Archive
Daily Glass: Two Wines and The Sunset
Oenophiles are mysterious and easily influenced.
There.
Prove me wrong.
Here is the story of my weekend.
First, the “easily influenced” part, taking place on Saturday. My twitter wine friend Le Bov Vin #inmyglass likes to play a game – post a picture of a glass of wine with the description, asking everybody to guess the wine in the glass. Saturday’s post described the wine as “Redcherry.Blackfruit n strawberry,vanilla,licorice,hints of wood,smokedmeat Veryfresh,wellbalanced, polishedtannins,lingering finish“. My first guess was Pinotage, the second guess was leading to Washington Syrah/Grenache, but something here was also suggesting Spain, so I put all of these guesses into a tweet. After getting a confirmation that Spain is the right place, my first inclination was Ribera del Duero or Toro, as Rioja rarely would offer smoked meat notes – could’ve been something from Priorat, of course, but I decided to go with the first idea – and somehow I managed to hit it – the actual wine in the glass was Bodega Tinto Pesquera, one of the most classic producers from Ribera del Duero.
That made me crave Ribera del Duero wine, but somehow, while I always have a good amount of Rioja on hand, Ribera del Duero is a rare bird in my cellar. At this particular moment, it was as rare as none – but I recalled that I have a few bottles from Toro, the area down south from Ribera del Duero, producing densely concentrated and powerful renditions of Tempranillo, so I decided to obey my crave with 2015 Elias Mora Descarte Toro DO.
I wrote about this wine at the beginning of the year, when I called it Vinous Vino. Unlike the last time, I decided not to wait for the wine to come around slowly, and the wine went directly into the decanter upon opening. This definitely worked, as after about an hour in the decanter the wine showed massive and powerful, but also approachable enough to be enjoyed already, with dark cherries, espresso, and herbs-loaded profile.
Then there was Sunday, and the weather was noticeably cooler, one of the first cold days this fall so far. I wanted to sit down outside with a glass of wine, which obviously begged the question “what to open”. While going through the options inside my head, my inner voice insistingly proclaimed “Chardonnay”. I tried to argue – why Chardonnay, we can do Albarino, Chenin, Viognier, Riesling – but most importantly – why should it even be the white wine? It is cold enough to crave red! But the inner voice was unyielding – it has to be Chardonnay, there is nothing to discuss.
I don’t have a huge selection of Chardonnay, so the 2013 Lynmar Estate Chardonnay Russian River Valley (14.5% ABV) was almost the easiest choice. Boy, what a good choice it was… After a few minutes in the glass, the wine was singing with a core of vanilla with supporting voices of butter and green apples, all in perfect harmony. I don’t know if the wine was at its peak, or if it had another 10 years of life left – but it was perfect at the moment, no matter what mystery possessed me to open the bottle of Chardonnay.
And then there was the sunset. I love taking pictures of the sunset, one of my most favorite types of photography. I often can take a decent picture of sunset right from my backyard – not all of those worth sharing though. But this Sunday sunset happened to be really special. A little rain started all of a sudden in the evening, forcing me to seek cover under the umbrella on the deck. The rain was very short, maybe 5 minutes or less. Once the rain didn’t look bothersome anymore, I stepped out from under the umbrella to go sit in the chair in the backyard – and then I saw THIS:
It appears that rain before the sunset creates some truly magical conditions for the sunset – some of the most memorable sunset experiences all took place after the rain. Once I saw this sunset, I spent the next 15 minutes taking pictures, with the glass and without, every moment being special and really worth capturing. Below are some of those pictures, I hope you will enjoy them as much as I did while talking them:
That’s all I have to share for now. How was your weekend?
Magnificent Tempranillo
Let’s start with some definitions:
Of course, you know what “magnificent” means. Still, I feel compelled to start with the definition to explain my rather overzealous title. After looking at the Merriam-Webster and Google definitions for “magnificent”, I decided to go with the one from Dictionary.com, as it perfectly underscores the emotions which I tried to express with this title.
Wine is personal. Wine solicit the emotion, but it is personal – the appeal of the liquid in the glass is first and foremost for the person who is taking a sip. Two people can have a sip of exactly the same wine and have completely opposite reactions – one might love it and the other might hate it. Thus calling the wine magnificent is personal – and it is simply the expression of the emotion one had after taking a sip of that wine.
