a special technique in photography called a pinhole camera. And when you are up in the mountains, and you know how to construct a pinhole camera, you can get pictures of the beautiful sun arches, called solargraphs. Next? You can use your solargraph pictures on your wine labels, aligning each unique solargraph with the unique wine in the bottle. Let us get back to the solargraphs in the moment.

Now, let’s talk about the Vineyard…

Let’s remember, the Sierra Nevada Mountains are located in El Dorado, where the gold rush originated, and where the rush might still be strong (I have no idea if the gold can still be found). Considering that Sintons have an affinity for Rhône grape varieties, and taking into account the “rush”, it might not be even surprising that, after extensive research, the Sintons planted 31 acres of grapes, consisting of 17 varieties in twenty-four blocks of roughly 1.5 acres each. Grenache, Syrah, Mourvèdre, Cinsaut, Counoise, Tannat, Grenache Blanc, Marsanne, Roussanne and Viognier make up 66% of the vineyard. Aglianico, Barbera, Fiano and Muscat of Alexandria make up 30% of the vineyard, and the balance consists of Tannat, Tempranillo and Petite Sirah.

We mentioned all the surrounding trees before; to complete the picture of the vineyards, there are a few more things to mention. The Starfield Vineyards has practiced sustainable, fish-friendly farming since 2012. Some patches of the forest are left untouched around the vineyards, and cover crops are allowed to flourish to protect the harmonious habitat, in tune with nature.

And now, the Wines.

First, please take a look at the labels. I got a set of 8 samples, 5 reds and 3 whites, and as you can tell, all the labels are adorned with a picture of a solargraph, and each solargraph is different in its color and shape. I was curious about all the differences, and I had an opportunity to ask Rob Sinton to explain the logic. Here is his reply:

“Each Solargraph is intentionally different. The lower, shallower arcs are reserved for single-varietal wines, while the taller, more expansive arches represent blends, wines that become greater than the sum of their parts. Each image is then colorized to reflect the spirit of the wine itself, a kind of visual synesthesia for flavor and texture.”

Talk about Passion.

In the wine world, passion has no limits. When visiting the winery, you often hear about the soil. Sometimes, you can see the soil, or, rather, soils, on various displays. But getting samples, maybe there was one time when I got some soil samples with the wines. With the samples from Starfield Vineyards, I got tubes with two samples of soil from two different plots, as well as the sample of the Sierra Spice (as Tom and Rob call it) mountain air with the needles of Ponderosa Pine, Incense Cedar, and Douglas Fir. I used that tube when tasting the wines, and it definitely helped to better understand what you are tasting.

And take a look at the wines themselves. Every year Starfield Vineyards produces 20-25 different wines, including Sparkling, Rosé, and dessert wines. The majority of the wines I tasted were single-grape (or almost single-grape). What is interesting is that Sintons represented Mediterranean varieties so well that they, for example, are one of the very few, if not the only winery (in the world!) that produces single-grape Counoise. They had some wine professional in training for sommelier positions and such reach out to them specifically to taste that wine, as that was the only opportunity to taste single-grape Counoise.

And now it is time to talk about the actual wines. I had an opportunity to taste a number of the new release wines from Starfield Vineyards, and the wines were literally one better than another:

2024 Starfield Vineyards Viognier El Dorado (13.7% ABV, SRP $36; 275 cases made; 93% Viognier, 5% Roussanne, 2% Marsanne)
Straw pale
Beautifully perfumy nose, white stone fruit
A touch of peach, spicy undertones, hint of honeysuckle, delicious.
8

2024 Starfield Vineyards Marsanne El Dorado (12.9% ABV, $36; 72 cases; 95% Marsanne, 5% Roussanne)
Straw pale
Muted nose with a distant hint of white fruit and minerality
A couple of days after opening, the wine developed a characteristic Marsanne plumpness, elevated by acidity. Still sufficiently light, but texturally present wine.
8, will be great with food, let’s say some creamy chicken dish.

2024 Starfield Vineyards Hope Rising El Dorado (13.4% ABV, $36; 181 cases; 45% Marsanne, 45% Roussanne, 10% Viognier)
Straw pale
Very interesting. After smelling the tube (very intense), the wine exhibits very similar profile, only a bit more delicate – but still similar aromatics of Douglas fir, pine and cedar. Wow.
Beautiful palate, tropical fruit with a touch of butter and plumpness of Marsanne/Roussanne, and a hint of viognier spiciness. Excellent.
8+

2022 Starfield Vineyards Mourvèdre El Dorado (14.3% ABV, $42; 342 cases; 99% Mourvèdre, 1% Roussanne)
Dark garnet
Beautiful nose of fresh succulent fruit, wild berries, eucalyptus
Generous, luscious, layered, dark dusty fruit, perfect balance, hint of tobacco, medium finish
8+, beautiful even on the day 4

2022 Starfield Vineyards Miner’s Inch El Dorado (14.2% ABV, $38; 208 cases made; 30% Grenache, 17% Aglianico, 14% Tempranillo, 14% Petite Sirah, 9% Mourvèdre, 9% Cinsaut, 4% Roussanne)
Dark Garnet
Cherries and cedar on the nose
Cherries, a touch of tobacco, earthy minerally undertones, well integrated tannins, perfect acidity, perfect balance. Will age very well.
8+, excellent

2022 Starfield Vineyards Counoise El Dorado (13.4% ABV, $38; 95 cases; 95% Counoise, 5% Grenache)
Dark ruby
Earthy, minerally nose with fresh berries, crisp, inviting
Fresh berries, tangy, medium to full body, pleasantly gripping tannins deliver an excellent depth to perceivably light wine. Good acidity, excellent balance, long minerally driven finish.
8/8+, outstanding. Food friendly, even food demanding wine. Makes me think of savory rack of lamb.

2023 Starfield Vineyards Grenache El Dorado (14.1% ABV, $42; 378 cases; 100% Grenache)
Dusty Ruby, probably the lightest Grenache I ever saw
Minerality, earth, a touch of iodine, cherries and a hint of oregano
Underripe, greenish fruit, lean, tart with sweet cherries coming through as an undertone.
7+, this wine is built for aging.

2023 Starfield Vineyards Cinsault El Dorado (13.3% ABV, $38; 461 cases; 95% Cinsaut, 5% Grenache).
Ruby
Tart fresh berries, rocks and underbrush, may be a touch of tobacco
Fresh raspberries, tart cherries, a touch of smoke, crisp, light, acidic
8-, a food wine, also should age well

There you are, my friends. Astronomy, photography, passion, delicious wines.

Follow your passion. It will lead you to happiness.

The Art of Living: Gouveia Vineyards in Connecticut

November 3, 2026 Leave a comment

The art of living.

Joie de vivre.

We are so entrenched in our infinitely accelerating lives (or at least so it seems) that we forget to live. We forget to enjoy those little simple moments that actually make life worth living.

