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Daily Glass: Vinous Vino
This post could’ve been filed under lots of different titles – “confusion of the oenophile”, “beautiful labels”, “how mistakes are made”, “one has to pay attention”, and I’m sure many others.
The story here is rather simple. I saw the wine on the Last Bottle offered at $26. If you ever saw the Last Bottle offer descriptions, it is full of exclamation marks, explanations that they never had the wine like that before and their collective socks were blown away the second they smelled the wine, and the wine will be gone before anyone can even say the name of the wine which is offered. I really can’t pay attention to the text like that, so with a quick glance, I established that this was a Tempranillo wine from Spain, and it was produced by Elias Mora. When reading every other word or less, mistakes are bound to happen. Somehow, my brain transformed Elias Mora into Emilio Moro, one of the very best producers in the Ribera Del Duero region, and at $26 with 4 bottles to buy to get free shipping and $30 of available credit, that sounded like a great deal, so I quickly completed the purchase.
When the wine arrived, first I admired a beautiful label. I don’t know what you think, but to me, this is one of the most beautiful and creative labels I ever saw. Then I noticed the word Toro on the label, which made me instantly question what I have done, as Emilio Moro doesn’t produce wines in Toro. I quickly realized that while the label is beautiful, I have no way to relate to the content of the bottle, except knowing that it is a Tempranillo from the Toro region.
Tempranillo is one of the most popular red grapes in Spain, and while Tempranillo wines are produced absolutely everywhere, it is Rioja and Ribera Del Duero which make Spanish Tempranillo famous. In addition to Rioja and Ribera Del Duero, Toro is the third Tempranillo-focused region. Tempranillo is often called Ink of Toro in the Toro region, and it might be slightly a different clonal variation of Tempranillo, similar to Sangiovese in Chianti and Sangiovese Grosso in Brunello. Compared to a typical Rioja or Ribera del Duero renditions, Toro always packs a lot more power into that same Tempranillo-based wine and typically needs time to mellow out.
I tried to find out if Elias Mora and Emilio Moro might be related in any way, but the Elias Mora website offers little to no information about the history of the estate, primarily focusing on just selling the wine. I also tried to no avail learn the idea behind the unique and creative label – the wine description provides technical details but no explanation whatsoever why the bottle is decorated with an elaborate image of playing cards – of course, it matches the name “Descarte”, but I’m sure there should be something deeper there (if you know the story, I would greatly appreciate a comment).
Now, most importantly – how was the 2015 Elias Mora Descarte Toro DO (14.5% ABV, 12 months in French oak, comes from the plot of 50 years old vines)? It was a typical Toro wine. On the first day after opening, I had nothing but regrets about buying this wine. Freshly opened Toro is just too much for my palate. It is literally an espresso, made from the darkest roast and in the tiniest amount – if you enjoy that powerful punch, you should try a young Toro wine. If you don’t, and you are opening a bottle of Toro, decanter might be of help. On the third day, however, my first sip instantly generated the “vinous vino” words in my mind, so I needed not to worry about the title of this post. The wine transformed into the medley of the dark fruit, perfect aromatics of the wine cellar, cedar, eucalyptus, now just a touch of espresso instead of the whole ristretto shot, clean acidity, and delicious, perfectly balanced, finish. (Drinkability: 8)
There you are, my friends. If you will see this wine, you can definitely buy a few bottles, preferably to forget them in your cellar for the next 5-10 years. And take your time to read wine descriptions – or not, as life might be more fun if you don’t. Cheers!
A Quick Trip To Spain
Hey friends!
Who else is feeling travel-deprived? Who else is dreaming of the airline food and 2-hours long passport control line after 12 hours flight?
I know it is not only me. I know we all do. But we still have to wait until any of that is a reality. For now, travel is just virtual.
Virtual travel has many ways. You can go back to the pictures you took while vacationing. You can go on Instagram or Pinterest, type in “Italy”, “Amalfi Coast”, “Maldives”, “Everest”, or “Machu Pichu”, and get lost for hours, exploring every little angle of the paradise through the eyes of others. You can find plenty to read, from blogs to books to everything in between, making it easy to imagine yourself in a French cafe, on the beach in Goa, or looking at the world while standing on the Great Wall.
Then, of course, there is food. There are many cuisines available within anyone’s reach today, no matter where you live. You can have paella at the Spanish restaurant, Mexican street corn at the Mexican place, black truffle risotto at Italian, or cassoulet at the French restaurant. Will that be an authentic experience that will bring back happy memories? That depends. The food might be amazing, but if you will not get the exact match to your expectations, to what you experienced during the travel, that might end up being a great meal, but not memory-inducing at all. For sure my own experience with paella or cassoulet is always hit and miss.
And then there is wine – of, course, you knew that it will all end up at “have wine, will travel”, right? Remember that proverbial “sense of place”? The sense of place is an indelible part of the wine. Even more importantly, wine can trigger an outpour of memories even before it will be opened and poured. One quick glance at the label is often enough to start the emotions going, to recall, to remember, to re-live. Of course, you can find authentic dishes in restaurants and market places. There are tons of original and authentic foods imported and readily available. It still doesn’t mean that on the moment’s notice you can retrieve that aged Swiss Gruyère, French Raclette, or a Spanish Jamón and have a smile from ear to ear. However, take out that bottle of Brunello, Australian Shiraz, Provençal Rosé, or Spanish Rioja – and watch out for that smile.
Ahh, I just said “Rioja” – remember I promised you a quick trip to Spain? Instead of musing on the subject, how about we will actually take this trip – and we don’t even need to pack a suitcase or wait for a taxi – get a bottle of Rioja, and you can instantly imagine yourself strolling the streets of Barcelona, or maybe admiring the old train station in Haro. Have wine, will travel – who is with me?
The Rioja I would like to bring to your attention today is as classic as it gets – coming from CVNE (Compañía Vinícola del Norte del España), one of the oldest producers in Rioja, who celebrated it’s 140th anniversary last year. CVNE produces a number of distinct lines of Rioja wines, under Cune, Imperial, Viña Real, and Contino labels, but the company is also expanding into areas such as Ribera Del Duero, Valdeorras, and others.
I recently had two delicious samples of the latest offerings from CVNE – you really can’t go wrong with either one of them, and the QPR is absolutely unbeatable:
2019 Cune Rosado Rioja DO (14.5% ABV, $13, 100% Tempranillo)
Cranberry juice color
Fresh cranberries, herbal notes, sage and violets
Fresh, crunchy cranberries, with characteristic acidity and tiny bitter undertones. Bone dry and very present. Balanced and elegant. Un-Provence and proud.
8/8+. If you are looking for Rosé with an umpf, this is your wine.
2016 Viña Real Crianza Rioja DOC (14.5% ABV, $17, 90% Tempranillo, 10% Garnacha, Graciano and Mazuelo)
Intense garnet
Eucalyptus, sage, crunchy berries, tobacco
Fresh red fruit, elegant, medium body, good acidity, a touch of sapidity, excellent balance
8, fresh and delightful. Daughter said it was good with an ice cream cake (surprise!)