Today Tempranillo is grown around the world. You can find delicious renditions coming from Australia, Napa Valley, Oregon, Lodi. My first Tempranillo love, however, is Rioja, and this is where it still stays. A sip of La Rioja Alta, Lopez de Heredia, CVNE, or El Coto makes everything right with the world. Same as with any other wine, Rioja can’t be taken for granted – you need to know the producer. But in the hands of the right producer, Rioja becomes … magnificent. It is the wine of exceptional beauty, it is extraordinarily fine and superb, and it is noble and sublime – exactly as the definition above says.
Of course, it is not just Rioja which makes Tempranillo a star. Ribera del Duero, located a bit more down south and central, is another source of magnificent Tempranillo wines – if you had a pleasure to try the wines from Emilio Moro, Pesquera, Vega Sicilia you know what I’m talking about. Again, in the hands of the good producers, Ribera del Duero Tempranillo is every drop magnificent.
To make this conversation about magnificent Tempranillo more practical I want to offer you my notes on a few samples of Tempranillo wines I had an opportunity to enjoy recently.
CVNE (Compañía Vinícola del Norte del España) needs no introduction for the Tempranillo fans. Founded in 1879 (yes, this year is the 140th anniversary of CVNE) by two brothers, the CVNE is still run by the family, and today consists of 4 wineries – CVNE, Imperial, Vina Real, and Contino. However, those are the Rioja wineries and today CVNE is taking its 140 years of winemaking experience to the other regions. Here is an example for you – Bela from Ribera del Duero.
The grapes for Bela wine came from 185 acres Tempranillo vineyard, located at the altitude of 2,400 feet in the village of Villalba de Duero and planted in 2002. Here is the story behind the name of the wine and the picture on the label: “Bela’s label is a facsimile of an old CVNE label from the 1910’s. The stars represent each of the children of CVNE’s cofounder, Eusebio Real de Asúa. His brother Raimundo, the other co‐founder, had no descendants. Each star represents one of the children: Sofia, Áurea, and Ramón. Sofia was known as Bela. We descend from her.”
2017 Bela Ribera Del Duero (14% ABV, $18, 100% Tempranillo, 6 months in 1-year-old American and French oak barrels)
Dark garnet, almost black
Roasted meat, coffee, cedar box
Beautifully complex palate, black cherries, blackberries, eucalyptus, fresh, balanced.
8-, excellent wine, built for the long haul, will evolve.
Contino was the first single-vineyard Rioja created by CVNE and the owners of the Contino estate (which takes its history from the 16th century). 150 acres Lacerna vineyard in Rioja Alavesa is the source of grapes for the Contino line of wines. Here is the story behind the name: “The “contino” was the officer in charge of a guard corps of a hundred soldiers who protected the royal family “de contino” (continuously) from the times of the Catholic Monarchs onwards. According to the tradition, Saint Gregory, the patron saint of vineyards, passed through the lands of this same Rioja property, giving rise to the use of his figure in the logo of this winery, and to the use of his name for some of the plots now planted with vines.”
2012 Contino Rioja Reserva Rioja DOC (13.5% ABV, $45, 85% Tempranillo,10% Graciano, 5% Mazuelo and Garnacha, 2 years in used American and French oak plus 2 years in the bottle)
Dark garnet, almost black
Cherries, cigar box
Bright, uplifting dark fruit medley, clean acidity, a touch of minerality, velvety texture with well-integrated tannins, perfect balance
8+, delicious, lots of pleasure in every sip
Bodegas Beronia was founded in 1973 by a group of friends who fell in love with La Rioja while visiting on a holiday. The name Beronia is not random – here is the explanation: “name linked to the history of the land where the winery is found. In the 3rd Century BC the area known as Rioja today was inhabited by a celtic tribe called the ‘Berones’. They inhabited the towns of Tricio, Varea and Leiva, marking the limits of the Berones region, today La Rioja.”
Originally, the wines were produced literally by friends for the friends, without much thought of commercial sales. In 1982, Bodegas Beronia became a part of González Byass family, and at that point wines of Bodegas Beronia started to appear on the international markets.
