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Sabering with a Steak Knife
When I’m opening a bottle of sparkling wine, my first desire is always to saber it. Sabering is a lot more fun than just twisting out the cork. Opening sparkling wine in the standard way, by twisting a bottle out of the cork, should produce no sound, maybe just a little “sigh”. When the bottle is sabered, the loud pop is expected, and the sparkling wine siphons out of the bottle – I hope you agree, this is lots more fun.
In the act of sabrage, the bottle is open with a small sword appropriately called the saber. This is how the typical saber would look:
I don’t believe I ever used the proper saber before, but considering the weight of it, it should be a pretty easy exercise – I used the chef’s knife successfully a number of times, works perfectly on the properly chilled bottle of Champagne or similar classic-method sparkling wine (it is all about high pressure of the liquid in the bottle).
Instead of a saber, it is a lot more fun to try random objects for the sabrage. My sabering attempts are not anywhere as prolific as Jeff The Drunken Cyclist’s (here is his latest success with the “espresso thingy”), but I had my own documented successes with the wine glass, and failures with the stapler and even with the knife.
This time around, I was opening the bottle of Cava, and encouraged by the Jeff’s latest success, I wanted to use some random object for sabering – so the steak knife was something I grabbed.
This is my beloved Laguiole steak knife, which is perfect for slicing the meat, beautiful and nicely balanced – however, it is very light. I was positive this will not work, but this is part of the fun! My first two strikes led to the glass starting to chip off around the neck, which lowered my confidence even further, but you can see this all for yourself here (apologies for the format of this video – a rookie mistake with the iPhone after not making videos in a while…):
As you can tell, it worked! Next time you will be opening a bottle of Champagne – have some fun with it. Cheers!
Welcome Spring With Wines of Lieb Cellars
Considering the weather in the New England, “spring” is just a word. Still freezing temperatures during the night, and simply cold during the day, despite the sun been in a full swing. I’ve seen plenty of rain and sunshine, but snow and sunshine? For sure this was new for me. So seeing the way Mother Nature is, we simply have to proclaim that Spring has arrived, and behave appropriately – Mother Nature will have to eventually comply with that unyielding demand.
Spring is the renewal time for everything in nature – including wines. No, I didn’t mean the vines, the bud breaking and all other beautiful “new life” occurrences. I actually meant the wines, as to liquid in the bottle. Yes, Spring is the time for … new arrivals, for sure in the Northern hemisphere. New vintages, new wines, new excitement – this is the beauty of the wine. Every vintage is different, every bottle is different – pulling that cork (okay, it is more often twisting the screwtop nowadays) is always an exciting moment – you never know what you will find inside.
Last year I discovered the wines of Lieb Cellars from Long Island, and it was a very tasty discovery – in fact, I called Lieb Cellars wines “happiness-inducing”, so you understand how much I liked them. Obviously, I was very happy to receive the new vintage of the wines from Lieb Cellars and their daughter winery, Bridge Lane Wines.
This year, the wines from the Bridge Lane Wines showed up in the new packaging – cans. As an extra bonus, all the cans had winter-defying, bright and cheerful colors – a good way to feel spring even if you still need a thick jacket to spend any time outside. Bridge Lane Wines are now available in 4 different formats – 375 ml (1/2 bottle) cans, standard bottles (750 ml), 3L boxes and 20 liters plastic kegs – whatever format will better suit your needs. The lineup from Bridge Lane Cellars includes Chardonnay, Sauvignon Blanc, White Merlot, Rosé, and Red Blend – and below are my tasting notes (note that all prices are SRP for 375 ml cans):
2017 Bridge Lane Chardonnay New York State (12.5% ABV, $7.99, 100% Chardonnay)
C: straw pale
N: fresh apples, minerality, lemon, medium + intensity
P: crisp, tart, Granny Smith apples, pretty astringent, needs food – shellfish, preferably
V: 7, definitely needs food
2017 Bridge Lane Sauvignon Blanc New York State (12% ABV, $7.99, 100% Sauvignon Blanc)
C: light golden
N: touch of grass, touch of grapefruit,
P: lemony notes, grapefruit, good acidity, fresh
V: 7+, nice and simple
2017 Bridge Lane Rosé New York State (11.9% ABV, $7.99, 45% Cabernet Franc, 27% Merlot, 16% Malbec, 8% Pinot Noir, 4% Pinot Blanc)
C: beautiful salmon pink
N: fresh strawberries, clean, crisp
P: zinging acidity, lemon, crisp, vibrant, hint of underripe strawberries.
V: 8, outstanding. Will be a perfect shellfish wine
2017 Bridge Lane White Merlot New York State (12% ABV, $7.99, 86% Merlot, 8% Pinot Blanc, 3% Riesling, 3% Viognier)
C: straw pale
N: crisp, white stone fruit, green apples
P: crisp, lemon, lemon zest, clean, fresh
V: 7+, reminiscent of unoaked Chardonnay more than anything else
2016 Bridge Lane Red Blend New York State (12.9% ABV, $7.99, 44% Merlot, 22% Cabernet Franc, 13% Petit Verdot, 12% Malbec, 9% Cabernet Sauvignon, 6 months in Hungarian oak)
C: dark ruby
N: currant, eucalyptus, forest underbrush, medium+ intensity
P: crisp, fresh, good acidity, medium body, blackberries, cherries, nice extraction, smooth, good textural presence
V: 8-, very nice
As you can tell, the Rosé and Red Blend were my favorites, but White Merlot was definitely fun, tasty, and creative as well. Now, let’s get to the big guns – the Lieb Cellar main line of wines. I had 4 different wines to try – here we go:
2015 Lieb Cellars Reserve Sparkling Rosé North Fork of Long Island (13.2% ABV, $29.99, 80% Pinot Noir, 20% Chardonnay, 16 months in the bottle)
C: light onion peel pink, fine mousse
N: Provence-like, restrained, touch of fresh strawberries and yeast
P: same fresh strawberries, fresh, perfect acidity, tiny hint of sweetness, perfectly round, delicate and delicious.
V: 8, excellent wine, would happily drink it again at any time
2013 Lieb Cellars Reserve Sparkling Pinot Blanc North Fork of Long Island (13.2% ABV, $29.99, 100% Pinot Blanc, 42 months in the bottle)
C: straw pale, perfect mousse appearance
N: toasted bread (restrained) with a hint of nutmeg, intriguing
P: crisp, fresh, touch of brioche, golden delicious apple, more nutmeg, impeccable balance, delicious.
V: 8/8+, superb
2016 Lieb Cellars Estate Cabernet Franc North Fork of Long Island (12.8% ABV, $29.99, 80% Cabernet Franc, 14% cabernet sauvignon, 4% Petit Verdot, 2% Merlot)
C: dark garnet
N: mint, eucalyptus, underripe black currant, a touch of cherries
P: open, bright, welcoming, medium body, fresh blueberries and sweet cherries, pronounced acidity, good balance.
V: 8-, the wine feels extremely young and hints at a good aging potential.
2016 Lieb Cellars Estate Petit Verdot North Fork of Long Island (13.2% ABV, $35 tasting room only, 90% Petit Verdot, 8% Merlot, 2% Cabernet Sauvignon)
C: dark ruby
N: licorice, mint, grape leaves, a touch of sour cherries, restrained, medium intensity.