Where would you like to go next? Cheers!
Magnificent Tempranillo
Let’s start with some definitions:
Of course, you know what “magnificent” means. Still, I feel compelled to start with the definition to explain my rather overzealous title. After looking at the Merriam-Webster and Google definitions for “magnificent”, I decided to go with the one from Dictionary.com, as it perfectly underscores the emotions which I tried to express with this title.
Wine is personal. Wine solicit the emotion, but it is personal – the appeal of the liquid in the glass is first and foremost for the person who is taking a sip. Two people can have a sip of exactly the same wine and have completely opposite reactions – one might love it and the other might hate it. Thus calling the wine magnificent is personal – and it is simply the expression of the emotion one had after taking a sip of that wine.
Today Tempranillo is grown around the world. You can find delicious renditions coming from Australia, Napa Valley, Oregon, Lodi. My first Tempranillo love, however, is Rioja, and this is where it still stays. A sip of La Rioja Alta, Lopez de Heredia, CVNE, or El Coto makes everything right with the world. Same as with any other wine, Rioja can’t be taken for granted – you need to know the producer. But in the hands of the right producer, Rioja becomes … magnificent. It is the wine of exceptional beauty, it is extraordinarily fine and superb, and it is noble and sublime – exactly as the definition above says.
Of course, it is not just Rioja which makes Tempranillo a star. Ribera del Duero, located a bit more down south and central, is another source of magnificent Tempranillo wines – if you had a pleasure to try the wines from Emilio Moro, Pesquera, Vega Sicilia you know what I’m talking about. Again, in the hands of the good producers, Ribera del Duero Tempranillo is every drop magnificent.
To make this conversation about magnificent Tempranillo more practical I want to offer you my notes on a few samples of Tempranillo wines I had an opportunity to enjoy recently.
CVNE (Compañía Vinícola del Norte del España) needs no introduction for the Tempranillo fans. Founded in 1879 (yes, this year is the 140th anniversary of CVNE) by two brothers, the CVNE is still run by the family, and today consists of 4 wineries – CVNE, Imperial, Vina Real, and Contino. However, those are the Rioja wineries and today CVNE is taking its 140 years of winemaking experience to the other regions. Here is an example for you – Bela from Ribera del Duero.
The grapes for Bela wine came from 185 acres Tempranillo vineyard, located at the altitude of 2,400 feet in the village of Villalba de Duero and planted in 2002. Here is the story behind the name of the wine and the picture on the label: “Bela’s label is a facsimile of an old CVNE label from the 1910’s. The stars represent each of the children of CVNE’s cofounder, Eusebio Real de Asúa. His brother Raimundo, the other co‐founder, had no descendants. Each star represents one of the children: Sofia, Áurea, and Ramón. Sofia was known as Bela. We descend from her.”
2017 Bela Ribera Del Duero (14% ABV, $18, 100% Tempranillo, 6 months in 1-year-old American and French oak barrels)
Dark garnet, almost black
Roasted meat, coffee, cedar box
Beautifully complex palate, black cherries, blackberries, eucalyptus, fresh, balanced.
8-, excellent wine, built for the long haul, will evolve.
Contino was the first single-vineyard Rioja created by CVNE and the owners of the Contino estate (which takes its history from the 16th century). 150 acres Lacerna vineyard in Rioja Alavesa is the source of grapes for the Contino line of wines. Here is the story behind the name: “The “contino” was the officer in charge of a guard corps of a hundred soldiers who protected the royal family “de contino” (continuously) from the times of the Catholic Monarchs onwards. According to the tradition, Saint Gregory, the patron saint of vineyards, passed through the lands of this same Rioja property, giving rise to the use of his figure in the logo of this winery, and to the use of his name for some of the plots now planted with vines.”
2012 Contino Rioja Reserva Rioja DOC (13.5% ABV, $45, 85% Tempranillo,10% Graciano, 5% Mazuelo and Garnacha, 2 years in used American and French oak plus 2 years in the bottle)
Dark garnet, almost black
Cherries, cigar box
Bright, uplifting dark fruit medley, clean acidity, a touch of minerality, velvety texture with well-integrated tannins, perfect balance
8+, delicious, lots of pleasure in every sip
Bodegas Beronia was founded in 1973 by a group of friends who fell in love with La Rioja while visiting on a holiday. The name Beronia is not random – here is the explanation: “name linked to the history of the land where the winery is found. In the 3rd Century BC the area known as Rioja today was inhabited by a celtic tribe called the ‘Berones’. They inhabited the towns of Tricio, Varea and Leiva, marking the limits of the Berones region, today La Rioja.”
Originally, the wines were produced literally by friends for the friends, without much thought of commercial sales. In 1982, Bodegas Beronia became a part of González Byass family, and at that point wines of Bodegas Beronia started to appear on the international markets.
Bodegas Beronia Rioja wines represent an intersection of tradition and modernity. While “traditional” and “modern” styles of Rioja can be a subject of great debate with a lot of wine consumed to prove the point, I would offer a very simplistic viewpoint. Tempranillo has a great affinity to the oak; the resulting Rioja wine is well influenced by the oak regimen. Traditionally, Rioja is matured in American oak casks. Modern style Rioja often uses French oak. Here is your style distinction – American oak versus French. Bodegas Beronia goes a step further than many. They create their own barrels, using both American and French oak elements in one barrel. Thus the wine is not defined by blending of the separately aged components, but instead, it is aging in the mixed environment.
Here are the notes for the two wines I was able to taste:
2015 Bodegas Beronia Crianza Rioja DOC (13.5% ABV, $14.99, 91% Tempranillo, 8% Graciano, 1% Mazuelo, 12 months in American and French oak barrels)
Dark garnet
Vanilla, plums, cedar box
Fresh dark berries, ripe cherries, tobacco, a touch of sapidity, medium-plus body, clean acidity, a touch of eucalyptus, medium-long finish
8-, the second day was better than the first. 8+ day 2 and 3
2013 Bodegas Beronia Rioja Reserva DOC (13.5% ABV, $19.99, 95% Tempranillo, 4% Graciano, 1% Mazuelo, 3 years in American and French oak barrels and in the bottle)
Dark garnet
Plums, cherries, tobacco
Dark fruit, tar, tobacco, cherries, a touch of cherry pit, bright acidity, firm texture, noticeable minerality, medium finish
8, excellent. Day 3 is more open.
No, we are not done yet. I have one more Rioja to discuss with you – from Bodegas LAN.
Bodegas LAN was founded in 1972. Here is another winery name which is not random: “A name – LAN – composed of the initials of the three provinces that make up the D.O.Ca. Rioja: Logroño (now La Rioja), Álava and Navarra.” Bodegas LAN owns about 170 acres vineyard called Viña Lanciano, which is subdivided into the 22 parcels, each with a unique microclimate. These 22 parcels are growing Tempranillo, Garnacha, Mazuelo, and Graciano, most of them on the 40 -60 years old vines.
