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Tale of Two Reds – Are All Wine Lovers Eternal Optimists?
Let’s talk about red wines. And optimism. The connection between the two? You will see – give me a few minutes.
Let’s start from a simple question – how many chances do you give to a bottle of wine? Fine, let’s rephrase it. You open a bottle of wine. It is not corked, or if you think it is, you are not 100% sure. You taste the wine. The wine is not spoiled, but you don’t like it – doesn’t matter why, we are not interested in the reason – the bottom line is that it doesn’t give you pleasure. What do you do next?
Of course, breathing is the thing. You let the wine breathe – you pour it into a decanter, and let is stand – few hours, at least. You taste it again – and it still doesn’t make you happy. Your next action?
Let’s take a few notes here. First, we are not talking about the wine you feel obliged to drink – it is not a $200 bottle, it is not a first-growth Bordeaux – it is an average bottle of wine, let’s say, of $20-$40 value. Second, it is a quiet evening – let’s say, it is you and your spouse, and you have a luxury of opening another bottle of wine to enjoy.
As we said, two hours in decanter didn’t do anything. And another 4 hours didn’t help either. Or maybe you didn’t use the decanter, as you only wanted a glass, and dealing with moving the wine in and out of decanter was not your priority, so the wine was standing in the open bottle. In any case, it is the end of the day, and it is time to go to sleep – and the wine is still not what you want to drink. What is next?
At this point, you got a few options – leave the bottle on the counter, dump it into the sink, put it aside into the “to cook with” section, or pump the air out and see what the next day will bring. Let’s assume you’ve chosen the latter option, but the next day didn’t improve the situation – for how long will you keep trying?
While I’m sending you on the trip down the memory lane (or maybe not), let me share with you my most recent experience. On December 31st, I opened the bottle of 2012 Codice Citra Laus Vitae Riserva Montepulciano d’Abruzzo DOP (14% ABV, $32). I had very high expectations of this bottle for a few reasons. First, the bottle itself is a BAB (for the uninitiated, it stands for Big Ass Bottle – a heavy, thick glass, pleasant to hold, bottle), which always creates high expectations for me. Second, I have high respect to the Montepulciano d’Abruzzo – was surprised with the quality more often than not. Third, I just tasted through the samples of a new line of wines from the same producer, Codice Citra (the line is called Ferzo), four delicious wines, more about it in a later post – obviously, all of this added up to the expectations. Only the first sip delivered nothing but disappointment.
I took a sip of the wine, all ready to say “wow”, and instead the first thought was – “heat damage”? Most prominent note on the palate was stewed fruit, which is definitely a problem for the 6/7 years old wine, clearly meant to have a long cellar life. What happened? Was the wine stored improperly? No way I can pour this to my guests, so put the cork in, pump the air out and let’s see what will happen.
Every day from there on, I would pull the cork out, pour a glass, taste, and sigh. Still, the stewed fruit in various amounts – day three seem to show some improvement only to go back on day 4. Can you see me winding up the drama? What do you expect happened on day 5?
January 4th, I’m pouring another glass, not expecting anything good, but willing to finish the “experiment”, and subconsciously still surprised that BAB didn’t deliver. The first sip extorts “wow” and the thought of “what just happened”? The core of pure, ripe, tart cherries with a touch of a cherry pit, the hallmark of good Montepulciano, is laughing at me. Firm structure, fresh tannins, balancing acidity – the transformation couldn’t have been more dramatic. I thoroughly enjoyed every last drop of that wine, still utterly amazed at how little I understand in the mystery of the wine.
The second wine, which I happened to open a day later, but played with in parallel to the Montepulciano, worked in a very similar fashion. I got the bottle of 2014 Ernesto Catena “Tikal Amorio” Malbec Mendoza Argentina (13.5% ABV, $30) as the present from Chuck Prevatte of Food, Wine, Beer, Travel blog as part of the “Secret Wine Santa” fun originated and run by Jeff Kralik, a.k.a. The Drunken Cyclist. Chuck sent me a bottle with the message that Malbec is his favorite wine, and he was hoping that I will also enjoy his selection.
Okay, so here is another gaping hole in my “I don’t discriminate against any wine” adage – Argentinian Malbec is not my thing. I will gladly jump at Cahors, but given an option, unless I perfectly know the producer and the wine, I will avoid Argentinian Malbec as a generic category (as an example Broquel, Kaiken, Achaval-Ferrer, Trapiche are all on the “good list”). Yes, I will still try the Malbec I don’t know (someone has to eat the broccoli, right?), but only if asked. If you are interested in the reason, it has something to do with the flavor profile – I had a lot of Argentinian Malbecs which lack acidity and have too much of the overripe fruit and baking spices – interestingly enough, that exact flavor profile often wins the “easy to drink” praise among wine consumers.
Anyway, the Tikal Amorio Malbec had a very attractive label and sounded good from the description – the wine was created for the love of the grape and represented a blend of Malbec grapes from 3 different vineyard sites in Mendoza. Besides, it was recommended, so as I was opening the bottle, the thought was a happy “what if…” The first sip, however, brought (I’m sure you guessed it) the “this is why I don’t like the Argentinian Malbec” sigh – flabby fruit, very little acidity, and lots of baking spices. Ooh. I will spare you the day by day description – not much changed over the three days. But on the 4th day… The first sip brought in perfectly ripe blueberries with the core of acidity – nothing flabby, perfect structure, firm, fresh “pop in your mouth” blueberries with undertones of tobacco. The wine beautifully transformed (another mystery), and similarly to the Montepulciano, was gone in no time.
Here it is, my friends, a tale of two reds – and an ode to the optimism, don’t you think? Have you been in a similar situation? What do you do when you discover the wine you don’t like at first sight? How many chances would you give it? Cheers!
Top Wines of 2018
And the time has come to summarize the most memorable wine experiences of 2018 – here is the list of about dozen of wines which made a lasting impression. The top wines list at Talk-a-Vino typically consists of two parts, as I can never limit myself to one dozen of wines – you can find the second part of the Top Wines of 2018 list here. That “second dozen” post also provides a bit more explanation behind the logic of this list. Without further ado, let me present to you my top wines of 2018:
13. 1997 Chalone Vineyard Pinot Blanc Monterey County California ($NA) – there are always those wines which you look at and say “yeah, whatever, let’s just try it before we will pour it out”. And then your thought (after the sip) is “what, wait, really?” This was one of such wines – 21 years old white wine, Pinot Blanc from California – no doubts it already turned into vinegar, right? Wrong! Whitestone fruit, good acidity, nicely plump – it was a great surprise and an excellent evening opener.
12. 1995 Caves São João Quinta do Poço do Lobo Reserva Bairrada DOC Portugal ($22 @ Last Bottle) – despite the serious age, this wine was just released, and I scored a few bottles thanks to the Last Bottle. I know that Portugal makes great wines which can age, but this wine still went beyond expectations – perfectly fresh, perfectly concentrated, perfectly delicious. I brought a bottle to share during the after-party at the Wine Bloggers Conference this year, and poured it blind for two wine pros, asking them only to estimate the vintage – they both were 10 years off, suggesting that the wine was from 2005 instead of 1995. Another interesting fact about this wine that one of the 3 grapes it is made out of, Moreto, is not even growing in Portugal anymore…
11. 2015 Smith-Madrone Riesling Spring Mountain District Napa Valley ($32) – a pure revelation. I had no idea Napa Valley is capable of producing a beautiful Riesling. Chardonnay, Sauvignon Blanc – of course, but varietally correct Riesling? Yes, Smith-Madrone can! It even had a touch of my beloved petrol, which always makes me very happy. Look for this wine, you will not regret it.
