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The New Sotheby’s Wine Encyclopedia – A Must Have For A Winelover
Do you like wine books?
Better question: do you read wine books?
Wine book is the next best “wine thing” after the wine itself – assuming you drink wine for pleasure, and not for the effects of alcohol. Reading the wine book gives you the pleasure of learning about your favorite subject, it is available to you any time you want it, and you don’t have to limit your consumption. There is also an ultimate pleasure of nesting in the favorite chair with a book in your hands, and turning off all the annoyances of the world at least for some time.
Only who reads the books today, right?
We live in the times when Google knows all the answers, or at least it pretends that it does, so we can search, find, read, and instantly forget whatever information we obtained. Depending on your luck, that information might be totally wrong or irrelevant, but that can be a subject for the whole other conversation. But when we reach out to Google, we think that we are saving time and doing ourselves a favor by simplifying our lives – all of it instead of opening the book and actually reading to learn and understand. But oh, who has time to read. Hey, google…
Today I want to bring your attention to the book which you don’t have to read. Yep, you heard me right. You don’t really have to read it. But you must have it. Makes no sense? Oh yes, it does.
You want to have “The New Sotheby’s Wine Encyclopedia” by Tom Stevenson edited by Orsi Szentkiralyi because this is not some general book, this is an encyclopedia. An encyclopedia is a tool. You use it when you need an answer to a question. You use it when you want to deepen your knowledge of a particular subject, be it history of winemaking, wines of Fitou AOC, differences between Cordon de Royat and Geneva Double Curtain vine training systems, or what to do if your wine smells like burnt rubber.
This is not a pocket-size book, but this is what makes it great. 800 beautifully illustrated pages (the book is published by the National Geographic, so great imagery is rather expected). This is a sixth edition of the book, containing more than 400 photographs, 120 National Geographic maps, and there is hardly a wine subject or a wine region that escapes the attention of the author.
It was interesting for me to see is a difference in the coverage of the different wine regions – to illustrate what I mean, see the picture below:
If you will look at clips from left to right, the first and the biggest set of pages is covering France, the next small section is dedicated to Italy, the next, even tinier, is Spain, and the last a bigger one is wines of the United States. But really, no wine region is left uncovered, even including such exotic winemaking destinations as China, India, and Japan.
My favorite part might be the last section of the book, called Micropedia. This section is a collection of wine terms and abbreviations. Yes, you can find many of these terms with the help of Google, but it might not be that easy. For example, the very first term explained in the Micropedia is ABC. If you search for “wine ABC” online, the first page which will come up will most likely be dedicated to the ABC wine store (it was for me, at least) – while the ABC used in the wine speak typically means Anything But Chardonnay or Anything But Cabernet. So if you want to know what ABC stands for, or agrafe, rondelle, or uvaggio for that matter, The New Sotheby’s Wine Encyclopedia will save you lots of time and effort (don’t take my word for it, go search for those terms).
Whether you want to learn about appellation you never heard of, the history of winemaking, or see the map of wine regions in Slovenia, this is the book which you will find the most helpful, no matter what your question is. You can find this book on Amazon and Barnes & Noble, and you can thank me later for the advice. I’m off to read about Madeira. Cheers!
The New Sotheby’s Wine Encyclopedia was provided to me as a sample, free of charge. Opinions are my own.
Daily Glass: Unlimited Pleasures
I opened the bottle.
The wine was delicious. I will be happy to drink it again.
The end.
Simple story, right? Boring too, I guess, but – it doesn’t always work like that. Quite an opposite – I opened the wine. It was okay. I don’t want to drink it again. The end. But this is not the story anyone wants to talk about.
Let’s go back to the delicious wine.
If you read this blog for any extended period of time, I’m sure you already know: I love aged wines. Contrary to what typical wine articles advocate – stating that the absolute majority of the wines should be consumed young and should never be aged – I absolutely believe that a significant number of wines, especially reds, not only can age but also improve with age. The evolution of the wine in the bottle is what we are after. Young wine can be perfect and deliver lots of pleasure to the drinker. Well-aged wine delivers lots and lots more – it is not just pleasure, it is often the whole experience. My latest proof and case in point (wish you were there) – 1999 BV Rutherford Cabernet Sauvignon.
If you like drinking aged wines, and share my view that many wines can age, the good news is that you don’t always have to personally buy the wine and wait for 20 years before drinking it. I found this wine while browsing the Benchmark Wine website. Benchmark Wine Group buys collections and then sells the wines at the market price without an auction. “Collection” doesn’t necessarily mean only DRC and Petrus – collections also include wines suitable for everyday drinking. Those “everyday wines” represent great value, as aging is included, and often it doesn’t cost you anything – I paid $30 for this exact 1999 BV Rutherford – and I can get the current (2016) vintage of the same wine in New York area for $29.99. Yep, I rest my case.
BV, which is short for Beaulieu Vineyard, is one of the iconic California wineries, founded in 1900. This is where André Tchelistcheff, often referred to as Maestro, honed his winemaking craft, completely changed winemaking at BV, and tremendously influenced winemaking in California ever since his arrival to Napa in 1938. It is impossible to talk about André Tchelistcheff within a short blog post, and I’m sure you can find hundreds of articles and books talking about his legacy. André Tchelistcheff retired from the active winemaking duties in 1973 – and I read somewhere that the last great vintage from BV was 1972. I wish I could compare 1999 which I had with 1972, but for my palate, even 1999 completely over-delivered.
The wine opened up with an intense nose of eucalyptus and mint – you could tell from a distant corner of the room that this was classic California Cabernet Sauvignon in the glass. The palate followed with layers upon layers of black currant, eucalyptus, mint, bell pepper, all interwoven in complete harmony. A perfect balance of fruit, acidity, tannins – every sip was repeating that full performance over and over again.
At the end of the evening, the wine showed a bit of the plum and dried fruit and made me think that I was lucky to catch the wine at its peak. On the second day, the wine showed a bit more restrained, somewhat losing great energy it had the previous evening. On the third day, the wine changed again, bringing back the same black currant and eucalyptus, however this time in much leaner, classic Bordeaux fashion, and really showing up young, full of energy and promise.
Not only this was a delicious, well-aged wine, but it was also [expectedly] a memory catalyst. I had an instant flashback of memories of a wonderful visit we had at BV about 8 years ago, tasting not only multiple vintages of Georges de Latour Private Reserve Cabernet Sauvignon, but also unique clonal Cabernet Sauvignon wines. It is amazing in how many ways you can enjoy a simple sip of delicious wine.
That is my story, friends. Well-aged wines are amazing – can you tell yours?
