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Thinking About Albariño, or Notes from Albariño Deep Immersion with Snooth
For the first time I tried Albariño wine around 12 years ago, during my brief stint as a sommelier at a small restaurant. I remember the producer – Burgans. I remember liking the wine quite a bit, and since that time, Albariño surely became a part of my regular “wines to drink” list. My longest (and still current) Albariño love is Bodegas La Caña Albariño, which typically has a small amount of wine aged in oak, offering great level of complexity – but this is not what we will be talking about today.
The history of Albariño traces back to the 12th century in the Rias Baixas region in Spain (legend has it that Rias Baixas was a resting place for a brief moment for the God’s hand after the creation – you don’t have to believe it, of course). In 1980, Rias Baixes became a DO named after it’s main grape, Albariño, changing its name to Rias Baixas DO in 1986 (EU laws don’t allow for the Denomination of Origin to be named after a single grape). Over the years, Albariño started finding its way to the consumers around the world, often touted as an alternative to the Chardonnay. Considering the location (Atlantic coast) and cuisine (heavily dominated by shellfish/fish) of Rias Baixes, it is not surprising that Albariño, which typically shows crisp acidity, is perfectly marrying variety of seafood dishes.
If you think about winemaking around the world, there are some common trends no matter where the wines are made. One particular trend I want to mention is better understanding of the local terroir. Every new vintage adds the details to the knowledge of successes and failures – which vineyard produced better fruit, how the fruit was different, how even better fruit can be produced. With this knowledge, winemakers can identify the differences between seemingly close vineyards, understand that those differences are not accidental, and that those differences are worthy to be noted, used and even stressed – now the one, seemingly monolithic “terroir” region can be split into a smaller pieces.
This is what leads to the creation of the new regions and sub-regions, and you can see it around the world. For instance, only a few years ago, practically all Sauvignon Blanc wines from Marlboro in New Zealand were only identified on the labels as Marlboro. Today, Marlboro Sauvignon Blanc wines proudly identify themselves as Wairau Valley or Awatere Valley, and you can find detailed notes stressing their unique characteristics.
Rias Baixas Map wine regions map. Source: Rias Baixas Wine
Same processes of creating smaller, more focused viticultural areas is taking place all over the world – and Rias Baixas is not an exception. Today, Rias Baixas DO has 5 defined sub-regions – Val do Salnés, the oldest and best known source of Albariño wines; Soutomaior, Contado do Tea, O Rosal and Ribeira do Ulla. Each sub-region has its own soil and climate conditions, the terroir, which translates into the differences in the wines.
Last week I was lucky to participate in the special virtual tasting organized by Snooth, one of the best online sources of the wine knowledge. In the tasting, we had an opportunity to experience 10 different Albariño wines, representing 3 different sub-regions, and of course to discuss the wines in the rapid-fire chat.
I have to honestly admit – I didn’t wait until the official tasting to taste the wines – as the wines arrived a few weeks before the tasting, I took my time to try them slowly, as 10 wines within one our and engaging conversation using one’s fingers is quite difficult to do. I also didn’t know the order of tasting, so my tasting was done at random, where during our online chat the tasting was going from one sub-region to another – the tasting notes below appear in the tasting order at the event.
Here are my notes:
Sub-region: Val do Salnés:
2015 Martin Codax Albariño Rias Baixas DO (12.5% ABV, $16.99)
C: light yellow
N: medium intensity, fresh lemon notes
P: lemon and lemon zest, cut through acidity, medium palate, clean
V: 7+, surprisingly nice pairing with a spicy pepper spread
2015 Condes de Albarei Albariño Rias Baixas DO (12.5% ABV, $15)
C: light golden
N: medium intensity, lemon, green apple
P: touch of sweetness, Meyer lemon, good acidity, medium body, clean
V: 7/7+, nice, simple
2015 Vionta Albariño Limited Release Rias Baixas DO (12.5% ABV, $15)
C: light golden
N: medium intensity, grassy, more of a Sancerre style, touch of lemon and hay
P: crispy, fresh, clean acidity, lemon, medium body, good balance overall, round
V: 7+/8-, very well executed.
2016 Pazo Señorans Albariño Rias Baixas DO (13.5% ABV, $25)
C: straw
N: medium intensity, grass, fresh lemons
P: crisp acidity, touch of salinity, lemon, touch of volcanic minerality, interesting complexity
V: 8-, drinkable by itself, but craves food
Sub-region: Contado do Tea:
2015 Pazo de San Mauro Albariño Rias Baixas DO (12.5% ABV, $17)
C: light straw
N: honey, flowers, honeydew, delicious and inviting
P: great complexity, touch of honey without sweetness – you know you have honey in the glass, but no sugar, clean acidic finish, medium body, unusual and interesting
V: 8/8+, most interesting of the group, very unusual
2016 Señorío de Rubiós Robaliño Albariño Rias Baixas DO (12.5% ABV, $18)
C: straw pale, a welcome relief from all the 2015 so far
N: intense, lemon, candied lemon
P: off-dry, bright, crisp, white plums, hint of pineapple
V: 8-, nice and pleasant, easy to drink
Sub-region: O Rosal
2015 Altos de Torona Albariño Sobre Lías Rias Baixas DO (13% ABV, $14)
C: light golden
N: minerality, white stone fruit, medium intensity
P: fresh, crisp, nice lemon notes, craving oysters, cut through acidity
V: 8-/8, nice on its own on a hot summer day, and will be great with seafood, especially shellfish.
2015 Santiago Ruiz O Rosal White Wine Rias Baixas DO (13% ABV, $20, blend of Albariño and Loureiro with small addition of Treixadura)
C: straw
N: medium intensity, nice white fruit (peach) and floral notes, touch of tropical fruit like guava
P: medium body, soft, round, white stone fruit, good acidity, fresh, excellent balance
V: 8-/8, definitely one of my favorites
2015 Valmiñor Albariño Edición Especial 10 Años Rias Baixas DO (12.5% ABV, $18.99)
C: golden
N: intense, white stone fruit, fresh, white plums
P: lip smacking acidity, fresh, open, lemon, herbs, very dry, medium body, medium finish
V: 7+, very pleasant, will be perfect for any summer day, or any day with seafood. Makes you crave oysters.
