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Procrastination and Carménère
Let me quickly put you at ease – procrastination has nothing to do with Carménère. Unfortunately, it has to do with yours truly, and this blog been behind on the content for years.
It happens a lot more often than I would even want to admit to myself – I attend a great tasting or an exciting dinner with the winemakers. I would typically leave the event excited and with lots of ideas for the post. I would start writing and envisioning that post in my head for the next day, two, five, ten… One out of five will probably make it onto these pages, and the rest will continue playing in the head until it will convert into permanent guilt. I would look at my blog to-do list and feel that pain of unaccomplished over and over again. Sometimes, I would break through and write that long overdue post – and sometimes, you just accept that guilt, you know…
How far back it would be appropriate to go for some untimely post? If you know, please tell me. This is the wine we are talking about – who knows what vintages people hold? As long as I have the notes, it is all good, right. Feel free to disagree, but I’m going three years back today, to experience again some tasty Carménère…
As I wrote a post about my recent experience with the world-class TerraNoble Carménère line, I recalled the Carménère tasting which was organized three years ago by Snooth (I wrote about many Snooth tastings in the past, but somehow managed to miss this one). In the tasting, we heard from 7 producers and tried their Carménère wines. For what it worth now, three years later, here are my notes:
2015 Viña Casa Silva Cuvee Colchagua Carmenere Colchagua Valley (14% ABV, $15, blend of grapes from Casa Silva’s Los Lingues vineyard in the Andes and the Lolol vineyard in the Costa zone, 8 months in French oak)
Dark garnet color, restrained nose, herbal nose, mineral notes, granite. On the palate, tobacco, nicely restrained, earthy, herbal, good acidity, dark fruit. Overall, nice. Needs time. Pioneer of Carmenere in Colchagua, started in 1892. Carmenere overall started in Colchagua
2015 Siegel Single Vineyard Los Lingues Carmenere Colchagua Valley (14% ABV, $28.99, 8 months in French oak)
dark garnet, inky, color. Herbal in your face on the nose, pure currant, rutherford dust. Very concentrated on the palate, lots of oak, restrained. Needs time.
2014 Viña Carmen Gran Reserva Carmenere Colchagua Valley (14% ABV, $15, 90% Carmenere, 7% Carignan and 3% Petite Verdot, aged 10 months in French oak barrels, 2 months in the bottle)
The oldest winery in Chile, founded in 1850. Practically black in color. Chocolate, coffee on the nose, sage, dark fruit. Open on the palate, sweet cherries, tobacco, perfectly balanced. Round, delicious. Best of tasting so far.
2015 Viña Requingua Toro De Piedra Carmenere Gran Reserva Maule Valley (14% ABV, $15, 12 months in French and American oak barrels)
Dark garnet color, herbal, funky nose, forest underfloor. Round on the palate, fresh herbal notes, sage, sweet cherries, blackberries. Good balance, very approachable.
2012 Valdivieso Single Vineyard Carmenere Valle de Peumo ($23, 12 months in French oak barrels, 35% new)
Almost black in color. Dark concentrated nose, currant leaves, very herbaceous, a touch of pepper. Sweet fruit on the palate. I can’t decide if this wine is corked on not. The nose says corked, palate says not. Need to give it a bit of time.
2014 Viña Ventisquero Grey Single Block Carmenere Trinidad Vineyard Maipo Valley (14% ABV, $22, aged for 18 months in French oak barrels, 34% new and 66% second and third use, 8 months in the bottle)
Practically black in color. Interesting nose, a touch of cabbage stew on the nose (in a good sense), funky nose, meaty. The palate follows on, beautiful pepper, black currant, delicious. Another favorite of the tasting.
2013 Valdivieso Caballo Loco Grand Cru Apalta Colchagua Valley ($35, 55% Carmenere, 45% Cabernet Sauvignon, aged 18 months in 100% French oak casks)
BAB, dark garnet color. Touch of funk on the nose, mocha, dark chocolate, touch of herbal notes. Delicious palate – pepper, tobacco, black currant, herb garden, clean acidity. Best of tasting overall.
I definitely find this interesting how 4 of the TerraNoble Carménère wines were all at the top of the game, and as you can tell from my notes here, many of these Carménère wines still have ways to go. But – unquestionably, Chile takes its star grape seriously, and there is a lot for us, winelovers, to enjoy, now and in the future.
With this post I also get to reduce my feeling of guilt, if at least by a hair – but I’m still happy. I hope I deserve another glass. No matter, I’m going to pour it anyway. Cheers!
Carménère – Lost, Found, Evolved, Delightful
According to the 2012 edition of the famous Wine Grapes book (written by Jancis Robinson, Julia Harding, and Dr. José Vouillamoz), there are 1368 grapes used in winemaking. It would be a safe bet to say that each one of those grapes has its own story. Of course, not all of those stories would be dramatic and exciting, but I’m sure some would read as a good detective story, probably without much of the shootouts.
Carménère is a perfect candidate for such a story. When Bordeaux ruled the wine world – which would be in the middle of 1800th – Carménère (which translates from French as crimson, identifying a beautiful color of the grapes) was one of the “big six” Bordeaux varieties, comprising all of the Bordeaux wines – Cabernet Sauvignon, Cabernet Franc, Merlot, Malbec, Petite Verdot, and Carménère. Carménère is related to Cabernet grapes, but historically it is not very clear if Carménère was some type of clone of Cabernet, or if it was the other way around.
The phylloxera epidemic of 1867 put a damper on all the wine production in France and forced vignerons to replant all of the vines on the Phylloxera-resistant rootstock. Carménère is not an easy grape to grow in the Bordeaux climate, and it was pretty much abandoned and considered extinct at the beginning of the 20th century.
Meanwhile, in 1850th, immigrants brought many of the French grapes with them to Chile, where the grapes started to strive in the warm and dry climate offered by the Andes mountains. In 1980th, Merlot became a star of Chilean winemaking, abundantly producing inexpensive wines that became well known in the world. It was noticed that the taste of the Chilean Merlot differs from the traditional Merlot and that Merlot was considered to be a Chilean-specific clone. Or at least it was until 1994 when visiting French scientist, Jean Boursiquot noticed that Chilean Merlot has different leaves and grape clusters from the traditional Merlot, and was able to show that this was not the Merlot, but long-extinct Carménère, which successfully made it to Chile in the 1850s with all the Bordeaux grape cuttings.
From that time, Carménère went on to become Chile’s own star grape, and answer to another French variety, Malbec, which Argentina made its own. As Phylloxera never made it to Chile, Chilean Carménère was even brought back to France, but it is not an easy grape to deal with, so it never regained its past glory in Bordeaux.
TerraNoble winery (Terra Noble means “Noble Land”), was founded in 1993 by a group of friends. From the beginning, TerraNoble focus was on producing high-end wines in Maule Valley, and the winery quickly established itself as a boutique producer of Chilean Merlot. After Chilean Merlot was identified as Carménère, TerraNoble continued focusing on the variety.
TerraNoble sustainably (certified sustainable since 2019) farms today about 750 acres, which comprises 4 vineyards in Maule Valley, Colchagua Valley, and Casablanca Valley. The winery produces a full range of wines you would expect a Chilean winery to produce – Chardonnay, Sauvignon Blanc, Cabernet Sauvignon, Merlot, Syrah – but Carménère is unquestionably the darling of TerraNoble, as presented by Marcelo Garcia, TerraNoble’s winemaker, during the virtual tasting a few weeks back.
While browsing Sotheby’s New Wine Encyclopedia by Tom Stevenson, I came across a small insert about Chilean Carménère, where it was mentioned that Carménère is site-specific to the extreme – you need to work hard to find the right location for Carménère to vines to deliver the best result. TerraNoble approach to Carménère is based exactly on this notion – site-specific Carménère wines. As we mentioned before, Carménère is a close relative of the core Bordeaux varieties – Cabernet and Merlot and has a similar taste profile as well. It is similar, but not the same, obviously. A typical Carménère has a much higher concentration of the aroma compound called pyrazines, which is often associated with the pronounced taste of the green bell pepper – here is a good article that explains pyrazines in depth. Green pepper is good for cooking and the salad, but probably not so much in wine. Also, when left unsupervised, Carménère has a tendency to develop a high concentration of the tannins. While someone might enjoy a big powerful wine with pronounced green bell pepper aromatics and powerful tannin structure, the appeal is not universal and this is what Chilean winemakers had to deal with.
TerraNoble CA project vineyards. Source: TerraNoble
In 1998, TerraNoble released Gran Reserva Carménère to the international markets. The grapes for this wine were coming from the La Higuera Vineyard in Maule Valley, near San Clemente. This wine still remains the winery’s flagship. I had been a fan of TerraNoble wines for a long time, after discovering them back in 2004. To the best of my memory, 2003 TerraNoble Carménère Gran Reserva was quite enjoyable, but I don’t have any detailed notes in that regard.
