Archive
A Quick Trip To Malta and a Few Rare Grape Sightings
Have you been to Malta?
I have not, but hey, this is a wine blog, remember? As I like to say, “Have wine, will travel” – we can get a tiny bit of Maltese experience with the help of Maltese wine.
I honestly don’t remember why was I searching for a Maltese wine, but let’s try to figure it out. I call myself a “collector of experiences”, and I like seld-made challenges. On this very blog, I have this table that lists all (probably “most” is a better word) of the winemaking countries in the world, and I’m always on the lookout for ways to add checkmarks to that table. I added a few new places this year, and I guess while I was at it, I decided to see what wines from what countries I might be able to find. Malta came up during the search, and I found the website called Malta Products which offers food and crafts from Malta, and also wine.
As I was looking through the available wines, to my delight, I realized that I could kill two birds with one stone. Not only can I put a checkmark next to the Malta name, but I can also advance my rare grapes hunt as I found wines made from the two new indigenous grapes.
Long story short, I selected two inexpensive wines, one made with the local white grape called Girgentina – 2022 La Torre Girgentina Maltese Islands IGT. The second wine was a red blend containing another indigenous grape – Ġellewża – 2022 La Torre Ġellewża – Shiraz Maltese Islands IGT. The shipping was surprisingly reasonable, so I guess I spent a total of around $50 including shipping directly from Malta.
The wines showed up about 2 weeks later, but when I opened the box I found that instead of Ġellewża – Shiraz I got a bottle of Italian Cabernet Sauvignon from the same producer (La Torre). Considering how inexpensive the wine was, I decided that I would just let it be. On second thought, I decided to at least write to Malta Products customer service and let them know that they sent me the wrong bottle. After I sent them a picture of the wine I received, they apologized and said that they would fix it. I was not expecting anything more than a credit on the card, but instead, about a week later, the proper bottle showed up. It is easy to get cynical in the world we live in today, but then every once in a while we encounter people who actually take pride in the service they provide. If you ever feel like you want to visit Malta via Malta Products, you have my full, unquestionable endorsement.
I finally had an opportunity to try the wines at some point. Girgentina was excellent, bright, round, vibrant and delicious from the get-go. When I took a first sip of Ġellewża – Shiraz, I decided that it’s okay not to like every wine – it was not good [at all]. Not spoiled, but really not drinkable. About an hour later the wine transformed, and while it didn’t become magical, it became light, herbaceous, drinkable red, perfect for a hot summer day. While not a new grape or a place, the 2021 La Torre Cabernet Sauvignon Veneto IGT was simple and quaffable.
That was my quick trip to Malta and the addition of the two rare grapes.
As I’m trying to complete my Hexavin journey and reach that 600 grapes mark, the going doesn’t get any easier (expectedly, but I’m allowed to lament, am I). Or maybe I just like to complain, and it is not that difficult. There is a lot of work done around the world to bring back ancient grapes, to create new wines with a lot of pedigree and heritage, hundreds and hundreds of years of heritage. There are also new grapes, such as Solaris I just wrote about that help grape maniacs geeks move forward. Either way, here are more grapes I’m adding to the collection:
Moschomavro – NV Tsantali Rosé d’Estelle Greece – considering the non-vintage designation, I expected that it would fare worse, but it was drinkable.
Tămâioasă Românească – 2020 Domenile Tohani Tămâioasă Românească DOC Romania – you know that when you you are looking for a princess you might have to kiss a lot of frogs? This was one of them. Horrible.
Busuioacă de Bohotin – 2020 Domain Tohani Busuioacă de Bohotin semi-sweet wine Dealu Mare Region Romania – another surprise. While semi-sweet, the sweetness was nicely restrained and the wine was very tasty.
Krstač – 2019 Plantaže Crnogorski Krstač Montenegro – outstanidng. This was a delicious white wine in its own right. Crispy, focused, delicious.
The next four grapes were picked up last year at the Hudson Valley Wine and Spirits competition last year, where I was one of the judges. These are some interesting grapes, including the hybrid which doesn’t even have the name, only the numbers…
NY81.0315.17 – 2021 Weis Vineyards Perle Finger Lakes
Valvin Muscat – 2021 Milea Estate Vineyard Proceedo Hudson Valley
Regent – 2020 Milea Estate Vineyard Blaufrankish Hudson Valley
Obelin Noir – 2019 Christopher Jacobs Winery Deep Roots New York
Trebbiano Abruzzese – 2022 Masciarelli Trebbiano Abruzzo DOC – this was my recent discovery while working on the Masciarelly post – it appears that Trebbiano Abruzzese is different from the other types of Trebbiano and it is local only to the Abruzzo area…
Timorasso – 2018 Vietti Timorasso Derthona Colli Tortonesi DOC – it appears that this grape was already accounted for as part of Giribaldi Cento Uve, so no additional count. The wine, however, was a sheer disappointment – undrinkable.
Albilla – 2022 Bodegas Ponce Manchuela DO – this was delicious wine, fresh and vibrant.
All in all, I’m increasing my grape count by 11, and now I’m within the last 10 push before reaching the 600 milestone. I have an easy way of solving this – using clones. I can add 20 clones of Chardonnay, Pinot Noir and Cabernet Sauvignon, all well documented on their usage. Should I do this? I’m not sure, but it is good to have options.
What are the wine artifacts you like to collect?
Rare Grapes, Obscure Tasting
What is your take on wines made from rare, unknown grapes? I can tell you about mine – I love them.
I have two reasons for that. Well, it might be even just one, but with two sides, I guess. First, I’m a wine geek. As a wine geek, I love tasting each and every type and style of wine, made from whatever grapes they are. I’m willing to taste absolutely any wine at least once. After the opinion is formed, this might be the first and the last time, but nevertheless, I’m willing to try anything.
The second reason is that I’m not only a geek, I’m also a collector. I like collecting experiences. As such, for example, I keep track of the US states and world countries I had a chance to taste the wine from. And I keep track of grapes I ever tasted, after being bitten by The Wine Century Club‘s bug. If you are reading this blog on a PC, look to the right side of the screen, and you will see “grape count” – this is the number of grapes I have tasted to date (if you are reading on the phone, just scroll down). With my goal of reaching 600 grapes, I can only increase the current count further by finding rare, obscure, unknown grapes to taste.
When I got an invitation to attend the Wines of Crete trade tasting, the key words which made me say “yes” was exactly that – “rare grapes” – there were lots of grapes mentioned in the invitation, and I didn’t recognize at least a half of them, so the opportunity to taste new grapes (and increase the count) was definitely enticing.