P: medium+ body, succulent, lip-smacking acidity, bright blackberries and cherries, impeccable balance
V: 9-, it’s a riot. A perfection of young, fresh, balanced Bordeaux. Dangerous wine – once you start, you can’t stop
These were excellent wines, I can’t complain much about either one of the four – Sparkling Rosé was outstanding, Sparkling Pinot Blanc was superb and far exceeded my expectations. The Cab Franc was solid, and the Petit Verdot was, as I said, a riot. I did my usual “longevity test” with the Petit Verdot – pour a glass, close the wine, pour another glass next day and so on. For every day the wine stays tasty, I account 5-7 years of the aging time the wine can endure in the cellar. So Petit Verdot was fine for 2 days, but on the day number 3 it went down, so I would probably age it for another 5-7 years, but not much longer. But then with the screwtop, you never know…
Here you are, my friends. Spring, summer, fall or winter – Lieb Cellars have some fun and tasty wines waiting for you. Cheers!
South Africa’s Top 10 Méthode Cap Classique Wines
Today I want to bring to your attention a guest post by Brittany Hawkins – for more information about Brittany, please see the bottom of this post.
Source: Wikipedia
Most of us know that real Champagne only comes from Champagne, France.
Some of us also understand that there is a significant difference in the processes used to make Champagne versus many other sparkling wines. But there are other bubbly wines that are made in the tradition of Champagne, which is known as méthode classique.
If you didn’t know this, we will fill you in on the details in a moment, but do know that this little fact is at least one part of the secret behind why South Africa’s MCC (Méthode Cap Classique) wines are so highly sought after?
What Makes MCC So Special?
When you drink a South African MCC, there are at least two key differences between it and the majority of other sparkling wines.
First, as alluded to above, MCCs are made in the traditional Champagne way. This means that the wine is fermented a second time in the bottle (not a tank, like some sparkling wines) using a solution of yeast and sugar. The bottle is left anywhere from 1 ½ to 3 years during the second fermentation. This process is what carbonates the wine.
So, when you open up a bottle of MCC, you are about to enjoy the closest thing on earth to Champagne other than Champagne itself. In fact, South African MCCs are truly rivaling French champagnes due to the quality of their grapes and wine makers.
However, while South African MCC is made méthode classique, it has some unique South African markers. Particularly, as a result of the warmer climate and consistent temperatures of the South African wine country, MCCs tend to be fruitier in character than Champagne and many other sparkling wines, creating unique tasting profile.
Now, let’s give you a run-down of the top 10 MCCs South Africa has to offer.
- Simonsig Cuvée Royale Blanc de Blancs 2012
Simonsig Wines in Stellenbosch is home to the very first South Africa Méthode Cap Classique.
It should come as no surprise, then, that we name Simonsig at the top of our list. In the 2017 Cap Classique Challenge, they had two double gold medal winners, as well as other medalists.
We have to agree with the judges of the annual competition in saying that Simonsig’s Cuvée Royale Blanc de Blanc from 2012 is number 1 on the list.
- Simonsig Woolworth’s Pinot Noir Rosé 2015
Produced by Simonsig only for Woolworth’s, this MCC Pinot Noir Rosé offers that fruity quality mentioned above, with a crispness sure to deliver a pleasing and refreshing experience.
- Domaine des Dieux Claudia Brut 2011
Tucked away in the foothills of the Hemel-en-Aarde Ridge mountains, Domaine des Dieux is a boutique wine farm with very impressive, award-winning wines. Also a gold medalist in the 2017 Cap Classique, Domaine des Dieux’s Claudia Brut MCC will not disappoint.
Made from a predominantly Chardonnay and Pinot Noir base grown in a cooler climate than average South African wine, this MCC will deliver a bit fuller, more austere flavor.
- Boschendal’s Brut Rosé NV
Boschendal farm, in the heart of the Stellenbosch wine country, is one of the oldest wine farms in the country, founded in 1685. Today, it is committed to biodiversity and sustainability.
Boschendal’s award-winning MCC, the Brute Rosé brings together Pinot Noir, Chardonnay, and Pinotage to create a unique, versatile blend that is as tasty to the tongue as it is pleasing to the eye. All the grapes and wine used to produce it come directly from their farm.
- Graham Beck Brut Rosé 2012
The Graham Beck Robertson estate is situated in the cool Breede River Valley. They specialize in Cap Classique wines and have a cellar devoted purely to its making and are known for producing some of the best Méthode Classique in the world.
They have numerous award-winning MCCs, but their Brute Rosé recently won gold for best of 2017.
- J.C. Le Roux Scintilla 2011
J.C. Le Roux is considered to be one of the leading producers of MCC in all of South Africa. Located in the Devon Valley of Stellenbosch, they are considered a house of bubbly, producing top brands of Cap Classique – Scintilla and Desiderius Pongracz. While most of their MCCs are exquisite, we highly recommend you try their Scintilla 2011.
- Babylonstoren Sprankel 2012
Babylonstoren is another wine farm committed to biodiversity, sustainability with many ways for guests to interact with their farm and winery.
Their award winning MCC, their 2012 Sprankel, is composed of Chardonnay grapes which are carefully chosen from various different vineyards with ideal altitudes. They bring these grapes together to create an MCC with a vibrant and crisp fruity flavor with hints of citrus and passion fruit.
- Laborie Brut 2011
Established in the 1700’s, Laborie has been operating as a world class wine farm for some decades now.
Their award-winning Laborie Brut was made with tender loving care, allowed to mature on its lees for 24 solid months before it was disgorged and bottled.
- Stellenbosch Infiniti Brut
A name well established as one of the greats of the South African wine estates, it should come as no surprise that Stellenbosch produces a superb MCC. Their Infiniti Brut will give you a unique MCC experience, with warm nutty flavors with a hint of citrus.
- Bon Courage Jacques Buére de Blancs 2010
Located in the cooler region of Robertson valley, Bon Courage Estate is home to both locally and internationally recognized and acclaimed wines.
Their line of MCC’s, the Jacques Bruér line, all undergo at least 36-48 months of yeast contact before disgorgement. The Blanc de Blanc is especially exquisite.
For more information on South African Wine farm tours and how to visit them when in South Africa Explore Sideways has all the information you will ever need.
About Brittany Hawkins:
Brittany’s passion for food and wine began in her hometown, Napa Valley, California, where she grew up immersed in the wine industry. After receiving a degree from DePauw University, she began her career in Silicon Valley in the advertising and marketing industries. Brittany moved to Cape Town 3 years ago where she launched Explore Sideways and has since been able to marry her interests in food, wine, travel and tech to create transformative experiences around the world.
One on One With Winemaker: Brett Jackson of Viña Valdivieso, Chile
Source: Viña Valdivieso
Today, sparkling wines are produced everywhere, and we are getting quite used to it. Sometimes, it comes almost to a surprise when we hear that particular producer doesn’t offer any sparkling, at least as part of the “winery special”. But this was not the case even 10 years ago, when the sources of the sparkling wine were much more limited.
When you are thinking about Chilean wines, well respected worldwide, what kind of wines come to mind first? I would bet you are thinking about Cabernet Sauvignon, Merlot, Carmenere, Sauvignon Blanc and may be some Chardonnay. I would also safely bet that you don’t think of Chile as a producer of the sparkling wines, right? So without asking google or reading ahead, can you pause for a second and think when could Sparkling wines be commercially made in Chile?