Following its Carménère calling, TerraNoble planted two new Carménère vineyards in Colchagua Valley – in 2004, Los Cactus Vineyard, about 25 miles from the coast, and in 2005, Los Lingues Vineyard, about 35 miles further inland, on the outskirts of Andes mountains. These two vineyards became a home to the special project called CA – producing two 100% Carménère wines using absolutely identical vinification at the winery, different only in the source of the grapes – CA1 from the Andes, and CA2 from the coast. The first wines in the CA project were released in 2009.
The goal of the project was to showcase the capabilities of Carménère grapes. With winemaking techniques identical for both wines, different taste profiles were only influenced by the different growing conditions, the terroir – soil and climate most of anything. How different are the wines? We had an opportunity to taste a few of the CA project wines, and they were demonstrably different. Here are my notes from the tasting.
We started with the tasting of the flagship Carménère
2017 TerraNoble Carmenere Gran Reserva Maule Valley, Chile (14% ABV, $18.99, aged 75% in previously used French oak barrels, 25% in untoasted casks, 6 months in the bottle)
Dark garnet
Currant leaves, blackberries
Bright red fruit, good acidity, soft, easy to drink, medium body, medium finish.
8-, nicely approachable from the get-go. 8 after a few hours.
Then we had an opportunity to compare two of the vintages of CA1 wines (from the Andes), and then CA1 and CA2 from the same vintage – again, you can see how different the wines are:
2016 TerraNoble CA1 Carmenere Andes Valle de Colchagua, Chile (14% ABV, $24.99, aged 85% in new and twice used French oak barrels, 15% in untoasted oak casks for 14 months, 12 months in the bottle)
dark garnet
touch of barnyard, dark fruit
black currant, a touch of bell peppers, noticeable french oak tannins, peppery, chewy tannins, big body
7+/8- initially, 8 after a few hours. Excellent, powerful wine.
2017 TerraNoble CA1 Carmenere Andes Valle de Colchagua, Chile (14% ABV, $24.99, aged 85% in new and twice used French oak barrels, 15% in untoasted oak casks for 14 months, 12 months in the bottle)
dark garnet
tobacco, currant leaves, pepper, dense and concentrated
good acidity, peppery notes, blackberries, concentrated
7+/8- initially, 8 in a few hours. Delicious.
2017 TerraNoble CA2 Carmenere Costa Valle de Colchagua, Chile (14% ABV, $24.99 aged 85% in new and twice used French oak barrels, 15% in untoasted oak casks for 14 months, 12 months in the bottle)
dark garnet
currant more noticeable
softer than the previous wine, but showing more of the green notes. black currant
7+/8- initially, 8 in a few hours.
We finished our tasting with a somewhat unexpected wine – Carignan. Carignan is another ancient French grape, this one coming from Rhône valley. Chile has very old Carignan vineyards (some are 120+ years old), however, for the longest time, Carignan was used by the farmers to make very strong, but not really drinkable alcohol. Carignan’s popularity started increasing around 2000. Another interesting fact about Carignan is that it is mostly growing in the small (and old) vineyards, where the vineyards became a part of a natural biodiverse habitat, which includes other plants and animals.
TerraNoble Carignan grapes were sourced from the vineyard planted in 1958 in Maule Valley close to the ocean, using dry farming. The wine was partially aged in the concrete eggs.
2018 TerraNoble Carignan Gran Reserva Melozal, Maule Valley, Chile (13.5% ABV, $18.99, aged 50% in concrete egg, 50% in untoasted oak casks, 6 months in the bottle)
Dark Ruby
touch of licorice, distant hint of candied fruit
tart fresh cherries, good acidity, medium body, simple, easy, and pleasant. Might be a summer quaffer
7+
Here you are, my friends – TerraNoble tells the story of modern-day Chilean Carménère. The evolution of the Carménère wines is still ongoing, with TerraNoble winemakers starting to experiment with concrete eggs and amphorae, and who knows what else is coming to push the grape which Chile made its own even further. One thing for sure – winelovers are in for lots of pleasure.
A Quick Trip To Chile
Have wine, will travel.
Today our destination is Chile. As our travel is virtual, we need to decide on the wine which will help us to get to Chile, hence the question to you – what wine would you associate with Chile?
If you would ask me this question about 20 years ago, my answer would be quick – Cabernet Sauvignon. Chilean Cabernet Sauvignon has an unmistakable personality with a core of bell pepper – one sip, and you know where you are heading. Then, of course, you got the Carménère – the mysterious grape of Chile, long mistaken for Merlot – for a long time, Carménère was considered the ultimate Chilean grape, its unique flagship.
How about white wine? Again – 20 years ago, it would be a Chardonnay. Actually, that would be for no specific reason outside of remembering the shelves of the wine store full of Concha y Toro Chardonnay right by the entrance to the store – the most imported wine brand at a time. Unlike Cabernet Sauvignon, that Chardonnay was not particularly recognizable or memorable.
About 5 years ago, I started running into the wines which I never associated with Chile before. When I was offered to try the Chilean Pinot Noir, to say that I was skeptical would be an understatement – yep, I didn’t believe that Chilean Pinot Noir is a “thing”. Those first tastings made me believe that Pinot Noir is possible in Chile – but they were not at the level to really make me a convert. Yet.
And then, of course, Chilean Sauvignon Blanc – exuberant wine, nothing subtle about it – bright grapefruit, tons of freshly cut grass and crips lemon – very un-Sancerre. Chilean Sauvignon Blanc is truly a polarizing wine, not any less than New Zealand Sauvignon Blanc – both categories have plenty of haters. But let me not get on the tangent here.
A few days ago I was offered a sample of Chilean wines I never heard of before – Kalfu, Sauvignon Blanc and Pinot Noir. I’m always happy to expand my wine universe, so yes, please. This happened to be a wise decision.
Kalfu is a project by Viña Ventisquero, focused on showcasing cool climate coastal wines. In case you are wondering, as I did, what Kalfu means, here is what the website says: “Kalfu means “Blue” in Mapudungun, the language of the aboriginal Mapuche people of the region. It represents the color that provides a myriad of sensations: blue, like the Pacific Ocean’s intense blue; and blue, like the free sky, acting as an accomplice of and witness to the mysterious origins of life.”
Under Kalfu, there are three lines of wines, representing different regions – Molu from Casablanca Valley, Kuda from Leyda Valley, and Sumpai from Huasco – Atacama Desert, all three names representing different sea creatures. As the wines I tasted were from the Kuda line, let me tell you what Kuda means, again taking from the web site: “Kuda – in the case of the seahorse or hippocampus, the female lays her eggs and then the male takes care of them until the new seahorses emerge fully developed. Unlike other sea creatures, sea horses are delicate and unique, so they need to be cherished. ”
The wines were, in a word, beautiful. And maybe even surprising.
2018 Kalfu Kuda Sauvignon Blanc Leyda Valley (12.5% ABV, $19) was currant-forward. It didn’t really have the characteristic fresh grass, nor grapefruit – it had fresh black currant leaves and loads of Meyer lemon. It was a well present wine without going overboard, with a perfect balance of fruit and acidity. And yes, every sip wanted you to take another one. Drinkability: 8+
2017 Kalfu Kuda Pinot Noir Leyda Valley (14% ABV, $19) was even more surprising. For this wine, I can use two words. Frist would be finesse. The second word – Burgundian. The wine offered smoke, black cherries, violet, a touch of pencil shavings, good minerality – nothing over the top, none of the extra sweetness, but perfect, elegant balance. For $19, this is lots and lots of wine. Drinkability: 8+/9-
Here you are, my friends. Two beautiful wines worth seeking. And now I have my new favorite Pinot Noir which I will be happy to drink at any time. Where did you travel lately? Cheers!
From $5 to $95
Taste of the wine is subjective. This is a very simple statement, but it is important to keep it in mind. It really helps to avoid disappointment, when, for example, you tell your friend that the wine is amazing, and your friend politely explains that “ahh, sorry, this is really not my thing”. This is also why all the ratings and medals simply mean that someone liked the wine – but they don’t offer any guarantee that you will like the wine too.
Not only the taste of the wine is “objectively subjective” (hope this makes sense to you), but it is also easily influenced (blind tasting is the only way to remove all the external influences and leave you one on one with the wine). There are many factors which influence the taste – bottle appearance, label, ratings, medals, friends and store clerks recommendations, and maybe most importantly, price.