Grapes for LAN Xtrème Ecológico wine come from 12.5 acres parcel of 100% organically certified Tempranillo, located at the altitude of 1,200 feet.
2015 Bodegas LAN Xtrème Ecológico Crianza Rioja DOC (14.5% ABV, $15, 100% organically-certified Tempranillo, 14 months in new French oak, 9 months in the bottle)
Dark garnet, practically black
Cherries, cedar box, eucalyptus, tobacco, open and inviting
Gorgeous, layers of dark fruit, soft but present tannins, baking spices, firm and perfectly structured, tart cherries on the finish, tannins taking over.
8+, a long haul wine, will be perfect in 10 years or longer. A total steal at a price.
Culmen is one of the top wines made by Bodegas LAN, produced only in exceptional vintages. The grapes for this wine come from 13 acres El Rincón parcel, located at the 1,500 feet altitude.
2011 Bodegas LAN Culmen Rioja Reserva DOC (13.5% ABV, $55, 88% Tempranillo, 12% Graciano, 26 months in new French oak, 20 months in the bottle)
Dark garnet with a purple hue
Red and black fruit, roasted meat, warm granite, sweet cherries, medium-plus intensity
Fresh tart succulent cherries are popping in your mouth, changing into sour cherry compote with tar, tobacco and cedar box. Delicious long finish. Lots of pleasure in every sip.
8+/9-, outstanding.
Here you go, my friends. Six delicious, or shall we say, magnificent, Tempranillo renditions. I will be happy to drink any of them again, at a moment’s notice. What do you think of Tempranillo wines? Got any favorites to share? Cheers!
When in Texas…
Travel is a part of my job (the job which pays the bills) – nothing unique here, of course, and when my flights are not delayed for 14 hours or canceled, and I don’t have to sleep on airport terminal’s floor, I wouldn’t want it any other way.
As a wine junky (replace with your favorite epithet – lover, aficionado, geek, snob, …) I’m always on a lookout for two things when I travel.
One would be experiencing new wines – in whatever way possible. It might be a Vino Volo boutique at the airport, offering local wines. It might be a local winery within the driving distance. It might be a store which offers interesting wines (local, unique, inexpensive – whatever can constitute “interesting”).
The other one is meeting with friends. It is amazing how easy it is to become good friends over a glass of wine. The wine offers endless opportunity to talk, learn from each other, learn about each other’s lives, and really, to become friends.
Of course, you can meet your friends face to face only when your travel schedule will allow that. During my last trip to Dallas, Texas, in July, my schedule allowed for such a meeting. After exchanging a few emails with Melanie Ofenloch, a.k.a. Dallas Wine Chick (wine blogger at DallasWineChick – if you are not familiar with Melanie, here is a recent interview with her), she was able to rearrange her schedule and had time to share a couple of drinks – and a conversation.
We met at the bar at the restaurant which was conveniently located for both of us. I don’t remember what exactly we were drinking, because that was really not important – the conversation about wine, past wine bloggers conferences, families and life overall was the real value of getting together.
Before we parted, Melanie asked if I ever visited Spec’s, for which I said that I have no idea what that is. She told me “you must”, and put a location into my phone, to make sure I would have no problems finding it.
Spec’s, which is known under its full name as Spec’s Wines, Spirits & Finer Foods, is a chain of wine stores in the Dallas area (don’t know if they have locations throughout Texas). Everything is big in Texas, so the Spec’s I visited was sized appropriately. Rows and rows of wines, mostly sorted by the grape variety. And while everything is big in Texas, cash is also a king – Spec’s offers 10% discount for all cash wine purchases (you can see three prices at most of the wine bottles – standard price, volume discount and cash discount).
It is not a secret anymore that Texas makes excellent wines, which are also not available much anywhere outside of Texas. So when in Texas, one has to use the opportunity to experience local wines (believe me, it is well worth it). Thus Texas wine section was of the most interest to me – and I found it after a few circles.
In that section, I found a number of wines frequented in the Texas wine bloggers’ posts – for example, Becker and McPherson. I also found some wines I was familiar with, such as Duchman, and some wines I knew existed, but I never tried them, such as Infinite Monkey Theorem, produced in Austin (this city winery originated in Denver, Colorado, but they also opened a facility in Austin a while ago). I ended up taking three bottles of the Texas wine to keep me company in the hotel room.
Before I left the store I also stumbled upon a section of the “serious” wines – Bordeaux first growth, Burgundy stars, Italian legends and more. It is always fun to at least find yourself surrounded by so much wine goodness at a given moment – even that I can’t afford any of those bottles.
Back in the room, I decided to start my wine tasting with the 2015 Infinite Monkey Theorem Tempranillo Texas (13.8% ABV). Tempranillo is one of my most favorite grapes, and it is one of the popular varieties in Texas. I also had successful past experience with Infinite Monkey Theorem wine – the Cab Franc rendition I had in Denver a couple of years ago, was absolutely delicious. All together, it made me excited about trying this wine – and it didn’t disappoint. Dark fruit, a touch of roasted meat and tobacco, a hint of anise – an excellent wine.
As I bought 3 bottles at Spec’s, my initial plan was to open all 3 and try them – this is what I typically do with Trader Joe’s wines, even when I stay only for one night. I was staying only for 2 nights, and the wine was so good that I simply decided to finish this bottle and take the other two back home.
Back at home, I was quick to continue my Texas wine deep dive with 2017 McPherson Les Copains Rosé Texas (12.9% ABV, 52% Cinsault, 42% Grenache, 6% Rolle). The wine was a classic Rosé, with a bit bigger body than a typical Provence, but full of ripe strawberries with a touch of lemon, fresh, crisp, and easy to drink. I would love to drink this Rosé any day, any season.
So when in Texas, make sure to drink Texas wines – you really have to do what locals do – I have no doubts you will enjoy it. And if you will be in Dallas, remember that Spec’s might be considered a “Disneyland for Adults”. Well, maybe leave your wallet at home.
The Art of Tempranillo
Source: Vintae.com
I love Tempranillo wines. I wouldn’t call myself an expert, but I had a wide range of Tempranillo – with the exception of Australia, I believe I tried most of the major renditions – Rioja, Ribera Del Duero, Toro, most everywhere else in Spain, Texas, California, Oregon, Washington (am I missing something? do tell!). With all the love and respect to all the regions, if I have to put an order of priorities in that “list”, I would put Rioja first, Ribera del Duero very close second, but the competition for the 3rd place would be severe – in my world, of course.
I like wines of Toro, the closest sibling to the Rioja and Ribera del Duero, but it would be hard for me to place them higher than some of the beautiful Tempranillo renditions from Irwin Family Vineyards, Duchman, or Fields – considering the Toro wines I had in the past. Compared to Rioja and Ribera del Duero, Toro is … well, maybe I need to explain why I keep mentioning Rioja, Ribera del Duero, and Toro together all the time. These are the only three regions in the world where the absolute majority of the red wines is made out of the Tempranillo grapes. Yes, there are Garnacha and Graciano in Rioja, Cabernet Sauvignon and Merlot in Ribera del Duero, but still – most of the red wines in these three regions are made out of the Tempranillo, hence the constant comparison.