10. 2014 Tiefenbrunner Turmhof Sauvignon Südtirol Alto Adige ($30) – A pure stunner. Of course, Italy is best known for its reds, and when it comes to whites, it is autochthonous varieties which usually shine, such as Pecorino, Falanghina, or Verdicchio. However, I had a pleasure of experiencing mind-boggling renditions of Chardonnay and Sauvignon Blanc, and this was exactly one of such a mind-boggling Sauvignon Blanc encounters. Recognizable Sauvignon Blanc in its core, but plump, complex and silky smooth. The fact that the wine comes from Alta Adige, unique mountainous region, also contributes here. A memorable wine.
9. 2002 d’Arenberg The Dead Arm Shiraz McLaren Vale Australia ($70) – while typically not a word to use to describe Shiraz, my key descriptor for this wine will be “finesse”. This wine was mature and elegant, offering complex earthy undertones with a touch of barnyard, and lean and clean in its overall expression. It still got time to evolve, but already offers lots of pleasure.
8. 2008 Grosset Polish Hill Riesling Clare Valley Australia (~$50 for current vintage) – For me, this wine was a pure encounter with the legend – in many ways. Clare Valley in Australia is famous for its Riesling, same as Hunter Valley is famous for its Semillon. Polish Hill is one of the best vineyards in Clare Valley, and Grosset is a pioneer and one of the very best producers in Clare Valley and Australia overall. To top it all off, I had this wine during the dinner with my [not virtual anymore] friend Oz in Singapore. Memorable wine? You bet.
7. 1986 Chateau Cordeillan-Bages Pauillac AOC ($54.97) – I have no idea where and how this bottle ended up in my cellar, but I’m glad it did. 32 years old Bordeaux, elegant, balanced, showing no sign of age, delicious from the first sip to the last. Also coming from the Chateau with minuscule production. Need I say more?
6. 2015 Domaine Jean-Noel Gagnard Chassagne-Montrachet Blanc 1er Cru Les Caillerets ($100) – The only thought I have when drinking such a beautiful white Burgundy is that I need, really need to drink more of the white Burgundy wines. Good Burgundian Chardonnay is amazing when young, and surreal once it picks up some age. This is practically the only time when I wish for an expense account to be able to drink the wines like that.
5. 2014 Revelry Vintners D11 Cabernet Sauvignon Walla Walla Washington ($80) – yet another great highlight of the Wine Bloggers Conference this year. Imagine beautiful blackcurrants weaved around a perfect, firm structure of the crunchy tannins – that was this wine. I’m really surprised at myself – on a normal day, I would definitely take Syrah over Cab – and Revelry Block 19 Syrah, which we had at the same time as this Cab, was equally beautiful – but it is the Cabernet Sauvignon which got stuck in my head.
4. Bodegas Beronia Rioja ($NA) – so this will be a bit strange, as I’m including here more of the experience than a single wine. I was lucky to be invited to the lunch with Bodegas Beronia winemaker, Matias Calleja, in New York. I love Rioja unquestionably, but at that lunch, my takeaway was a lot bigger than just a taste of another excellent Rioja – we were able to experience the effect of the type of oak on the same young Tempranillo wine, and see how American oak affects the wine versus French oak versus Bodegas Beronia own oak combination. An incredible experience in my book. And then I was able to save a business dinner with the 2011 Bodegas Beronia Rioja Reserva, so if you need a particular wine designation for the list, it can be the one.
3. “This line was intentionally left void” – keep reading, you will see why.
2. 2010 Antica Terra Rosé Willamette Valley ($75) – OMG. Is that enough of the description? I pulled this bottle without much expectation – Antica Terra makes incredible terroir-driven wines, but 8 years for Rosé is rather too much, right? Wrong! A stunning color, and the cranberry-loaded palate of liquid granite – the only thing I could extort was that “OMG”. Back in 2012, Antica Terra Phantasi was my wine of the year – this Rosé was hair-splitting close to becoming the wine of the year again.
1. 2008 Zenato “Sergio Zenato” Amarone della Valpolicella Classico DOCG ($100) – I love Amarone. I expressed my love to this great Italian wine many times on this blog – together with my utmost frustration while looking for a good Amarone (before you start cursing – “good wine” is highly subjective, personal definition). This wine was amazing, one of the very best I ever experienced – dry fruit on the nose (figs, raisins) and crisp, dry, clean, full-bodied palate of impeccable balance. A pure, pure delight.
1. 2013 Three Wine Company Suscol Creek Cabernet Sauvignon Block 5 Napa Valley ($60) – yes, I did it again – I have two #1 wines this year. I can’t do that? Of course I can – my blog, my rules. I had this wine at the dinner with friends during our annual adults getaway. This was literally a mind-blowing rendition of a California Cabernet Sauvignon – beautiful extraction, cassis with eucalyptus, anise and mint, silky, velvety tannins – this wine was screaming in my face “I am the California Cab” – and with a perfect balance of all elements, it was simply a “wow experience” – I would gladly drink it at any time.
Here it is – the presentation of the Talk-a-Vino Top Wines of 2018 is now complete.
As today is the December 31st, and New Year 2019 is about to arrive, I want to wish you all happy, healthy, and peaceful New Year. Yes, it should be prosperous too, and I hope all your wishes will come true. Much love to all. Cheers!
We Are Creatures of Comfort
We are creatures of comfort. If you are feeling particularly wound up today and comfort is the last thing on your mind (especially considering that we are living through the typical hectic holiday season), maybe you need to look for a post about coffee – but for the rest of us, let’s talk about comfort (there will be wine at the end, I promise).
Everyone has their own elements of the comfort. Favorite coffee mug. A big old chair which hugs you as soon as you touch it. Favorite room in the house. Favorite corner in the backyard, the one where you feel the most relaxed. Maybe a favorite bench in the park. The shoes which slip on your feet like they are part of the whole. And clothes, let’s not forget may be the easiest, most simplistic, everyday purveyor of the comfort – clothes.
Let’s talk about clothes a bit more. Outside of the office, when you need to run errands, go to the movies or drive to see your friends, what are your most comfortable pants? For me, it is jeans. Jeans are my most versatile type of clothes, anywhere I go, whether driving for 10 minutes to the supermarket or flying around the globe to Japan. Definitely an essential element of comfort in my book – and I suspect that many of you share the same feeling.
Now, let me take you out of the comfort zone, as I have a question for you. Without scrolling forward (please), can you tell me what is the connection between the jeans and the wine? The brand of jeans plays absolutely no role – jeans as the clothing category can be directly connected to the world of wine. I will give you a few minutes to ponder at it.
I’m still here, take your time.
Still here – got any ideas?
Okay, let me give you a hint. The material the jeans are made of is called denim. Does it help?
It is entirely possible that you easily figured it all out already. Whether you did or not, here is my answer and the explanation. We can go from “denim” to “de Nim”, and then it can be further changed to “de Nîmes”. Heard of Nîmes, the town in the Rhone valley in France? Denim became an abbreviation for the “serge de Nîmes”, where “serge” means a specific type of fabric, as Nîmes was the town where this fabric was created. It turns out that Nîmes was the center of the textile industry in France in 17th – 19th centuries – however today no fabric is manufactured in this medieval town. But – in the true spirit of life actually moving in circles, here you can read the story of a company which dreams of reviving the textile industry back in Nîmes – note that this story has actually no connection to wine, so let’s move on.
And the connection to the wine, you ask? Costières de Nîmes, the region surrounding the same town of Nîmes, where the history of winemaking goes all the way back to the third century.
