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One on One with Winemaker: José Moro of Bodegas Cepa 21
When it comes to Spanish wines, Ribera Del Duero is probably most iconic and best-known region worldwide – I know some will say it should be Priorat or Rioja, but let’s leave this argument for another time. Hold on, here is a bit of stats to support my statement. If you will look at the Wine Spectator Classic ratings (95-100, best of the best), you will find 38 wines from Ribera Del Duero, 24 from Rioja and only 11 from Priorat rated in that category. And while in Ribera Del Duero, do you know which wine has the top Wine Spectator rating of all times? 2004 Bodegas Emilio Moro Ribera del Duero Malleolus de Sanchomartin.
No, this is not the wine we will be talking about here, but – it is perfectly connected to our story. First commercial wine under Bodegas Emilio Moro name was released in 1989 – however, Moro family’s viticultural traditions and experience go all the way back to the beginning of the 20th century, starting with Don Emilio Moro, a first generation vigneron. Today, in its third generation, Bodegas Emilio Moro continues to build upon a century of traditions and tried and true techniques. And now we are getting to the actual subject of this post – the latest venture of the Moro family – Bodegas Cepa 21.
Photo Source: Bodegas CEPA 21
Bodegas Cepa 21 was created by brothers José and Javier Moro, the third generation vignerons. It is located in the heart of Ribero del Duero region, in the area known as “The Golden Mile”. It is worth noting the Ribera Del Duero comprise highest altitude vineyards in Spain, located at 2,400 – 3,300 feet above sea level. Bodegas Cepa 21 farms 125 acres of estate vineyards, and has another 125 acres under direct control through the agreements with wine growers. All 4 wines produced at Bodegas Cepa 21 are made out of one and the same grape – Tempranillo, albeit it is their own “Moro clone”, cultivated for more than a century.
Instead of inundating you with more information which you can easily find at Bodegas Cepa 21 website, I had an opportunity to [virtually] sit down with José Moro, an owner and winemaker at Bodegas Cepa 21, and inundate him with the barrage of questions – and now I can share that conversation with you:
[TaV]: Cepa 21 name implies that this is the winery for the 21st century. By the time when Cepa 21 was created, Emilio Moro was well known and very successful business. What was the motivation for the creation of the Cepa 21 winery and the brand overall? What sets Cepa 21 apart from the Emilio Moro?
[JM]: Cepa 21 is the project of the third generation of the Moro Family. We were eager to experiment with a different terroir and a diverse expression of the Tempranillo variety. Our goal was to find the maximum expression of the Tempranillo variety, respecting the finesse and elegance of the grape.
In that sense, Emilio Moro and Cepa 21 have several differences. For starters, Cepa 21 vineyards are orientated to the north whereas Emilio Moro vineyards have a southern orientation. The climate is another differentiating factor (colder in Cepa 21) and the way we classify our wines also differs. In Emilio Moro we classify attending to the age of the vineyard and its vines, whereas in Cepa 21 we classify according to the altitude of the vineyards.
The result: Cepa 21 wines are subtle but structured, fresh and yet complex, elegant and full of personality and they have an interesting aromatic palate.
Cepa 21 Winery. Source: Bodegas CEPA 21
[TaV]: What is 21st century winery and how Cepa 21 fits into that image? Are you also trying to appeal to millennials with this wine?
[JM]: From the moment people see the building in Cepa 21, a black and white minimalist structure with an air of “chateaux française” raising among vineyards, they realize they are about to discover something made for this century. Innovation has also been one of the key values throughout the winemaking process. It’s this union of modernity and our unique Tinto Fino clone that turn Cepa 21 wines into a traditional and yet modern wines made for today’s consumers. I believe it is them who define modern winemaking, and not the other way around… And in Cepa 21 we make a continuous effort so our wines exceed the expectations of these new consumers.
[TaV]: It seems that previous vintage for Cepa 21 was 2011, and now the current vintage is 2014. Does it mean that Cepa 21 wines are only produced in the best years?
[JM]: We have maximum quality standards for our wines, so if a vintage doesn’t have enough quality, we simply don’t bottle it. This is a way of guaranteeing consumers that if they buy a bottle of our wine, it will meet their expectations, whatever the vintage they choose to purchase.
[TaV]: Ever since the inception of Cepa 21, what were your most favorite and most difficult vintages and why?
[JM]: 2011 was an excellent vintage, one of the best in the Ribera del Duero. The climatology was perfect for our variety, with sequential rainfall that resulted in a powerful vintage of great quality wines. 2015 was also an outstanding vintage; hot temperatures and hard work resulted in very promising wines.
2009 was a really difficult vintage. It was extremely rainy and cold, with frequent hails that stopped the vegetative cycle of the plant. It was a vintage to forget.
[TaV]: What are your biggest/most important markets for Cepa 21?
[JM]: Cepa 21 is a young winery, but its growing at a fast pace. We export our wine all over the world, from Asia to the United States, and we continue to grow internationally. The US is one of our key markets this year, but we also focus in European countries and in our own, Spain.
[TaV]: Along the same lines, do you sell in China, Cepa 21 or Emilio Moro wines? Even broader, are Ribera del Duero wines known/popular in China?
[JM]: Yes, we do sell in China and we are proud to say our wines are very well regarded in this market, although we recognize there is still a lot of work to be done. I often visit China and talk about the potential of our DO, which is popular in China but still has a lot of potential.
[TaV]: Do you grow any other grapes than Tinto Fino at any of the Emilio Moro/Cepa 21 properties? If you don’t, do you have any plans to start growing any other grapes?
[JM]: We recently announced in Spain that we are starting a project in El Bierzo. We are looking into producing a white wine that’s 100% Godello, a grape that stands out for its elegance and finesse. We are only in the initial phase, but we are sure of the potential of this relatively unknown grape.
[TaV]: It seems that Tinto Fino is one and only grape used at Cepa 21 (and also at the Emilio Moro too). Do you ever find it limiting (the fact that you only have one grape to work with)?
[JM]: Tempranillo is king in Spain, it is the national grape, and our Tinto Fino clone we use to graft each and every one of our vines is what moves us, our reason of being. No, we don’t find it limiting at all.
[TaV]: On your website, I saw a reference to “Moro clone” – is Tinto Fino from your vineyards actually different from the mainstream Tempranillo?
[JM]: Definitely. We grafted our vines with a unique Tinto Fino clone to achieve the maximum expression of the variety. It allows us to produce wines that age beautifully, that embrace the flavors given by the barrel during ageing and of great quality.
The cluster is smaller and looser, the vines produce less grapes – For us, quality is more important than quantity – but offer fruit that ages beautifully in the bottle.
[TaV]: Are the general challenges facing Ribero del Duero region, or is everything great in its winemaking world?