Bodegas Beronia Rioja wines represent an intersection of tradition and modernity. While “traditional” and “modern” styles of Rioja can be a subject of great debate with a lot of wine consumed to prove the point, I would offer a very simplistic viewpoint. Tempranillo has a great affinity to the oak; the resulting Rioja wine is well influenced by the oak regimen. Traditionally, Rioja is matured in American oak casks. Modern style Rioja often uses French oak. Here is your style distinction – American oak versus French. Bodegas Beronia goes a step further than many. They create their own barrels, using both American and French oak elements in one barrel. Thus the wine is not defined by blending of the separately aged components, but instead, it is aging in the mixed environment.
Here are the notes for the two wines I was able to taste:
2015 Bodegas Beronia Crianza Rioja DOC (13.5% ABV, $14.99, 91% Tempranillo, 8% Graciano, 1% Mazuelo, 12 months in American and French oak barrels)
Dark garnet
Vanilla, plums, cedar box
Fresh dark berries, ripe cherries, tobacco, a touch of sapidity, medium-plus body, clean acidity, a touch of eucalyptus, medium-long finish
8-, the second day was better than the first. 8+ day 2 and 3
2013 Bodegas Beronia Rioja Reserva DOC (13.5% ABV, $19.99, 95% Tempranillo, 4% Graciano, 1% Mazuelo, 3 years in American and French oak barrels and in the bottle)
Dark garnet
Plums, cherries, tobacco
Dark fruit, tar, tobacco, cherries, a touch of cherry pit, bright acidity, firm texture, noticeable minerality, medium finish
8, excellent. Day 3 is more open.
No, we are not done yet. I have one more Rioja to discuss with you – from Bodegas LAN.
Bodegas LAN was founded in 1972. Here is another winery name which is not random: “A name – LAN – composed of the initials of the three provinces that make up the D.O.Ca. Rioja: Logroño (now La Rioja), Álava and Navarra.” Bodegas LAN owns about 170 acres vineyard called Viña Lanciano, which is subdivided into the 22 parcels, each with a unique microclimate. These 22 parcels are growing Tempranillo, Garnacha, Mazuelo, and Graciano, most of them on the 40 -60 years old vines.
Grapes for LAN Xtrème Ecológico wine come from 12.5 acres parcel of 100% organically certified Tempranillo, located at the altitude of 1,200 feet.
2015 Bodegas LAN Xtrème Ecológico Crianza Rioja DOC (14.5% ABV, $15, 100% organically-certified Tempranillo, 14 months in new French oak, 9 months in the bottle)
Dark garnet, practically black
Cherries, cedar box, eucalyptus, tobacco, open and inviting
Gorgeous, layers of dark fruit, soft but present tannins, baking spices, firm and perfectly structured, tart cherries on the finish, tannins taking over.
8+, a long haul wine, will be perfect in 10 years or longer. A total steal at a price.
Culmen is one of the top wines made by Bodegas LAN, produced only in exceptional vintages. The grapes for this wine come from 13 acres El Rincón parcel, located at the 1,500 feet altitude.
2011 Bodegas LAN Culmen Rioja Reserva DOC (13.5% ABV, $55, 88% Tempranillo, 12% Graciano, 26 months in new French oak, 20 months in the bottle)
Dark garnet with a purple hue
Red and black fruit, roasted meat, warm granite, sweet cherries, medium-plus intensity
Fresh tart succulent cherries are popping in your mouth, changing into sour cherry compote with tar, tobacco and cedar box. Delicious long finish. Lots of pleasure in every sip.
8+/9-, outstanding.
Here you go, my friends. Six delicious, or shall we say, magnificent, Tempranillo renditions. I will be happy to drink any of them again, at a moment’s notice. What do you think of Tempranillo wines? Got any favorites to share? Cheers!
The Art of Tempranillo
I love Tempranillo wines. I wouldn’t call myself an expert, but I had a wide range of Tempranillo – with the exception of Australia, I believe I tried most of the major renditions – Rioja, Ribera Del Duero, Toro, most everywhere else in Spain, Texas, California, Oregon, Washington (am I missing something? do tell!). With all the love and respect to all the regions, if I have to put an order of priorities in that “list”, I would put Rioja first, Ribera del Duero very close second, but the competition for the 3rd place would be severe – in my world, of course.