The daily grind. Work, kids, worries, joys, celebrations and disappointments. Often one after another at a breakneck speed. All equally important. But you know what else is important? The ability to enjoy the moment. Enjoy it by yourself. Enjoy it with the family. Enjoy it with the friends.

Slow down. Look around and see, it is really important not just to look but to actually see. See, process, and appreciate what you see, appreciate what you have. A beautiful sky. A glimpse of color not too far away. The sound of a bee. A friend’s smile. Time grinding to a halt. Capture that moment and treasure it. This is what the art of living is all about. Treasure the moment.

The vineyard is a perfect place to experience the art of living. Tranquility of the rows of vines, the air, sometimes still and quiet, the colors. The vineyard is a perfect place – especially when someone can make it such a perfect place.

Gouveia Vineyards in Wallingford, in central Connecticut, was a product of imagination and a bit of obsession of Joe Gouveia. Born in a rural village in Portugal, Joe came to the US with his family at the age of fifteen. When later on he discovered the hilly terrain in Wallingford, a dream was born, and the dream became a reality in the form of the Gouveia Vineyards winery in 1999.

Our discovery of Gouveia Vineyards was simply a matter of chance. The weather was great over the past weekend, so our main plan was to hike at the Sleeping Giant State Park in Hamden, Connecticut. A few days prior, I stopped by the Murray Cheese store at Grand Central Market in New York’s Grand Central Terminal and picked up a few interesting cheeses. I’m sure you already see a connection, right? You say cheese, and I say wine! Cheese needs wine, therefore, let’s look for a winery to enjoy cheese with wine and company!

A quick search for wineries in close proximity to the Sleeping Giant Park brought back the name Gouveia, about a 20-minute drive. I checked the website, and I really liked what I saw. No, not just the wines, even though the selection looked good. But even better, the FAQ section had two answers which were literally a balm for my soul. First, it said, “Food is welcome! Please bring your food”. And then it also said, “we have tables, but if you want to bring your own chair in case we get busy, you are welcome to do so”.

Let me explain the significance of these two answers (a mini-rant is incoming).

I understand that the winery is a business. I understand that a winery has to make money. But it is also important to make your customers happy, without looking for an opportunity to milk them at every possible occasion. We used to go to Paumanok Winery on Long Island. We would bring our food (sandwiches, cheeses, etc.), find a table, and spend the next 2-3 hours slowly enjoying wine and the company of each other. We did it year after year, until people at Paumanok got simply greedy. We were told all of a sudden, “No, you can’t bring food; you have to buy food”. So we said fine, let’s buy food. I remember we ordered a truffle mousse pâté, which was $11. Next, we received a plate with truffle mousse pâté from Trader Joe ($3.99 at that time), served directly in the plastic container (they removed the wrap, wow!) with a few crackers, I think also directly from Trader Joe’s. Look, Paumanok makes good wine and is free to run business whatever way they want, but this was the last time we set foot at that winery.

This is why when I saw that food is welcome and we don’t even need to reserve a table, I was very happy. Whether the wines were good or bad was not even relevant anymore.

As we arrived at the winery, looking at the number of parked cars, my first thought was “ohhh, we really are going to use our lawn chairs…”. And I was wrong! There were a lot of people there, but there were even more tables! We had no problems finding a table literally 20 feet from the first row of the vines. The next 2 hours (or more; I was really ignoring time) were literally a dream – slowly sipping the wine, taking little bites of food, talking or enjoying the silence… The time has stopped…



Gouveia Vineyards had 11 white wines, 7 red wines, and 2 dessert wines available for tasting. We took 2 tasting flights of 5 wines (each tasting flight is $20) to try 5 white and 5 red wines. Letting the wine snob speak for a second, I have to say that I was surprised, as literally all 10 wines we tried were well drinkable. If you will look at my notes from the tour of Connecticut vineyards about 12 years ago, you will understand that 10 out of 10 is quite a fit.
To give you a quick rundown of what we tried:
White wines:
Steel-aged Chardonnay – very good, apples, Meyer lemon, a touch of vanilla.
Sauvignon Blanc – excellent, lemon-forward, with tropical fruit undertones, crisp and fresh, more of the Loire style than a New World style.
Dry Rosé – very nice as well, with some onion peel and a touch of cranberries
Seyval Blanc – very much on point, a touch of tropical fruit with a clean finish
Muscat – again, a typical, varietally correct Muscat with some residual sweetness but well balanced.
Red wines were at least equally impressive, if not even more:
Cabernet Franc – this was my personal favorite out of 10 wines we tried. This Cabernet Franc was textbook Loire version, with cassis and bell peppers, perfectly balanced and simply reminding how good old-world Cabernet Franc can be.
Merlot had some cherries, maybe a hint of cassis, dark, firmly structured.
Stone House Red boasted fresh berries, light and playful.
Vinho Tinto, clearly a nod to Joe’s birthplace. The wine was restrained, tight, and firmly structured.
Semi-sweet Sunset Red was open, inviting, and an easy drink.

I was so focused on having a good time that I forgot my responsibilities as a blogger… I didn’t take any pictures of wine and food, tasting flights, or the winery itself. But I took plenty of fascinating pictures of the vine leaves, some of them boasting bright autumn colors.











Joe had a vision of Gouveia Vineyards as the place where people can get together and enjoy their lives – I think this mission was accomplished perfectly.

Next time you are looking for a winery to visit for a good glass of wine and The Art of Living experience, please include Gouveia Vineyards in your short list.

Art of living.

Enjoy the little moments that comprise life.

Beauty is Everywhere: Fall Colors 2026

November 2, 2026 1 comment

It is still here. I took a drive today on the Merritt Parkway in Connecticut, one of the most beautiful highways in the US, and I enjoyed that drive immensely. A full display of all shades of yellow with red, orange, and light brown painted all over it.

Every year, these autumn colors are different in their intensity and timing, often affected by one’s mood, but we will leave mood out of it. This year we were blessed with a long, slow, and exuberant display. Thank you, Mother Nature!

As you might remember, this blog is about wine, food, and life. Today, we are not talking about wine or food. It is all about life in its full beauty.

These “Fall Colors” posts are very traditional on this blog. I love photography almost as much as I love wine, so I take every opportunity to inundate you with as many pictures as I possibly can, especially when it comes to the beautiful display of leaves. If you are curious, here you can find past fall colors posts: 2012, 2013, 2015, 2018, 2021, 2023, and 2024.

Sometimes, I just walk around my neighbourhood. Sometimes, the colors come from short trips around New England, New York, and more. The 2026 display comes from the 2 trips we took: one in New York and one in Connecticut.

First, we went to a beautiful Chinese garden called Innisfree Garden, located about an hour and a half from Stamford, in the town of Millbrook. We visited the garden a few times in the past, I’m surprised that I never mentioned it on this blog.

Next, if you are in Millbrook, you must visit Wing’s Castle. I wrote about Wing’s Castle before in full detail, so I will not repeat it here, but hey, if you are anywhere near Millbrook, visiting Wing’s Castle is literally mandatory.