[JM]: We had to reinvent ourselves due to the economic crisis that Spain has been experiencing for the last years. The Moro family embarked on a new project with Cepa 21. It was a winery that was only going to produce the wine that bears its name, but during the worst part of the crisis we launched “Hito”. It means “milestone” – And it definitely was one. We have never stopped evolving since then.
[TaV]: To the best of my understanding, Cepa 21 practices what is called a “sustainable viticulture” – dry farming, etc. Do you have any plans to advance to organic methods, or maybe even biodynamic?
[JM]: Not at the moment. But we respect the climate 100%… We only work with what our environment gives us, and we use no artificial irrigation.
[TaV]: When it comes to the wines of Ribera del Duero, outside of your own wines, do you have any other favorite wineries?
[JM]: The Ribera del Duero is an area known for its viticulture tradition. There are many great wineries in this area – Apart from Emilio Moro and Cepa 21, I wouldn’t be able to pick a favorite.
[TaV]: The same question, now going beyond Ribera del Duero – any favorites in Rioja and Toro?
[JM]: I enjoy drinking wines from Bodegas Muga, Bodegas Eguren, and Bodegas Sierra Cantabria. They all produce amazing wines.
[TaV]: Are the Cepa 21 wines made for the immediate consumption or will they benefit from some age?
[JM]: Hito Rosado and Hito are our rosé and our young wines and, as such, they are better when drunk shortly after they are released. Cepa 21 and Malabrigo, even though they can be enjoyed when they are released, will greatly benefit from ageing in the bottle: They will evolve beautifully.
[TaV]: What is next for you? Are there any new projects in the making, maybe even outside of Ribera del Duero?
[JM]: Like I said before, we do have a project in El Bierzo with 100% Godello grape. Until we release that wine, whenever that may be, we will continue promoting our wines abroad to show the true potential of the Spanish Tinto Fino and our unique clone.
Now, after reading all this, it is time for some wine! 2011 Cepa Tempranillo made it to the Wine Spectator 2016 Top 100 list, so obviously it instantly disappeared from all of the stores. I was very happy to try the 2014 rendition, which now should be getting into the stores near you:
2014 Bodegas Cepa 21 Tempranillo Ribera Del Duero (14% ABV, $25, 100% Tempranillo, 12 months in French oak)
C: dark garnet, inky
N: lavender, fresh blackberries, cigar box, typical Tempranillo nose
P: ripe plums, well integrated, dusty tannins, eucalyptus, smooth, clean acidity, excellent balance.
V: 8/8+, excellent now and will evolve.
That’s all I have for you, my friends. Great history, great present, great future – all through the hard work and passion. And luckily, we all get the wine we can enjoy. Cheers!
Celebrate with Ferrari!
Would anyone argue that holidays are better with Ferrari? Both of eponymous Italian hallmarks of quality would greatly enhance one’s holiday, but one of them – the car – is a bit less accessible to the general populace, so let’s talk about the one which is – sparkling wine from a beautiful region in the Italian Alps – Trento.
More than 100 years ago, Guido Ferrari recognized the potential of the green slopes to grow world-class Chardonnay. While Chardonnay is an undisputed star of the still white wine, its swan song might be delivered best with the bubbles. Champagne comes only from Champagne, but Méthode Champenoise is successfully used around the world to produce sparkling wines easily rivaling Champagne in quality.
This is what Guido Ferrari set out to do in 1902 – produce world-class sparkling wines – the task which he completed successfully. As Guido Ferrari had no direct heirs, in 1952 he sold the winery and vineyards to the Bruno Lunelli, a friend and wine merchant. Now in the third generation, Lunelli family proudly continues Ferrari traditions into the 21st century.
Earlier in the year, I had a virtual conversation with Marcello Lunelli, a winemaker at the Ferrari winery – you can find that post here. Then during summer I had an opportunity to meet, talk to and taste the wines together with Camilla Lunelli, Managing Partner at Ferrari, who visited New York on the occasion of attending The World’s 50 Best Restaurants Awards ceremony, where Ferrari was sponsoring The Art of Hospitality Award (it went to Madison Eleven restaurant in New York city). As we combined conversation with the tasting of the wines, I want to share here my brief notes about both the winery and the wines we tasted.
Today Ferrari is producing about 2 million bottles per year. They are working in close cooperation with the network of 500 growers and employ 8 agronomists who work literally around the clock to ensure the quality of the grapes. All Ferrari vineyards are certified organic, which is something not to be taken lightly – think about the work required to convince 500 growers to change their ways, to adapt Best Practices developed by Ferrari and get certified (it took most of the growers between 3 and 5 years to change). Talking about the vineyards, an interesting side note: Trento is a mountainous region, and all Ferrari vineyards are located on the slopes which provide for large temperature shifts between day and night, which is significant for the development of the Chardonnay grapes.
Italy is the biggest market for Ferrari sparkling wines. However, when I asked which market is the next big one after Italy, I got a surprising answer – it is Japan! (Yeah, I knew it is not the US, as Ferrari wines are hard to find in the US stores).
I also asked what would be an interesting food pairing for the Ferrari sparklers, and Camilla recommended Rosé sparkling wine with Pizza (yes, I can see it) and then bubbles with the BBQ, which is something I will need to try.
Okay, let’s get to the wines now, shall we?
NV Ferrari Brut Metodo Classico Trento DOC (SRP $25, 100% Chardonnay) – Delicious. Perfect acidity, lightly yeasty, refreshing, clear acidic finish.
2007 Ferrari Perlé Metodo Classico Trento DOC (SRP $38, 100% Chardonnay) – complex nose, minerality, complex palate with musk undertones, full bodied and refreshing
2009 Ferrari Perlé Metodo Classico Trento DOC (SRP $38, 100% Chardonnay) – we didn’t taste this wine with Camilla – I recently got a sample of 2009, so it was a good opportunity to include it here. On the nose, fine fizz, mostly closed nose with just a touch of an apple. The palate showed toasted bread notes, restrained, good acidity, tart, very clean and austere. Perfectly reminiscent of a good Champagne, however, too astringent for my personal enjoyment. I would definitely prefer 2007.
2008 Ferrari Perlé Rosé Metodo Classico Trento DOC (SRP $59, 80% Pinot Noir, 20% Chardonnay) – Delicious nose, hint of strawberries, yeast, great concentration, complex, toasted bread, refreshing.
2008 Ferrari Perlé Nero Metodo Classico Trento DOC (SRP $79.99, 100% Pinot Nero) – great nose, plump, open, full-bodied, lots of fruit on the nose, fresh baguette, not just yeast or toasted bread, toasted caramel, butterscotch
2006 Ferrari Riserva Lunelli Metodo Classico Trento DOC (SRP $56, 100% Chardonnay) – the grapes for this wine come from the single area around Villa Margon. This wine is aged in neutral Austrian oak casks. Excellent, seriously complex nose, with a touch of tropical fruit; tremendous palate – roasted meat, super-complex, delicious.
