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Pleasures of the Obscure – New Discoveries
If you follow this blog for some time, you might (or might not) know that I identify as an obsessed wine geek. There is definitely more than one trait that would allow such an identification, so the particular one I want to talk about here is the love of obscure grapes.
I was bitten by The Wine Century Club bug more than 15 years ago, and since then I’m on the quest to seek the most unusual wines made from the most obscure grapes. The Wine Century Club offers to wine lovers a very simple proposition – for every 100 different grapes you taste, you get to the next level in the club. With more than 1,300 grapes used in wine production today, this shouldn’t be very difficult, shouldn’t it? Yet, of course, it is, as an absolute majority of the wines readily available today in the supermarkets, wine stores, and even from the wineries direct, are made from 50–60 mainstream grapes – the rest requires quite a bit of work of procuring as most of the wines made out of the rare grapes are produced in minuscule quantities and not sold anywhere outside of the immediate area of production.
So if finding those rare and unusual wines is that difficult, why bother you may ask? I can give you a few reasons. One – I can simply tell you that I tried 555 grapes at the time of writing this post, so it kind of “mine is bigger than yours” type of reason. Yep, lame. Let’s leave it.
The better reason is the fact that every bottle of wine made from grapes one never heard of before is an opportunity to experience great pleasure. The grape is unknown, so we have no expectations whatsoever. While drinking Cabernet Sauvignon, that simple little piece of information – the name of the grape you are well familiar with – has a tremendous effect on how you perceive the wine. The level of pleasure will depend on how well the particular wine matches your expectations. It might be the best ever for you in the blind tasting, but in the non-blind setting, you are instantly influenced by your prior experience and thus your level of pleasure is limited by your expectations.
When you pour yourself a glass of Bobal, Trepat, or Hondarrabi Zuri, you are presented with a blank canvas – you can draw any conclusions you want. You will decide if you like the wine not in comparison but simply based on what is in your glass and if it gives you pleasure, or not. Simple, straightforward, easy.
Here, let me share with you my latest encounter with obscure grapes.
Let’s start with the white wine – 2017 Paşaeli Yapincak Thrace Turkey (12% ABV, 100% Yapincak). Yapincak is a native variety of Şarköy – Tekirdağ region in Northern Turkey. The grapes for this wine, produced by Paşaeli winery in Turkey, come from the single vineyard located at about 500 feet elevation, 35 years old vines. Upon opening the wine showed some oxidative notes, I even thought it might be gone already. A few hours later, it cleared up, and presented itself as a medium to full-bodied wine, with fresh lemon and a touch of honey notes, crisp, fresh, easy to drink. This can be a food wine, but it doesn’t have to be, quite enjoyable on its own. (Drinkability: 8-/8)
My rare red wine was really a special experience, as it brought back really special memories. I got this 2014 Agricola Vallecamonica Somnium Vino Rosso (12.5% ABV, 100% Ciass Negher) 4 years ago, during a press trip to the beautiful region of Franciacorta. As we were the guests of the Franciacorta consortium, we were mainly focusing on the Franciacorta sparkling wines. During one of our lunches, I noticed this wine and had to bring it home, albeit only one bottle. This wine is made out of the ancient grape called Ciass Negher in the local dialect, used in the winemaking by the Romans about 2,000 years ago, and resuscitated by Alex Belingheri in his vineyards at Agricola Vallecamonica.
This wine was absolutely unique – as you would expect considering its rare pedigree. I perceived this wine as something in a middle between Pinot Noir and Chianti/Sangiovese. A touch of Pinot Noir’s sweetness, smoke, and violets, with the undertones of leather and tobacco, and a little funk. Each sip was begging for another – easy to drink, perfectly balanced, and delightful. If this would be my everyday wine, I would be perfectly happy about it. (Drinkability: 8+)
Here you are, my friends. The wine pleasures are everywhere – you just need to look for them.
A Weekend Of Wine Experiences
What makes the wine experience for you?
If you drink wine pretty much every day, is that every glass an experience? Is that even possible?
The experience should be something memorable, something you can bring up in your thoughts on the moment’s notice. The experience is not always positive – I well remember some bottles I had to pour down the drain – luckily, it doesn’t happen all that often. The experience triggers the emotion – pain or pleasure – and this is what makes us remember.
During our recent Cape Cod visit with the family, in addition to the ocean, flowers, and sunsets, we also had lots of wine. While some wines were good and simple – and not necessarily memorable – some were just at the level of creating a lasting memory. Let me present my case.