Last weekend, we went to the Sleeping Giant State Park in Connecticut, with an excellent hike and magnificent views, and then visited Gouveia Vineyards, but this will be the subject of its own post.

Now, without further ado, it is time for many, many pictures.

First, from our walk in Innisfree Gardens:



















Now, the Wing’s Castle (just for fun, you can compare these pictures with the ones in the blog post I mentioned before):










And finishing up with the pictures from the Sleeping Giant State Park:




Hope you enjoyed the display of colors.

Mother Nature – thank you again!

Of Wine and Image

October 26, 2026 Leave a comment

Let me warn you upfront – I’m not sure what this post will be about. Will probably end up with a loose collection of thoughts, most likely a bunch of random incoherent nonsense. A lame attempt at conscious analysis of the subconscious. So if you got something better to do (I’m sure you have), you can just stop reading it already. If you decide to stay, don’t tell me I didn’t warn you.

Wine is subjective. Hell, wine might be the most subjective product out there. And probably the most discretionary one too. If needed, you can easily live without wine. If you will not have water to drink, you will eventually die. If you will not have food, you will eventually die. If you will not have wine, nothing will happen to you – as long as you have water and food, you will be totally fine without wine. You might be emotionally damaged :), but hey, you will be physically fine.

Love of wine is acquired. We are not born with the love of wine. Sugar – yeah, I guess sweet is one of the very first tastes we recognize and acquire, coming with mother’s milk. Growing up, at some point, wine might become a subject of interest, but there is no rule of life that clearly states “you must love wine”. And I would argue that the love of wine is something we build as an image of in our heads first. As kids, we might read about wine in the books, we might see our parents enjoy it, we might see our parent’s friends enjoy it, and that image of “wine is a good thing” is getting slowly ingrained in our minds, possibly even making into the subconscious level.

We start with wine in a very general way – wine at large is something interesting. Here it is wine as a whole, a concept of a liquid in the bottle, without any regard to the regions, grapes, or producers. Our image here is very simple – a bottle, or a liquid poured from a bottle into a glass. From here on, it is entirely up to us how many details we want to add to this image and how obsessed we are willing to become.

Assuming we are interested in the subject, we begin our knowledge quest. First we learn about countries – “ahh, I had an amazing Italian wine yesterday”, “aha, this wine is from New Zealand? Cool”. Next, we start learning about grapes “Waiter, do you have any Chardonnay here?”, and deepen our knowledge of places, advancing from the countries to the regions “Bordeaux, I only drink wines from Bordeaux”. Continuing our learning, we are diving into producers, vineyards, critics’ scores, and social status values. Now the wine’s image is very rich, and it is easy to lose our way, as the image of wine might easily trumpet the wine itself.

“Wine should give you pleasure”. These are defining words of my wine teacher, Kevin Zraly, that he constantly repeated in the Windows on the World wine school classes. I also love to repeat these words whenever appropriate when talking about wine. By the way, you can laugh if you want, but now, while working on this post, I suddenly realized that “pleasure” here can have double meaning. It can be an actual hedonistic pleasure of drinking the wine in your glass, or it can be a pleasure of ownership, acquiring a rare bottle with the purpose of “collecting”, most probably reselling later for a profit. Nothing wrong with that, but this is not the direction I want to explore right now. So the wine you drink should give you pleasure – please hold that thought, we are going to come back to it in a moment.

We have established that the image of wine is rather complex. Interestingly enough, it doesn’t mean that the wine itself, the liquid in your glass, is complex. When I ask people if they like the wine they are drinking, and they tell me that they don’t know enough about wine to answer that question, I always tell them the same thing – you DO NOT need to know anything about wine to enjoy it. Wine is binary – you either like it or you don’t. And this statement, “wine is binary”, holds true whether you only drink wine twice a year or if you are a master sommelier. The only way to truly assess the wine is to taste blind, ideally when you know nothing about it. Why? Because that image in our head is not innocent. It affects the way we perceive the wine.

Once we learn that the wine in our glass costs $100 per bottle, produced by a famous producer, was impossible to acquire, or that only 1,000 bottles were produced, the image in our head becomes a key factor. Our mind is instantly makes an effort to find the way to enjoy the wine. Not “objectively”, but because the wine with such an image must be good by definition. When Larry Turley was saying that California Cabernet Sauvignon lovers “drink the label”, this is basically what it has subsided to. At this point, we might forget what we have established – “wine is binary”, and “wine should give you pleasure”.

As warned at the beginning of this post, the subject is complicated. Image is very important in the wine world. In order to form an image, we need to learn about the wine – read about it, talk to someone. We learn through the stories. The image is formed through the stories. And what is even more important, wine is sold through the stories. The wine stories are written in the articles, on producer websites, on the bottles’ back labels. I’ve heard many times that millennials and Gen Z are buying the wines with the stories. Stories are important, they build an image, they build an image of the producer, an image of the wine. Many people participate in creation of the stories and an image – winemakers themselves, wine writers, wine critics, sommeliers, and many others. We are good at creating a great image (or a bad image – a glass of Merlot, anyone?). Only now we might be overlooking a problem – the image might be better than the wine.

Wine is binary.
Wine should give you pleasure.
Would you want a second glass?

Time to tell the truth, right?
While I often think about this exact subject, what provoked this post was a wine tasting I attended last week, all well-known producers. While waiting for the tasting to start, I was talking to fellow wine lovers, and these were the things we talked about – the stories and wines, and how they can mismatch.

There were 9 well-known, well-established, well-regarded producers in the tasting, presenting a total of 32 wines. Out of these 9 producers, I truly enjoyed the wines from two. Then there were literally two more wines from two producers, and there were maybe 7 that were “meh, I can drink it”. The rest of them, simply put, didn’t give me any pleasure. Two of the Allegrini Amarone wines were all about oak, with the winemaker boasting about keeping the wine for 45 months in new French oak (I couldn’t hold myself; I asked, “Why???”). Ratti Barolos were made in the traditional way, in large Slavonian oak casks, and they were simply locking my palate with fresh tannins, to the point of losing any senses. Yes, if I decanted those wines for 3, 4, maybe 5 hours, they would probably show better. But this is something you should be willing and prepared to do (meaning – you can’t just open the bottle at the time when your dinner guests have already arrived). Louis M Martini from California: the wines that used to be beautiful and affordable when Louis Martini himself was around have proven again that they have become nothing but soulless, commercial wines, presenting 3 expensive wines none of which were enjoyable.

Look, by no means am I saying these were bad wines. I would use such a term, “bad wine”, only if the wine is spoiled. If the wine is corked, oxidized, has bacterial spoilage – yes, that would be a bad wine, the wine nobody is supposed to drink. The wines such as the ones I mentioned above, I categorize differently: these are not my wines. These wines are not for me. These wines don’t give me pleasure. That’s it. This is as basic as it gets. Remember, wine is binary.