2004 Ferrari Riserva del Fondatori Giulio Metodo Classico Trento DOC (SRP $120, 100% Chardonnay) – the grapes for this wine come from a single high altitude vineyard called Maso Panizza. The wine has the classic nose, great acidity, it just screams “classic vintage Champagne” all the way.
Here you are, my friends – a full range of beautiful sparkling wines, worthy of any celebration you will have. I wish they would be a bit easier to find in the US, but these are the wines worth seeking. Cheers!
Do You Prefer Montepulciano or Montepulciano?
Nope, no typo in that title. And no, I’m not losing it. Not yet anyway.
Yes, the title is purposefully misleading. But within a reason – and I’m not looking to gain any unjust benefit from the confusion.
As most of you know, Montepulciano happened to be the name of the indigenous Italian grape, popular in central regions of Abruzzo and Marche. Montepulciano is also the name of the small medieval town, right in the heart of Tuscany, where the grape called Sangiovese is a king. The wine produced around the town of Montepulciano, which dates back to the 14th century, is called Vino Nobile di Montepulciano, and to be called Vino Nobile the wine should contain at least 70% of Sangiovese grapes. What is also worth mentioning that Vino Nobile di Montepulciano was the very first DOCG (Denominazione di Origine Controllata e Garantita) in Italy, awarded in 1984 – the emphasis here is on Garantita, denoting highest quality Italian wines.
A picture worth thousand words, so here is an infographic which nicely lines up all the confusing Montepulciano:
Infographic courtesy of Mosiah Culver
Now, let’s go back to the main question, only let’s ask it in a less controversial way – do you prefer Montepulciano or Vino Nobile di Montepulciano wine? The answer to such a question requires some wine drinking, so let’s fight it off with maybe some of the very best examples of both – Masciarelli Marina Cvetić Montepulciano d’Abruzzo and Avignonesi Vino Nobile di Montepulciano.
Masciarelli Tenute Agricole was established in 1978 by Gianni Masciarelli in San Martino, Chieti Abruzzo. In 1989, Giovanni married Marina Cvetic, who took over winemaking duties. Today Marina overseeing about 750 acres of estate vineyards, producing about 2.5 million bottles a year – of course, not only Montepulciano d’Abruzzo, but many different wines – you can find more information here.
The wine we are tasting today, Masciarelli Marina Cvetić Montepulciano d’Abruzzo Riserva, is a flagship wine, which won numerous accolades from the critics around the world, and it is definitely a beautiful example of how good Montepulciano wine can be.
Avignonesi estate was founded in 1974, and the Avignonesi family was instrumental in helping the regions to obtain DOCG status and promote Vino Nobile wines worldwide. From 2009, the estate, which comprise today 495 acres of vineyards in Montepulciano and Cortona appellations and produces about 750,000 bottles per year, is owned by Virginie Saverys. She works tirelessly to convert the estate to organic and biodynamic winemaking, and Avignonesi is expecting to get its organic certification in 2016. You can learn more about the estate and its wines here.
The wine we are drinking today is Avignonesi Vino Nobile di Montepulciano, which goes way beyond the requirements of the DOCG and made from 100% Sangiovese sourced from 8 best vineyards of the Avignonesi estate. If you will look at the suggested price ($29), in conjunction with the quality, this wine would easily beat many of its famous Brunello neighbors. Many critics also concur, as the wine repeatedly gets high scores and makes to the various “Top” lists.
Here are my notes for these two wines:
2011 Masciarelli Marina Cvetić Montepulciano d’Abruzzo Riserva (14% ABV, $28, 100% Montepulciano, 12/18months in oak barriques, 100% new)
C: dark garnet
N: cherries, tar, roasted meat, undertones of sage
P: sweet cherries, perfume, open, layered, clean, good balance, very approachable and ready to drink from the get go
V: 8/8+, sexy, luscious and delicious
2013 Avignonesi Vino Nobile di Montepulciano DOCG (14% ABV, $29, 100% Sangiovese, 12 months French barriques, 6 months large Slavonian oak casks, 6+ months in the bottle)
C: brilliant ruby
N: herbs, sage, hint of black fruit, restrained
P: sweet and tart cherries, earthy, leather, touch of cherry pits, touch of tannins, good balance. Very long finish with fruit dominating.
V: 8. surprisingly ready to drink (unlike some Vino Nobile which I had before). Classic Italian wine all around, with finesse.
As you can tell, I really liked both wines, probably hedging a bit more towards Montepulciano d’Abruzzo – these are very well made wines, different and excellent in its own right – and by the way, both would perfectly brighten up your holidays :).
What do you think? Which Montepulciano would you prefer, not only from these two wines but in general? Cheers!
Daily Glass: Ah, Pinot!
Nothing is simple around wine for us, oenophiles, right? We need to meticulously arrange proper experiences – perfectly match wine with food, with the company, with the mood, with the moment. If we don’t, we question ourselves to eternity – what would’ve happened if I would’ve open that other bottle I had in mind; should’ve I just plan it all differently?
But every once in a while, we let our guards down, and let things just happen. When we think about it right after, we realize – wow, totally random, and totally delightful. Yay!
That “random and delightful” was my experience yesterday. My plan was to open a bottle of wine from 1998, and I have a very small selection of those, so the one I picked happened to be a Burgundy. So that one was a special bottle, waiting for the evening and the decanter.
I can’t cook without the wine, so of course, the bottle had to be opened. The “before Thanksgiving” shipment from Field Recordings contained more than one interesting bottle – the one I told you about already was Pét Nat from California. Another bottle I never saw before had a bold Nouveau word printed across shiny, golden label:
I’m an avid fan of the “Beaujolais Nouveau” phenomenon. But I have to admit that a few years back, I tasted few of the attempts by California wineries to join the Nouveau movement, and those were widely unsuccessful.
So how would Field Recordings’ Nouveau rendition fare? Actually, spectacularly. As the label says, the grapes for this wine were hand-harvested only 74 days prior to the bottling. And nevertheless, the wine had all the finesse you expect from the perfectly balanced California Pinot Noir. This 2016 Field Recordings Nouveau California (12.1% ABV, 100% Pinot Noir) had lean, uplifting nose of fresh fruit, but less fruity than typical Nouveau, nothing grapey. On the palate, unmistakably Californian, touch of smoke with fresh plums and a bit of mint. Good acidity, more round than a typical French Nouveau version, perfectly drinkable. 8+. Outstanding, in a word. Would happily drink it again any day.
Remember I told you this was one of the days when things are just happening? I have a good number of bottles in the cellar, but absolute majority of the bottles are in the single amounts – just one bottle of particular wine from particular vintage, and that’s it. Thus sometimes, I spend good 20 minutes trying to select a bottle (in the fear of missing on what it can evolve into) and end up pouring myself a splash of Scotch instead. But yesterday, I had enough courage to grab a bottle of the wine which might be the only bottle in the US – unless someone also has good friends in Switzerland.