Out of the three regions, Toro is south-most one, with an expressly continental climate, low annual rainfall amounts, and significant range of day-night temperatures – which typically translates well into the flavor. Tempranillo is the grape of Toro, but similarly to Tuscany/Brunello, where you have Sangiovese and Sangiovese Grosso, Tempranillo in Toro is known as Tinta de Toro, a.k.a Tempranillo de Castilla, a.k.a. Ink of Toro. The grape is a bit smaller, with thicker skin, which coupled with growing conditions typically results, in massive, concentrated wines requiring extensive aging to become drinkable – I still have a memory of trying Alabaster made by Sierra Cantabria, one of the well-known producers in Toro, which was one of the most massive wines I ever experienced. Nevertheless, as I said at the beginning, Tempranillo is one of the favorites, so when the opportunity called to try 3 wines from Toro, I was definitely curious – and a bit cautious at the same time.
To ease things up, together with the 3 Toro wines from Bodega Matsu came a bottle of Rioja Reserva from Bodega Classica. While coming from unrelated producers, there is a common link between them – this link is called Vintae – a young company with a serious passion for the Spanish wine for the modern world. Vintae, started in 1999 by the Arambarri family, set on changing world’s perception of the Spanish wine as “boring”. To the date, Vintae unifies a collection of 11 different “projects”, all focused on showcasing the regions and the grapes.
Going back to the wines at hand, let’s talk about Rioja first. The wine comes from Bodega Classica, located in the heart of Rioja Alta. Rioja Alta offers a unique high-altitude setting to produce arguably the best Tempranillo of the whole of Rioja region. Couple that with more than 100 years old vineyards, and you are looking at some tasty opportunities in the bottle, as this Bodega Classica Hacienda López de Haro Rioja Reserva was. Here are my notes:
2013 Bodega Classica Hacienda López de Haro Rioja Reserva DOCa (13.5% ABV, $16.99, 90% Tempranillo, 5% Garnacha, 5% Graciano, 20 months in French and American oak)
Dark garnet color
Pepper, vanilla, raspberries, mushrooms, nice minerality
Medium body, good acidity, noticeable alcohol burn initially, went away in about 15 minutes, good fruit showed up, characteristic cedar notes, good acidity, round, soft.
8-, nice, just give it a bit of time to soften up at the beginning. The second day continued without changes. Good life expectancy, as expected of Rioja Reserva. And an excellent QPR.
Now, let’s go back to Toro. As I already said, in my prior experience, Toro wines were massive and concentrated, requiring long aging to soften and really show a beautiful expression of Tempranillo. And then there were wines called Matsu.
Matsu in means “wait” in Japanese. As we all know, waiting is one of the favorite games of oenophiles. When it comes to the three Matsu wines I had an opportunity to taste, there are many different levels of “waiting”. The wines had been progressively aged for the longer times before the release – 3 months for El Picaro, 14 months for El Recio, 16 months for El Viejo. The grapes were harvested from the vines of different age (again, progressively) – 50-70 years old for El Picaro, 90-100 years old for El Recio, more than 100 years old for El Viejo. See, waiting here is clearly a part of the equation.
And then there are those ultra-creative labels. Not only labels commemorate people who actually worked to create the wines, they clearly identify what you should expect from the wines – in age, in style, and even in price. I conducted a little experiment, first with my kids, and then with the people on Instagram, asking them to identify the most expensive wine – nobody made a mistake, the labels speak very clearly to us.
How were the wines? Surprising. Probably the best Toro wines I ever had – without any regard to the pricing category. Here are my notes, so you can see for yourself:
2016 Bodega Matsu El Picaro Toro DO (14.5% ABV, $13.99, 100% Tinta de Toro, 50 – 70 years old vines, 3 months minimum aging on the lees, concrete tanks)
Bright ruby color, noticeable legs, minimal rim variation
Young fresh berries, medium+ intensity, a touch of vanilla
Surprisingly light on the palate, pleasant tannins, fresh berries, very quaffable.
8-, might be the lightest rendition of Toro I ever had. The smell is a bit more complex on the second day. Palate nicely evolved, good balance, raspberries, no more impression of the young wine, lots of minerality.
2015 Bodega Matsu El Recio Toro DO (14.5% ABV, $21.99, 100% Tinta de Toro, 90 – 100 years old vines, 14 months aging in second use oak barrels)
Garnet color, noticeable legs, minimal rim variation too
Sage, fresh raspberries, quite fruity, roasted notes, minerality, distant hint of cinnamon
Underripe plums, blueberries, thyme, nice herbal component, surprisingly light, still noticeable alcohol, needs more time
8-, needs time. Second day: 8/8+, velvety texture, well integrated, excellent balance, a touch of tobacco and espresso on the palate and ripe plums. Outstanding.
2015 Bodega Matsu El Viejo Toro DO (15% ABV, $46.99, 100% Tinta de Toro, 100+ years old vines, 16 months in new French oak barrels)
Garnet Color, noticeable legs, rim variation is not extensive, but present
Sweet blueberries and raspberries on the nose, sage, sweet oak
8- first day, waiting for more.
Second day: 8, much evolved, more integrated, velvety texture, dark fruit, round, smooth. Will evolve further.
Here you are, my friends – the Art of Wine, from the label to the glass. Very impressive and thought-provoking wines, definitely worth seeking. Have you had any of these wines? Have you had Toro wines before? Do you have any Tempranillo favorites? Cheers!
Rioja Versus Rioja – Will One Tempranillo More?
The time has come for a battle, where the brother will go against the brother and the blood will spill … – oops, let’s cull the drama before it sets in – it is the wine we are talking about, and if anything will be spilled, it will be the wine – but I promise to be very careful, as red wine is not easy to get off the clothes.
Today, in honor of the International Tempranillo Day, we will put glass to glass some of the best of the best in Rioja’s World. These wines are truly the siblings (brothers or not), as both wines are produced by Compañía Vinícola del Norte del España (the Northern Spanish Wine Company), also known as CVNE, and also sometimes referred to as Cune, due to an interesting style of writing used on the labels.
Wines were produced in Spain forever. However, the story of Rioja as we know it, started in the late 19th century, after phylloxera epidemic wiped out most of the vines in Bordeaux, but England’s thirst for Claret Bordeaux was so famous for, was at its pick. Producers in Rioja wanted to become a new source of Claret, and some of the most ambitious producers even set up their new operations right by the train station in Haro, to ensure the best transport for their wines (you can read more here).
CVNE was created by two brothers in 1879, and the ownership stays in the family even today. In 1920, Viña Real line of wines was started to produce Rioja in new, modern style. CVNE owns about 1360 acres of vineyards, located in Rioja Alavesa and Rioja Alta. Both appellations have similar soils and Atlantic coastal climate exposure, however, Rioja Alta vineyards are located at the higher altitudes than Rioja Alavesa, which shows in the resulting fruit.
