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Alit Wines – Follow The Flow. Lava Flow
Here is a question which can never be answered: where the wine is made, in the vineyard or in the cellar?
There are many arguments towards the vineyard being The Place where the wine is made. Mother Nature offerings are everchanging – they change every year, never repeating themselves. But it is not only the climate that never repeats itself – the land which seems to present itself as chunks of sameness is very far from it. Only identifying different pieces is the work of art – the mastery of the winemaker.
Alit Wines is a very young winery, by all means – it was founded only about 5 years ago, in 2016. You would not think that once you taste their wines, which come through elegant and mature – but we need to keep in mind that Alit is only one piece to a bigger story.
Oregon is often compared with Burgundy – Pinot Noir and Chardonnay are stars in both regions, and both regions produce well ageable wines of finesse. Burgundy is built on the concepts of terroir and soils – I’m sure you’ve heard the stories of Burgundian vignerons going any distance to protect their soils from erosion and any sort of loss. The whole concept of Crus is based on terroir differentiation, and it took Burgundy centuries to find their best of the best parcels which earned the right to be called Grand Crus.
If you ever listened to the Oregon winemakers, they often talk about soils, first in monolithic terms, in terms of big blocks. But with every subsequent harvest, they start seeing differences between different plots in the vineyards, and those become specific plot-designated wines. This is Oregon’s path towards finding their Grand Crus.
We probably shouldn’t speak for the whole of Oregon, as Alit’s approach to this Grand Cru quest is different. Let’s get back to our “bigger story” around Alit. We usually think that wines are all about grapes, but they are actually all about people – people who stand behind those wines. In the case of Alit, the first person we need to mention is Mark Tarlov. After leaving his first successful wine project, Evening Land (a unique enterprise, if you ask me, making wines under the Evening Land label both in Burgundy and Oregon), Mark continued his wine endeavors with Chapter 24 Vineyards, which he started in 2012. Chapter 24 wines are extremely terroir focused – if you will look at the Chapter 24 Vineyards website, you will see that it produces only two wines – one called The Fire which comes from the volcanic soils, and The Flood, with the grapes coming from vineyards planted in riverbed soils.
In 2015, Chapter 24 Vineyards opened the “last chapter” as it is called – Rose and Arrow winery, as well as the subsequent (2016) “sister” operation – Alit. In case you are curious, the “About” page explains the Rose and Arrow name: “The “rose” and “arrow”, innately connected yet conflicting, each defined by the existence (or absence) of the other. Our favorite wines make us appreciate the harmony of opposites: acid/sweet, simple/complex, solid rock/sprouting vine. The latter is where our narrative begins, as every great wine is ignited by unique tensions in the rock of its origin.“. Also in 2015, Mark Tarlov was joined by Chilean winemaker Felipe Ramirez, who became the winemaker for Chapter 24, Rose and Arrow, and Alit wines, working together with consulting winemaker Louis Michel Liger-Belair.
Remember, we need to follow lava flow, as these wines are all about soils, basalt soils, rich in unique nutrients. Enters Dr. Pedro Parra, who wine writer LM Archer called Terroir Whisperer. Dr. Parra is one of the leading soil specialists in the world. Explaining Dr. Parra’s methodology would require a long, very long, and dedicated post, so instead, you should read Lyn’s article where she does a great job explaining what Dr. Parra does – but in essence, he is capable of identifying microsites, some can be 0.5 acres or less, capable of producing wine with very specific characteristics – all of it based on soil and climate analysis before (!) the vineyards are planted. To make it all practical, one of the first projects at Rose and Arrow was the vinification of about 100 wines harvested from such microsites – this is what makes Rose and Arrow wines unique.
When you think of “vineyard plots”, what image comes to mind? My imagination stops at squares or rectangles – but in our case, a correct answer is a polygon. Chapter 24/Rose and Arrow/Alit all operate with polygons, where the shape of microsites can be very complex. Here is the snapshot from our zoom call with folks from Alit where Felipe Ramirez shows the map of one of the sites (sorry that you can’t see Felipe):
How these microsites are identified? Using a method called electrical conductivity. Measuring the electrical conductivity of soil allows to create maps – this is exactly what the folks from Alit and Rose and Arrow are doing. Once you have a map, the rest is easy 🙂 now it is all about mastery of the winemaker – harvest each microsite (polygon) separately, vinify separately – and create the magic.