I have to tell you upfront – this was the most peculiar trade tasting I have ever attended. Being only an advanced amateur, if this makes any sense, I attend maybe about 10 trade tastings in a good year, so I wouldn’t pretend that “I’ve seen them all”. Nevertheless, I have a frame of reference for successful and unsuccessful wine tastings, for sure in my personal book – so when I tell you that this was the most peculiar one, I mean it. Let’s talk about it.
First, notwithstanding of any peculiarity, we need to acknowledge the wines of Crete. Any time a passionate wine lover has an encounter with a region that has a deep wine history, it creates an emotional response, almost awe. The wine history doesn’t go much deeper than it is on Crete – Crete, the largest island in Greece and 5th largest in Europe is the cradle of European winemaking, having its winemaking history spanning more than 4,000 years, going well beyond 1,500 BC.
Crete represents the first real wine culture in Europe. There is evidence of wine presses (first in Europe from about 1,600 BC), pressed grapes and stems, clay pots and amphorae. The wine was produced commercially, and it was praised by many poets. Shortly after the beginning of the first millennium, Crete became famous for producing sweet wine from sundried grapes, Vinum Passum. Crete wines reached Switzerland, France and Italy, and so did the cuttings of the Cretan vines.
From the 14th to 17th centuries, Crete became famous for producing sweet wines from Malvasia grapes (interesting tidbit: American Journal of Enology & Viticulture registered 49 different varieties of the Malvasia grape). Malvasia vines made it to Italy during the same timeframe.
Cretan winemaking history is not all warm and fuzzy. For almost 200 years Crete was under Turkish occupation, and wine production was truly minimized, mostly for family consumption only. Then at the beginning of the 20th century, immigrants brought Sultanina grapes to Crete – a.k.a. Thompson Seedless – not the grape you want to use in wine production. In 1972, Crete experienced the invasion of Phylloxera.
The rebirth of Cretan winemaking started in the 1990s, and today young winemakers continue looking for their own path, often using indigenous grapes to their advantage.
There are 4 mountain systems on Crete, the island of 160 miles long and about 40 miles wide. The majority of the vineyards on Crete are located on the mountain slopes, at altitudes from 800 to 3,000 ft. Mountains play an important role in protecting vineyards from the hot winds coming from Africa. The climate is warm Mediterranean with annual rainfall between 250 and 900 mm.
There are about 10,000 acres of vineyards on Crete, which are spread between 6 Protected Geographical Indication (PGI) and 7 Protected Denomination of Origin (PDO) winemaking regions. There are 36 wineries on Crete, producing about 4 million bottles of wine annually. There are 11 indigenous grape varieties growing on Crete (White: Vilana, Vidiano, Dafne, Thrapsathiri, Malvasia di Candia, Muscat of Spina, Plyto and Red: Kotsifali, Liatico, Mandilari/Mandilaria, Romeiko), as well as international varieties. And as I already told you before, these indigenous grapes were the main attraction for me.
Okay, so now I shared with you almost everything I learned about the rich history of the wines of Crete – let’s talk about the peculiar part.
Upon arrival at the tasting, I got a booklet listing all the wines which we would be tasting. The booklet was organized by grapes – but interestingly enough, the description of the wines didn’t include any producer names – just vintage, variety(ies), ABV, style of wine, and maturation notes. I never saw anything like that at any of the tastings – unless you maybe run a blind tasting, but never mind.
Next, we proceeded with the masterclass, where we learned about all the history and present day, and had an opportunity to taste 11 wines. While poured, all of the wine bottles were hidden inside the black pouches. In the presentation, there were no producer names mentioned – only grapes and regions were presented.
As we learned, this was not an oversight. As the event was sponsored by the European Union, it was the requirement not to mention the wine producers in the masterclass and in the tasting, so the producers not present at the tasting wouldn’t get upset.
I’ll let this sink in for a moment.
Think about it.
Now, let me ask you – how stupid, unbelievably stupid is it? [I guess this is what happens when lawyers run the business – I didn’t have to say it, but this is my blog, so I can].
I’m a blogger, and I’m only interested in education and tasting some obscure grapes. But let’s say you work at a restaurant. You taste the wine, you like it, and you would like to start offering it at your restaurant – but officially, you are not allowed to know the name of the wine you just tasted. Say what??? What is the point of this tasting? With this “blind tasting” move, you brilliantly hurt everyone – those who sent their wines for the tasting, and those who have not.
Okay, let’s get back to masterclass tasting.
First, we tasted 6 white wines, made from Vilana, Vidiano, Thrapsathiri, and Assyrtiko. Thrapsathiri was a new grape for me, the rest I had tasted before. I don’t believe I liked any of the white wines, unfortunately…
Wine #1 – Vilana grape
Acidic, lean, food-craving
Good
Wine #2 – Vidiano
sweet nose, acidic finish, interesting
Wine #3 – Vidiano
interesting, kind of flat, oily nose, reminiscent of Retsina
Wine #4 – Thrapsathiri
interesting, herbaceous, cut through acidity. Very acidic finish
Wine #5 – Assyrtiko
Smoke, almost moldy on the nose
Corked?
Wine #6 – Vidiano (oak aged)
Plump, oily, full-bodied, crispy finish
Next were 5 reds, made from Liatico, Kotsifali, Mandelaria, and Romeiko. Again, one new grape here – Romeiko. Wine #10 was strange but drinkable. I really loved the Romeiko wine, but this was somewhat of a curveball red wine – it was actually made in the “orange wine” style. Still, this was my favorite wine from the masterclass tasting.
Wine #7 – Liatico 2022
interesting nose, sweet oak
super-tart, tannic, lacks fruit, tart finish
Wine #8 – Liatico/Kotsifali 2016
smoke on the nose, smoke on the palate, insane acidity
Volatile acidity?
Wine #9 – 60% Kotsifali, 40% Mandelaria, 2015
Raisins on the nose, oak, tertiary aromas
flat, tannic, ohhh
Wine #10 – 60% Kotsifali, 40% Syrah, French/American oak aging, 2017
Brett? Spoiled egg level
This is actually drinkable, a little flat on fruit, but good overall
Wine #11 – Romeiko, red grape made as an orange wine
Excellent, delicious, good balance, harmonious, good fruit and acidity, fresh
We managed to convince the staff to show us the wines we tasted, at least some of them, so you can see some of the wines we tasted in the picture above.