A Weekend Of Wine Experiences
What makes the wine experience for you?
If you drink wine pretty much every day, is that every glass an experience? Is that even possible?
The experience should be something memorable, something you can bring up in your thoughts on the moment’s notice. The experience is not always positive – I well remember some bottles I had to pour down the drain – luckily, it doesn’t happen all that often. The experience triggers the emotion – pain or pleasure – and this is what makes us remember.
During our recent Cape Cod visit with the family, in addition to the ocean, flowers, and sunsets, we also had lots of wine. While some wines were good and simple – and not necessarily memorable – some were just at the level of creating a lasting memory. Let me present my case.
I try not to associate the color of the wine with the weather, but fresh and crisp white wine always brightens up a hot summer day better than a big red. Both wines we had were somewhat of an experience. 2018 Hanna Sauvignon Blanc Russian River Valley (13.2% ABV) was a reminder for how much I love this wine, which I consider one of the best California Sauvignon Blancs in general – fresh, citrusy, with plenty of the freshly cut grass and vibrant acidity. A sip of such wine makes you say “ahhh”, and immediately go for another.
The second wine was rather an unexpected disappointment – it had nothing really to do with the wine itself, I guess it was a self-inflicted disappointment, but this is how it will be remembered. 2016 Duckhorn Sauvignon Blanc Napa Valley (13.5% ABV) didn’t offer much anything in the glass. It was a white wine without a sense of place or much in terms of the expected taste profile. It had no obvious faults, just the taste of “some white wine”. Maybe it was supposed to be consumed two years ago (my wife got it as a present from a coworker and then it was forgotten on the bottom shelf of the cellar). Maybe it was in a “sleeper mode” at the moment. No idea, but this was definitely not something I expected from the Duckhorn.
I continue to surprise myself with an inability to find a bad tasting Rosé nowadays. Either something is wrong with my palate, or I don’t drink enough, or everybody simply mastered the art of Rosé to its fullest, but I like every Rosé I have an opportunity to taste. 2018 Etude Rosé Santa Barbara County (13.2% ABV) was excellent, strawberries all the way, both on the nose and the palate, very elegant and round. Etude is a Pinot Noir specialist, so this was a Pinot Noir Rosé. Santa Barbara designation also brought back lots of happy memories of my first Wine Bloggers conference in 2014. The second Rosé, 2017 Baron de Fumes Rosé Garnacha Cariñena DO (13.5% ABV) was a bit lighter but sharing mostly the same strawberry profile with a bit more acidity – still every drop delicious. This was also a great value at $8.99 at my local wine store – I now have a few bottles in the fridge ready to be open on any hot day.
Time to move to reds – and to elevate the experience.
Everyone’s cellar has bottles that appeared out of nowhere. You know how this works – you host a party, someone walks through the door with a bottle. You say thank you, hastily put a bottle aside as you are rushing to meet another guest. The bottle is never opened as you had enough wine prepared, and after the party, it is just put away and you have no memory you ever saw it. This was my story with the bottle of 2008 Cantine Lonardo Coste Taurasi DOCG (14.5% ABV, 100% Aglianico). I have no memory of how the bottle made it into the wine fridge. I saw this bottle many times looking for the wine to open – as I’m not familiar with this wine and never bothered to research, I would always skip opening it just on the basis of the vintage – too young, next time, too young, next time. This time around, as our family on The Cape loves the Italian wines, I decided that the time has come to open it.
As we arrived Thursday evening, this was the first bottle we opened. Oh my… As soon as the wine made it to the glasses, the aromatics stopped everyone in their tracks. I can’t even describe it. Mature Italian wine at its peak literally gives me shivers. You can’t put down the glass, you don’t want a sip – you just want another smell, and then another one. Succulent cherries, eucalyptus, tobacco, iodine, ocean breeze – the bouquet delivered such an interplay of flavors that you simply forget the time. When you finally decide to take a sip, you are blown away anew – juicy cherries with herbs, sweet oak, silky smooth tannins, and impeccable balance – just a divine experience (am I going to far? Can’t tell you. Wish you were there…). Hands down, this wine is an excellent contender for the top wine of 2020, rivaling Soldera experience (Drinkability: 9/9+).
As I had no idea about Coste, I decided to bring a couple of big guns – two of the Christophe Baron wines – No Girls and Cayuse. I knew that I’m committing a crime by opening 3 years old Cayuse – but this was my very first taste of Cayuse wine, after finally making it on the mailing list, so I decided to take my chances. 2010 No Girls Syrah La Paciencia Vineyard Walla Walla Valley (14.8% ABV) was as good as I expected it to be – a little bit of funk, black fruit, black pepper, full body, good structure and concentration, excellent balance – definitely a very enjoyable wine. 2017 Cayuse Syrah Cailloux Vineyard Walla Walla Valley (13.8% ABV), however, was a disappointment. I knew I’m opening the wine prematurely (the one can only hope. I wonder how Sassicaia does it, making their wines perfectly drinkable upon release), but I still expected the wine to come to its senses at least on the second day, and especially with the help of decanter.
The decanter didn’t help, even on the second day. The wine had some amount of fresh crunchy cherries in it, but that was the maximum excitement. The wine never demonstrated the body I would expect from the Washington Syrah, nor the depth of flavor and the textural experience on the palate. Again, this was not a bad wine, just not enjoyable for me. As this was my very first experience with Cayuse, I don’t want to jump to any conclusions – maybe the wine will completely change in a few years, or maybe the wine is just meant to be like this – I anticipate that the wine will need at least another 7-10 years before it will become fully enjoyable, but we will see. And if it just supposed to taste like that, this will be a serious disappointment, especially considering the price of this wine (around $100).
One more wine I want to mention here – 2017 Domaine La Font de Notre Dame Lirac AOC (14.5% ABV, 70% Grenache, 25% Syrah, 5% Mourvèdre). This wine was opened to compensate for the Cayuse not being very drinkable – and this GSM blend didn’t disappoint – perfectly drinkable and enjoyable from the moment the cork was pulled out. Bright fruit, medium to full body, good minerality, and perfect balance. The wine has limited availability, unfortunately, but if you can find it, it should set you back for less than $20 and this can be your perfect every day red for any time of the year.
There you go, my friends. This is how experiences form into the memories. The pleasure of drinking Coste will stay long in the memory – this was one of the most exciting wines this year. The absence of pleasure in my first sip of Cayuse will also become a long-lasting phenomenon. What are your strongest memories associated with wine?
An Open Letter To The Wine Lover Visiting Prague
How often do you have regrets in your life? For how long do they last?