I like wines of Toro, the closest sibling to the Rioja and Ribera del Duero, but it would be hard for me to place them higher than some of the beautiful Tempranillo renditions from Irwin Family Vineyards, Duchman, or Fields – considering the Toro wines I had in the past. Compared to Rioja and Ribera del Duero, Toro is … well, maybe I need to explain why I keep mentioning Rioja, Ribera del Duero, and Toro together all the time. These are the only three regions in the world where the absolute majority of the red wines is made out of the Tempranillo grapes. Yes, there are Garnacha and Graciano in Rioja, Cabernet Sauvignon and Merlot in Ribera del Duero, but still – most of the red wines in these three regions are made out of the Tempranillo, hence the constant comparison.
Out of the three regions, Toro is south-most one, with an expressly continental climate, low annual rainfall amounts, and significant range of day-night temperatures – which typically translates well into the flavor. Tempranillo is the grape of Toro, but similarly to Tuscany/Brunello, where you have Sangiovese and Sangiovese Grosso, Tempranillo in Toro is known as Tinta de Toro, a.k.a Tempranillo de Castilla, a.k.a. Ink of Toro. The grape is a bit smaller, with thicker skin, which coupled with growing conditions typically results, in massive, concentrated wines requiring extensive aging to become drinkable – I still have a memory of trying Alabaster made by Sierra Cantabria, one of the well-known producers in Toro, which was one of the most massive wines I ever experienced. Nevertheless, as I said at the beginning, Tempranillo is one of the favorites, so when the opportunity called to try 3 wines from Toro, I was definitely curious – and a bit cautious at the same time.
To ease things up, together with the 3 Toro wines from Bodega Matsu came a bottle of Rioja Reserva from Bodega Classica. While coming from unrelated producers, there is a common link between them – this link is called Vintae – a young company with a serious passion for the Spanish wine for the modern world. Vintae, started in 1999 by the Arambarri family, set on changing world’s perception of the Spanish wine as “boring”. To the date, Vintae unifies a collection of 11 different “projects”, all focused on showcasing the regions and the grapes.
Going back to the wines at hand, let’s talk about Rioja first. The wine comes from Bodega Classica, located in the heart of Rioja Alta. Rioja Alta offers a unique high-altitude setting to produce arguably the best Tempranillo of the whole of Rioja region. Couple that with more than 100 years old vineyards, and you are looking at some tasty opportunities in the bottle, as this Bodega Classica Hacienda López de Haro Rioja Reserva was. Here are my notes:
2013 Bodega Classica Hacienda López de Haro Rioja Reserva DOCa (13.5% ABV, $16.99, 90% Tempranillo, 5% Garnacha, 5% Graciano, 20 months in French and American oak)
Dark garnet color
Pepper, vanilla, raspberries, mushrooms, nice minerality
Medium body, good acidity, noticeable alcohol burn initially, went away in about 15 minutes, good fruit showed up, characteristic cedar notes, good acidity, round, soft.
8-, nice, just give it a bit of time to soften up at the beginning. The second day continued without changes. Good life expectancy, as expected of Rioja Reserva. And an excellent QPR.
Now, let’s go back to Toro. As I already said, in my prior experience, Toro wines were massive and concentrated, requiring long aging to soften and really show a beautiful expression of Tempranillo. And then there were wines called Matsu.
Matsu in means “wait” in Japanese. As we all know, waiting is one of the favorite games of oenophiles. When it comes to the three Matsu wines I had an opportunity to taste, there are many different levels of “waiting”. The wines had been progressively aged for the longer times before the release – 3 months for El Picaro, 14 months for El Recio, 16 months for El Viejo. The grapes were harvested from the vines of different age (again, progressively) – 50-70 years old for El Picaro, 90-100 years old for El Recio, more than 100 years old for El Viejo. See, waiting here is clearly a part of the equation.
And then there are those ultra-creative labels. Not only labels commemorate people who actually worked to create the wines, they clearly identify what you should expect from the wines – in age, in style, and even in price. I conducted a little experiment, first with my kids, and then with the people on Instagram, asking them to identify the most expensive wine – nobody made a mistake, the labels speak very clearly to us.