Main room tasting had its own issues – it appears that due to some issues with the customs, instead of 64 wines only about 15 were present in the tasting. All black bagged, unfortunately. I tasted another grape I never had before – Plyto, and the wine was quite pleasant, but this is all I can tell you.
There you have it, my friends. For me personally, this was not a waste of time, as I managed to pick up three new grapes I never tasted before. But in the large schema of things, this was a wasteful tasting – and it is sad. The effort was put into organizing it, but would it really help to advance the Wines of Crete in the US – I doubt so very much.
I really hope my next wine tasting will fare better…
Drinking With Purpose
Drinking with purpose.
Okay, so what are we talking about here?
First of all, we are talking about wine. Usually, we drink wine for pleasure. Of course, sometimes people drink just for the buzz, to forget, to relax – there are many reasons why people use alcohol, but wine (I hope) stands a bit apart from the rest of the alcohol. Wine helps us to converse with friends, create memories, enhance our food experiences and simply derive pleasure from the simple moment of existence. Then what is this purpose I’m talking about?
Wine is the product of passion. At least this is how we, wine lovers, want to see it. Wine also enables passion. Not even passion, but passions. It solicits passions. Wine is surrounded by desire, obsession, exclusivity, mysticism, glamor, science, greed, mystery, art, and devotion, it evokes all of these and many other feelings and emotions. Wine allows everyone to find their own passion.
One such passion is collecting. Yes, some people are collecting the wine. In a lot of cases, they simply do this to feel superior to others, as they have something which other people want but can’t have. We can leave this aside, as this is a boring aspect of wine. Collecting unopened bottles is not the only thing to collect around wines.
The wine offers lots of artifacts. People collect unique bottles. People collect unique labels (hundreds of thousands of different wines are produced every year around the world – and many labels can change every year – think of an endless potential here). People collect champagne and sparkling wine bottle caps – this hobby even has an official name, placomusophilia. Peope collect corks and screwtops. I collect grapes and experiences.
Many, many, years ago I came across The Wine Century Club. No, you don’t have to be 100 years old or drink 100 years old wines. It is all about grapes. Anyone who tasted 100 different grapes (obviously, in wines) – don’t have to be individual grapes, blends are totally fine – is welcome to apply to become a member of the club. The application is honor-based (well, if you lie, your palate would be cursed forever – who would want to risk that), and you get the certificate sometime after you submit the application. Tasting the first 100 grapes was relatively easy. By the time I was done with the first 100, the club was already offering the 200 grapes level (Doppel), then 300 (Treble), 400 (Quattro), 500 (Pentavini), and now even 600 (Hexavin).
After I passed the 100 grapes level, hunting for the new grapes became an obsession, which I thoroughly documented on this very blog. I had friends reaching out and asking if I already had such and such grape. I spent countless hours looking for the grape information online, trying to figure out what grapes went into this particular wine from this particular vintage. Hunting down new grapes became drinking with purpose. I didn’t care if I would like the new wine or not – if it had the grapes I didn’t taste before, that was all I needed.
As I mentioned before, I collect not only grapes but also experiences. Wines are made in all of the 50 states in the USA. Wines are made at least in 60 countries around the world, maybe more. I have a personal goal to experience (read: taste) wines of all 50 states. I also would love to taste wines made in all the different countries around the world.
This is how I collect the grapes and experiences. And this is how drinking with purpose happens. A wine from the new state or a country – yes, please! The wine with new grapes? Yes, pretty please!
Recently, I managed to find a few wines with grapes I never had before. Not only that but one of the wines was made in the region which was new to me, so the two proverbial birds were killed with one stone – err, bottle. Here are the quick notes on these wines:
First, two wines from Eastern Europe. I never had the wines of Bosnia and Herzegovina, so this was a new country I was able to add to the list. Both wines were tasty, and Tikveš Belo was probably my favorite wine out of these 4. New grapes are marked in bold:
2015 Čitluk Winery Blatina Bosnia & Herzegovina (13% ABV, 100% Blatina)
Brickish red
Plums, dried fruits, medium intensity
Sour cherries, soft, round, medium body, good acidity, soft tannins
7+, not sure how it was stored. It is still nice, simple, and easy to drink, but probably on the decline.
8, on the second day. Interesting transformation – tertiary aromas are gone, plums, cherries and sage on the palate, nice, round, pleasant.
2020 Tikveš Belo Special Selection North Macedonia (11.5% ABV, Smederevka, Riesling, Marsanne, Roussanne)
A light greenish hue
A hint of gunflint, Whitestone fruit, medium intensity but very confident nose
Lemon, a hint of grass, salivating acidity.
8, this is a beautiful food wine, will compliment a wide range of foods.
It is my second time drinking Armenian wines. I was really looking forward to Yacoubian-Hobbs white, but the wines ended up being a disappointment. The Armenian red was quite drinkable. In any case, when you drink with a purpose, you don’t complain.
2018 Yacoubian-Hobbs Dry White Wine Aghavnadzor Vayots Dzor Armenia (14% ABV, blend of Voskehat, Khatuni, Qrdi, Garan Demak)
Golden color
Stewed fruit on the nose
The palate had some stewed plums, it was overwhelming and had no acidity. The wine was devoid of balance.
N/R, Maybe a bad bottle? Cork broke while I was opening the wine using a standard waiter corkscrew. But the wine didn’t seem oxidized, maybe heat damage?
2019 VinArdi Estate Blend Dry Red Wine Armenia (13.5% ABV, 40% Areni, 35% Haghtanak, 25% Milagh)
Dark Ruby red
Wild berries on the nose
Wild berries, dried herbs, medium+ body, good structure, good acidity, excellent balance.
8-, easy to drink
Now you know all about my wine obsessions. And I get to increase the counter you see on the top of the page from 561 to 567. Little by little…
By the way, there is no stopping in sight. While I’m trying to close on 600, there are people in The Wine Century Club discussing the 800 mark. Talk about obsessions… Enjoy your wine. Cheers!
A Refreshing Trip Around The World
Have wine, will travel.
I love saying that.
Have wine, will travel.
While we might be dreaming about all those ways to instantly travel from our living room to Mount Everest, Bora Bora, or Singapore, wine has this magical ability to transpose, to let us be where we want to be in a blink of an eye. It works best with the bottle of wine you are familiar with, especially if you have had a chance to visit the winery and acquired some great memories. But even if you have never visited the winery, a bottle of wine is quite a unique product – every bottle of wine proudly advertises where it was made, right on the front label – when you see “Italy”, it is not difficult to picture Rome or Bologna. France probably would solicit the image of the Eiffel tower. Does Australia bring up an image of a boxing kangaroo? Oops, this can be just me. Anyway, I’m sure you know what I’m talking about.