Before we will enter the battle, we need to establish some ground rules, to make sure that our fighters are in the same “weight category”. The rules are not difficult: there are 4 main varieties which can be used in Rioja – Tempranillo, Garnacha, Graciano and Mazuelo (Carignan). Together, these 4 varieties should represent at least 85% of the blend or 95% of grapes are destemmed; there are few other grapes allowed to be used in the leftover percentage. Crianza wines should be aged for at least 2 years ( 6 months in the cask); Reserva – 3 years (12 months in the cask); Gran Reserva – 5 years (18 months in the cask).
Okay, now that we set the rules, let the fight begin.
Battle Crianza:
2014 Cune Crianza Rioja DOCa (13.5% ABV, $13, 85% Tempranillo, 15% Garnacha and Mazuello, appellation Rioja Alta)
C: Garnet
N: earthy smell, freshly crushed blackberries, acidity, cedar box,
P: medium body, pronounced minerality, restrained fruit, clear acidity, tart cherries, soft, round, hint of tobacco, asking for food
V: 8-, restrained and tart, definitely improved after a few hours of breathing
2013 Viña Real Crianza Rioja DOCa (13.5% ABV, $15, 90% Tempranillo, 10% Garnacha, Graciano and Mazuello, appellation Rioja Alavesa)
C: Garnet
N: surprisingly different, dark fruit, touch of tobacco, touch of sweetness
P: medium+ body, firm structure, cherries and tart of cherries pit, even brighter acidity than a previous wine, more present mouthfeel
V: 8-, a touch fruitier and more round than previous wine. Different but equally good.
Conclusion: Tie. You can definitely taste the difference – Cune Crianza is more restrained and tight, and Viña Real is more round and fruity from the get-go. Slight difference in age and vintage might play a role. The wines would ask for a different food, but otherwise, they are equally good wines.
Battle Reserva:
The Reservas match fair and square – same vintage, same age in barrel, very similar grape composition
2013 Cune Reserva Rioja DOCa (13.5% ABV, $28, 85% Tempranillo, 15% Garnacha, Graciano and Mazuello, appellation Rioja Alta)
C: dark garnet
N: medium+ intensity, leather, touch of sweet plum, cedar box, very inviting
P: medium weight, tart, acidic, a bit of sour cherries, explicit tannins. Needs time.
V: started opening after one hour in the open bottle. More fruit showed up, perfect structure, very pleasant. Excellent overall. 8+/9-
2013 Viña Real Reserva Rioja DOCa (13.5% ABV, $32, 90% Tempranillo, 10% Garnacha, Graciano and Mazuello, appellation Rioja Alavesa)
C: dark garnet
N: medium- intensity, touch of the forest floor, mushrooms, tobacco, eucalyptus
P: cherries, cigar box, medium+ presence on the palate, crisp acidity, very pronounced French oak tannins, needs a lot of time
V: more approachable than the previous one, but still should improve with time – get a case and forget it. Also a great improvement after an hour. Wow. Superb. 8+/9-
Conclusion: Advantage Viña Real. The wines are clearly stylistically different. Appellation might play a role, and the winemaking technique, of course. I slightly preferred Viña Real, as it was a bit more round versus more austere Cune.
Battle Gran Reserva:
Here we have different vintages (both considered excellent, but I think 2010 has a slight edge up over 2011), different appellations and different grape compositions.
2011 Cune Gran Reserva Rioja DOCa (13.5% ABV, $47, 85% Tempranillo, 10% Graciano, 5% Mazuello, appellation Rioja Alta)
C: dark garnet, practically black, with Ruby rim
N: dark fruit, roasted meat notes, sage, eucalyptus
P: forthcoming tannins, tar, cherry, tart, with lip-smacking acidity, really long finish.
V: 8+, within 20 minutes of opening, not ready even remotely. After about 3 hours in the open bottle, the wine became opened up enough to become delicious.
2010 Viña Real Gran Reserva Rioja DOCa (13.5% ABV, $47, 95% Tempranillo, 5% Graciano, appellation Rioja Alavesa)
C: dark garnet, just a shade lighter than the previous wine
N: more open than previous wine – blackberries, graphite, pencil shavings, cedar box, iodine
P: incomparably more drinkable, fresh cherries, open, bright, perfect structure, eucalyptus, nicely integrated tannins
V: 8/8+, you feel the need for time, but the wine is a lot more approachable
Conclusion: Advantage Cune. First, nobody should drink 2010 Gran Reserva now. It is simply a waste. Buy it at a great price, and put it aside for another 15-20 years, especially from the outstanding vintage such as 2010. Just to explain the result here, I slightly preferred the firm structure of Cune versus fruity appeal of Viña Real.
As you can see, we didn’t find a winner of our Tempranillo battle – all 6 wines Tempranillo perfectly, as one would expect from such a great producer as CVNE.
I wish wine would be the only real battle we ever have to fight – wouldn’t that be great? Enjoy your glass of Tempranillo, no matter where it came from and celebrate the noble grape of Spain! Cheers!
Samples Galore: Few Wines For The Fall
Are there different wines for the different seasons? In general, the answer is no. And for sure, in theory, the answer is no. The wines should be paired with food, with mood, with the company, and the actual season should have no effect on your desire to drink Champagne, or Rosé, or ice cold, acidic white or a full-bodied, massive red. Nevertheless, as the temperatures are sliding down, our desire to drink bigger wines proportionally increases. Thus, instead of fighting the trend let’s talk about few wines which would perfectly embellish any cooler autumn night.
So you think we will be only talking about red wines? Nope, we are going to start with the white. Cune Rioja Monopole requires no introduction to the wine lovers – one of the pioneering white Riojas, produced in 1914 for the first time. If you tasted Cune Monopole recently, I’m sure you found it fresh and crips. Turns out, this was not always the style. The traditional, “old school” Monopole was produced as a blend of white grapes (not just 100% Viura), with the addition of a dollop of Sherry (yep, you read it right), and was aged in the oak (read more here). To commemorate 100 years since the inaugural release, Cune produced 2014 Cune Monopole Clásico Blanco Seco (13.2% ABV, $20 ) which is a blend of Viura and other white grapes. After fermentation, a small amount of Manzanilla Sherry from the Hidalgo Sanlúcar de Barrameda was added, and the wine aged in the used Sherry casks for about 8 months. This wine had a great added complexity while remaining fresh and vibrant. Drinkability: 8. You should definitely try it for yourself – if you can find it.
Let’s stay in Spain now for the red. What do you think of the wines from Castilla y León? Castilla y León region is home to some of best of the best in Spain, such as Vega Sicilia and Pingus, both located in Ribera del Duero sub-region. But there are plenty of outstanding wines which are simply designated as Vino de la Tierra de Castilla y León. Vino de la Tierra is considered a lower quality tier than DO or DOC – but some of the winemakers prefer VdT designation as it gives them a lot more freedom to experiment with the wines.