Nothing here is black and white. For example, Allegrini presented 3 wines. Two of the Amarone had way too much oak for my taste, including the 2016 Fieramonte single vineyard, commanding about $250 in retail. But their simple, introductory-level 2023 Allegrini “Palazzo della Torre” Veneto IGT was delicious, fruity, open, layered, and perfectly balanced. 2013 Ratti Marcenasco Barolo DOCG was also almost enjoyable, needing maybe only a few more hours to decant. And I have to mention Non-vintage Pere Ventura Reserva Cava DO, which was a superb sparkling wine, toasty, yeasty, bone dry, and delicious, even disregarding the fact that it would give any Champagne a great run for the money.

I enjoyed everything that was poured by Jermann, an excellent producer from Northern Italy. 2023 Jermann Vintage Tunina Venezia Giulia IGT, 2023 Jermann “W… Dreams” Venezia Giulia IGT, 2025 Jermann Pinot Grigio Friuli DOC, and 2017 Jermann “W… Dreams” Venezia Giulia IGT were all superb, beautifully balanced, and delicious.

The second producer I really enjoyed the wines from was Pahlmeyer from Napa Valley in California. 2023 Pahlmeyer Jayson Chardonnay was round and elegant, harmonious and on point. 2022 Pahlmeyer Jayson Red Blend and 2022 Pahlmeyer Proprietary Red were both round, balanced, and delicious. The 2022 Pahlmeyer Jayson Cabernet Sauvignon was my favorite, with a textbook Cabernet Sauvignon profile of cassis and eucalyptus, elegant and perfectly balanced.

So what is this post all about? It is not a rant per se, this is simply a brain dump of the oenophile who wants to share his love of wine with everybody. Sometimes the image and the wine match, and this is the best you can ask for. And sometimes, they are not. But this is all in your head. You are the one who needs to find out.

There is still more, but if you are still reading this, you deserve some rest and a glass of wine that gives you pleasure. What we didn’t talk about is how The Image affects not only wine lovers – the image also affects the winemakers. Once image, story, reputation are built, the wine has to match. If the winery is associated with an image of exclusive, expensive wine, producing tasty inexpensive wine might be a challenge. In the name of the image, the winemaker has to produce the wine that will match – in price, exclusivity, methods of production, or a critic’s scoring. As I said, you’ve read enough, it is time to wrap up.

To finish this piece, I would like to paraphrase the famous saying “life is too short to drink bad wine”, because as a statement it is simply wrong, in most cases equating “bad” with “inexpensive”. The right way to put it is “life is too short to drink wines you don’t enjoy”.

Life is too short to drink wines that don’t give you pleasure. Don’t listen to anyone who tells you otherwise. Trust your palate. Remember, the stories are what you listen to, but the wine is what you drink. And it is binary.

Wine should give you pleasure.
Go have fun.

One on One wine Winemaker: Kyle Mizuno of Rolling Hills Estate Winery, Champlain Valley

October 20, 2026 Leave a comment

Winemakers are special people.

They are the people who can easily make you happy, sad, puzzled, or excited. All without meeting you in person. All via the liquid in your glass – our beloved wine.

Knowing how the winemaker thinks offers an interesting perspective regarding that liquid in your glass.

And sometimes, you really want to know how they think, especially when the winemaker exchanges Napa Valley for Champlain Valley (not a very famous – yet! – winemaking region in New York), and substitutes Chardonnay with Frontenac Gris and Cabernet Sauvignon with Marquette.

Kyle Mizuno. Source: Rolling Hills Estate Winery

The winemaker I’m talking about is Kyle Mizuno, now of the Rolling Hills Estate Winery fame in the Champlain Valley region of New York.

After I tasted Kyle’s Marquette and estate Rosé, my curiosity piqued, and I had to ask Kyle to answer my questions. Kyle graciously agreed, and here is what transpired in our [virtual] conversation.

[TaV]: How did you get into the wine? When and how have you decided that you want to start making wines? 
[KM]: I studied biochemistry at UC Davis, and a chance conversation at a job fair changed everything. Franciscan Estates needed someone in the laboratory. I took the opportunity and discovered that science was only the beginning. Wine brought together everything I loved about precision, agriculture and the endless possibility of a growing season. I never looked back.

[TaV]: Was there ever a pivotal wine moment in your life? If yes, what was it?
[KM]: Early on, I assumed my career would stay in the laboratory. Aaron Pott, who became a close friend and mentor, saw something I hadn’t yet seen in myself. He told me I was going to be a winemaker. His confidence and guidance pushed me to take that leap, and it changed my life.

[TaV]: You worked side by side with many “wine greats” in Napa Valley. What was the most memorable wine you made in Napa, why and who did you make it with? 
[KM]: My years at Blackbird Vineyards stand out, especially the decade of harvests I shared with Aaron Pott. It’s impossible to single out one bottle. We made wines together that I remain proud of, and each vintage taught me something different about fruit, patience and the decisions that shaped wonderfully finished wines.

[TaV]: Now, from Napa Valley to Champlain Valley in upstate New York – why?
[KM]: Because the wine comes first. After 25 years in Napa, I was drawn to the chance to work with grapes whose full potential is still being discovered, in a region whose reputation is still taking shape. The Champlain Valley of New York offers the opportunity to make international-caliber wines that are decidedly different. It’s rare to find a place where you can apply everything you’ve learned and still be learning something new with every harvest.

Source: Rolling Hills Estate Winery

Source: Rolling Hills Estate Winery

[TaV]: What makes Champlain Valley appellation unique? is there any other appellation around the world you would compare it to? 
[KM]: The Champlain Valley of New York has clay-rich soils, a dynamic growing season and the influence of nearby Lake Champlain. Those conditions help shape wines with vivid fruit, natural freshness and structure. I wouldn’t claim it’s a copy of another appellation. The more interesting question is what Marquette, Petite Pearl, La Crescent and Frontenac Gris can express here that they cannot express anywhere else. And with each vintage, we’re seeing just how remarkable that expression can be.

[TaV]: Do you only use grapes from your own vineyards or do you also get grapes from the local grape growers? 
[KM]: Our estate vineyards are the heart of Rolling Hills and the foundation of our winemaking program. As we continue to develop our vineyards, we’re also committed to supporting the growth of the Champlain Valley of New York as a serious wine-producing region. For us, it always comes back to the quality of the fruit and its potential to produce remarkable wines. We’re learning more with every harvest, and what we’re seeing only reinforces our confidence in what this region can achieve.

[TaV]: Organic/sustainable/biodynamic – do you see any of these directions at the Rolling Hills winery in the future? What is your personal take on these approaches to viticulture? 
[KM]: We use sustainable practices and incorporate certain organic approaches where they make sense for our vineyard and climate. I believe sound viticulture practices start with focusing on the vines and responding to what the season demands, rather than following a label. Our northern growing season exemplified by a narrow harvest window can make the strict biodynamic timing difficult. The priority is healthy vines and wines that exemplify the best expressions of our varietals.