I try not to associate the color of the wine with the weather, but fresh and crisp white wine always brightens up a hot summer day better than a big red. Both wines we had were somewhat of an experience. 2018 Hanna Sauvignon Blanc Russian River Valley (13.2% ABV) was a reminder for how much I love this wine, which I consider one of the best California Sauvignon Blancs in general – fresh, citrusy, with plenty of the freshly cut grass and vibrant acidity. A sip of such wine makes you say “ahhh”, and immediately go for another.
The second wine was rather an unexpected disappointment – it had nothing really to do with the wine itself, I guess it was a self-inflicted disappointment, but this is how it will be remembered. 2016 Duckhorn Sauvignon Blanc Napa Valley (13.5% ABV) didn’t offer much anything in the glass. It was a white wine without a sense of place or much in terms of the expected taste profile. It had no obvious faults, just the taste of “some white wine”. Maybe it was supposed to be consumed two years ago (my wife got it as a present from a coworker and then it was forgotten on the bottom shelf of the cellar). Maybe it was in a “sleeper mode” at the moment. No idea, but this was definitely not something I expected from the Duckhorn.
I continue to surprise myself with an inability to find a bad tasting Rosé nowadays. Either something is wrong with my palate, or I don’t drink enough, or everybody simply mastered the art of Rosé to its fullest, but I like every Rosé I have an opportunity to taste. 2018 Etude Rosé Santa Barbara County (13.2% ABV) was excellent, strawberries all the way, both on the nose and the palate, very elegant and round. Etude is a Pinot Noir specialist, so this was a Pinot Noir Rosé. Santa Barbara designation also brought back lots of happy memories of my first Wine Bloggers conference in 2014. The second Rosé, 2017 Baron de Fumes Rosé Garnacha Cariñena DO (13.5% ABV) was a bit lighter but sharing mostly the same strawberry profile with a bit more acidity – still every drop delicious. This was also a great value at $8.99 at my local wine store – I now have a few bottles in the fridge ready to be open on any hot day.
Time to move to reds – and to elevate the experience.
Everyone’s cellar has bottles that appeared out of nowhere. You know how this works – you host a party, someone walks through the door with a bottle. You say thank you, hastily put a bottle aside as you are rushing to meet another guest. The bottle is never opened as you had enough wine prepared, and after the party, it is just put away and you have no memory you ever saw it. This was my story with the bottle of 2008 Cantine Lonardo Coste Taurasi DOCG (14.5% ABV, 100% Aglianico). I have no memory of how the bottle made it into the wine fridge. I saw this bottle many times looking for the wine to open – as I’m not familiar with this wine and never bothered to research, I would always skip opening it just on the basis of the vintage – too young, next time, too young, next time. This time around, as our family on The Cape loves the Italian wines, I decided that the time has come to open it.
As we arrived Thursday evening, this was the first bottle we opened. Oh my… As soon as the wine made it to the glasses, the aromatics stopped everyone in their tracks. I can’t even describe it. Mature Italian wine at its peak literally gives me shivers. You can’t put down the glass, you don’t want a sip – you just want another smell, and then another one. Succulent cherries, eucalyptus, tobacco, iodine, ocean breeze – the bouquet delivered such an interplay of flavors that you simply forget the time. When you finally decide to take a sip, you are blown away anew – juicy cherries with herbs, sweet oak, silky smooth tannins, and impeccable balance – just a divine experience (am I going to far? Can’t tell you. Wish you were there…). Hands down, this wine is an excellent contender for the top wine of 2020, rivaling Soldera experience (Drinkability: 9/9+).
As I had no idea about Coste, I decided to bring a couple of big guns – two of the Christophe Baron wines – No Girls and Cayuse. I knew that I’m committing a crime by opening 3 years old Cayuse – but this was my very first taste of Cayuse wine, after finally making it on the mailing list, so I decided to take my chances. 2010 No Girls Syrah La Paciencia Vineyard Walla Walla Valley (14.8% ABV) was as good as I expected it to be – a little bit of funk, black fruit, black pepper, full body, good structure and concentration, excellent balance – definitely a very enjoyable wine. 2017 Cayuse Syrah Cailloux Vineyard Walla Walla Valley (13.8% ABV), however, was a disappointment. I knew I’m opening the wine prematurely (the one can only hope. I wonder how Sassicaia does it, making their wines perfectly drinkable upon release), but I still expected the wine to come to its senses at least on the second day, and especially with the help of decanter.
