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Valentine’s Day Experiences
Cooking is the ultimate expression of love. This is always true, but even more though on Valentine’s Day, as the whole holiday is all about love – the holiday which exists since about the 5th century – it is really fun to celebrate something so deeply rooted in history.
Our personal love story was simple – yet, probably, equally uncommon – the love at first sight. It took three days since the moment we saw each other for the first time until everything was decided. So you can imagine that Valentine’s Day was always an important holiday for us. At first, we tried to follow to common path, working hard to score coveted restaurant reservation – until the dinner at one of the most expensive, and supposedly, best Italian restaurants in Connecticut, which we left asking each other “what was that???”. That was the end of our “eating out” Valentine’s Day celebrations, and the beginning of the “eat in” tradition.
One of the advantages of “eat in” celebrations is a much better wine program. You don’t need to desperately comb through the pages of the wine list, finding that you can’t afford any of the wines by the bottle you want to drink, and common sense preventing you from getting any of the wines by the glass which can be classified as a “seemingly affordable rip off”. Instead, you can spend hours combing through your own wine shelves, looking for the bottles which you will deem worthy of a special celebration – and which will also work with the menu you have in mind.
Martinelli Syrah which you see in the picture was a backup wine in case anything will be wrong with the Pinot. Now it is back in the cellar, waiting for its turn.
Last year’s celebration was about steak and Cab – obviously, I couldn’t repeat myself, so the search was on to find an appropriate protein replacement. Somehow that resulted in the duck breast – and what wine does the duck breast call for? Of course, the Pinot Noir!
Before we talk Pinot we need to talk bubbles. Bubbles don’t have to exclusively narrow down to Champagne. Champagne is a wonderful sparkling wine, perfectly appropriate for any celebration – but the world of wine moved up tremendously over the past 15-20 years. I don’t have any stats to prove this objectively, but I have a feeling in the USA at least a third of all wineries if not half of them produce sparkling wine – if not for the wide distribution, then at least for the wine clubs and tasting room visitors.
I also have to say that ever since I visited the Franciacorta region in Lombardy, Italy, Franciacorta sparkling wines became my go-to choice of bubbles for any special celebrations. In my mind, Franciacorta wines are very consistent, and today, as they honed their production methods to perfection, this translates into the “you can’t go wrong with” Franciacorta wines in general. La Valle was one of my top highlights of that Franciacorta trip and the La Valle Rosé really hit the cord then – and it continues to do now. This 2011 La Valle Brut Rosé Franciacorta was superb – fine mousse, delicious strawberries on the nose with the hint of the toasted bread, and more strawberries on the palate – a perfect opener for our evening.
Now, the Pinot time. Similar to the bubbles, Pinot Noir also enjoys quite a universal appeal around the world nowadays. There some regions, however, which do a better job than the others – and California Russain River Valley is definitely one of them. I tried 2007 Charles Mara Pinot Noir for the first time back in 2010. It was silky smooth and powerful at the same time. I was so impressed with this wine that it became the top wine of the inaugural Talk-a-Vino Top Dozen Wines list. I still had a bottle of 2007, and I decided that it would be a perfect choice for our Valentine’s Day dinner – and the wine didn’t disappoint. Now, 9 years later, this 2007 Mara Laughlin Road Ranch Pinot Noir Russian River Valley became even more round and less “in your face”. Characteristic California Pinot plums and smoke on the nose, succulent dark fruit on the palate with a hint of violets, perfect acidity, perfect balance, lots and lots of pleasure. And it also worked perfectly with the duck.
Let’s talk about the duck. I had it a number of times before, either made by friends or at the restaurant – but duck is rarely my go-to dish. The form of duck I cooked before was either duck legs as part of the Cassoulet or the whole duck as part of the Turducken. I never attempted cooking the duck breast before, so obviously was concerned with the outcome. After studying a number of recipes, I was concerned even more, as a number of commentators complained about rendering duck inedible even after repeated attempts, so I was really not sure about my own success.
I don’t know if it was a quality of the ingredient, Moulard Duck Magret, which I got at our local Fairway Market, or the cast iron pan, a combination of the above, or the beginner’s luck, but the duck breast came out perfectly. I also made a Port (you saw it in the picture above) and berries reduction, which elevated the nicely gamey taste of the duck breast and was a bridge to connect it all to Mara Pinot Noir – all in all, a delicious dinner. Nevermind the paper plate in the picture – everything in life has a story, but this is not the story for this blog post.
There you go, my friends – not a timely share, but still an experience worth sharing. If you still remember, I’m curious to know how was your Valentine’s Day dinner. Cheers!
Daily Glass: The More I Drink, The Less I Understand?
Wine is an enigma.
But you already know that.
The wine had been a serious object of obsession for more than 20 years for me. I went through multiple education programs. Read an uncounted number of wine books and articles. Most importantly, drunk a lot of wine – from the bottles, from the barrels, the juice of freshly harvested grapes and the juice which only had been fermented for a few days. Two days old wine and 80 years old wine. I taste roughly thousands of wines every year (with the help of trade tastings). Yes, the wine is an object of obsession. And yet, I would never say that I figured it out, that I fully understand it.
Wine is an enigma.
The curse of wine is rather simple – until the cork is pulled (or unscrewed), you don’t know what to expect. A lot of wine bottles look ultimately attractive outside – bottle’s shape and weight play an important role, and then you got the label which, when properly done, is an ultimate seduction device. But once the cork is out, it is only the content that matters – and here we learn that not all the beauty from outside can be found on the inside. The worst part? Until the first sip, we have no way of knowing what we will find, even if we tasted and loved the wine before! Sadly, this is a classic case of any investment prospectus disclaimer – “past performance is no guarantee of the future results”. It is quite possible that you tasted and loved the wine before – nevertheless, every new bottle is a perfect screw up (or a beautiful surprise) opportunity. The wine is an enigma.
Back in 2014, I tasted 2011 Michel Chapoutier Tournon Mathilda Shiraz Victoria, Australia (13% ABV, $14.99) and was blown away by the beautiful purity of that Shiraz. The wine had a clean, herbs-driven profile full of freshly ground pepper – you really had to taste it to believe it. I was so impressed with that wine that it became wine #4 on my Top Dozen list in 2014. I got 6 bottles or so (at $14.99, a great QPR) and was slowly enjoying it over the years. But not always. I remember trying to impress a friend with this wine when I found it available in a restaurant in Florida by the glass. That simply did not work – the wine was flabby and mostly insipid. Then I had opened a bottle last year, only to be able to say “what just happened???”. The wine had just some single note fruit, no pepper, limited acidity, and in a word, was not fun. I was further put down with this wine last year after tasting the current vintage release at the trade tasting – that wine was insipid, cherry cough medicine style.