This wine was made by the family producer in Vaud region in Switzerland, Henri Cruchon, who I had pleasure meeting about 6 years ago. What makes it special is that this wine, called Nihilo, is not filtered, made from organic grapes, and doesn’t have any added sulfites. To preserve the wine better, the cork is covered in wax. And to be entirely correct, the wine goes beyond organic, as the back label sports Demeter logo, which means that the winery is certified biodynamic.
It is great to know that the wine is non-filtered and organic – but the ultimate verdict is in the glass. This 2015 Henri Cruchon Nihilo La Côte AOC Switzerland (13.5% ABV, blend of Pinot Noir, Gamay and Gamaret) had a spectacular nose, very complex – iodine, anise, crunchy cherries, mint. The palate was equally spectacular with sweet cherries, pepper, roasted notes, peppermint, crispy, fresh blackberries – once you start, you can’t stop. 8+/9-, outstanding wine.
And then there was 1998 Patrick Lesec Gevrey-Chambertin Vieilles Vignes (13% ABV) – an 18 years old Burgundy wine, as Pinot Noir as it can be.
18 years shouldn’t be an age for Burgundy, but I still was a bit concerned. Decided to decant the wine, to avoid sediment and let it breathe a bit, for about an hour. I’m clearly abusing the word “spectacular” in this post, but this is what this wine was. Touch of barnyard on the nose, on the palate – gunflint, smokey cherries, roasted meat, lots of herbs – oregano, mint, sage – every sip was a “wow” experience. By the end of the evening, the wine mellowed out and started showing more of the sweet cherries, still perfectly balanced with acidity. A pure treat for sure. Drinkability: 9.
There you have it, my friends. An accidental and hugely enjoyable Pinot Noir deep immersion – from California to Switzerland to France – very different wines holding one common trait – delivering lots and lots of pleasure. Cheers!
Lodi Thanksgiving – Wine Notes (There Was A Turducken Too)
Yeah, I know – it’s been more than two weeks since Thanksgiving… Well, okay – let’s still talk about it.
I gave you some ideas about the Thanksgiving wines and food with my earlier post, so let me just start with the “prep” picture again:
All the birds you see in this picture were converted into a Turducken – chicken inside the duck inside the turkey, all fully deboned except the legs and wings of the turkey. The dish was conceived in the 1980s in the South, popularized around the country in the mid-1990s, and now freely available for order most everywhere (or at least this is my impression).
Deboning takes a bit of a skill, but nothing impossible. There are different schools of thoughts as to how to assemble the birds and what to put between the layers – I used two different types of sausages – you can see them in the picture above. Overall, I tried to follow the recipe on Serious Eats, which is one of the very best “turducken how to” instructions you can find – “tried” is the best way to put it, as I made a few essential mistakes (not cooking the chicken fully first), which led to slightly overcooked dish – nevertheless, it was very tasty, and I would gladly do it again, despite the need to put in the work. Here are my “step-by-step” pictures, from the deboned chicken to the final dish:
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- 1. Debone the chicken
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- 2. Debone the duck
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- 3. Chicken roll is inside the duck
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- 4. Sear the duck roll
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- 5. Debone turkey
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- 6. Duck roll inside
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- 7. Sew it all together
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- 8. Roast in the bag – easiest way to have a moist bird
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- 9. Done – Turducken is ready
There was plenty of other dishes at the table, but turducken was a star.
Now, let’s talk wine. As you can imagine, Thanksgiving gathering is a not the right place to take detailed notes on the wines. Therefore, I’m sharing here my general impressions.
The day before Thanksgiving the Fall shipment arrived from Field Recordings, and the first bottle which caught my attention was a California Pét Nat:
Pét Nat is a short for Pétillant-naturel, a sparkling wine made with méthode ancestrale, when the wine is bottled before the first fermentatoin is finished – very different from traditional méthode champenoise, where the sparkling wine is made with secondary fermentation in the bottle, done with addition of yeast and sugar. Pét Nat are typically fresh, unfiltered and unpredictable, which makes them even more fun than traditional Champagne. This 2016 Field Recordings Pét Nat Arroyo Grande Valley (100% Chardonnay) was delicious – fresh, creamy, with aromas of toasty bread and fresh apples – an outstanding rendition of Chardonnay.
This wine was the only deviation from Lodi. Our next wine was 2015 LangeTwins Estate Grown Sangiovese Rosé Lodi (12% ABV). While cold, it was crisp and loaded with cranberries, perfectly delicate, without any excess of sugar. As it warmed up, the strawberries took over, mellowing the wine out and making it slightly bigger in the body – and delicious in a whole new way. In a word, a treat.
I can’t describe 2013 Borra Vineyards Heritage Field Blend Lodi (14.5% ABV, 70% Barbera, 10% Carignane, 10% Petite Sirah, 10% Alicante Bouschet) with any other word but riot – tar, tobacco, roasted meat, herbs, dark, muscular, yet round – unique, different and irresistible – the bottle was gone in no time.
2013 Bokisch Vineyards Graciano Lodi (14.5% ABV) was yet another treat – bright, clean, with a good amount of red fruit, herbal underpinning and firm structure. I’m very particular to Spanish grape varietals, and this Graciano rendition was definitely a world class, reminiscent of the best classic versions of the same from Rioja.
NV Lucas Late Harvest Zinfandel Lodi (15.8% ABV) happened to be an enigma. When I tasted the wine at the winery, the wine was mind boggling – rich, concentrated, and perfectly balanced. This wine is quite unique as it is made using the appasimento process, with the grapes partially dried under the sun for a few weeks to concentrate the flavor, before pressing. The bottle which I brought home, was a poor relative of the one I had at the winery – it was not bad, but was completely lacking the opulence and depth of the one I had at the winery. Oh well – this is still one of the pleasures of the wine drinking – you never know what you will find in the bottle.
That essentially concludes the report from our main Thanksgiving celebration. Next day, however, we left to see our close friends in Boston, and at their house, we had two unique wine encounters. One was 1993 (!) Nissley Fantasy Sweet Rosé Wine Lancaster County Pennsylvania (made out of Concord grape). The expectation was that the wine already turned into a vinegar, but instead, we found a port-like wine, with lots of sweetness and also some acidity, so well drinkable overall.
The last surprise was 2006 Yellow Tail Reserve Shiraz Australia (14% ABV), which was still well drinkable, with good concentrated dark fruit, touch of spices, good balance and full body. Well-drinkable 10-years old red wine shouldn’t be a surprise to anyone – but this was actively ridiculed by all the aficionados “creature label” wine, which is not expected to last that long. The bottom line – this wine still delivered lots of pleasure.