How were the wines? Surprising. Probably the best Toro wines I ever had – without any regard to the pricing category. Here are my notes, so you can see for yourself:
2016 Bodega Matsu El Picaro Toro DO (14.5% ABV, $13.99, 100% Tinta de Toro, 50 – 70 years old vines, 3 months minimum aging on the lees, concrete tanks)
Bright ruby color, noticeable legs, minimal rim variation
Young fresh berries, medium+ intensity, a touch of vanilla
Surprisingly light on the palate, pleasant tannins, fresh berries, very quaffable.
8-, might be the lightest rendition of Toro I ever had. The smell is a bit more complex on the second day. Palate nicely evolved, good balance, raspberries, no more impression of the young wine, lots of minerality.
2015 Bodega Matsu El Recio Toro DO (14.5% ABV, $21.99, 100% Tinta de Toro, 90 – 100 years old vines, 14 months aging in second use oak barrels)
Garnet color, noticeable legs, minimal rim variation too
Sage, fresh raspberries, quite fruity, roasted notes, minerality, distant hint of cinnamon
Underripe plums, blueberries, thyme, nice herbal component, surprisingly light, still noticeable alcohol, needs more time
8-, needs time. Second day: 8/8+, velvety texture, well integrated, excellent balance, a touch of tobacco and espresso on the palate and ripe plums. Outstanding.
2015 Bodega Matsu El Viejo Toro DO (15% ABV, $46.99, 100% Tinta de Toro, 100+ years old vines, 16 months in new French oak barrels)
Garnet Color, noticeable legs, rim variation is not extensive, but present
Sweet blueberries and raspberries on the nose, sage, sweet oak
8- first day, waiting for more.
Second day: 8, much evolved, more integrated, velvety texture, dark fruit, round, smooth. Will evolve further.
Here you are, my friends – the Art of Wine, from the label to the glass. Very impressive and thought-provoking wines, definitely worth seeking. Have you had any of these wines? Have you had Toro wines before? Do you have any Tempranillo favorites? Cheers!
One on One with Winemaker: José Moro of Bodegas Cepa 21
When it comes to Spanish wines, Ribera Del Duero is probably most iconic and best-known region worldwide – I know some will say it should be Priorat or Rioja, but let’s leave this argument for another time. Hold on, here is a bit of stats to support my statement. If you will look at the Wine Spectator Classic ratings (95-100, best of the best), you will find 38 wines from Ribera Del Duero, 24 from Rioja and only 11 from Priorat rated in that category. And while in Ribera Del Duero, do you know which wine has the top Wine Spectator rating of all times? 2004 Bodegas Emilio Moro Ribera del Duero Malleolus de Sanchomartin.
No, this is not the wine we will be talking about here, but – it is perfectly connected to our story. First commercial wine under Bodegas Emilio Moro name was released in 1989 – however, Moro family’s viticultural traditions and experience go all the way back to the beginning of the 20th century, starting with Don Emilio Moro, a first generation vigneron. Today, in its third generation, Bodegas Emilio Moro continues to build upon a century of traditions and tried and true techniques. And now we are getting to the actual subject of this post – the latest venture of the Moro family – Bodegas Cepa 21.
Bodegas Cepa 21 was created by brothers José and Javier Moro, the third generation vignerons. It is located in the heart of Ribero del Duero region, in the area known as “The Golden Mile”. It is worth noting the Ribera Del Duero comprise highest altitude vineyards in Spain, located at 2,400 – 3,300 feet above sea level. Bodegas Cepa 21 farms 125 acres of estate vineyards, and has another 125 acres under direct control through the agreements with wine growers. All 4 wines produced at Bodegas Cepa 21 are made out of one and the same grape – Tempranillo, albeit it is their own “Moro clone”, cultivated for more than a century.
Instead of inundating you with more information which you can easily find at Bodegas Cepa 21 website, I had an opportunity to [virtually] sit down with José Moro, an owner and winemaker at Bodegas Cepa 21, and inundate him with the barrage of questions – and now I can share that conversation with you:
[TaV]: Cepa 21 name implies that this is the winery for the 21st century. By the time when Cepa 21 was created, Emilio Moro was well known and very successful business. What was the motivation for the creation of the Cepa 21 winery and the brand overall? What sets Cepa 21 apart from the Emilio Moro?