When I pulled my last bottle from the shelf a few days ago, the thought was – yeah, whatever, let’s just free up some space. Unscrew, pour, sip – oh, my, everything was back as when I fell in love with this wine – fresh pepper, sage, rosemary, intensely herbal with tasteful addition of ripe black plum – as wow wine as it can be. Don’t ask me for explanations or theories – as I said, the more I drink, the less I understand.
Wine is an enigma.
The second story is less unusual, but still in line with what we are talking about here. I got the 2009 Tallulah MD1 Cabernet Sauvignon Napa Valley (14.1% ABV, $75) after reading the skillfully crafted sales pitch by the folks at Benchmark Wine Company. What’s not to like there? Excellent winemaker, Mike Drash; beautiful label, great story of naming the wine after winemaker’s daughter, and maybe most importantly, the cult grape from the cult region – Cabernet Sauvignon from Napa Valley. The first experience with the wine was at the “ohh” level – tight, closed, by all means not ready. The next time I had the same wine was back in 2014, it fared better – I gave it 8- rating, but mostly for the potential, not so much for the actual pleasure delivered by the wine back then.
Looking for the wine to drink last Saturday with the steak (looking for the wine is a physical process of moving the shelves of the wine fridges in and out – I don’t have any record-keeping in place), I saw the bottle top with the characteristic “T” on it. Similar to the wine we discussed before, the thought was “well, why not – I need to free some space anyway”. The first sip solicited an instant “oh, wow” – a Cabernet perfection in the glass, vibrant cassis, eucalyptus, touch of cherries, sweet oak, perfect mid-palate weight, clean acidity, impeccable balance – the wine Napa Valley is so famous for was right there – in my glass.
While working on this post I looked for my previous notes on this wine, and I only found a short reference in the post about “Month in wines”, written precisely 5 years ago, in February of 2014. To my big surprise, in that post, I found the following line: “…definitely needed more time, let’s say, at least 5 years…” – the fact that I randomly pulled this MD1 bottle exactly 5 years after and the wine evolved beautifully – well, I guess, this is just a happenstance…
Wine is an enigma.
But that what makes it an ultimate fun.
Tale of Two Reds – Are All Wine Lovers Eternal Optimists?
Let’s talk about red wines. And optimism. The connection between the two? You will see – give me a few minutes.
Let’s start from a simple question – how many chances do you give to a bottle of wine? Fine, let’s rephrase it. You open a bottle of wine. It is not corked, or if you think it is, you are not 100% sure. You taste the wine. The wine is not spoiled, but you don’t like it – doesn’t matter why, we are not interested in the reason – the bottom line is that it doesn’t give you pleasure. What do you do next?
Of course, breathing is the thing. You let the wine breathe – you pour it into a decanter, and let is stand – few hours, at least. You taste it again – and it still doesn’t make you happy. Your next action?
Let’s take a few notes here. First, we are not talking about the wine you feel obliged to drink – it is not a $200 bottle, it is not a first-growth Bordeaux – it is an average bottle of wine, let’s say, of $20-$40 value. Second, it is a quiet evening – let’s say, it is you and your spouse, and you have a luxury of opening another bottle of wine to enjoy.
As we said, two hours in decanter didn’t do anything. And another 4 hours didn’t help either. Or maybe you didn’t use the decanter, as you only wanted a glass, and dealing with moving the wine in and out of decanter was not your priority, so the wine was standing in the open bottle. In any case, it is the end of the day, and it is time to go to sleep – and the wine is still not what you want to drink. What is next?
At this point, you got a few options – leave the bottle on the counter, dump it into the sink, put it aside into the “to cook with” section, or pump the air out and see what the next day will bring. Let’s assume you’ve chosen the latter option, but the next day didn’t improve the situation – for how long will you keep trying?
While I’m sending you on the trip down the memory lane (or maybe not), let me share with you my most recent experience. On December 31st, I opened the bottle of 2012 Codice Citra Laus Vitae Riserva Montepulciano d’Abruzzo DOP (14% ABV, $32). I had very high expectations of this bottle for a few reasons. First, the bottle itself is a BAB (for the uninitiated, it stands for Big Ass Bottle – a heavy, thick glass, pleasant to hold, bottle), which always creates high expectations for me. Second, I have high respect to the Montepulciano d’Abruzzo – was surprised with the quality more often than not. Third, I just tasted through the samples of a new line of wines from the same producer, Codice Citra (the line is called Ferzo), four delicious wines, more about it in a later post – obviously, all of this added up to the expectations. Only the first sip delivered nothing but disappointment.
I took a sip of the wine, all ready to say “wow”, and instead the first thought was – “heat damage”? Most prominent note on the palate was stewed fruit, which is definitely a problem for the 6/7 years old wine, clearly meant to have a long cellar life. What happened? Was the wine stored improperly? No way I can pour this to my guests, so put the cork in, pump the air out and let’s see what will happen.
Every day from there on, I would pull the cork out, pour a glass, taste, and sigh. Still, the stewed fruit in various amounts – day three seem to show some improvement only to go back on day 4. Can you see me winding up the drama? What do you expect happened on day 5?
January 4th, I’m pouring another glass, not expecting anything good, but willing to finish the “experiment”, and subconsciously still surprised that BAB didn’t deliver. The first sip extorts “wow” and the thought of “what just happened”? The core of pure, ripe, tart cherries with a touch of a cherry pit, the hallmark of good Montepulciano, is laughing at me. Firm structure, fresh tannins, balancing acidity – the transformation couldn’t have been more dramatic. I thoroughly enjoyed every last drop of that wine, still utterly amazed at how little I understand in the mystery of the wine.
The second wine, which I happened to open a day later, but played with in parallel to the Montepulciano, worked in a very similar fashion. I got the bottle of 2014 Ernesto Catena “Tikal Amorio” Malbec Mendoza Argentina (13.5% ABV, $30) as the present from Chuck Prevatte of Food, Wine, Beer, Travel blog as part of the “Secret Wine Santa” fun originated and run by Jeff Kralik, a.k.a. The Drunken Cyclist. Chuck sent me a bottle with the message that Malbec is his favorite wine, and he was hoping that I will also enjoy his selection.