Now we are fully done here – this is the story of my Thanksgiving celebration. Did you have any memorable wines this last Thanksgiving? Any unique and interesting dishes? I would love to know. Cheers!
Of Cabs and Tomatoes, or Having Fun with a Blind Tasting
“By the way”, my friend texted me, “your text says “tomato wine” – was that an autocorrect”? My response was “Nope. You’ll see”.
Drinking wine is fun (if you disagree, you shouldn’t read this blog). There are many things which we, oenophiles, self-proclaimed wine aficionados, can do to maximize that fun. We age wines, we decant wines, we use fancy openers and pourers, we play with temperature and glasses of different forms and sizes.
One of ultimate fun exercises oenophiles can engage in is a blind tasting. Blind tasting is a “truth serum” for the wine lovers, it levels the playing field for all. Blind tasting eliminates all “external” factors – price (ha, I paid $300 for this bottle, beat that), prestige, winemaker’s pedigree, weight of the terroir (ahh, Bordeaux, it must be amazing), cute and elaborate labels, critics and friends opinion – and leaves your palate one on one with the content of the glass. Don’t say “I hate Chardonnay and I never drink it”, as you don’t know what is in your glass. Don’t say “I don’t like Australian wines”, as you don’t know what is in your glass. Anyone who ever played the game of the blind tasting can surely attest to what I’m saying here. If you never experienced fun and joy of the blind tasting, you are missing and you are missing a lot – but it is easy to fix.
Our tradition of wine dinners goes back more than 5 years, and most of the wine dinners include blind tasting part (here are the posts for some of the past events – Pinot Noir, Champagne, Chardonnay). A few weeks ago, we managed to align everyone’s schedule for a wine dinner and a blind tasting with a simple and non-pretentious subject – Cabernet Sauvignon :).
Remember the dialog at the beginning of this post? I have friends who know my obsession with the wine, and always try to surprise me with various oddities. One of such oddities was a bottle of tomato wine which they brought from Canada. I didn’t want to drink that wine by myself, so the wine dinner was an excellent opportunity to share it with friends. As guests were arriving, I decided to play a role of the mean host (okay, not too mean). Outside of the friend who knew about the tomato wine, the rest were presented with the pour of the white wine and the request to guess what grape that might be. Literally nobody wanted to believe that this was a tomato wine – I had to show the bottle as a proof.
Have I tasted this wine blind, I’m sure I would be in the same boat as all of my friends – this 2013 Domaine de la Vallée du Bras OMERTO Vin Apéritif de Tomate Moelleux Québec (16% ABV) was fresh, with good acidity, touch of raisins on the nose, medium to full body and notes of the white stone fruit on the palate – for me, Vouvray (Chenin Blanc from Loire) is the one which comes to mind to give you the best analogy. This wine is produced from the locally grown heirloom tomatoes – and it is also a vintage – I’m seriously impressed (find it and taste it).
And to the blind tasting off we went. 10 wines were wrapped in the paper bags, opened and randomly numbered (my daughter usually does the honors), then poured into the glasses. The only thing we knew that all the wines will be predominantly Cabernet Sauvignon – no price or region limits.
Below are my notes, in our tasting order, both with my initial impressions and some updates over the next few days as I tasted leftover wines. And by the way, don’t think of this tasting of some stuck-up, snotty process – we openly exchange our thoughts, but each person’s individual palate is an ultimate purveyor of truth here:
#1:
C: almost black
N: restrained
P: bright fruit, pronounced tannins, delicious.
P: 2nd day – outstanding, firm structure, eucalyptus, dusty profile, tannins are still fresh.
V: 2013/2014, new world , considerably improved by the end of the tasting!
#2:
N: blueberry pie notes
P: beautiful, bright, cassis, blueberry pie with tobacco undertones on the second day, excellent
V: Lange
#3:
N: savory,
P: crispy, fresh, great fruit
P: 2nd day – firm structure, perfect balance, dark cocoa, cassis. Truly an enjoyable wine
V: nice finish,
#4
N: strange, rotten cabbage, musty cellar
N: 2nd day: an improvement, tobacco with touch of barnyard on top of cassis
P: nice, bright,
P: 2nd day: great improvement, very enjoyable, shouting a bit of mature fruit with bright acidity and touch of fresh plums.
V: India?
#5:
N: coffee, mocca, dust, excellent
N: 2nd day: coffee and roasted meat
P: nice fruit, bright, spicy
P: 2nd day: palate shifted towards savory too much meat. Probably perfect with the steak, but craving more balance on its own.
V: nice, young
#6:
N: blueberry pie, nice
N: 2nd day: pure candy on the nose, more of a lollipop quality, or may be stewed strawberries.
P: sour cherry, wow
P: sour cherries continuing, albeit more muted than yesterday
V: nothing from Cab, but nice. An okay wine.
#7:
N: nice balance, good fruit
P: great, dusty palate, firm structure, excellent, precision
V: outstanding
#8:
N: nice dusty nose,
P: crispy, tart, limited fruit
V: not bad, but not great.
V: day 2 – past prime 😦
#9:
N: nice, classic
N: 2nd day: added perfume and explicit anise notes
P: beautiful, excellent, mint, classic
P: 2nd day: dark, powerful, compressed, espresso, a lot more dense than the day before.
V: excellent
V: 2nd day: less enjoyable than the day before, closed up, lost the finesse.
#10:
N: young berries, same on the day 2 but a bit more composed.
P: young crushed berries
P: 2nd day: a bit more restrained. Young berry notes without supporting structure. Not my wine, but might have its audience.