Source: Rolling Hills Estate Winery

[TaV]: Do you have any expansion plans for your vineyards, both in terms of acreage and new grape varieties? Is there any Riesling in the future?
[KM]: Yes. We will be expanding our estate plantings through carefully thought-out phases, while continuing to discover the full expression of our terroir and the wines it can produce. Marquette is our flagship wine, with the depth, structure and character to make wine lovers reconsider what they expect from this region. We see equally exciting potential in Petite Pearl, La Crescent and Frontenac Gris. In fact, Riesling lovers may find a lot to appreciate in our La Crescent and Frontenac Gris, with their expressive fruit, bright acidity and beautiful balance. As we grow, we will continue exploring what thrives in our soils and climate, always with the goal of producing wines of remarkable quality and distinction.

[TaV]: Can you please explain your concept of Rosé? The two Rosés I tasted at the Hudson Valley wine festival were as un-Provence as only possible. What are you trying to achieve with your Rosé expressions? 
[KM]: I make rosé for people who love red wine. In Napa, Cabernet Sauvignon drinkers would tell me they didn’t like rosé, so I began making a version with the fruit character, texture and tannin they were missing. Our rosé isn’t trying to imitate Provence. It has color, depth and a little grip, yet it still carries the freshness that makes rosé so appealing. It is a red wine lover’s rosé, and each vintage captures that season in its own way.

[TaV]: Coming from Napa, I would assume you have a specific philosophy when it comes to oak. Considering that you need to work with an entirely different set of grapes, how do you see the oak usage at the Rolling Hills Estate? Also, speaking about your flagship, Marquette – what is its affinity to oak?
[KM]: In my experience, oak should serve the wine, never lead it. I have a long-standing appreciation for French oak, but these varieties deserve to be understood on their own terms before we settle on a formula. We’re working with Hungarian oak and comparing it with French oak to see how each influences texture, fruit and finish. Marquette has the concentration and structure to handle medium toast, much as Cabernet Sauvignon can. The goal is balance, not an oak signature.

[TaV]: The 2024 Marquette I tasted at the Hudson Valley wine festival was powerful, firmly structured and precise. Maybe it is an image just in my head, but I would compare it with Montefalco Sagrantino or maybe a young Petite Sirah from California. If you would do a blind tasting to showcase your Marquette (wink, wink – how about that blind tasting?), what other wines would you include in the line up? 
[KM]: I‘d put our Marquette alongside young Petite Sirah and bright, structured Cabernet Sauvignon from Napa. The comparison isn’t about claiming the wines are identical. It’s about giving tasters a familiar reference for Marquette’s dark fruit, energy and firm structure. The fun of a blind tasting would be seeing whether anyone could identify the variety, let alone place it in New York. That’s exactly the kind of surprise I hope the wine can deliver.

[TaV]: Maybe you’re already doing it, but I will ask anyway – have you thought of aging your Marquette in Amphorae or a cement tank?
[KM]: I’ve worked extensively with amphorae and concrete, and Marquette could be fascinating in either. But first I want to understand how the grape grows here and how its character changes from one vintage to the next. Once we have that foundation, we can make thoughtful choices about vessels and techniques. There is plenty ahead to explore, always with the same objective: make the best wine the fruit allows. And we have some exciting things on the horizon for wine lovers.

Source: Rolling Hills Estate Winery

[TaV]: What is ahead for Rolling Hills Estate Winery? What do you think will happen over the next 10 years? 
[KM]: Our ambition is to produce international-caliber wines that stand on their own, wines defined by depth, structure, expressive fruit and remarkable character. We want someone to experience a Rolling Hills Marquette or Petite Pearl and discover something decidedly different, something that challenges their expectations of what American wine can be. As we expand our vineyards and continue to explore the full potential of these varieties, our focus will remain on quality above all else. Ultimately, we want Rolling Hills wines to be sought after not simply because they come from an emerging wine region, but because of what they deliver in the glass. And if, along the way, we help establish the Champlain Valley of New York among America’s most exciting new wine regions, that would be something truly special.

And that concludes our conversation. I hope you learned something interesting about Kyle and Rolling Hills Estate Winery.

Until the next time – cheers!

 

An Oenophile Walks Into A Wine Store…

October 17, 2026 Leave a comment

An oenophile walks into a wine store…

I guess you are expecting a joke to follow, right, something along the lines of “A cowboy walks into a bar…”

No, that’s not the intention here.

The oenophile (yours truly) did walk into a wine store today (I stopped by my friend Zak’s Cost Less Wines store in Stamford), and saw a bunch of novelties worth sharing.

I rarely visit wine stores, so the novelty factor might be simply due to not being kept abreast of the latest and greatest in the wine world, but hey, I still want to share my observations with you.

Now, some pictures will follow.

First, I saw this beautiful display of Halloween-related wines and spirits, which is always fun (some might even taste decent).

Next, I saw Halloween spirits at, shall we say, the next level?

I definitely applaud the artistic nature of these bottles, but even then, $1,900 for a bottle, even with the Día de Muertos designation? Maybe it is all for the special effects…

Now, moving from Halloween to the wine-selling ingenuity…

Forget wine in the can. Welcome, wine in the Tetra Pak. Apparently, Barefoot was one of the very first to introduce wine in the Tetra Pak. It is 200 ml, and for the next month, it is on sale for 99 cents per packet. 99 cents for a glass and a half of wine (200 ml)? I guess it is not a bad deal. One important advantage of this packaging: unlike wine in cans, you can actually close this package, so you don’t have to gulp it all at once.

Barefoot was one of the first, but others followed:

And now, just a couple of label observations.

First, beautiful new packaging for the Ken Wright Chardonnay and Pinot Noir from Oregon – at least this was the first time I saw these labels.

To finish off, a very intriguing label – Master & Servant Cabernet Sauvignon from Napa Valley, produced by 689 Cellars:

Can you tell me who is the master and who is the servant here? What is this label trying to say? Asking for a friend… If you have an idea, please leave a comment.

What have you found at the intersection of wine, art, and sales lately? Do tell!

Trust the Rosso

October 11, 2026 Leave a comment

What is the best part of drinking wine?

It is a simple question.

The simplicity of the question doesn’t mean that the answer to that question is simple. Also, it doesn’t mean that there is only one answer to that question. Similar to the subject at hand, wine, which is subjective, the answer to our question is also highly subjective.

While I’m genuinely interested in your answer to this question (and I will be delighted to read it in the comments), let me answer my own question first.

The best part of drinking wine is conversation. It is possible that you were expecting to hear “buzz”, “pleasure”, or something else, but for me, it is a conversation. A conversation that usually everyone can enjoy, and sometimes even agree on things – wine is a great tool for leveling the arguments and finding common ground. And among all subjects, sometimes these conversations are about wine.

Wine is life. For thousands of years, wine was an indelible part of life, and I really hope that it will continue to be for many more thousands. Wine is a reflection of culture, and fully intertwined with culture. So basically, wine can help you talk about anything – but it is also a perfect subject in itself. Such was my experience two weeks ago.