Think about how you buy a bottle of wine as a present for someone. You would typically set yourself a price limit, and you will do your best not to exceed it. Let’s say you decided to spend $30 on a bottle. But what happens if the store’s employee would recommend you a bottle of wine at $15, saying also that the $15 bottle is equally good or even better than the one for $32 you hold in your hand. What will be your first thought? I bet your brain will say “ohh, this is too cheap! You can’t do this, take the one for $32!”.
It is obvious that price affects your buying decision. But the price is even more influential when you start drinking the wine, as the price sets the expectations. Feel free to tell me how wrong I am, but I’m willing to bet that you expect $10 bottle of wine to be mediocre, and you will be ultra-excited faced with the glass of $100 wine. The fun part about $10 bottle is that there is a great chance for a pleasant surprise. The sad part about the $100 bottle that there is a chance of a great disappointment. The best thing to do is to keep your expectations at bay and simply taste the wine and decide whether you like it or not – but this is usually easier said than done. Oh well, just keep working on it.
The message I’m trying to convey with all this pricing/influencing talk can be summarized like this: tasty wines exist at all price ranges. You can enjoy the wine for $5, and you can enjoy the wine for $95. Will you enjoy them equally? This is a tough question only you can answer. But let me share with you my experience with the wines from $5 to $95 which I tasted throughout this year – and then we can compare notes later on. Here we go:
Under $10:
2016 San Pedro Gato Negro Pinot Noir Valle Central DO Chile (13.5% ABV, $4.99)
Garnet
Characteristic Pinot Noir cherries and lavender on the nose, medium intensity
Simple, light, touch of tart cherries, baking spice, good acidity, overall not weary powerful, but offers lots of pleasure.
7+, simple but very nice glass of wine, and an amazing value.
2016 San Pedro 9 Lives Cabernet Sauvignon Reserve Chile (13.5% ABV, $9.99)
Garnet
Tobacco and cat pee
Pretty tannic, with some fruit notes hiding behind.
Not very good from the get-go.
After 3 days open – dramatic change, raspberries and blackberries on the palate, ripe fruit, good acidity, eucalyptus notes, medium body – very nice. Truly needed time ( even 2 days was not enough).
8- after 3 days.
Under $20:
2014 Domaine du Raifault Cuvée Tradition Chinon AOC (13% ABV, $17)
Bright Ruby color
Tobacco and cassis on the nose, bright and explicit
The same continues on the palate – cassis, tobacco, perfect acidity, bright, soft, round, delicious.
9, I can drink this wine any day, every day. Superb. This is the Cab Franc I want to drink.
2014 San Marzano Talò Salice Salentino DOP (13% ABV, $16.99, 85% Negroamaro, 15% Malvasia Nera, 6 months in French oak)
Dark garnet
Cherries, leather, earthy notes, granite, fresh, open, inviting
Ripe cherries, vanilla, toasted brioche, sweet tobacco, succulent, open, fresh acidity, medium+ body, excellent balance
8-/8, perfect from the get go
8+ on the second and next 3 days – lots of chewy dark fruit, generous, voluptuous, outstanding.
Under $40:
2013 Xavier Flouret Kavalier Riesling Kabinett Trocken Mosel (11% ABV, $25)
Bright Golden color
A touch of honey, lots of tropical fruit – guava, mango, white flowers, intense, pleasant
Cut trough acidity, lemon, green pineapple, intense minerality, excellent
8, great Riesling as it should be – I want to try it in 10 years.
2015 Markham Vineyards Merlot Napa Valley (14.5% ABV, $27, 86% Merlot, 12% Cabernet Sauvignon, 2% Petite Sirah, 15 months in barrel)
Dark garnet
Muted nose, a touch of blackberries, right, mint, minerality
The palate is also restrained, tart dark fruit, good structure, good acidity
8-, needs time.
2013 Attems Cicinis Sauvignon Blanc Collio DOC (13.5% ABV, $30, 8 months in French oak Barriques and 2 months in the bottle)
Light golden
Minerality driven nose, with a touch of truffle and sweet sage
Medium body, crisp, firm, excellent acidity but overall nice plumpness, savory lemon, crisp finish
Drinkability: 8, I would gladly drink it again any time
Above $40:
2013 Frescobaldi Castello Nipozzano Montesodi Toscana IGT (13.5% ABV, $44, 18 months in oak, 6 months in the bottle)
Garnet color
Leather, forest floor, minerality, cedar, medium+ intensity
A touch of smoke, tart cherries, tobacco, clean acidity, well integrated.
8, delicious from the get-go. Excellent aging potential.
2014 Domaine Ostertag Muenchberg Riesling Alsace Grand Cru Contrôlée (14% ABV, $50)
Light golden
Rich, intense, tropical fruit, guava, pineapple, distant hint of petrol
Delicious palate, a touch of honey and hazelnut, good acidity and tons of minerality. This is minerality driven wine right now, which will evolve into a total beauty over the next 10 years.
8, excellent.
2014 Luce Della Vite Toscana IGP (14.5% ABV, $95, Sangiovese/Merlot, 24 months in French oak)
Dark garnet
Pungent, dark chocolate, truffles, licorice
From the get-go, super gripping tannins. A little bit of dark fruit is immediately displaced by the tannins. Based on the initial sensation, lots of French oak.
Not drinkable from the get-go. Needs time.
3 days later – superb. Succulent cherries, firm structure, a touch of leather and tobacco, unmistakably Italian, and unmistakable super-Tuscan. Great acidity.
8+
As you can tell, I was equally struggling with the wines at $10 and $95, and my most favorite wine from the group was a mere $17 wine – but overall, there were no bad wines in this group. How do you see the prices of wine? How influential are prices when you buy the wine and when you drink it? Cheers!
Quick Trip Around The World
Travel might be the biggest joy of human existence. Okay, if not the biggest, it is still one of the most essential ones. Travel leads to new experiences – and experiences are the moments which comprise our lives. I’m sure the joy of travel is not universal, but I’m equally sure that it actually is for the majority of the readers of this blog (hoping that there is at least someone reading it?).
Travel typically requires two things – resources and preparation. Heck, with unlimited resources you need no preparation – you can finish your work day, say “I feel like dining at Le Cinq tomorrow”, have your limo take you directly to the airport and off you go. For many of us, this would be just a scene from the movies – which doesn’t make it impossible, right?
For most of us, successful and happy travel would require a bit more effort – find the deal on the airfare, find the deal on the hotel, find out that your passport expired just a week before you need to get on the flight, then listen to the boss complaining that you are leaving without finishing all your important tasks, finally, throwing everything you need but mostly what you don’t into the suitcase 30 minutes before leaving for the airport and starting your so long anticipated travel totally exhausted. More or less, this is the picture, right?
Then every once in a while, there is something even the unlimited funds can’t buy. Time, I’m talking about. When you finish work at 6 in New York, there is no way to be in Madrid in time for dinner. This is where you need a magic trick – and I can offer you one. Actually, you don’t need any magic to travel instantly to many different places – all you need is … well, I’m sure you know it is coming … yes, all you need is wine. The wine has this capacity. Once you look at the label and see it says France, Spain or California, your imagination can easily do the rest. A well-made wine has a sense of place, so once you take a sip, you are instantly transported to the place where wine was made. And if you ever visited the winery or the region where the wine came from, I’m sure you can be instantly overwhelmed with the emotions and memories. No, it is not the same as simply been there, but I’m sure it will still do the trick.
Bierzo, Spain. Source: Bodegas Godelia website
Let’s take wine and let’s travel – how about a quick trip around the world? Let’s start in Spain, in the region called Bierzo, located in the North East part of Spain, close to the Portuguese border. As with many places in the old world, the viticulture originated in the region in the times of the Roman empire. Today, Bierzo is best known for the red wines made out of the grape called Mencía, and Godello and Doña Blanca are the two primary white grapes in the region. Bierzo is known for its special microclimate, conducive for the grape growing, which can be characterized as the continental climate with ocean influence. Bierzo has today about 2,000 grape growers, 75 wineries, and produced about 9 million bottles of wine in 2017.
Two wines I want to offer to your attention come from the Bodegas Godelia, about 86 acres estate in Bierzo. The winery was created in 2009, however, their vineyards are much older, from 20 to 90 years old, depending on the grapes, and located at the altitudes of 1,600 to 2,000 feet.
2015 Bodegas Godelia Blanco Bierza DO (13.5% ABV, $17, 80% Godello, 20% Doña Blanca)
C: light golden
N: intense, pear, guava,
P: lemon, honeysuckle, crisp acidity, medium + body, delicious
V: 8-
2012 Bodegas Godelia Mencia Bierzo DO (14.5% ABV, $19, 12 months in oak)
C: dark garnet, almost black
N: warm, inviting, medium+ intensity, a touch of barnyard, spices
P: cherries, baking spices, medium body, violets
V: 7+ on the 2nd day, needs time. Mencia is known to produce massive, chewy wines, so this wine is no exception. 6 years of age is nothing for this wine – it might start opening up after at least another 6.
