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Made With Organic Grapes: Red, White, and Rosé
Have you looked attentively at the wine labels lately? I don’t know about you, but “made with organic grapes” is something I see on more and more wine labels. Red, white, Rosé, bubbles – no exception. As winemaking methods are advancing, organic viticulture is almost becoming a new norm.
While “organic” and “sustainable” are not the same, organic designation is often a stepping stone toward sustainable and biodynamic viticulture. Sustainability seems to be the word of the day, not only in the viticulture but all areas of human activities – but this is a wine blog, so let’s just stay with our beloved subject here.
A few weeks ago, I shared my impressions of the organic wines of Viñedos Veramonte from Chile. As I believe we are looking at the trend, let’s continue our search for organic grapes, and let’s take a quick trip to the old continent – Italy, to be more precise. Once we are in Italy, let’s go to Sicily, where Cantine Ermes had been producing wines since 1998.
Cantine Ermes is a coop-type winery. The numbers behind Cantine Ermes are quite impressive – 2,355 associates, 9 cellars, more than 25,000 acres of land under vineyards, and about 12M bottles annually are sold in 25 countries. Despite its sheer size, Cantine Ermes practices organic and sustainable farming and has tight control over all steps of wine production.
Two wines I tasted brilliantly represented Sicily, made from the local grapes:
2019 Cantine Ermes Vento Di Mare Nerello Mascalese Terre Siciliane IGT (13.5% ABV, $13)
Ruby red
The nose of freshly crushed berries, cherries, and eucalyptus.
Playful on the palate, a touch of fresh cherries, intense tobacco, minerality, medium body, clean acidity, good balance.
8-/8, perfect on its own, but will play well with food.
2019 Cantine Ermes Vento Di Mare Grillo Sicilia DOC (12.5% ABV, $13)
Light Golden
Fresh lemon, Whitestone fruit, medium+ intensity, inviting
Crisp, clean, fresh lemon, nicely present body, a touch of white plum, good minerality, a hint of sweetness
8/8+, superb, delicious white wine all around.
We are continuing our organic grape quest by going west and leaving the old continent and arriving at Mendoza in Argentina. Earlier this year I discussed sparkling wines of Domaine Bousquet – the product of the obsession of the French winemaker Jean Bousquet, who fell in love with the raw beauty of Gualtallary Valley in Mendoza. Interestingly enough, two sparkling wines I was talking about before were also made from organic grapes – I guess I simply didn’t see it as a trend yet.
Gaia Rosé is the inaugural vintage of the wine made from 100% Pinot Noir, from the vineyards in the Uco Valley located at the 4,000 feet/1,200 meters elevation. The wine takes its name from Gaia, the ancient Greek goddess of the Earth and an inspiration for the Bousquet family. Just take a look at this beautiful bottle and tell me that you will be able to resist the urge to grab this bottle off the shelf at the first sight.
Here are my thoughts about the wine:
2020 Domaine Bousquet Gaia Pinot Noir Rosé Gualtallary Vineyards Mendoza Argentina (13.1% ABV, $20, vegan friendly)
Light salmon pink
Complex, onion peel, a touch of strawberries
Fresh Strawberries, grapefruit, bright acidity, a touch of sweetness, firm, present
8, delicious. Unusual
Here you are, my friends. Red, white, and Rosé from around the world. made from organic grapes, delicious, affordable, with a great QPR. What else should wine lovers want?
Alit Wines – Follow The Flow. Lava Flow
Here is a question which can never be answered: where the wine is made, in the vineyard or in the cellar?
There are many arguments towards the vineyard being The Place where the wine is made. Mother Nature offerings are everchanging – they change every year, never repeating themselves. But it is not only the climate that never repeats itself – the land which seems to present itself as chunks of sameness is very far from it. Only identifying different pieces is the work of art – the mastery of the winemaker.
Alit Wines is a very young winery, by all means – it was founded only about 5 years ago, in 2016. You would not think that once you taste their wines, which come through elegant and mature – but we need to keep in mind that Alit is only one piece to a bigger story.