Okay, so here is another gaping hole in my “I don’t discriminate against any wine” adage – Argentinian Malbec is not my thing. I will gladly jump at Cahors, but given an option, unless I perfectly know the producer and the wine, I will avoid Argentinian Malbec as a generic category (as an example Broquel, Kaiken, Achaval-Ferrer, Trapiche are all on the “good list”). Yes, I will still try the Malbec I don’t know (someone has to eat the broccoli, right?), but only if asked. If you are interested in the reason, it has something to do with the flavor profile – I had a lot of Argentinian Malbecs which lack acidity and have too much of the overripe fruit and baking spices – interestingly enough, that exact flavor profile often wins the “easy to drink” praise among wine consumers.
Anyway, the Tikal Amorio Malbec had a very attractive label and sounded good from the description – the wine was created for the love of the grape and represented a blend of Malbec grapes from 3 different vineyard sites in Mendoza. Besides, it was recommended, so as I was opening the bottle, the thought was a happy “what if…” The first sip, however, brought (I’m sure you guessed it) the “this is why I don’t like the Argentinian Malbec” sigh – flabby fruit, very little acidity, and lots of baking spices. Ooh. I will spare you the day by day description – not much changed over the three days. But on the 4th day… The first sip brought in perfectly ripe blueberries with the core of acidity – nothing flabby, perfect structure, firm, fresh “pop in your mouth” blueberries with undertones of tobacco. The wine beautifully transformed (another mystery), and similarly to the Montepulciano, was gone in no time.
Here it is, my friends, a tale of two reds – and an ode to the optimism, don’t you think? Have you been in a similar situation? What do you do when you discover the wine you don’t like at first sight? How many chances would you give it? Cheers!
Top Wines of 2018
And the time has come to summarize the most memorable wine experiences of 2018 – here is the list of about dozen of wines which made a lasting impression. The top wines list at Talk-a-Vino typically consists of two parts, as I can never limit myself to one dozen of wines – you can find the second part of the Top Wines of 2018 list here. That “second dozen” post also provides a bit more explanation behind the logic of this list. Without further ado, let me present to you my top wines of 2018:
13. 1997 Chalone Vineyard Pinot Blanc Monterey County California ($NA) – there are always those wines which you look at and say “yeah, whatever, let’s just try it before we will pour it out”. And then your thought (after the sip) is “what, wait, really?” This was one of such wines – 21 years old white wine, Pinot Blanc from California – no doubts it already turned into vinegar, right? Wrong! Whitestone fruit, good acidity, nicely plump – it was a great surprise and an excellent evening opener.
12. 1995 Caves São João Quinta do Poço do Lobo Reserva Bairrada DOC Portugal ($22 @ Last Bottle) – despite the serious age, this wine was just released, and I scored a few bottles thanks to the Last Bottle. I know that Portugal makes great wines which can age, but this wine still went beyond expectations – perfectly fresh, perfectly concentrated, perfectly delicious. I brought a bottle to share during the after-party at the Wine Bloggers Conference this year, and poured it blind for two wine pros, asking them only to estimate the vintage – they both were 10 years off, suggesting that the wine was from 2005 instead of 1995. Another interesting fact about this wine that one of the 3 grapes it is made out of, Moreto, is not even growing in Portugal anymore…
11. 2015 Smith-Madrone Riesling Spring Mountain District Napa Valley ($32) – a pure revelation. I had no idea Napa Valley is capable of producing a beautiful Riesling. Chardonnay, Sauvignon Blanc – of course, but varietally correct Riesling? Yes, Smith-Madrone can! It even had a touch of my beloved petrol, which always makes me very happy. Look for this wine, you will not regret it.
10. 2014 Tiefenbrunner Turmhof Sauvignon Südtirol Alto Adige ($30) – A pure stunner. Of course, Italy is best known for its reds, and when it comes to whites, it is autochthonous varieties which usually shine, such as Pecorino, Falanghina, or Verdicchio. However, I had a pleasure of experiencing mind-boggling renditions of Chardonnay and Sauvignon Blanc, and this was exactly one of such a mind-boggling Sauvignon Blanc encounters. Recognizable Sauvignon Blanc in its core, but plump, complex and silky smooth. The fact that the wine comes from Alta Adige, unique mountainous region, also contributes here. A memorable wine.
9. 2002 d’Arenberg The Dead Arm Shiraz McLaren Vale Australia ($70) – while typically not a word to use to describe Shiraz, my key descriptor for this wine will be “finesse”. This wine was mature and elegant, offering complex earthy undertones with a touch of barnyard, and lean and clean in its overall expression. It still got time to evolve, but already offers lots of pleasure.
8. 2008 Grosset Polish Hill Riesling Clare Valley Australia (~$50 for current vintage) – For me, this wine was a pure encounter with the legend – in many ways. Clare Valley in Australia is famous for its Riesling, same as Hunter Valley is famous for its Semillon. Polish Hill is one of the best vineyards in Clare Valley, and Grosset is a pioneer and one of the very best producers in Clare Valley and Australia overall. To top it all off, I had this wine during the dinner with my [not virtual anymore] friend Oz in Singapore. Memorable wine? You bet.
7. 1986 Chateau Cordeillan-Bages Pauillac AOC ($54.97) – I have no idea where and how this bottle ended up in my cellar, but I’m glad it did. 32 years old Bordeaux, elegant, balanced, showing no sign of age, delicious from the first sip to the last. Also coming from the Chateau with minuscule production. Need I say more?
6. 2015 Domaine Jean-Noel Gagnard Chassagne-Montrachet Blanc 1er Cru Les Caillerets ($100) – The only thought I have when drinking such a beautiful white Burgundy is that I need, really need to drink more of the white Burgundy wines. Good Burgundian Chardonnay is amazing when young, and surreal once it picks up some age. This is practically the only time when I wish for an expense account to be able to drink the wines like that.
5. 2014 Revelry Vintners D11 Cabernet Sauvignon Walla Walla Washington ($80) – yet another great highlight of the Wine Bloggers Conference this year. Imagine beautiful blackcurrants weaved around a perfect, firm structure of the crunchy tannins – that was this wine. I’m really surprised at myself – on a normal day, I would definitely take Syrah over Cab – and Revelry Block 19 Syrah, which we had at the same time as this Cab, was equally beautiful – but it is the Cabernet Sauvignon which got stuck in my head.