So today, let’s take advantage of the instantaneous travel only wine can offer, and let’s go on that trip around the world.
The weather is hot in the Northern hemisphere, so today we will hop onboard of the white wine express.
Our first stop will be in Spain. Thinking about Spanish white wines, what grapes come to mind? To ease up on this question – boy, it is hot outside – what is the first Spanish white wine you can think of? While you are pondering that question, I can give you my answer – Albariño. Of course, you have Viura, Verdejo, Godello, and others, but to me the first association for the Spanish white wine is Albariño.
As you might have suspected already, our first stop is in Rias Baixas, roughly a 3,000 square kilometers region located along the Atlantic ocean’s coast in Galicia, in northwest Spain, where Albariño is the king. Pazos de Lusco winery is farming 12.5 acres of Albariño grapes in the south of the region, 40 km away from the coast. The name of the winery comprises two typical Galician words – “pazo”, which stands for home, usually in the countryside, and “lusco” which defines the beautiful moment between dusk and nightfall.
2021 Pazo de Lusco Albariño Rias Baixas DO (13% ABV, $24.95, Vegan)
Straw pale
Intense aromatics, ripe white fruit, peach, tropical fruit
Nicely restrained palate, crisp, tart, lemon, the wine makes you salivate and want food even if you are not hungry.
8, excellent. Should be great with oysters.
For our next stop, we are staying in Spain but traveling east almost to the French border, to the region called Somontano, where the wine had been produced for more than 2,000 years. In Somontano, there lies the Secastillo Valley (the valley of 7 castles), boasting 100 years old Garnacha vines at 2,100+ feet of elevation and a special Mediterranean microclimate defined by close proximity to Pyrenees mountains. This is where our next wine is coming from, Garnacha Blanca produced at the Pagos de Secastilla:
2020 La Miranda Secastilla Garnacha Blanca Somontano DO (13.5% ABV, $18, 4 months in French oak)
Straw pale
Minerality, a touch of gunflint, underripe white fruit
Beautifully playful, fresh white fruit and berries medley, crisp and clean acidity, excellent balance, delicious.
8
As I was deciding when I will taste these wines, the overarching thought came in – oysters. I want fresh oysters. Luckily, we have a new fish monger opened nearby, so procuring a few dozens of oysters was really simple. I tried Albariño and Garnacha Blanca with the fresh oysters, and while the pairing with Garnacha Blanca was not bad, the Albariño and oysters were simply a match made in heaven. Albariño was a perfect chaser, amplifying the delicious salinity of the oyster juice and if you would close your eyes, it was very easy to imagine yourself standing right next to the ocean waves and smelling the salty, fishy water. If you will have an opportunity – spoil yourself, oysters and Albariño are really tasty together.
Now that we are not hungry, we can continue our journey. We are now traveling northeast to the heart of Europe – we are going to Austria. Let me ask you the same question as before – what grape would you associate with Austria first and foremost? I hope your answer will be the same as mine, as mine is rather obvious – Grüner Veltliner.
Grüner Veltliner is unquestionably the most famous Austrian grape, with more than 37,000 acres planted. It appears to originate in Austria and as it was recently established, it is a natural cross between Traminer and St. Georgen (an almost lost grape, only recently rediscovered). Gruner is capable of a wide variety of expressions, depending on the soil types and the yield. But what sets the grape apart in the world of white grapes is rotundone, which is present in the skin of Grüner Veltliner. I only recently mentioned rotundone in the post about Syrah – rotundone is a chemical compound found in the skin of the grape that is responsible for the peppery flavors in the wine. Such peppery flavors are usually attributed to red wines – but Grüner Veltliner can happily join the “peppery family”.
The first mentions of Domäne Wachau go back to the 12th century. Today, this is one of the leading wine cooperatives in the world – 250 vintners sustainably farm about 1,000 acres of vines, and the wines are exported to 40 countries. Talk about Grüner Veltliner – Domäne Wachau produces more than 3 dozens of different Grüner Veltliner wines. As a fun historical fact, I want also to mention that in the 1930s Domäne Wachau was already producing single-vineyard Grüner Veltliner wines. And if you are a wine nerd like me, Domäne Wachau has assembled a wonderful collection of the Nerd Notes on their website, offering in-depth coverage on the terroir, soils, sustainability, cork stoppers, and lots more.
I had an opportunity to taste two of the Domäne Wachau wines – both delicious:
2020 Domäne Wachau Loess Grüner Veltliner Austria (12.5% ABV, $14 1L bottle)
Straw pale
Whitestone fruit, apple, fresh lemon – inviting and bright
Crisp, grassy notes, cut through acidity, fresh, delicious.
8, delicious and outstanding QPR
2021 Domäne Wachau Grüner Veltliner Federspiel Terrassen Wachau Austria (12.5% ABV, $18.99)
Straw pale
Tropical fruit, candied lemon, herbal undertones, generous, inviting
Crisp, fresh, lemon, a hint of grass, cleansing and vibrant, perfectly balanced.
8, I should’ve tried it with oysters too – the acidity is pronounced, it could’ve worked well.
Now we will have to travel to the Southern hemisphere for our last stop – Chile.
Chilean wines need no introduction to wine lovers. All classic grape varieties are doing extremely well in Chile, producing world-class wines. But as we are taking the white wine express, that reduces the number of available options. The spotlight today is on the Sauvignon Blanc, produced by one of my favorite, all-organic Chilean wineries – Ritual. I extensively wrote about Ritual before, so instead of regurgitating the information here, I would like to ask you to read that post. Ritual Sauvignon Blanc was exactly as one could expect – delicious:
2019 Ritual Sauvignon Blanc Casablanca Valley (13.5% ABV, $20.99, organic grapes)
Straw pale
Open, inviting, clean, intense, a hint of freshly cut grass and currant leaf
Clean, round, full of energy, uplifting, lemon, freshly cut grass, delicious.
8, outstanding.
This concludes our wine journey around the world. Well, of course, you can continue it on your own. And if you will find something tasty, please share it with the rest of us.
WMC21: Day 2 Highlights
We started the 2nd day of WMC21 with the breakout sessions, no keynotes. There were two sessions run in parallel, so you had to choose the topic which would be more of interest to you.