2015 Bodegas Terras Gauda Abadía de San Compo Albariño Rias Baixas DO (12.5% ABV, $20)
C: golden
N: medium intensity, touch of lemon, white stone fruit
P: clean acidity, slightly off dry, under-ripe yellow plums, medium body
V: 7+, nice and quaffable.
Did I clearly tasted the differences in the wines from the different regions? No, I wouldn’t say so – however, as you can tell from the notes and ratings, I liked the most two Albariño wines from the Contado do Tea region. Will the Albariño get more distinguishable – you bet. Should you go and open a bottle of Albariño right this moment – absolutely, go and do it now.
That’s all I have for you, my friends. Don’t forget that upcoming Sunday is Mother’s Day in the USA – I’m sure Mom would greatly appreciate nice and refreshing glass of Albariño – and note that some of the very cool labels in the wines we tried (wink, wink). Cheers!
Pleasures of Drinking Local
I love travel -seeing the world, different cultures, different people, different traditions, and, of course, different food and drinks. Food is given, as we all have to eat, so one way or the other we get to experience local cuisine. But then what I drink is also very important to me, with the same spirit of exploration.
I love drinking local. And, of course, when I say “drinking”, I primarily mean wine. When travel, I always make an effort to find and try local wines. Unknown and obscure? Perfect – the less I know about the wine, the more pleasure it brings. Drinking local wines doesn’t mean I have to visit the wineries. More often than not, my trips don’t include any spare time and any facilities to reach the wineries. But – in many places, and I would even say, in increasingly more places, you can still find local wine at local shops, as long as you willing to look for it.
It is, of course, the best when you are visiting places where the wine is part of the culture, like most countries in Europe (sorry, never been to Latin America or Australia, but somehow I think I would do fine there as well). If the wine is a part of the culture and tradition, it almost guarantees you authentic wine experiences – and what is very important – without breaking the bank. In the USA, for instance, the wine is still a part of the fashion and not part of the tradition, thus in USA, finding reasonably priced wines is extremely difficult, and finding locally produced and reasonably priced wines is simply a mission impossible. Wait, I didn’t mean for this post to be a rant, so let me get back on track.
This time around, my travel took me to Prague, the capital of the Czech Republic. I’m sure for many (most?) of people, as soon as they will hear “Czech Republic”, the very next image of the local drink is – of course – a beer. This makes perfect sense, as Czechs are internationally known for their beer, same as Germany or Belgium, and rightfully so. But – what most of the people don’t know is that Czechs also had been making wines almost forever – okay, starting from approximately the 2nd century – long enough? Czech wine never made it to the levels of fame of French or Italian wines – but that doesn’t decrease the pleasure of drinking Czech wines in any way.
I discovered Czech wines for myself last year, when I had delicious Pinot Noir and Pinot Gris ( you can read about it here). Thus I had no doubts that Czech wine is something I’m going to look for upon arrival.
The hotel I’m staying at is adjacent to the shopping mall, which includes a supermarket, a wine store and some other food stores, all of them selling wines. And mind you – at the prices which make you smile from ear to ear. So far I got the wines from the supermarket, and you will see the prices I paid in the descriptions of the wines, as usual.
I had an easy criterion for selecting the wines. Price – of course, but there was another important requirement – new grapes. As you can see the grape count in the right column of my blog page, I continue my grape journey, so I’m always on the lookout for the additions to the list. Of course, it is usually not that easy – the name of the grape in the local language might sound new and unique – but once you do the research, you can easily find out that there is nothing new about that grape. For instance, take a look at Rulandské modré – sounds unique, right? Meanwhile, it is only a local name for Pinot Noir. Or Rulandské šedé – must be something indigenous, right? Nope, it is simply the Pinot Gris.
Obviously, that didn’t stop me. I found two new white grapes, and for the red, the name looked so cool (Svatovavřinecké) that I had to get it, despite the fact that this was the local name for the St. Laurent grape – well, how often do you drink St. Laurent wines anyway?
I started with the red wine, as whites needed some chilling – and 2015 Templářské Sklepy Svatovavřinecké Morava Czech Republic (11.5% ABV, 119 Kč ~ $5, 100% St. Laurent) didn’t disappoint – light garnet color. Pleasant nose with touch of spices, sage, lavender, tobacco, hint of blueberries. Fresh fruit on the palate, tobacco, pepper, medium body, mouth-watering acidity, light, pleasant. Drinkability: 8-/8, a proof that delicious wine doesn’t have to be a fruit or tannin bomb.
The whites where new, unique and different. One was made out of the grape called Muškat moravsky, which is a cross between Muscat Ottonel and Prachtraube. The other grape was called Pálava, and it was a cross between Müller Thurgau and Gewürztraminer, first selected in 1953. I’m always a bit concerned with the new white wines (many things can go wrong), but this two were simply a stand out. I guess I was simply lucky. Or may be my palate is cursed. Of well. Here are the notes for the white wines:
2015 Chateau Bzenec Muškat moravsky Morava Czech Republic (11.5% ABV, 119 Kč ~ $5)
Straw pale color. Perfumy nose, reminiscent of Gewurtztraminer but of a lesser intensity, white peaches, lemon undertones, touch of minerality. Delicious on the palate – succulent fresh whitestone fruit with practically no sweetness, ripe green apple and touch of lemon. Clean, balanced, fresh, excellent acidity. Medium-short finish, pleasure to drink. Very impressive. Drinkability: 8/8+
2015 Vinium Velké Pavlovice Pálava Pozdní Sber Morava Czech Republic (12% ABV, 239 Kč ~ $10)
Light golden color. Very pleasant nose, perfumy, touch of honey, tropical fruit (guava, pineapple), medium intensity. Delicious lip smacking palate – crisp acidity, medium to full body, wine is nicely present, mouth coating, acidity keeps lingering with tart apples underpinning, then some ripe apples showing with addition of white plums. Another excellent wine. Unique and different, perfectly enjoyable on its own, but will play very nicely with the food. Drinkability: 8/8+, outstanding.