4. Bodegas Beronia Rioja ($NA) – so this will be a bit strange, as I’m including here more of the experience than a single wine. I was lucky to be invited to the lunch with Bodegas Beronia winemaker, Matias Calleja, in New York. I love Rioja unquestionably, but at that lunch, my takeaway was a lot bigger than just a taste of another excellent Rioja – we were able to experience the effect of the type of oak on the same young Tempranillo wine, and see how American oak affects the wine versus French oak versus Bodegas Beronia own oak combination. An incredible experience in my book. And then I was able to save a business dinner with the 2011 Bodegas Beronia Rioja Reserva, so if you need a particular wine designation for the list, it can be the one.
3. “This line was intentionally left void” – keep reading, you will see why.
2. 2010 Antica Terra Rosé Willamette Valley ($75) – OMG. Is that enough of the description? I pulled this bottle without much expectation – Antica Terra makes incredible terroir-driven wines, but 8 years for Rosé is rather too much, right? Wrong! A stunning color, and the cranberry-loaded palate of liquid granite – the only thing I could extort was that “OMG”. Back in 2012, Antica Terra Phantasi was my wine of the year – this Rosé was hair-splitting close to becoming the wine of the year again.
1. 2008 Zenato “Sergio Zenato” Amarone della Valpolicella Classico DOCG ($100) – I love Amarone. I expressed my love to this great Italian wine many times on this blog – together with my utmost frustration while looking for a good Amarone (before you start cursing – “good wine” is highly subjective, personal definition). This wine was amazing, one of the very best I ever experienced – dry fruit on the nose (figs, raisins) and crisp, dry, clean, full-bodied palate of impeccable balance. A pure, pure delight.
1. 2013 Three Wine Company Suscol Creek Cabernet Sauvignon Block 5 Napa Valley ($60) – yes, I did it again – I have two #1 wines this year. I can’t do that? Of course I can – my blog, my rules. I had this wine at the dinner with friends during our annual adults getaway. This was literally a mind-blowing rendition of a California Cabernet Sauvignon – beautiful extraction, cassis with eucalyptus, anise and mint, silky, velvety tannins – this wine was screaming in my face “I am the California Cab” – and with a perfect balance of all elements, it was simply a “wow experience” – I would gladly drink it at any time.
Here it is – the presentation of the Talk-a-Vino Top Wines of 2018 is now complete.
As today is the December 31st, and New Year 2019 is about to arrive, I want to wish you all happy, healthy, and peaceful New Year. Yes, it should be prosperous too, and I hope all your wishes will come true. Much love to all. Cheers!
We Are Creatures of Comfort
We are creatures of comfort. If you are feeling particularly wound up today and comfort is the last thing on your mind (especially considering that we are living through the typical hectic holiday season), maybe you need to look for a post about coffee – but for the rest of us, let’s talk about comfort (there will be wine at the end, I promise).
Everyone has their own elements of the comfort. Favorite coffee mug. A big old chair which hugs you as soon as you touch it. Favorite room in the house. Favorite corner in the backyard, the one where you feel the most relaxed. Maybe a favorite bench in the park. The shoes which slip on your feet like they are part of the whole. And clothes, let’s not forget may be the easiest, most simplistic, everyday purveyor of the comfort – clothes.
Let’s talk about clothes a bit more. Outside of the office, when you need to run errands, go to the movies or drive to see your friends, what are your most comfortable pants? For me, it is jeans. Jeans are my most versatile type of clothes, anywhere I go, whether driving for 10 minutes to the supermarket or flying around the globe to Japan. Definitely an essential element of comfort in my book – and I suspect that many of you share the same feeling.
Now, let me take you out of the comfort zone, as I have a question for you. Without scrolling forward (please), can you tell me what is the connection between the jeans and the wine? The brand of jeans plays absolutely no role – jeans as the clothing category can be directly connected to the world of wine. I will give you a few minutes to ponder at it.
I’m still here, take your time.
Still here – got any ideas?
Okay, let me give you a hint. The material the jeans are made of is called denim. Does it help?
It is entirely possible that you easily figured it all out already. Whether you did or not, here is my answer and the explanation. We can go from “denim” to “de Nim”, and then it can be further changed to “de Nîmes”. Heard of Nîmes, the town in the Rhone valley in France? Denim became an abbreviation for the “serge de Nîmes”, where “serge” means a specific type of fabric, as Nîmes was the town where this fabric was created. It turns out that Nîmes was the center of the textile industry in France in 17th – 19th centuries – however today no fabric is manufactured in this medieval town. But – in the true spirit of life actually moving in circles, here you can read the story of a company which dreams of reviving the textile industry back in Nîmes – note that this story has actually no connection to wine, so let’s move on.
And the connection to the wine, you ask? Costières de Nîmes, the region surrounding the same town of Nîmes, where the history of winemaking goes all the way back to the third century.
Costières de Nîmes is the region in the Southern Rhone, which carries forward all of the Rhone Valley traits (all Costières de Nîmes wines even have a designation on the bottles for the Vins de la Vallée du Rhône). Instead of me retelling you all the facts about the appellation, I have a better idea – how about some creative infographics where you see all the fun facts about the region? Here you go:
At this point I’m sure you are wearing your comfortable clothes (jeans, perhaps) and sitting in your comfortable chair, so I’m sure you are ready for some wine. I had a chance to taste 3 wines from the Costières de Nîmes, so here are my notes:
2016 Domaine de Poulvarel Costières de Nîmes (14.5% ABV, $22, 65% Syrah, 35% Grenache)
Dark ruby
Raspberries, lavender
Raspberries, pepper, well integrated but noticeable tannins, baking powder, firm, medium plus body, excellent acidity.
8-/8, very good overall
2015 Château Vessière Costières de Nîmes AOP (13% ABV, $9, 50% Shiraz, 50% Black Grenache)
Dark ruby
Raspberries and tar
Raspberries and lavender on the palate, light to medium body, good acidity. Perfect charcuterie wine – paired well with salami and cheese.
7+/8-, excellent food wine
2016 Château Beaubois Cuvée Expression Costières de Nîmes AOP (13.5% ABV, $9, 70% Syrah, 20% Grenache, 10% Marselan)
Dark Ruby
Tart, minerally notes, blackberries, granite, anis, roasted meat. While nose is not exuberant, it is very expressive.
Raspberries, tar, medium body, good acidity, some green notes, a touch of pepper.
7+/8-, nice, simple, works great with meat and cheese.