The decanter didn’t help, even on the second day. The wine had some amount of fresh crunchy cherries in it, but that was the maximum excitement. The wine never demonstrated the body I would expect from the Washington Syrah, nor the depth of flavor and the textural experience on the palate. Again, this was not a bad wine, just not enjoyable for me. As this was my very first experience with Cayuse, I don’t want to jump to any conclusions – maybe the wine will completely change in a few years, or maybe the wine is just meant to be like this – I anticipate that the wine will need at least another 7-10 years before it will become fully enjoyable, but we will see. And if it just supposed to taste like that, this will be a serious disappointment, especially considering the price of this wine (around $100).
One more wine I want to mention here – 2017 Domaine La Font de Notre Dame Lirac AOC (14.5% ABV, 70% Grenache, 25% Syrah, 5% Mourvèdre). This wine was opened to compensate for the Cayuse not being very drinkable – and this GSM blend didn’t disappoint – perfectly drinkable and enjoyable from the moment the cork was pulled out. Bright fruit, medium to full body, good minerality, and perfect balance. The wine has limited availability, unfortunately, but if you can find it, it should set you back for less than $20 and this can be your perfect every day red for any time of the year.
There you go, my friends. This is how experiences form into the memories. The pleasure of drinking Coste will stay long in the memory – this was one of the most exciting wines this year. The absence of pleasure in my first sip of Cayuse will also become a long-lasting phenomenon. What are your strongest memories associated with wine?
Limited-edition bottle released by Zorzettig to sustain local hospital amid Covid-19 emergency in Italy
I rarely (never) post someone else’s press releases on my blog. However, considering the dire situation in Italy, I hope this will be a tiniest, but still help to this beautiful struggling country.
The well-know winery from Friuli has taken practical steps to support the Hospital of Udine in fighting back Covid-19.
A limited-edition bottle has been released with special Everything will be alright label in eight different languages
Zorzettig is not new to challenges, having survived World War II before becoming an ambassador of regional viticulture, in Italy and abroad. Now, the winery has taken another important step in sustaining the local community and its well-being. The Zorzettig family has organized a fund-raising project aimed at economically supporting the intensive care unit of Ospedale Universitario Santa Maria della Misericordia in Udine which is fighting at the forefront of Covid-19 emergency.
Starting Monday, March 16th, the winery will be selling on Tannico.it a limited edition of Refosco dal Peduncolo Rosso made from the eponymous native red variety. Grown only locally, Refosco dal Peduncolo Rosso is well-known for being a resilient grape which has endured many a challenge in the past. Proceeds will be used to buy the necessary and much needed equipment. The limited edition will display on the label the sentence Andrà tutto bene, everything will be alright, in eight different languages. Eight is a lucky number in China, where emergency has started and which is now experiencing the first positive signals. The disposition of the sentences aims at representing a hug, a familiar gesture we cannot share right now. The bottles will be on sale from today by writing at info@zorzettigvini.it and on Tannico in the next days.
“Andrà tutto bene is a good wish for the future that needs to be translated in a practical action right now” explains Annalisa Zorzettig, who runs the family business. “We love our land and our community and we asked ourselves how we could help. This is how we came up with the idea of a limited edition with a good wish aimed at going beyond space and time. We love the idea that families will buy this bottle to share it with beloved ones seated around the same table. In the future, this will be a reminder of a challenging time we were able to overcome and of a moment which has taught us, once more, how precious are little joys and beloved ones”.
Source: Studio Cru Press Office
Wine Lover’s Guide To Lesser Known Italian Wine Regions – Salice Salentino
Today, wine lovers, we are going on yet another wine journey in Italy. We are going all the way down almost to the bottom of the heel of the “Italian Boot”, to the area called Salice Salentino.
While we are on our way, I have a question for you – what do you know about first ever Rosé wine – ahh, we are in Italy, so let’s switch to the proper names – so again, what do you know about first ever Rosato wine bottled in Italy and exported to the USA? Do you know where, when, what was the name of it? I’ll let you ponder at it for a bit – the answer will come a bit later. And for now, let’s talk about Salice Salentino.
Salice Salentino is a small town located down south on the “heel” of Italy. If you will find it on the map, you will see that it is situated on a strip of the land, Salento, sandwiched between Adriatic and Ionian Seas (Gulf of Taranto, to be geographically precise). The town supposedly takes its name from the willow trees, which were growing in abundance in the area in the old days – you can see the willow tree showing up in the middle of a shield on Salice Salentino’s coat of arms. I don’t know if the land looked anything the picture below, but it is easy to imagine that this looks very authentic.