Costières de Nîmes is the region in the Southern Rhone, which carries forward all of the Rhone Valley traits (all Costières de Nîmes wines even have a designation on the bottles for the Vins de la Vallée du Rhône). Instead of me retelling you all the facts about the appellation, I have a better idea – how about some creative infographics where you see all the fun facts about the region? Here you go:
At this point I’m sure you are wearing your comfortable clothes (jeans, perhaps) and sitting in your comfortable chair, so I’m sure you are ready for some wine. I had a chance to taste 3 wines from the Costières de Nîmes, so here are my notes:
2016 Domaine de Poulvarel Costières de Nîmes (14.5% ABV, $22, 65% Syrah, 35% Grenache)
Dark ruby
Raspberries, lavender
Raspberries, pepper, well integrated but noticeable tannins, baking powder, firm, medium plus body, excellent acidity.
8-/8, very good overall
2015 Château Vessière Costières de Nîmes AOP (13% ABV, $9, 50% Shiraz, 50% Black Grenache)
Dark ruby
Raspberries and tar
Raspberries and lavender on the palate, light to medium body, good acidity. Perfect charcuterie wine – paired well with salami and cheese.
7+/8-, excellent food wine
2016 Château Beaubois Cuvée Expression Costières de Nîmes AOP (13.5% ABV, $9, 70% Syrah, 20% Grenache, 10% Marselan)
Dark Ruby
Tart, minerally notes, blackberries, granite, anis, roasted meat. While nose is not exuberant, it is very expressive.
Raspberries, tar, medium body, good acidity, some green notes, a touch of pepper.
7+/8-, nice, simple, works great with meat and cheese.
Here you are, my friends. A bit unusual (I hope) connection between our daily life and the world of wine. The Costières de Nîmes wines I tasted might not be mind-boggling, but they are definitely comfortable, and fit our story well. I don’t know what one expects from the $9 bottle of wine, but I know that I would be perfectly comfortable having this wine daily – and my wallet would be very comfortable too. Have you had Costières de Nîmes wines before? What do you think of them? Put on your denim jeans, and let’s go have another glass. Cheers!
Embracing Inner Dude At Halloween
I like action movies. Well made action movies it is – those which have a plot and intrigue, and especially those which might keep you on the edge of your seat. Oh yes, and they better be American made movies. Nope, this is not a patriotic statement – Japanese action movies are beautiful (I love Martial Arts), but in 99 out of a 100, the main character dies at the end. In our, American made action movies, the good always wins – yep, the proverbial “happy end” is literally warranted.
And then there are those American movies where the plot is based on pure absurd, and the only supposedly entertaining element is unstoppable, relentless use of the F-word by everyone, including kids and animals – I guess the endless F-word variations are supposed to create serious drama around, well, pretty much nothing.
Okay, okay, you are still reading (if you are actually reading – and I want to thank you for that) the Talk-a-Vino blog so we will be actually talking wine – I’m not turning into a movie critic all of a sudden.
Sometimes I know that the wine sample had been shipped to me only through a UPS or FedEx notification, without any prior conversations with “the source”. So when the box arrived a few weeks ago from Donna White, I got really curious about what is inside, as the box looked quite big – however, its weight really didn’t support the size, so yes, color me very curious. Inside the box, I found the Halloween costume, the bottle of wine, and the note. From the note, I found out that I’m a Lebowski (and everyone I know is also a Lebowski). Which instantly triggered “The Big Dude Lebowski” to come to my mind – without much of the basis, as I knew the phrase but had no idea it came from the movie.
Now you have the movie connection. I found some movie clips on YouTube, and whatever I watched, didn’t give me an encouragement to sit down and spend time watching the whole movie (hence my opening thoughts in this post). The strong association of the word Dude and “The Big Lebowski”, which is an actual title of the movie, even prompted me to do a bit of the research on the meaning of “Dude” – I was happy to see that the word itself has a much longer history and somewhat easy to relate to (from Wikipedia): “Dude is American English slang for an individual, typically male. From the 1870s to the 1960s, dude primarily meant a person who dressed in an extremely fashionable manner (a dandy) or a conspicuous citified person who was visiting a rural location, a “city slicker”. In the 1960s, dude evolved to mean any male person, a meaning that slipped into mainstream American slang in the 1970s. Current slang retains at least some use of all three of these common meanings.” So “The Dude” can exist on its own, without the “The Big Lebowski” parallels.
Okay, so I explained the movie opening of this post, but we still didn’t get to wine – and it is the time to do it. The Dude actually plays an important world in the wine world – as the name of the Australian Shiraz. Two Hands winery from Barossa Valley in Australia produces the wine called Gnarly Dudes, which has the picture of the old Shiraz vines on the label – which looks like, well, gnarly dudes – hence the name and this whole connection between the Dudes and the wine.
I mentioned the Halloween costume in the box, didn’t I? Can you guess what the costume was? Yep, of course, it was the outfit of The Dude himself, exactly as they show it in the movie. My first reaction was: no. Just no. I will not wear this. A few days later, after the initial desire to reject slowly dissipated, the next thought was “well, this is Halloween after all. Why not?
The end result was simple. I wore The Dude’s costume and I opened the bottle of The Dude wine, just as it was envisioned by whoever put this package together. Below, you can see a proof – lame, but my best version of The Dude. By the way, when I was giving out candies in this outfit, nobody complained – and one person even managed to correctly identify the character I was impersonating.
For the longest time, our family tradition is to carve pumpkins for the Halloween. None of us has any carving skills, but once we finally acquired a good pumpkin carving set from the Williams-Sonoma, we managed to achieve the level of the personal content with the results of our carving efforts.
And now, let’s finally talk wine – 2017 Two Hands Gnarly Dudes Shiraz Barossa Valley (13.8% ABV, $30, 100% Shiraz, 12 months in French Oak). The wine perfectly demonstrated its “dudiness”. Upon opening and for the most of the evening, it was simply an okay wine. Here are the notes:
Roasted meats on the nose, quite dominant
Dark, earthy fruit, blackberries, a touch of pepper, noticeable sapidity, overall earthy notes, good balance. This is a food friendly wine.
So in terms of drinkability, it was a 7/7+ wine at the best on the first day. The second day (without pumping the air out, just putting the screwtop back on) brought far more enjoyable wine – blackberries appeared on the nose, and on the palate, the wine clearly added multiple dimensions – velvety texture, round dark fruit, both blackberries and blueberries, sage and violets joined the chorus – absolutely next level wine compare to the first day, definitely an 8 wine (my own 1-10 Drinkability scale, yes). I want to mention that the wine remained equally beautiful even on the 3rd day, and showed a touch “over the hill” signs on day 4. An excellent wine, but you have it either give it some time or look for the one which has some age on it. And yes, forget a few bottles in the cellar for the next 10 years – somehow, I expect you to be handsomely rewarded.
Here is my Dude story for you. How was your Halloween? Cheers!
A Pinot Noir Lesson for Self with Tendril Cellars
Back in May, we virtually met with Tony Rynders of Tendril Cellars and talked about … many things wine, of course – you can find this conversation here.
Tony is one of the few winemakers I know who teaches people about his wines by conducting organized tastings. As I didn’t have an opportunity to attend any of those events, I decided to run a lesson for myself on the same subject. How you ask? Easy – by tasting the wines blind.
I can literally see the surprised looks and raised eyebrows. How is it a blind tasting if I know already everything about those wines? You see, the lineup I had included 6 wines. Out of those six, four were different Pinot Noirs – different vineyards, different winemaking process, different price points. Obviously I was not planning to try to identify the exact wine, but still – will I be able to taste the difference, and maybe identify the most expensive wine? Comparing Chardonnay and white Pinot Noir should also be a fun exercise, as those are two siblings ruling the world of Champagne. Yep – lots of opportunities for having fun.