Here you are, my friends. A bit unusual (I hope) connection between our daily life and the world of wine. The Costières de Nîmes wines I tasted might not be mind-boggling, but they are definitely comfortable, and fit our story well. I don’t know what one expects from the $9 bottle of wine, but I know that I would be perfectly comfortable having this wine daily – and my wallet would be very comfortable too. Have you had Costières de Nîmes wines before? What do you think of them? Put on your denim jeans, and let’s go have another glass. Cheers!
Embracing Inner Dude At Halloween
I like action movies. Well made action movies it is – those which have a plot and intrigue, and especially those which might keep you on the edge of your seat. Oh yes, and they better be American made movies. Nope, this is not a patriotic statement – Japanese action movies are beautiful (I love Martial Arts), but in 99 out of a 100, the main character dies at the end. In our, American made action movies, the good always wins – yep, the proverbial “happy end” is literally warranted.
And then there are those American movies where the plot is based on pure absurd, and the only supposedly entertaining element is unstoppable, relentless use of the F-word by everyone, including kids and animals – I guess the endless F-word variations are supposed to create serious drama around, well, pretty much nothing.
Okay, okay, you are still reading (if you are actually reading – and I want to thank you for that) the Talk-a-Vino blog so we will be actually talking wine – I’m not turning into a movie critic all of a sudden.
Sometimes I know that the wine sample had been shipped to me only through a UPS or FedEx notification, without any prior conversations with “the source”. So when the box arrived a few weeks ago from Donna White, I got really curious about what is inside, as the box looked quite big – however, its weight really didn’t support the size, so yes, color me very curious. Inside the box, I found the Halloween costume, the bottle of wine, and the note. From the note, I found out that I’m a Lebowski (and everyone I know is also a Lebowski). Which instantly triggered “The Big Dude Lebowski” to come to my mind – without much of the basis, as I knew the phrase but had no idea it came from the movie.
Now you have the movie connection. I found some movie clips on YouTube, and whatever I watched, didn’t give me an encouragement to sit down and spend time watching the whole movie (hence my opening thoughts in this post). The strong association of the word Dude and “The Big Lebowski”, which is an actual title of the movie, even prompted me to do a bit of the research on the meaning of “Dude” – I was happy to see that the word itself has a much longer history and somewhat easy to relate to (from Wikipedia): “Dude is American English slang for an individual, typically male. From the 1870s to the 1960s, dude primarily meant a person who dressed in an extremely fashionable manner (a dandy) or a conspicuous citified person who was visiting a rural location, a “city slicker”. In the 1960s, dude evolved to mean any male person, a meaning that slipped into mainstream American slang in the 1970s. Current slang retains at least some use of all three of these common meanings.” So “The Dude” can exist on its own, without the “The Big Lebowski” parallels.
Okay, so I explained the movie opening of this post, but we still didn’t get to wine – and it is the time to do it. The Dude actually plays an important world in the wine world – as the name of the Australian Shiraz. Two Hands winery from Barossa Valley in Australia produces the wine called Gnarly Dudes, which has the picture of the old Shiraz vines on the label – which looks like, well, gnarly dudes – hence the name and this whole connection between the Dudes and the wine.
I mentioned the Halloween costume in the box, didn’t I? Can you guess what the costume was? Yep, of course, it was the outfit of The Dude himself, exactly as they show it in the movie. My first reaction was: no. Just no. I will not wear this. A few days later, after the initial desire to reject slowly dissipated, the next thought was “well, this is Halloween after all. Why not?
The end result was simple. I wore The Dude’s costume and I opened the bottle of The Dude wine, just as it was envisioned by whoever put this package together. Below, you can see a proof – lame, but my best version of The Dude. By the way, when I was giving out candies in this outfit, nobody complained – and one person even managed to correctly identify the character I was impersonating.
For the longest time, our family tradition is to carve pumpkins for the Halloween. None of us has any carving skills, but once we finally acquired a good pumpkin carving set from the Williams-Sonoma, we managed to achieve the level of the personal content with the results of our carving efforts.
And now, let’s finally talk wine – 2017 Two Hands Gnarly Dudes Shiraz Barossa Valley (13.8% ABV, $30, 100% Shiraz, 12 months in French Oak). The wine perfectly demonstrated its “dudiness”. Upon opening and for the most of the evening, it was simply an okay wine. Here are the notes:
Roasted meats on the nose, quite dominant
Dark, earthy fruit, blackberries, a touch of pepper, noticeable sapidity, overall earthy notes, good balance. This is a food friendly wine.
So in terms of drinkability, it was a 7/7+ wine at the best on the first day. The second day (without pumping the air out, just putting the screwtop back on) brought far more enjoyable wine – blackberries appeared on the nose, and on the palate, the wine clearly added multiple dimensions – velvety texture, round dark fruit, both blackberries and blueberries, sage and violets joined the chorus – absolutely next level wine compare to the first day, definitely an 8 wine (my own 1-10 Drinkability scale, yes). I want to mention that the wine remained equally beautiful even on the 3rd day, and showed a touch “over the hill” signs on day 4. An excellent wine, but you have it either give it some time or look for the one which has some age on it. And yes, forget a few bottles in the cellar for the next 10 years – somehow, I expect you to be handsomely rewarded.
Here is my Dude story for you. How was your Halloween? Cheers!
A Pinot Noir Lesson for Self with Tendril Cellars
Back in May, we virtually met with Tony Rynders of Tendril Cellars and talked about … many things wine, of course – you can find this conversation here.
Tony is one of the few winemakers I know who teaches people about his wines by conducting organized tastings. As I didn’t have an opportunity to attend any of those events, I decided to run a lesson for myself on the same subject. How you ask? Easy – by tasting the wines blind.
I can literally see the surprised looks and raised eyebrows. How is it a blind tasting if I know already everything about those wines? You see, the lineup I had included 6 wines. Out of those six, four were different Pinot Noirs – different vineyards, different winemaking process, different price points. Obviously I was not planning to try to identify the exact wine, but still – will I be able to taste the difference, and maybe identify the most expensive wine? Comparing Chardonnay and white Pinot Noir should also be a fun exercise, as those are two siblings ruling the world of Champagne. Yep – lots of opportunities for having fun.
Okay, blind tasting it is. The bottles are wrapped, the numbers are randomly assigned. May the taste buds serve me right!
Here are my notes for the wines while tasting them blind:
1 Light golden color
Vanilla, golden delicious,
Bright acidity, vanilla, apples, a touch of honey
2 toasted notes, yeast
Perfect acidity, Granny Smith apples, a touch of honey, toasted notes on the palate, outstanding
white pinot?