While spending time in France, Don Alberto Valdivieso fell in love with Champagne. As a matter of fact, he loved it so much that upon his return to Chile in 1879, he founded Champagne Valdivieso and became the first producer of the sparkling wines in Chile and the whole of South America.
Fast forward to today and Viña Valdivieso produces the full range of sparkling wines, including both Viña Valdivieso produces the full range of sparkling wines, including both méthode champenoise and Charmat, and the extensive line of still wines which includes a unique solera-method dry red called Caballo Loco. I had an opportunity to sit down (albeit, virtually) with the Viña Valdivieso Winemaker, Brett Jackson, and ask him a few bunch of questions – here is what transpired from our conversation:
[TaV]: I would guess that Viña Valdivieso first sparkling wines were made with the Traditional Method. When did the Viña Valdivieso start producing sparkling wines using Charmat method?
[VV]: Valdivieso started making sparkling wines from 1879, all the bottles in traditional method. Only from the eighties began the elaboration by Method Charmat
[TaV]: What is the oldest sparkling wine which can be found in your cellars? What was the oldest Viña Valdivieso sparkling wine you ever tried?
[VV]: For the earthquakes of 1985 and 2010, that affected our underground cava, we lost bottles from the early fifties to the present. We only recovered some bottles from 1996 onwards that are still preserved in our cellar.
[TaV]: Do you make any single vineyard sparkling wines? What about vintage sparklers?
[VV]: For Traditional method, we have single vineyard Valdivieso Blanc du Blanc made of 100 % Chardonnay and Valdivieso Blanc du Noir with 100% Pinot Noir
Since 2013, we started using the label vintage in Valdivieso Blanc du Blanc. Actually, the new portfolio sparkling for Champenoise Caballo Loco Grand Cru 2014 uses an exceptional vintage.
[TaV]: When you produce Traditional Method sparkling wines, do you follow the path of the French Champagne and try to achieve consistent “Chateau” taste profile? How many Vin Clairs your typical blend include? Do you use also reserve wines, and what would be the oldest you would use?
[VV]: We use different vintages to give consistency to our portfolio. Charmat Limited include 2 years at least in different percentage of varieties, blending, Traditional method we use Both of 1 vintage as well as several in blending. Currently, the use of expedition liquor for some 2014 bottles of traditional method is from 2011 vintage.
[TaV]: Do you use sustainable farming methods? What about organic – you do it now or have any plans?
[VV]: Our farming methods are sustainable, being certified with the Wines of Chile Sustainable code. We are working with a 15Ha organic vineyard in the south of Chile with some very exciting red varieties. Grenache, Tempranillo, Mourvedre, Carmenere, Tannat, Carignan, Syrah, and Petit Syrah. The first wines from this vineyard should be appearing late 2018.
[TaV]: What was your most challenging vintage for the sparkling wines and why?
[VV]: 2012 and 2013 the most difficult, extremely challenging because of the huge amount quantity per hectare. We don´t have Traditional method these years, except Blanc du Blanc 2013, 100% chardonnay. The Chardonnay variety was the only one that excelled to maintain consistency in quality and longevity for its storage in bottles.
[TaV]: What was your most difficult vintage for the still wines and why?
[VV}: 2016, the most difficult, lots of rain during April. Chile lost around 30% of the harvest due to these rains. Extremely challenging conditions.
[TaV]: What were you favorite vintages for the still and sparkling wines?
[VV]: For still wines 2000 through to 2010 were exceptional with a string of outstanding vintages, 2001, 2005, 2007, 2009, 2010. I would give the edge to the 2005 vintage, great balance in the wines, maturity, acidity, and exceptional flavor.
For sparkling wines 2010, 2014, 2015, 2016. because of the balance of fresh maturity, big natural acidity, fresh fruity character . 2014 was the best, with the fruit from consolidated new areas for traditional method such as Biobio, Limarí, Itata, and new improves for charmat with vines so close to Andes mountains and Coastal range. 2014 is the first vintage for a new sparkling label called Caballo Loco Grand Cru Biobio Valley , Brut Nature and Blanc du Noir, currently available.
[TaV]: Today you produce still white wines from Chardonnay and Sauvignon Blanc. Have you ever experimented with any other white varietals? Any plans to introduce any new Viña Valdivieso white wines?
[VV]: We do a small amount of Viognier. In the near future we will be launching Rousanne and Marsanne. Both look very promising with great potential.
[TaV]: What is the “Next Big White Grape” for Chile? Is there one?
[VV]: The “next big” is white wine. It is not easy to see as on an international scale, Sauvignon Blanc and Chardonnay dominate to such an incredible extent.
[TaV]: Same question for the reds – is there “Next Big Red Grape” for the Chilean wines?
[VV]: For individuality and exceptional quality, the old vine Carignan from the Maule Valley is making a substantial mark. Also, Syrah has the potential to produce exceptional wines from many different areas of Chile.
[TaV]: For how long do you produce your Syrah wines? What is your inspiration for the Syrah? Is there an international style you would compare Viña Valdivieso Syrah to?
[VV]: We have been producing Syrah for around 10 years. When looking at what we try and achieve, I really look to the northern Rhone, trying to capture spice, black and white pepper. Our style has evolved over the years, initially being more of a new world dark rich style, whereas now I would compare more to soft spicy Rhone style. However Syrah is so unique in that as a red wine every area it is grown in, it produces a wine which is unique to that area.
[TaV]: What is the story behind Caballo Loco? Why all of a sudden to produce Solera-style red wine? Do you produce this wine every year? How do you say it is changing year over year?
[VV]: Caballo Loco, has a long history in Chile, the first edition being released in the early nineties. It was created through a series of events between the winemaking team, sales team, and owners. It is a reflection of the innovative nature of Valdivieso, and not being afraid to try new While it is based on our solera Sistema, each bottling is unique and such receives an individual edition number. The current edition on the market is the N°16, which contains 20 different vintages. The new edition N°17 will contain 50% of the previous edition (in this case N°16), and 50% of the new vintage wine. This method allows us to evolve the nuances of the wine over time. Over the years new vineyards, areas, varieties, and techniques have been incorporated into the wine. Each new edition is released when it is ready, which is not necessarily on an annual basis. Roughly every 18 months a new edition is released. The subtle changes over the years for me is principally increasing complexity and depth as we have come to better understand the vineyards of Chile and the opening of new areas.
[TaV]: It seems that Valdivieso ÉCLAT was produced only once in 2011, with an unusual for Chile blend of grapes. As there a story behind this wine? Any plans to produce a new vintage?
[VV]: Eclat VIGNO, is a blend of Old vine Carignan and Mourvedre. We are part of the VIGNO, a group of 13 wineries which has created this label VIGNO. It is an aggrupation which has been lead by winemakers with the objective to highlight the exceptional quality of these old vine vineyards in the Maule Valley. To place VIGNO on the label the wine must contain 100% of old vine from the Maule Valley. Of this, a minimum of 65% must be old vine Carignan. This is also intended to improve the situation of the small growers in the area, an area with many small growers which had in the past been obliged to sell there Carignan grapes for generic red blends, in which they were diluted away. Now with this initiative, the fruit is sought by many wineries for its quality potential resulting in substantially better prices for the growers. There will definitely be another vintage when the wine is ready.