Now that we understand how the road to the Oregon Grand Crus looks like, let’s discuss the role Alit is playing in this quest.
Talking about Alit wines, we need first mention the Collective. Alit Collective is similar to the wine club, but it is very different from the typical winery club. To become a member of the Collective, you need to pay a $100 annual membership. After that, you can buy Alit wines at a cost – however, it is you who decide what to buy and when. To give an idea of the cost, Alit Pinot Noir (2015) costs $15.10 for Collective members and $27.45 for non-members – this means that once you buy 8 bottles, you will recoup your $100 investment, and every bottle afterward gives you great savings. How does selling at cost makes sense, you probably wonder? It wouldn’t if Alit would be on its own, but in conjunction with Rose and Arrow, it does make sense, as it helps to finance the overall operation.
What else can I tell you? Ahh, the wines, let’s not forget about the wines!
We tasted two of the Alit wines, Rosé (of Pinot Noir, of course), and Pinot Noir.
2019 Alit Rosé Willamette Valley (13% ABV) had a salmon pink color. Gunflint (volcanic soils!), strawberries, and onion peel on the nose. Nice touch of fresh strawberries and lemon, crisp, refreshing, nicely restrained, and well balanced with lemon notes on the finish (Drinkability: 8) – unquestionably delicious any time you want a glass of light, refreshing wine.
2017 Alit Pinot Noir Willamette Valley (13.6% ABV, native yeast fermentation, 10-12 months in oak) – beautiful bright ruby color – it is seldom for me to see a red wine of such a beautiful color. Beautiful nose, herbal, open, inviting, with mint, cherries, and a touch of the barnyard. Now, I have to say that the palate made me work for it. During the tasting, with the freshly opened bottle, the wine showed light, with red and blue fruit, good acidity, fresh, food-friendly, and restrained – we can even say “under-extracted” (Drinkability: 7+/8-). Over the next two days, the wine opened up, it obtained body, became round and supple, and became an object of pleasure (Drinkability: 8+). Definitely needs time, either in the cellar or in the decanter if you are in a hurry.
Alit Wines and Rose and Arrow enterprises are definitely something to watch. Mark Tarlov believes that sometime around 2030, it will be possible to understand if his quest for the Oregonian Grand Cru was successful. As for me, I practically always enjoy the journey more than the destination, so I will be happy to tag along, and yes, actually enjoy the journey with Alit wines – hop on, we can follow the lava flow together.
Stories of Passion and Pinot: Bells Up Winery
Do you know by any chance what “bells up” means? If you do, you can already pat yourself on the back and pour yourself a glass of wine. If you don’t – you can pour yourself a glass of wine and ponder at the question for a bit – the answer will follow.
Meanwhile, let’s talk about the passion, an indelible component of winemaking, possibly even a key ingredient in a delicious wine.
Dave Specter started making wine in the basement of his home back in 2006. By 2009, he realized that passion for winemaking trumpets his (successful!) career of a corporate tax attorney, and Dave decided to let his passion lead the way. In 2012, Dave and his wife Sara found themselves in Newberg, Oregon, purchasing a dead Christmas tree farm in the Chehalem Mountains AVA, where they started planting their estate vineyard. The rest is history – of passion and Pinot, there is.
Bells Up vineyards. Source: Bells Up Winery
Before there was wine, there was music. For more than 20 years Dave had been playing the French horn. In classical music, there is always a moment which needs to be stressed – “Bells up” is the conductor’s instruction to the French horn players to lift the bells of their instruments and produce the sound of maximum intensity. “Bells up” became Dave’s motto in life, and it also gave the name to his winery – now you have your answer in case you are still wondering.
While Pinot Noir was the first grape planted at the newly minted Bells Up winery, the passion also led Dave to plant half an acre of Seyval Blanc, the grape he successfully used back in Ohio. That Seyval Blanc planting became the first in the Chehalem Mountains AVA, and second in Oregon. If you look at Bells Up winery website, you will see that the winery bills itself as micro-boutique and un-domaine – planting Seyval Blanc and not Pinot Gris in Oregon is clearly an un-domaine move. By the way, the “un-domaine” was one of the words which caught my eye while researching the Bells Up winery information. So I took the opportunity to sit down (virtually, albeit) with Dave and listen to him share his passion for wine. Here is what transpired in our conversation:
[TaV]: What kind of wine(s) did you make in your basement in Cincinnati?