The town of Salice Salentino was founded in the 14th century, but wine… The wine was made on that land way, way before – let’s say, about 2000 years before, as the first mentions and artifacts of winemaking in the area go all the way back to at least the 6th century BC. And why not – you got rich soils with a lot of maritime influence, and despite the close proximity of the seas, hot and dry summers, which sport on average 300 sunny days. It is easy for grapes to ripen happily and abundantly in such conditions – may be, too easy – it is difficult to tame that amount of sugar later on at the winery. It is not very surprising that for the longest time, Salice Salentino was known as the source of grapes and bulk wine, and quantity was definitely trumpeting quality.
Come the 20th century, and the situation started to change, with more attention placed on the quality of the wine, controlling the yield and focusing on the quality of the grapes. Historically, Salice Salentino, and the whole big region it is a part of – Puglia – was focused on the red grapes and red wines; ohh – let’s not forget about olive trees (Puglia produces about 50% of all olive oil in Italy – but this is not the subject of today’s conversation). When Salice Salentino DOC was created in 1976, red wines were the only ones allowed under the DOC. Rules were subsequently changed in 1990 and 2010, and now both white and Rosato are produced in Salice Salentino.
To make wine, we need grapes, right? So let’s talk about grapes. Every region in Italy has its own, unique grapes – such grapes are called autochthonous (having a local origin). Salice Salentino is no exception – Negroamaro, Malvasia Nera (Black Malvasia, a red grape which is a sibling of the well known aromatic white grape, Malvasia), and Primitivo are three of the autochthonous grapes in that area.
Negroamaro is definitely the kind of Salice Salentino winemaking. The grape’s name can be translated as “black bitter”, due to its shiny black skin and bitter aromatics. It is widely considered that Negroamaro originated in Salentino area. The grape has no problems with dry hot climate and lack of water and can consistently achieve appropriate levels of ripeness. Most of the Salice Salentino DOC red wines contain 80% to 90% of Negroamaro grape.
Malvasia Nera is a dark-skinned member of Malvasia family. Malvasia Nera is growing around Italy, not only in Salice Salentino, and it is typically used as a blending grape, adding unique aromatics to the resulting wine.
You might not be familiar with Negroamaro and Malvasia Nera, but I’m sure you heard of Primitivo, which after the long research and often heated debates was recognized as an identical grape to American beloved Zinfandel. Primitivo is a star of the surrounding Puglia, especially in Primitivo de Manduria, however, in Salice Salentino it only plays supporting role in some of the blends, particularly with Aleatico.
In addition to the three grapes we already mentioned, Aleatico (red), Chardonnay, Pinot Bianco, and Fiano can be used. Overall, DOC rules allow the production of the full range of wines – sparkling (spumante) white, Rosato, red, and dessert (Dolce and Liquorosso).
Now, it is time to taste some wines. I had an opportunity to taste three of the Salice Salentino wines, but before I will share my tasting notes, let me introduce you to the three wineries.
Leone de Castris
This is definitely one of the pioneering wine producers in Salice Salentino. The company started in 1665 in Salice Salentino, by planting vines and olive trees. In the 19th century, the Leone de Castris was exporting bulk wine to the United States. The first bottling under Leone de Castris name was produced in 1925.
Now, remember the question I asked you at the beginning of this post? You probably figured that already (o mighty google), but nevertheless: the very first Rosato produced and sold in Italy, and imported to the United States was made at Leone de Castris winery in 1943, under the name of Five Roses. The name signifies the fact that multiple generations of de Castris had 5 children each.
Gradually, Leone de Castris reduced their land ownership from 5,000 acres to under 900 acres, which is split between the vineyards and olive trees. The winery makes today around 2.5 million bottles per year, which includes red, white, Rosato, and sparkling wines.
Cantina San Donaci
Cantina San Donaci is also one of the oldest wineries in Salice Salentino. It was established in 1933 by 12 local farmers. Today, about 600 partners are involved in all aspects of winemaking – tending to about 1,250 acres of vineyards, harvesting the grapes and making the wines.
Production includes white, Rosato and red wines.
Candido Wines
Candido Wines started in 1929, producing bulk wine obtained from the 1,000 acres of vineyards. In 1957, the bottling started under its own label. Today, the winery owns 350 acres of organically farmed vineyards, focusing on the autochthonous varieties, as well as some of the international ones and producing the typical Salice Salentino range of wines.
Here are the notes for the 3 wines I tasted.