Oregon is often compared with Burgundy – Pinot Noir and Chardonnay are stars in both regions, and both regions produce well ageable wines of finesse. Burgundy is built on the concepts of terroir and soils – I’m sure you’ve heard the stories of Burgundian vignerons going any distance to protect their soils from erosion and any sort of loss. The whole concept of Crus is based on terroir differentiation, and it took Burgundy centuries to find their best of the best parcels which earned the right to be called Grand Crus.
If you ever listened to the Oregon winemakers, they often talk about soils, first in monolithic terms, in terms of big blocks. But with every subsequent harvest, they start seeing differences between different plots in the vineyards, and those become specific plot-designated wines. This is Oregon’s path towards finding their Grand Crus.
We probably shouldn’t speak for the whole of Oregon, as Alit’s approach to this Grand Cru quest is different. Let’s get back to our “bigger story” around Alit. We usually think that wines are all about grapes, but they are actually all about people – people who stand behind those wines. In the case of Alit, the first person we need to mention is Mark Tarlov. After leaving his first successful wine project, Evening Land (a unique enterprise, if you ask me, making wines under the Evening Land label both in Burgundy and Oregon), Mark continued his wine endeavors with Chapter 24 Vineyards, which he started in 2012. Chapter 24 wines are extremely terroir focused – if you will look at the Chapter 24 Vineyards website, you will see that it produces only two wines – one called The Fire which comes from the volcanic soils, and The Flood, with the grapes coming from vineyards planted in riverbed soils.
In 2015, Chapter 24 Vineyards opened the “last chapter” as it is called – Rose and Arrow winery, as well as the subsequent (2016) “sister” operation – Alit. In case you are curious, the “About” page explains the Rose and Arrow name: “The “rose” and “arrow”, innately connected yet conflicting, each defined by the existence (or absence) of the other. Our favorite wines make us appreciate the harmony of opposites: acid/sweet, simple/complex, solid rock/sprouting vine. The latter is where our narrative begins, as every great wine is ignited by unique tensions in the rock of its origin.“. Also in 2015, Mark Tarlov was joined by Chilean winemaker Felipe Ramirez, who became the winemaker for Chapter 24, Rose and Arrow, and Alit wines, working together with consulting winemaker Louis Michel Liger-Belair.
Remember, we need to follow lava flow, as these wines are all about soils, basalt soils, rich in unique nutrients. Enters Dr. Pedro Parra, who wine writer LM Archer called Terroir Whisperer. Dr. Parra is one of the leading soil specialists in the world. Explaining Dr. Parra’s methodology would require a long, very long, and dedicated post, so instead, you should read Lyn’s article where she does a great job explaining what Dr. Parra does – but in essence, he is capable of identifying microsites, some can be 0.5 acres or less, capable of producing wine with very specific characteristics – all of it based on soil and climate analysis before (!) the vineyards are planted. To make it all practical, one of the first projects at Rose and Arrow was the vinification of about 100 wines harvested from such microsites – this is what makes Rose and Arrow wines unique.
When you think of “vineyard plots”, what image comes to mind? My imagination stops at squares or rectangles – but in our case, a correct answer is a polygon. Chapter 24/Rose and Arrow/Alit all operate with polygons, where the shape of microsites can be very complex. Here is the snapshot from our zoom call with folks from Alit where Felipe Ramirez shows the map of one of the sites (sorry that you can’t see Felipe):
How these microsites are identified? Using a method called electrical conductivity. Measuring the electrical conductivity of soil allows to create maps – this is exactly what the folks from Alit and Rose and Arrow are doing. Once you have a map, the rest is easy 🙂 now it is all about mastery of the winemaker – harvest each microsite (polygon) separately, vinify separately – and create the magic.
Now that we understand how the road to the Oregon Grand Crus looks like, let’s discuss the role Alit is playing in this quest.
Talking about Alit wines, we need first mention the Collective. Alit Collective is similar to the wine club, but it is very different from the typical winery club. To become a member of the Collective, you need to pay a $100 annual membership. After that, you can buy Alit wines at a cost – however, it is you who decide what to buy and when. To give an idea of the cost, Alit Pinot Noir (2015) costs $15.10 for Collective members and $27.45 for non-members – this means that once you buy 8 bottles, you will recoup your $100 investment, and every bottle afterward gives you great savings. How does selling at cost makes sense, you probably wonder? It wouldn’t if Alit would be on its own, but in conjunction with Rose and Arrow, it does make sense, as it helps to finance the overall operation.
