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Enjoying The Wine In The Can
Let me start with the question: what do you think of wines in the can?
I’ve seen rather an interesting reaction in social media (both Instagram and Twitter) when I post a picture of the wine in the can. It ranges from “Hmmm” to “Really???” to “How you can even talk about wine in the can???” to “I can’t believe there can be any good wine in the can”. Mind you, this doesn’t come from uninitiated people – wine pros of different walks have a very similar reaction when seeing the reference to the wine in the can. And I find this a bit surprising.
It’s been almost 5 years since I tried my first wine in the can. I don’t think I ever had a question “why wine in the can” (my first reaction was “wow, cool, something new and different!”) – my only question was “is it good?”. A can is just a different form of packaging – nothing more and nothing less. If you follow the subject of wine in the can, I’m sure you saw lots of different reasons and explanations to the question of “why” – “democratize wine”, “pinkies down”, “appeal to millennials” and blah blah blah. Whatever. I don’t think that simply putting wine in the can is the “magic bullet” for anything.
Of course, unique and different packaging helps to appeal to potentially a different category of consumers. But – the wine is binary. You either like it – or not. The proverbial question of the desire of the second glass is the key. Consumers might buy the can for the first time for its unique form. But they have to like it to come back and buy it again.
There is another interesting side of wine in the can in addition to the form factor. Making wine in the can allows winemakers to get ultimately creative, as you can work with a very small batches – and you can do truly uncommon things, such as finishing wine with beer hops or mixing Zinfandel with coffee – I’ve had plenty of oddly interesting concoctions, courtesy of Filed Recordings Can Club, the true pioneers of the wine in the can (Field Recordings Wine and Can club is the only wine club I belong to – because it never gets boring with Andrew Jones). Such a variety is also making it interesting for the curious wine lovers, who always have something new and different to try. And if you like something, you really want to run and grab it, while you can – the flip side of the small batch winemaking is that the wine is gone in no time.
Just to give an example, here are the notes for two of the latest shipments I received this year from the Field Recordings can club. The first one arrived just a few days ago, but I made an effort to familiarize myself with the wines quickly :). In case you are wondering, all these wines are priced at $5 per 375 ml can, so two cans would be somewhat equal to the $10 bottle of wine.
2018 Field Recordings Chardonnay Coquina VIneyard Rancho Arroyo Grande (12.1% ABV, 6 barrels produced) – fresh crunchy plums all the way, sprinkled with the lemon juice and some granny smith apples. Refreshing, round and delightful. Will make a beautiful summer day even better.
2018 Field Recordings Charbono Guglielmo Giovanni Vineyard Paso Robles (11.8% ABV) – how often do you drink Charbono (known in Argentina as Bonarda)? The producer recommended to serve this wine at the cellar temperature – I had it at a room temperature, and after 5 minutes in the glass (by the way, if you drink at home, feel free to use your favorite glass, you don’t have to drink from the can if you don’t want to) the wine was delicious – medium weight, supple dark fruit and spices, simple and easy to drink. Another winner for the summer day.
2018 Field Recordings Valdiguié Shell Creek Vineyard Paso Robles (13.7% ABV, one puncheon produced) – How about the Valdiguié grape? While typically found in the South of France, in Languedoc, the grape found its way into the US and was known for a while as Napa Gamay. I tried this wine at room temperature (too acidic and herbaceous, literally “leaf-forward”), from the fridge (much better than at the room temperature, good acidity, and underripe berries), and then at the “cellar temperature” (as recommended) – best, with excellent complexity, young berries, fennel, mint and lemon.
Here are the wines from the shipment earlier this year – note the completely different style of the labels – isn’t it fun? I tried only two of these so far, both superb:
2018 Field Recordings Dry Hop Chardonnay Pét Nat Paso Robles (11.5% ABV, 3 barrels produced) – ohhh, what a pleasure! Light fizz, dry hoppy notes, fresh apple, vibrant acidity, an impression of simply walking in the meadow – the can disappear in a few gulps, literally.
2018 Field Recordings Jurassic Park Chenin Blanc Santa Ynez Valley (11.3% ABV) – Chenin Blanc from Field Recordings never disappoints. This wine was made in two formats – a bottle and a can. It is yet something I need to try, but I have high hopes.
2017 Field Recordings Old Potrero Zinfandel Arroyo Grande Valey (14.9% ABV, 6 barrels produced) – this was mind-boggling. While I accept canned wines wholeheartedly, I still expect canned wines to challenge me – but there was nothing challenging about this wine. From the first smell and sip, this was an amazing California Zinfandel in its beauty – powerful, dense, loaded with blackberries, a touch of dark chocolate, lusciously layered and dangerous (we almost had to fight for the last drops). A wow in the can.
As you can tell, I’m pretty excited about the canned wines I tried – but this is not my main point. I’m simply suggesting that you should look at the wine in the can not as a gimmick, but as a product made with a purpose. Are all wines in the can good? Of course not. There will be some which you will like, and some which you will not. But it is the same with the wine in the bottle – there are some which you like, and some which you don’t. Don’t be afraid of the wine can – just give it a try. And prepare to be pleasantly surprised. Cheers!