That’s all I have for you, my friends. When travel, take risk, drink local – your reward will be new experience and lots and lots of pleasure. And if you will not like it – the experience will still be with you. Cheers!
Argentina Beyond Malbec with Achaval-Ferrer and #WineStudio
Of course, Argentina wine industry can’t be subsided only to Malbec – Torrontes and Chardonnay for the whites and Malbec and Cabernet Sauvignon (and Bordeaux-style blends, of course) for the reds comprise an absolute majority of Argentinian wines available at any given moment. You can find some Argentinian Bonarda, Pinot Noir and Sauvignon Blanc, but they don’t carry the full recognition of the 4 main grapes.
Winemaking has a long history in Argentina, starting in the 16th century and entering an international trade in the second half of 19th century. If we will take into account that most of the grape plantings in Argentina are at high altitude, with climatic conditions and terroir overall ideal for the grape growing and providing protection against many grape diseases, such as phylloxera, we will quickly realize that Argentina is home to some of the best and oldest vineyards in the world. However, it is only during the last 20-25 years Argentinian wines start receiving a full international recognition they deserve, with Malbec been the brightest shining star.
Achaval-Ferrer winery was founded in 1998, and over its relatively short history, became a leading winery in Argentina, garnering numerous awards and high critic scores for its wines. To the great pleasure of wine geeks, wines of Achaval-Ferrer were also a focus of April #WineStudio educational program, allowing us to experience some of the very best wines Argentina is capable of producing – Malbec, Cabernet Sauvignon and Bordeaux blend called Quimera. But for the last April session, Achaval-Ferrer and #WineStudio took us on the trip in entirely new direction with the inaugural vintage of the Cabernet Franc wine.
I guess it is time to reveal one of my (no, not darkest) deepest wine secrets – I have “a thing”, an obsessive passion for the Cabernet Franc wines. I can’t explain to you why or how. I don’t know how it happened that out of most grapes, the words “Cabernet Franc” make me literally jump. No matter how tired I am at the end of the large tasting, say to me “let’s go try Cab Franc” and I’m ready to run. Thus you can imagine how excited I was at this opportunity to try a new first release of Cabernet Franc.
There was a lot of excitement around this wine, seems everybody really enjoyed it. As for all the wines of Achaval-Ferrer, the grapes for this Cabernet Franc came from the high altitude vineyards (3,280 ft above sea level) in the Uco Valley, mostly sustainably farmed. Here are my tasting notes:
2015 Achaval-Ferrer Cabernet Franc Mendoza Argentina (14.5% ABV, $24.99, 100% Cabernet Sauvignon, 10 months in 3-year old French oak barrels)
C: Dark garnet
N: intense, baking spices, dark fruit, mint, dark chocolate
P: medium-full body, fresh cut-through acidity, mint, hint of cassis, touch of white pepper on the finish, smooth, long finish with tannins kicking in at the end and lingering. Needs time…
V: 8, nice, can be drunk on its own, will be great with the food, and will evolve with time – at least 10 years. The wine opened up more on the second day, and I’m sure will further improve on the 3rd.
Definitely an excellent wine which will be hard to find – 1,400 cases total production, and a lot of this wine went to Morton’s steakhouse (so if you plan to visit Morton’s keep that in mind) – but it is well worth seeking. If you will score some of these bottles, lay them down in the cellar and let them evolve. At least this is what I would do.
This wine concluded a delicious #WineStudio experience with the Achaval-Ferrer wines, and to sum it up, I want to leave you with the twitter quote from Tina Morey, the host of #WineStudio:
I can fully sign under every word here – beautiful, expressive wines, well representing what Argentina is capable of. Salud!
Geekiest Way to Celebrate #MalbecWorldDay – #WineStudio Blind Tasting with Achaval-Ferrer
Starting in 2011, April 17th is the day when we celebrate Malbec – one of the noble French grapes, which almost disappeared in France, but found its new life in Argentina, where it became a star. I don’t want to bore you with the Malbec history – you can read it on your own in many places, including few posts in this very blog (here is a bit about the history of the Malbec grape, and here you can take a Malbec quiz).
Typical “grape holiday” celebration usually includes an opening of an upscale (high end, memorable, etc) varietally correct bottle. Our today’s celebration was a bit different, as it was based on the concept of pure, unadulterated, geeky wine lovers’ fun – a blind tasting, and, of course, guessing.
This blind tasting was a part of the educational program run by the WineStudio during the month of April. In case you are not aware of the Wine Studio, it is a brainchild of Tina Morey, and it is wine education and marketing program which helps to expand people’s wine horizon and help them discover new regions, new grapes and new wines. April program, quite appropriately (April is designated as a Malbec wine month), was focused on the wines of Achaval-Ferrer, one of the very best wine producers from Argentina.
To facilitate the blind tasting, all the participants received a set of two bottles, some wrapped in colorful foil, and some in the black plastic – mine were the second type:
About an hour before the session I opened the bottles to let the wines breathe a little, as it was suggested by the organizers. And then the session started.
Of course, this was not the usual blind tasting. There are many ways to run the blind tasting, some of them quite extreme – for instance, tasting the wine without any known information from the black glass – an extreme sensual challenge. Going less extreme, in a typical blind tasting you will have at least some kind of limits installed – Pinot Noir grape, for instance, or wines of Pauillac. Our #winestudio blind tasting was on one side a lot less challenging, as we knew that the wines were made by Achaval-Ferrer, so we didn’t expect to find Petite Sirah in any of those bottles, and we even knew the vintage years, 2013 and 2012. At the same time, for sure for me, it was almost more challenging, as I was trying to guess the wines based on what I knew about Achaval-Ferrer and thinking about what they might want to showcase in the tasting, instead of focusing on the actual wines.