Case in point – Abadia Retuerta winery. Historical roots of Abadia Retuerta go back almost thousand years when Santa María de Retuerta monastery was built on the banks of Duero River, and the first vines were planted. Today, Abadia Retuerta exercises modern approach to winemaking, which they call “plot by plot” – the winery identifies 54 unique parcels of land, each one with its own terroir – no wonder they find DO rules too limiting for the wines they are creating. Here are my [more formal] notes for 2013 Abadia Retuerta Sardon De Duero Selección Especial Vino de la Tierra de Castilla y León – Sardon De Duero (13.5% ABV, $30, 75% Tempranillo, 15% Cabernet Sauvignon, 10% Syrah and other red varieties such as Merlot and Petit Verdot):
C: dark garnet
N: inviting, bright, ripe cherries, mint, roasted meat, very promising, cedar box
P: wow, smooth, layered, luscious, fresh fruit, ripe, cherries, sweet oak, excellent balance
V: 8, lots of pleasure
Now, let’s quickly jump to the other side of the Earth – to Australia, it is. If we are talking about Australia, you probably expect the subject of the discussion will be Shiraz – and this is a perfect guess. The story of Two Hands winery started in 1999 when two friends decided to start making world-class wines showcasing capabilities of different Australian regions, starting with Barossa. Gnarly Dude is one of the wines made by Two Hands, and the name here comes from the way the old Shiraz vines look like. Here are my notes for the 2016 Two Hands Gnarly Dudes Shiraz Barossa Valley (13.8% ABV, $35, 100% Shiraz)
C: dark ruby
N: fresh blackberries, baking spice, tobacco
P: more blackberries, pepper, save, savory notes, medium to full body, good acidity, good balance
V: 7+, very nice overall
Let’s go back to Europe – to Italy to be more precise. Italy is home to lots and lots of world-famous producers, but there are still a few which have more of a “legend” status. One of such producers is Gaja – anyone who is into the wine would immediately jump off the chair at the slightest opportunity to drink Gaja wines.
Gaja is most famous for their Piedmont reds – Barolo and Barbaresco. It appears that in addition to the first two Bs (Barolo and Barbaresco), the third “B” group of wines is not foreign to Gaja – if you thought “Brunello”, you were right. Gaja acquired Pieve Santa Restituta estate in Montalcino in 1994, its first venture outside of Piedmont. A “Pieve” is a parish church, and the estate was named after the church which is still present on site – the winemaking history of the estate can be traced all the way back to the 12th century.
In 2005, Gaja produced the first vintage of non-vineyard designated Brunello di Montalcino wine from Pieve Santa Restituta estate – the wine is a blend of Sangiovese Grosso grapes from 4 different vineyards. I had an opportunity to taste 2012 Gaja Pieve Santa Restituta Brunello di Montalcino DOCG (15% ABV, $75, 100% Sangiovese Grosso, 12 months in barrel, 12 months in Botti). I have one single word which would be enough to describe the experience – and the word is “Superb”. The wine had an intense welcoming nose which was unmistakably Italian – ripe cherries and leather. The palate? Where do I start… velvety, perfectly extracted, dense, firmly structured, ripe cherries, lavender, sweet oak, impeccable balance. And dangerous, very dangerous – once you start, you can’t stop (nevermind the 15% ABV). Drinkability: 9
What are your favorite wines to enjoy in the Fall? Cheers!
Rosé Showdown – California Versus Spain
A glass of wine as an “adult beverage of choice” continues its growth in popularity. If we will take a closer look at that world of wine, we will discover that there are two types of wine which are leading that growth pattern – those two types would be Sparkling and Rosé. I’m not talking about the growth in the dollar amounts or number of bottles produced, but rather a growth in attention and demand. Today, you will be pressed hard to find a winery around the world which doesn’t produce at least one type of Rosé and one type of sparkling wine – for sure this is the case with Rosé. The production might be tiny (few hundreds of cases or even less) and far less than the demand is – but it is the wine which commands lots of attention.
Another “phenomenon” makes me happy about the Rosé – it is slowly losing its “Rosé is only for a summer” connotation and becomes more and more acceptable and requested as a year-round drink. Rosé is a serious wine, with its own unique taste profile and capability to showcase terroir and grape variety, same as any other red or white, with two additional benefits. For one, I would dare to say that in general terms, Rosé’s versatility around food surpasses the white and the red wines – oh well, this might be only me. And the second one is pure aesthetics – the pink palette of Rosé, with possibly more shades than the proverbial 50, looks gorgeous, sexy and inviting – just take a look above and see if you are agreeing with me.
When I was offered to try two Rosé samples, of course, I couldn’t say no. The first wine was familiar to me, as I had a pleasure of trying 2015 vintage of Hacienda de Arinzano Rosé last year. The second one was the wine which I never saw before – Isabel Rosé from California. Thus it became an interesting experiment to see how the two wines would fare side by side.
If anything, putting Rosé from Spain and California on the “same page” makes sense as Rosé is clearly a “new phenomenon” for both regions, growing to prominence over the last 3-4 years at the most. Of course, Rosé was produced in Spain and California in much earlier days – but it was rather an exception and not the norm – unless we want to count white Zinfandel as a Rosé which I personally refuse to do. Until a few years ago, the only Spanish Rosé I knew about was the one from Lopez de Heredia ( which was outstanding). For the American Rosé, even if they were produced, they were really not that good (take a look at the blog post on Vinography called “Why Does American Rosé Suck” – no further comments needed?). Fast forward to today, and you can find lots of beautiful Rosé wines coming from Spain; American Rosé became a standout, as proven in the virtual tasting last year at the #winestudio.
Our first contender today comes from the first Pago estate in Northern Spain – Pago denomination signifies the highest quality of wines, this coveted level is not easy to achieve. Hacienda de Arinzano Rosé is made out of the 100% Tempranillo, in the “proper” way – by macerating the juice with the skins for 6-8 hours. Don’t you love the color of this wine?
The California’s Isabel Rosé is definitely a formidable opponent, as you can see starting from the bottle itself. Glass enclosure, beautiful shape and painted bottle – really curious how many people dare to discard the bottle once they finish the wine instead of keeping it (all I can tell you that I kept mine). A different but equally beautiful color on the mostly Cabernet Sauvignon wine, again produced in the classic style from one of the very best vintages in California (2016 had almost ideal growing conditions, watch out for those Cab prices) – and at one of the well-respected wineries, Michael Mondavi family estates.