P: 5th day: the sweetness is gone, and the classic Cab showed up, touch of cassis and mint, excellent
V: 1st day – it’s ok, 5th day – very impressive
During the tasting, we decide on two of our favorite wines. After tasting is done, we take a vote, with each person allowed to vote for two of their favorite wines. These are just two favorites, without prioritizing between the two. Below are the results of the vote for our group of 11 people:
#1 – 1
#2 – 1
#3 – 7
#4 – 1
#5 – 0
#6 – 2
#7 – 4
#8 – 1
#9 – 4
#10 – 1
As you can tell, the most favorite wine was wine #3 (7 votes out of 11), and the second favorite was a tie between wines #7 and #9, each of them getting 4 votes out of 11. Now, drumroll please – and the most favorite wine of the blind Cabernet Sauvignon tasting was … 2006 Staglin family Cabernet Sauvignon! Staglin Family Cab is definitely not a slouch in the world of cult California wines, and the group clearly fell for it. Here is the full lineup, in the order of tasting:
Here are the details for all the wines:
#1: 2012 KRSMA Estates Cabernet Sauvignon Hampi Hills Vineyard, India (13.5% ABV)
#2: 2013 LangeTwins Vineyard Cabernet Sauvignon Lodi, California (14.4% ABV)
#3: 2006 Staglin Family Vineyard Estate Cabernet Sauvignon Rutherford, Napa Valley (14.9% ABV)
#4: 2002 d’Arenberg The Coppermine Road Cabernet Sauvignon McLaren Vale, Australia (14.5% ABV)
#5: 2014 Excelsior Cabernet Sauvignon WO Robertson, South Africa (14% ABV)
#6: 2015 Vinca Minor Cabernet Sauvignon Redwood Valley California (12% ABV, 1 barrel produced)
#7: 1995 Château Clerc Milon Grand Cru Classé Pauillac AOC (12.5% ABV)
#8: 2000 Château Lanessan Delbos-Bouteiller Haut-Médoc AOC (13% ABV)
#9: 2009 Tasca D’Almerita Tenuta Regaleali Cabernet Sauvignon Sicilia IGT (14.5% ABV)
#10: 2014 Crosby Cabernet Sauvignon California (13.5% ABV)
10 wines, 6 countries, 10 different regions, $7.95 – $150 price range, 1995 – 2015 vintage range – I think we did pretty well in terms of diversity. Staglin Family being the favorite wine is not that surprising (but still interesting, considering that it is the most expensive wine in the lineup at $149). My biggest surprises, though, were super-solid KRSMA Cabernet Sauvignon from India (India? really?), an excellent Cabernet Sauvignon from Sicily (who would’ve thought!), and the cheapest wine in the group, Crosby Cabernet Sauvignon ($7.95), which opened up magnificently 5 days after the bottle was opened – of course, nobody has a desire to wait that long for the wine, but forgetting a few bottles in the cellar might be a right move.
The dinner quickly followed the tasting (after 110 glasses were safely removed from the table). I don’t have much in terms of pictures, but we had Russian Meat Soup (recipe here) and beef roast as the main dish. The deserts were pretty spectacular and paired very well with Cabernet wines:
And that concludes my report about our great fun with Cabernet Sauvignon wines and the blind tasting. Now is your time to share your blind tasting and odd wines stories – and if you had any of the wines I mentioned here, I want to know your opinion about them.
Lastly, if you never experienced the pleasures of the blind tasting, you must fix it as soon as possible. Cheers!
Chilean Wines at Its Best – World-Class Wines of Viña Maipo
Two weeks ago, I shared with you a conversation with Max Weinlaub, the winemaker for the Viña Maipo winery in Chile. While our Q&A session was mostly virtual, the Viña Maipo wines were not – I had an opportunity to taste 6 wines presented by Max during the session in New York. And I can sum up my impressions about Viña Maipo wines in one simple word – delicious.
I have to honestly admit that even opening of the box was pleasant – I love it when the bottles are wrapped, it gives an oenophile an additional moment of play, an additional source of enjoyment.
Of course, the nice wrapping is better be supported by the substance in the bottle – and it was, loud and clear, as you will see from my tasting notes.
By the way, if you would read my interview with Max Weinlaub, you will find that one of the questions I asked was about Viña Maipo’s selling wines in China. If I would look at the wines more carefully, I wouldn’t need to ask that question – take a look at the back labels below:
Here are my notes:
2016 Viña Maipo Vitral Sauvignon Blanc Reserva (12.5% ABV, SRP $11) – 2016 was one of the best vintages for white wines.
C: straw pale
N: grassy, lemon, touch of tobacco, white fruit
P: restrained, lemongrass, fresh lemon, perfect acidity, vibrant
V: 8-, nice and refreshing, will be perfect with seafood. Excellent QPR
2016 Viña Maipo Vitral Chardonnay Reserva (13.5% ABV, SRP $11)
C: light golden
N: vanilla, golden delicious apple, touch of honey, herbaceous undertones
P: Crisp, fresh, nice acidity, lemon, very restrained, green apples, good palate weight
V: 8-, very drinkable now, and should evolve. Great QPR
2013 Viña Maipo Gran Devocion Carmenere DO Valle Del Maule (14.5% ABV, SRP $25, American oak is used only for Carmenere, better showcases the wine, Carmenere 85%, Syrah 15%)
C: Rich garnet, wine looks very inviting in the glass
N: Characteristic mint and herbs ( hint of), dark red fruit, pepper
P: peppery, spicy, dark fruit, earthy, delicious, powerful, full bodied
V: 8, excellent, powerful wine
2012 Viña Maipo Syrah Limited Edition DO Buin Valle del Maipo (14.5% ABV, SRP $35, 86% Syrah, 14% Cabernet Sauvignon, 30 months in French oak)
C: bright garnet
N: bright, open, blueberries, herbal notes, touch of barnyard
P: pepper, black fruit, blackberries, spicy, firm structure, mouth-coating, velvety
V: 8+/9-, stand out, beautiful wine
2013 Viña Maipo Protegido Cabernet Sauvignon Valle del Maipo (14.5% ABV, SRP $50, 30-35 yo vines, very low yield, Cabernet Sauvignon 97%, Cabernet Franc 1%, Syrah 1%, Petite Verdot 1%, 20 months in French oak )
C: dark garnet
N: green bell pepper, mint, classic cabernet nose, eucalyptus
P: beautiful, round, open, cassis, mint, firm structure, delicious
V: 8+, outstanding, beautiful Cabernet
2012 Viña Maipo Alto Tajamar DO Buin Valle del Maipo Chile (14.5% ABV, SRP $110, Syrah 92%, Cabernet Sauvignon 8%, 30 months in French oak)
C: Bright garnet
N: espresso, tar, pepper, hint of barnyard, black fruit
P: Blackberries, tart cherries, espresso, spices, dark power, brooding, full bodied
V: 8+/9-, outstanding, a treat which needs time
I had an opportunity to taste all of these wines over the course of a few days, and I have to say that literally all of them kept getting better and better. Viña Maipo Syrah wines are unquestionably a world class, but so are the Cab and Carmenere, and I would gladly drink both Sauvignon Blanc and Chardonnay every day – overall, one of the most successful tasting lineups I ever had.
Have you ever had Viña Maipo wines? Have you ever had Viña Maipo Syrah or any Chilean Syrah for that matter? If you did, what do you think of them? Cheers!
Beaujolais Nouveau Est Arrivé! 2016 Edition
There is no shortage of the grape holidays nowadays – we celebrate Cabernet Sauvignon, Merlot, Tempranillo, Chardonnay and many other grapes, sometimes even two per day. However, the oldest grape celebration in existence is Beaujolais Nouveau Day, celebrated on the third Thursday in November, which happened to be November 17th this year.
Of course, Beaujolais Nouveau Day is not so much of a grape celebration (which would be a Gamay day) but really the celebration of the new harvest, which was a very old tradition in the Beaujolais region, neighboring Burgundy, in France. Georges Duboeuf, a famous French wine merchant, is credited with making Beaujolais Nouveau Day an international event more than 30 years ago. What was just a local harvest festival became an international event, widely anticipated and celebrated around the world, from Tokyo to Moscow to New York.