[TaV]: What’s ahead for the Viña Valdivieso – new markets, new wines – what makes you excited?
[VV]: New wines to come, we have some really fun projects coming on. From the Maule Valley, we will shortly have some wines from an organic vineyard, being from an exciting range of varieties. Grenache, Syrah, Petit Syrah, Tempranillo, Tannat, Carignan, Carmenere, and Mouvedre. We still do not have a name for the range, but the quality of wine from these low yielding vineyards is exceptional.
Late this year we will be launching in the Eclat range 3 new wines under the Curiosity label. Cinsault from the Itata Valley, on the coast, old vines being cultivated in the traditional methods they have been using since vines were first introduced into Chile. There are records of wine being produced in this area since the 17th century. Also, a Rousanne, and a Marsane. These two whites look great, and for me show the potential for these Mediterranean varieties in Chiles conditions.
In the markets around the world it is a very exciting time for Chile, after years as been considered the supplier of good easy drinking wines, Chile has now become a very respected wine producer where people are respecting and expecting wines of the highest world class level. As a foreigner who has accepted into the industry I feel very privileged and lucky to have been able to play a small part in what has been this transformation of the wines from Chile.
I hope you are still here and reading this – I really love these conversations – while virtual, they still share the passion and even the obsession those little grapes bestow on us.
I’m sure you are thirsty by now, so pour yourself a glass, and let me share my impressions from tasting of the few of the Viña Valdivieso wines:
NV Viña Valdivieso Brut Chile (12% ABV, Chardonnay 60%, Semillon 40%, Charmat method)
white stone fruit, distant note, light mousse, good acidity on the palate, touch of grapefruit notes. Drinkability: 7+
NV Viña Valdivieso Rosé Chile (12% ABV, Pinot Noir 70%, Chardonnay 30%, Charmat method)
beautiful color, inviting nose of fresh berries with touch of herbs, light, round, touch of fresh fruit, excellent balance, refreshing. Drinkability: 7+/8-
2015 Viña Valdivieso Sauvignon Blanc Gran Reserva DO Valley de Leyda Chile (12% ABV)
straw color, very intense nose of blackcurrant and black currant leaves, same on the palate but with restraint, nice acidity, black currant, excellent. Drinkability: 8
2013 Viña Valdivieso Cabernet Franc Single Vineyard DO Valle Sagrada Familia Chile (14% ABV, Punta de Rosa Vineyard)
dark ruby color, touch of bell pepper, berries and leaves of the cassis, mint, touch of roasted meat. Palate follows the nose – medium body, good acidity, fresh red berries, touch of cassis, nice savory notes. Enjoyable by itself, but will work well with food. Drinkability: 8
Here we are, my friends. Sparkling from Chile? Yes, please! Cheers!
Franciacorta: Unique, Different and Authentic
“Sir, I will be very happy to work with you to improve the quality of your wines, but I have one request”, said young oenologist. “What is it?“ said Guido Berlucchi, the man famously known throughout the whole Franciacorta for his aristocratic, elegant lifestyle. “I would like to make Champagne here, in Franciacorta”.
The year was 1955, and young oenologist’s name was Franco Ziliani. Guido Berlucchi, while may be surprised, was not shy of taking the risk, and Franco Zeliani got to work. First vintages were a total disaster – awfully tasting wines, blown up bottles. But in 1961, the patience and perseverance paid off, and first 3000 bottles of the Franciacorta sparkling wine came into being.
Mr. Berlucchi invited his influential friends from Milan to try the wines, and they all happened to like it. The new chapter in the Franciacorta history was opened.
Map of Franciacorta region
The wine was produced in Franciacorta literally forever. The land surrounding Lake Iseo from the south was strategically located along the trade path between Turin and Rome. In the 11th century, the monks created a special zone called Curtefranca to encourage land development and commerce – “Curte” in this case represents “land”, and Franca, while sounds related to France, has nothing to do with it – it simply means “free of taxes” in Italian. The primary focus in Curtefranca was agriculture, and can you imagine agriculture in Italy without making the wine?
As the time went on, the Curtefranca became known as Franciacorta – however, the Curtefranca name didn’t disappear and since 2008 it is a designation for Franciacorta still wines.
That first 1961 vintage at Berlucchi became a turning point for the whole region which was before mostly known for its red still wines. Producers started changing their ways and make sparking wines, and Franciacorta DOC was established in 1967 with 11 sparkling wine producers. Franciacorta became first DOC in Italy to require all sparkling wines to be produced by the metodo classico. In 1990, the Consorzio per la tutela del Franciacorta was formed and became a major regulatory body for sparkling wine production; in 1995 Franciacorta was awarded a DOCG status, top level of quality for the Italian wines. Starting from August of 2003, Franciacorta became the only region in Italy where the wines can be labeled only as Franciacorta and not Franciacorta DOCG – similar to the Champagne where the word AOC doesn’t appear on the label.
If you are like me, I’m sure you are dying to hear a few more facts. Today, Franciacorta comprise about 7,500 acres of vineyards and produces about 15,000,000 bottles per year; there are about 200 grape growers in Franciacorta, 116 of them produce their own wines. 65% of all the vineyards are organic, and conversion to organic methods continues.
Chardonnay, Pinot Noir and Pinot Blanc are the only permitted varieties in production of Franciacorta, with Pinot Blanc being somewhat of a bastard child, as the grape is even more finicky to properly produce than Pinot Noir – while some of the producers phasing it out (e.g. Berlucchi), the others love the perfumy bright character which the grape can impart on the resulting wines.
Franciacorta’s climate is very conducive to getting grapes ripen perfectly. The climate is generally mild, with consistently warm summer days. The Lake Iseo creates a cooling effect during the summer nights, helping grapes to reach the levels of phenolic ripeness which is very difficult to achieve (if not impossible) in the Champagne. During winter, the lake provides a softening effect, protecting vines from the very low temperatures.
Unquestionably Champagne was an inspiration for the ways and means of the Franciacorta sparkling wines – as expected if you use metodo classico production. However, Franciacorta is largely moving past the “Champagne copycat” status and actively seeks and creates its own unique style, not only by stricter aging requirements (both non-vintage and vintage Franciacorta must be aged on the lees for longer than the Champagne in the same category), but by the whole method of production – for instance, by using only stainless steel tanks for the fermentation or relying much less on blending and more on the quality of the grapes from the given vintage.
Franciacorta is obsessed with quality. It starts in the vineyard, where even if not certified, most of the grapes are growing as organic. New vines are often planted at a very high density, to force the roots to go deep down as they have no room to grow to the sides. The yield is well limited to about 4 tons per acre. All the grapes are harvested by hand (this is a requirement of Franciacorta DOCG). The grapes are cooled down before the pressing – and in the case of Ca’del Bosco, one of the premier producers in the region, the grapes are even washed and then dried, using specially created complex of the machines.