2015 Leone de Castris 50° Vendemmia Salice Salentino Riserva DOC (13.5% ABV, $12, 90% Negroamaro, 10% Malvasia Nera, 12+ months in barrel, 6+ months in bottle)
Dark ruby
Herbs- driven nose – sage, oregano, excellent minerality, underbrush, a touch of cherries
Ripe cherries on the palate, sweet tobacco, well-integrated tannins, a touch of sandalwood. Good balance.
8, the wine is super food-friendly, and it is a lot of wine for the money.
2017 Cantina San Donaci Anticaia Rosato Salice Salentino DOP (13.5% ABV, $8, 90% Negroamaro, 10% Malvasia Nera, 18-20 hours skin contact)
Beautiful Intense Rose color
A touch of strawberries, restrained,
Beautiful strawberries and cranberries, good acidity, fuller body than a typical rose, but nicely balanced, good tartness.
8-, very good
2015 Candido La Carta Salice Salentino Riserva DOC (13.5% ABV, $12, 95% Negroamaro, 5% Malvasia Nera, aged in large casks)
Garnet color
Tobacco, sweet oak, leather, medium plus intensity
Cherries, smoke, round, pleasant well-integrated tannins, delicious.
8+, superb. Absolutely delicious. Outstanding value and QPR.
As you can see, these Salice Salentino wines are offering an outstanding value – at $12, finding the wine which gives you so much pleasure is rather difficult – and these wines delivered. They are perfect on its own and would work very well with food – antipasti, traditional local hard sheep cheeses, such as Pecorino Sardo or Pecorino Romano, hearty stews, you name it.
I hope I helped you to discover a new Italian wine region. If you are looking for every day, great value, delicious glass of wine – Salice Salentino wines are worth seeking and experiencing. Cheers!
Wine Lover’s Guide To Lesser Known Italian Wine Regions – Alto Adige
Italian wines are some of the most respected wines in the world. Well respected and well known, which is not surprising as Italy is the biggest wine producer and wine exporter in the world. But if you will ask a random wine lover about their favorite Italian wines, there is a good chance that all you will hear will be a few of Bs, most likely a C, and an S on a good day. I’m not trying to be cryptic here, just playing a bit – most likely you will hear about Brunello, Barolo, Chianti, and possibly, Super Tuscan. Some of the more advanced wine lovers might include Amarone. Someone might also include Prosecco, but that would pretty much complete the list.
When it comes to the regions, I expect the story to look very similar – Tuscany and Piedmont are two of the most likely contenders, everything else is open to the chance. Meanwhile, the wine is produced in Italy absolutely everywhere – otherwise, it is not that easy to be the number one wine producer and wine exporter in the world. When I say “wine is produced everywhere in Italy”, I mean exactly that – Italy has 20 administrative regions, and all 20 administrative regions are also wine regions.
There are many reasons why you want to expand your Italian wine horizons. For one, with the exception of Georgia and probably a few others, Italy is one of the oldest wine producing countries in the world with almost 3,000 years of history of the winemaking – that in itself deserves some respect. Another, and more important reason is that lesser-known regions usually mean great value – you can find the wines to enjoy with much better QPR than those coming from the best-known regions. And let’s not forget the sheer abundance of the grape varieties in Italy – about 350 used in winemaking today, out of which about 180 are so-called autochthonous (the grapes which originated in their respective local regions) – that translates into a tremendous range of wines available to the consumer.
Let’s start our exploration. Let’s go to the northmost part of Italy, between Austria and Switzerland, where the Italian Alps are located. There are few names used for this region – Trentino, South Tyrol (Südtirol) and Alto Adige all point to the same area in the north. One of the oldest winemaking areas in Italy, with about 3,000 years of winemaking history, with the wines having significant Austrian influence and using a number of the same grapes, such as Müller-Thurgau and Gewürztraminer. While the region is small, there are about 5,000 grape growers and 150 wineries in Alto Adige, producing on average about 60% of the white and 40% of the red wines (colder climates enticing more production of the whites). The climate in the region is the Mediterranean, and it allows for proper ripening of both white and red grapes, without much worry about over-riping the grapes (unlike in the South of Italy). You can also imagine that it is not easy to work with the vineyards on the mountainous slopes, so grape cultivation in Aldo Adige is quite demanding.
Out of 17 or so grapes used in the winemaking in Alto Adige, three varieties are considered autochthonous – Gewürztraminer, Lagrein, and Schiava, with both Lagrein and Schiava being red grapes. I’m sure you are perfectly aware of “spicy aromatic” grape – Gewürztraminer is popular most everywhere around the world. However, it is not an easy grape to work with, as it always needs balancing acidity to avoid single-dimensional wines. Alto Adige Gewürztraminer might be one of the very best renditions on the market, along with Gewürztraminer from Alsace.