We were asked to evaluate wines using WSET Level 3 tasting grid (you can find it here if you are curious). Here is a summary of my tasting notes – I’m distinguishing the wines by their vintage:
Wine 2013
APPEARANCE
Clarity: clear
Intensity: deep
Colour: garnet
NOSE
Condition: clean
Intensity: medium
Aroma characteristics: touch of funk, mint, underbrush, blackberries
Development: youthful
PALATE
Sweetness: off-dry
Acidity: medium+
Tannin: medium
Alcohol: medium
Body: medium+
Flavour intensity: medium+
Flavour Characteristics: cassis, eucalyptus, mint, blackberries
Finish: medium-
CONCLUSIONS
Quality level: outstanding
Level of readiness for drinking/potential for ageing: can drink now, but has potential for ageing
Wine 2012
APPEARANCE
Clarity: clear
Intensity: deep
Colour: garnet
NOSE
Condition: clean
Intensity: medium+
Aroma characteristics: tar, tobacco
Development: developing
PALATE
Sweetness: off-dry
Acidity: medium+
Tannin: medium
Alcohol: medium
Body: medium+
Flavour intensity: medium+
Flavour Characteristics: red and black fruit, salinity, raspberries, anis
Finish: medium
CONCLUSIONS
Quality level: outstanding
Level of readiness for drinking/potential for ageing: can drink now, but has potential for ageing
As it is usually the case with the blind tastings, I didn’t do well. I really wanted the wines to be pure Malbec and Cab Franc, and this is what I included into my final guess:
then, of course, I second guessed myself and changed the answer:
When the bottles were finally unwrapped, we found this beautiful Bordeaux blend called Quimera been our Quimera for the night – it is no wonder every back label of Quimera explains the name: “Quimera. The Perfection we dream of and strive for. The search for an ideal wine”.
The wines were 2013 and 2012 Quimera, both classic Bordeaux blends, but with a high amount of Argentinian star variety – Malbec. Both vintages had the same composition: 50% Malbec, 24% Cab Franc, 16% Merlot, 8% Cab Sauv and 2% Petit Verdot. Just as a point of reference, I still have a few bottles of 2008 Quimera, and that wine has 40% of Malbec. Both wines were beautiful, but very different in its own right – and they will for sure age quite nicely. This was definitely a treat and yet another testament to the great wines Argentina is capable of producing.
Here you go, my friends. Another great night at #winestudio, celebrating the grape well worth a celebration. Next Tuesday, April 25, we will be tasting Achaval-Ferrer Cabernet Franc, their new single-varietal bottling – been Cab Franc aficionado, I can’t tell you how excited I am. Join the fun – see you at 9 pm! Cheers!
Finding Peace with Chappellet and 2007 Napa Vintage
Vintage. An essential word in the wine lovers’ lexicon. “How was the vintage” often is a defining question, something we certainly have to find out and then store in the brain compartment for important wine facts. Depending on the stated greatness, some vintages might keep their recognition almost forever, like 1949 or 1982 Bordeaux, and 1964 or 2001 Rioja. The vintage by itself is no guarantee of quality of the particular wine from a particular producer, but it is generally considered that in the better vintages, there are more good wines available across the board.
2007 was lauded as a truly outstanding vintage in Napa Valley in California. According to the Wine Spectator vintage charts, 2007 [still] is the best vintage since 1999, with the vintage rating of 97. When the first 2007 Napa wines appeared, I was very eager to taste them – only to be disappointed for the most cases. In my experience, the wines were lacking finesse and balance, they were often devoid of fruit and had demonstrably attacking and astringent tannic structure. My main thought tasting 2007 Napa wines was “it needs time, and a lot of it”.
Chappellet is one of the famous producers in Napa, making wines for more than 40 years, now in the second generation of the family; their wines are highly regarded by consumers and critics alike. Some time back in 2010 I scored a few bottles of 2007 Chappellet Mountain Cuvee Napa Valley (14.9% ABV, Cabernet Sauvignon 51%, Merlot 46%, Malbec 1%, Cabernet Franc 1%, Petit Verdot 1%). My first taste was also one of the early posts in this very blog, and nothing short of disappointment (read it here). Continuing tasting throughout the years, I was still missing that “aha moment”, an opportunity to say “ahh, I like it”. It particularly applies to the 2007 vintage of Chappellet, as in 2014 I had an opportunity to taste the 2012 vintage of the same wine (Mountain Cuvee), and the wine was quite pleasant.
A couple of days ago I was looking for the wine to open for dinner and the last bottle of 2007 Chappellet caught my attention. Well, why not? 10 years is a good age for the California wine – let’s see how this wine is now ( even though I have not much of a hope based on the prior experience). Cork is out, wine is in the glass. The color, of course, shows no sign of age, still almost black. But the nose was beautiful – fresh, intense, inviting, with a touch of cassis and mint. The first sip confirmed that the wine completely transformed – open, rich, succulent fruit, cassis and blackberries, supported by the firm structure of the tannins without any overbearing, eucalyptus and touch of sweet oak, clean acidity. Perfectly powerful, but also perfectly balanced with all the components been in check. Now this was the “ahh, this is so good” wine which I would be glad to drink at any time. (Drinkability: 8+/9-).
This delicious experience prompted this post. I’m glad to find it with my own palate, that “needs time” is not a moniker for the “crappy wine”, but a true statement. I’m sure this is not universally true – some wines are simply beyond the help of time – but this definitely worked for this particular wine and for the 2007 Napa vintage. I don’t have any more of this 2007 Chappellet, but I have other 2007 Napa wines, and I just upped my expectations significantly.
Have you had similar experiences? How would you fare 2007 Napa vintage? Cheers!
Happiness-Inducing Wines of Lieb Cellars
“Rising tide lifts all boats”.
As the wine growing in popularity all over the United States (still does, I hope), we witness the “wine countries” appearing everywhere – not just singular wineries, but the actual aggregations of the wineries, often presented as “wine trails”. While Napa and Sonoma definitely paved and continue leading the way to what the “wine country” is, you can find wineries all over the country offering not only wine tastings, but live music, concerts, dinners, special events and lots more.
Long Island wine country is the one closest to the New York City, making the wines for about 40 years by now. There is a very good chance, however, that even if you live in the USA, you never tasted Long Island wines – same as it is practically impossible to find the wines from Texas, Virginia, North Carolina, Arizona or Michigan anywhere outside of those states. So if I will tell you that Long Island makes world class Riesling, Chardonnay, Chenin Blanc and Merlot, you will probably have to take my word for it.