My first session, The Art of Storytelling for the Wine Industry, was presented by Jill Barth, a seasonal wine writer who writes for Forbes, Wine Enthusiast, Decanter, and other wine publications. Jill also won multiple awards (best wine blog 2016, Millessima wine and food pairing award, etc). Jill had a lot of good advice on how to build your story, what would make it a good story, how to pitch your story to the editors, and more.
Next, I listened to Scott Fish from 32 Digital, who was talking about taking your Instagram account to the next level. There were a lot of good information presented in the session – what are the best and worst times to post (it appears that Sunday is one of the worst days for the posts), how many tags to use, the optimal number of pictures in the gallery and so on. There were also some interesting tools recommendations, such as Answer To Public – a service that allows finding the most popular searches at the moment for a given keyword(s), all presented in an interesting format. You can see an example below of the search results for the keywords “red wine”.
You can definitely play with the tool, however, note that with the free search, you get a limited number of searches per IP address per day (I think 3 or 4), so play wisely.
Another interesting tool I learned about was Geolmgr which allows you to geotag your photos to a specific geographic location.
The next session, Digital Marketing for Wine Media, was presented by Mike Wangbickler, wine blogger, long-time WMC attendee, and owner of Balzac Communications agency. Mike started with some hard questions to the audience, such as “why do you have a wine blog” – it appears that literally no one had a wine blog to make money. Then Mike went on to talk about a plethora of tools available today to the bloggers in terms of SEO, content management, optimizing your delivery to your customer audience, and lots more.
After lunch, we had an excellent panel on Oregon sparkling wine. Before the session started we had an opportunity to taste three of the Oregon sparkling wines from the wineries participating in the panel. One of the wines was delicious sparkling Tannat from Troon Vineyards which we tasted on the first day. My other favorite was the 2017 Willamette Valley Vineyards Brut Sparkling Wine, which had all the classic Champagne traits – a touch of toasted bread on the nose, crisp, tight, and elegant on the palate.
The panel discussion was joined by Craig Camp, Troon Vineyard, Christine Clair, Willamette Valley Vineyards, Jessica Thomas, Sweet Cheeks Winery, and moderated by L.M. Archer.
It was a good discussion, starting with the history of sparkling wine in Oregon, and going through all the aspects of sparkling wine production. What was particularly interesting for me is a different approach to selecting the grapes for the sparkling wine. Willamette Valley Vineyards found out that one of the Chardonnay clones in the specific vineyard doesn’t perform well enough to be vinified into the still Chardonnay, but it happened to be well suited for the sparkling wine which requires much lesser ripeness. At the same time, the Sweet Cheek Winery harvests grapes for their sparkling wines from the same vineyard used for the still wine, but in the earlier pass, leaving the grapes for the still wines to ripen further.
Our next session was a wine discovery session where we had a choice of learning about Italian wines of Marche or Abruzzo – my choice was Marche, and we will talk about it in a separate post.
And then there were Lightning Talks. Lightning talks is an interesting concept. These are the sessions presented by fellow bloggers and wine writers. Each presenter submits a presentation with any number of slides, however, the slides change automatically and should be presented in exactly 5 minutes. This is the amount of time given to everyone – either you are done or not, but your time slot will stop exactly at 300 seconds. All the presenters did an excellent job – Gwendolyn Alley talked about being a cellar rat, Jeff Burrows spoke about starting your own blogging group, Brianne Cohen spoke about the virtual tasting business she started in 2020. My favorite talk though was the one presented by Steve Noel, who spoke about creative wine descriptors – I couldn’t stop laughing the whole 5 minutes while Steve was talking. While it will not be the same as Steve’s live presentation, he graciously allowed me to include his presentation in my post – you can find it here.
Our last session of the day, and essentially, the conference, was Wine Live Social for the red wines, which I already covered in this post.
Customary, the conference ends with the announcement of the next year’s location. Unfortunately, Zephyr folks, organizers of the conference, didn’t have a chance to work on securing the next location, as they had to operate with minimal staff, so the location will be announced later.
This was the end of the official conference, but you can probably imagine that we couldn’t let it go so easily, so after dinner, many of the attendees reconvened in the lobby to … yes, you guessed it – drink more wine and talk. There were lots of wines, but one particularly interesting for me was the 2009 Ranchita Canyon Vineyard Old Vine Cabernet Pfeffer – Cabernet Pfeffer is the grape I never tried before, and I recently saw it mentioned by someone, so it was definitely interesting to try. Not sure when this bottle was opened, so the wine was not super-enjoyable, but hey, I get to increase my grape count.
When I went to my room at around 2 am, there was still plenty of wine left, as you can see below. When I came out for breakfast the next morning, the foyer had no traces of wine bloggers partying all night.
There you are, my friends – if you missed the conference, I hope this gives you some idea as to what was going on there, and I hope next year it will be at the place and time good enough for all of us to get together.
I’m done with my report from the conference, but not with Oregon wines. I spent the next 4 days visiting wineries with Carl Giavanti, so as they say, watch this space…
Pleasures of the Obscure – New Discoveries
If you follow this blog for some time, you might (or might not) know that I identify as an obsessed wine geek. There is definitely more than one trait that would allow such an identification, so the particular one I want to talk about here is the love of obscure grapes.
I was bitten by The Wine Century Club bug more than 15 years ago, and since then I’m on the quest to seek the most unusual wines made from the most obscure grapes. The Wine Century Club offers to wine lovers a very simple proposition – for every 100 different grapes you taste, you get to the next level in the club. With more than 1,300 grapes used in wine production today, this shouldn’t be very difficult, shouldn’t it? Yet, of course, it is, as an absolute majority of the wines readily available today in the supermarkets, wine stores, and even from the wineries direct, are made from 50–60 mainstream grapes – the rest requires quite a bit of work of procuring as most of the wines made out of the rare grapes are produced in minuscule quantities and not sold anywhere outside of the immediate area of production.
So if finding those rare and unusual wines is that difficult, why bother you may ask? I can give you a few reasons. One – I can simply tell you that I tried 555 grapes at the time of writing this post, so it kind of “mine is bigger than yours” type of reason. Yep, lame. Let’s leave it.
The better reason is the fact that every bottle of wine made from grapes one never heard of before is an opportunity to experience great pleasure. The grape is unknown, so we have no expectations whatsoever. While drinking Cabernet Sauvignon, that simple little piece of information – the name of the grape you are well familiar with – has a tremendous effect on how you perceive the wine. The level of pleasure will depend on how well the particular wine matches your expectations. It might be the best ever for you in the blind tasting, but in the non-blind setting, you are instantly influenced by your prior experience and thus your level of pleasure is limited by your expectations.