Okay, blind tasting it is. The bottles are wrapped, the numbers are randomly assigned. May the taste buds serve me right!
Here are my notes for the wines while tasting them blind:
1 Light golden color
Vanilla, golden delicious,
Bright acidity, vanilla, apples, a touch of honey
2 toasted notes, yeast
Perfect acidity, Granny Smith apples, a touch of honey, toasted notes on the palate, outstanding
white pinot?
3 Dark ruby
Earthy, Rutherford dust on the nose, a touch of roasted meat,
Beautiful palate, soft plums, round, espresso, excellent acidity, wow. ThightRope?
4 Ruby
Concentrated nose, mint, eucalyptus
Concentrated palate, acidity, eucalyptus, sage, violets on the palate. Very unusual. Single Vineyard?
5 Dark ruby
Wow. Blueberries, raspberries, restrained
Very smooth, silky, bright fresh fruit, acidity, firm structure, excellent balance, never-ending finish. Wow. C-Note?
6 Dark ruby
Nose old world style, forest floor, mushrooms, great restraint
Round palate, blackberries, baking spices, soft, delicious. Outstanding. Extrovert?
Everyone knows that the best part of the blind tasting is … unwrap! The moment of truth, pure and simple. Here are my notes for the tasting of the wines non-blind, 3 hours after the blind tasting (in the same order):
1 – 2015 Tendril Cellars Pretender Willamette Valley (14.1% ABV, $60, white Pinot Noir)
A bit darker color (golden)
Vanilla, butter
Plump, round, crisp acidity, acidity on the finish (very extensive), plump body.
8, excellent. Reminiscent of a nice Marsanne.
2 – 2015 Tendril Cellars Chardonnay Willamette Valley (13.5% ABV, $40)
Honey, gunflint, vanilla
Brioche, Granny Smith Apple, a touch of butter, clean acidity, excellent
8, outstanding.
3 – 2014 Tendril Cellars Extrovert Pinot Noir Willamette Valley (14.1% ABV, $48)
Beautiful, classic, open Pinot, with cherries, sage, and plums.
Soft cherries and plums on the palate, clean acidity, sage, violets, delicious, wow
8, delicious.
8+/9-, a pure standout. Polished, velvety, seductive, like a light touch on the hand which makes your whole body to vibrate. More reminiscent of CA Pinot than dark and loaded
4 – 2014 Tendril Cellars TightRope Pinot Noir Willamette Valley (14.2% ABV, $64)
Very tight, espresso, licorice, blackberries
Beautiful, sweet fruit, noticeable tannins, very round, medium body, cherries and cherry pit.
8, excellent.
Complex nose of herbs and spices, exotic and unusual.
Wow, great power and complexity, not a typical Pinot, might be more of a Zinfandel or even Syrah profile. Needs time, lots more time.
5 – 2014 Tendril Cellars Pinot Noir Mount Richmond Single Vineyard Willamette Valley (14.1% ABV, $60)
Very unusual. Beets and caramel on the nose, with a touch of dark chocolate.
Blueberries and caramel on the palate, nice salinity, raspberries. Medium+ body. Excellent
8
Very ripe after 2 days been open (air pumped out). Beautiful palate, minerality-driven, cigar box, eucalyptus, tense, powerful. Can be mistaken for a Rioja of a nice caliber.
6 – 2014 Tendril Cellars C-Note Pinot Noir Willamette Valley (14.1% ABV, $100, 100% Whole Cluster, 100% new oak)
Sublime. Can be described only via allegories, such a finesse. Dark chocolate and cherries. Excellent
Equally delicate on the palate, crisp acidity, bright, sweet plums, and tobacco. Outstanding.
8, excellent
Nose is incredible. First, you want to smell.this.wine.for.a.long.time.
Superb, elevated wine, complex, great finesse, and needs time. 8+
As you can tell, I failed miserably. I didn’t identify any of the wines – however, this was perfectly in line with my expectations. What was definitely interesting is that despite the four Pinot Noir wines been all from Oregon and at about the same age, they were absolutely, unquestionably, distinctly different – and strikingly delicious.
Of course, I extended the pleasure of tasting some of those wines over the few days, which is reflected in the tasting notes above.
Here you are, my friends. Blind tasting or not, the Tendril Cellars wines are worth seeking – the virtual tasting will simply not do it – these are the wines to experience. And if you need to choose only one, I can let you in on a secret (don’t tell anyone!) – the Extrovert was my favorite. Cheers!
Thinking About Grenache with Bokisch Vineyards Garnacha
Grenache. Garnacha. Garnatxa. One of the 10 most popular red grapes in the world, one of the most planted grapes in the world (according to the Court of Master Sommeliers, “world’s most widely planted grape”). Some call it “unsung hero”; I generally designate it as King of the Blends. While Grenache can perfectly perform solo (think about Sine Qua Non, Horsepower, No Girls, Bodegas Alto Moncayo, some of the Chateauneuf-du-Pape), it typically plays its part in the blends – that’s what “G” stands for in all of the GSM renditions, whether coming from Australia, Southern Rhône, Southe Africa, or California; it helps with Rioja and Priorat, and with lots of other wines.
Yesterday, wine lovers celebrated International Grenache Day, which prompted some thoughts on the subject. As I confessed many times, I like aged wines. Of course, I thoroughly enjoy the exuberance of the young wines, but my honest preferences are with the wines which gain some complexity after been aged. Out of 10 most popular grapes – Pinot Noir, Tempranillo, Sangiovese, Merlot, Zinfandel, Malbec, Grenache, Cabernet Sauvignon, Nebbiolo, Syrah/Shiraz – Grenache is the one which concerns me the most with its ageability. Of course, the Grenache wines produced by Sine Qua Non, Horsepower, Bodegas Alta Moncaya Aquilon, Châteauneuf-du-Pape from Clos des Papes or Domaine de la Janasse can age perfectly for a very long time – but all of these wines will set you back for hundred(s) of dollars, so their ageability is rather expected. Meanwhile, I had lots of Cabernet Sauvignon, Pinot Noir, Zinfandel, Sangiovese, Tempranillo, Syrah (oh well, pretty much all of those 10 major grapes), priced in the $15-$25 range and age beautifully (here is one example for you) – but I don’t have a great luck with aged Grenache in that price category – maybe because the most of it comes in the blends (don’t try aging Côtes du Rhône reds – it is just not going to happen).
If you are an oenophile who can spend 15 minutes pulling back and forth numerous bottles in your cellar, unable to decide what to open for the evening, I’m sure you really appreciate the grape holidays. Your selection shrinks down, as now only the appropriate bottle can be opened, so the life becomes much easier. This recent Grenache Day gave me a good reason to finally open the bottle of the 2011 Bokisch Vineyards Garnacha Terra Alta Vineyard Clements Hill Lodi (14.5% ABV, $25) – I had this bottle in my hands a few times this year, but always put it back as “not this time” object.
Lodi was one of my relatively recent discoveries as one of the very best wine regions in California, and in the US in general – both with the wines and with the people who make the wines there. Lodi might be most famous for its Zinfandel vineyards, but it is really a capital of Mediterranean grape varieties in the USA, and so Lodi Grenache is something to look for as a category. And if Lodi is the capital, Markus Bokisch might well be the king of those Mediterranean varieties – he started planting Spanish varieties in Lodi back in 1999 and only made his first Zinfandel wines a few years back. Markus’s range includes all best-known Spanish varieties – from Albariño and Verdejo to Garnacha, Monastrell, Tempranillo, and Graciano.