Lagrein is the indigenous red grape of Alto Adige, known for its high acidity and high level of tannins. Lately, Lagrein gained popularity around the world and now can be found in Australia, New Zealand, and the USA. Schiava, also known as Vernatsch and Trollinger, is the second indigenous red grape in Alto Adige. Schiava is known to produce the lighter-bodied wines with high acidity.
Let’s taste some wine, shall we? Why don’t we try exactly the grapes we were talking about – the autochthonous varieties:
2017 St. Michael-Eppan Gewürztraminer Alto Adige (13.5% ABV, $14) – St. Michael-Eppan winery is a cooperative of 340 winemaking families, formed in 1907. The winery produces a wide range of white, Rosé and red wine.
Light golden color
Intense, lychees and peaches, a touch of guava
More lychees on the palate, nicely restrained compared to the nose, good acidity, a touch of spicy notes, minerality showing up on the finish. very enjoyable.
8-, would be good with the food. Also, expect it to evolve over the next 5-7 years.
2017 Muri-Gries Santa Maddalena Alto Adige (12.5% ABV, $14, Schiava 93% and Lagrein 7%) – MURI-GRIES is the monastery, starting its history in 1845, when Benedictine monks moved into the monastery from Switzerland Today, MURI-GRIES makes a number of wines from Lagrein as one of the favorites, however, today we are tasting the Schiava wine and not the Lagrein from this producer. This Schiava comes from the well regarded single vineyard, Santa Maddalena
Light ruby color
Earthy nose, a touch of underripe raspberries, lavender
The light but supple palate, round and velvety, beautiful silky mouthfeel, more underripe raspberries, a touch of pepper and interesting salinity.
8-/8, the wine to ponder at
2017 Cantina Schreckbichl Colterenzio Lagrein Alto Adige (13% ABV, $14, 100% Lagrein) – and finally, Lagrein. Colterenzio winery was formed in 1960 by a group of 26 winegrowers. Today, more than 300 partners winemakers participate in the work of the winery.
Dark garnet, almost black
Roasted notes, a touch of smoke, black plums, a touch of oregano
Velvety palate, excellent extraction, a touch of pepper and herbaceous notes, black fruit, medium+ body, voluptuous and sexy
8, this wine has a mystery to it.
Alto Adige wines offer all wine lovers an opportunity to drink great wines at the very reasonable prices – may be that’s why we should keep it a secret? Have you had wine from Alto Adige? What do you think of them? Cheers!
Franciacorta: Unique, Different and Authentic
“Sir, I will be very happy to work with you to improve the quality of your wines, but I have one request”, said young oenologist. “What is it?“ said Guido Berlucchi, the man famously known throughout the whole Franciacorta for his aristocratic, elegant lifestyle. “I would like to make Champagne here, in Franciacorta”.
The year was 1955, and young oenologist’s name was Franco Ziliani. Guido Berlucchi, while may be surprised, was not shy of taking the risk, and Franco Zeliani got to work. First vintages were a total disaster – awfully tasting wines, blown up bottles. But in 1961, the patience and perseverance paid off, and first 3000 bottles of the Franciacorta sparkling wine came into being.
Mr. Berlucchi invited his influential friends from Milan to try the wines, and they all happened to like it. The new chapter in the Franciacorta history was opened.
The wine was produced in Franciacorta literally forever. The land surrounding Lake Iseo from the south was strategically located along the trade path between Turin and Rome. In the 11th century, the monks created a special zone called Curtefranca to encourage land development and commerce – “Curte” in this case represents “land”, and Franca, while sounds related to France, has nothing to do with it – it simply means “free of taxes” in Italian. The primary focus in Curtefranca was agriculture, and can you imagine agriculture in Italy without making the wine?
As the time went on, the Curtefranca became known as Franciacorta – however, the Curtefranca name didn’t disappear and since 2008 it is a designation for Franciacorta still wines.
That first 1961 vintage at Berlucchi became a turning point for the whole region which was before mostly known for its red still wines. Producers started changing their ways and make sparking wines, and Franciacorta DOC was established in 1967 with 11 sparkling wine producers. Franciacorta became first DOC in Italy to require all sparkling wines to be produced by the metodo classico. In 1990, the Consorzio per la tutela del Franciacorta was formed and became a major regulatory body for sparkling wine production; in 1995 Franciacorta was awarded a DOCG status, top level of quality for the Italian wines. Starting from August of 2003, Franciacorta became the only region in Italy where the wines can be labeled only as Franciacorta and not Franciacorta DOCG – similar to the Champagne where the word AOC doesn’t appear on the label.