When you pour yourself a glass of Bobal, Trepat, or Hondarrabi Zuri, you are presented with a blank canvas – you can draw any conclusions you want. You will decide if you like the wine not in comparison but simply based on what is in your glass and if it gives you pleasure, or not. Simple, straightforward, easy.
Here, let me share with you my latest encounter with obscure grapes.
Let’s start with the white wine – 2017 Paşaeli Yapincak Thrace Turkey (12% ABV, 100% Yapincak). Yapincak is a native variety of Şarköy – Tekirdağ region in Northern Turkey. The grapes for this wine, produced by Paşaeli winery in Turkey, come from the single vineyard located at about 500 feet elevation, 35 years old vines. Upon opening the wine showed some oxidative notes, I even thought it might be gone already. A few hours later, it cleared up, and presented itself as a medium to full-bodied wine, with fresh lemon and a touch of honey notes, crisp, fresh, easy to drink. This can be a food wine, but it doesn’t have to be, quite enjoyable on its own. (Drinkability: 8-/8)
My rare red wine was really a special experience, as it brought back really special memories. I got this 2014 Agricola Vallecamonica Somnium Vino Rosso (12.5% ABV, 100% Ciass Negher) 4 years ago, during a press trip to the beautiful region of Franciacorta. As we were the guests of the Franciacorta consortium, we were mainly focusing on the Franciacorta sparkling wines. During one of our lunches, I noticed this wine and had to bring it home, albeit only one bottle. This wine is made out of the ancient grape called Ciass Negher in the local dialect, used in the winemaking by the Romans about 2,000 years ago, and resuscitated by Alex Belingheri in his vineyards at Agricola Vallecamonica.
This wine was absolutely unique – as you would expect considering its rare pedigree. I perceived this wine as something in a middle between Pinot Noir and Chianti/Sangiovese. A touch of Pinot Noir’s sweetness, smoke, and violets, with the undertones of leather and tobacco, and a little funk. Each sip was begging for another – easy to drink, perfectly balanced, and delightful. If this would be my everyday wine, I would be perfectly happy about it. (Drinkability: 8+)
Here you are, my friends. The wine pleasures are everywhere – you just need to look for them.
Pleasures of Obscure: Enjoying the Journey
Many moons ago I got bit by the bug of collecting the … grape experiences. Back in 2007 or so, I discovered The Wine Century Club. The word “century” here is used for its exact meaning – a 100. In order to become a member of the Wine Century Club, one has to fill up the application and specify how many grape varieties he or she had tried – as soon as you hit the 100, you can send the application to the designated email address, and your membership certificate will be mailed to you.
The club works on the complete honor system, but there is a legend that if you will lie on your application, your palate will be cursed forever – I don’t know if anyone tried to play the system, but I definitely don’t want my palate to be cursed, so I never tried.
When I started this blog back in 2010, I was at the 200 grapes level – so-called Doppel. I carefully documented my journey to the 300 mark (a Treble Member) under the category of Treble Journey. Since that time I managed to reach the 500 level (called Pentavini) back in February of 2016 (exactly 4 years ago) – and this was the last post on the subject of The Wine Century Club – however, I continued documenting my “rare grape” discoveries throughout the posts (that is yet another category in here), and I still hope to reach the 600 mark (called Hexavini) in my lifetime, even though the process became considerably slower at this point. There are more than 1,300 grapes used in the winemaking today, but it doesn’t mean that wines made out of those grapes are readily available, easy to find, and inexpensive.
While reaching the highest possible number of grapes tasted is the goal, my main joy is in the journey itself. There are multiple fun aspects of that journey. First, you get to drink unique and different wines. When taking a sip of Kharkuna or Prunelart, you have no preconceived notions. You can’t say “ohh, it doesn’t taste like Cabernet”, because it is not Cabernet. You now have to decide if you like or don’t like this specific wine in your glass – you have nothing to compare it to and be disappointed by comparison (“ohh, this $30 Cabernet tastes like crap compared to $20 bottle I had last week”) – you have to make a simple, binary decision – 1. I like it. 2. I don’t like it.
Secondly, you get to play a part of the wine sleuth – you need to find information about the grape, you need to find out if Ull de Liebre is a new grape for you, or if it is simply another name for Tempranillo, and you need to verify and compare your sources – lots and lots of fun, I’m telling you.
Ultimately, the list of grapes you tasted is yours and only yours, and you have to make some decisions – for example, will you count clones or not? Is Sangiovese Grosso the same as Sangiovese? Is Ink de Toro identical to Tempranillo, or should it be considered a different grape? What are you going to do about all of the Pinot Noir clones, which many producers, especially the ones in Oregon, love to tell you about? The journey of every grape geek is unique and different – and fun.
As I mentioned before, my last post on the subject of The Wine Century Club was 4 years ago. At that time, my “grape count” which you can see on the top of the blog, was standing at 518. During these four years, I managed to add another 37 varieties, now reaching the 555 total.
Here is another interesting tidbit for you. Only a month ago, I managed to finally complete the original (!) Wine Century Club table, by adding Arvine Grosso (original table, which you can find on the top of the page here, had 184 varieties listed and had both Arvine and Petite Arvine) to the roster, so this was one of the triggers to this post.
I’m honestly not a hurry, I really enjoy this journey. I have another 3-4 wines made out of unique grape varieties, waiting to be open. Will I ever reach 600? I can’t tell. But I can tell you that I’m thoroughly enjoying each and every rare grape encounter – yes, you can call me a grape geek.
In case you are wondering, below is a full list of all 37 new rare grapes added to the collection over the past 4 years. Have you ever been bitten by the grape bug? Cheers!
Sequel in Reverse – More About Wines of Southwest France
What’s up with the “sequel in reverse”, you ask? Easy. All we need to do is flip the timeline. This post is a continuation of the previous post about wines of Southwest France – however, the tasting I want to share with you took place almost 6 months ago, at the end of the last year 2017, hence the “reverse” notion.
Outside of the sequence of the events, the two tastings are perfectly aligned – they are both squarely dedicated to the wines of one of the oldest wine-producing regions in the world – Southwest France.