I met for lunch with Gabriele Casagrande, an export manager for Capanna, one of the original Brunello producers in Montalcino. Our conversation went all over the wine world – from kosher Chianti wines to the best Syrah in Tuscany, to Amarone, which you need to go out of your way to find an enjoyable bottle, then to California Cabernet Sauvignon, and then back to Italy. Of course, we discussed how the young generation [supposedly] doesn’t drink wine, then we inevitably got back to the subject of Brunello.

Capanna winery was founded in 1957 by Giuseppe Cencioni, together with his sons Benito and Franco. After Brunello di Montalcino obtained DOC status in 1966, Giuseppe was one of the 25 founders of the Consorzio del Vino Brunello di Montalcino. So obviously, Capanna means Brunello, one of the iconic “3B”s of Italian winemaking, along with Barolo and Barbaresco.

Despite the grandstanding, Brunello is not immune to the problems wine is experiencing today worldwide – consumption is down, and the culture of wine is slowly getting lost, especially with the younger generations. One of the good answers to such challenges is innovation – and Capanna does just that.

The first wine we tried during lunch was 2024 Capanna SanGioBì Bianco Toscana IGT. To begin with, how many wineries in Montalcino make white wines? I don’t know if Capanna is the only one, but definitely not many. Care to guess what grape this wine is made from? No, it is not made from Tuscany’s darling Vernaccia, nor it is Vermentino, try again. Well, if you said Sangiovese, you got it! This wine is made from the same grape the Brunello is made from, Sangiovese. The color of the majority of red wines comes from the skin (there are exceptions, such as wines made from the teinturier grape varieties). When you press Sangiovese grapes, you get clear juice. Leave the skins for grappa, and you get a delicious white wine.

The wine was delicious. One of my favorite references to the great white wines is “in a blind tasting I would say it is Chardonnay”. I love Chardonnay in general, but my “textbook reference” expression is the one which has apples, vanilla, lemon, and a tiny bit of butter, all in perfect harmony. And this is what this SanGioBì offered: silky, round, and delightful. Anyone who likes white wine, and especially those who don’t belong to the ABC club, would really enjoy this wine and should really make an effort to find it. Oh yes, and it literally opened up better as it warmed up in the glass – another hallmark of an excellent white wine in my book.

Next, we tried our next wine, 2024 Capanna Rosso di Montalcino DOC, and now it is time to discuss why I’m asking you to trust the Rosso.

Rosso di Montalcino is often misunderstood by wine consumers and misused by the winemakers. Wine consumers look at Rosso as the second-grade citizen, a “poor man’s Brunello”. Winemakers are often the reason for that, as in many instances Rosso is an afterthought, made with grapes that are left over or not suitable for the flagship Brunello.

Considering what I just said, you are probably wondering “what’s up with Trust the Rosso” thing? If winemakers give the wine “second-hand” treatment, why on Earth am I asking you to trust it?

The explanation is actually quite simple. The take on the Rosso is changing in Montalcino, and more and more it is treated as the wine in its own right. While the pricing of the Rosso is quite advantageous, usually at half or less than that of Brunello, this is not the main reason to trust the Rosso. In my opinion, the true value of Rosso is in its consistency and predictability.

When you open a bottle of Rosso that has just been released, you can trust that you will find an easy-to-drink, pop-and-pour wine, which unmistakably comes from Montalcino, but is ready to enjoy right away. Brunello can only be released 5 years after the harvest and has to spend at least 2 years in the oak. As it is usually the case with wines which are aged for this long with and without oak, enjoying them often becomes a matter of luck – sometimes they taste good right away, and sometimes you need to conjure over a decanter for an unknown number of hours to arrive at the wine you are ready to enjoy. With Rosso, your chance of finding pleasure in the glass of wine in front of you is much, much higher.

The 2024 Capanna Rosso di Montalcino is a perfect illustration. The wine is produced from the grapes harvested from the designated vineyard – not an afterthought, but the vineyard which was planted specifically to produce Capanna Rosso. And then… The proof is always in the glass… After the initial pleasure of the first sip of Capanna Rosso subsided, my first reaction was “ohh, this is a dangerous wine”. I define wine as “dangerous” when it is so pleasant and so easy to drink that you find yourself staring at the empty bottom of the bottle much sooner than you care to realize. Beautiful cherries, lip-smacking but light, round and layered, with perfect balance and medium-long finish – dangerous and pleasant. I trusted the Rosso, and Rosso delivered.

As we didn’t have to open the Capanna Brunello during lunch, I brought the bottle home to try the next day. The 2021 Capanna Brunello di Montalcino DOCG experience was exactly as I mentioned above. Upon opening, the wine was beautiful – succulent cherries, both red and black, violets, a touch of balsamic, intense, beautiful, and delicious. The next day, the wine became somewhat closed. On day 3, the cherry profile became much leaner, somewhat similar to the Rosso, but now the profile was supported by very pronounced tannins – not a bad thing, but yet a different expression. Yes, consumed in one sitting, the 2021 Capanna Brunello would be perfect. If put aside, as many of us do with more expensive bottles, enjoying it in the 2, 3, 5 years can become a subject of your decanter mastery. So I say it again – trust the Rosso.

That’s my story, friends. I’m curious about your take, of course. And by the way, Capanna will turn 70 next year, which is a great cause for celebration, so I’m definitely looking forward to more happy encounters with their wines.

Until the next time…

Beauty of Age

October 2, 2026 Leave a comment

Wine is better with age.

No, it is not a universal truth, but lots and lots of wines improve with age.

“Improve” might not even be the right term.

When we put the wine into the cellar (whatever your cellar looks like, as long as it is not a shelf next to your stove which you use every day), the wine starts changing. This is what we call aging. Nobody knows how the wine is changing, how fast, and what this change entails. For the optimists wine enthusiasts like myself, the hope is that wine is evolving, becoming better, and ultimately, delivering more pleasure than it did upon release.

The evolution of the wine, when it actually happens, is not endless. “Whatever goes up will come down”. This is why wine lovers use an important jargon word: “peak”. The wine at its peak delivers the most pleasure one can wish for. Again, nobody knows when the wine reaches its peak, and for how long that peak will last. That is what makes wine amazing – when you open a bottle, you have no idea what you will find inside. An equal opportunity for joy and disappointment before the cork is pulled – the mystery of wine.

Not all wines will improve with age. And when you taste the wine young, upon release, you still don’t know how well the wine will age or whether it will age at all. Yes, everybody can make a guess. Supposedly, wine critics and wine makers are better at guessing the expected lifespan of the wine, including its peak and “past prime” – another important jargon word for the wine that went into decline and now offers less pleasure than it did “at a peak”.

Remember: wine is subjective. Every wine drinker can tell their story, and nobody can tell them that they are wrong.

What prompted this reflection on the wine aging?

A bottle of Portuguese wine, 2013 Enoport Tonel 22 Reserva Douro (13% ABV, 35% Touriga Nacional, 35% Tinta Roriz, 30% Touriga Franca).