3 Dark ruby
Earthy, Rutherford dust on the nose, a touch of roasted meat,
Beautiful palate, soft plums, round, espresso, excellent acidity, wow. ThightRope?
4 Ruby
Concentrated nose, mint, eucalyptus
Concentrated palate, acidity, eucalyptus, sage, violets on the palate. Very unusual. Single Vineyard?
5 Dark ruby
Wow. Blueberries, raspberries, restrained
Very smooth, silky, bright fresh fruit, acidity, firm structure, excellent balance, never-ending finish. Wow. C-Note?
6 Dark ruby
Nose old world style, forest floor, mushrooms, great restraint
Round palate, blackberries, baking spices, soft, delicious. Outstanding. Extrovert?
Everyone knows that the best part of the blind tasting is … unwrap! The moment of truth, pure and simple. Here are my notes for the tasting of the wines non-blind, 3 hours after the blind tasting (in the same order):
1 – 2015 Tendril Cellars Pretender Willamette Valley (14.1% ABV, $60, white Pinot Noir)
A bit darker color (golden)
Vanilla, butter
Plump, round, crisp acidity, acidity on the finish (very extensive), plump body.
8, excellent. Reminiscent of a nice Marsanne.
2 – 2015 Tendril Cellars Chardonnay Willamette Valley (13.5% ABV, $40)
Honey, gunflint, vanilla
Brioche, Granny Smith Apple, a touch of butter, clean acidity, excellent
8, outstanding.
3 – 2014 Tendril Cellars Extrovert Pinot Noir Willamette Valley (14.1% ABV, $48)
Beautiful, classic, open Pinot, with cherries, sage, and plums.
Soft cherries and plums on the palate, clean acidity, sage, violets, delicious, wow
8, delicious.
8+/9-, a pure standout. Polished, velvety, seductive, like a light touch on the hand which makes your whole body to vibrate. More reminiscent of CA Pinot than dark and loaded
4 – 2014 Tendril Cellars TightRope Pinot Noir Willamette Valley (14.2% ABV, $64)
Very tight, espresso, licorice, blackberries
Beautiful, sweet fruit, noticeable tannins, very round, medium body, cherries and cherry pit.
8, excellent.
Complex nose of herbs and spices, exotic and unusual.
Wow, great power and complexity, not a typical Pinot, might be more of a Zinfandel or even Syrah profile. Needs time, lots more time.
5 – 2014 Tendril Cellars Pinot Noir Mount Richmond Single Vineyard Willamette Valley (14.1% ABV, $60)
Very unusual. Beets and caramel on the nose, with a touch of dark chocolate.
Blueberries and caramel on the palate, nice salinity, raspberries. Medium+ body. Excellent
8
Very ripe after 2 days been open (air pumped out). Beautiful palate, minerality-driven, cigar box, eucalyptus, tense, powerful. Can be mistaken for a Rioja of a nice caliber.
6 – 2014 Tendril Cellars C-Note Pinot Noir Willamette Valley (14.1% ABV, $100, 100% Whole Cluster, 100% new oak)
Sublime. Can be described only via allegories, such a finesse. Dark chocolate and cherries. Excellent
Equally delicate on the palate, crisp acidity, bright, sweet plums, and tobacco. Outstanding.
8, excellent
Nose is incredible. First, you want to smell.this.wine.for.a.long.time.
Superb, elevated wine, complex, great finesse, and needs time. 8+
As you can tell, I failed miserably. I didn’t identify any of the wines – however, this was perfectly in line with my expectations. What was definitely interesting is that despite the four Pinot Noir wines been all from Oregon and at about the same age, they were absolutely, unquestionably, distinctly different – and strikingly delicious.
Of course, I extended the pleasure of tasting some of those wines over the few days, which is reflected in the tasting notes above.
Here you are, my friends. Blind tasting or not, the Tendril Cellars wines are worth seeking – the virtual tasting will simply not do it – these are the wines to experience. And if you need to choose only one, I can let you in on a secret (don’t tell anyone!) – the Extrovert was my favorite. Cheers!
Thinking About Grenache with Bokisch Vineyards Garnacha
Grenache. Garnacha. Garnatxa. One of the 10 most popular red grapes in the world, one of the most planted grapes in the world (according to the Court of Master Sommeliers, “world’s most widely planted grape”). Some call it “unsung hero”; I generally designate it as King of the Blends. While Grenache can perfectly perform solo (think about Sine Qua Non, Horsepower, No Girls, Bodegas Alto Moncayo, some of the Chateauneuf-du-Pape), it typically plays its part in the blends – that’s what “G” stands for in all of the GSM renditions, whether coming from Australia, Southern Rhône, Southe Africa, or California; it helps with Rioja and Priorat, and with lots of other wines.
Yesterday, wine lovers celebrated International Grenache Day, which prompted some thoughts on the subject. As I confessed many times, I like aged wines. Of course, I thoroughly enjoy the exuberance of the young wines, but my honest preferences are with the wines which gain some complexity after been aged. Out of 10 most popular grapes – Pinot Noir, Tempranillo, Sangiovese, Merlot, Zinfandel, Malbec, Grenache, Cabernet Sauvignon, Nebbiolo, Syrah/Shiraz – Grenache is the one which concerns me the most with its ageability. Of course, the Grenache wines produced by Sine Qua Non, Horsepower, Bodegas Alta Moncaya Aquilon, Châteauneuf-du-Pape from Clos des Papes or Domaine de la Janasse can age perfectly for a very long time – but all of these wines will set you back for hundred(s) of dollars, so their ageability is rather expected. Meanwhile, I had lots of Cabernet Sauvignon, Pinot Noir, Zinfandel, Sangiovese, Tempranillo, Syrah (oh well, pretty much all of those 10 major grapes), priced in the $15-$25 range and age beautifully (here is one example for you) – but I don’t have a great luck with aged Grenache in that price category – maybe because the most of it comes in the blends (don’t try aging Côtes du Rhône reds – it is just not going to happen).
If you are an oenophile who can spend 15 minutes pulling back and forth numerous bottles in your cellar, unable to decide what to open for the evening, I’m sure you really appreciate the grape holidays. Your selection shrinks down, as now only the appropriate bottle can be opened, so the life becomes much easier. This recent Grenache Day gave me a good reason to finally open the bottle of the 2011 Bokisch Vineyards Garnacha Terra Alta Vineyard Clements Hill Lodi (14.5% ABV, $25) – I had this bottle in my hands a few times this year, but always put it back as “not this time” object.