[JM]: Cepa 21 is the project of the third generation of the Moro Family. We were eager to experiment with a different terroir and a diverse expression of the Tempranillo variety. Our goal was to find the maximum expression of the Tempranillo variety, respecting the finesse and elegance of the grape.
In that sense, Emilio Moro and Cepa 21 have several differences. For starters, Cepa 21 vineyards are orientated to the north whereas Emilio Moro vineyards have a southern orientation. The climate is another differentiating factor (colder in Cepa 21) and the way we classify our wines also differs. In Emilio Moro we classify attending to the age of the vineyard and its vines, whereas in Cepa 21 we classify according to the altitude of the vineyards.
The result: Cepa 21 wines are subtle but structured, fresh and yet complex, elegant and full of personality and they have an interesting aromatic palate.
[TaV]: What is 21st century winery and how Cepa 21 fits into that image? Are you also trying to appeal to millennials with this wine?
[JM]: From the moment people see the building in Cepa 21, a black and white minimalist structure with an air of “chateaux française” raising among vineyards, they realize they are about to discover something made for this century. Innovation has also been one of the key values throughout the winemaking process. It’s this union of modernity and our unique Tinto Fino clone that turn Cepa 21 wines into a traditional and yet modern wines made for today’s consumers. I believe it is them who define modern winemaking, and not the other way around… And in Cepa 21 we make a continuous effort so our wines exceed the expectations of these new consumers.
[TaV]: It seems that previous vintage for Cepa 21 was 2011, and now the current vintage is 2014. Does it mean that Cepa 21 wines are only produced in the best years?
[JM]: We have maximum quality standards for our wines, so if a vintage doesn’t have enough quality, we simply don’t bottle it. This is a way of guaranteeing consumers that if they buy a bottle of our wine, it will meet their expectations, whatever the vintage they choose to purchase.
[TaV]: Ever since the inception of Cepa 21, what were your most favorite and most difficult vintages and why?
[JM]: 2011 was an excellent vintage, one of the best in the Ribera del Duero. The climatology was perfect for our variety, with sequential rainfall that resulted in a powerful vintage of great quality wines. 2015 was also an outstanding vintage; hot temperatures and hard work resulted in very promising wines.
2009 was a really difficult vintage. It was extremely rainy and cold, with frequent hails that stopped the vegetative cycle of the plant. It was a vintage to forget.
[TaV]: What are your biggest/most important markets for Cepa 21?
[JM]: Cepa 21 is a young winery, but its growing at a fast pace. We export our wine all over the world, from Asia to the United States, and we continue to grow internationally. The US is one of our key markets this year, but we also focus in European countries and in our own, Spain.
[TaV]: Along the same lines, do you sell in China, Cepa 21 or Emilio Moro wines? Even broader, are Ribera del Duero wines known/popular in China?
[JM]: Yes, we do sell in China and we are proud to say our wines are very well regarded in this market, although we recognize there is still a lot of work to be done. I often visit China and talk about the potential of our DO, which is popular in China but still has a lot of potential.
[TaV]: Do you grow any other grapes than Tinto Fino at any of the Emilio Moro/Cepa 21 properties? If you don’t, do you have any plans to start growing any other grapes?
[JM]: We recently announced in Spain that we are starting a project in El Bierzo. We are looking into producing a white wine that’s 100% Godello, a grape that stands out for its elegance and finesse. We are only in the initial phase, but we are sure of the potential of this relatively unknown grape.
[TaV]: It seems that Tinto Fino is one and only grape used at Cepa 21 (and also at the Emilio Moro too). Do you ever find it limiting (the fact that you only have one grape to work with)?
[JM]: Tempranillo is king in Spain, it is the national grape, and our Tinto Fino clone we use to graft each and every one of our vines is what moves us, our reason of being. No, we don’t find it limiting at all.
[TaV]: On your website, I saw a reference to “Moro clone” – is Tinto Fino from your vineyards actually different from the mainstream Tempranillo?
[JM]: Definitely. We grafted our vines with a unique Tinto Fino clone to achieve the maximum expression of the variety. It allows us to produce wines that age beautifully, that embrace the flavors given by the barrel during ageing and of great quality.
The cluster is smaller and looser, the vines produce less grapes – For us, quality is more important than quantity – but offer fruit that ages beautifully in the bottle.