Over the past 10 years or so, visiting Long Island wineries on more or less a regular basis, I witnessed those wineries perfectly learning from Napa – both the good and the bad. On the good side, more and more knowledge is accumulated as to which vineyards and grapes do best, which individual plots do best, and the winemaking becoming more precise and resourceful. The bad side is in the fact that as the wines are getting better and better, it is less and less possible to enjoy the wines in the wine country itself, as it becomes more and more touristy – and visitors often get this “tourist special” treatment… Oops – no, we are not going into the rant, nope. Let me get to what I actually wanted to talk about.
When I was offered to taste some of the wines produced by Lieb Cellars, I had to do a bit of a research first. It turned out that despite visiting Long Island wineries every year, I never made it to Lieb Cellars and was pretty much unfamiliar with their wines. Therefore, I was looking at the best case – the wine country was coming to me, without any additional tourist distractions, yay!
Now, I would like to finally explain the title of this post (after almost falling for a rant, yeah). When the wines arrived and I started taking them out of the box, the first thought was “wow, I love these labels!”. There is really nothing special about those labels, except that they are very clean and simple, and all of them use bright, cheerful colors. We eat with our eyes first – everybody know that – and it works for me the same with the the wine labels. Of course, what’s inside the bottle is far more important than the label itself, but good label makes you anticipate good wine – works for me every time.
In case of Lieb Cellars wines, the happiness-inducing labels were also perfectly supported by what was in the bottles, as you can tell from my tasting notes below. Few comments before I will leave you with them.
Lieb Cellars produces two different lines of wines. The first line, Lieb Cellars, is being produced since 1992. You can see those wines identified on the labels as Lieb Cellars, and today those are the Reserve wines made only from the estate-produced fruit. In 2004, Lieb Cellars started new line of wines called Bridge Lane – named after the farm road adjacent to one of the Lieb vineyards. While Bridge Lane are called a “second label” wines, there is nothing “second” about them – sustainably farmed, small crop, hand harvested wines, available in 3 different formats – standard bottle, 3L box and 20L kegs – whatever size your heart desires. You can even see those three available sizes pictured on the Bridge Lane labels.
Time to talk about the wines – here are my notes:
2016 Bridge Lane Chardonnay New York State (12.5% ABV, $15, 100% Chardonnay)
C: straw pale
N: lemon with distant hint of rosemary
P: lemon, tropical fruit, mango, Granny Smith apples
V: 7+/8-
2016 Bridge Lane Rosé New York State (11.9% ABV, $15, 49% cabernet Franc, 29% Merlot, 16% Malbec, 4% Pinot Noir, 2% Petit Verdot)
C: light onion peel
N: strawberries all the way, ripe strawberries, clean, inviting, fresh, touch of yeast Inessa which makes you smell it for a long time
P: strawberries on the palate, clean lemony acidity, firm and present. It would happily compete with any Provence Rosé
V: 8, wow, what a treat!
2016 Bridge Lane Sauvignon Blanc New York State (12.0% ABV, $15, 100% Sauvignon Blanc)
C: literally non-existent, straw pale extra light
N: fresh cut grass, medium intensity
P: lemon, tart fruit, cut through acidity. More of a Sancerre style – less fruit than California, less intensity than NZ. Clean acidity on the finish.
V: 8-, very enjoyable.
2011 Lieb Cellars Reserve Blanc de Blancs North Fork of Long Island, New York (12.5% ABV, $30, 48 months on the lees, 100% Pinot Blanc)
Appearance: Light golden color, fine mousse
N: touch of Apple, touch of yeast, delicious, open
P: touch of acidity, apples, lemon, restrained
V: 8/8+, the bottle can be gulped in one sitting
2015 Lieb Cellars Pinot Blanc Reserve North Fork of Long Island, New York (11.9% ABV, $20, 98% Pinot Blanc, 2% Riesling)
C: straw pale
N: white stone fruit, nice sweetness
P: beautiful, plump fruit, generous, delicious
V: 8, outstanding.
2015 Lieb Cellars Reserve Cabernet Franc North Fork of Long Island, New York (12.8% ABV, $30, 10 month in Hungarian oak, 85% Cabernet Franc, 9% Cabernet Sauvignon, 4% Merlot, 2% Petit Verdot)
C: dark ruby
N: mint, hint of mushrooms, touch of tobacco
P: fresh, open, blackberries, silky layers,
V: 7+/8-
The wines give us pleasure. It is not simple to convey that in words, but I hope I managed to share at least a glimpse of a pleasure brought by these Lieb Cellars wines. If anything, let me give you only one advice – find ’em and drink ’em. Cheers!
Precision of Flavors – Tasting the Wines of Achaval-Ferrer
Drinking wine is a pleasure – for sure it should be, and if you don’t feel like it, maybe you shouldn’t drink it at all. At the same time, there are multiple ways to look at one and the same thing.
A pleasure of drinking of the glass of wine may be just as it sounds, very simple – take a sip of the liquid in the glass, say “ahh, it tastes good”, and continue to the next sip or with the conversation, whatever entices you the most at the moment.
Then there are many of us, wine lovers, who, professionally or unprofessionally, can’t stop just at that. Yes, we take pleasure in every sip, but then we need to dig in. We feel compelled to put on the Sherlock Holmes hat and play the wine sleuth, figuring out exactly what we are tasting in that very sip. What was that flavor? Was that a raspberry? Hmmm, maybe not. And that whiff of something? It is so familiar! Why can’t I put a name on it? Grrrr.
Everyone who engaged in that wine tasting exercise I’m sure can relate to what I’m saying. But every once in a while, we do get a break, when the flavor simply jumps at you, pristine and obvious. And the best twist here is when the flavor is matching to what is expected to find in the wine, like fresh cut grass in Sauvignon Blanc, black currant in Cabernet Sauvignon, or pepper in Syrah – don’t we love those pure and precise flavors?