[DS]: In the beginning, when my wife Sara and I started making wine in 2006 as a couple’s activity for our fifth wedding anniversary, we started with kit wines—juice in a bag, essentially. When I moved on to grapes, I sourced from both local and regional vineyards for Seyval Blanc, as well as through a Cincinnati vintners club that would truck in fruit from vineyards in California. From that I made Syrah, Petit Syrah, Cabernet Sauvignon, Cabernet Franc, Merlot—even a Pinot Noir, although that fruit was sourced from Lodi, and was completely unlike the Pinot I work within Oregon today. Essentially, it was a hobby that grew out of control.
[TaV]: Why Oregon? As a young winemaker, you had many options – what made you decide to go to Oregon?
[DS]: First, thank you for calling me young. We were a whole lot younger when we started this journey. After that first kit wine, I was hooked on the process and wanted to learn more. Sara graciously let me take over the basement, then the garage, then the dining room. And we started taking wine vacations to “hidden gem” wine regions—Texas Hill Country, Finger Lakes, and finally Oregon in 2008.
We had already visited Oregon briefly in 2004 and loved it. In 2008 we spent two weeks roaming the state, with the last few days in Newberg at a bed and breakfast just 400 feet up the mountain from the property that is now ours. We fell in love with Oregon, the scenery, the climate, the wines, and the intimate experiences tasting wines at the tiniest wineries with the winemaker. We decided then that this was the place for us.
[TaV]: Seyval Blanc is one of the most popular grapes in the Eastern US. But why Seyval Blanc in Oregon?
[DS]: When we moved to Oregon in 2012, we knew we wanted to plant a vine that connected to our story. I’d been working with Seyval Blanc for years in Ohio and when I won two amateur national winemaking competitions in 2011, one was with a 2010 Seyval Blanc. So, it was a great tie-in.
But also, we see an opportunity to differentiate ourselves with a white wine that nobody else has in the Willamette Valley—and only one other winery has in Oregon. Plus, we believed it would grow well here, and after two small harvests that resulted in some beautiful wine, we’re happy to be proven right. Note, however, we didn’t plant a lot of it: only about 250 vines (and not all of them made it—so Sara’s been propagating like crazy ever since for replants). We figured if it was a failure, we could always graft over it.
[TaV]: Any future plans for more mainstream Oregon white grapes – Chardonnay, Pinot Gris, Riesling?
[DS]: From a business perspective, we’ve taken a really close look at what other wineries in the area are making, and for a 500-ish case production winery like ours it’s best to have just one white wine available for sale at a given time. That’s because we don’t move enough volume and the whites generally don’t age as long as reds.
We currently make Pinot Blanc and we like it quite a bit. It’s a bit rarer in these parts than Pinot Gris or Chardonnay, which again helps to differentiate us. But as for expanding our white wine program, the ultimate plan is to phase out Pinot Blanc for Seyval Blanc and that will be the only white in our line-up. There are a lot of similarities between my Pinot Blanc and my Seyval
Blanc, so the transition from one to the other won’t be as jarring as a shift from another white varietal, such as Chardonnay.
Bells Up wines. Source: Bells Up winery
[TaV]: Today you already make white, rosé, and red. Any plans to join seemingly the hottest Oregon trend and start producing sparkling wine?
[DS]: No. I know I keep coming back to the numbers, but I’m a finance guy with an MBA and a corporate tax law career. While we think there’s a place in the market for adding bubbles to still wines, if I made a sparkling wine I’d want to do it the right way (traditional method). That takes time, space and money. And at our volumes, what we’d have to charge per bottle to justify that type of investment is more than what the market would reasonably bear.
[TaV]: Continuing the same question – as you already produce Seyval Blanc, which makes very good dessert wines, any plans for some Late Harvest Seyval Blanc goodness?