I can’t explain why, but I feel that I need to make a confession. If you look through the pages of this blog – and there are a few here – I’m sure you will come to a conclusion that I primarily drink wines from California, Spain, and Italy, with an occasional sprinkle of everything else. And you will not be wrong. However, truth be told, my true love to wine started from French wines. I read the most about French wine and French wine regions. I was obsessed with trying to find an amazing Bordeaux for less than $10. Côtes du Rhône wines were a staple at the house. I spent countless hours in the France aisles of the wine stores (luckily, I was working in a close proximity of the Bottle King in New Jersey), looking for the next great experience with the wines from the Loire, Rhône, Bordeaux, Chablis, and others. French wines were “it” – unquestionably, a sacred territory. As the time was going by, and Bordeaux and Burgundy prices were going up faster than the weeds growing after the rain, the French wines moved mostly into a category of a rare encounter.
Last December was not the first time I participated in the virtual tasting about the French wines – but somehow, when I opened the box with these wines, something warm and fuzzy came over, and my first reaction was “ahh, I really, really want to drink these wines!”. There is nothing special about this particular set – no big names (I don’t believe Southwest France has much of “big names” anyway), no flashy, ultra-modern labels – and nevertheless, there was a promise of a great time in their simplicity and authenticity. These wines also perfectly played to my other “wine obsession” – the love to obscure and lesser-known wines, so altogether, I took a great pleasure in anticipation of the tasting.
As this was a virtual tasting, I had both the wines and time at my disposal, so unlike the previous post, here are my detailed notes in the usual format:
2016 Chateau Laulerie Bergerac AOC (12% ABV, $12, 85% Sayvignon Blanc, 15% Semillon)
C: Light gold
N: beautiful, fresh, medium+ intesnsity, honeysuckle, white flowers, peach
P: fresh, crisp, excelllent lemony acidity, white stone fruit, restrained
V: 8-, delicious, will be great with food and without, great QPR
2015 Domaine Elian Da Ros Abouriou Côtes du Marmandais AOC (12% ABV, $23.99, 90% Abouriou, 10% Merlot)
C: dark ruby
N: freshly chrushed berries, leafy notes, cherries, anis
P: ripe plums, sweet tobacco, eucalyptus, medium long sweet tobacco finish
V: 8-, would love to try it with an actual cigar. Needs a bit of time. And a new grape – Abouriou
2015 Domaine du Cros Marcillac AOP (12.5% ABV, $15.99, 100% Fer Servadou)
C: Ruby
N: earthy notes, mint, some medicinal notes (iodine?)
P: beautiful fresh pepper on the palate, tobacco, cherries – that pepper is delicious, love the wines like that
V: 8/8+, delicious, excellent QPR
2014 Château Lamartine Prestige du Malbec Cahors AOC (12.5% ABV, $17.99, 100% Cot (Malbec))
C: dark garnet
N: vegetative, tobacco, a touch of cherries
P: bright acidity, dark fruit, tart cherries and cherry pit, noticeable tannins.
V: 8-, pleasant, will work great with the steak, but needs time
2011 Château Bouscassé Grand Vin de Madiran (14.5% ABV, $17.95, 60% Tannat, 25% Cabernet Franc, 15% Cabernet Sauvignon)
C: dark garnet
N: eucalyptus, forest floor, a touch of eucalyptus,
P: initial tannins attach, pepper, dark round fruit, excellent extraction, layers of flavor, firm structure
V: 8+, outstanding, powerful, balanced, needs time!
The Southwest France wines are a treasure trove for the wine lovers – they capitalize on tremendous history, experience, unique terroir and unique grapes, offering oenophiles lots of pleasure in every sip. Look for the wines of Southwest France – and you can thank me later.
The Region Which Started It All
The wine had been made in the Southwest of France ( Sud-Ouest in French) almost forever – in terms of human life, 2,000+ years well classified as “forever”. The region is considered one of the “cradles of winemaking” in Europe, and it maintains its uniqueness and diversity today – for example, out of 300 grape varieties used in the winemaking in the region, 120 are not found anywhere else.
Of course, we know that winemaking started about 8,000 years ago, and not in the Southwest of France. So what’s up with “started it all” claim? Glad you asked! Let me explain.
We live in the times when the wine is a part of daily life of many. Drinking wine is a norm and normal, simply a part of the daily routine for many, not a luxury or a weird exception anymore. Yes, that’s how it was in Europe forever – but now I’m talking about the rest of the world, countries such the USA, and even China now heading that way. The demand for wine had been constantly increasing since the late 1990s, and even Great Recession of 2008 didn’t kill it (just shifted the “acceptable” price ranges). Is it all just a normal course of events? We can, of course, settle for this. However, I believe that on a deeper level, there are exact reasons, “tip the scale” moments for many things which seem to happen just on its own – however, sometimes it is not easy to identify those “reasons”.
Remember the impact of the movie Sideways on consumption and production of the Merlot in the USA? That movie was the reason for a huge slump after 2004, and production and interest to Merlot are still in the recovery mode even now, 14 years later.
Late in the 1980s, the world started talking about The French Paradox – French eat cheese and foie gras, cook with butter and duck fat daily, and nevertheless, the coronary disease rates are much less than in the countries with comparable living standards and much lesser fat consumption. Possible explanation? Red wine. French consume lots of red wine, and resveratrol, one of the prominent substances found in seeds and skins of the red grapes, acts as a defense against clogging of the arteries. That was the outcome of the extensive medical research study conducted in France, which became known in the world as French Paradox.
In 1991, CBS in the USA dedicated one of their popular programs, 60 Minutes, to the French Paradox, and you know how Americans are, right? We are always looking for an easy way out, so wine sounded like an easy enough cure, and I believe this became a pivotal moment which triggered a renewed interest in the wine. Almost 40 years later, it seems that the wine successfully keeps the momentum. And before you will attack me with all the facts from the latest research – yes, I’m aware of many articles pointing to the issues with the study. Whether French Paradox study conclusions were medically solid I have to leave to professionals to debate and decide on. But it was still that pivotal “tip the scale” moment which changed the perception of the wine for many in the world.
At this point, I’m sure you want to see the connection between the title, the Southwest of France, and the story of the French Paradox, right? Here it is. While attending the tasting of the wines of Southwest France, I was listening to the presentation by sommelier André Compeyre, who mentioned that Southwest France has the biggest number of centenarians in France and it was one of the main regions where the French Paradox study was conducted – here we go, now everything is connected and explained. Is it time for a glass of wine?
The tasting took place at the little store in New York called the French Cheese Board – what can be better than wine with a little cheese, right? Especially if both come from the same region, where they trained to live together for a few thousand years…
We started tasting with the sparkling wine, moved to the white and then red. As usual in such events, there was not enough time (and desire) for the formal notes, so below is the best I can offer. However, overall, the word is “outstanding” – the wines of Southwest France are well worth seeking – and you will not be disappointed.