I scored 4 bottles of this wine back in 2017 at Wine Till Sold Out (WTSO) for $10.99 each. I tasted the wine through the years, and honestly, it was not really working for me. It was tight, dense, and closed, not offering layers of pleasure as Douro Reserva reds can do, like this 2009 Casa Burmester. Until now.

This was the last bottle (of course :)) and I pulled it out without much hope or expectation – “hmm, let’s see how this is”. Boy, what a pleasure I walked into…

The seduction started with the smell, offering ripe cherries and cassis, with a whiff of the cigar box. The palate followed, voluptuous, layered, generous, and perfectly balanced, with perfectly integrated tannins offering a light tingling and lots of pleasure. A delight (9-).

If someone were to write a textbook for wine lovers “How to enjoy wine”, this wine would be a perfect textbook study, hitting all the important checkmarks:

  • Patience is rewarded
  • Wine is better with age
  • Price is not an indicator of quality and doesn’t predict the ageability of the wine

$10.99. 7 years in the cellar. Lots and lots of pleasure.

A Beauty of Age.

What’s your story?

 

Daily Glass: Inappropriate Wine

August 20, 2026 2 comments

Inappropriate wine? What can make wine inappropriate?

Ha! I’m glad you asked.

I’m also glad that this is the wine blog, so by definition the content here is 21+. But then, in the adult world, what can make the wine inappropriate?

Of course, there might be a certain picture on the label. Let’s say naked people, or other images that we can deem “inappropriate”.

Or it can be simply a wine name. For example, Big Ass Merlot from Australia, Fat Ass Ranch Merlot, or a famous cleverly disguised If You See Kay. I guess that would also qualify.

But if you take a look at the label of an “inappropriate wine” that triggered this post, it has none of that.

2004 Ravenswood Vintners Blend Shiraz South Eastern Australia – the name as decent as it can be. With an image of 3 interlocking ravens. Again, as decent as they come. So what’s with the click-baiting statement of “inappropriate wine”.

Here is what’s so inappropriate about this wine – it is all in the head.

Cryptic? Let’s unravel.

Tried to open the bottle using a regular trusted waiter’s corkscrew. Understood that the cork would break. So The Durand came in handy.

Pour. Swirl. Smell.

Time stopped. The brain exploded with pure hedonistic pleasure. Sensual? Yes. Sexual? Yes. Don’t limit your imagination. Whatever you imagine as a pure pleasure was there.

Balsamic. Ripe, succulent berries, bristling with juice. More balsamic. Eucalyptus. Pleasure. Yep, inappropriate. I’m so happy that the thought police is still some years away, or I could’ve been in trouble.

A minute or so later, I developed the courage to take a sip. Beautiful layers, a touch of tertiary notes with dried figs, but just a whiff, no sweetness whatsoever. Gobs of fruit but well in check, nothing cloying. Good acidity, impeccable balance. Pleasure. Gobs of pleasure.

You know what might be the most inappropriate about it? This was not DRC, not Screaming Eagle, not Petrus. This was a nine-dollar ($9!) or so bottle of wine, stored at our friends’ garage (they insisted that I would take the bottle home when we visited earlier this year – just as a random bottle). How is it possible to predict that such an inexpensive wine can age so gracefully? There might be an inappropriate magic hiding somewhere…

Truth be told, I didn’t even know Ravenswood was producing wines in Australia. I always knew Ravenswood as a California Zinfandel specialist, but apparently Joel Peterson, who founded Ravenswood in 1976, started producing wines in Australia under the Vintners Blend project back in 2004 (looks like 2018 was the last vintage). The way this wine tasted, the winemaker definitely did something right, and I’m really thankful for that.

Here you are, my friends – my inappropriate, unexpected, mind-blowing wine experience.

I wish you all lots and lots of inappropriate wines. And when you encounter them, don’t hold your thoughts back, let them run wild. After all, wine should give you pleasure.

Celebrity Rosé Blind Tasting

August 15, 2026 Leave a comment

What do you think of celebrity wines?

Whatever celebrity touches turns into gold, right? To be absolutely honest, I don’t get the whole fascination with the celebrity endorsements and associations. If a shoe carries someone’s name, how is that a better shoe? How is the wine better if a celebrity endorses it or even participates in the winemaking process? Somehow the movie star possesses a palate everyone else should align to? Don’t get me wrong – I’m fascinated every time I see Caitlin Clark score from half the court, or Messi puts the ball precisely into the tiniest possible opening. I do have my favorite movie stars and so on. But how their name makes other products better – that’s beside me. Oh well, the marvel of marketing and third-party endorsements… Okay, I just had to let this rant out. Let’s get back to where we started – celebrity wines.

Today, we will not be talking about all celebrity wines. The subject is more narrow, precise, and seasonally appropriate – we are talking about celebrity Rosé wines.

Turns out quite a few celebrities tried their hand at making the Rosé – some with bubbles, but mostly still. And as with any wines, celebrity factor aside, it is always fun to compare wines in the blind setting – the “unveiling” of the wine is always a thing of pure joy.

Ahh, this post is also a bit about wine friends. And travel. But of course…

First, what prompted this whole tasting idea was a post on Twitter (sorry, I still don’t care to call it X, I still affiliate with Twitter but not with X) by Jonathan @TheWineCruUK, who mentioned that he was planning to open Queen Rosé, the wine associated with the legendary music band Queen. This was the first time I saw a mention of such a wine (I was well aware of many others, such as Hampton Water, Miraval, Maison No 9 and others). Seeing this new Rosé, the first idea was “I want to taste it”, and the second one was “but it would be fun to compare it with others,” and thus the idea of tasting was born.

The next question – where do I find it? A quick research yielded an unfortunate result – while the wine is easily available at a number of supermarkets in the UK, it was nowhere to be found in the US.

As luck would have it, a few weeks after the tasting idea was born, I was supposed to travel to London for work. A quick search for the supermarkets in the area where I was staying was not promising – basically, all suitable supermarkets were at least 40 minutes away by train, and I was on a very tight schedule. I asked Twitter wine friends for advice, and then Jonathan simply sent a message – “hey, tell me where you are staying, and I will send you a bottle”. I have always said it – wine people are special people. So thanks to the wonderful kindness of Jonathan, on the second day of my stay I was devouring the opening of the box to enjoy the view of the bottle – don’t worry, I had enough self-control, so I managed to just look but not to touch.

The next fun part of this project might be a revelation to some of you. I read a while back that Heathrow airport installed new scanners which now allow up to 2 liters of liquid to be brought on board in the hand luggage. Or at least this is what the article said.

I did a bit of research online, and this seemed to hold water. My actual confirmation came once I checked in for my flight back home – the airline restrictions clearly stated that I can bring with me up to 72 oz of liquid in the hand luggage – if you wish, go do the math – this will amount to 2 liters give or take.

And voila, the bottle safely made it home, and we were all set for the blind Rosé tasting.