Lodi was one of my relatively recent discoveries as one of the very best wine regions in California, and in the US in general – both with the wines and with the people who make the wines there. Lodi might be most famous for its Zinfandel vineyards, but it is really a capital of Mediterranean grape varieties in the USA, and so Lodi Grenache is something to look for as a category. And if Lodi is the capital, Markus Bokisch might well be the king of those Mediterranean varieties – he started planting Spanish varieties in Lodi back in 1999 and only made his first Zinfandel wines a few years back. Markus’s range includes all best-known Spanish varieties – from Albariño and Verdejo to Garnacha, Monastrell, Tempranillo, and Graciano.
In a word, I made an excellent choice of the celebratory wine for the International Grenache Day, as the wine was beautiful from the get-go. Garnet color; espresso and mint jump right out of the glass, intense aroma, tar, a whiff of the dark chocolate came as the second layer, minerality, spices – I could actually smell this wine for about … forever. The palate? Wow. Tart blackberries, tobacco, a touch of pepper, bright acidity, perfect firm structure, delicious. The wine was going and going, further opening up over the next two days and showing the smoke and rocky minerality which I previously experienced with No Girls Grenache (here is a bonus, Bokisch Garnacha is only a quarter of a price of No Girls Grenache). Drinkability: 8+/9-. The wine was a perfect example of Grenache which can age – and could’ve waited for longer to be opened, for sure – but it was definitely enjoyed (of course this was my only bottle, you don’t need to ask).
What do you think of Grenache? Do you have a favorite Grenache wine or a region? Cheers!
Thinking About Albariño, or Notes from Albariño Deep Immersion with Snooth – 2018 edition
Luckily, Albariño doesn’t need an introduction to the wine lovers anymore (if you think I live in lalaland, please speak up). Albariño is the best known white grape of Spain, making crisp, dry, minerally-infused, refreshing white wines, perfectly suitable to support any seafood dish, as they always had in their native Galicia region. As with most of the white wines, Albariño is typically associated with summer, but it is a versatile wine all year around – and typically very reasonably priced.
For the second year in the row, I had a pleasure of participating in the virtual tasting of Albariño wines, organized by Snooth, one of the largest online wine communities. I will not delve into the technical details of the region, as I had an extensive coverage in last year’s post, and instead, I will simply share my notes for the wines we tasted.
Here are the notes, sorted by the sub-region of Rias Baixas:
Sub-region: Val do Salnés:
2016 Condes de Albarei Albariño Rias Baixas DO (13.5% ABV, $15)
Light straw
Lemon, lemongrass, hint of peach
Lemon, good minerality, medium body, good mouthfeel, mostly acidity on the finish
8-, good balance, round
2017 Pazo Señorans Albariño Val do Salinés Rías Baixas DO (13.5% ABV, $25)
Straw color
Rich citrus – lemon, grapefruit, orange
Clean acidity, lemon, thyme, good minerality, vibrant, fresh
8-, excellent
2017 Nai e Señora Albariño Val do Salnés Rías Baixas DO (13% ABV, $15.57)
Straw pale
Tropical fruit, white flowers
Round, clean, good balance of fruit and acidity
8, definitely one of the favorites.
2017 Paco & Lola Albariño Rías Baixas DO (13% ABV, $21.99)
Lightest color of all, straw pale
Lemon, mint, nice minerality
Fresh, crisp, cut-trough acidity, lemon grass
8-, round and extremely refreshing
Sub-region: Contado do Tea:
2016 Fillaboa Albariño Rias Baixas DO (13% ABV, $20)
Light golden
Candied lemon, vanilla, touch of butter, medium+ intensity, inviting
Crisp acidity, fresh, touch of salinity, fresh lemon, steely notes, vibrant
8-/8, excellent
2017 Señorío de Rubiós Robaliño Albariño Rias Baixas DO (12.5% ABV, $18)
Straw pale
Sage, lemon, hint of overripe white peach
Good acidity, lemon finish, Meyer lemon notes
7/7+, Needs more vibrancy.
2017 Bodegas As Laxas Albariño Rias Baixas DO (12.5% ABV, $18)
Light straw color
Lemon, touch of minerality,
Minerality, forthcoming acidity, hint of grapefruit, Mayer lemon, good balance
8-, very good, balanced wine
Sub-region: O Rosal:
2017 Valmiñor Albariño Rías Baixas DO (13% ABV, $18.99)
Light gold
Fresh white plums, intense, pineapple, very inviting
Crisp acidity, lemon notes, fresh
7/7+, nice, simple, varietally correct
2016 Don Pedro Albariño De Soutomaior Rias Baixas DO (13% ABV, $18.99)
Light gold
Touch of honeysuckle, white flowers, hint of peach
Crisp acidity, pure lemon, vibrant, clean, lots of minerality, good midpalate weight
8-, steely goodness of the young Chablis, excellent, lots of pleasure. This wine will dramatically evolve over the next 5-7 years.
2017 Altos de Sorona Rosal Rías Baixas DO (12.5% ABV, $20, blend of Albariño, Caiño, Loureiro)
Straw color
Lemon, sea air, minerality
Lemon, crisp acidity, good weight, fresh, vibrant.
8-, excellent balance, can be had by itself as a summer day thirst quencher, or with some oysters (would work beautifully)
2017 Terras Garuda O Rosal Rias Baixas DO (12.5% ABV, $23.99, 70% Albariño, 10% Loureira, 20% Caiño Blanco)
Light golden color
Tropical fruit, guava, candied lemon, vanilla
Rich, generous, hint of watermelon and pineapple, crisp acidity, fresh, vibrant
8-, excellent
If you want to see the recording of the tasting, you can find it here. If you want to try the wines we tasted, most of them are still available on the Snooth website, also at a great price – take a look here.
I have to say that the quality was excellent across all the wines we tasted, with some of the standouts, such as Nai e Señora Albariño. Is Albariño a part of your standard wine routine? Do you have any favorites? Cheers!
P.S. Procrastination sometimes offers benefits – this tasting took place in May, but today (August 1st, 2018) is International Albariño Day, so I guess the post about Albariño is quite appropriate.