Hills of Tuscany. Source: Barone Ricasoli website
Where should we go after Spain? How about Italy? Let’s visit Tuscany, where 2015 vintage was simply outstanding. Of course, Tuscany is best known for its Chianti wine. At the heart of the Chianti region lays a much smaller region called Chianti Classico – this is where the Chianti wines historically originated from. Inside Chianti Classico, let’s look for the winery called Barone Ricasoli – one of the very first producers in the region, taking its history since 1141. Barone Ricasoli property has a grand looking castle, where some of the stones are still original since 1141, 600 acres of vineyards and 65 acres of olive trees. While Barone Ricasoli is mostly known for the reds, they also produce a few of the white wines, a Rosato, grappa, and of course, the olive oil.
I want to offer you two of the classic Chianti wines from the Chianti Classico area (pun intended):
2015 Barone Ricasoli Brolio Chianti Classico DOCG (13.5% ABV, $18, 80% Sangiovese, 15% Merlot, 5% Cabernet Sauvignon)
C: Garnet
N: Tar, leather, sandalwood, tart cherries
P: Tart cherries, plums, clean acidity, sage, a touch of tobacco, medium plus body, good structure.
V: 8, was excellent from the get-go, got more complexity on the second day.
2015 Barone Ricasoli Brolio Chianti Classico Riserva DOCG (14% ABV, $23, 80% Sangiovese, 15% Merlot, 5% Cabernet Sauvignon)
C: Dark garnet
N: Cherry, Sage, Rosemary, leather, medium plus intensity.
P: Supple berries, tart cherries, firm structure, young tannins, a touch of tobacco, good acidity, tannins on the finish
V: 8, great potential. Right now needs food. While perfectly drinkable now, with time will become a truly delicious sip.
Languedoc. Source: Languedoc-wines.com
We need to complete our old world portion of the tour, so I think the stop in France is a must. How about a quick visit with Paul Mas in Languedoc? Languedoc is the largest wine producing region in France, located in the south, producing a tremendous range of white, sparkling, Rosé and, for the most part, red wines. Domaines Paul Mas is one of my favorite producers I have written about many times. What I love about the wines of Domaines Paul Mas is that you literally can’t go wrong with any of the wines produced at the domain – Sparkling, Rosé, white or reds. Not only the wines taste great, but they are also priced very reasonably – Paul Mas wines saved my wallet at the restaurants on multiple occasions, so they definitely deserve some respect. Here are the wines I want to bring to your attention:
2016 Paul Mas Estate Single Vineyard Collection Chardonnay Saint Hilaire Vineyard Pays d’Oc (13.5% ABV, $12.99)
C: Light golden color
N: Meyer lemon aromatics, hint of white peach, Bosc pear
P: Crisp, tart lemon on the palate, ripe Granny Smith apples, clean, refreshing. Good mid-palate presence, medium finish.
V: 8-, very good.
2016 Paul Mas Estate Single Vineyard Collection Pinot Noir Saint Hilaire Vineyard Pays d’Oc (13.5% ABV, $12.99)
C: Dark ruby
N: Fresh raspberries and cherries on the nose
P: Soft, supple, fresh berries, crisp, fresh, perfect acidity, excellent
V: 7+/8-
2016 Paul Mas Estate Single Vineyard Collection Malbec Saint Hilaire Vineyard Pays d’Oc (13.5% ABV, $12.99, 90% Malbec, 10% Cabernet Franc))
C: Dark garnet
N: Fresh raspberries and blackberries in the nose, nicely inviting
P: Soft, supple, fresh berries, crisp, fresh, perfect acidity, excellent
V: 8-
How is your day going so far? Feel like traveling somewhere? How about we will take a trip to sunny California? California is a big place, so to narrow it down we are actually heading to the Santa Barbara County. Here is a perfect example of the wine being a connector and an instant transporter – as soon as I hear “Santa Barbara County”, the brain instantly serves up the memories of the first Wine Bloggers Conference I attended, WBC14, which took place in Santa Barbara County. Moreover, one of the best experiences of that trip was a visit to the small town of Solvang, which is an incredible place for any wine lover. While visiting Solvang, we tasted the wines produced by Lucas and Lewellen – thus seeing that name on the label was an instant memory trigger.
The wine I want to offer to your attention today is perfectly representative of the capabilities of the Santa Barbara County wine growing region, and at the same time is very non-typical for California. Lucas and Lewellen produce the line of wines under the name of Toccata, which are all Italian varieties and blends, all grown in California. This Toccata Classico was a perfect enigma – varietally correct Tuscan beauty, only made from start to finish in California. In a blind tasting, my guess 100% would be “Chianti!”.
2015 Lucas & Lewellen Toccata Classico Santa Barbara County (14.1% ABV, $29, 50% Sangiovese, 30% Cabernet Sauvignon, 5% Merlot, 5% Cabernet Franc, 5% Freisa, 5% Petit Verdot, 18 months in French Oak, 346 cases produced)
C: Garnet
N: Fresh cherries, touch a leather, medium+ intensity
P: Ripe cherries on the palate, bright, firm structure, fresh, crunchy, touch of leather, excellent complexity, nicely integrated tannins
V: 8+, an excellent rendition of the old world wine in the new world.
Trinidad Vineyard, Chile. source: Viña Ventisquero website
Hurry up or we will be late for our last destination – Chile. About 25 years ago, Chile was mostly known as a “one-trick pony”, offering bargain-priced Cabernet Sauvignon, Merlot, and Chardonnay. Today, Chile is one of the leading wine producing countries in the world, offering a substantial range of perfectly executed wines, from Chile’s own trademark, Carménere, to Pinot Noir, Syrah, Grenache, and many others.
Today we are visiting Viña Ventisquero, the winery which started only 20 years ago, in 1998, and now offering a diversified set of wines, coming from the different regions and made with the finest attention to detail.
2017 Viña Ventisquero Grey Glacier Single Block Apalta Vineyard Valle de Colchagua (14% ABV, $18, 62% Garnacha, 19% Carinena, 19% Mataro, 6 months in French oak)
C: Ruby
N: Fresh raspberries, medium plus intensity, beautiful
P: Restrained, dark fruit, medium body, minerality, clean acidity, tart raspberries
V: 8-
2014 Viña Ventisquero Grey Glacier Carménere Trinidad VIneyard Maipo Valley (14% ABV, $19, 18 months in French oak)
Dark garnet
A perfect nose of Carménere – mix black currant berries with blackcurrant leaves
Medium to full body, soft, silky, fresh blackcurrant present, anis, good acidity, good balance, very pleasant overall
8/8+, excellent wine
That concludes our trip, my friends. Wasn’t it easy to travel with wine, in the comfort of your living room? Cheers!
One on One With Winemaker: Brett Jackson of Viña Valdivieso, Chile
Source: Viña Valdivieso
Today, sparkling wines are produced everywhere, and we are getting quite used to it. Sometimes, it comes almost to a surprise when we hear that particular producer doesn’t offer any sparkling, at least as part of the “winery special”. But this was not the case even 10 years ago, when the sources of the sparkling wine were much more limited.
When you are thinking about Chilean wines, well respected worldwide, what kind of wines come to mind first? I would bet you are thinking about Cabernet Sauvignon, Merlot, Carmenere, Sauvignon Blanc and may be some Chardonnay. I would also safely bet that you don’t think of Chile as a producer of the sparkling wines, right? So without asking google or reading ahead, can you pause for a second and think when could Sparkling wines be commercially made in Chile?
While spending time in France, Don Alberto Valdivieso fell in love with Champagne. As a matter of fact, he loved it so much that upon his return to Chile in 1879, he founded Champagne Valdivieso and became the first producer of the sparkling wines in Chile and the whole of South America.
Fast forward to today and Viña Valdivieso produces the full range of sparkling wines, including both Viña Valdivieso produces the full range of sparkling wines, including both méthode champenoise and Charmat, and the extensive line of still wines which includes a unique solera-method dry red called Caballo Loco. I had an opportunity to sit down (albeit, virtually) with the Viña Valdivieso Winemaker, Brett Jackson, and ask him a few bunch of questions – here is what transpired from our conversation:
[TaV]: I would guess that Viña Valdivieso first sparkling wines were made with the Traditional Method. When did the Viña Valdivieso start producing sparkling wines using Charmat method?
[VV]: Valdivieso started making sparkling wines from 1879, all the bottles in traditional method. Only from the eighties began the elaboration by Method Charmat
[TaV]: What is the oldest sparkling wine which can be found in your cellars? What was the oldest Viña Valdivieso sparkling wine you ever tried?