Not a simple question to answer, right? When you don’t listen to your wife and don’t wear a scarf on a cold and windy day, this will be a very short-living regret – I’m sure you will happily make the same mistake in a week. If you ignore a friend’s request to join him in the startup, and then 2 years later startup make a $1B exit – this is the regret you might have to live with for the rest of your life.
Once you become a passionate blogger, almost everything you see and experience becomes an opportunity for the new post, especially if the experience is a great one. You quickly start imagining that post in your head, you literally feel the happiness you would feel once the blog post is out. Then life gets the way, and 3 months later, you still remember that you wanted to write this post. 6 months, 10 months, a year – every time you start a new post, the regret of unfinished work gets to you first. Then the feeling becomes numb, and you finally forget.
I was looking for a bottle to open, and you know how it gets – not now, later, not ready, need a company – a ton of decisions to make regarding every single bottle. I finally decided on the bottle of 2013 Salabka Tes Yeux Neronet from the Czech Republic. After the very first sip, the happy smile came. Next came the crushing regret – I never wrote long thought though and thoroughly enjoyed, in the head, post about an amazing time we had at Salabka winery, top-notch dinner, and amazing wines. I was remembering about this for more than a year, and still never wrote it – and one sip of this Neronet wine brought all this back – the happy memory of our time in Prague and the regret of not fulfilling my own plans.
Most of the people would associate Prague and Czech Republic overall with beer. And those people would be right – kind of. Yes, the beer in Prague is an absolute standout. I’m not a beer guy, and yet I would happily drink beer in Prague at any occasion. But wine is a big deal there either. In the Moravia region alone there are more than 1,200 small, artisan, often moms and pops, producers. The wines there are made both from indigenous and international varieties, and the winemaking history goes back thousand years – I wrote about Czech wines in the past, you can find that post here.
In 2017, I was lucky to spend more than 2 weeks in Prague as I had two back to back events there. The city of Prague is absolutely amazing, boasting history on every corner – I shared some of my favorite highlights here. We also had a lot of amazing restaurant experiences, and some of them I shared here – but I let the brightest highlight, the visit to Salabka winery, to become a regret. And one sip of that Neronet wine forced me to say nope, not happening. Of course, it is not the same as writing about the experience while every sensation is fresh and vibrant. But I still have the pictures, so never mind the 3 years – I will still be able to share the experience with you.
Salabka is a city winery, located right in the middle of Prague, on the right bank of Vltava River. The vineyard is about 11 acres, and the winery produces about 10,000 bottles every year, with a full focus on the quality. There are only two red grapes grown at the winery – Pinot Noir and Neronet, local indigenous variety, and quite a few whites (Riesling, Müller Thurgau, Scheurebe, Pinot Blanc, Pinot Gris, Chardonnay). Every bottle of wine produced at Salabka has a picture of the vineyard on the back label, also with an indication of the exact parcel where the particular grapes were growing.
Salabka is more than just a winery – they also have apartments for rent on the property, and most importantly, a restaurant that specializes in modern cuisine – including the molecular gastronomy.
Considering that our visit took place three years ago, I can’t give you a detailed account of the dishes – but I have pictures which clearly show the creative cuisine we were able to experience.
We started with the tour of the vineyards and the cellars, with a glass of delicious Chardonnay in hand, seeing bud breaks on the vines and beautiful views of the red roofs of Prague.
Then we had a tasting dinner, with all dishes paired with different wines, with foam and other molecular gastronomy elements being present almost in every dish. 2007 Salabka Le Diamant Blanc de Blancs was excellent, and I can still remember 2016 Salabka La Coquine Chardonnay with its Chablis-like gunflint and apple flavor (La Coqine Chardonnay was wine number 12 on my 2017 Top Wines list). I liked both wines so much that I even had to bring them back home, together with the red, made out of the Neronet grape.
It was that 2013 Salabka Tes Yeux Neronet wine which prompted this post. One sip of this peppery, acidic, herbs forward wine instantly brought back the memory of that trip. One sip of this wine instantly transports you to the old cellar, where wine was made, spilled, and stored for hundreds year – any oenophile can close their eyes and easily imagine themselves in such a cellar. The time and space travel machine is not invented yet, but properly made wine can easily replace it, and this Neronet certainly did.
So here it is, wine lovers. If you will be visiting Prague, remember that delicious wines are waiting for you. And if you are looking for a pleasure-filled evening, Salabka might be just the place. Cheers!
Chemistry of Wine
I don’t want to mislead you – if you are expecting to see any scientific chemical analysis and/or formulae of the wines – you came fo the wrong place. The chemistry I’m talking about here is the one which usually sparkles between the people, creating instant attraction and inability to let go. You know how it is – you meet a person for the first time, and after two sentences, you feel that you knew the person forever and you can now talk endlessly, for hours and hours, and still wanting to talk more. “It’s chemistry” we often say in such cases – and it is the chemistry we want to talk about here, only not between the two persons, but rather a person and the wine.
This chemistry is something hard to explain. It is unexpected. It is a mystery. You don’t know when the chemistry will engage. You meet a person for the first time. You never met the person before. You have no idea as to what to expect. You are careful and reserved. But some words are exchanged, body movements are observed, and the next thing the conversation flowing and 3 hours later you think it was only 15 minutes which have passed, and you want to spend just another 15 minutes with your new friends.
It works exactly the same with the wine. You open a bottle. You pour, swirl, sniff, and sip. You take another sip, murmur something to yourself, and sip again. Next thing you are looking at the two fingers worth of wine left in the bottle and you ask yourself “what just have happened? Was someone else here drinking the wine with me?”. We can call it chemistry. I also like to call this a “dangerous wine” – this is the wine you casually enjoy so much that you lose the sense of time – and measure, of course.
I recently encountered such chemistry with not one, but 3 wines. All three were Italian. All three were dangerously delicious. It was hard to stop replenishing the glass, one sip after another. Do I have a special chemistry with Italian wines? I don’t think so. This has happened in the past, with wines from many regions. But the point of the matter stands – this was an encounter with three delicious wines, which happened to be made in Italy. So let’s talk about them.
Before we talk about individual wines, let’s touch on the common theme which ties them all together – Frescobaldi family. There are more than 700 years of Tuscan wines connected to the Frescobaldi family, Today, Frescobaldi family holdings are spread through the 7 estates in Tuscany (Ammiraglia, Castelgiocondo, Castiglioni, Nipozzano, Perano, Pomino, Remole), plus some of the best of the best in Italian wines – Ornellaia, Masseto, and a few others.