Getting the grapes into the winery is only the beginning of the quest for quality. We talked to many winemakers, and they were all repeating the same words – “gentle pressing”. There is a tremendous focus on gentle handling of the grapes, using various types of presses. Arturo Ziliani, the son of Franco Ziliani, who is in charge of winemaking at Berlucchi, gave us the best explanation. “Think about a lemon. Cut it, and right under the skin, you will see the white layer – pith. When you quickly juice the lemon, lots of that pith ends up in the juice, rendering it cloudy – and adding bitterness and extra acidity. If we would juice the lemon slowly without destroying the pith, the resulting juice would be clear – and lemonade would need a lot less sugar to make. While much thinner, grapes also have the layer of pith right under the skin – and when we press the grapes, we want to avoid crushing it as much as possible”.
Even gentle pressing alone is not enough. Franciacorta regulations allow up to 65% of grape mass to be pressed. Most of the winemakers press less, at around 50%, in some cases even limiting only by 30%. At all stages of the process, there is a great effort to protect grapes and wine from oxidation; such focused handling also allows to greatly reduce the levels of added SO2 – while the law allows up to 210 mg/liter, many winemakers limit it at only 50 mg/liter.
Obsession with the quality. Attention to detail. How do you drink your bubbles? The flute, you say? Where you ever able to perceive the full bouquet of your sparkling wine through that small opening on top of the flute? Well, leave the flute for Champagne, but if you want to enjoy Franciacorta, you will have to dump it (whatever way you see fit) and upgrade to something better – an official Franciacorta glass. It is specifically designed to enhance the visual and sensual qualities of your bubbles in the glass. The shape allows concentrating the aromas. And the glass is specifically made with the slight imperfections at the bottom to help form beautiful bubble traces better (perfectly polished glass doesn’t allow bubbles to form).
Obsession with quality. Attention to detail. Passion. So what makes Franciacorta unique, different and authentic? It is all of the above. Franciacorta is a unique place, with its own terroir, its own ways of making the wines, and really its own, authentic sparkling wines. Franciacorta shouldn’t be compared to Champagne, for sure not anymore, not based on the tasting of 50 or so wines during our 5 days there. Well, maybe except one thing – similar to Champagne, it should be simply called by the name. You will make all hard working Franciacorta producers very happy next time at a restaurant, when you will have a reason to celebrate (and every new day is enough reason in itself), by simply saying “Waiter, please bring Franciacorta, the best one you got!”
Happiness-Inducing Wines of Lieb Cellars
“Rising tide lifts all boats”.
As the wine growing in popularity all over the United States (still does, I hope), we witness the “wine countries” appearing everywhere – not just singular wineries, but the actual aggregations of the wineries, often presented as “wine trails”. While Napa and Sonoma definitely paved and continue leading the way to what the “wine country” is, you can find wineries all over the country offering not only wine tastings, but live music, concerts, dinners, special events and lots more.
Long Island wine country is the one closest to the New York City, making the wines for about 40 years by now. There is a very good chance, however, that even if you live in the USA, you never tasted Long Island wines – same as it is practically impossible to find the wines from Texas, Virginia, North Carolina, Arizona or Michigan anywhere outside of those states. So if I will tell you that Long Island makes world class Riesling, Chardonnay, Chenin Blanc and Merlot, you will probably have to take my word for it.
Over the past 10 years or so, visiting Long Island wineries on more or less a regular basis, I witnessed those wineries perfectly learning from Napa – both the good and the bad. On the good side, more and more knowledge is accumulated as to which vineyards and grapes do best, which individual plots do best, and the winemaking becoming more precise and resourceful. The bad side is in the fact that as the wines are getting better and better, it is less and less possible to enjoy the wines in the wine country itself, as it becomes more and more touristy – and visitors often get this “tourist special” treatment… Oops – no, we are not going into the rant, nope. Let me get to what I actually wanted to talk about.
When I was offered to taste some of the wines produced by Lieb Cellars, I had to do a bit of a research first. It turned out that despite visiting Long Island wineries every year, I never made it to Lieb Cellars and was pretty much unfamiliar with their wines. Therefore, I was looking at the best case – the wine country was coming to me, without any additional tourist distractions, yay!
Now, I would like to finally explain the title of this post (after almost falling for a rant, yeah). When the wines arrived and I started taking them out of the box, the first thought was “wow, I love these labels!”. There is really nothing special about those labels, except that they are very clean and simple, and all of them use bright, cheerful colors. We eat with our eyes first – everybody know that – and it works for me the same with the the wine labels. Of course, what’s inside the bottle is far more important than the label itself, but good label makes you anticipate good wine – works for me every time.
In case of Lieb Cellars wines, the happiness-inducing labels were also perfectly supported by what was in the bottles, as you can tell from my tasting notes below. Few comments before I will leave you with them.
Lieb Cellars produces two different lines of wines. The first line, Lieb Cellars, is being produced since 1992. You can see those wines identified on the labels as Lieb Cellars, and today those are the Reserve wines made only from the estate-produced fruit. In 2004, Lieb Cellars started new line of wines called Bridge Lane – named after the farm road adjacent to one of the Lieb vineyards. While Bridge Lane are called a “second label” wines, there is nothing “second” about them – sustainably farmed, small crop, hand harvested wines, available in 3 different formats – standard bottle, 3L box and 20L kegs – whatever size your heart desires. You can even see those three available sizes pictured on the Bridge Lane labels.
Time to talk about the wines – here are my notes:
2016 Bridge Lane Chardonnay New York State (12.5% ABV, $15, 100% Chardonnay)
C: straw pale
N: lemon with distant hint of rosemary
P: lemon, tropical fruit, mango, Granny Smith apples
V: 7+/8-
2016 Bridge Lane Rosé New York State (11.9% ABV, $15, 49% cabernet Franc, 29% Merlot, 16% Malbec, 4% Pinot Noir, 2% Petit Verdot)
C: light onion peel
N: strawberries all the way, ripe strawberries, clean, inviting, fresh, touch of yeast Inessa which makes you smell it for a long time
P: strawberries on the palate, clean lemony acidity, firm and present. It would happily compete with any Provence Rosé
V: 8, wow, what a treat!
2016 Bridge Lane Sauvignon Blanc New York State (12.0% ABV, $15, 100% Sauvignon Blanc)
C: literally non-existent, straw pale extra light
N: fresh cut grass, medium intensity
P: lemon, tart fruit, cut through acidity. More of a Sancerre style – less fruit than California, less intensity than NZ. Clean acidity on the finish.
V: 8-, very enjoyable.
2011 Lieb Cellars Reserve Blanc de Blancs North Fork of Long Island, New York (12.5% ABV, $30, 48 months on the lees, 100% Pinot Blanc)
Appearance: Light golden color, fine mousse
N: touch of Apple, touch of yeast, delicious, open
P: touch of acidity, apples, lemon, restrained
V: 8/8+, the bottle can be gulped in one sitting
2015 Lieb Cellars Pinot Blanc Reserve North Fork of Long Island, New York (11.9% ABV, $20, 98% Pinot Blanc, 2% Riesling)
C: straw pale
N: white stone fruit, nice sweetness
P: beautiful, plump fruit, generous, delicious
V: 8, outstanding.