[VV]: For the earthquakes of 1985 and 2010, that affected our underground cava, we lost bottles from the early fifties to the present. We only recovered some bottles from 1996 onwards that are still preserved in our cellar.
[TaV]: Do you make any single vineyard sparkling wines? What about vintage sparklers?
[VV]: For Traditional method, we have single vineyard Valdivieso Blanc du Blanc made of 100 % Chardonnay and Valdivieso Blanc du Noir with 100% Pinot Noir
Since 2013, we started using the label vintage in Valdivieso Blanc du Blanc. Actually, the new portfolio sparkling for Champenoise Caballo Loco Grand Cru 2014 uses an exceptional vintage.
[TaV]: When you produce Traditional Method sparkling wines, do you follow the path of the French Champagne and try to achieve consistent “Chateau” taste profile? How many Vin Clairs your typical blend include? Do you use also reserve wines, and what would be the oldest you would use?
[VV]: We use different vintages to give consistency to our portfolio. Charmat Limited include 2 years at least in different percentage of varieties, blending, Traditional method we use Both of 1 vintage as well as several in blending. Currently, the use of expedition liquor for some 2014 bottles of traditional method is from 2011 vintage.
[TaV]: Do you use sustainable farming methods? What about organic – you do it now or have any plans?
[VV]: Our farming methods are sustainable, being certified with the Wines of Chile Sustainable code. We are working with a 15Ha organic vineyard in the south of Chile with some very exciting red varieties. Grenache, Tempranillo, Mourvedre, Carmenere, Tannat, Carignan, Syrah, and Petit Syrah. The first wines from this vineyard should be appearing late 2018.
[TaV]: What was your most challenging vintage for the sparkling wines and why?
[VV]: 2012 and 2013 the most difficult, extremely challenging because of the huge amount quantity per hectare. We don´t have Traditional method these years, except Blanc du Blanc 2013, 100% chardonnay. The Chardonnay variety was the only one that excelled to maintain consistency in quality and longevity for its storage in bottles.
[TaV]: What was your most difficult vintage for the still wines and why?
[VV}: 2016, the most difficult, lots of rain during April. Chile lost around 30% of the harvest due to these rains. Extremely challenging conditions.
[TaV]: What were you favorite vintages for the still and sparkling wines?
[VV]: For still wines 2000 through to 2010 were exceptional with a string of outstanding vintages, 2001, 2005, 2007, 2009, 2010. I would give the edge to the 2005 vintage, great balance in the wines, maturity, acidity, and exceptional flavor.
For sparkling wines 2010, 2014, 2015, 2016. because of the balance of fresh maturity, big natural acidity, fresh fruity character . 2014 was the best, with the fruit from consolidated new areas for traditional method such as Biobio, Limarí, Itata, and new improves for charmat with vines so close to Andes mountains and Coastal range. 2014 is the first vintage for a new sparkling label called Caballo Loco Grand Cru Biobio Valley , Brut Nature and Blanc du Noir, currently available.
[TaV]: Today you produce still white wines from Chardonnay and Sauvignon Blanc. Have you ever experimented with any other white varietals? Any plans to introduce any new Viña Valdivieso white wines?
[VV]: We do a small amount of Viognier. In the near future we will be launching Rousanne and Marsanne. Both look very promising with great potential.
[TaV]: What is the “Next Big White Grape” for Chile? Is there one?
[VV]: The “next big” is white wine. It is not easy to see as on an international scale, Sauvignon Blanc and Chardonnay dominate to such an incredible extent.
[TaV]: Same question for the reds – is there “Next Big Red Grape” for the Chilean wines?
[VV]: For individuality and exceptional quality, the old vine Carignan from the Maule Valley is making a substantial mark. Also, Syrah has the potential to produce exceptional wines from many different areas of Chile.
[TaV]: For how long do you produce your Syrah wines? What is your inspiration for the Syrah? Is there an international style you would compare Viña Valdivieso Syrah to?
[VV]: We have been producing Syrah for around 10 years. When looking at what we try and achieve, I really look to the northern Rhone, trying to capture spice, black and white pepper. Our style has evolved over the years, initially being more of a new world dark rich style, whereas now I would compare more to soft spicy Rhone style. However Syrah is so unique in that as a red wine every area it is grown in, it produces a wine which is unique to that area.
[TaV]: What is the story behind Caballo Loco? Why all of a sudden to produce Solera-style red wine? Do you produce this wine every year? How do you say it is changing year over year?
[VV]: Caballo Loco, has a long history in Chile, the first edition being released in the early nineties. It was created through a series of events between the winemaking team, sales team, and owners. It is a reflection of the innovative nature of Valdivieso, and not being afraid to try new While it is based on our solera Sistema, each bottling is unique and such receives an individual edition number. The current edition on the market is the N°16, which contains 20 different vintages. The new edition N°17 will contain 50% of the previous edition (in this case N°16), and 50% of the new vintage wine. This method allows us to evolve the nuances of the wine over time. Over the years new vineyards, areas, varieties, and techniques have been incorporated into the wine. Each new edition is released when it is ready, which is not necessarily on an annual basis. Roughly every 18 months a new edition is released. The subtle changes over the years for me is principally increasing complexity and depth as we have come to better understand the vineyards of Chile and the opening of new areas.
[TaV]: It seems that Valdivieso ÉCLAT was produced only once in 2011, with an unusual for Chile blend of grapes. As there a story behind this wine? Any plans to produce a new vintage?
[VV]: Eclat VIGNO, is a blend of Old vine Carignan and Mourvedre. We are part of the VIGNO, a group of 13 wineries which has created this label VIGNO. It is an aggrupation which has been lead by winemakers with the objective to highlight the exceptional quality of these old vine vineyards in the Maule Valley. To place VIGNO on the label the wine must contain 100% of old vine from the Maule Valley. Of this, a minimum of 65% must be old vine Carignan. This is also intended to improve the situation of the small growers in the area, an area with many small growers which had in the past been obliged to sell there Carignan grapes for generic red blends, in which they were diluted away. Now with this initiative, the fruit is sought by many wineries for its quality potential resulting in substantially better prices for the growers. There will definitely be another vintage when the wine is ready.
[TaV]: What’s ahead for the Viña Valdivieso – new markets, new wines – what makes you excited?
[VV]: New wines to come, we have some really fun projects coming on. From the Maule Valley, we will shortly have some wines from an organic vineyard, being from an exciting range of varieties. Grenache, Syrah, Petit Syrah, Tempranillo, Tannat, Carignan, Carmenere, and Mouvedre. We still do not have a name for the range, but the quality of wine from these low yielding vineyards is exceptional.
Late this year we will be launching in the Eclat range 3 new wines under the Curiosity label. Cinsault from the Itata Valley, on the coast, old vines being cultivated in the traditional methods they have been using since vines were first introduced into Chile. There are records of wine being produced in this area since the 17th century. Also, a Rousanne, and a Marsane. These two whites look great, and for me show the potential for these Mediterranean varieties in Chiles conditions.
In the markets around the world it is a very exciting time for Chile, after years as been considered the supplier of good easy drinking wines, Chile has now become a very respected wine producer where people are respecting and expecting wines of the highest world class level. As a foreigner who has accepted into the industry I feel very privileged and lucky to have been able to play a small part in what has been this transformation of the wines from Chile.
I hope you are still here and reading this – I really love these conversations – while virtual, they still share the passion and even the obsession those little grapes bestow on us.
I’m sure you are thirsty by now, so pour yourself a glass, and let me share my impressions from tasting of the few of the Viña Valdivieso wines:
NV Viña Valdivieso Brut Chile (12% ABV, Chardonnay 60%, Semillon 40%, Charmat method)
white stone fruit, distant note, light mousse, good acidity on the palate, touch of grapefruit notes. Drinkability: 7+
NV Viña Valdivieso Rosé Chile (12% ABV, Pinot Noir 70%, Chardonnay 30%, Charmat method)
beautiful color, inviting nose of fresh berries with touch of herbs, light, round, touch of fresh fruit, excellent balance, refreshing. Drinkability: 7+/8-
2015 Viña Valdivieso Sauvignon Blanc Gran Reserva DO Valley de Leyda Chile (12% ABV)
straw color, very intense nose of blackcurrant and black currant leaves, same on the palate but with restraint, nice acidity, black currant, excellent. Drinkability: 8
2013 Viña Valdivieso Cabernet Franc Single Vineyard DO Valle Sagrada Familia Chile (14% ABV, Punta de Rosa Vineyard)
dark ruby color, touch of bell pepper, berries and leaves of the cassis, mint, touch of roasted meat. Palate follows the nose – medium body, good acidity, fresh red berries, touch of cassis, nice savory notes. Enjoyable by itself, but will work well with food. Drinkability: 8
Here we are, my friends. Sparkling from Chile? Yes, please! Cheers!