As you can tell, it is definitely a game of equals, and for what it worth, my tasting notes are below:
2016 Hacienda de Arínzano Rosé Tempranillo (14% ABV, $20, 100% Tempranillo)
C: bright concentrated pink
N: onion peel, fresh crunchy berries
P: intense, red fruit, plums, crisp, good acidity, medium body, will stand to wide variety of dishes
V: 8-, excellent
2016 Isabel Rosé by Michael Mondavi Family Estate California (13.5% ABV, $15, 75% Cabernet Sauvignon, 23.5% Barbera, 1.5% Muscat)
C: light pink
N: intense fresh strawberries, herbal undertones
P: strawberries, good acidity, very dry – not bone dry, but quite dry, refreshing
V: 8-/8, light but affirmative, don’t overchill – needs to warm up a bit to become richer
Well, here we are, my friends. There was only one winner in this competition – me. Yes, I got to enjoy two outstanding wines, which will perfectly fit any table at any occasion, and at the price, an absolute majority of the budgets. Both will be great on a summer day, a winter day, with food or without it. Grab one or both, chill and enjoy! And if you had any one of these wines, I would be really interested in your opinion. Cheers!
New and Noteworthy: Few Spanish Wine Samples
If you read this blog for any period of time, you know that Spanish wines have my unquestionable love. From Rioja to Rias Biaxas to Priorat to La Mancha – Spain offers lots of tasty wines, often at an unbeatable value.
I would rarely refuse a sample of Spanish wines, as this is the best opportunity to try new vintages and share my thoughts. What you can see below are few of the samples I got during February and March – all new vintages and all should be available right now at your favorite wine store.
Bodegas Beronia well known for its Rioja wines, but this time it is a white wine from Rueda we are talking about, made from 100% Verdejo. I love Verdejo wines when they have enough of the crisp acidity but don’t go too far into the grassy notes to become Sancerre twin. This wine was excellent, and a great value:
2015 Bodegas Beronia Rueda DO (13% ABV, $12, 100% Verdejo)
C: Light Golden
N: bright, inviting, invigorating, white stone fruit, ripe peach, touch of tropical fruit with a distant herbal underpinning
P: fresh, perfect acidity, touch of fresh cut grass (tiny), sweet lemon notes, refreshing
V: 8-/8, excellent wine, lots of pleasure, and a great QPR
Bodegas Torres might not be a household name in the USA, however, Torres Family is the biggest wine producer in Spain – which, luckily, doesn’t affect the quality of the wines. I had many different Torres wines from many different Spanish regions, and those wines rarely disappoint:
2013 Torres Celeste Crianza Ribera Del Duero (14% ABV, $20, 100% Tempranillo)
C: dark garnet
N: muted nose of baking spices, lavender, touch of roasted meat
P: dark fruit, good acidity, refreshing, open, plums
V: 7+, fresh, simple, easy to drink
Rioja Gran Reserva for $25? Yes, please, but let me taste it first? Gran Reserva is expensive to make – think about all the cellaring time the wine requires (5 years total) to be officially marked as Gran Reserva. So $25 is a great price for the Gran Reserva if it tastes good – and this wine was outstanding:
2005 Rioja Bordon Gran Reserva Rioja DOC (14% ABV, $25, 80% Tempranillo, 10% Garnacha, 5% Mazuelo, 5% Graciano)
C: garnet
N: delicious, touch of barnyard, ripe black fruit, intense
P: black fruit, cedar box, sweet tobacco, succulent, fresh clean acidity, delicious.
V: 8/8+, outstanding, great example of Rioja potential, no sign of age, great QPR
Txakolina still can be considered a rare wine in the US – those wines are trickling in, but can’t compete for attention in any way compared to Albariño, Verdejo or even Godello (yes, I’m mixing grapes and places – Txakolina is a region in the Basque area, where the white wines are typically made form the grape called Hondarrabi Zuri – the rest of them are grapes). Txakolina wines are usually “unique and different”, as was this particular wine:
2014 K5 Arginano Uhin Berdea Hondarrabi Zuri Getariako Txakolina DO (11% ABV, $22, 100% Hondarrabi Zuri)
C: golden
N: touch of vanilla, ripe white fruit
P: very interesting, cut through acidity of Muscadet, but plump body and mouthfeel of Marsanne. Outstanding pairing with herb-crusted goat cheese – might be the best cheese pairing I ever experienced.
V: 7+, worth trying, especially with the food
Let’s finish today’s line with practically a classic – Albariño from Rias Baixas area in Galicia. Albariño typically is a seafood friendly wine – and the one below was a perfect example:
2015 Fillaboa Albariño Rias Baixas DO (12.5% ABV, $20, 100% Albariño)
C: light golden
N: fresh white fruit, tropical, guava, inviting
P: clean, medium body, good acidity, lemon, refreshing, very quaffable, medium lemon zest finish
V: 8-, very good rendition of Albariño
That’s all I have for you today, my friends. What were your new and noteworthy discoveries? Cheers!
One on One with Winemaker: José Moro of Bodegas Cepa 21
When it comes to Spanish wines, Ribera Del Duero is probably most iconic and best-known region worldwide – I know some will say it should be Priorat or Rioja, but let’s leave this argument for another time. Hold on, here is a bit of stats to support my statement. If you will look at the Wine Spectator Classic ratings (95-100, best of the best), you will find 38 wines from Ribera Del Duero, 24 from Rioja and only 11 from Priorat rated in that category. And while in Ribera Del Duero, do you know which wine has the top Wine Spectator rating of all times? 2004 Bodegas Emilio Moro Ribera del Duero Malleolus de Sanchomartin.
No, this is not the wine we will be talking about here, but – it is perfectly connected to our story. First commercial wine under Bodegas Emilio Moro name was released in 1989 – however, Moro family’s viticultural traditions and experience go all the way back to the beginning of the 20th century, starting with Don Emilio Moro, a first generation vigneron. Today, in its third generation, Bodegas Emilio Moro continues to build upon a century of traditions and tried and true techniques. And now we are getting to the actual subject of this post – the latest venture of the Moro family – Bodegas Cepa 21.
Photo Source: Bodegas CEPA 21
Bodegas Cepa 21 was created by brothers José and Javier Moro, the third generation vignerons. It is located in the heart of Ribero del Duero region, in the area known as “The Golden Mile”. It is worth noting the Ribera Del Duero comprise highest altitude vineyards in Spain, located at 2,400 – 3,300 feet above sea level. Bodegas Cepa 21 farms 125 acres of estate vineyards, and has another 125 acres under direct control through the agreements with wine growers. All 4 wines produced at Bodegas Cepa 21 are made out of one and the same grape – Tempranillo, albeit it is their own “Moro clone”, cultivated for more than a century.
Instead of inundating you with more information which you can easily find at Bodegas Cepa 21 website, I had an opportunity to [virtually] sit down with José Moro, an owner and winemaker at Bodegas Cepa 21, and inundate him with the barrage of questions – and now I can share that conversation with you:
[TaV]: Cepa 21 name implies that this is the winery for the 21st century. By the time when Cepa 21 was created, Emilio Moro was well known and very successful business. What was the motivation for the creation of the Cepa 21 winery and the brand overall? What sets Cepa 21 apart from the Emilio Moro?