What else can I tell you? Ahh, the wines, let’s not forget about the wines!
We tasted two of the Alit wines, Rosé (of Pinot Noir, of course), and Pinot Noir.
2019 Alit Rosé Willamette Valley (13% ABV) had a salmon pink color. Gunflint (volcanic soils!), strawberries, and onion peel on the nose. Nice touch of fresh strawberries and lemon, crisp, refreshing, nicely restrained, and well balanced with lemon notes on the finish (Drinkability: 8) – unquestionably delicious any time you want a glass of light, refreshing wine.
2017 Alit Pinot Noir Willamette Valley (13.6% ABV, native yeast fermentation, 10-12 months in oak) – beautiful bright ruby color – it is seldom for me to see a red wine of such a beautiful color. Beautiful nose, herbal, open, inviting, with mint, cherries, and a touch of the barnyard. Now, I have to say that the palate made me work for it. During the tasting, with the freshly opened bottle, the wine showed light, with red and blue fruit, good acidity, fresh, food-friendly, and restrained – we can even say “under-extracted” (Drinkability: 7+/8-). Over the next two days, the wine opened up, it obtained body, became round and supple, and became an object of pleasure (Drinkability: 8+). Definitely needs time, either in the cellar or in the decanter if you are in a hurry.
Alit Wines and Rose and Arrow enterprises are definitely something to watch. Mark Tarlov believes that sometime around 2030, it will be possible to understand if his quest for the Oregonian Grand Cru was successful. As for me, I practically always enjoy the journey more than the destination, so I will be happy to tag along, and yes, actually enjoy the journey with Alit wines – hop on, we can follow the lava flow together.
Spanish Wines: Beyond The Reds
Let me ask you something: if you hear the words “Spanish wine”, what is the first type of wine which comes to mind – red, white or Rosé? I’m a self-admitted Spanish wine aficionado, and I can honestly tell you that my first association will be “red”, then probably Rosé, and only then white (when it comes to Spain, your wine type choices are quite wide, as you got also Cava, Jerez, Málaga – but let’s not make it too complicated).
There is a good chance that your associations were the same – Spanish wine equals Red. I certainly started my Spanish wine love embrace from the Rioja, best known for its reds with Lopez de Heredia Viña Gravonia, one of the best white wines made in Spain, being rather a curiosity than a norm. It took me several years until I heard the name Albariño and tasted what is today probably best known Spanish white wine. And then, of course, let’s not forget about the Rosé revolution which took place around the world over the last 5 years or so – Spain gladly joined the movement with wonderful Rosé, or rather, Rosado renditions of Grenache and Tempranillo rapidly showing up over the Spanish wine map.
Let’s explore a bit a Spanish non-red wine scenery – as I like to say, have wine – will travel. First stop – Rueda, the wine region located almost in the middle of the country.
Rueda is a part of the Castilla y León region in Central Spain. History of winemaking in Castilla y León goes back to the 10th/11th centuries and closely associated with the arrival of Catholic monks, who started vine cultivation and winemaking. We can say that the modern part of winemaking history in Castilla y León started in 1980 with Rueda becoming the first local winemaking region to receive the status of D.O. which stands for Designation of Origin, the quality designation in Spanish wine.
The majority of Rueda vineyards are located at an altitude of 800m (2400 FT) and higher. Rueda is known for its extreme climate conditions, where diurnal temperature shift can reach 50 degrees during the day – which is actually good for the grapes, as it helps to concentrate flavors, sugars and acidity. White grape called Verdejo is typically associated with Rueda wines, even though Sauvignon Blanc wines can also be found coming out of Rueda.
I thought it would be appropriate to give you some fun facts about Rueda, taken from Ribera and Rueda wine website: ”
- There are 32,500 acres of vineyards in Rueda, of which 28,800 acres are Verdejo.
- The area has 69 wineries and is cultivated by over 1,500 growers.
- To be “Rueda Verdejo”, wines must contain at least 85 percent Verdejo.
- Verdejo is harvested at night to allow the grapes to cool from the scorching summer heat.
- Verdejo was almost wiped out by Phylloxera in the late 19th century, but it was revived in the 1970s.”