[DS]: Don’t give Sara any ideas! Actually, we’ve been so focused on just getting these Seyval Blanc vines established and proving that our concept had legs that we really haven’t thought much farther than straight up Seyval Blanc. Our 2017 harvest yielded 100 pounds and made 23 bottles (yes, bottles)! Our 700-pound 2018 harvest produced 15 cases and we’ve made that available exclusively to our wine club members on a 2-bottle allocation. Give me a few years when I’ve got Seyval Blanc growing out of my ears and I’ll get back to you on a Late Harvest version.
[TaV]: Who are your winemaking mentors (if any)?
[DS]: First and foremost, Joe Henke of Henke Winery in Cincinnati. Joe took me under his wing as a basement winemaking hobbyist. He offered me a position as an unpaid cellar rat but promised he’d teach me everything he knew—open book—and he did. He even showed me his books because he wanted me to understand what he called “the good, the bad and the ugly of being a professional winemaker.” He’s an award-winning winemaker who makes 2,000 cases across roughly 15 different types of wines (including a phenomenal sparkling Chardonnay and an incredible Norton) in the basement of a 100-year-old house in an urban neighborhood with the bare essentials: barrels, a pump, a press, a pallet jack. I learned so much from him about the process of winemaking and the business of winemaking; that you don’t need a bunch of expensive equipment to make incredible wines. You just need to do a ton of cleaning. Amazing mentor.
Additionally, I did a harvest internship in the Fall of 2012 at Alexana in Dundee, Oregon under Bryan Weil. It was Bryan’s first harvest there as winemaker and Lynn Penner-Ash of Penner-Ash Wine Cellars was still working alongside Bryan, as she had been consulting winemaker for the label prior to Bryan coming on board. I soaked up as much as I could about working with Pinot Noir from both of them. Because, at age 39, I was not your typical harvest intern—plus I had three years of time at Henke Winery under my belt—Bryan was gracious enough to build my internship around what I needed to learn. He put me in the vineyard for sampling fruit, for example, something I’d never had the opportunity to do before. He had me set up the lab for him and run lots of testing because I knew how to do it. We’re still very close today and I appreciate everything he was gracious enough to share with me.
As far as winery business mentors, there have been so many people in the Willamette Valley who have generously offered advice and shared their successes and failures that it would be impossible to name them all. But they know who they are.
[TaV]: What is your view on sustainable viticulture, dry farming, organic methods?
[DS]: That’s what we do here in our own vineyard and at the vineyards we source from. We think it’s very important to be good stewards of the Earth—we’re farmers now! It also produces stronger vines that develop more flavorful grapes and ultimately better wines.
[TaV]: How did you choose the music pieces as the names of your wines? What was your thought process, what criteria? What message are you trying to convey with those names?
[DS]: Let me start by explaining the name of the winery. I played French Horn for more than 20 years (I’m horribly out of practice now—Sara says I only make noise) including after business and law schools, so it was a key part of my life. When it came time to name the winery, we wanted to name it something personal that wasn’t our last name (people are terrible at remembering names!) and I really wanted to tie it into the French Horn. Coincidentally, the property Sara found was on Bell Road in Newberg. So that tied in perfectly to the term “Bells Up,” which is a notation by the composer in the score of a piece of music. At a dramatic moment, it directs the French Horns to lift the bells of their instruments to project their sound with more intensity. It’s our time to shine—which is why I say the winery is my #bellsupmoment.
The pieces of music I chose to name each wine are all ones that prominently feature the French Horn, as well as epitomize the wine itself. George Gershwin’s “Rhapsody in Blue” inspired our Pinot Blanc to be named “Rhapsody” because it’s a jazzy, energetic white wine. Gustav Mahler—the French Horn player’s best friend because his pieces tend to be horn-heavy—wrote his Symphony No. 1 in D Major, called “Titan,” and it’s become regarded as his flagship work. Therefore, our Willamette Valley Pinot Noir, which we consider to be our flagship Pinot, is “Titan.” And so on. There’s a link at the top of our wines page to a playlist of all the pieces for those interested in hearing them.
[TaV]: Why “un-domaine”?
[DS]: It was a term that came up as we were discussing how to describe our casual tasting room vibe, our keep-it-simple winemaking approach, and our distinctive brand with a good friend who happens to be a wine writer. A couple of years ago after we opened our doors in 2015 there was a trend of new wineries opening in the Willamette Valley with the word “Domaine” in their name. We just aren’t. Our property is humble, our tasting room is a converted pole barn, you won’t find a marble fireplace. While Sara and I enjoy wine, nobody would ever confuse us with wine snobs.