Chilean Wines at Its Best – World-Class Wines of Viña Maipo
Two weeks ago, I shared with you a conversation with Max Weinlaub, the winemaker for the Viña Maipo winery in Chile. While our Q&A session was mostly virtual, the Viña Maipo wines were not – I had an opportunity to taste 6 wines presented by Max during the session in New York. And I can sum up my impressions about Viña Maipo wines in one simple word – delicious.
I have to honestly admit that even opening of the box was pleasant – I love it when the bottles are wrapped, it gives an oenophile an additional moment of play, an additional source of enjoyment.
Of course, the nice wrapping is better be supported by the substance in the bottle – and it was, loud and clear, as you will see from my tasting notes.
By the way, if you would read my interview with Max Weinlaub, you will find that one of the questions I asked was about Viña Maipo’s selling wines in China. If I would look at the wines more carefully, I wouldn’t need to ask that question – take a look at the back labels below:
Here are my notes:
2016 Viña Maipo Vitral Sauvignon Blanc Reserva (12.5% ABV, SRP $11) – 2016 was one of the best vintages for white wines.
C: straw pale
N: grassy, lemon, touch of tobacco, white fruit
P: restrained, lemongrass, fresh lemon, perfect acidity, vibrant
V: 8-, nice and refreshing, will be perfect with seafood. Excellent QPR
2016 Viña Maipo Vitral Chardonnay Reserva (13.5% ABV, SRP $11)
C: light golden
N: vanilla, golden delicious apple, touch of honey, herbaceous undertones
P: Crisp, fresh, nice acidity, lemon, very restrained, green apples, good palate weight
V: 8-, very drinkable now, and should evolve. Great QPR
2013 Viña Maipo Gran Devocion Carmenere DO Valle Del Maule (14.5% ABV, SRP $25, American oak is used only for Carmenere, better showcases the wine, Carmenere 85%, Syrah 15%)
C: Rich garnet, wine looks very inviting in the glass
N: Characteristic mint and herbs ( hint of), dark red fruit, pepper
P: peppery, spicy, dark fruit, earthy, delicious, powerful, full bodied
V: 8, excellent, powerful wine
2012 Viña Maipo Syrah Limited Edition DO Buin Valle del Maipo (14.5% ABV, SRP $35, 86% Syrah, 14% Cabernet Sauvignon, 30 months in French oak)
C: bright garnet
N: bright, open, blueberries, herbal notes, touch of barnyard
P: pepper, black fruit, blackberries, spicy, firm structure, mouth-coating, velvety
V: 8+/9-, stand out, beautiful wine
2013 Viña Maipo Protegido Cabernet Sauvignon Valle del Maipo (14.5% ABV, SRP $50, 30-35 yo vines, very low yield, Cabernet Sauvignon 97%, Cabernet Franc 1%, Syrah 1%, Petite Verdot 1%, 20 months in French oak )
C: dark garnet
N: green bell pepper, mint, classic cabernet nose, eucalyptus
P: beautiful, round, open, cassis, mint, firm structure, delicious
V: 8+, outstanding, beautiful Cabernet
2012 Viña Maipo Alto Tajamar DO Buin Valle del Maipo Chile (14.5% ABV, SRP $110, Syrah 92%, Cabernet Sauvignon 8%, 30 months in French oak)
C: Bright garnet
N: espresso, tar, pepper, hint of barnyard, black fruit
P: Blackberries, tart cherries, espresso, spices, dark power, brooding, full bodied
V: 8+/9-, outstanding, a treat which needs time
I had an opportunity to taste all of these wines over the course of a few days, and I have to say that literally all of them kept getting better and better. Viña Maipo Syrah wines are unquestionably a world class, but so are the Cab and Carmenere, and I would gladly drink both Sauvignon Blanc and Chardonnay every day – overall, one of the most successful tasting lineups I ever had.
Have you ever had Viña Maipo wines? Have you ever had Viña Maipo Syrah or any Chilean Syrah for that matter? If you did, what do you think of them? Cheers!
One on One with Winemaker: Max Weinlaub of Viña Maipo, Chile
When I was invited to meet with the winemaker Max Weinlaub of Chilean winery Viña Maipo, one thing immediately caught my attention – Max was described as an advocate of the “new Chilean Syrah movement“. Syrah might be my all times favorite grape (secretly, of course – I would never admit it in public), so anything which has to do with the Syrah sounds interesting to me.
Winemaker Max Weinlaub. Source: Viña Maipo
I couldn’t travel to New York on the given date, but Patricia Clough from Gregory White PR was very accommodating and managed to include me in the live conversation and tasting with Max with the modern wonders of technology (thank you Patricia!). I was able to listen to Max presenting his wines and even ask questions and make comments – and all of it not with my fingers (in most of the “virtual” tastings we use Twitter or similar mechanisms to “talk” to the presenters – this conversation was refreshingly different).
This was the tasting, of course, so I did taste the line of Viña Maipo wines, and in a word, the wines were stunning. But I will tell you all about the wines in the next post, as I reached out to Max with a bunch of questions, which he graciously answered despite being on the plane for the most of the time in the months, going around the world and introducing his wines. Max’s answers are great and well worth every minute of your time if you want to learn more about Chile and its wines.
Without further ado, here is our [now virtual] conversation with Max Weinlaub:
[TaV]: It appears that Viña Maipo was one of the Syrah pioneers in Chile, planting it in 1990. Are there any wines from those early vintages still around? Did you have a chance of tasting them? What do you think of them if you did?
MW: Even though the vines were planted around 1998, the grapes were blended with other red grapes. In 2005 the grapes were used to make Limited Edition for the first time. We still have bottles of that vintage. I have had the opportunity to taste it, but the style has evolved year after year. To me, the first vintages were bold and too ripe. In recent years, I have been turning to a fresher style with a better balance and great ageing potential.
(Side note for Anatoli: If you are truly interested I could find one of those rare bottles, and we can taste it together next time I’m in NY.)
[TaV]: Since starting at Viña Maipo almost 10 years ago, did you make any changes in the way Syrah grapes are grown or the way the wines are made?
MW: Since I started as chief winemaker in 2007 it has been an endless learning process in direct connection with understanding how the vineyard behaves under different climatic conditions and canopy management, and noting the changes as the vines age each year. Today, I have a better knowledge about our Syrah grapes to express the varietal’s maximum potential with a clear sense of origin: Syrah from Chile. If I compare the last 10 years, I definitely see a change in the style of Viña Maipo’s wines —building towards better elegance, power, balance, fruit expression and oak impact.
[TaV]: Why Syrah in Chile? Do you think that Syrah is the next big grape for Chile?
MW: Until the first half of the 90’s, Chile was known for producing Cabernet Sauvignon, Merlot, Chardonnay and Sauvignon Blanc. Carmenere was re-discovered just in 1994. So the general perception of Chile was as a reliable producer of inexpensive wines but without many options to show (in terms of grape varieties). At the same time, Australia was living golden years with its Shiraz, so many winemakers thought that maybe Syrah could be introduced in Chile. Some clonal material (stocks) were imported and multiplied by a couple of nurseries in Chile and then, we neared the end of the decade, the first Syrah grapes were harvested with pretty good results. Thanks to a joint venture with one of those nurseries, Viña Maipo was one of the first wineries that planted Syrah in the country.
In my opinion, Chile has been and will be widely recognized as a great place of origin for Cabernet Sauvignon. But at the same time other grapes, especially those from the Rhône Valley, have adapted extraordinarily well to the Chilean terroirs — and Syrah is by far the best example of that. If you consider that nowadays the oldest Syrah vines are around 20 years old and already are producing high quality wines, then you can clearly see a bright future with this grape variety.
[TaV]: When making Viña Maipo Syrah, is there a region (Cote-Rotie, Hermitage, Cornas, Barossa, and Santa Barbara) or a wine maker (Guigal, Chapoutier, …) which you see as a hallmark and try to achieve some similarities with?
MW: The regions you mention (with their singularities) plus the talent and skills of those renowned family names have made some of the most iconic and unique expressions of Syrah grapes in the world. From those wines I learned that Syrah is able to make outstanding wines with a great potential for ageing even comparable with some Cabernet Sauvignon. My humble dream is someday to be part of that “Hall of Fame of Syrah” world, to be recognized as a previously-unknown Chilean winemaker named Max Weinlaub who made a jewel with Syrah in Chile, standing along with those big names.
[TaV]: You are blending Syrah with Cabernet Sauvignon and vice versa, which is quite unusual. Why do you think these two grapes work together? Are there any other regions in the world where Syrah is successfully blended with Cabernet Sauvignon, or do you think this is purely a Chilean phenomenon?