While Beaujolais Nouveau Day is [still] often dismissed as a marketing gimmick, I’m always looking forward trying the new Beaujolais Nouveau wines, to be able to see their evolution. Ever since this blog started in 2010, Beaujolais Nouveau was always part of it – here you can find the old posts from 2010, 2011, 2012, 2013, 2014 and 2015. In case you want to learn a bit more about the history of the celebration, please take a look at the post from 2012 – it contains more information than the other posts.
Here are the notes on the 2 wines I was able to taste this year:
2016 Georges Dubœuf Beaujolais Nouveau (12% ABV, $9.99)
C: Dark ruby
N: fresh fruit, intense, ripe raspberries, herbal undertones, not over the top
P: elegant, fresh, red fruit notes, crunchy berries, excellent acidity
V: 8-, very enjoyable and elegant
2016 Paul Durdilly et Fils “Les Grandes Coasses” Beaujolais Nouveau (12.5% ABV, $9.99)
C: dark ruby
N: spicy cherries, mint, inviting
P: very limited amount of fruit, big contrast with the nose. For the Beaujolais Nouveau, might be even too restrained.
V: 7, leaving desiring more on the palate.
Talking about the two wines I tasted, I have to admit that I forgot to lightly chill them, which is recommended. This definitely had no effect on Georges Duboeuf wine, but it might be a culprit behind the limited expression of the second wine.
Before we part, I want to bring to your attention the label of the Georges Duboeuf Beaujolais Nouveau. Besides the fact that I personally like it, the important part if that for the first time ever, the label for this wine was chosen by the wine consumers voting for one of the 12 different designs submitted for the competition. I think the consumers chosen well, right?
For the past 3-4 years, I find Beaujolais Nouveau a very enjoyable wine, well worthy of oenophile’s attention. What do you think of Beaujolais Nouveau? Any favorites? Cheers!
One on One with Winemaker: Max Weinlaub of Viña Maipo, Chile
When I was invited to meet with the winemaker Max Weinlaub of Chilean winery Viña Maipo, one thing immediately caught my attention – Max was described as an advocate of the “new Chilean Syrah movement“. Syrah might be my all times favorite grape (secretly, of course – I would never admit it in public), so anything which has to do with the Syrah sounds interesting to me.
Winemaker Max Weinlaub. Source: Viña Maipo
I couldn’t travel to New York on the given date, but Patricia Clough from Gregory White PR was very accommodating and managed to include me in the live conversation and tasting with Max with the modern wonders of technology (thank you Patricia!). I was able to listen to Max presenting his wines and even ask questions and make comments – and all of it not with my fingers (in most of the “virtual” tastings we use Twitter or similar mechanisms to “talk” to the presenters – this conversation was refreshingly different).
This was the tasting, of course, so I did taste the line of Viña Maipo wines, and in a word, the wines were stunning. But I will tell you all about the wines in the next post, as I reached out to Max with a bunch of questions, which he graciously answered despite being on the plane for the most of the time in the months, going around the world and introducing his wines. Max’s answers are great and well worth every minute of your time if you want to learn more about Chile and its wines.
Without further ado, here is our [now virtual] conversation with Max Weinlaub:
[TaV]: It appears that Viña Maipo was one of the Syrah pioneers in Chile, planting it in 1990. Are there any wines from those early vintages still around? Did you have a chance of tasting them? What do you think of them if you did?
MW: Even though the vines were planted around 1998, the grapes were blended with other red grapes. In 2005 the grapes were used to make Limited Edition for the first time. We still have bottles of that vintage. I have had the opportunity to taste it, but the style has evolved year after year. To me, the first vintages were bold and too ripe. In recent years, I have been turning to a fresher style with a better balance and great ageing potential.
(Side note for Anatoli: If you are truly interested I could find one of those rare bottles, and we can taste it together next time I’m in NY.)
[TaV]: Since starting at Viña Maipo almost 10 years ago, did you make any changes in the way Syrah grapes are grown or the way the wines are made?
MW: Since I started as chief winemaker in 2007 it has been an endless learning process in direct connection with understanding how the vineyard behaves under different climatic conditions and canopy management, and noting the changes as the vines age each year. Today, I have a better knowledge about our Syrah grapes to express the varietal’s maximum potential with a clear sense of origin: Syrah from Chile. If I compare the last 10 years, I definitely see a change in the style of Viña Maipo’s wines —building towards better elegance, power, balance, fruit expression and oak impact.
[TaV]: Why Syrah in Chile? Do you think that Syrah is the next big grape for Chile?
MW: Until the first half of the 90’s, Chile was known for producing Cabernet Sauvignon, Merlot, Chardonnay and Sauvignon Blanc. Carmenere was re-discovered just in 1994. So the general perception of Chile was as a reliable producer of inexpensive wines but without many options to show (in terms of grape varieties). At the same time, Australia was living golden years with its Shiraz, so many winemakers thought that maybe Syrah could be introduced in Chile. Some clonal material (stocks) were imported and multiplied by a couple of nurseries in Chile and then, we neared the end of the decade, the first Syrah grapes were harvested with pretty good results. Thanks to a joint venture with one of those nurseries, Viña Maipo was one of the first wineries that planted Syrah in the country.
In my opinion, Chile has been and will be widely recognized as a great place of origin for Cabernet Sauvignon. But at the same time other grapes, especially those from the Rhône Valley, have adapted extraordinarily well to the Chilean terroirs — and Syrah is by far the best example of that. If you consider that nowadays the oldest Syrah vines are around 20 years old and already are producing high quality wines, then you can clearly see a bright future with this grape variety.
[TaV]: When making Viña Maipo Syrah, is there a region (Cote-Rotie, Hermitage, Cornas, Barossa, and Santa Barbara) or a wine maker (Guigal, Chapoutier, …) which you see as a hallmark and try to achieve some similarities with?
MW: The regions you mention (with their singularities) plus the talent and skills of those renowned family names have made some of the most iconic and unique expressions of Syrah grapes in the world. From those wines I learned that Syrah is able to make outstanding wines with a great potential for ageing even comparable with some Cabernet Sauvignon. My humble dream is someday to be part of that “Hall of Fame of Syrah” world, to be recognized as a previously-unknown Chilean winemaker named Max Weinlaub who made a jewel with Syrah in Chile, standing along with those big names.
[TaV]: You are blending Syrah with Cabernet Sauvignon and vice versa, which is quite unusual. Why do you think these two grapes work together? Are there any other regions in the world where Syrah is successfully blended with Cabernet Sauvignon, or do you think this is purely a Chilean phenomenon?