In a word, I made an excellent choice of the celebratory wine for the International Grenache Day, as the wine was beautiful from the get-go. Garnet color; espresso and mint jump right out of the glass, intense aroma, tar, a whiff of the dark chocolate came as the second layer, minerality, spices – I could actually smell this wine for about … forever. The palate? Wow. Tart blackberries, tobacco, a touch of pepper, bright acidity, perfect firm structure, delicious. The wine was going and going, further opening up over the next two days and showing the smoke and rocky minerality which I previously experienced with No Girls Grenache (here is a bonus, Bokisch Garnacha is only a quarter of a price of No Girls Grenache). Drinkability: 8+/9-. The wine was a perfect example of Grenache which can age – and could’ve waited for longer to be opened, for sure – but it was definitely enjoyed (of course this was my only bottle, you don’t need to ask).
What do you think of Grenache? Do you have a favorite Grenache wine or a region? Cheers!
Thinking About Albariño, or Notes from Albariño Deep Immersion with Snooth – 2018 edition
Luckily, Albariño doesn’t need an introduction to the wine lovers anymore (if you think I live in lalaland, please speak up). Albariño is the best known white grape of Spain, making crisp, dry, minerally-infused, refreshing white wines, perfectly suitable to support any seafood dish, as they always had in their native Galicia region. As with most of the white wines, Albariño is typically associated with summer, but it is a versatile wine all year around – and typically very reasonably priced.
For the second year in the row, I had a pleasure of participating in the virtual tasting of Albariño wines, organized by Snooth, one of the largest online wine communities. I will not delve into the technical details of the region, as I had an extensive coverage in last year’s post, and instead, I will simply share my notes for the wines we tasted.
Here are the notes, sorted by the sub-region of Rias Baixas:
Sub-region: Val do Salnés:
2016 Condes de Albarei Albariño Rias Baixas DO (13.5% ABV, $15)
Light straw
Lemon, lemongrass, hint of peach
Lemon, good minerality, medium body, good mouthfeel, mostly acidity on the finish
8-, good balance, round
2017 Pazo Señorans Albariño Val do Salinés Rías Baixas DO (13.5% ABV, $25)
Straw color
Rich citrus – lemon, grapefruit, orange
Clean acidity, lemon, thyme, good minerality, vibrant, fresh
8-, excellent
2017 Nai e Señora Albariño Val do Salnés Rías Baixas DO (13% ABV, $15.57)
Straw pale
Tropical fruit, white flowers
Round, clean, good balance of fruit and acidity
8, definitely one of the favorites.
2017 Paco & Lola Albariño Rías Baixas DO (13% ABV, $21.99)
Lightest color of all, straw pale
Lemon, mint, nice minerality
Fresh, crisp, cut-trough acidity, lemon grass
8-, round and extremely refreshing
Sub-region: Contado do Tea:
2016 Fillaboa Albariño Rias Baixas DO (13% ABV, $20)
Light golden
Candied lemon, vanilla, touch of butter, medium+ intensity, inviting
Crisp acidity, fresh, touch of salinity, fresh lemon, steely notes, vibrant
8-/8, excellent
2017 Señorío de Rubiós Robaliño Albariño Rias Baixas DO (12.5% ABV, $18)
Straw pale
Sage, lemon, hint of overripe white peach
Good acidity, lemon finish, Meyer lemon notes
7/7+, Needs more vibrancy.
2017 Bodegas As Laxas Albariño Rias Baixas DO (12.5% ABV, $18)
Light straw color
Lemon, touch of minerality,
Minerality, forthcoming acidity, hint of grapefruit, Mayer lemon, good balance
8-, very good, balanced wine
Sub-region: O Rosal:
2017 Valmiñor Albariño Rías Baixas DO (13% ABV, $18.99)
Light gold
Fresh white plums, intense, pineapple, very inviting
Crisp acidity, lemon notes, fresh
7/7+, nice, simple, varietally correct
2016 Don Pedro Albariño De Soutomaior Rias Baixas DO (13% ABV, $18.99)
Light gold
Touch of honeysuckle, white flowers, hint of peach
Crisp acidity, pure lemon, vibrant, clean, lots of minerality, good midpalate weight
8-, steely goodness of the young Chablis, excellent, lots of pleasure. This wine will dramatically evolve over the next 5-7 years.
2017 Altos de Sorona Rosal Rías Baixas DO (12.5% ABV, $20, blend of Albariño, Caiño, Loureiro)
Straw color
Lemon, sea air, minerality
Lemon, crisp acidity, good weight, fresh, vibrant.
8-, excellent balance, can be had by itself as a summer day thirst quencher, or with some oysters (would work beautifully)
2017 Terras Garuda O Rosal Rias Baixas DO (12.5% ABV, $23.99, 70% Albariño, 10% Loureira, 20% Caiño Blanco)
Light golden color
Tropical fruit, guava, candied lemon, vanilla
Rich, generous, hint of watermelon and pineapple, crisp acidity, fresh, vibrant
8-, excellent
If you want to see the recording of the tasting, you can find it here. If you want to try the wines we tasted, most of them are still available on the Snooth website, also at a great price – take a look here.
I have to say that the quality was excellent across all the wines we tasted, with some of the standouts, such as Nai e Señora Albariño. Is Albariño a part of your standard wine routine? Do you have any favorites? Cheers!
P.S. Procrastination sometimes offers benefits – this tasting took place in May, but today (August 1st, 2018) is International Albariño Day, so I guess the post about Albariño is quite appropriate.
The Art of Tempranillo
Source: Vintae.com
I love Tempranillo wines. I wouldn’t call myself an expert, but I had a wide range of Tempranillo – with the exception of Australia, I believe I tried most of the major renditions – Rioja, Ribera Del Duero, Toro, most everywhere else in Spain, Texas, California, Oregon, Washington (am I missing something? do tell!). With all the love and respect to all the regions, if I have to put an order of priorities in that “list”, I would put Rioja first, Ribera del Duero very close second, but the competition for the 3rd place would be severe – in my world, of course.
I like wines of Toro, the closest sibling to the Rioja and Ribera del Duero, but it would be hard for me to place them higher than some of the beautiful Tempranillo renditions from Irwin Family Vineyards, Duchman, or Fields – considering the Toro wines I had in the past. Compared to Rioja and Ribera del Duero, Toro is … well, maybe I need to explain why I keep mentioning Rioja, Ribera del Duero, and Toro together all the time. These are the only three regions in the world where the absolute majority of the red wines is made out of the Tempranillo grapes. Yes, there are Garnacha and Graciano in Rioja, Cabernet Sauvignon and Merlot in Ribera del Duero, but still – most of the red wines in these three regions are made out of the Tempranillo, hence the constant comparison.
Out of the three regions, Toro is south-most one, with an expressly continental climate, low annual rainfall amounts, and significant range of day-night temperatures – which typically translates well into the flavor. Tempranillo is the grape of Toro, but similarly to Tuscany/Brunello, where you have Sangiovese and Sangiovese Grosso, Tempranillo in Toro is known as Tinta de Toro, a.k.a Tempranillo de Castilla, a.k.a. Ink of Toro. The grape is a bit smaller, with thicker skin, which coupled with growing conditions typically results, in massive, concentrated wines requiring extensive aging to become drinkable – I still have a memory of trying Alabaster made by Sierra Cantabria, one of the well-known producers in Toro, which was one of the most massive wines I ever experienced. Nevertheless, as I said at the beginning, Tempranillo is one of the favorites, so when the opportunity called to try 3 wines from Toro, I was definitely curious – and a bit cautious at the same time.