A few weeks ago I had an opportunity to taste a few of the Rueda wines offered as part of virtual tasting at Snooth (here is the link to the video recording of this session if you are interested in learning more). The tasting covered wines of Rueda and Ribera del Duero (I only tasted wines from Rueda), and Snooth had a great wine deal offering related to the tasting, which is, unfortunately, already sold out.
We had three of the Rueda Verdejo wines in the tasting, all three were 100% Verdejo, 100% delicious, and 100% great value.
Just to give you a brief summary: Marqués de Riscal is better known as one of the oldest wineries in Rioja. However, they were also one of the first commercial wineries in Rueda, opening the winery in 1972 and being a driving force behind 1980 DO Rueda designation. While Bodegas Menade might be a new kid on the block, with winery established in 2005, the family had been in grape growing business in Rueda for 6 generations, going back to 1820. The grapes used for the Menade Verdejo come from the organically farmed vines which are 80 to 100 years old. The last Verdejo comes from one of the personal favorites – Bodegas Shaya. Shaya Habis, an oaked rendition of the Verdejo, had been my favorite Verdejo wine for a long time. While working on this post it was fascinating (or shameful, depending on your take – I had been writing about Shaya wines for many years, only now finally doing some research) to learn that Bodegas Shaya was a project of Gil family, whose El Nido (predominantly Cabernet Sauvignon with the addition of Monastrell) is one of the “cult”, sought-after Spanish wines. Bodegas Shaya project was started by Gil family in 2008, with the wines produced from old, low-yielding Verdejo vines.
Here are my notes for the wines we tasted:
2018 Marqués de Riscal Rueda Verdejo Rueda DO (13.5% ABV, $13)
Light golden
Touch of fresh grass, lemon, lemon zest, sage, rocks
Crisp, vibrant, lemon, a touch of gunflint, excellent minerality, medium-plus finish
8/8+, Delicious white wine – by itself or with food.
2016 Bodegas Menade Rueda Verdejo Rueda DO (13% ABV, $18)
Golden color
Great complexity, Whitestone fruit, a touch of honey, honeysuckle, interesting undertones of sapidity
Savory and sweet, minerally-forward, Whitestone fruit, crisp acidity, vibrant, fresh, medium+ finish
8-/8, should be good with food
2016 Bodegas Shaya Rueda DO (13.5% ABV, $13, 20%-30% of grapes fermented in barrels with 500 – 600 liters capacity)
Straw pale
Very unusual, dusty nose, a hint of grass and white flowers
High viscosity, roll of your tongue wine, restrained white fruit, Granny Smith apples, buttery impressions of a good balanced Chardonnay.
8+, my favorite of the 3, especially after being open for a few days.
How do you like the trip so far? Now it is time to move east to the region called Cariñena.
Winemaking in Cariñena goes back to Roman times. History of Cariñena wines includes Royal proclamations of “Cariñena wines above all”, and even the quality control instituted at the end of the 17th century, monitoring yield levels and production areas. Cariñena also managed to escape the Phylloxera epidemic of the 19th century. In 1932, Cariñena became the second D.O. in Spain (after Rioja). Here is the link for you if you want to learn more about the region.
Cariñena is best known and typically associated with Garnacha (Grenache for all outside of Spain), and it is also often considered to be the birthplace of that grape. Some of the Garnacha plantings in Cariñena exceed 100 years of age. The second important red grape in Cariñena actually shares its name with the region – it is called Cariñena, and also known locally as Mazuelo, and outside of Spain as Carignan. Other red grapes can also be found in the region – Cabernet Sauvignon, Merlot, Monastrell, Syrah, Tempranillo, Vidadillo. White wine production in Cariñena is much less than red; you can find Chardonnay, Garnacha Blanca, Macabeo (Viura), Moscatel, and Parellada growing there.
At the beginning of the post, we mentioned the “Rosé revolution”. So very appropriately, I had an opportunity to taste two Cariñena Rosado wines, made out of Garnacha, and the Chardonnay coming from one of the favorite producers, Bodegas San Valero. Here are my notes:
2018 Bodegas Paniza Fábula de Paniza Garnacha Rosé Cariñena DOP (13.5% ABV)
Beautiful salmon pink
Delicate nose of tart strawberries with a touch of lemon
Crisp, clean, refreshing, tart strawberries, good minerality, a hint of cranberries
8, excellent Rosé, a perfect wine for a summer day, but will work well with food at any time.