Achaval-Ferrer winery is only about 20 years old, built on the passion and vision of a group of friends in Mendoza, Argentina. In those 20 years, Achaval-Ferrer accomplishments are nothing short of enviable. Achaval-Ferrer wines earned multiple Decanter magazine 5-star ratings (the highest). There are 29 wines from Argentina rated as “Classic” by Wine Spectator (95-100 ratings) – 13 out of those 29 wines are Achaval-Ferrer wines; the flagship Malbec Finca Altamira consistently getting 96 points rating year after year.
In addition to passion, vision, hard work and perseverance, the success foundation of Achaval-Ferrer is its high altitude vineyards, located from 700 to 1100 meters above sea level (2,300 – 3,600 ft). Three out of four main vineyards of Achaval-Ferrer are also about 100 years old, and boast pre-phylloxera vines, as Phylloxera simply can’t survive in those high mountains conditions. Now all left to do is to take the beautiful fruit those vineyards produce and make it into equally beautiful wines – the Achaval-Ferrer does it quite successfully.
Here is what triggered my “precision of flavors” opening. I had an opportunity to taste a sample of Achaval-Ferrer wines recently, Cabernet Sauvignon and Malbec. While Malbec was a very good wine, but clearly needed time to mature, Cabernet Sauvignon was stunning, with flavors and aromas just jumping at your right away from the glass, with easy to relate to, textbook-correct cassis – also intensifying its purity with the time. This was a perfect example of why Argentinian wines are so popular and deserving of all your attention. And at a price of $24.99, the Cabernet Sauvignon offer an outstanding QPR, easily beating many classic Napa Cabs which would also cost you at least three times as much.
Here are my detailed notes:
2015 Achaval-Ferrer Cabernet Sauvignon Mendoza Argentina (14.5% ABV, $24.99, 100% Cabernet Sauvignon)
C: dark garnet, almost black
N: very intense, dark roasted fruit, cassis. The roasted fruit intensity diminishes as the wine breathes.
P: beautiful cassis, clean acidity, soft tannins, lots of layers. As the wine breathes, the tannins show better and more pronounced. Pure clean black currant after a day.
V: 8+, outstanding, wow. Will evolve.
2015 Achaval-Ferrer Malbec Mendoza Argentina (14.5% ABV, $24.99, 100% Malbec)
C: practically black
N: roasted meat, smoke, tar, intense, baking spices
P: dark fruit, bright acidity, mint, alcohol burn in the back?, succulent, lavender, spicy. Blueberries showed up on the second day.
V: 8, needs time, but perfectly delicious on the second day.
Here you are, my friends. Achaval-Ferrer definitely makes wines worthy of oenophile’s attention – and the QPR makes these wines worth seeking. Cheers!
Daily Glass: Will It Merlot?
Yes, the title of this post is a play on the theme of some of the Good Mythical Morning episodes, where Rhett and Link are trying to figure out how far they can take the usual food items in the unusual directions, calling those episodes “Will It …” (if you are not watching the show, you really should, here is the link for you). But this is where the connection with the popular show ends.
And yes, we are talking about Merlot. But that also not very important, as the bottle was not opened just because I wanted to drink Merlot.
The vintage was the culprit – 2002 – as this is the year when my youngest daughter was born. And as I’m sure many of you, oenophiles, out there do, I love opening proper vintages to celebrate birthdays.
So the question was whether this 2002 Robert Green Cellars Merlot Napa Valley (14% ABV) would be still drinkable in 2017.
I presented this question to a few of the twitter winos, and the consensus was cautiously optimistic, presuming the wine was properly stored (the bottle actually never left wine fridge from the moment it got into the house). Wine Spectator rated 2002 Napa vintage at 89, and “Drink Recommendation” column had gloomy “Past peak” reference. I wanted to learn a bit more about the wine from the producer’s website, but the link on the back label was non-functional, and google didn’t offer much help searching for “Robert Green Cellars”.
Done with theoretical research – the proof is in the pudding wine glass anyway. The cork pulled out in a perfect condition. The wine is in the glass, and the first whiff had nice fruit in it, but the wine tasted a bit off. But – never judge the wine by the first sip, right? This rule is very important when it comes to the young wine, but this is even more important when it comes to the aged wines. 10 minutes in the glass brought this wine together – a perfect core of the dark fruit, maybe a touch of black currant, mint, firm structure, definitely a nice glass of wine.
About an hour and a half after the bottle was opened, it opened up even more, but somewhere in the distance, more on the finish than anything else, tertiary aromas started to appear – this is when I tweeted to the same group that the wine was perfect but at its peak. Another 30 minutes later, the wine started closing back, but only in a good sense – acidity came to the forefront, fresh young black and red fruit came to dominance – I was clearly looking at a young and delicious wine, not more than 3-4 years of age. Then, of course, the bottle was empty.
This was definitely a fun bottle of wine, with the self-attached “first world problems” – would the wine be still good or not. Believe it or not, but there was even the next level of fun associated with that wine. The little pictogram of the flute player, known as Kokopelli, which you see on the front label and the cork itself, most often is associated with fertility. What I didn’t know that Kokopelli also can be credited with the arrival of the spring. I have other 2002 bottles but somehow decided to open this particular one on the second official day of Spiring (the Spring in the USA started on March 20th). Oh well, as I said before, first world problems.
I think this wine Merlot perfectly, and I can only wish you same success and fun with your older bottles. I also want to leave you with the text from the back label of this bottle, as I think it perfectly finishes this post:
“The Joy Bringer” “This flute playing character is often credited with bringing the change of winter to spring, melting the snow and bringing about rain for a successful harvest. He is believed to represent the fertility of the untamed spirit of nature. Perhaps this joyful traveller’s greatest lesson is showing us that we shouldn’t take life so seriously. We hope the spirit of Kokopelli shines through in our wine and that it brings you as much joy and pleasure as it was for us to make. Enjoy the moment. Robert and Sue.”
Open That Bottle Night 2017 – What A Night!
Let’s say you have a bottle of an excellent wine. Do you know how to make it better than it is? I guarantee you this works every time, so listen carefully. You share it with a friend. Yes, that makes any excellent wine into an amazing one. Works like a charm.