[JM]: Cepa 21 is the project of the third generation of the Moro Family. We were eager to experiment with a different terroir and a diverse expression of the Tempranillo variety. Our goal was to find the maximum expression of the Tempranillo variety, respecting the finesse and elegance of the grape.
In that sense, Emilio Moro and Cepa 21 have several differences. For starters, Cepa 21 vineyards are orientated to the north whereas Emilio Moro vineyards have a southern orientation. The climate is another differentiating factor (colder in Cepa 21) and the way we classify our wines also differs. In Emilio Moro we classify attending to the age of the vineyard and its vines, whereas in Cepa 21 we classify according to the altitude of the vineyards.
The result: Cepa 21 wines are subtle but structured, fresh and yet complex, elegant and full of personality and they have an interesting aromatic palate.
Cepa 21 Winery. Source: Bodegas CEPA 21
[TaV]: What is 21st century winery and how Cepa 21 fits into that image? Are you also trying to appeal to millennials with this wine?
[JM]: From the moment people see the building in Cepa 21, a black and white minimalist structure with an air of “chateaux française” raising among vineyards, they realize they are about to discover something made for this century. Innovation has also been one of the key values throughout the winemaking process. It’s this union of modernity and our unique Tinto Fino clone that turn Cepa 21 wines into a traditional and yet modern wines made for today’s consumers. I believe it is them who define modern winemaking, and not the other way around… And in Cepa 21 we make a continuous effort so our wines exceed the expectations of these new consumers.
[TaV]: It seems that previous vintage for Cepa 21 was 2011, and now the current vintage is 2014. Does it mean that Cepa 21 wines are only produced in the best years?
[JM]: We have maximum quality standards for our wines, so if a vintage doesn’t have enough quality, we simply don’t bottle it. This is a way of guaranteeing consumers that if they buy a bottle of our wine, it will meet their expectations, whatever the vintage they choose to purchase.
[TaV]: Ever since the inception of Cepa 21, what were your most favorite and most difficult vintages and why?
[JM]: 2011 was an excellent vintage, one of the best in the Ribera del Duero. The climatology was perfect for our variety, with sequential rainfall that resulted in a powerful vintage of great quality wines. 2015 was also an outstanding vintage; hot temperatures and hard work resulted in very promising wines.
2009 was a really difficult vintage. It was extremely rainy and cold, with frequent hails that stopped the vegetative cycle of the plant. It was a vintage to forget.
[TaV]: What are your biggest/most important markets for Cepa 21?
[JM]: Cepa 21 is a young winery, but its growing at a fast pace. We export our wine all over the world, from Asia to the United States, and we continue to grow internationally. The US is one of our key markets this year, but we also focus in European countries and in our own, Spain.
[TaV]: Along the same lines, do you sell in China, Cepa 21 or Emilio Moro wines? Even broader, are Ribera del Duero wines known/popular in China?
[JM]: Yes, we do sell in China and we are proud to say our wines are very well regarded in this market, although we recognize there is still a lot of work to be done. I often visit China and talk about the potential of our DO, which is popular in China but still has a lot of potential.
[TaV]: Do you grow any other grapes than Tinto Fino at any of the Emilio Moro/Cepa 21 properties? If you don’t, do you have any plans to start growing any other grapes?
[JM]: We recently announced in Spain that we are starting a project in El Bierzo. We are looking into producing a white wine that’s 100% Godello, a grape that stands out for its elegance and finesse. We are only in the initial phase, but we are sure of the potential of this relatively unknown grape.
[TaV]: It seems that Tinto Fino is one and only grape used at Cepa 21 (and also at the Emilio Moro too). Do you ever find it limiting (the fact that you only have one grape to work with)?
[JM]: Tempranillo is king in Spain, it is the national grape, and our Tinto Fino clone we use to graft each and every one of our vines is what moves us, our reason of being. No, we don’t find it limiting at all.
[TaV]: On your website, I saw a reference to “Moro clone” – is Tinto Fino from your vineyards actually different from the mainstream Tempranillo?
[JM]: Definitely. We grafted our vines with a unique Tinto Fino clone to achieve the maximum expression of the variety. It allows us to produce wines that age beautifully, that embrace the flavors given by the barrel during ageing and of great quality.
The cluster is smaller and looser, the vines produce less grapes – For us, quality is more important than quantity – but offer fruit that ages beautifully in the bottle.
[TaV]: Are the general challenges facing Ribero del Duero region, or is everything great in its winemaking world?
[JM]: We had to reinvent ourselves due to the economic crisis that Spain has been experiencing for the last years. The Moro family embarked on a new project with Cepa 21. It was a winery that was only going to produce the wine that bears its name, but during the worst part of the crisis we launched “Hito”. It means “milestone” – And it definitely was one. We have never stopped evolving since then.
[TaV]: To the best of my understanding, Cepa 21 practices what is called a “sustainable viticulture” – dry farming, etc. Do you have any plans to advance to organic methods, or maybe even biodynamic?
[JM]: Not at the moment. But we respect the climate 100%… We only work with what our environment gives us, and we use no artificial irrigation.
[TaV]: When it comes to the wines of Ribera del Duero, outside of your own wines, do you have any other favorite wineries?
[JM]: The Ribera del Duero is an area known for its viticulture tradition. There are many great wineries in this area – Apart from Emilio Moro and Cepa 21, I wouldn’t be able to pick a favorite.
[TaV]: The same question, now going beyond Ribera del Duero – any favorites in Rioja and Toro?
[JM]: I enjoy drinking wines from Bodegas Muga, Bodegas Eguren, and Bodegas Sierra Cantabria. They all produce amazing wines.
[TaV]: Are the Cepa 21 wines made for the immediate consumption or will they benefit from some age?
[JM]: Hito Rosado and Hito are our rosé and our young wines and, as such, they are better when drunk shortly after they are released. Cepa 21 and Malabrigo, even though they can be enjoyed when they are released, will greatly benefit from ageing in the bottle: They will evolve beautifully.
[TaV]: What is next for you? Are there any new projects in the making, maybe even outside of Ribera del Duero?
[JM]: Like I said before, we do have a project in El Bierzo with 100% Godello grape. Until we release that wine, whenever that may be, we will continue promoting our wines abroad to show the true potential of the Spanish Tinto Fino and our unique clone.
Now, after reading all this, it is time for some wine! 2011 Cepa Tempranillo made it to the Wine Spectator 2016 Top 100 list, so obviously it instantly disappeared from all of the stores. I was very happy to try the 2014 rendition, which now should be getting into the stores near you:
2014 Bodegas Cepa 21 Tempranillo Ribera Del Duero (14% ABV, $25, 100% Tempranillo, 12 months in French oak)
C: dark garnet, inky
N: lavender, fresh blackberries, cigar box, typical Tempranillo nose
P: ripe plums, well integrated, dusty tannins, eucalyptus, smooth, clean acidity, excellent balance.
V: 8/8+, excellent now and will evolve.
That’s all I have for you, my friends. Great history, great present, great future – all through the hard work and passion. And luckily, we all get the wine we can enjoy. Cheers!
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