Attems‘ name is associated with winemaking in the Friuli Venezia Giulia for almost a thousand years. Since 2000, Attems is the part of Frescobaldi family holdings. I had Attems wines in the past, such as Attems Ramato, an “orange” wine made out of Pinot Grigio, and I really enjoyed that wine. This time around, I was able to try Attems Pinot Grigio, and I was really happy with what I discovered:
2018 Attems Pinot Grigio Friuli DOC (12.5% ABV, $20)
Straw pale
Lemon, herbs, earthy profile, welcoming
Soft white fruit profile, plums, some tropical fruit, good acidity, nicely present.
8-/8, dangerous, so easy to drink.
Tenuta Castiglioni had been at the center of the Frescobaldi wine story from the very beginning. Owned by the family since the 11th century, the estate takes its history from the Romans who built it along the strategic path connecting northern Tuscany with the city of Rome. I don’t believe I had Tenuta Castiglioni wines before, so this was my first and delicious encounter:
2017 Frescobaldi Castiglioni Chianti DOCG (13% ABV, $16)
Dark garnet
Plums, cherries, vanilla
Soft, round, tobacco, succulent cherries, layered, inviting.
8+, delicious, outstanding, dangerous. Really, really easy to drink.
Tenuta Luce (“luce” means “light” in Italian) is a unique product of the imagination of two of the wine world’s greatest – Vittorio Frescobaldi and Robert Mondavi. After meeting in the nineties, the two men decided to build a new estate in one of the most coveted areas in Tuscany – Montalcino, home to Brunello di Montalcino wines. What makes Tenuta Luce unique is not just the partnership between Frescobaldi and Mondavi, but surely a bold move of planting the Merlot grapes in the land of Sangiovese Grosso. While Tenuta Luce produces Brunello, the flagship wine is called Luce and it is a Merlot/Sangiovese blend. I tasted Luce before and really enjoyed it. This time around, I had an opportunity to try Tenuta Luce second wine, again a Merlot/Sangiovese blend called Lucente – yet another delicious wine:
2017 Tenuta Luce Lucente Toscana IGT (14% ABV, $30, Sangiovese/Merlot blend, 12 months in old and new barriques)
Dark garnet, practically black
Dark cherries, fennel, violets
Cherries, coffee, leather, perfectly structured, crisp acidity, perfectly integrated and balanced tannins.
8, delicious, and hard to stop.
As you can tell from the notes above, I really liked all three wines. Not just liked – after the first glass, there was an unconscious craving for another. And another. And another. It would be quite safe to call this a chemistry – I don’t know if I have a special bonding towards the Italian wines, but these three wines were drinking more like an obsession rather just some other tasty wines. And as it works in human relationships, chemistry is a good thing between the man and the wine. Have you found yours? Cheers!
Weekend in Wines
Are we losing the sense of time? The weekend was always a special time, and I don’t mean in a TGIF way – most of the time, I’m happy with Friday evening, and I’m happy with Monday morning. But the weekend usually meant different types of activities – going somewhere, meeting with friends, maybe going to the city for a leisure stroll and a dinner – you name it. Now, as we have to be pretty much confined to your house due to the virus, the days are becoming mostly all the same, and the weekend simply means “huh, it is Saturday” (note the absence of exclamation mark).
My last weekend, however, was still a bit different, and it translated into some interesting bottles being opened.
On Friday, we had a family dinner. I always ask if anyone wants to drink wine, which defines which bottle will be opened. I got absolutely unexpected “yes, I would like some wine” which sent my heart racing for a second and caused near panic stall. You know how it is – when someone asks oenophile for a glass of wine on short notice, there is an instant desire to please, which translates into an attempt to identify the right bottle in a split second, thus you need to mentally flip through the content of all your wine cabinets (shelves) in the shortest amount of time, as nobody will be patiently waiting for you to perform the shelf dance for 20 minutes while the meat is getting cold.
I can honestly tell you that in a situation like that, the end result almost always ends up the same – I pull a bottle of Turley. Turley literally never disappoints, pretty much without any regard to the age, unlike many other amazing wines which simply can’t be appreciated until at least 10–15 years in the bottle. So the bottle I opened was 2014 Turley Zinfandel Cedarman Howell Mountain (15.6% ABV). There is a no bigger reward for the oenophile’s heart than to hear from someone you are trying to please “ohh, this is such good wine!” – and it really was. Rich, opulent, bursting with smokey blackberries and blueberries, you know that succulent and generous fruit you can’t just put down – the wine was stunning in its open generosity – and perfect balance.
The next day was my daughter’s 18th birthday, so needless to say that the appropriate bottle(s) had to be open. First, I always try to open a bottle of vintage matching the birth year. I don’t have a lot of 2002s laying around, unfortunately, so my decision fell on 2002 Lopez de Heredia Viña Gravonia Rioja DOC (12.5% ABV). Lopez de Heredia is one of the very best (and one of my most favorite) Rioja producers, so I’m always happy to open their wines. Lopez de Heredia white Rioja is legendary – white Riojas are still rare, and not all of them can age. This wine was an excellent example – it had a tremendous interplay of flavors in the glass, moving from succulent white plums, then showing tropical fruit undertones, then bristle with acidity to the point of young Chablis and ending with a beautiful oxidative profile of classic Jura Savagnin. If you like mature white wines, this is a delight for sure.
For the aged red, I decided to open the bottle of 1998 J. Kirkwood Merlot Napa Valley (13% ABV). I got a few bottles from the Benchmark Wine company last year at a great (incredible?) price of about $20 – I never heard of J. Kirkwood, so I really was going by the combination of age and price when ordering this wine. Boy, what a treat. Forget everything you know of and everything you think Merlot is. This wine was loaded with smoke, tar, and spices. Yes, there was a core of fruit, but not your typical aromatic cassis, more of the crunchy blackberries, smothered in exotic spices. Dense, brooding and delicious would be the right way to describe it – as long as I will not try comparing it with our last wine.
I’m sure you’ve been in the same situation. You have a special bottle of wine. You know it is not ready. You are 200% sure it is not ready. But then you simply get fixated on the idea that you want to open the bottle, especially when there is anything (anything!) to celebrate. And so my daughter’s birthday was a perfect reason to open the bottle of 2016 Andremily Wines Syrah No 5 California (15.5% ABV).
First I heard about Andremily wines after I signed up for the waiting list for the mailing list of Sine Qua Non, one of the most coveted wineries in the USA. While waiting to get on the mailing list (still waiting), one of the emails from the winery mentioned new projected, Andremily, related to the Sine Qua Non by way of the Jim Binn, who was working as a cellar master at Sine Qua Non. Jim started Andremily in 2011 with his wife Rachel, and the winery was named after their two kids, Andrew and Emily.