MW: I do believe in the synergy between their different but complementary components when you blend the right way. This is the best evidence that winemaking is closer to an artistic expression than to math because 1+1 is more than 2. Syrah is a fantastic grape to make single varietal wines, but also for blending. Sometimes the Cabs are too classical, too serious for me. I used to define the Syrah variety as “fireworks in a carnival”…it has lots of color, intensity and rich flavors. So Syrah plays an important role shaking up or adding verve to a (sometimes) circumspect Cabernet Sauvignon. My aim here is to make a more distinctly South American or Chilean style of Cabernet Sauvignon.
In another style, I add a smaller percentage of Cab to Syrah to increase the structure or backbone of the wine. As part of its nature, Syrah’s tannins are soft but non-structural – so hence the need for the strength and structure of Cabernet Sauvignon. You can find this blend of Cab-Syrah or Syrah-Cab elsewhere and it works well for me, and I intend to keep perfecting it.
Source: Viña Maipo
[TaV]: Pinot Noir seems to be fast growing in popularity in Chile. You don’t make any Pinot Noir wines – do you have any plans for it? What do you think overall about Chilean Pinot Noir?
MW: I think that finally there’s a bunch of very good Pinot Noir produced in Chile thanks to the better knowledge of the grape variety in terms of terroir, viticultural management, clonal selection and winemaking. Pinot Noir is a challenging variety that sooner or later many winemakers—who tend to thrive in challenges–try to produce his/her own version. I’m having a lot of fun and joy producing Syrah (among other grapes of course) so Pinot Noir will be in my “101 things-to-do-before-to-die” list for a while.
[TaV]: Many wineries around the world add sparkling and Rosé to their repertoire – do you have any plans for Viña Maipo to start producing sparkling or Rosé wines too?
MW: We produce sparkling and rosé too!!! As we have a limited capacity (in terms of volume), the production of sparkling is allocated to certain markets – so it is not currently part of our global portfolio. Our rosé is sold largely in Nordic countries at the moment. We could taste both wines next time I see you.
[TaV]: How old are the oldest vines at Viña Maipo?
MW: The Cabernet Sauvignon vines are the oldest planted in our vineyards. Today, some of them are reaching 40 years old….just like me.
[TaV]: Don Melchor is an uncontested flagship wine for Concha e Toro, with very high critic ratings (98 from Suckling, 96 from Wine Spectator). Do you think Alto Tajamar will beat Don Melchor’s ratings one day?
MW: By far Don Melchor is the Dean of all the renowned Chilean wines. It’s the Chilean wine with the longest and most complete vertical tasting starting in 1986. I truly admire its history and legacy. If someday Alto Tajamar receives as high ratings as Don Melchor has won, for me that would be an honor and privilege. One of my principles is “work hard in silence, do your best and the rest will come along.”
[TaV]: When it comes to the white grapes of Chile, Chardonnay and Sauvignon Blanc are, of course, well established and well known. Is there a next big white grape for Chile?
MW: Chile is a paradise for grape growing due to its diverse terroirs, stable weather and healthy environment. Even though Chardonnay and Sauvignon Blanc are widely planted I’m sure there are new areas where some other white grapes could produce great quality wines, such as Verdejo or Godello, both grapes especially recommended for warm climates. There are some very interesting Rieslings and Gewürztraminer. But the problem with those grape varieties is the almost relatively little commercial success we’ve seen when are produced outside of their home countries. I have the feeling that the only white grape that could succeed (technically and commercially) is Pinot Grigio.
[TaV]: What are the biggest export markets for Viña Maipo?
MW: By far the UK and Nordic countries at the moment, but there are some interesting opportunities to grow in other areas especially in Asia. Asia is a great market with its own codes and tempo (rhythm). We’ve also been focusing on the U.S. to a greater extent and I am very much looking forward to spending more time in the market.
[TaV]: Continuing the previous question, how big is China, and it is growing, flat or declining?
MW: China is just awakening!!! And everybody is trying to get a space in China since the Dragon feels thirsty. They are starting drinking wine, more often for Gambei (heavy duty toasts) rather than for joy, learning or food matching, so there are some things to do in terms of wine culture and education.
[TaV]: Do you have a favorite vintage of Viña Maipo Syrah?
MW: Always the last one!!!… Because it’s better than the previous one. Maybe it’s because the vines are becoming older and I’m turning older too (and hopefully wiser)!!!
[TaV]: When you are not drinking your own wines, what are some of your favorite wines and winemakers around the world?
MW: More than follow a label, brand or winemaker, recently I have been discovering regions. I’m currently really intrigued by German Rieslings (especially old vintages from Mosel River) and some Spanish red grapes such as Garnacha (aka Grenache), Mataro (aka Cariñena or Carignan), Graciano, Mencia and Bobal.
Source: Viña Maipo
We are done here, my friends. I really enjoyed our conversation with Max, and I hope that the next time we will sit across the table and taste his delicious wines together. You might be thirsty at this point, so I hope you have something to drink – and the next time I will tell you all about delicious Viña Maipo wines I had a pleasure tasting. I can only say that I would gladly drink those wines at any time… Until we talk again – cheers!
Celebrate Tempranillo! 2016 Edition
Tempranillo is one of the most popular red grapes in the world, requiring no introduction to the wine lovers, now even less than before. The star grape of Spain, a foundation of the timeless beauty of Rioja, finess of Ribera del Duero and dark raw power of Toro. Today (if I manage to publish this post before midnight) is International Tempranillo Day, the day when we acknowledge this early ripening grape, capable of bringing lots and lots of pleasure to the wine lovers everywhere.
I discovered Tempranillo in 2010, at the wine seminar at the PJ Wine store in Manhattan – and fell in love with it. And how you can not, after tasting 1964 Rioja Gran Reserva, which was still young and exuberant. I was seeking Tempranillo ever since, trying it at every occasion – some encounters happier than the others.
What interesting in this journey is that when I discovered Tempranillo for myself, my world was squarely limited to Spain, and even inside Spain, it was all about Rioja, Ribera del Duero and a little bit of Toro. I was always happy to celebrate the Tempranillo Day, so here is the collage which I produced based on the wines I knew, back in 2011:
To my total delight, it appears that my Tempranillo worldview was inexcusably narrow. Texas, Oregon, Napa Valley and my newfound oenophile’s heaven, Lodi, are all producing world-class, delicious, complex, exciting Tempranillo wines. I heard about Tempranillo in Australia; never tried them, but now I’m a believer – great Tempranillo wines don’t have to be only from Spain. Thus I created a new collage, to better represent my latest discoveries:
Abacela from Oregon, Duchman from Texas, Irwine Family from Napa, Bokisch, McCay, Fields, Harney Lane from Lodi – lots and lots of tasty discoveries over the past few years – I hope you had your share of Tempranillo fun too.
Do you have your favorite Tempranillo wines? Where are they from? Who is the producer? Tell the world about them. Cheers!
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