2018 El Circo Payaso Garnacha Rosé Cariñena DOP (13% ABV, $10)
Intense pink
Wild ripe strawberries
Ripe Strawberries all the way, good acidity, lemon, medium body
7+/8-, craves food
2017 Bodegas San Valero Particular Chardonnay Cariñena DOP (12.5% ABV)
Light golden
Touch of vanilla and apple, a hint of white flowers
Crisp, clean, fresh lemon, a touch of white pepper, vanilla, a round finish.
7+/8-, definitely a delightful wine
Here you are, my friends – Spain makes delicious wines, and not all of those wines are red. And let’s not forget that those wines represent an amazing value. Do you have any favorite Spanish white wines? Cheers!
Alie Ammiraglia – The Rosé Experience
Rosé Every Day – is that your wine motto?
Okay, that might be a bit much – occasionally, we would like to drink white and red too, don’t we? How about this:
Rosé is For Every Day – would you be able to subscribe to that?
It amazes me that today it still requires courage for an average wine consumer to happily say “I love Rosé” and stop right there without adding any “buts” – “only in the summer”, “only when it is hot outside”.
It is a given for us, wine aficionados and geeks, but an average wine drinker is still afraid that they are simply not supposed to like Rosé, and openly admitting your “Rosé love” in public is akin to loudly proclaiming “ohh, I have no taste in wine, no class”. This is mindboggling as we truly are living through the Rosé wine revolution.
Ten years ago, Rosé was strictly for summer, and the only Rosé you would find available during the winter months was the one from Tavel from the southern Rhône in France – only found in better wine stores or adventurous restaurant wine lists (Rosé is the major, if not the only type of wine produced in Tavel), or whatever ended up in the discount bins as not been sold during the prime season. Today, Rosé can be found at most of the wine stores throughout the whole year, no matter what season it is. It is also not surprising that literally every winery in the world, big and small, added Rosé to their repertoire. Actually, it might be still difficult to find Rosé at the wineries – it is usually produced in the small quantities and thus sold out in no time at all.
As we mentioned before, Rosé often considered an afterthought – while the winery is starting to make the red wine, whatever juice will bleed from the harvested grapes would be good enough to make Rosé – or whatever grapes are not good enough for the main wine still can be used for Rosé.
This, however, was never the case in Provence in France, where Rosé is The Main Product and never an afterthought. In Provence, the grapes were and are purposefully grown for the Rosé, and harvested at its proper ripeness to be made into Rosé – the best possible Rosé. But – “the best Rosé” crown is heavily contested today – literally, the whole wine world is after it.
Let me share with you an encounter with a perfect contender – Alìe Ammiraglia, an Italian Rosé produced by Frescobaldi family in Tuscany.
At the end of July, I attended an event in New York City, where the new vintage of Alìe Rosé (in case you are wondering about the name, Alìe is “a figure from Greek mythology, a sea nymph and a symbol of sensuality and beauty”) was presented in style.
Let’s compact the whole experience into one very long sentence, just for fun: Alìe Rosé, made out of Syrah and Vermentino specifically grown for this Rosé wine, was presented at the event in New York City in the hottest setting of a roof-top bar, poured strictly from magnum and double-magnum bottles into the glasses specifically designed to enhance the qualities of the Alìe Rosé, accompanied by delicious bites of Polynesian cuisine on a hot summer day.
How about this long sentence?
Now, let’s repeat it, but a bit slower.
2018 Tenuta Ammiraglia Alìe Rosé Toscana IGT was introduced by Livia le Divelec, Frescobaldi Brand Ambassador and winemaker. 2018 is the fifth vintage of Alìe Rosé. The wine is made out of Syrah and Vermentino grapes grown at Tenuta Ammiraglia vineyards in Maremma, the region best known for the super-Tuscan wines. Maremma is a coastal region in Tuscany, thus the climate, soil, and terroir overall have a lot of maritime influence, hence the name and various sea-life elements of the design – the label, the glass. The bottles for Alìe Rosé are specifically designed in Mediterranean style, again to stress the origins of the wine.