My first attempt to sign up for the Andremily list was also unsuccessful, but I finally got invited a few years after.
I have to tell you that opening that bottle was a mistake, but it was one mistake which I don’t regret. The note from the winery mentioned that it is recommended to decant the wine for 2–3 hours prior to drinking. I did that, and I have to say that 3 hours in decanter had no effect on the wine. Black color (not kidding), the wine was impossible to describe. It had an incredible aromatics of dark berries, ink, cola, iodine, a touch of barnyard. The palate was not tannic, but the power of this wine was beyond imagination – dense, chewy, ultra-concentrated, with dark fruit, tar, iodine, herbs, and sunny meadows, all attacking your senses at once. This was definitely not an enjoyable wine despite the 3 hours in the decanter.
I poured the wine back into the bottle, pumped the air out and tried it the next day. And the next day. And the next day. On day 3, it finally gave up and showed its true and beautiful character. Dark, succulent, tart cherries, sweet oak, pepper, sage, all mellowed down and started to sing together in a round, harmonious way. This wine needs patience, and the patient will be rewarded handsomely. For sure a memorable wine and experience.
These are not the happiest times we are living through, but still, there is plenty to enjoy (well, I always said that we, oenophiles, having it easier than all). What were your recent memorable wine encounters?
What a night! Notes from OTBN 2020
Open That Bottle Night is the best wine holiday out there. It is nice to celebrate all the individual grapes – Chardonnay Day, Albarigño Day and the likes – but that can’t compare with an opportunity to open a special or the most special bottle you have in your possession, and most importantly, share it with fellow oenophiles, the people who appreciate and respect that special bottle.
I’ve been lucky for two years in the row to be invited to someone’s house to celebrate OTBN – last year Jim VanBergen of JvBUncorked fame was our host, and this year John Fodera of the Tuscan Vines hosted of amazing wine night.
John did a great job organizing this memorable night for the group of people most of whom he never met face to face (yours truly included – we had been following each other for close to 10 years, but managed to avoid any face to face contacts until now) – he developed a loyal group of followers as Italian wines expert, and I’m sure everyone was happy to finally meet him in person.
John managed to come up with a great program. After the round of Lambrusco bubbles (which is the rave nowadays) we started the evening with two blind tastings. We had 2 groups of 3 wines each, trying to identify at least a place and type of wine, and ideally even the producer. We also voted for the group’s favorites. I generally suck at blind tastings, so I did poorly (as expected). I also decided not to use the external factors in the tasting (I.e., John is Italian wine guy, so we should simply expect all the wines to be Italian; another guess would be that as John’s blog is called Tuscan Vines, all the wines will be from Tuscany).
Here are my notes for the first flight:
Wine 1: Touch of mint, full-body, good structure, a touch of black currant – super Tuscan?
Wine 2: great concentration, dark fruit, layered, silky smooth – Montepulciano di Abruzzo?
Wine 3: nice fruit, bright, good structure. Super Tuscan? New World?
Needless to say that I was absolutely wrong with all three. Again, I could’ve used a bit of psychology and figure out that John would be pouring only Tuscan wines, but I deliberately refused to do so. The wines were perfectly polished and complex, all three, without screaming “I’m Chianti” with the appearance of leather, tobacco, or tart cherries. To make a long story short, all three wines happened to be Chianti Classico Gran Selezione from 2016 vintage, provided to John by Chianti Classico Consortium. In the order of appearance, these were the wines:
2016 Fèlsina Chianti Classico Colonia Gran Selezione DOCG ($NA, 100% Sangiovese)
2016 Rocca delle Macìe Riserva di Fizzano Chianti Classico Gran Selezione DOCG ($NA, 95% Sangiovese, 5% Merlot)
2016 Fontodi Vigna Del Sorbo Chianti Classico Gran Selezione DOCG ($NA, 100% Sangiovese)
I want to add that the second wine, Rocca delle Macìe Riserva di Fizzano, won a popular vote with 5 votes out of 10 – this was also my favorite wine.
The next flight consisted again of three wines. Here are my notes:
Wine 1: dark fruit, eucalyptus, crushed berries, green tannins – Bordeaux blend, can be from anywhere
Wine 2: Roasted meat, plums, salami, plums on the palate – Grenache/GSM? Can be from anywhere
Wine 3: too aggressive, green tannins, black currant. Bordeaux blend, can be from anywhere.
Again, I should’ve expected another line of Italian wines, but I thought John could play some tricks, so I didn’t go with an obvious idea of Super Tuscans. And I was wrong. All three wines were well known Super Tuscans (these three wines were courtesy of Kobrand Wines):
2017 Tenuta Sette Ponti Oreno Toscana IGP ($75, 50% Merlot, 40% Cabernet Sauvignon, 10% Petit Verdot)
2016 Tenuta San Guido Guidalberto Toscana IGP ($54, 60% Cabernet Sauvignon, 40% Merlot)
2016 Lodovico Antinori Tenuta di Biserno Il Pino di Biserno Toscana IGP ($70, Cabernet Franc with Merlot, Cabernet Sauvignon, and Petit Verdot)
I really didn’t appreciate the tannic nature of wines number one and number three, and those tannins were not only aggressive but literally biting. Oh well. Wine #1, Oreno, was the crowd’s favorite (7 votes out of 10). This time around my vote didn’t match the majority, as I went with the wine #2, Guidalberto, as this was the only drinkable wine for my palate.
After finishing the tasting and discussing the results, it was time to eat. First, there was pasta bolognese, which John masterfully prepared:
And then there was meat. John decided to spoil the group with 2.5” porterhouse steaks, to make Bistecca Fiorentine:
We went to work the grill which was an interesting adventure, mining the grill to prevent flare-ups on a cold night. We actually had to make two attempts to get the steaks right, as they were still mooing after the first pass. But we managed to produce something delicious in the end and not ruin the amazing steaks.
Now, time to meditate. Nope, this was not an organized food prayer session. What happened was that the bottle of Soldera Brunello di Montalcino was poured out of the decanter. Mike Giordano brought a bottle 1999 Soldera Brunello de Montalcino in completely unassuming, low key, way. Gianfranco Soldera was a legend, who bought a property called Case Basse in Montalcino in 1972, with an aim to produce the best Brunello wines. By 1990s Soldera wines reached cult status, coupling impeccable quality with small production. Talking about Gianfranco Soldera and his wines would be best suited for a separate dedicated post, as controversy completely surrounded him; I have to say that I never expected to taste his wines – until this memorable OTBN.