My First Can of Wine
No, I didn’t lose it. The title of this post actually makes sense. To the date, I had the wine from the bottles of all forms and sizes. I had the wine directly from the stainless steel tanks and oak barrels. I had the wine dispersed by the machine. I had the wine from the keg. Yes, I had a boxed wine (and it was just fine). But – until yesterday, I never had wine from the can.
Yesterday I did. The Fall club shipment from one of my absolute favorite wineries, Field Recordings, included a can of wine. Not just any wine, but once again, one of my most favorite wines, Fiction (my personal wine of the year in 2011). When I saw a notice about the upcoming club shipment, which included a picture of the can, my first though was – hmmm, interesting. Really curious to try it.
Wine shipment arrived last week. After I opened the box, first thing I noticed was that the cans appeared a bit wrinkled. You know, when you hold the can of beer or any beverage, the surface is typically very smooth under your fingers – this was not the case, with the tiny, but noticeable ups and downs, the wrinkles (may be there is a better term to describe it, but I hope you got my point). Okay, it is the content what matters, right? It is obvious that the wine in the can is not intended to be stored or admired for the long time on the shelf – with its appearance it technically says “drink me now”.
Talking about cans, I had two other interesting observations. First, the can was 500 ml in size (somehow based on the picture I was expecting the full 750 size). And then instead of the short story which appears on the bottle of Fiction, the can’s “back label” contained the following tasting note: “Heady aromas of blueberry pie, luxurious suede couches, ham paninis and unlit menthol cigarettes. Firm tannins anchor flavors of grilled meats, cherry cola, sweet carob and black licorice chews, all cased up together conveniently in a cigar humidor. Drink tonight“. An interesting description, don’t you think? As I also got a bottle of Fiction, I was relieved to see the old a familiar story on its back label…
Okay, let’s get to “it” – let me tell you what I though about the wine. 2013 Field Recording Fiction Red Wine Paso Robles (14.9% ABV, $10 for 500 ml can, $18/bottle, 20% discount for catalog members; 31% Zinfandel, 26% Tempranillo, 15% Mourvedre, 10% Grenache, 10% Syrah, 8% Touriga Nacional) – in a word, the wine was delicious. It took about 10 minutes for the wine to open up and round itself up in a glass (I didn’t dare drinking it straight from the can, I think it would eliminate half of the pleasure – but feel free, of course). I didn’t find grilled meat or suede coaches in the wine. But it had beautiful, ripe blueberries and sweet cherries, some vanilla dusting and may be a touch of mocha and sweet oak, all impeccably woven into a tight bundle of pleasure, sip after sip. This wine was on par with all the previous releases of Fiction, sans the aromatics. I couldn’t find the mind-blowing aromatics the 2010 Fiction was showing, but nevertheless, this was a silky smooth and delicious wine which I would gladly drink again. But I would honestly prefer to pour from the bottle. Drinkability: 8-
Did you have the wine in the can? What do you think about the wine you had and the concept as a whole? Cheers!
Daily Glass: 2009 Chorus Effect by Field Recordings
I have a question for you. Have you ever experienced a special bottle “today is the day… or not” effect? It is when you have a bottle you want to open, but you can’t decide if today should be the day, or you need to wait a bit longer? I’m not talking about special bottle which. let’s say, bears vintage year of your son or daughter’s birthday – those are easy, you only contemplate once a year whether to open the bottle or not. I’m talking about more of an everyday, reasonably priced wine, of which, let’s say you have only one bottle, and you know that you can’t get another one – this is the case in point.
Ever since I was blown away by the bottle of Fiction by Field Recordings (here is the link to my post about that experience), I wanted to try another wine made by Andrew Jones – Chorus Effect. I had the bottle for about half a year in “to use in the near term” place, and I can’t even tell you how many times I was in the “today is the day” mood, and … nope, I guess it was not.
And somehow it happened that the day was finally today, and the bottle was open ( one easy move, you know – those screw tops are perfect for easy opening).
This 2009 Field Recordings Chorus Effect Koligian Vineyard, Paso Robles ($26, 15.3% ABV, 249 cases made) is a Bordeaux-style blend – you can see the exact composition on the picture of the back label.
The wine had beautiful purple color, bright and fresh. Nose was showing sweet cherries, plums and a touch of spices. But the palate… If Fiction, which I mentioned earlier, had absolutely astonishing nose, this wine had the same on the palate. This was a textbook study of a red wine, all in one sip – not the Bordeaux specifically, but the red wine overall. Sweet cherries, ripe plums, blueberries, tar, sweet vanilla, licorice, violet, chocolate, pepper, tobacco, eucalyptus – you could easily taste each and all. At the same time, the wine was balanced, with soft tannins, without any jamminess which can be often observed at such high alcohol levels. I’m not sure if I’m ready to rate it – I really want to see what will happen with this wine tomorrow – but for now, I will put the Drinkability at 8-, mainly due to the alcohol burn which was not noticeable at the beginning but showed up couple of hours after the bottle was opened.
Did you open your special bottle today? Will be glad to hear your story. Cheers!