Saturday, February 25th was Open That Bottle Night (OTBN for short) – the night when there is no bottle in your cellar which is off limits. If you are not familiar with OTBN, you can read more here. What made my OTBN twice as special was the visit by Oliver and his wife Nina.
For me, the decisions around wine are never easy. I typically buy wine in the single bottle quantities (okay, maybe four at the most, when I need to get a free shipping from WTSO) – thus any bottle can qualify as a special one. As an exception to my long and almost painful decision process, for this OTBN I had a very clear idea – 1982 Olga Raffault Chinon, of which I had a single bottle. The bottle out of the wine fridge and ready for the prime time.
This is what I was looking at after cutting the top foil:
As you can tell, this is not very encouraging. However, if you like older wines and get an opportunity to open them, you know that the state of the top of the cork is nothing to fret about. More often than not, behind most terrible looking mildew there is a delicious wine.
As this was 35 years old wine, I didn’t want to take any chances and used the two-prong opener to pull the cork out. This turned out to be an unnecessary precaution – while cork looked red throughout, it was perfectly firm and came out as a single piece without any crumbling – here is our OTBN corks collection, the red one is the one I’m talking about:
And for the wine… what can I tell you… This 1982 Olga Raffault “Les Picasses” Chinon, Loire looked perfectly fresh in the glass – not a sign of losing color. Here are the two glasses, one is with 1982 Cabernet Franc, the second one is with 2014 – care to guess which glass contains 1982?
Yes, the one on the left is with 1982 wine, but I believe you would agree that the color shows perfectly young. The nose and the palate were an incredible study in Cabernet Franc flavor profile 101. The wine opened full of bell pepper – both on the nose and the palate. In about 10 minutes, the bell pepper was gone – and what was left was pure, unadulterated black currant – stunning, full flavorful black currant, also known as cassis if we want to use traditional French terminology. The wine had perfect structure, firm, with fresh acidity, almost crisp – and loads and loads of black currant. This was truly a treat.
We followed with a beautiful rendition of Ruchè – 2012 Poggio Ridente Ruchè di Castagnole Monferrato DOCG San Marziano (organic grapes). Ruchè is a little known red grape, cultivated in the Monferrato region in Piedmont, capable of making very concentrated wines. This particular bottle, brought by Oliver and Nina directly from Italy, was fresh and open, with nicely restrained palate with mostly herbal flavors, and a twist – dried mango undertones. Nina was the one to identify the dried mango, while I was desperately trying to figure out what that strange flavor was – but that was a spot-on descriptor. An outstanding wine by all means.
Our next wine was 1989 Kaseler Nies’chen Riesling Auslese Mosel-Saar-Ruwer. No issues with the cork (makes me happy). Still fresh, clean light golden color (28-years old wine!). The nose and the palate were singing in unison here, and the music was simple – peaches and apricots. Slightly underripe peaches and fresh, plump apricots. The balance of sweetness and acidity was impeccable – the wine was fresh and alive, without any sign of age. Wow.
As an added bonus, the grapes for this wine were harvested in November of 1989 – the year and a month when Berlin Wall was demolished – and this is what the label of this wine commemorates.
Our OTBN night didn’t finish there. You would expect us to go to something nice and sweets after such a beautiful Riesling, right? In the conversation, it came out that Oliver doesn’t like Tempranillo wines. Being a Spanish wine buff, I had to fix that immediately, so I had to pull out the big guns. 2001 La Rioja Alta Viña Ardanza Rioja Reserva Especial was absolutely beautiful from the get-go – cedar box and eucalyptus on the nose, soft and gentle cherries on the palate, fresh, round. I hope I made Oliver a convert – but will see about that the next time we will meet.
There you are, my friends. A stunning OTBN with great wines and great company. Hope you enjoyed your OTBN as much as we did – feel free to share your OTBN stories below. Cheers!
Stories of Passion and Pinot: Looking Back and Looking Forward
Back during the fall of the last year, I ran a series of posts talking about passion and Pinot Noir. Pinot Noir is a finicky grape which, I can only guess, has some enchanting properties – for the winemakers and wine lovers alike. Pinot Noir has an ability to grab you and never let you go – once discovered, it becomes an object of obsessive desire: winemakers go out of their way to make the best Pinot Noir wine, and oenophiles go out of their way to find it.
To give you the best examples of Pinot Noir’s passion and obsession, I decided to [virtually] sat down with a pioneer, a rocket scientist, a soil fanatic, biodynamic believer and some true farmers – all of them from Oregon. Through our conversations, I wanted to convey the unwavering belief in the magic of that little black grape, Pinot Noir.
We talked with Ken Wright of Ken Wright Cellars, David Nemarnik of Alloro Vineyard, Mike Bayliss of Ghost Hill Cellars, Wayne Bailey of Youngberg Hill Vineyards, Steve Lutz of Lenné Estate and Don Hagge of Vidon Vineyard – the passion was easy to see, through their words and through their wines.
The essential Pinot Noir map includes four major players – Burgundy, California, New Zealand and Oregon. Out of these four, Oregon usually beats Burgundy in consistency, and often California and New Zealand in finesse. That consistency and finesse don’t go unnoticed – and not only by wine consumers but by the big domestic and international wine businesses and investors as well. Big businesses are great, but – they are, first and foremost, big businesses – and passion is often replaced just by pragmatic business needs and shareholders value.
The wine quality and creativity is on the upswing around the world, and while consumers are driving this trend with an ever increasing thirst for the wine, nothing can be taken for granted – the wines have to find the consumers, and convince them that they are worth paying for.
The big business interest and more and better wines – what does it mean for the Oregon wine industry, the passion and the Pinot Noir? To answer this question, I asked once again for the help of Carl Giavanti of Carl Giavanti Consulting, wine marketing and PR firm, who reached out to the Willamette Valley Wineries Association. As you can imagine, I had more than one question, so here I would like to share with you what I have learned.