Just look at this color…
1999 Soldera Case Basse Brunello di Montalcino DOCG was truly a meditation wine. “Meditation wine” might not be a simple term to explain in words, but if you like wines, there is a chance that you experienced it one time or the other. The nose, the aroma, the bouquet of this wine were simply magical. Taking the whiff from the glass, the time was stopping – no need to try to analyze the amazing palette of flavors to come up with individual descriptors – this wine should be described purely on the sensory level, as every smell was bringing a pure, hedonistic pleasure. I didn’t care for food, I didn’t care for talking – I just wanted to take another smell, and another, and another. When I finally took a sip, the wine was magnificent on the palate too – a perfect balance of plums, cherries, textural layers, structure, sage, rosemary – a perfect harmony of flavors. It is quite possible that this was my wine of the year 2020 – I know it is only March, but this was an experience that is seriously hard to beat. I don’t feel that I should even try rating this wine, but if I would dare, this would be my second ever 10- (don’t ask me why not 10, I have no idea what my perfect 10 wine should smell and taste like).
After the meditation session, just a few words on the dinner. In addition to the delicious meat, John made a couple of side dishes – the sautéed white beans were an absolute hit, adored by all literally as much as the beef. John actually promised to share a recipe – you can find the recipe in this post.
This was not the end of our wine program. We also had 2016 Campochiarenti San Nicola Chianti Colli Senesi – Campochiarenti is a producer John is always raving about in his posts, so it was definitely interesting to finally taste this wine (Campochiarenti wines at the moment are not imported into the US, but available directly from the winery). The wine was classic and simple, and for about $12 (if it will be imported into the US, this is expected retail price) it will be definitely a great value. I brought a bottle of 2010 No Girls Grenache from Walla Walla in Washington, which was very tasty but radically non-Italian, so I don’t think it was well-received. I also brought one of my recent finds – 2016 Pedro Cancela Selecção do Enólogo from Dão, which was an old world and a lot closer to the overall theme, and an amazing QPR at $9 per bottle at the local Bottle King store. 2010 Capanna Brunello Di Montalcino was delicious, but it was a tough call to get everyone excited after experiencing the Soldera. Lastly, we had 1999 Natale Fantino Nepas Nebbiolo Passito Piedmont which was interestingly dry and light, but not necessarily my favorite.
That gives you more or less a full picture. We also had a wonderful spread of Italian desserts, and truth be told, for the first time ever I tasted cannoli which I liked. It appears that the good cannoli should be filled with cream at the moment of purchase and not before – now I will know.
And now we are done. How was your OTBN 2020? Cheers!
Festival of Lights
I like love wine.
But wine has nothing to do with today’s post.
I also love photography.
I had been a photography fan for a long time, much longer than I had been drinking wine. No, I don’t pretend to achieve any amazing greatness in photography, but I still truly enjoy taking the pictures and then sharing my view of the world with the world.
The time around Christmas and New Year celebration offers a lot of great picture taking opportunities – decorations are everywhere. Yesterday we visited LuminoCity Festival in New York City, which was an absolutely delightful spectacle, full of … yes, light, and creativity. Different worlds came together, from the North Pole to Africa, all beautifully set at the Randalls Island in Queens, with no shortage of ingenuity with music, lights and motion providing non-stop entertainment.
Below are a few glimpses of this beautiful world, which I had a lot of fun taking the pictures of with my new toy – iPhone 11 pro. One day I will master a quarter of the features the 11 pro camera offers, and it will be a good day – for now, here are some of my best efforts.
If you are in New York or will be visiting, the Festival is continuing until January 5th – I’m afraid that most of the times are sold out, however. Well, you can still try and see for yourself.
Enjoy!
Magnificent Tempranillo
Let’s start with some definitions:
Of course, you know what “magnificent” means. Still, I feel compelled to start with the definition to explain my rather overzealous title. After looking at the Merriam-Webster and Google definitions for “magnificent”, I decided to go with the one from Dictionary.com, as it perfectly underscores the emotions which I tried to express with this title.
Wine is personal. Wine solicit the emotion, but it is personal – the appeal of the liquid in the glass is first and foremost for the person who is taking a sip. Two people can have a sip of exactly the same wine and have completely opposite reactions – one might love it and the other might hate it. Thus calling the wine magnificent is personal – and it is simply the expression of the emotion one had after taking a sip of that wine.
Today Tempranillo is grown around the world. You can find delicious renditions coming from Australia, Napa Valley, Oregon, Lodi. My first Tempranillo love, however, is Rioja, and this is where it still stays. A sip of La Rioja Alta, Lopez de Heredia, CVNE, or El Coto makes everything right with the world. Same as with any other wine, Rioja can’t be taken for granted – you need to know the producer. But in the hands of the right producer, Rioja becomes … magnificent. It is the wine of exceptional beauty, it is extraordinarily fine and superb, and it is noble and sublime – exactly as the definition above says.
Of course, it is not just Rioja which makes Tempranillo a star. Ribera del Duero, located a bit more down south and central, is another source of magnificent Tempranillo wines – if you had a pleasure to try the wines from Emilio Moro, Pesquera, Vega Sicilia you know what I’m talking about. Again, in the hands of the good producers, Ribera del Duero Tempranillo is every drop magnificent.
To make this conversation about magnificent Tempranillo more practical I want to offer you my notes on a few samples of Tempranillo wines I had an opportunity to enjoy recently.
CVNE (Compañía Vinícola del Norte del España) needs no introduction for the Tempranillo fans. Founded in 1879 (yes, this year is the 140th anniversary of CVNE) by two brothers, the CVNE is still run by the family, and today consists of 4 wineries – CVNE, Imperial, Vina Real, and Contino. However, those are the Rioja wineries and today CVNE is taking its 140 years of winemaking experience to the other regions. Here is an example for you – Bela from Ribera del Duero.
The grapes for Bela wine came from 185 acres Tempranillo vineyard, located at the altitude of 2,400 feet in the village of Villalba de Duero and planted in 2002. Here is the story behind the name of the wine and the picture on the label: “Bela’s label is a facsimile of an old CVNE label from the 1910’s. The stars represent each of the children of CVNE’s cofounder, Eusebio Real de Asúa. His brother Raimundo, the other co‐founder, had no descendants. Each star represents one of the children: Sofia, Áurea, and Ramón. Sofia was known as Bela. We descend from her.”
2017 Bela Ribera Del Duero (14% ABV, $18, 100% Tempranillo, 6 months in 1-year-old American and French oak barrels)
Dark garnet, almost black
Roasted meat, coffee, cedar box
Beautifully complex palate, black cherries, blackberries, eucalyptus, fresh, balanced.