Does “un-domaine” mean we’re not for everyone? Absolutely. There’s no cachet associated with owning or drinking a bottle of Bells Up wine. And that’s perfectly fine with us. We’d much rather be the bottle on your table every day of the week than the one gathering dust in the wine rack because you spent a ton of money on it and are waiting for a special occasion—and friends who will appreciate it—before it’s opened.
[TaV]: Did you have a pivotal wine in your life, the one which changed your wine worldview?
[DS]: Not so much a specific wine but a wine experience I had very early on. I had the pleasure of visiting some friends in Europe after graduating from law school and they took me to Beaune (in the heart of Burgundy) for a weekend. We did a lot of tasting in the touristy cellars, but also in garages and co-operatives where the atmosphere was much more down-to-earth. I knew absolutely nothing about wine prior to that but I was in awe of what I saw, smelled, and tasted. I couldn’t put my finger on it at the time, but I was in the heart of a culture that valued wine as an everyday experience—that part really resonated with my soul. Looking back, I’m sure that I would appreciate that experience more fully if I took the same trip now, but that time in Beaune has fueled my passion for wine ever since.
[TaV]: With the exception of your own wines, what are your favorite Oregon wines and /or producers?
[DS]: We truly have an embarrassment of riches here in the Willamette Valley—so many quality producers call this place home that a list of my favorite producers would fill about 3 dozen barrels. With every producer having their own unique style—plus the trailblazing nature of the Oregon wine industry—innovation is happening all the time: new grapes, new techniques, and so on. I think many people assume that a winemaker drinks only his or her own wine at home, but the truth is I almost never drink my own wines outside of the professional setting. I’d much rather be exploring the styles and fresh ideas that other winemakers here are creating and perhaps get inspired to try some of those ideas myself!
[TaV]: What are your favorite wines and/producers outside of Oregon?
[DS]: Again, way too many to answer! The wines I enjoy most are ones where I have a personal connection in some way and I’m fortunate to have so many talented friends in other parts of the winemaking world. Back in Ohio, my mentor Joe Henke at Henke Winery, of course, but also my friends Greg Pollman of Valley Vineyards and Bill Skvarla of Harmony Hill Vineyards make fantastic wines from grapes grown locally and regionally. Up in Woodinville, Washington my friend, Lisa Callan of Callan Cellars is making a name for herself with her Washington-focused program. And up over the border in Naramata, British Columbia my friend Jay Drysdale has founded Bella Sparkling Wines, BC’s only winery dedicated to sparkling wines. I know that some other friends have projects in the works and can’t wait to brag about them in a few years too.
[TaV]: Where do you see Bells Up Winery in 20 years?
[DS]: Not in the grocery store. Our customer base is national, but we have no aspirations for retail distribution. We’re perfectly content to sell direct-to-consumer and to a couple of local restaurants and a wine bar in Downtown Portland. When we hit 1,000-case production, that’s it. We won’t make any more than that annually because we both enjoy and believe wholeheartedly in the micro-boutique winery experience we’ve created. We want to have personal relationships with our customers. We specifically don’t have an online ordering portal because we want to have a conversation with our buyers either by phone or email. Making and maintaining those connections is really important to us, and we hope to grow those relationships over the next 20 years and beyond.
I’m sure you are ready to taste some wine by now. Before I will share with you my notes after tasting 3 of Dave’s wines, I want to bring something to your attention. By now you know that Bells Up wines are named after different musical compositions. In case you want to experience those musical compositions, either by themselves or together with the wine, Dave has a link to Spotify playlist of all the relevant music pieces available on the winery website. And now, here are my notes:
2018 Bells Up Helios Seyval Blanc Chehalem Mountains AVA (13.1% ABV, $38, 15 cases produced)
Light golden
Restrained, minerality-driven, touch of gunflint, a touch of fresh green apples
Excellent acidity, Granny Smith apples all the way, crisp, fresh, good texture. Has traits of Seyval Blanc (tropical fruit intent, I would say, like a hint of guava without any fruit notes), but put on a different core
8-, very interesting, thought-provoking and food friendly wine (acidity lingers on the finish for a good couple of minutes)
2018 Bells Up Prelude Rosé of Pinot Noir Chehalem Mountains (13% ABV, $22, 126 cases produced)
Light red
Medium plus intensity, distant hint of the barnyard, underripe cranberries, herbal notes
Bone dry, crunchy cranberries, excellent acidity, food-friendly wine, fruit showing up a bit later, excellent balance
8/8+, delicious and dangerous. I can keep drinking it until the bottle will be empty
2016 Bells Up Titan Pinot Noir Willamette Valley (13.1% ABV, $40, 12 months in French oak (39% new), 131 cases produced)
Dark ruby
Plums, a hint of smoke, violets
Slightly underripe plums, crisp cherries, sage undertones, good acidity, light to medium body,
8-, light, easy to drink, food friendly. Should improve with time.