[TaV]: Are the general challenges facing Ribero del Duero region, or is everything great in its winemaking world?
[JM]: We had to reinvent ourselves due to the economic crisis that Spain has been experiencing for the last years. The Moro family embarked on a new project with Cepa 21. It was a winery that was only going to produce the wine that bears its name, but during the worst part of the crisis we launched “Hito”. It means “milestone” – And it definitely was one. We have never stopped evolving since then.
[TaV]: To the best of my understanding, Cepa 21 practices what is called a “sustainable viticulture” – dry farming, etc. Do you have any plans to advance to organic methods, or maybe even biodynamic?
[JM]: Not at the moment. But we respect the climate 100%… We only work with what our environment gives us, and we use no artificial irrigation.
[TaV]: When it comes to the wines of Ribera del Duero, outside of your own wines, do you have any other favorite wineries?
[JM]: The Ribera del Duero is an area known for its viticulture tradition. There are many great wineries in this area – Apart from Emilio Moro and Cepa 21, I wouldn’t be able to pick a favorite.
[TaV]: The same question, now going beyond Ribera del Duero – any favorites in Rioja and Toro?
[JM]: I enjoy drinking wines from Bodegas Muga, Bodegas Eguren, and Bodegas Sierra Cantabria. They all produce amazing wines.
[TaV]: Are the Cepa 21 wines made for the immediate consumption or will they benefit from some age?
[JM]: Hito Rosado and Hito are our rosé and our young wines and, as such, they are better when drunk shortly after they are released. Cepa 21 and Malabrigo, even though they can be enjoyed when they are released, will greatly benefit from ageing in the bottle: They will evolve beautifully.
[TaV]: What is next for you? Are there any new projects in the making, maybe even outside of Ribera del Duero?
[JM]: Like I said before, we do have a project in El Bierzo with 100% Godello grape. Until we release that wine, whenever that may be, we will continue promoting our wines abroad to show the true potential of the Spanish Tinto Fino and our unique clone.
Now, after reading all this, it is time for some wine! 2011 Cepa Tempranillo made it to the Wine Spectator 2016 Top 100 list, so obviously it instantly disappeared from all of the stores. I was very happy to try the 2014 rendition, which now should be getting into the stores near you:
2014 Bodegas Cepa 21 Tempranillo Ribera Del Duero (14% ABV, $25, 100% Tempranillo, 12 months in French oak)
C: dark garnet, inky
N: lavender, fresh blackberries, cigar box, typical Tempranillo nose
P: ripe plums, well integrated, dusty tannins, eucalyptus, smooth, clean acidity, excellent balance.
V: 8/8+, excellent now and will evolve.
That’s all I have for you, my friends. Great history, great present, great future – all through the hard work and passion. And luckily, we all get the wine we can enjoy. Cheers!
Celebrate Tempranillo!
I hope you are done with that celebratory bottle of Merlot from the last week, as a brand new grape celebration is upon us. This time, it is about the grape which is not as widespread as Merlot, but still a foundation of some of the absolutely best wines in the world – dark skinned grape called Tempranillo. On Thursday, November 12, we will be celebrating International Tempranillo Day, with festivities around the world as you can see at the TAPAS web site.
First and foremost, Tempranillo means Spain – Rioja, Ribera deal Duero, Toro and many other regions in Spain craft world class wines which rival in their longevity wines of Northern Rhône and Bordeaux (but still quite affordable, opposite to the latter).
Of course Tempranillo’s success is not confined to Spain only – Texas makes excellent Tempranillo wines, with some interesting efforts in California (for instance, Irwin Family – delicious!), Washington, Oregon and Australia. Tempranillo also shines in Portugal under the names of Tinta Roriz and Aragonez.
I can spend hours going through my favorite Tempranillo wines and experiences – just search this blog for “Tempranillo”, you will see what I’m talking about. Instead, I want to mention just my most recent encounter with Tempranillo wines from two weeks ago – Ramón Bilbao Rioja.
2011 Ramón Bilbao Rioja Crianza (13.5% ABV, $14, 100% Tempranillo, 14 month in oak) – open inviting nose of the fresh dark fruit with touch of cedar box. Fresh, firm, well structured on the palate, nice core of ripe cherries, eucalyptus, pencil shavings and touch of espresso, good acidity, overall very balanced. A perfect example of wine which is drinkable now, and will gladly evolve for the next 10–15 years. Also at the price – very hard to beat QPR.