8-, excellent wine, built for the long haul, will evolve.
Contino was the first single-vineyard Rioja created by CVNE and the owners of the Contino estate (which takes its history from the 16th century). 150 acres Lacerna vineyard in Rioja Alavesa is the source of grapes for the Contino line of wines. Here is the story behind the name: “The “contino” was the officer in charge of a guard corps of a hundred soldiers who protected the royal family “de contino” (continuously) from the times of the Catholic Monarchs onwards. According to the tradition, Saint Gregory, the patron saint of vineyards, passed through the lands of this same Rioja property, giving rise to the use of his figure in the logo of this winery, and to the use of his name for some of the plots now planted with vines.”
2012 Contino Rioja Reserva Rioja DOC (13.5% ABV, $45, 85% Tempranillo,10% Graciano, 5% Mazuelo and Garnacha, 2 years in used American and French oak plus 2 years in the bottle)
Dark garnet, almost black
Cherries, cigar box
Bright, uplifting dark fruit medley, clean acidity, a touch of minerality, velvety texture with well-integrated tannins, perfect balance
8+, delicious, lots of pleasure in every sip
Bodegas Beronia was founded in 1973 by a group of friends who fell in love with La Rioja while visiting on a holiday. The name Beronia is not random – here is the explanation: “name linked to the history of the land where the winery is found. In the 3rd Century BC the area known as Rioja today was inhabited by a celtic tribe called the ‘Berones’. They inhabited the towns of Tricio, Varea and Leiva, marking the limits of the Berones region, today La Rioja.”
Originally, the wines were produced literally by friends for the friends, without much thought of commercial sales. In 1982, Bodegas Beronia became a part of González Byass family, and at that point wines of Bodegas Beronia started to appear on the international markets.
Bodegas Beronia Rioja wines represent an intersection of tradition and modernity. While “traditional” and “modern” styles of Rioja can be a subject of great debate with a lot of wine consumed to prove the point, I would offer a very simplistic viewpoint. Tempranillo has a great affinity to the oak; the resulting Rioja wine is well influenced by the oak regimen. Traditionally, Rioja is matured in American oak casks. Modern style Rioja often uses French oak. Here is your style distinction – American oak versus French. Bodegas Beronia goes a step further than many. They create their own barrels, using both American and French oak elements in one barrel. Thus the wine is not defined by blending of the separately aged components, but instead, it is aging in the mixed environment.
Here are the notes for the two wines I was able to taste:
2015 Bodegas Beronia Crianza Rioja DOC (13.5% ABV, $14.99, 91% Tempranillo, 8% Graciano, 1% Mazuelo, 12 months in American and French oak barrels)
Dark garnet
Vanilla, plums, cedar box
Fresh dark berries, ripe cherries, tobacco, a touch of sapidity, medium-plus body, clean acidity, a touch of eucalyptus, medium-long finish
8-, the second day was better than the first. 8+ day 2 and 3
2013 Bodegas Beronia Rioja Reserva DOC (13.5% ABV, $19.99, 95% Tempranillo, 4% Graciano, 1% Mazuelo, 3 years in American and French oak barrels and in the bottle)
Dark garnet
Plums, cherries, tobacco
Dark fruit, tar, tobacco, cherries, a touch of cherry pit, bright acidity, firm texture, noticeable minerality, medium finish
8, excellent. Day 3 is more open.
No, we are not done yet. I have one more Rioja to discuss with you – from Bodegas LAN.
Bodegas LAN was founded in 1972. Here is another winery name which is not random: “A name – LAN – composed of the initials of the three provinces that make up the D.O.Ca. Rioja: Logroño (now La Rioja), Álava and Navarra.” Bodegas LAN owns about 170 acres vineyard called Viña Lanciano, which is subdivided into the 22 parcels, each with a unique microclimate. These 22 parcels are growing Tempranillo, Garnacha, Mazuelo, and Graciano, most of them on the 40 -60 years old vines.
Grapes for LAN Xtrème Ecológico wine come from 12.5 acres parcel of 100% organically certified Tempranillo, located at the altitude of 1,200 feet.
2015 Bodegas LAN Xtrème Ecológico Crianza Rioja DOC (14.5% ABV, $15, 100% organically-certified Tempranillo, 14 months in new French oak, 9 months in the bottle)
Dark garnet, practically black
Cherries, cedar box, eucalyptus, tobacco, open and inviting
Gorgeous, layers of dark fruit, soft but present tannins, baking spices, firm and perfectly structured, tart cherries on the finish, tannins taking over.
8+, a long haul wine, will be perfect in 10 years or longer. A total steal at a price.
Culmen is one of the top wines made by Bodegas LAN, produced only in exceptional vintages. The grapes for this wine come from 13 acres El Rincón parcel, located at the 1,500 feet altitude.
2011 Bodegas LAN Culmen Rioja Reserva DOC (13.5% ABV, $55, 88% Tempranillo, 12% Graciano, 26 months in new French oak, 20 months in the bottle)
Dark garnet with a purple hue
Red and black fruit, roasted meat, warm granite, sweet cherries, medium-plus intensity
Fresh tart succulent cherries are popping in your mouth, changing into sour cherry compote with tar, tobacco and cedar box. Delicious long finish. Lots of pleasure in every sip.
8+/9-, outstanding.
Here you go, my friends. Six delicious, or shall we say, magnificent, Tempranillo renditions. I will be happy to drink any of them again, at a moment’s notice. What do you think of Tempranillo wines? Got any favorites to share? Cheers!
It Might Be Gone Already
Oenophiles are strange creatures. We love wine and derive out of it a tremendous amount of happiness, joy, and pleasure. We are also somewhat of a masochistic type. We like to torture ourselves around our beloved beverage. We can spend a lot of time trying to select a bottle of wine for a Monday night – multiply that by 10 if we are talking even about a casual Friday night. We need to take into account everything – the mood, the weather, who are we sharing the wine with, and on, and on.
One of the biggest problems we are always trying to solve is called “is it the time”. Yes, we know that it is a gamble. There is no science to know when the wine is ready to drink. And as we always like to enjoy the wine at its peak, we can take forever to decide on that right moment. And this is where the danger lurks – instead of getting the wine at its peak, we might be facing the wine which is … gone.