Dave Specter conducts the private tasting. Source: Bells Up Winery
Here you are, my friends. Another story of Passion and Pinot.
To be continued…
P.S. Here are the links to the posts profiling wineries in this Passion and Pinot series, in alphabetical order:
Alloro Vineyard, Ghost Hill Cellars, Ken Wright Cellars, Knudsen Vineyards, Lenné Estate, Tendril Cellars, Youngberg Hill Vineyards, Vidon Vineyard
WBC18: Speed (Live) Tasting – White and Rosé
In the previous post, I told you about our speed tasting session of red wines at the Wine Bloggers Conference 2018. During the second full conference day, we had a session for white and Rosé – only we didn’t get any Rosé at our table, so it was all for us (it is still 20+ different wines been presented around, but you only can taste just 10 during the allotted time.
If you read any of the previous posts or maybe attended the event, you know the drill. Snap, swirl, smell, sip, spit, share. Hmmm, next time I will call it a 6S exercise. You (1) snap a photo of a bottle. You (2) swirl the wine in your glass. You (3) smell it. Then you (4) sip it. Then you (5) spit it (well, there might be an exception to this rule, but you have to tread carefully here – if you can’t spit the wine, the wine bloggers conference is not for you). Lastly, you (6) share your notes with the world. All in 5 minutes. All repeated 10 times. There you have it.
Before I share the WBC18 wines with you now in this summary post, I will give you links to the WBC14, WBC16, and WBC17 I attended in the past, just in case you want to see what was happening there.
WBC18 speed tasting whites, here we go:
Wine 1: 2017 Desert Wind Chardonnay Heritage Series Wahluke Scope Washington (12.7% ABV, $28)
Wine 2: 2017 Bodega Bouza Albariño Montevideo Uruguay (13.5% ABV, $20)
Wine 3: 2016 Baroness Cellars Riesling Red Mountains (12.4% ABV, $25)
Wine 4: 2016 Rodney Strong Chardonnay Chalk Hill AVA (14.5% ABV, $22) – classic California Chardonnay, good wine at a good QPR.
Wine 5: 2016 Cadaretta SBS Columbia Valley (13.5% ABV, $23, 67% Sauvignon Blanc, 33% Semillon) – SBS stands exactly for Sauvignon Blanc Semillon. An excellent wine for a summer day? Well, I think I can drink it on a winter day too…
Wine 6: 2016 Frank Family Vineyards Chardonnay Carneros (14.4% ABV, $30)
Wine 7: 2016 J. Bookwalter Double Plot Chardonnay Conner-Lee Vineyard Columbia Valley (13.8% ABV, $40)
The next wine was presented with the statement to all of the Riesling haters – as shown here by Clifford Robben:
Wine 8: 2016 Dr. Loosen Wehlener Sonnenuhr Riesling GG Alte Reben Mosel (12.5% ABV, $56) – you can’t argue with greatness – this was one delicious Riesling
Wine 9: 2015 Brokenwood Semillon Hunter Valley (10.5% ABV, $22) – Hunter Valley Semillon might be one of the biggest secrets lucky attendees of WBC19 will discover. The wine might show as overly acidic when young, but with some age on it, it becomes an impeccable thing of beauty…
Wine 10: 2016 Brooks Ara Riesling Willamette Valley (12.8% ABV, $38) – another beautiful wine from the Brooks winery. From the tasting of the reds, Borrks Rastaban was my favorite wine. Now this Ara Riesling was equally impressive – and I didn’t know that Riesling was even made in Oregon. A delicious surprise.