2015 Lieb Cellars Reserve Cabernet Franc North Fork of Long Island, New York (12.8% ABV, $30, 10 month in Hungarian oak, 85% Cabernet Franc, 9% Cabernet Sauvignon, 4% Merlot, 2% Petit Verdot)
C: dark ruby
N: mint, hint of mushrooms, touch of tobacco
P: fresh, open, blackberries, silky layers,
V: 7+/8-
The wines give us pleasure. It is not simple to convey that in words, but I hope I managed to share at least a glimpse of a pleasure brought by these Lieb Cellars wines. If anything, let me give you only one advice – find ’em and drink ’em. Cheers!
Champagne! Champagne! Conversation with A.J. Ojeda-Pons of The Lambs Club
While some of us insist that Champagne is an everyday wine, majority treat it as a “special occasion” only. Of course, every day with the name ending in “day” is worthy of a special celebration, but jokes aside, most of us need a good reason to pop the cork on that tickling, gently foaming, playful and refreshing nectar.
Lucky for all “special occasion” folks, one such special occasion is almost upon us. What can accentuate “love and romance” better than a glass of bubbly? Yes, bring the Champagne as Valentine’s Day is only a week away!
To help you celebrate and maybe even answer a question or two which I’m sure you always had, I [virtually] sat down together with A.J. Ojeda-Pons, sommelier at The Lambs Club, one of the popular New York restaurants by the Food Network’s best-dressed star and Iron Chef Geoffrey Zakarian. I need to mention that in addition to being a WSET Advanced Sommelier, A.J. knows a thing or two about style – in 2014, he was the official winner of the U.S. Best Dressed Somm contest by Penfolds and GQ Magazine. And the Champagne? Just take a look at the A.J.’s LinkedIn profile, which says “Drink Champagne Every Day”!
Here is what transpired in our conversation:
[TaV]: Champagne is perfectly appropriate for any celebration, however, it is most often associated with Valentine’s Day – well, after the New Year, of course. When celebrating Valentine’s Day, would you recommend Champagne as the one and only choice of dinner wine, or would you use it just as an opener and then continue with whites and reds?
[A.J.]: Ah! My motto is “Drink Champagne Every Day,” so I often have a whole meal drinking just Champagne. Besides, drinking champagne before a meal is the most civilized thing you could do.
I know that it may be hard for some people to drink bubbles throughout a meal, but if you tailor your menu choices with the champagne that you are drinking, you can have an amazing experience (Think Crudos, Oysters, Fish or Seafood Tartare, Veal, Rabbit or Fish and avoiding red sauces or rich, creamy preparations). Otherwise, if you can’t commit, plan to drink the Champagne for at least half of the dinner and then switch for your main courses. In regards to desserts, champagne could sometimes be a total clash (due to its crispness and acidity) but a nice sorbet or fruit-based dessert will do.
[TaV]: To continue the previous question, just in case you suggested to stay with Champagne all the way, can you make some recommendations for different Champagne or Sparkling wines to complement a three course meal, including dessert? I’m talking not so much about particular producer names, but more about the styles and types of the sparkling wines.
[A.J.]: I like to drink a champagne that has more complexity throughout a full meal, so in that case I would go straight to a vintage champagne, even though it is always more expensive. You will benefit from the extended period of aging, it will have more nuanced layers and complex flavors, and will make it easy to pair with different flavors in various dishes.
[TaV]: Now, let’s actually talk about names. Splitting into three price categories – under $20, $20 to $60 and my favorite, “the sky is the limit”, what are the special Champagne and sparkling wines would you recommend to our readers in each price category?
[A.J.]: For the under $20 category, you won’t find any champagne in the market, unless it is a half bottle, but for that price point you are better off selecting other sparkling wines that are made in the méthode Champenoise. There are not a lot out there, if you can find them, because generally they are not exported or their production is very limited.
For example, from Italy you could try to get Franciacorta from the Lombardy region, from producers like Berlucchi, Il Mosnel or Mirabella. From the Veneto, you could try Il Buglioni spumante, and don’t forget that the Dolomites produce great sparkling, like Castel Noarna and Endrizzi. In Spain you can find great Cava from producers like Gramona, Mestres and Naveran.
If you are really in love with French sparkling, Crémant de [Bourgogne] (Veuve Ambal, Clotilde Davenne), [Jura] (Domaine de la Renardière, Rolet Père & Fils) [Alsace] (Albert Mann, Pierre Sparr or [Limoux] (Tocques et Clochers, Paul Mas) is your answer.
In the $20-60 sweet spot, you’re going to have the majority of Champagne options, from producers like Benoit Lahaye, Laurent Perrier, Dhondt-Grellet, Andre Clouet, Ayala, Billecart-Salmon, Aubry, Deutz, Henriot… open the floodgates!
Sky is the limit… yes, always! Find the Tête de Cuvées from Billecart-Salmon (Le Clos Saint-Hilaire), Pol Roger (Sir Winston Churchill), Charles Heidsieck (Blanc de Millenaires), Krug (Clos de Mesnil) and of course, Moët & Chandon (Cuvée Dom Pérignon).
[TaV]: What do you think of Grower’s Champagne? It is often hard to find, and if you can find it, it usually comes with very little information – is Grower’s Champagne worth seeking?
[A.J.]: Grower Champagne is by far my favorite type of champagne. Yes, they are hard to find at some stores but you can actually purchase quite a few online, if your state allows. Think about it, they ?own the land, they farm it, quite often respecting nature to the T, they produce and sell their own champagne, they don’t sell the fruit to big houses or mass producers. I stock on these a lot.
There are many styles to look forward to and many small producers that just are thrilled to share their farmer love in the language of a great bottle of champagne.
The Club Mezz at The Lambs Club
[TaV]: Over the past few years I had a number of delicious encounters with so-called Pét Nat sparkling wines – what do you think of them? Is this a fad, or will we see more of them? Do you offer Pét Nat at your restaurant?
[A.J.]: These are fun and can be quirky, but really excellent options to explore. I don’t think they are a fad, but you will see them more often in natural wine bars. They’re versatile with food, I must say.
We carry a couple at The Lambs Club and we offer on-and-off a choice by the glass depending on the season. I like them a lot. They are approachable, easy drinking and they also have a variety of styles from different countries. My favorite from California: Birichino, New York State: Channing Daughters, and from France: Chahut et Prodigues and Taille aux Loups!
[TaV]: In your opinion, what is the ideal vessel to serve the Champagne in? Is it the ever so popular flute, or should we rather serve and drink Champagne from the standard white wine glasses?
[A.J.]: Avoid flutes like the Black Plague. They are indeed obsolete, although they are alright for Prosecco. A regular white wine glass will be much better and, in fact, many crystal/glass makers have completely changed the shape of flutes to more white wine glass-shaped. You will be able to experience a lot more of the aromas of the champagne. Great champagne deserves a great glass. I prefer larger Burgundy or Bordeaux glasses for Vintage champagne.
[TaV]: What are your most favorite Champagne producers, if you have any?
[A.J.]: I have so many that I will need an extra page (back to my motto and hashtag, #DrinkChampagneEveryDay) but, here’s a few: Dhondt-Grellet, Billecart-Salmon, Agrapart, Savart, Tarlant, Robert Moncuit, Delamotte, Krug, Guillaume Sergent, Pierre Moncuit, Besserat de Bellefon…
[TaV]: Can you share your most mesmerizing Champagne experience, or most memorable Champagne bottle you ever had?