To ease things up, together with the 3 Toro wines from Bodega Matsu came a bottle of Rioja Reserva from Bodega Classica. While coming from unrelated producers, there is a common link between them – this link is called Vintae – a young company with a serious passion for the Spanish wine for the modern world. Vintae, started in 1999 by the Arambarri family, set on changing world’s perception of the Spanish wine as “boring”. To the date, Vintae unifies a collection of 11 different “projects”, all focused on showcasing the regions and the grapes.
Going back to the wines at hand, let’s talk about Rioja first. The wine comes from Bodega Classica, located in the heart of Rioja Alta. Rioja Alta offers a unique high-altitude setting to produce arguably the best Tempranillo of the whole of Rioja region. Couple that with more than 100 years old vineyards, and you are looking at some tasty opportunities in the bottle, as this Bodega Classica Hacienda López de Haro Rioja Reserva was. Here are my notes:
2013 Bodega Classica Hacienda López de Haro Rioja Reserva DOCa (13.5% ABV, $16.99, 90% Tempranillo, 5% Garnacha, 5% Graciano, 20 months in French and American oak)
Dark garnet color
Pepper, vanilla, raspberries, mushrooms, nice minerality
Medium body, good acidity, noticeable alcohol burn initially, went away in about 15 minutes, good fruit showed up, characteristic cedar notes, good acidity, round, soft.
8-, nice, just give it a bit of time to soften up at the beginning. The second day continued without changes. Good life expectancy, as expected of Rioja Reserva. And an excellent QPR.
Now, let’s go back to Toro. As I already said, in my prior experience, Toro wines were massive and concentrated, requiring long aging to soften and really show a beautiful expression of Tempranillo. And then there were wines called Matsu.
Matsu in means “wait” in Japanese. As we all know, waiting is one of the favorite games of oenophiles. When it comes to the three Matsu wines I had an opportunity to taste, there are many different levels of “waiting”. The wines had been progressively aged for the longer times before the release – 3 months for El Picaro, 14 months for El Recio, 16 months for El Viejo. The grapes were harvested from the vines of different age (again, progressively) – 50-70 years old for El Picaro, 90-100 years old for El Recio, more than 100 years old for El Viejo. See, waiting here is clearly a part of the equation.
And then there are those ultra-creative labels. Not only labels commemorate people who actually worked to create the wines, they clearly identify what you should expect from the wines – in age, in style, and even in price. I conducted a little experiment, first with my kids, and then with the people on Instagram, asking them to identify the most expensive wine – nobody made a mistake, the labels speak very clearly to us.
How were the wines? Surprising. Probably the best Toro wines I ever had – without any regard to the pricing category. Here are my notes, so you can see for yourself:
2016 Bodega Matsu El Picaro Toro DO (14.5% ABV, $13.99, 100% Tinta de Toro, 50 – 70 years old vines, 3 months minimum aging on the lees, concrete tanks)
Bright ruby color, noticeable legs, minimal rim variation
Young fresh berries, medium+ intensity, a touch of vanilla
Surprisingly light on the palate, pleasant tannins, fresh berries, very quaffable.
8-, might be the lightest rendition of Toro I ever had. The smell is a bit more complex on the second day. Palate nicely evolved, good balance, raspberries, no more impression of the young wine, lots of minerality.
2015 Bodega Matsu El Recio Toro DO (14.5% ABV, $21.99, 100% Tinta de Toro, 90 – 100 years old vines, 14 months aging in second use oak barrels)
Garnet color, noticeable legs, minimal rim variation too
Sage, fresh raspberries, quite fruity, roasted notes, minerality, distant hint of cinnamon
Underripe plums, blueberries, thyme, nice herbal component, surprisingly light, still noticeable alcohol, needs more time
8-, needs time. Second day: 8/8+, velvety texture, well integrated, excellent balance, a touch of tobacco and espresso on the palate and ripe plums. Outstanding.
2015 Bodega Matsu El Viejo Toro DO (15% ABV, $46.99, 100% Tinta de Toro, 100+ years old vines, 16 months in new French oak barrels)
Garnet Color, noticeable legs, rim variation is not extensive, but present
Sweet blueberries and raspberries on the nose, sage, sweet oak
8- first day, waiting for more.
Second day: 8, much evolved, more integrated, velvety texture, dark fruit, round, smooth. Will evolve further.
Here you are, my friends – the Art of Wine, from the label to the glass. Very impressive and thought-provoking wines, definitely worth seeking. Have you had any of these wines? Have you had Toro wines before? Do you have any Tempranillo favorites? Cheers!
Stories of Passion and Pinot: Tony Rynders of Tendril Cellars
Wine and passion are indelible. Yes, wine is a business for the most parts, but making a bottle of wine which someone else is desiring to drink is a labor of love, and every such bottle has a bit of the winemaker’s soul invested in it (feel free to call me melodramatic). Thus I’m always happy to talk to the winemakers, trying to understand what moves them, what drives them to do what they do. A lot of my conversations are virtual, and you can find most of them on this blog.
Many of interviews are truly random in terms of profiling the wineries and winemakers. However, about 2 years ago, with a prompt and help of Carl Giavanti, I started a series of posts called Stories of Passion and Pinot, which are dedicated (so far, at least) to the winemakers in Oregon, producing Pinot Noir wines. Winemakers are always passionate about what they do and the grapes they use – but it seems to me that Pinot Noir, being a difficult grape it is, really asking for a special dedication to allow itself to be tamed – hence the name for the series.
My latest addition to the series is a conversation with Tony Rynders, the proprietor and winemaker at the Tendril Wine Cellars, a young winery in Willamette Valley in Oregon (the winery officially started 10 years ago, in 2008). While the winery is young, Tony is an accomplished winemaker, who started making wine back in 1989, honed his craft at the wineries around the world, including 10 years as a head winemaker at Domaine Serene, one of the best-known wineries in Oregon.
When Tendril Cellars started, it owned no vineyards, which essentially gave Tony a flexibility to bring the best fruit from the Oregon vineyards he was already familiar with. To my surprise, Tendril Cellars only offers one single-vineyard bottling in their line of 5 different Pinot Noir wines – but you will find an explanation below. In 2013, Tendril Cellars planted a 19 acres Maverick vineyard in Yamhill-Carlton district with Pinot Noir and Chardonnay – the vineyard already producing the fruit which is going into the Tendril Cellar’s second line of wines, Child’s Play (a creative name for the wine, don’t you think?).
Tony Rynders leading five course tasting
Tony calls his approach to winemaking “low and slow” – letting the nature to do its work. He is also aging all of his Pinot Noir wines for 16-17 months, which I find particularly appealing. And then, how many winemakers do you know who run organized tastings for their customers? That is what Tony does, presenting his wines as a “5-course meal” and explaining the concept of terroir to the wine consumers (after tasting Tendril wines, Tony’s approach to the tasting makes perfect sense to me – but we will discuss it in the next post).
After learning a bit about Tony and Tendril Cellars, I decided that the time came to sit down (yes, virtually) with Tony and ask him a few questions. Here is what transpired.
[TaV]: You started making wine for others in 1989. Was there something which prompted you to start making your own wines in 2010, a pivotal moment, or you simply decided that it is time to make wines “my way”?
[TR]: I have had several opportunities making wine since I began in 1989. Each one has contributed in some way to influence my approach to making wine. I can tell you that I am a much different winemaker today than I was when I started. I think it is critical that we continue to evolve and adapt as the climate, consumers, and wine preferences change.
In fact, I started my own brand, Tendril, in 2008. I was just coming off a 10-year stint as head winemaker at Domaine Serene. It was a highly formative period in my career as there was a massive shift toward new, estate vineyards during my tenure. The creative “heavy lifting” took place largely during my watch. I accomplished everything I set out to and more. It was time for my next big challenge…creating a portfolio of wines for my own brands from scratch. And tell a story about Pinot Noir in a way that it had not yet been told.