The Art of Tempranillo
Source: Vintae.com
I love Tempranillo wines. I wouldn’t call myself an expert, but I had a wide range of Tempranillo – with the exception of Australia, I believe I tried most of the major renditions – Rioja, Ribera Del Duero, Toro, most everywhere else in Spain, Texas, California, Oregon, Washington (am I missing something? do tell!). With all the love and respect to all the regions, if I have to put an order of priorities in that “list”, I would put Rioja first, Ribera del Duero very close second, but the competition for the 3rd place would be severe – in my world, of course.
I like wines of Toro, the closest sibling to the Rioja and Ribera del Duero, but it would be hard for me to place them higher than some of the beautiful Tempranillo renditions from Irwin Family Vineyards, Duchman, or Fields – considering the Toro wines I had in the past. Compared to Rioja and Ribera del Duero, Toro is … well, maybe I need to explain why I keep mentioning Rioja, Ribera del Duero, and Toro together all the time. These are the only three regions in the world where the absolute majority of the red wines is made out of the Tempranillo grapes. Yes, there are Garnacha and Graciano in Rioja, Cabernet Sauvignon and Merlot in Ribera del Duero, but still – most of the red wines in these three regions are made out of the Tempranillo, hence the constant comparison.
Out of the three regions, Toro is south-most one, with an expressly continental climate, low annual rainfall amounts, and significant range of day-night temperatures – which typically translates well into the flavor. Tempranillo is the grape of Toro, but similarly to Tuscany/Brunello, where you have Sangiovese and Sangiovese Grosso, Tempranillo in Toro is known as Tinta de Toro, a.k.a Tempranillo de Castilla, a.k.a. Ink of Toro. The grape is a bit smaller, with thicker skin, which coupled with growing conditions typically results, in massive, concentrated wines requiring extensive aging to become drinkable – I still have a memory of trying Alabaster made by Sierra Cantabria, one of the well-known producers in Toro, which was one of the most massive wines I ever experienced. Nevertheless, as I said at the beginning, Tempranillo is one of the favorites, so when the opportunity called to try 3 wines from Toro, I was definitely curious – and a bit cautious at the same time.
To ease things up, together with the 3 Toro wines from Bodega Matsu came a bottle of Rioja Reserva from Bodega Classica. While coming from unrelated producers, there is a common link between them – this link is called Vintae – a young company with a serious passion for the Spanish wine for the modern world. Vintae, started in 1999 by the Arambarri family, set on changing world’s perception of the Spanish wine as “boring”. To the date, Vintae unifies a collection of 11 different “projects”, all focused on showcasing the regions and the grapes.
Going back to the wines at hand, let’s talk about Rioja first. The wine comes from Bodega Classica, located in the heart of Rioja Alta. Rioja Alta offers a unique high-altitude setting to produce arguably the best Tempranillo of the whole of Rioja region. Couple that with more than 100 years old vineyards, and you are looking at some tasty opportunities in the bottle, as this Bodega Classica Hacienda López de Haro Rioja Reserva was. Here are my notes:
2013 Bodega Classica Hacienda López de Haro Rioja Reserva DOCa (13.5% ABV, $16.99, 90% Tempranillo, 5% Garnacha, 5% Graciano, 20 months in French and American oak)
Dark garnet color
Pepper, vanilla, raspberries, mushrooms, nice minerality
Medium body, good acidity, noticeable alcohol burn initially, went away in about 15 minutes, good fruit showed up, characteristic cedar notes, good acidity, round, soft.
8-, nice, just give it a bit of time to soften up at the beginning. The second day continued without changes. Good life expectancy, as expected of Rioja Reserva. And an excellent QPR.
Now, let’s go back to Toro. As I already said, in my prior experience, Toro wines were massive and concentrated, requiring long aging to soften and really show a beautiful expression of Tempranillo. And then there were wines called Matsu.
Matsu in means “wait” in Japanese. As we all know, waiting is one of the favorite games of oenophiles. When it comes to the three Matsu wines I had an opportunity to taste, there are many different levels of “waiting”. The wines had been progressively aged for the longer times before the release – 3 months for El Picaro, 14 months for El Recio, 16 months for El Viejo. The grapes were harvested from the vines of different age (again, progressively) – 50-70 years old for El Picaro, 90-100 years old for El Recio, more than 100 years old for El Viejo. See, waiting here is clearly a part of the equation.
And then there are those ultra-creative labels. Not only labels commemorate people who actually worked to create the wines, they clearly identify what you should expect from the wines – in age, in style, and even in price. I conducted a little experiment, first with my kids, and then with the people on Instagram, asking them to identify the most expensive wine – nobody made a mistake, the labels speak very clearly to us.
How were the wines? Surprising. Probably the best Toro wines I ever had – without any regard to the pricing category. Here are my notes, so you can see for yourself:
2016 Bodega Matsu El Picaro Toro DO (14.5% ABV, $13.99, 100% Tinta de Toro, 50 – 70 years old vines, 3 months minimum aging on the lees, concrete tanks)
Bright ruby color, noticeable legs, minimal rim variation
Young fresh berries, medium+ intensity, a touch of vanilla
Surprisingly light on the palate, pleasant tannins, fresh berries, very quaffable.
8-, might be the lightest rendition of Toro I ever had. The smell is a bit more complex on the second day. Palate nicely evolved, good balance, raspberries, no more impression of the young wine, lots of minerality.
2015 Bodega Matsu El Recio Toro DO (14.5% ABV, $21.99, 100% Tinta de Toro, 90 – 100 years old vines, 14 months aging in second use oak barrels)
Garnet color, noticeable legs, minimal rim variation too
Sage, fresh raspberries, quite fruity, roasted notes, minerality, distant hint of cinnamon
Underripe plums, blueberries, thyme, nice herbal component, surprisingly light, still noticeable alcohol, needs more time
8-, needs time. Second day: 8/8+, velvety texture, well integrated, excellent balance, a touch of tobacco and espresso on the palate and ripe plums. Outstanding.
2015 Bodega Matsu El Viejo Toro DO (15% ABV, $46.99, 100% Tinta de Toro, 100+ years old vines, 16 months in new French oak barrels)
Garnet Color, noticeable legs, rim variation is not extensive, but present
Sweet blueberries and raspberries on the nose, sage, sweet oak
8- first day, waiting for more.
Second day: 8, much evolved, more integrated, velvety texture, dark fruit, round, smooth. Will evolve further.
Here you are, my friends – the Art of Wine, from the label to the glass. Very impressive and thought-provoking wines, definitely worth seeking. Have you had any of these wines? Have you had Toro wines before? Do you have any Tempranillo favorites? Cheers!
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