[A.J.]: It was a Heidsieck Monopole 1945. I was working a collector’s dinner and they had brought so many incredibly old vintage champagnes, but this one was my eye opener. All I could think about was ‘drinking this back then when the war finally ended.’ Seriously.
[TaV]: Last question – do you have a favorite Champagne quote? You know, like the famous [supposedly] Napoleon’s quote “Champagne! In victory one deserves it, in defeat one needs it” – do you have one (or more) which you like the most?
[A.J.]: Yes!!! Always a current quote from the poet Paul Claudel: “In the little moment that remains to us between the crisis and the catastrophe, we may as well drink a glass of champagne.”
There you have it, my friends. Hope you will find our conversation interesting, but most importantly – you don’t have to wait for the Valentine’s Day to get some fizz on. Pop that cork already, will you? Cheers!
Obscure: Oenophile’s Pleasure
Today, class, we will be talking about things obscure. Yes, things obscure, but not in the whole entire world, of course, but in the world of wine.
In your opinion, if we use the word “obscure” in conjunction with the word “wine”, would that be a good thing or a bad thing? For starters, let’s think about the meaning of the word itself. Here is how New Oxford American Dictionary defines “obscure”:
Well, yes, we could’ve done without the dictionary, as the word is simple enough – but dictionaries exist for something, so why not use one.
Now that we are clear on the meaning, let’s go back to our original question: “obscure + wine” – is it good or bad?
Reading wine’s description, have you ever come across the words “obscure grapes”? I’m not talking about the stuff you read on the back label, as there you will rather find the words “indigenous grapes”, “traditional grapes”, or maybe, “local grapes”. But if are reading blogs, or any of the “peer reviews”, I’m sure you’ve encountered the “obscure grapes”. I get it – “obscure” often implies that we got something to hide in a bad way – but not in this case. Referring to the definition we just saw, “obscure” here simply means “not discovered or known about”. Need examples? How about Trepat, Bobal, Gros Manseng, Khikhvi – heard of those grapes?
My favorite part is that obscure often translates into pleasure – lots of pleasure for the oenophile. Unlike most of the other food and drinks humans consume, wine taste is largely perceived. We have expectations for how Cabernet Sauvignon or Chardonnay should taste, and when we don’t find that taste while drinking one of the “well known” wines, we often get disappointed. But when presented with the “obscure bottle”, all those preconceived notions are largely thrown out of the window, and we take wine for what it actually is – which gives us a great chance to enjoy something we wouldn’t otherwise.
It is not only wine drinkers who get more pleasure from the obscure grapes – when using those little-known grapes, winemakers are also not bound by any “customer expectations”, which gives them more freedom to express themselves. From the personal experience, I found that more often than not, I truly enjoy those obscure wines, and quite honestly, I like hunting down those unknown wines and grapes because of the pure mystery in the glass.
By the same token, lesser known wine regions (read: obscure) have the same advantage for both oenophiles and winemakers. What do you expect when you see Czech Republic, Georgian Republic, Mallorca or Valle d’Aosta written on the bottle? Most likely, you wouldn’t know what to expect, and thus you would take the wine for what it is. However, when you drink Napa Valley Cabernet Sauvignon or Spanish Rioja, you have a set of expectations in your head, and you always are ready to say “ahh, this doesn’t taste anything like Napa Cab”. Presented with the Czech Pinot Noir or Chinese Cabernet Sauvignon, you have no choice but to try it and decide whether you like it or not. Same as in the case of the obscure grapes, winemakers get an opportunity to freely create without the need to comply with a given set of expectations.
What we need to keep in mind though that the concept of “obscure” is very personal. For someone who lives in the Republic of Georgia, Georgian wines are very far from obscure. For someone who grew up in Conca de Barberà region in Catalonia in Spain, Trepat might be a perfectly familiar grape. But looking at the big picture, all of us, wine lovers, have our own, personal obscure territories – and this is where we might discover great pleasure. What makes it even more interesting is that the more we learn about the wine world, the more we understand how still little we know. And so we can keep on that road, shedding the light on obscure and making it (if we are lucky) dear and familiar, one discovery at a time.
I wish you all, oenophiles, lots of pleasant encounters with obscure sides of the wine world – as this is where the pleasure is hiding. Cheers!
This post is an entry for the 27th Monthly Wine Writing Challenge (#MWWC30), with the theme of “Obscure”. Previous themes in the order of appearance were: Transportation, Trouble, Possession, Oops, Feast, Mystery, Devotion, Luck, Fear, Value, Friend, Local, Serendipity, Tradition, Success, Finish, Epiphany, Crisis, Choice, Variety, Pairing, Second Chance, New, Pleasure, Travel, Solitude, Bubbles, Smile, Winestory
Lodi Thanksgiving – Wine Notes (There Was A Turducken Too)
Yeah, I know – it’s been more than two weeks since Thanksgiving… Well, okay – let’s still talk about it.
I gave you some ideas about the Thanksgiving wines and food with my earlier post, so let me just start with the “prep” picture again:
All the birds you see in this picture were converted into a Turducken – chicken inside the duck inside the turkey, all fully deboned except the legs and wings of the turkey. The dish was conceived in the 1980s in the South, popularized around the country in the mid-1990s, and now freely available for order most everywhere (or at least this is my impression).
Deboning takes a bit of a skill, but nothing impossible. There are different schools of thoughts as to how to assemble the birds and what to put between the layers – I used two different types of sausages – you can see them in the picture above. Overall, I tried to follow the recipe on Serious Eats, which is one of the very best “turducken how to” instructions you can find – “tried” is the best way to put it, as I made a few essential mistakes (not cooking the chicken fully first), which led to slightly overcooked dish – nevertheless, it was very tasty, and I would gladly do it again, despite the need to put in the work. Here are my “step-by-step” pictures, from the deboned chicken to the final dish:
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- 1. Debone the chicken
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- 2. Debone the duck
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- 3. Chicken roll is inside the duck
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- 4. Sear the duck roll
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- 5. Debone turkey
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- 6. Duck roll inside
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- 7. Sew it all together
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- 8. Roast in the bag – easiest way to have a moist bird
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- 9. Done – Turducken is ready
There was plenty of other dishes at the table, but turducken was a star.
Now, let’s talk wine. As you can imagine, Thanksgiving gathering is a not the right place to take detailed notes on the wines. Therefore, I’m sharing here my general impressions.
The day before Thanksgiving the Fall shipment arrived from Field Recordings, and the first bottle which caught my attention was a California Pét Nat:
Pét Nat is a short for Pétillant-naturel, a sparkling wine made with méthode ancestrale, when the wine is bottled before the first fermentatoin is finished – very different from traditional méthode champenoise, where the sparkling wine is made with secondary fermentation in the bottle, done with addition of yeast and sugar. Pét Nat are typically fresh, unfiltered and unpredictable, which makes them even more fun than traditional Champagne. This 2016 Field Recordings Pét Nat Arroyo Grande Valley (100% Chardonnay) was delicious – fresh, creamy, with aromas of toasty bread and fresh apples – an outstanding rendition of Chardonnay.
This wine was the only deviation from Lodi. Our next wine was 2015 LangeTwins Estate Grown Sangiovese Rosé Lodi (12% ABV). While cold, it was crisp and loaded with cranberries, perfectly delicate, without any excess of sugar. As it warmed up, the strawberries took over, mellowing the wine out and making it slightly bigger in the body – and delicious in a whole new way. In a word, a treat.