MW: I do believe in the synergy between their different but complementary components when you blend the right way. This is the best evidence that winemaking is closer to an artistic expression than to math because 1+1 is more than 2. Syrah is a fantastic grape to make single varietal wines, but also for blending. Sometimes the Cabs are too classical, too serious for me. I used to define the Syrah variety as “fireworks in a carnival”…it has lots of color, intensity and rich flavors. So Syrah plays an important role shaking up or adding verve to a (sometimes) circumspect Cabernet Sauvignon. My aim here is to make a more distinctly South American or Chilean style of Cabernet Sauvignon.
In another style, I add a smaller percentage of Cab to Syrah to increase the structure or backbone of the wine. As part of its nature, Syrah’s tannins are soft but non-structural – so hence the need for the strength and structure of Cabernet Sauvignon. You can find this blend of Cab-Syrah or Syrah-Cab elsewhere and it works well for me, and I intend to keep perfecting it.
Source: Viña Maipo
[TaV]: Pinot Noir seems to be fast growing in popularity in Chile. You don’t make any Pinot Noir wines – do you have any plans for it? What do you think overall about Chilean Pinot Noir?
MW: I think that finally there’s a bunch of very good Pinot Noir produced in Chile thanks to the better knowledge of the grape variety in terms of terroir, viticultural management, clonal selection and winemaking. Pinot Noir is a challenging variety that sooner or later many winemakers—who tend to thrive in challenges–try to produce his/her own version. I’m having a lot of fun and joy producing Syrah (among other grapes of course) so Pinot Noir will be in my “101 things-to-do-before-to-die” list for a while.
[TaV]: Many wineries around the world add sparkling and Rosé to their repertoire – do you have any plans for Viña Maipo to start producing sparkling or Rosé wines too?
MW: We produce sparkling and rosé too!!! As we have a limited capacity (in terms of volume), the production of sparkling is allocated to certain markets – so it is not currently part of our global portfolio. Our rosé is sold largely in Nordic countries at the moment. We could taste both wines next time I see you.
[TaV]: How old are the oldest vines at Viña Maipo?
MW: The Cabernet Sauvignon vines are the oldest planted in our vineyards. Today, some of them are reaching 40 years old….just like me.
[TaV]: Don Melchor is an uncontested flagship wine for Concha e Toro, with very high critic ratings (98 from Suckling, 96 from Wine Spectator). Do you think Alto Tajamar will beat Don Melchor’s ratings one day?
MW: By far Don Melchor is the Dean of all the renowned Chilean wines. It’s the Chilean wine with the longest and most complete vertical tasting starting in 1986. I truly admire its history and legacy. If someday Alto Tajamar receives as high ratings as Don Melchor has won, for me that would be an honor and privilege. One of my principles is “work hard in silence, do your best and the rest will come along.”
[TaV]: When it comes to the white grapes of Chile, Chardonnay and Sauvignon Blanc are, of course, well established and well known. Is there a next big white grape for Chile?
MW: Chile is a paradise for grape growing due to its diverse terroirs, stable weather and healthy environment. Even though Chardonnay and Sauvignon Blanc are widely planted I’m sure there are new areas where some other white grapes could produce great quality wines, such as Verdejo or Godello, both grapes especially recommended for warm climates. There are some very interesting Rieslings and Gewürztraminer. But the problem with those grape varieties is the almost relatively little commercial success we’ve seen when are produced outside of their home countries. I have the feeling that the only white grape that could succeed (technically and commercially) is Pinot Grigio.
[TaV]: What are the biggest export markets for Viña Maipo?
MW: By far the UK and Nordic countries at the moment, but there are some interesting opportunities to grow in other areas especially in Asia. Asia is a great market with its own codes and tempo (rhythm). We’ve also been focusing on the U.S. to a greater extent and I am very much looking forward to spending more time in the market.
[TaV]: Continuing the previous question, how big is China, and it is growing, flat or declining?
MW: China is just awakening!!! And everybody is trying to get a space in China since the Dragon feels thirsty. They are starting drinking wine, more often for Gambei (heavy duty toasts) rather than for joy, learning or food matching, so there are some things to do in terms of wine culture and education.
[TaV]: Do you have a favorite vintage of Viña Maipo Syrah?
MW: Always the last one!!!… Because it’s better than the previous one. Maybe it’s because the vines are becoming older and I’m turning older too (and hopefully wiser)!!!
[TaV]: When you are not drinking your own wines, what are some of your favorite wines and winemakers around the world?
MW: More than follow a label, brand or winemaker, recently I have been discovering regions. I’m currently really intrigued by German Rieslings (especially old vintages from Mosel River) and some Spanish red grapes such as Garnacha (aka Grenache), Mataro (aka Cariñena or Carignan), Graciano, Mencia and Bobal.
Source: Viña Maipo
We are done here, my friends. I really enjoyed our conversation with Max, and I hope that the next time we will sit across the table and taste his delicious wines together. You might be thirsty at this point, so I hope you have something to drink – and the next time I will tell you all about delicious Viña Maipo wines I had a pleasure tasting. I can only say that I would gladly drink those wines at any time… Until we talk again – cheers!
One on One with Winemaker: Aurelio Montes of Montes Winery, Part 2
As promised, here is the continuation of our conversation with Aurelio Montes Sr – Founder and Chief Winemaker of Montes Winery. You can find first part of the interview here.
While the first part offered insight into unique (and unexpected) areas such as using of Feng Shui principles and Gregorian Chants at the Montes winery, this second half of the interview is also full of interesting details about present and future of Chilean winemaking. Here we go:
Q7: Do you use natural yeast in production of your wines?
A: Not for white varieties, although we have made Chardonnay trials in coastal areas, but in most cases result in that we obtain a very slow and long fermentation, which jeopardizes the final quality of the wine.
We prefer to use selected yeasts in white varieties, which ensure us a good rate of fermentation, working at low temperatures and retaining maximum aromatic potential of the wine.
In the case of reds it is different. We love to work with natural yeast when possible. They tend to express terroir better than the selected ones. However, much will depend on the conditions of the season, that is, if the season was very warm and the fruit arrives to the winery with a very high potential alcohol, we then prefer to use selected yeast that will ensure a good end fermentation. In the case of very rainy seasons, where the grapes arrive at the winery in bad conditions with some presence of fungi, we prefer to don´t take any risk and use selected yeast as well.
Under normal harvest of red grapes, without rain during maturity or heat peak’s that can cause an exaggerated increases in sugar content, we can then use natural yeast, maintaining important regimes of oxygen during fermentation and also moderated temperatures, in order to not stress these yeasts that behave in some cases very sensitive when the conditions are adverse during fermentation.
Q8: Montes Alpha had been a pioneer in many areas of winemaking in Chile. Particularly, it was the first winery to produce Syrah wines. How would you describe your Syrah compare to Northern Rhone, California or Australian wines?
A; Our Syrah, because of the natural conditions, and some winemaking policies, is different to Rhone or Australian Syrah. Ours is midway between the two mentioned valleys. It is ripe but not as jammy as the Australian one…is austere but still far more friendly and approachable than the Rhone style. This puts us in a perfect position, in terms of quality, and in fact my opinion is that the best New World Syrah comes from Chile
Q9: What was your most favorite vintage of Montes Alpha Syrah and why?
A: I think the 2006 vintage was a very good harvest, where this wine was well known. But I feel that the 2012 was even better. We had a very good season in terms of absence of spring frosts, an accumulation of rain water which enabled us to reach harvest with a low level of risk, and also a free of summer rains and reasonable temperatures. In particular, our Syrah from Apalta that comes from mountain grown fruit behaved very well, controlling a balanced amount of clusters per vine, allowing us to concentrate fruit color and body. Elegance and aromatic complexity found in the Apalta Syrah is really incredible. From this estate also comes the Syrah that goes to our Icon Folly made 100% out of Syrah.
Q10: In the wine world, there is always a conversation of the “next big grape”, which is usually country and region specific – like Sauvignon Blanc in Argentina, for instance, or Chardonnay in Oregon. Is there a “next big grape” for Chile?
A: I like to believe that the Carmenère can be our “next big grape”. But we struggled to position it, despite the efforts the sector makes. Chile has a high level of quality in this variety, considering various valleys and different heights, in the central and even coastal areas of Chile. After this many years of experience we must remain vigilant and continue working and learning in order to deliver the best quality Carmenère in the world.
I would like to add that recently Chile also has been making quite some noise on varieties such as Pais, Cinsault, Muscat, Grenache, Carignan, etc. In this last varieties with very good results.