The event took place at The Polynesian, bar and restaurant located at the Pod Times Square hotel and offering a roof-top seating. What can be better than sipping on a glass of beautiful Rosé, overlooking New York’s busy life from above on a warm summer afternoon? Well, let’s cue in delicious appetizers of Polynesian origin, harmoniously supporting the delight of Rosé – and now you got the whole picture.
Oh, wait, let’s not forget about the wine glasses! The wine glasses were specifically designed by German company Rastal for Alìe Rosé to accentuate qualities of the wine, both organoleptic (aroma, taste, …) and visual, with the glasses serving as another reminder of maritime-influenced origins of Alìe.
Well, I guess I still didn’t tell you how was the wine – got carried away with a beautiful setting of the roof-top bar, seductive bottles, and designer wine glass. Never mind all these accents – the wine was a real star, otherwise, I wouldn’t be talking about all this. Beautiful fresh strawberries on the nose, strawberries with a hint of Meyer lemon on the palate, crisp and fresh. Delicious cold, and still delicious even at room temperature – my litmus test for a quality white and Rosé. I would drink that wine any day, and any season. Remember, Rosé all day!
That concludes my brief. What is your Rosé of the Year? Cheers!
Rosé All Day
On Saturday we celebrated yet another one of the “National” days – the National Rosé Day (it is always celebrated on second Saturday in June). I don’t know if you actively participated in the celebration or not, but I wanted to use it as an opportunity to ponder at the state of Rosé in the USA (don’t know if this can be extended to the wine consumers worldwide).
I had been writing this blog for almost 10 years. When I started, Rosé was not a “thing”. It was a highly seasonal beverage – appearing in the wine stores at the beginning of summer, and disappearing with the end of the warm weather. If you crave a glass of Rosé in the winter – tough luck, unless you could find some Tavel – Rosé is the only wine produced in that Rhône appellation. Even as recent as 4 -5 years ago, wine aficionados and bloggers would typically lament that people still don’t get the concept of Rosé as simply another type of wine, same as sparkling, white, red or desert, which is not just an occasional summer beverage, but which has its own place and can be consumed any day of the year, whether thermometer says 10°F or a 100°F.
It seems that all this writing, nudging, lamenting, complaining, and most importantly, convincing and educating, resulted in something which can be simply called a “Rosé revolution”. Today, there is hardly a winery left which didn’t add Rosé to its repertoire, both around the world and particularly, in the USA. The Rosé might be produced in the quantity of 10 cases and available only in the winery’s tasting room or to the club members, 1 bottle per year, but nevertheless, Rosé became a staple of attention and it became important. Maybe even too important – some of the wines, such as Lopez de Heredia Viña Tondonia Rosé Gran Reserva used to be available at under $30 and was mostly demanded by the wine geeks. Today, you can’t even find this wine anywhere, and if you will find it, it will set you back for close to $300. Today, while the selection of Rosé in the stores would go down in the winter, there still will be a reasonable selection available all year around. And maybe most importantly, the quality of Rosé has dramatically improved, no matter where in the world it is made or what grapes it is made out of.
It only seems that Rosé is a simple wine and it is easy to make – I guess the bottles with a spectrum of a very happy pink give this impression. In reality, making good Rosé very much on par with proverbial Chef’s test, when the Chef is asked to prepare an omelet and a chicken dish – anyone who had a pleasure of consuming burnt, crunchy eggs and rubber-shoe-dry chicken breast, can easily relate to what I’m talking about here. Rosé is all about balance, and it doesn’t offer too many chances to correct the shortcomings, which can be done for the red and even white wines, using different types of oak barrels and more. With Rosé, it is better to be done right from the very beginning, or else.
I have to honestly tell you that when I’m in the restaurant, especially by myself, Rosé is my typical drink of choice by the glass. It is usually reasonably priced and works well with a wide range of foods, due to the high acidity and gentle fruit expressions. There is typically only one or two different Rosé available on the restaurant’s wine list, which makes the selection process very easy.
Rosé is really not any different than any other wine. Beautiful color notwithstanding, it is all about the balance and it is all about the pleasure. So, what do you think – is Rosé here to stay or is it just a fad which will pass soon? Cheers!