There you go, my friends – the summary of one of my favorite exercises at the wine bloggers conference. Sorry, Chardonnay – the Riesling totally stole the crown this time. Cheers!
WBC18: Speed (Live) Tasting – Reds
Rapid fire. Lightning talks. Speed dating. We like to create extra-pressure situations for ourselves, I guess we think that we are functioning better when we have no option to prolong whatever it is we need to do or decide upon. Wine tasting is typically not a speed exercise – unless you are attending a live tasting session at the Wine Bloggers Conference.
50 minutes. 10 winemakers. 5 minutes to present the winery and the wine and answer questions – for winemakers. 5 minutes for bloggers to take pictures, smell and taste, ask questions, take notes, and ideally, post on social media about the wine – for 50 minutes in the row. Some people simply refuse to do it. And for me, this is one of the favorite sessions of the conference – and the one I get to consistently post about afterward, collecting all my individual tweets from the live session into one post – as it was done at WBC14, WBC16, and WBC17 – the three I attended in the past.
Unlike previous years, the first live wine blogging session at WBC18 was for the red wines (we always started with White and Rosé before). I guess it makes sense, as reds is what Washington is first and foremost known for. This time, I also tried to include some picture processing into the same 5 minutes – that makes the whole process even more challenging. Oh well. For what it worth, here are the wines and my notes, mostly in the form of the tweets:
Wine 1: 2013 g. Cuneo Cellars Ripasso Walla Walla Valley ($45) – Everything is possible in Washington – even the classic Italian wines.
Wine 2: 2017 De Lucca Tannat Reserve Canelones Uruguay ($15)
Wine 3: 2016 Fullerton Pinot Noir Bella Vide Vineyards Dundee Hills Oregon (13.5% ABV, $65) – great Oregon Pinot
Wine 4: 2016 Rodney Strong Vineyards Upshot Red Sonoma County (14.5% ABV, $28, 37% Zinfandel, 30% Malbec, 27% Merlot, 3% Petit Verdot, 3% Riesling) – I love this unorthodox blend, an excellent wine for any special occasion, like Tuesday, for example. I also love the label. Forgot to include the picture in the tweet, so it is attached on its own here.
Wine 5: 2015 Browne Family Vineyards Cabernet Franc Columbia Valley (13.7% ABV, $35, 22 months in French oak) – beautiful Cab Franc specimen.
Wine 6: 2014 Dama Wines Collage Walla Walla Valley (14.7% ABV, $55, 69% Merlot, 26% Cabernet Sauvignon, 5% Cabernet Franc) – beautiful wine, beautiful label.
Wine 7: 2014 Dunham Cellars XX Cabernet Sauvignon Walla Walla Valley (13.8% ABV, $45, 100% Cabernet Sauvignon) – 9th winery in Walla Walla, 20th vintage (hence XX), and one of my most favorite from the tasting. Would be happy to drink every day.
Wine 8: 2015 Mansion Creek Cellars Red Dog Red Mountain AVA ($46, 70% Tinta Cão, 28% Cabernet Sauvignon, 2% Grenache-Syrah) – it is not every day you can taste a beautifully done Portuguese wine – made in the USA.
Wine 9: 2015 Brooks Rastaban Pinot Noir Eola-Amity Hills Oregon (14% ABV, $60) – stunningly different expression of the Pinot Noir. It evokes the same magic as tasting Cloudy Bay Sauvignon Blanc and thinking “this can’t be New Zealand Sauv Blanc”. Same is here. It is simply unique and different and in a class of its own. Probably my favorite wine of the session.
Wine 10: 2016 Troon Vineyard Cuvée Pyrénées, Estate Tannat/Malbec, Kubli Bench, Applegate Valley Oregon ($60, 62% Tannat, 38% Malbec) – organic, biodynamic, minimal intervention wine. Craig Camp lets the grapes speak, offering us a beautifully balanced wine.
There you go, my friends – the summary of one of my favorite exercises at the wine bloggers conference. This was definitely fun, and I will be delighted to do it again and again. Do you think 5 minutes is enough to learn about the wine and fall in love with it? Cheers!
Wednesday’s Meritage – WBC16, Up and Coming in this Blog and more
Meritage Time!