I can’t describe 2013 Borra Vineyards Heritage Field Blend Lodi (14.5% ABV, 70% Barbera, 10% Carignane, 10% Petite Sirah, 10% Alicante Bouschet) with any other word but riot – tar, tobacco, roasted meat, herbs, dark, muscular, yet round – unique, different and irresistible – the bottle was gone in no time.
2013 Bokisch Vineyards Graciano Lodi (14.5% ABV) was yet another treat – bright, clean, with a good amount of red fruit, herbal underpinning and firm structure. I’m very particular to Spanish grape varietals, and this Graciano rendition was definitely a world class, reminiscent of the best classic versions of the same from Rioja.
NV Lucas Late Harvest Zinfandel Lodi (15.8% ABV) happened to be an enigma. When I tasted the wine at the winery, the wine was mind boggling – rich, concentrated, and perfectly balanced. This wine is quite unique as it is made using the appasimento process, with the grapes partially dried under the sun for a few weeks to concentrate the flavor, before pressing. The bottle which I brought home, was a poor relative of the one I had at the winery – it was not bad, but was completely lacking the opulence and depth of the one I had at the winery. Oh well – this is still one of the pleasures of the wine drinking – you never know what you will find in the bottle.
That essentially concludes the report from our main Thanksgiving celebration. Next day, however, we left to see our close friends in Boston, and at their house, we had two unique wine encounters. One was 1993 (!) Nissley Fantasy Sweet Rosé Wine Lancaster County Pennsylvania (made out of Concord grape). The expectation was that the wine already turned into a vinegar, but instead, we found a port-like wine, with lots of sweetness and also some acidity, so well drinkable overall.
The last surprise was 2006 Yellow Tail Reserve Shiraz Australia (14% ABV), which was still well drinkable, with good concentrated dark fruit, touch of spices, good balance and full body. Well-drinkable 10-years old red wine shouldn’t be a surprise to anyone – but this was actively ridiculed by all the aficionados “creature label” wine, which is not expected to last that long. The bottom line – this wine still delivered lots of pleasure.
Now we are fully done here – this is the story of my Thanksgiving celebration. Did you have any memorable wines this last Thanksgiving? Any unique and interesting dishes? I would love to know. Cheers!
Color of the Bubbles – Mine Were White, Grey and Black
More than 3 years ago, an interesting tradition was born in the world of wine blogging (a brainchild of The Drunken Cyclist, with the help of the supporting cast of characters) – the Monthly Wine Writing Challenge. Every month or so, wine bloggers en mass subject themselves to the masochistic practice of taking a random word and creating a soulful connection from that word to the beloved world of wine – all of it on a tight deadline.
Writing a post for the Monthly Wine Writing Challenge (MWWC for short), I always want to put out a regular post, and then at the end, simply state “and by the way, this was written for the MWWC, ha”- just to show how easy it was. Of course, this practically never happens – like today, with the theme of our epistolary exercise been “Bubbles“, and my writing taking place during the very last hour (sigh).
When oenophile hears the word “bubbles”, the first reaction it triggers is “Champagne!”. It gives us such a pleasure to write about the world of “Sparklers” – the ingenuity of Dom Perignon, the resourcefulness of Widow Cliquot, the battles of I-was-the-first-to-make-my-wine-sparkle.
There are many other connections of the bubbles to the world of wines – think about bubbles you see on the surface of the juice during fermentation – those are some bubbles! Or think about simple, tiny bubbles of oxygen, making it through the cork and allowing the wines to age gently and gracefully – these bubbles are critical. And then there are maybe bubble issues for the wine collectors? Will that price of DRC or Petrus ever come down?
Yes, I will take my own, different course, and will not write about Champagne or Sparkling wines. For sure.
Do you believe me? Who said “no”? How did you guess?
Banal or not, but I have a good reason to write about sparkling wines – Prosecco, to be more precise. A few weeks ago, I was offered to review some Prosecco wines. At first, my reaction was “I’ll pass”. But reading the email more carefully, my interest piqued. I always thought of Prosecco wines made from 100% of grape called Glera (yes, there are few exceptions, like Bisol, but just a few). These three Prosecco wines were all blended – Processo DOC rules allow up to 15% of other grapes in the blend – and the blends were all unusual, so the intrigued brain said “why not”?
As we are talking about Prosecco, I need to share some fun facts with you – who doesn’t like statistics, right?
French Sparkling wine and then Champagne had been around for a bit less than 500 years. Prosecco’s history is only a bit longer than 100 years, and only in 1989 (27 years ago!) Prosecco made it for real outside of the Italy (here is the link to my post about it, in case you are interested in history). However, according to Nielsen report, Prosecco sales in US in 2015 grew by 36% (Champagne – 8%). In 2015, Italy produced its largest Prosecco crop ever with 467 million bottles – that is triple of only 7 years ago; out of this amount, 48 million bottles were exported to the US – and still US is only #3 importer of Prosecco behind UK and Germany.
Moving right along, let me decipher a cryptic title of this post for you (not that you cared much, right?).
Zonin family got into the wine business in 1821, almost 200 years ago. Now in the 7th generation, the family manages about 5,000 acres of vineyards, mostly in Italy. Zonin had been making Prosecco for the very long time, but considering the ever growing interest, they decided to offer a new line of Prosecco wines, called “Dress Code”, suitable for different mood and a company. The “Dress Code” colors include white, grey and black, so you can wear a different color every day. Of course, these are only colors of the bottles, nobody added squid ink to the wines… yet? Hmmm, note to self…
Here are the notes for the wines I tasted:
Zonin Prosecco White Edition Prosecco DOC (11% ABV, SRP $16.90, 91% Glera and 9% Pinot Bianco cuvée): simple overall. On the nose, touch of white fruit. Good creaminess on the palate, touch of white fruit, very restrained, good acidity, but again, overall is a very muted expression. 7/7+, Decent everyday glass of bubbly.
Zonin Prosecco Grey Edition Prosecco DOC (11% ABV, SRP $16.90, 87% Glera and 13% Pinot Grigio cuvée): white stone fruit on the nose, white flowers. Palate: light, creamy, effervescent, refreshing, distant hint of sweetness, round, good acidity. 8-, nice upgrade from the “white”.
Zonin Prosecco Black Edition Prosecco DOC (11% ABV, SRP $16.90, 90% Glera and 10% Pinot Noir cuvée): promising touch of fruit with lemon and rocky minerality on the nose. Perfect acidity, elegance, finesse on the palate, touch of white stone fruit, lime and noticeable nutmeg. Most elegant out of three, a “little black dress” if you will. 8/8+, one of the most elegant Prosecco I ever had.
So, what color are your bubbles? My favorite was black. Cheers!
This post is an entry for the 27th Monthly Wine Writing Challenge (#MWWC27), with the theme of “Bubbles”. Previous themes in the order of appearance were: Transportation, Trouble, Possession, Oops, Feast, Mystery, Devotion, Luck, Fear, Value, Friend, Local, Serendipity, Tradition, Success, Finish, Epiphany, Crisis, Choice, Variety, Pairing, Second Chance, New, Pleasure, Travel, Solitude
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