If you are like me, I’m sure you are dying to hear a few more facts. Today, Franciacorta comprise about 7,500 acres of vineyards and produces about 15,000,000 bottles per year; there are about 200 grape growers in Franciacorta, 116 of them produce their own wines. 65% of all the vineyards are organic, and conversion to organic methods continues.
Chardonnay, Pinot Noir and Pinot Blanc are the only permitted varieties in production of Franciacorta, with Pinot Blanc being somewhat of a bastard child, as the grape is even more finicky to properly produce than Pinot Noir – while some of the producers phasing it out (e.g. Berlucchi), the others love the perfumy bright character which the grape can impart on the resulting wines.
Franciacorta’s climate is very conducive to getting grapes ripen perfectly. The climate is generally mild, with consistently warm summer days. The Lake Iseo creates a cooling effect during the summer nights, helping grapes to reach the levels of phenolic ripeness which is very difficult to achieve (if not impossible) in the Champagne. During winter, the lake provides a softening effect, protecting vines from the very low temperatures.
Unquestionably Champagne was an inspiration for the ways and means of the Franciacorta sparkling wines – as expected if you use metodo classico production. However, Franciacorta is largely moving past the “Champagne copycat” status and actively seeks and creates its own unique style, not only by stricter aging requirements (both non-vintage and vintage Franciacorta must be aged on the lees for longer than the Champagne in the same category), but by the whole method of production – for instance, by using only stainless steel tanks for the fermentation or relying much less on blending and more on the quality of the grapes from the given vintage.
Franciacorta is obsessed with quality. It starts in the vineyard, where even if not certified, most of the grapes are growing as organic. New vines are often planted at a very high density, to force the roots to go deep down as they have no room to grow to the sides. The yield is well limited to about 4 tons per acre. All the grapes are harvested by hand (this is a requirement of Franciacorta DOCG). The grapes are cooled down before the pressing – and in the case of Ca’del Bosco, one of the premier producers in the region, the grapes are even washed and then dried, using specially created complex of the machines.
Getting the grapes into the winery is only the beginning of the quest for quality. We talked to many winemakers, and they were all repeating the same words – “gentle pressing”. There is a tremendous focus on gentle handling of the grapes, using various types of presses. Arturo Ziliani, the son of Franco Ziliani, who is in charge of winemaking at Berlucchi, gave us the best explanation. “Think about a lemon. Cut it, and right under the skin, you will see the white layer – pith. When you quickly juice the lemon, lots of that pith ends up in the juice, rendering it cloudy – and adding bitterness and extra acidity. If we would juice the lemon slowly without destroying the pith, the resulting juice would be clear – and lemonade would need a lot less sugar to make. While much thinner, grapes also have the layer of pith right under the skin – and when we press the grapes, we want to avoid crushing it as much as possible”.
Even gentle pressing alone is not enough. Franciacorta regulations allow up to 65% of grape mass to be pressed. Most of the winemakers press less, at around 50%, in some cases even limiting only by 30%. At all stages of the process, there is a great effort to protect grapes and wine from oxidation; such focused handling also allows to greatly reduce the levels of added SO2 – while the law allows up to 210 mg/liter, many winemakers limit it at only 50 mg/liter.
Obsession with the quality. Attention to detail. How do you drink your bubbles? The flute, you say? Where you ever able to perceive the full bouquet of your sparkling wine through that small opening on top of the flute? Well, leave the flute for Champagne, but if you want to enjoy Franciacorta, you will have to dump it (whatever way you see fit) and upgrade to something better – an official Franciacorta glass. It is specifically designed to enhance the visual and sensual qualities of your bubbles in the glass. The shape allows concentrating the aromas. And the glass is specifically made with the slight imperfections at the bottom to help form beautiful bubble traces better (perfectly polished glass doesn’t allow bubbles to form).
Obsession with quality. Attention to detail. Passion. So what makes Franciacorta unique, different and authentic? It is all of the above. Franciacorta is a unique place, with its own terroir, its own ways of making the wines, and really its own, authentic sparkling wines. Franciacorta shouldn’t be compared to Champagne, for sure not anymore, not based on the tasting of 50 or so wines during our 5 days there. Well, maybe except one thing – similar to Champagne, it should be simply called by the name. You will make all hard working Franciacorta producers very happy next time at a restaurant, when you will have a reason to celebrate (and every new day is enough reason in itself), by simply saying “Waiter, please bring Franciacorta, the best one you got!”