In our case we crafted the Outer Limits line, which allows us to be more adventurous, dreamers, and let our imagination fly to experiment;
However I believe that the Cabernet Sauvignon is still the king of varieties that Chile has. Not only well renowned for the great quality but also because it represents the productive power and essence of the Chilean wine.
Q11: Does Montes Alpha have plans for the new grapes to be planted? Anything you are experimenting with right now?
A: We are not closed to the possibility. We are always looking for new things, but today to plant new surface is a sensitive issue. Chile is going through a time of overstock of wine, which forces us to be cautious about increasing our production. In the northern hemisphere the situation is similar, which puts us at a critical point.
Without adding the irrigation problem that the viticulture is facing around the world, which forces us to be very astute at this point. Today, more than planting new varieties on new surfaces, we are willing to replace those varieties and vineyards that do not meet our expectations, and replace this to try some new things.
For example, we have had very good reviews on our Tempranillo and Tannat 2015, after years of testing and harvesting dates, and exploring winemaking forms. Maybe we can do something about those varieties in the near future.
We are also touring various new areas as Cachapoal Valley, in search of a distinctive variety with unique quality and expression. Is under this inspiration that we have found and made quite interesting things, such as Pink Moscatel from Curtiduría, or a Pais from Lolol and other interesting projects that currently are still in the oenological kitchen … but this strategy of seeking other wine realities has given us many satisfactions to myself and the team.
Q12: when you are not drinking Chilean wines, can you give me a few examples of your favorite wines, regions and producers?
A: In terms of wines, if I were to pick an outstanding wine I would choose an Ornellaia Masseto. And if I could delight and reward myself with another, it could be an old vintage of Pétrus.
And we are done with the interview. It is time to take a look at another two Alpha Montes wines I tasted:
2012 Montes Alpha Syrah Colchagua Valley, Chile (14.5% ABV, $25)
C: very dark garnet, almost black
N: blueberries, violet, sage, fresh, touch of tobacco
P: silky smooth, round, roll-of-your-tongue, restrained, nice minerality, balanced fresh berries, touch of spice, touch of sweet licorice, excellent overall balance
V: 8, easy to drink, will greatly evolve
2012 Kaiken Ultra Malbec Uco Valley, Argentina (14.5% ABV, $25)
C: dark garnet, practically black
N: concentrated, dark fruit, plums, violet, tar, tobacco, very, very inviting – super sexy, first analogy
P: wow, concentrated fruit, luscious, polished, layered, round, balanced, great dark power, well integrated tannins
V: 8+, outstanding, wow and dangerous (and sexy! – I rarely designate wines like this, but … of well, I will wait for you to try it)
And we are finally done here. I hope you enjoyed our conversation as much as I did, and may be even learned something new. Until the next time – cheers!
One on One with Winemaker: Aurelio Montes of Montes Winery
Things in life often connect in most unexpected ways. Few years ago I read an article about the ways music affects the winemaking. I was unable to find that article or much references ever since. Many times I came across the wine with an interesting label and somewhat peculiar name of Montes Alpha – but I never tasted one.
Few weeks ago I got a note about wine samples from the winery called Montes Alpha from Chile. That note also mentioned Gregorian Chants and Feng Shui been essential elements in wine production at that very winery. This was enough to send my curiosity through the roof and ask for more information – and talk about the way things connect in life, right?
Who can better answer questions wine and winery questions if not the winemaker? I gladly used an opportunity to [yet again] sit down (yes, virtually) with the winemaker and send the barrage of questions his way. I have to tell you that all my questions were answered well in depth – and I think you will find this conversation interesting too. Here is our dialog with Aurelio Montes Sr – Founder and Chief Winemaker of Montes Winery.
Q1: I understand that your winery was built using Feng Shui principles. Are there any specifics in using Feng Shui specifically for the wineries? Do you have any followers from other wineries who came to learn from Montes Alpha experience?
A: We seek to apply the principle of balance and harmony of space in our winery. If you live and / or work in nice balance places, the energy will continue their natural rhythms and will lead to welfare in all its aspects.
It is in this sense, it was incorporated as a fundamental principle in the early stages of design and construction of our winery, the inclusion of all basic elements such as water, metal, wood, stone, etc., in accordance with the principles of this Asian discipline, to ensure this harmony and above all a positive atmosphere.
For example at the entrance to the building is the wooden bridge over a small lagoon, whose water flows toward the building. A fundamental principle of Feng Shui is that prosperity will only come if the water, which represents energy, flows into the center of the building, rather than away from it.
I understand that no other winery has incorporated the Feng shui principle. In our case, one of our founders, Douglas Murray, was always fascinated with this concept and idea of building a harmonious winery and wine with our environment, therefore we hired the advise of an expert in this field to introduce the principles of feng shui in the foundations of our construction.
Q2: Did you apply or can you even apply Feng Shui principles in the design of the vineyards?
A: Feng shui is related to harmonize spaces. In our case it was considered to harmonize the spaces between the vineyards, winery and of course, our people. To get, as a result, the best wine we can possibly achieve. I believe that in a balanced environment, all pieces come together to perfectly to achieve a greater result.
I am not an expert on the subject though, and not sure how Feng shui can be applied to the vineyard. However our vineyards are planted according to quality policies, soil conditions, variety, etc. I believe that the harmony in the management of our vineyards is the result of the best possible quality grapes we can achieve, keeping always in mind the sustainable conditions.
Q3: I heard about Gregorian chants at the winery. How and where do you use them?
A: The Gregorian chants play constantly in the icon barrel room of our winery at our La Finca de Apalta Estate. The wine seems to enjoy it and I love it. In my opinion, besides the physical effect on wine, it does have an important effect on people’s moods and they work with more happiness and confidence. It keeps us calm in the cellar.
Q4: Did you try to test the effect of Gregorian chants on aging of the wines by creating a “control group” of same exact wine from same exact vintage and aging it under regular conditions (no music), and then comparing the two wines in the blind tasting?
A: For long now I have been interested in the effects of music in wine. I am happy to share with you a study we funded at Heriot Watt University about the effect of background music in wine tasting.
In terms of wine tasting the “control” with no music at all had a score 20% lower than the tasting held in presence of music.
Q5: Did you experiment with impact of music on the grapes in the vineyard? I remember reading about some of the experiments in that area, and I wonder if you have any information you can share here
A: Not yet and I don’t know of anyone that has done it. I presume there are so many uncontrollable variables such as temperature oscillation, different weather conditions, etc that would make it difficult to assess the particular influence of music in the vineyards.
Q6: Montes Alpha is certified Sustainable winery. Do you have any plans to become an organic or may be even biodynamic winery?
A: From our beginnings, our philosophy has been to produce wines of the highest quality, always concerned with the care of the environment, developing a sustainable viticulture in all stages of winemaking.
We believe sustainability covers a broader spectrum and a larger concept than being only an organic or biodynamic winery. It not only concerns the caring of our vineyards and the environment that surrounds it, but also the legacy that we leave for the next generations. We are very careful with our habitat, natural resources and above all improving conditions for the community.
Being sustainable also takes care of the social aspects of our workers – having a profitable operation permitting us to offer a stable place to work.
We also minimize our use of energy and treat our waste-water to reuse it in the irrigation of our vineyards.
Having said all the above we still have some plans to develop a line of biodynamic wines in a few years. We have also moved forward in improving our carbon footprint, becoming one of the few carbon neutral wineries in Chile. We have not only traveled to improve our carbon footprint but also to significantly reduce the use of pesticides and replace them with more friendly environmental agents.
No, we are not done yet with the interview, but I don’t want to overload you with an information. I can also bet you are thirsty now, so let me present to you two of the Montes Alpha wines I had an opportunity to taste:
2012 Montes Alpha Montes Twins DO Colchagua Valley (14% ABV, $15, 50% Cabernet Sauvignon, 50% Malbec)
C: very dark garnet, almost black
N: a bit of funk, herbs, blackberries, hint of black currant, inviting
P: good dark fruit, chalk, firm structure, pencil shavings, tart acidity on the finish, restrained. Next day the wine acquired some umami complexity with notes of tobacco.
V: 8-/8, an excellent wine hiding under simplistic packaging; outstanding QPR
2012 Montes Alpha Cabernet Sauvignon Colchagua Valley (14% ABV, $25, 90% Cabernet Sauvignon, 10% Merlot)
C: dark garnet, almost black
N: cedar, cassis, classic
P: cassis, dark fruit, clean, round, soft
V: 8, outstanding, round, easy to drink
Here you go, my friends. Do you use Feng Shui in your life? What do you think of wine and music? And of course, did you have any of the Montes Alpha wines? I have two more wines to talk to you about, and continuation of our conversation with Aurelio Montes Sr. to share, so stay tuned.
To be continued…
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