[TaV]: You worked at the wineries around the world. Are there any winemakers you would consider your mentors, either directly or indirectly?
[TR]: There is one fact in winemaking that I completely embrace: There is no way to learn it all…I will never stop learning, growing and evolving. Every winemaker I have worked with has mentored me, including but not limited to, Rollin Soles, Ken Wright, Co Dinn, Jean-Francois Pellet and David Forsyth.
[TaV]: Can you explain your “low and slow” approach to the winemaking?
[TR]: Just like the “slow food” movement, I use top quality ingredients (grapes) from attentive, engaged farmers (vineyards) with whom I have a very close relationship. I have hand chosen each of our vineyards myself and each brings a distinctive flavor profile (like spices) in order to make our signature “five-course meal” of Pinot Noir.
For all the Tendril wines, I over-vintage the wines in barrel (at least 16 months) and then bottle age 12 months or more prior to release. The wines are then at the front end of their drinkability curve, with the potential for a decade enjoyment ahead of them.
[TaV]: I find it interesting that in your range of Pinot Noir you have only one vineyard-designated bottling – I always think that designated vineyards and even specific plots are better identify with quality of the grapes and the resulting wines – obviously you don’t see it like that?
[TR]: While I love to make single vineyard wines, I find that not every site is able to produce balanced, compelling and complete wines every year. And that, simply put, is my goal as a winemaker. So this is how the unique story and line-up of wines for Tendril was born. When I started Tendril, I knew that I wanted to do something different with my portfolio of wines. And it took 6 years to complete the lineup (Extrovert 2008, TightRope 2009, Single Vineyard (Guadalupe) 2011, C-Note 2011, Pretender 2013).
The common model that exists for Pinot Noir is the single vineyard model. Wineries make 5-15 (or more) single vineyard wines in a given vintage. The problem is that not all of the sites deliver on their promise of distinctiveness every year. The true test is a horizontal tasting in which all of the wines are evaluated blind. In a given year, some wines are great, some under deliver and some taste quite similar in a given line-up. This is not consistent with my goal.
So, I created my own, unique model for Pinot Noir. Each of my wines is distinctive and complete. Collectively, they show a progression of flavors that mirrors the progression of dishes in a five-course meal. My wines gain in intensity, darker fruit character and structure as the “courses” progress. And each of the wines must re-qualify for their place in the lineup each and every year.
I believe single vineyard wines should be special. Since all wineries charge more money for them, I think they should be worth it. So we typically do just one offering per year that is, simply put, the “wine of the cellar” from just one site. As I had anticipated, it has proven to be rotational (4 vineyards in 7 vintages). It is like a Christmas present in that you don’t know what it is until you open it.
[TaV]: Your C-Note Pinot Noir is designated as “whole cluster fermented” – is that a substantial differentiator to make it the “top of the line” wine, or is there something else behind it?
[TR]: Of the Pinot Noir line-up, the C-Note is the most stylized wine yet at the same time requires the greatest amount of restraint. Whole cluster fermentation of Pinot Noir is a technique that I have only attempted since 2011. The was the first year I made a wine using 100% whole cluster…and it was so successful that it became our first C-Note bottling.
For C-Note, we use 100% Pinot Noir, 100% Whole Cluster fermentation, and age in 100% new French Oak barrels (air dried 3 + years). The restraint comes into play in order to reign in the “whole clustery-ness” and tame the oak impact to mimic a wine with half the new oak exposure. We are extremely gentle with our cap management to control the whole cluster notes and we select the most subtle, elegant barrels coupled with long aging to integrate the oak flavors. C-Note is all about complexity, texture and mind-blowing length. I love making wines that surprise and beguile.
[TaV]: You are one of the very few winemakers who conduct organized tastings. Can you explain what you are trying to showcase with your 5-course Pinot Noir approach?
[TR]: Yes, I believe the best way to showcase these wines and share this unique experience is to do seated tastings. Like a five-course meal, our tasting take time (typically an hour and a half or more). But people leave here feeling that that have experienced something truly special…and that is pretty rare. They are shocked that they enjoyed each and every wine they tasted.
I began working in restaurants at a young age. I cooked for several years and really enjoyed it. A few years after I started making wines, I realized that I was using the exact same skill set to make wine that I used to cook. I am truly a “wine cook” and make wine with that sensibility.
I wanted to showcase a diverse range of flavor profiles that can be accomplished on an annual basis with Pinot Noir in the Willamette Valley. Each offering is distinctive, unique and impeccably balanced. Collectively, they showcase perhaps the greatest range of flavors and textures of Pinot Noir under one brand.
[TaV]: To follow on the previous question, how receptive are your customers (typically) to what you are presenting in the tasting? Do they get your point? Do you offer people to taste the wines blind and to try to identify what they are tasting?
[TR]: The beautiful thing about the “five-course meal” context of our tasting is that EVERYBODY can relate to that experience. People completely get it and they really get into it. The wines show a progression of flavors just like a multi-course meal. They also increase in intensity much like turning up the volume on a radio.
At this stage, the tastings are not blind and are tasted one at a time. And I don’t have the ability to pair food at this time. But we have done the “five-course meal” here at the winery a few times. It was a huge success.
[TaV]: Maybe an odd-ball question here – wine is an adult beverage, and nevertheless, you called your line of wines “Child’s Play” (I personally like it very much, especially the labels). Do you think wine consumers might find this controversial? Did anyone ever comment on this wine name?
[TR]: I am a huge fan of the “double entendre”. Here it is actually triple. 1) My kids playing…my two daughters paintings are the original artwork for all the labels 2) We winemakers are big kids and we get to “play” with offering unique wines (the Pinot Chardonnay is the only still version of Chardonnay and white Pinot Noir in the country…to my knowledge), Zinfandel from WA (a unicorn wine), and a stylistically different Rose of Pinot Noir. The Pinot Noir is just damn good. 3) Child’s Play implies it’s easy…so easy a kid could do it. We are taking the pretension out of wine with the packaging and the wines inside. Great value for money…as it should be.
My customers love it. The only objection came from the Feds…and a simple paragraph explaining point 3) above got us our label approval.
[TaV]: This one is more of the pet peeve question for me. Your Tendril wines are enclosed with the corks (makes me very happy to see it). The Child’s Play line uses screwtops, so obviously the screwtop idea is not foreign to you. I know that some winemakers in Oregon swear by alternative closures (like Don Hagge at Vidon with the glass stopper), but I personally think that the wine needs a cork to age properly. What is your take on this subject?
[TR]: While I like the idea of cork, the execution of the closure has haunted me for my entire career. Corks are highly variable in both their flavor impact on the wines as well as the oxygen permeability. Each one is unique and has an unintended impact on my wine. I believe natural corks are a huge problem and as such, I no longer use them. But I do gladly use a cork product in my Tendril wines (looks like a duck and quacks like a duck) that provides consistency of density and very low aromatic impact. I would be happy to talk to you about this topic some time. I have researched it for years.
Screw caps are new to me, but I love them in the Child’s Play line to further differentiate the brand from Tendril. I think the MSRP $30 price point avoids any potential push back on the choice of closure.
[TaV]: Sparkling wines are so popular nowadays, almost everyone is making them, and often with very good results. Considering your experience at Argyle, should we expect to see Tendril sparkling wine at some point in the future?
[TR]: Maybe…but I will wait until we have a great sparkling wine vintage (cool and slow ripening) to make that decision. If you asked my wife (who is a sparkling junkie), the answer would be yes.
I would only do it if it could have the potential to be a truly special offering.