What are your Tempranillo experiences? Got any favorites or celebration plans you care to share? Please do so below. And until the next grape holiday – cheers!
World-class American Tempranillo
If you will ask me “what is your favorite wine”, I would always honestly tell you that I don’t have one. Which is generally a true statement. With may be an exception of the Spanish wines – and Tempranillo wines in particular. Deep, deep down, I know that I have a tiny bias towards Tempranillo. Or at least if you will ask about the most memorable wine experiences, Tempranillo wines would be definitely at the forefront.
The “world-class” is not necessarily a generic term when it comes to wines – but this is how I like to refer to the wines which are best of the best in my opinion. The “world-class” in my vocabulary is reserved to the wines which don’t leave you indifferent; these wines solicit emotional response from the person drinking them, and for the most cases that response is a simple three letter “word” – wow (is this actually a word? Not so sure…).
Tempranillo is a great grape of Spain. Rioja, Ribera del Duero and Toro are close to any oenophile’s heart, with lots of unquestionably world-class wines, with hundreds years of winemaking history. Tempranillo made it to the California at the beginning of the 20th century, but was planted in the wrong places too many times (Tempranillo does the best on higher appellations and in the cooler climates), and was mostly used in the blends. In the 1990s, it made it to Oregon, Washington and then Texas, where it started showing excellent results in the single-varietal wines. I had an opportunity to taste single-varietal Tempranillo from Abacela winery in Oregon, and few of the Tempranillo wines from Texas, and they all were good and promising wines.
Couple of days after I published my Spanish Wine Recommendations posts, I got an email from Danielle Irwin, who I knew as a blogger at Naggiar Vineyards, the winery in the Sierra Foothills region in California, where her husband Derek works as a winemaker. Danielle offered to send me a sample of their Tempranillo wine, bottled under their own label as Irwin Family Vineyards. As you can imagine, I gleefully agreed (I rarely refuse a sample, never mind a bottle of Tempranillo), and in a few days the package arrived with two bottles and a letter from Derek inside. The letter included all the technical details regarding the Tempranillo bottle, as to where the grapes were growing (specific plot of the estate vineyard at 1,500 ft elevation), when the grapes were picked (in October 2010), how grapes were fermented (stainless steel and large format French oak barrels) and then how the wine was aged. I let the wine rest for a few days after the trip (to try to avoid “bottle shock”), but then patience worn out, and I opened that bottle…
2010 Irwin Family Tempranillo Piedra Roja Block 22 Sierra Foothills ($36, 13.5% ABV, 90% French Oak, 10% American Oak, 28 month)
Color: Dark garnet
Nose: Cherries, cedar box, spices
Palate: Dense, chewy, layered, blackberries, dusty texture (reminiscent of the famous Rutherford Dust). Great complementing tannins, soft but well supporting the structure. Perfect balance. Coffee and mocha in the long lingering finish.
Verdict: outright delicious, world-class wine. Drinkability: 8+. I would drink this wine in a heartbeat at any time. As an interesting side note, the wine paired amazingly well with the Comte cheese.
Derek mentioned in his note that this wine was inspired by the wines of Toro region, which typically are the most concentrated renditions of the Tempranillo, and I definitely see that parallel.
The second bottle was a Tempranillo blend:
2013 Irwin Family Vineyards The Bull Sierra Foothills ($24, 13.8% ABV, 44% Tempranillo, 28% Malbec, 28% Petite Sirah)
Color: Dark Garnet
Nose: sweet plums, vanilla, nutmeg, dark chocolate
Palate: medium body, touch of spices, perfect acidity, nice textural presence, nutmeg, impeccable balance, lots of dark chocolate both on the palate and in the medium-long finish
Verdict: Delicious! Drinkability: 8. Bonus: works very well with food, especially charcuterie (meat and cheese).
There you go, my friends – two delicious wines from the region which I really want to explore in depth (Sierra Foothills), and the world-class American Tempranillo. You don’t have to believe me – head over to the Napa and taste it at Irwin Family Vineyards, or sign up for their wine club (Tempranillo is only available for the club members). Cheers!