Do You Prefer Montepulciano or Montepulciano?
Nope, no typo in that title. And no, I’m not losing it. Not yet anyway.
Yes, the title is purposefully misleading. But within a reason – and I’m not looking to gain any unjust benefit from the confusion.
As most of you know, Montepulciano happened to be the name of the indigenous Italian grape, popular in central regions of Abruzzo and Marche. Montepulciano is also the name of the small medieval town, right in the heart of Tuscany, where the grape called Sangiovese is a king. The wine produced around the town of Montepulciano, which dates back to the 14th century, is called Vino Nobile di Montepulciano, and to be called Vino Nobile the wine should contain at least 70% of Sangiovese grapes. What is also worth mentioning that Vino Nobile di Montepulciano was the very first DOCG (Denominazione di Origine Controllata e Garantita) in Italy, awarded in 1984 – the emphasis here is on Garantita, denoting highest quality Italian wines.
A picture worth thousand words, so here is an infographic which nicely lines up all the confusing Montepulciano:

Infographic courtesy of Mosiah Culver
Now, let’s go back to the main question, only let’s ask it in a less controversial way – do you prefer Montepulciano or Vino Nobile di Montepulciano wine? The answer to such a question requires some wine drinking, so let’s fight it off with maybe some of the very best examples of both – Masciarelli Marina Cvetić Montepulciano d’Abruzzo and Avignonesi Vino Nobile di Montepulciano.
Masciarelli Tenute Agricole was established in 1978 by Gianni Masciarelli in San Martino, Chieti Abruzzo. In 1989, Giovanni married Marina Cvetic, who took over winemaking duties. Today Marina overseeing about 750 acres of estate vineyards, producing about 2.5 million bottles a year – of course, not only Montepulciano d’Abruzzo, but many different wines – you can find more information here.
The wine we are tasting today, Masciarelli Marina Cvetić Montepulciano d’Abruzzo Riserva, is a flagship wine, which won numerous accolades from the critics around the world, and it is definitely a beautiful example of how good Montepulciano wine can be.
Avignonesi estate was founded in 1974, and the Avignonesi family was instrumental in helping the regions to obtain DOCG status and promote Vino Nobile wines worldwide. From 2009, the estate, which comprise today 495 acres of vineyards in Montepulciano and Cortona appellations and produces about 750,000 bottles per year, is owned by Virginie Saverys. She works tirelessly to convert the estate to organic and biodynamic winemaking, and Avignonesi is expecting to get its organic certification in 2016. You can learn more about the estate and its wines here.
The wine we are drinking today is Avignonesi Vino Nobile di Montepulciano, which goes way beyond the requirements of the DOCG and made from 100% Sangiovese sourced from 8 best vineyards of the Avignonesi estate. If you will look at the suggested price ($29), in conjunction with the quality, this wine would easily beat many of its famous Brunello neighbors. Many critics also concur, as the wine repeatedly gets high scores and makes to the various “Top” lists.
Here are my notes for these two wines:
2011 Masciarelli Marina Cvetić Montepulciano d’Abruzzo Riserva (14% ABV, $28, 100% Montepulciano, 12/18months in oak barriques, 100% new)
C: dark garnet
N: cherries, tar, roasted meat, undertones of sage
P: sweet cherries, perfume, open, layered, clean, good balance, very approachable and ready to drink from the get go
V: 8/8+, sexy, luscious and delicious
2013 Avignonesi Vino Nobile di Montepulciano DOCG (14% ABV, $29, 100% Sangiovese, 12 months French barriques, 6 months large Slavonian oak casks, 6+ months in the bottle)
C: brilliant ruby
N: herbs, sage, hint of black fruit, restrained
P: sweet and tart cherries, earthy, leather, touch of cherry pits, touch of tannins, good balance. Very long finish with fruit dominating.
V: 8. surprisingly ready to drink (unlike some Vino Nobile which I had before). Classic Italian wine all around, with finesse.
As you can tell, I really liked both wines, probably hedging a bit more towards Montepulciano d’Abruzzo – these are very well made wines, different and excellent in its own right – and by the way, both would perfectly brighten up your holidays :).
What do you think? Which Montepulciano would you prefer, not only from these two wines but in general? Cheers!