NV Domaine du Moulin Mauzac Méthode Ancestrale Gaillac AOP (12% ABV, $15, 100% Mauzac) – very nice and simple. 7+
2017 Domaine du Tariquet Premières Grives Côtes de Gascogne IGP (11.5% ABV, $14, 100% Gros Manseng) – semi-sweet wine. It appears to be a traditional wine in the Southwest of France, which people are accustomed to drinking. It is possible that the wine was not cold enough when I tasted it, but I really didn’t appreciate it. If you like sweeter wines – this might be the one for you.
2016 Héritage Blanc Saint-Mont AOP (13% ABV, blend of Gros Manseng, Petit Courbu, Arrufiac) – excellent, bright, crisp, but very complex and thought-provoking. A touch of grass, vanilla, ta ouch of honey on the palate, green apples, wow. Excellent acidity. Great complexity. 8. And let’s not forget 2 new grapes – Petit Courbu and Arrufiac
2017 Domaine de Joy l’Eclat Côtes de Gascogne AOP (12% ABV, $7, blend of Colombard, Ugni Blanc, Gros Manseng and Sauvignon Blanc) – crisp, clean, superb. 8
2012 Château de Haute Serre Cahors AOP (13.5% ABV, $22) – superb, ripe berries, blueberries, round, delicious, acidity, vanilla, the backbone of minerality. 8+
2012 Château Montus Madiran AOP (15% ABV, $32.99, blend of Tannat and Cabernet Sauvignon) – smoke, campfire, tobacco, great concentration, powerful, excellent, great acidity, outstanding. 8
2011 Jean-Luc Baldès Triguedina Clos Triguedina Cahors AOP (14.5% ABV, $40, 85% Malbec, 10% Merlot, 5% Tannat, 12 months in oak) – touch of barnyard on the nose, delicious fruit, ta ouch of funkiness on the palate, great acidity. 8
2015 Domaine de Terrisses Terre Originelle Gaillac AOP (13% ABV, $16, blend of Braucol (Fer) and Prunelart) – beautiful Cabernet nose, crisp, cassis, Bordeaux style -outstanding. 8. and a new grape – Prunelart
2015 Réserve Bélingard Côtes de Bergerac AOP ($15, 50% Cabernet Sauvignon, 50% Merlot) – beautiful, warm nose, vanilla, cassis, beautiful, soft. 8
2013 Chateau Peyros Vieilles Vignes Madiran AOP (13% ABV, $18, 80% Tannat, 20% Cabernet Franc) – excellent, soft. 8-
2017 Domaine de Joy l’Eclat Côtes de Gascogne AOP (12% ABV, $7, blend of Colombard, Ugni Blanc, Gros Manseng and Sauvignon Blanc) – crisp, clean, superb. 8
In addition tot he wines, we had an opportunity to indulge on the local cheeses of Southwest France – Ossau Iraty, Buche de Lucay, Bethmale Chèvre, Chabichou, Valencay, and Comté. Sorry, I’m not going to give you any individual notes, but all the cheese were superb. If you are like me and accustomed to the Comté cheese from Costco – that Comté in the tasting was the whole different game (go visit the store and taste, you don’t have to believe me).
There you go, my friends. Have you had wines of Southwest France lately? Any favorites you want to mention? Let’s raise the glass to many happy wine discoveries – and some red wine as a solution to all our problems. Cheers!
Hold The Pizza – I Just Want The Wine: Masciarelli Villa Gemma
At the age of 20, Gianni Masciarelli was helping with the harvest in Champagne. At the age of 26, in 1981, he started making his own wines in the Italian region called Abruzzo. 1984 was the first release of the Villa Gemma Rosso wine, truly a different take on the Montepulciano wines.
Montepulciano is the main grape of Abruzzo (not to be confused with Montepulciano in Tuscany, which is the name of the village where the wines are made from Sangiovese grape). Late in the 20th century, Montepulciano d’Abruzzo became one of the most exported Italian wines – it was dry, it was simple, it was quaffable and, of course, good for pizza.
Gianni Masciarelli had his own, pioneer view on how the Montepulciano wines should be made. He introduced the Guyot training system for the vines in Abruzzo. He was the first to start using French oak barrels in the production of Montepulciano d’Abruzzo and Trebbiano d’Abruzzo, showing the world that Montepulciano can go way beyond just a “pizza wine” qualities. Today, Masciarelli estates are run by Marina Cvetic Masciarelli, late wife of Gianni Masciarelli; the vineyards spawn 350 acres and produce about 1.1M bottles of wine across 5 different lines.
Recently, I had an opportunity to taste a few of the wines from the Villa Gemma line, and here are my notes:
2016 Masciarelli Villa Gemma Blanco Colline Teatine IGT (13% ABV, $17.99, 80% Trebbiano d’Abruzzo, 15% Cococciola, 5% Chardonnay)
C: light golden
N: a touch of fresh grass, a hint of white stone fruit, a hint of gunflint, medium intensity
P: crisp, refreshing, crunchy, touch of lemon, slightly underripe peaches, very clean, medium finish
V: 8-, craving food, excellent overall. Trebbiano d’Abruzzo and Cococciola also extended my grape hunting collection
2016 Masciarelli Villa Gemma Cerasuolo D’Abruzzo DOC (13.5% ABV, $14.99, 100% Montepulciano)
C: intense, ripe strawberry pink
N: pure strawberries, fresh, succulent strawberries
P: fresh, tart, restrained, lightweight, clean strawberry profile, good overall balance
V: 8, simply delightful. An excellent Rosé for any time of the year
2007 Masciarelli Villa Gemma Montepulciano D’Abruzzo DOC (14.5% ABV, $89.99, 100% Montepulciano, aged 18-24 months in oak barriques, total 36 months))
C: Dark garnet
N: fresh cherries, anis, mint, blackberries
P: soft, generous, round, fresh acidity, touch of leather, cherries and cherry pit, generous tannins on the finish.
V: 8, excellent wine, unmistakably Italian, supremely delicious.
These wines were absolutely delicious in their own right. I seriously don’t know about pizza – you can probably pair anything with pizza, from two buck chuck to the Screaming Eagle and Petrus – but you really don’t have to. These three wines from Masciarelli Villa Gemma would perfectly complement any dinner – appetizers, salads, and mains – these wines pack a serious amount of pleasure. Don’t take my word for it – try them for yourself. The pizza is entirely optional. Cheers!
Last Bottle Sign Up ($10 credit)
Talk-A-Vino 