There are two types of special bottles we, oenophiles, get nervous around. There are those which we are trying to age to precisely hit the bullseye, the “oh my god” moment when tasting wine at its peak. The second type are those wines which we call “special”. “Special” is personal – a single bottle which reminds us of a wonderful trip or a moment in life, a special present from a dear friend, a super-rare or a super-expensive bottle we want to hold on to for as long as possible. Sometimes, this can be one and the same bottle which hits both characteristics. For the second type of “special” bottles there is the OTBN – ”Open That Bottle Night”, an event celebrated on the last Saturday in February, invented to help people to part with those special bottles. For the bottles we are waiting to become perfect… well, it might be the same OTBN, or maybe we just need to convince ourselves that “the time is now”.
This is what we decided to do, setting the theme for our wine dinner as “It might be gone already”. Usually, we set the rules for our tastings – what wines, what regions, what price ranges, etc. But for this dinner there were no rules – whatever anyone wants to have open, whatever the reason is to believe that the wine might be past prime (or not) – everything goes.
We managed to assemble a lot more wines than we were able to drink, so many of the wonderful bottles will have to wait until the next occasion. However, we still did great, finding lots of great surprises and enjoying the program very much. Here is my account of our tasting.
We started from a very simple wine – 2007 Saint-Hilaire Brut Blanquette de Limoux, a sparkling wine from the Languedoc, from the winery which claims that they were the first to make the Methodé Traditionelle wines, before Champagne ever saw a first bubble in the bottle. This is one of my most favorite sparkling wines – it is inexpensive ($12.99 or so), and tasty. But – 12 years old? That sounds like a little much for a wine like that. Nevertheless, it was perfect – still fresh, still a good amount of bubbles, a touch of yeast – a perfect start for our evening.
We continued our bubbly explorations with something of a truly next level – 1990 Dom Ruinart Ruinart Blanc de Blancs Champagne. Another perfect encounter – crisp, focused, a good amount of yeast and toasted bread – an outstanding vintage Champagne without a sign of age.
Italy is better known in the world as the source of great red wines. However, Italian whites shouldn’t be ignored. Jermann makes some of the very best Italian white wines, and these wines are unquestionably a world class. Vintage Tunina is a flagship wine, made out of a field blend of Sauvignon, Chardonnay, Ribolla Gialla, Malvasia, and a small percentage of a local sweet grape. According to the notes on the Jermann website, Vintage Tunina can age for 7–8 years, 10 in the exceptional vintages. This 2006 Jermann Vintage Tunina Venezia Giulia IGT was 13 years old, and in a word, it was superb. Bright, vibrant, whitestone fruit and a touch of honey, medium+ body – an outstanding wine.
Our next white was 2007 Château St Jean Chardonnay Reserve Sonoma County – it was not as impressive as Vintage Tunina, but still was not over the hill, with a good amount of white apple, a touch of butter, and good acidity. I never had this wine before, and understand from the people who did that the wine was starting its journey down the hill, but it was still quite enjoyable.
I was trying to convince my friends that our next wine was not ready to be opened – 2011 Antica Terra Erratica Rosé from Oregon. I had 2010 last year, and the wine was mind-blowing (ended up being wine #2 on my Top Wines list of 2018). After being ostracized – “what are you talking about, it is 8 years old Rosé ?!?!” – I angrily pulled out the cork. 2011 was equally mind-blowing to the last year’s 2010. Pungent, lip-smacking, full of smoky cranberries and herbs, medium body – delicious. I don’t know for how long this wine can age, but I would definitely love to see it with at least another 5 years of age. Oh well…
Now, we are reaching practically a culmination point of the evening – 1966 Château Leoville Poyferré St. Julien. Well, it was conditionally the culmination point – when I received this bottle 2 years ago, the capsule showed a significant amount of wine stain, which is an indication of the wine potentially slowly sipping through the cork. But – it was 1966, so that alone deserves the utmost respect.
As we expected, the wine was past its prime. It had dark brown color in the glass – a color you expect to see on a well-aged tawny port, but not on Bordeaux at any age. The wine had the tasting profile of a nice hearty stew, but again, not the Bordeaux. To be entirely honest, I enjoyed a few sips of it (my friends refused it almost instantly), but this was definitely not the wine anyone should drink.
I’m not going in the right order, but let’s talk about maybe the biggest disappointment of the evening – 2010 Yves Boyer-Martinot Meursault-Perrier. 9 years old white Burgundy should be way too young to drink. But then the Meursault wines have a known issue – Premature Oxidation, or PremOx as it is often abbreviated. Fear of PremOx was a driving factor behind the decision to open this wine. Unfortunately, the fear was justified – kind of. The wine was not oxidized – but it was literally undrinkable. It showed a little sign of life at first, and we decided to decant it – however, it didn’t help. The wine showed very tired, some stewed plums, no vibrancy of any kind. Definitely not a good surprise.
Let’s get back to the red wines. Our next wine was 1978 Barbera. The label lost practically all of its color, so I don’t know who was the producer. But the bottle had been very important memorabilia – at the age of 9, our friend Stefano was helping to bottle that exact wine, so it clearly had a special meaning. The wine was still drinkable, had good acidity and some dark fruit. Not amazing, but well drinkable.
The next two red wines aptly compensated for all the misgivings of our tasting. 1997 Shafer Firebreak Napa Valley, a blend of Sangiovese and Cabernet Sauvignon, was excellent. The core of the dark fruit and espresso, firm structure, excellent balance, the wine was alive and delicious. It is a pity that this wine is not produced anymore, as Shafer replaced all the plantings of Sangiovese with the other grapes – this was definitely a delicious wine.
And maybe for the biggest surprise of the evening, let me present to you 1995 Navarro Correas Coleccion Privada Cabernet Sauvignon Mendoza. What, you never heard of this wine? Me too! Until our tasting that is. When originally acquired, the wine price was something under $10. So who would expect that 24 years old simple Argentinian Cab would age so beautifully? The wine was fresh, no sign of age, tart cherries on the nose, the same tart cherries, herbs and a touch of sweet oak on the palate – the wine was going and going. A tasty, totally unexpected, surprise.
We had to finish this tasting with a dessert wine, didn’t we? 1988 Franciscan Estate Johannisberg Riesling Napa Valley, as rare and precious as you can find, as this wine is simply not produced anymore. This wine was definitely at its peak – beautiful figs, honey, and a perfect dose of acidity – an excellent finish to our great tasting.
Let’s try to summarize our tasting. Out of 11 wines, 6 can be safely designated as an “amazing experience”. Three wines were “good”. Two wines were a flap. I would take it as a very respectful, and very successful outcome – I’m sure you can think of a lot more tastings with a much lesser degree of success and enjoyment.
Here you are, my friends. Feel free to copy the idea – if you have anything reminiscent of a cellar, I’m sure you got the bottles that might benefit from being open. Open now, before it is too late. Cheers!
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