Last fall, I was privy to a fascinating event I still need to write about (I suck as a blogger, feel free to say it out loud). In the event, we tasted a vertical (!) of Sasha Lichine top-of-the-line Rosé – Chateau d’Esclans Les Clans and Garrus wines. The wines were absolutely spectacular, and while they don’t qualify as celebrity wines, I kind of forced my way with including one of the Chateau d’Esclans Rosé into the tasting, more as a hallmark than for an actual competition.

And now, finally, we can talk about what transpired in the tasting.

We had 2 of the sparkling celebrity Rosé and 9 of the still wines. We decided to taste sparkling wines blindly, but separately from the still wines.

Here is brief information about celebrity wines in our tasting:

NV Archer Roose Rosé Pays d’Oc, France (13% ABV, blend of Syrah, Cinsault, Grenache, and Caladoc).
Celebrity: Elizabeth Banks, actress, producer, writer and director

NV Avaline Rosé Vin de France (13% ABV, blend of Cinsault, Grenache, Cabernet Sauvignon, Syrah, Caladoc)
Celebrity: actress and author Cameron Diaz and entrepreneur/business executive Katherine Power. Wine originally launched in 2020.

NV Bellissima Zero Sugar Rosé Veneto IGT Italy (12.5% ABV, 100% Pinot Grigio)
Celebrity: supermodel and actress Christie Brinkley. Still wines line launched in 2023

2022 Château d’Esclans Les Clans Rosé Côtes de Provence  (14% ABV, Grenache, Rolle). Not specifically a “celebrity” Rosé, but one of the very top Rosé in existence.

2023 Forever Young Rosé Côtes de Provence  (12.5% ABV, 55% Grenache, 40% Cinsault, 5% Syrah)
Celebrity: The Real Housewives of New York City alum and entrepreneur Bethenny Frankel, alongside French vintner Valérie Rousselle and nightlife impresario Seth Greenberg; Produced by Château Roubine, established in 1307 and one of only 18 Cru Classé estates in Provence.

2025 Hampton Water Rosé South of France (13% ABV, 60% Grenache, 15% Cinsault, 15% Mourvèdre, 10% Syrah)
Celebrity: Jon Bon Jovi and his son Jesse. Winemaker: Gérard Bertrand, famous Languedoc winemaker

2025 Invivo X Rosé South of France (12.4% ABV, 60% Grenache, 20% Cinsault, 20% Syrah)
Celebrity: Sarah Jessica Parker

NV Kylie Minogue Prosecco Rosé DOC Italy (11% ABV, 85% Glera, 15% Pinot Noir)
Celebrity: Kylie Minogue; producer: Zonin estate

NV Lve French Sparkling Rosé Vin de France (11.5% ABV, blend of Pinot Noir, Grenache, Ugni Blanc, Colombard, and Chardonnay)
Celebrity: John Legend, musician; wine produced in collaboration with Raymond Vineyard from Napa

2025 Miraval Rosé Côtes de Provence  (12% ABV, blend of Cinsault, Grenache, Syrah, and Rolle)
Celebrity: Brad Pitt; wine made in cooperation with Perrin Family

2025 Queen Rosé Côtes de Provence  (13% ABV, 70% Grenache, 30% Cinsault)
Celebrity: Roger Taylor, the legendary drummer of the rock band Queen, in collaboration with Sony Music and the historic French winery Les Caves du Commandeur

Now, to the tasting:

We didn’t want to mix sparkling and still wines in the tasting, so we had two of the sparkling wines first with some appetizers, and then proceeded with the still wines. We still tasted them blind, and it is interesting that our preferences were split precisely across “gender lines” 🙂 Boys preferred wine #2, French Sparkling Rosé, and all the girls also unanimously went with wine #1, Prosecco.

Here are my brief notes for the still Rosé wines:

#3: Spectacular nose, gunflint, strawberries, grapefruit. Gunflint on the palate, sapidity, very nice, Chardonnay like.
#4: Pine needle. Lots of strawberries, still pine needle on the palate. Interesting.
#5: Carrot juice, strawberries on the nose. More strawberries and cleansing acidity on the palate, very nice.
#6: Interesting, nice, strawberries on the nose. More strawberries on the palate, good structure, delicious.
#7: wow, similar to #6, tart acidity, crisp, great finish.
#8 – very funky, hint of petrol, mineral. Lots of minerality on the palate.
#9 – sapidity, strawberries, restrained, nice, tart, not bad at all.
#10 – clean, open, inviting, great. Beautiful palate with strawberries, good acidity and perfect balance.
#11 – nice, strawberries, restrained, a little tart. Very good overall.

As you can tell from these brief notes, most of the wines showed quite well, so we could expect a very interesting voting and very interesting results.

We actually had to take the vote twice, and in a moment you will understand why.

We usually have a simple rule – every person can vote twice for their favorite wines, and the wine with the most votes wins the popular vote.

Here is how the first round ended up:

Wine #3 – 7
Wine #4 – 0
Wine #5 – 1
Wine #6 – 2
Wine #7 – 1
Wine #8 – 0
Wine #9 – 2
Wine #10 – 3
Wine #11 – 2

Everybody pretty much agreed that the wine #3 tasted not like a simple Rosé, but rather like a fine wine in its own right. As we knew that Château d’Esclans Les Clans was one of the wines we tasted, we decided that that was wine #3, and thus it wouldn’t be fair to the rest of the Rosés to be judged against purposefully made “Rosé first growth”. Thus we decided to take another vote, this time excluding wine #3 from the vote.

Here are the results of the new vote:

Wine #4 – 1
Wine #5 – 1
Wind #6 – 2
Wine #7 – 2
Wine #8 – 0
Wine #9 – 1
Wine #10 – 5
Wine #11 – 2

As always, the reveal was the most exciting part, and we learned that our suspicion about wine #3 was correct; it was Château d’Esclans Les Clans. The winning wine happened to be Queen Rosé, which made me very happy – I was not lugging it from London for nothing 🙂

Here is now the list of wines according to our tasting order:

#1 – NV Kylie Minogue Prosecco Rosé DOC Italy
#2 – NV Lve French Sparkling Rosé Vin de France
#3 – 2022 Chateau d’Esclans Les Clans Rosé Côtes de Provence
#4 – NV Bellissima Zero Sugar Rosé Veneto IGT Italy
#5 – 2025 Miraval Rosé Côtes de Provence
#6 – 2025 Hampton Water Rosé South of France
#7 – 2025 Invivo X Rosé South of France
#8 – NV Archer Roose Rosé Pays d’Oc, France
#9 – 2023 Forever Young Rosé Côtes de Provence
#10 – 2025 Queen Rosé Côtes de Provence
#11 – NV Avaline Rosé Vin de France

I would say that overall, the celebrity Rosé fared quite well, with the exception of the wine #8. And I would be happy to drink that Queen Rosé at any time – maybe one day it will make it to the states.

There you are, my friends – an exciting and fun tasting, and something that you can – and should – do at home.

Until the next time – cheers!