First and foremost – Wine Bloggers Conference 2016 (WBC16) is starting this Thursday, August 11th in Lodi, California. Most importantly – I’m flying Thursday morning to attend it! While wine is of course an important part of the event, what I’m really looking forward to is connecting with fellow bloggers. Being around of wine blogosphere for 6 years allowed me to make many friends. While I met some bloggers in person, many are still only virtual, and based on registration list I hope to add some faces to the names.
I’m also looking forward to learning more about wines of Lodi, which I have rather a limited exposure to. And the so called “Speed Tasting/Live Blogging” sessions are something I enjoyed very much at WBC14, so I’m definitely looking forward to doing it again. I will do my best to report on the WBC16 escapades, but it will not be easy, as an event gets quite overwhelming. In any case, if you are attending WBC16, I hope to meet you face to face.
Now, I need to tell you – lots of Pinot Noir is coming to this blog in the near future. I just finished working on the series of interviews with Oregon winemakers, and we all know that Oregon is a Pinot Noir capital of the United States. There is lots of passion, wit and hard work, which I can’t wait to share with you all – along with some tasting notes. Expect to see this series posted throughout September/October time.
Talking about blogging plans, we will be also talking about Italian wines. And not just Italian wines in general, but one of my most favorite Italian wines – Amarone. Cesari Vineyards, a family-owned winery in Veneto, was one of the Amarone pioneers, formed in 1936. To celebrate 80 years of producing great wines, Cesari Vineyards reached out to the group of wine bloggers, so look for the blog posts, tweets and pictures coming out under the hash tag of #IAMarone.
And we are done for today. The glass is empty – and it takes a lot more time for the refill to arrive nowadays – but the refill is still on the way. Cheers!
#WineChat, #WineChat, #WineChat, #WineChat!
I guess you are thinking that I accidentally fell asleep at the keyboard, and the same word was repeated multiple times in the title. Or may be I’m working on the new wine riddle. Well, no, I’m not asleep and I’m not good at creating riddles. But over the next few days, there will be 4 different #WineChats or #WineChat style events which I would like to bring to your attention.
First, on Friday, December 4th (which is today!), we will be celebrating Cabernet Franc, one of the noble grape varietals and one of the “parents” of the Cabernet Sauvignon. This #CabFrancDay celebration is started by Lori and Michael of Dracaena Wines, and the culmination point of the celebration will be a live #WineChat on Twitter, starting at 8 PM Eastern time. The celebration is easy to join – pour yourself a glass of Cabernet Franc (you got lots of choices – Bordeaux, Loire, Languedoc, California, Australia, New York state, Oregon, Argentina and many other regions), open Twitter and chat away.
Next virtual event will take place on Wednesday, December 9th, 7 – 8 PM Eastern – Finger Lakes Wine Alliance will conduct its traditional Sparkling and Dessert Wines tasting. The event will take place on Twitter using hash tag #FLXwineVT, together with the live broadcast on UStream. 6 wineries will participate in the tasting – Damiani Wine Cellars, Fox Run Vineyards, Glenora Wine Cellars, Lakewood Vineyards, Standing Stone Vineyards and Thirsty Owl Wine Company.
After you and your fingers will take one hour break, it will be a time to join a #WineChat! At 9 PM Eastern, Luke McCollom, General Manager, Viticulturist and Founding Wine Maker of Left Coast Cellars from Oregon will be discussing “the advantages of a single vineyard estate”. All you need to do to join the conversation, which I’m sure will be very interesting (I published a two-part interview with Luke McCollom a short while ago – part 1 and part 2), is to open Twitter and join the conversation with the hash tag #WineChat.
Last but not least, on Thursday, December 10th, there will be a virtual tasting of 700 year old Marchesi de’ Frescobaldi’s “CRU wines from its signature estates (Castello di Nipozzano, Castello di Pomino, Tenuta di Castelgiocondo, Tenuta di Castiglioni)”. The tasting will start at 1 PM Eastern (was originally scheduled for 2 PM), and it will be done as a live broadcast over UStream. Tasting will be conducted by Lamberto Frescobaldi, President and 30th generation of Marchesi de’ Frescobaldi. Join in!
I hope you will find time to join at least one tasting – the conversations at those events are always live and entertaining. Until the next time – cheers!
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