First three questions were answered by Anthony King, 2017 President of WVWA Board of Directors and General Manager of the Carlton Winemaker’s Studio:
[TaV]: Willamette Valley squarely joined the ranks of world-class wine regions. Does it mean that everything is great, or you still have big issues to solve on your agenda?
[AK]: Willamette Valley is certainly on the rise and we are all thankful for the attention. Our biggest issue is to continue to share the spotlight with the other classic regions of the world without losing our roots, our authenticity, and collaborative spirit.
[TaV]: It seems that lately big corporations are paying lots of attention for the WV wineries – or rather money, as for example, Jackson Family which acquired 3 WV wineries over a short period of time. Are you concerned with this development? Do you think it might change the soul and spirit of WV wines?
[AK]: Most of us are flattered by the attention that our wines, vineyards, and wineries have been getting from producers all over the world. JFW, in specific, has invested heavily, but have done so with a soft touch and an eye towards the community and their neighbours. In the end, the region will have diversity that consumers will ultimately benefit by. Our hope, however, is that this interest doesn’t drive vineyard and fruit prices into a range that makes the hands-on artisan winemaking that has made Oregon so special too expensive for entry.
[TaV]: There are many white grapes which can be called “next frontier” for the WV wineries – Pinot Gris (yes, okay, this is an old news), Chardonnay, even Riesling. However, if we look at the red grapes, WV wineries are a “one trick pony”, only working with Pinot Noir. Do you see any problems with that? is there a next big red grape for the WV, or is it not necessary?
[AK]: Great question. I don’t think that any of us, as winemakers, regret that we are working with Pinot noir in such an ideal locale. It presents a lifetime of challenges and, hopefully, rewards. Although much more rare, Gamay can be thrilling and has been successful planted alongside Pinot noir. Syrah, too, has a lot of potential, making compelling, Northern Rhone style reds in warmer years. Cooler-climate Italian reds could have potential as well. We’ve already seen an increase in planting of these “other reds,” but the more dramatic shift is (as you mentioned) towards focusing on whites and sparkling wine, which are very well suited to this climate. Ultimately, I foresee increased experimentation with a range of red varieties in the warmer sites in the Willamette Valley in the short-term; time and the weather will tell what succeeds.
The rest of the questions were answered by Emily Nelson, Associate Director for Willamette Valley Wineries Association.
[TaV]: What percentage of WV wineries are LIVE certified? Do you see this number dropping, increasing, staying the same?
[EN]: In 2016, there are 13,170 Oregon vineyard acres certified sustainable, which is 48% of total planted acres in the state. 8,218 acres are LIVE Certified, which is 30% of total planted acres. We do see the number of certified sustainable vineyard acres increasing year after year. As the home of the nation’s most protective land use policies, the first bottle recycling law, and the highest minimum wages for farm workers, it’s fitting that the Oregon wine industry is committed to sustainable farming and winemaking practices.
For LIVE Certified acres in particular, the number has increased annually from 2,368 acres in 2007 to 8,218 acres today.
[TaV]: How important is Biodynamic viticulture for the WV wine industry? Do you see more wineries embracing it?
[EN]: Biodynamic viticulture in Oregon has also steadily increased over the years, from 289 certified acres in 2007 to 1,585 certified acres today. It is an important component of our sustainable character in the region, reinforcing our belief that agriculture in general and viticulture in particular can flourish in harmony with our natural environment. In general, Demeter Biodynamic certification is in accord with many practices that characterize the certification of organic farms. However, certain practices are unique to Biodynamic agriculture, including managing the whole farm as a living organism; maintenance of a healthy, diverse ecosystem that includes not only the earth, but as well the cosmic influences and rhythms of which the earth is a part; and use of the Biodynamic preparations to build soil health through enlivened compost.
[TaV]: Are there any new wineries showing up in the WV? If yes, is there a trend there (more than the last 5/10 years, less than the last 5/10 years, the same?
[EN]: Yes! Our number of wineries in the region has climbed over the last five to ten years. We had about 110 wineries in the Willamette Valley in the year 2000. By 2010 that had more than doubled to 300 wineries. And now in 2016 our most recent census shows 531 wineries in the region. People are drawn to grape growing and winemaking here for many of the same reasons that brought our pioneers in the 1960s—unique climate and soils ideally suited to Pinot noir and a wine industry culture that celebrates collaboration, inventiveness, and land stewardship.
[TaV]: Do you see a lot of foreign capital coming into the WV winemaking industry (buying, partnering, starting new wineries)? Again, is there a trend?
[EN]: There is a trend of outside investment in the Willamette Valley wine industry, and it speaks to the quality of the wines being produced here. We see Burgundian investors who’ve found the New World home of Pinot noir, as well as those from Washington and California who are expanding their premium Pinot noir brands with Willamette Valley wines.
[TaV]: Last question – are there any new and coming, or may be old but coming around wineries wine lovers should watch for? Anything which makes you particularly excited?
[EN]: We’re particularly excited about a few things here: first, many of our pioneering wineries are handing the reigns down to second generation winegrowers and owners. The children who grew up in the vineyards and cellars of the wineries who put our region on the map are now at the helm. They continue to innovate and improve, so watching their brands and their wines flourish and evolve is a thrill. Second, we’re excited about the Burgundian presence in the Valley. French winemakers who come here to experience the Oregonian version of their time-honored grape offer unique expressions of the wines and outside confirmation that there’s something really special happening here. Lastly, we’re excited about new winemakers just entering the industry, who contribute a vibrant sense of experimentation and energy to the Valley.
All the good things come to an end, so this was the last of the conversations in the Passion and Pinot series – for now, at least. As I said before, Pinot Noir has some very special properties, making people fall in love with it and not letting them go. And whether you agree or disagree – you know what to do. Until the next time – cheers!
P.S. Once again, here are the links to the web sites for the wineries profiled in this series:
Alloro Vineyard: www.allorovineyard.com
Ghost Hill Cellars: www.ghosthillcellars.com
Ken Wright Cellars: www.kenwrightcellars.com
Lenné Estate: www.lenneestate.com
Youngberg Hill Vineyards: www.youngberghill.com
Vidon Vineyard: www.vidonvineyard.com
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