Maverick Vineyard
[TaV]: What is in the store for your new Maverick vineyard? How are you planning to farm it – sustainable, organic, biodynamic? Out of 19 acres, you have 10.5 allocated for Chardonnay and Pinot Noir – what about the rest? Any plans to expand beyond Pinot Noir and Chardonnay – let’s say, Pinot Gris, Riesling, etc?
[TR]: At this time, Maverick is LIVE. We plan to move towards organic over the next few years. It is an incredibly well behaved site that is already producing strong personality wines. I view this as a highly desirable trait for a young vineyard. The Chardonnay for the Pinot Chardonnay (70% of the blend) is all Maverick. This is the first bottled wine coming from Maverick.
No plans for other varietals at this time. But the clonal mix for the Pinot Noir (943, Swan, Calera and Mt. Eden) is pretty unusual.
[TaV]: Oregon is clearly a leader in Pinot Noir, considered by many as simply the best in the world, and it is also getting to the same level of recognition with the Chardonnays. What is ahead for the Oregon wine industry? Is the future bright and sunny, or do you see any clouds on the horizon?
[TR]: To me, the only constant is change. By that I mean that to continue to succeed as an industry, we need to be engaged (both locally and on a world stage), we need to be adaptive (as our climate continues to change, we are in for more and different challenges), and we need to be more concerned about the sustainability of our environment (both locally and throughout the world).
I believe we will have sun and clouds…and perhaps some rain. Just the weather we always have in Oregon 😉
[TaV]: When you are not drinking Tendril wines, what are your favorites from the other producers and/or regions?
[TR]: Lately I have been enjoying Graham-Beck sparkling wine from South Africa.
Or give me a good single malt Scotch…
Here we are, my friends. I’m sure you are thirsty at this point, but we will talk about Tendril Cellars wines in the next post.
To be continued…
Where In The World is Gigondas?
Do you think I’m dumbing it down way out of proportion? Do you think every wine consumer is perfectly familiar with whereabouts of Gigondas and its wines, and thus taking offense in the title of this post? Well, if this is the case, please share your anger in the comments section below and click the “x” in the corner. And if you are still here, let’s talk about the tiny speck of land in the southern part of the Rhone appellation in France.
Source: By DalGobboM at French Wikipedia, CC BY-SA 3.0, Link
Size matters, but probably not in this case. Gigondas has only about 3,000 acres of vineyards for the whole appellation (for comparison, E.& J. Gallo in California owns 20,000 acres of vineyards). Nobody knows where Gigondas name came from, but it is known that the wine was consumed in the Gigondas region more than 2,000 years ago. First records of Gigondas vineyard go all the way back to the 12th century. I guess the wine in Gigondas was really good even in the early days, as in 1591 there were first laws enacted, particularly prohibiting the sales of the wine to foreigners. In 1971, Gigondas became the first appellation in Côtes du Rhône-Villages to receive its own AOC status.
Gigondas is the land of Red and Rosé (just Red, mostly). Yep, that’s right – no white wines are produced and no white grapes are grown – at least for the wines produced under the Gigondas designation. The wines of Gigondas stylistically similar to the wines made in the neighboring – also much larger and a lot more famous – appellation of Châteauneuf-du-Pape – despite vignerons mostly working with 4 grapes in Gigondas (out of 8 varieties officially permitted), while folks in Châteauneuf-du-Pape allowed to use 18 in production of their red wines, 9 of which are white. At the end of the day, it is not for nothing both Gigondas and Châteauneuf-du-Pape wines are often classified as “GSM” – which stands for Grenache, Syrah, Mourvèdre – these are the main three grapes, with Grenache typically been a workhorse here (up to 80% allowed in Gigondas wines).
Now, the time has come for an ugly truth. I’m actually not familiar with Gigondas wines. I know and had many of the Châteauneuf-du-Pape wines, but I usually would pass by one or two bottles of Gigondas which most of the stores would offer, and go to the Châteauneuf-du-Pape in the same price range. Thus when I was offered to try 3 different Gigondas wines, my “yes, please!” was very enthusiastic.
When I mentioned on Twitter that I’m going to play with err, taste a few of the Gigondas wines, I got back an instant outpour of love – and not only to the wines, but to the place. Take a look at these tweets:
It is time to talk about the wines I was able to taste. I had three wines, two from the 2015 vintage and one from 2014. Let’s take a look at the producers first.
The Domaine des Bosquets traces its history back to 14th century. Today, Domaine des Bosquets farms 64 acres of vineyards (50 years old vines), primarily growing Grenache and small amounts of Syrah, Mourvedre, and Cinsault.
The Famille Perrin needs no introduction to the wine lovers. It takes roots in the same 14th century, with its historic Château de Beaucastel. In the 1950s, Famille Perrin became a pioneer of the organic farming, later on extending into the Biodynamic. The Famille Perrin also involved in the multiple projects in France and around the world, and the wine I tasted comes from their La Gille property in Gigondas.
Unlike the two wineries we just talked about, the Guigal Estate was founded in 1946 by Etienne Guigal in Ampuis, a small village Côte-Rôtie appellation. From there on, however, E. Guigal moved to the great prominence, with its so-called “La La” bottlings from Côte-Rôtie (La Mouline, La Turque, La Landonne) becoming an object of desire and obsession for the wine lovers around the world. Guigal Estate produces the wines in multiple appellations throughout both Northern and Southern Rhone, and “Guigal” name on the bottle is typically associated with quality.
I have to honestly tell you – with the exception of E.Guigal, this was not the love at first sight. However, all three wines perfectly evolved on the second day. Here are my notes:
2015 Famille Perrin La Gille Gigondas AOC (14.5% ABV, $38, 80% Grenache, 20% Syrah)
Garnet
Beet juice, mocha, raspberries, medium intensity, minerally undertones
Dense, chewy, blueberries and blueberry compote, eucalyptus, dark chocolate, medium to full body. Long finish.
7+, I would like a bit more balance.
8- second day, the wine is a lot tighter, has firm structure, shows hint of white pepper and by all means a lot more enjoyable. Apparently will improve with time.
2015 Domaine des Bosquets Gigondas AOC (15% ABV, $35, 70% Grenache, 20% Syrah, 10% Mourvèdre and Cinsault, total 30 month aging in oak and concrete)
Dark garnet, almost black
Intense nose of freshly cut berries, vanilla, eucalyptus. Noticeable alcohol as well.
The palate is very intense but also astringent at the same time, black pepper, surprisingly medium body (was expecting bigger body). After 30 minutes in the decanter, the aggressive alcohol is gone. Still, feels that the wine needs time – not ready to drink now. Putting aside for a day.
Day 2 – cherries, mocha, and coffee on the nose. No alcohol, all nice and integrated. The palate shows tart cherries, pepper, vanilla, cut through acidity, medium plus body. Nicely drinkable. 8-/8, very good.
2014 E. Guigal Gigondas AOC (14.5% ABV, $36, 70% Grenache, 20% Syrah, 10% Mourvèdre)
Intense garnet
Open and inviting nose, black pepper, raspberries, mint, cassis
Fresh raspberries and blackberries, hint of mushrooms, nice minerality, a touch of vanilla and pepper, firm structure, good acidity, good balance
8-, a very pleasant and nicely drinkable wine from the get-go.
Day 2: 8+, sweet vanilla, dark chocolate and blueberries on the nose, extremely inviting. The palate evolved dramatically – pepper, raspberries, graphite, nutmeg, violets, firm structure, superb.
Here you are, my friends – my first serious encounter with Gigondas. Looking at the pictures, I would really love to visit Gigondas, and I will be happy to drink the Gigondas wine – just need to fiorget them in the cellar for a while. What is your eperience with Gigondas? Cheers!
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