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Posts Tagged ‘the art of wine’

Open That Bottle Night 2017 – What A Night!

February 28, 2017 21 comments

Let’s say you have a bottle of an excellent wine. Do you know how to make it better than it is? I guarantee you this works every time, so listen carefully. You share it with a friend. Yes, that makes any excellent wine into an amazing one. Works like a charm.

Saturday, February 25th was Open That Bottle Night (OTBN for short) – the night when there is no bottle in your cellar which is off limits. If you are not familiar with OTBN, you can read more here. What made my OTBN twice as special was the visit by Oliver and his wife Nina.

For me, the decisions around wine are never easy. I typically buy wine in the single bottle quantities (okay, maybe four at the most, when I need to get a free shipping from WTSO) – thus any bottle can qualify as a special one. As an exception to my long and almost painful decision process, for this OTBN I had a very clear idea – 1982 Olga Raffault Chinon, of which I had a single bottle. The bottle out of the wine fridge and ready for the prime time.

This is what I was looking at after cutting the top foil:

old corkAs you can tell, this is not very encouraging. However, if you like older wines and get an opportunity to open them, you know that the state of the top of the cork is nothing to fret about. More often than not, behind most terrible looking mildew there is a delicious wine.

As this was 35 years old wine, I didn’t want to take any chances and used the two-prong opener to pull the cork out. This turned out to be an unnecessary precaution – while cork looked red throughout, it was perfectly firm and came out as a single piece without any crumbling – here is our OTBN corks collection, the red one is the one I’m talking about:

okd corks And for the wine… what can I tell you… This 1982 Olga Raffault “Les Picasses” Chinon, Loire looked perfectly fresh in the glass – not a sign of losing color.  Here are the two glasses, one is with 1982 Cabernet Franc, the second one is with 2014 – care to guess which glass contains 1982?

two glasses cab francYes, the one on the left is with 1982 wine, but I believe you would agree that the color shows perfectly young. The nose and the palate were an incredible study in Cabernet Franc flavor profile 101. The wine opened full of bell pepper – both on the nose and the palate. In about 10 minutes, the bell pepper was gone – and what was left was pure, unadulterated black currant – stunning, full flavorful black currant, also known as cassis if we want to use traditional French terminology. The wine had perfect structure, firm, with fresh acidity, almost crisp – and loads and loads of black currant. This was truly a treat.

We followed with a beautiful rendition of Ruchè – 2012 Poggio Ridente Ruchè di Castagnole Monferrato DOCG San Marziano (organic grapes). Ruchè is a little known red grape, cultivated in the Monferrato region in Piedmont, capable of making very concentrated wines. This particular bottle, brought by Oliver and Nina directly from Italy, was fresh and open, with nicely restrained palate with mostly herbal flavors, and a twist – dried mango undertones. Nina was the one to identify the dried mango, while I was desperately trying to figure out what that strange flavor was – but that was a spot-on descriptor. An outstanding wine by all means.

Our next wine was 1989 Kaseler Nies’chen Riesling Auslese Mosel-Saar-Ruwer. No issues with the cork (makes me happy). Still fresh, clean light golden color (28-years old wine!). The nose and the palate were singing in unison here, and the music was simple – peaches and apricots. Slightly underripe peaches and fresh, plump apricots. The balance of sweetness and acidity was impeccable – the wine was fresh and alive, without any sign of age. Wow.

As an added bonus, the grapes for this wine were harvested in November of 1989 – the year and a month when Berlin Wall was demolished – and this is what the label of this wine commemorates.

Our OTBN night didn’t finish there. You would expect us to go to something nice and sweets after such a beautiful Riesling, right? In the conversation, it came out that Oliver doesn’t like Tempranillo wines. Being a Spanish wine buff, I had to fix that immediately, so I had to pull out the big guns. 2001 La Rioja Alta Viña Ardanza Rioja Reserva Especial was absolutely beautiful from the get-go – cedar box and eucalyptus on the nose, soft and gentle cherries on the palate, fresh, round. I hope I made Oliver a convert – but will see about that the next time we will meet.

There you are, my friends. A stunning OTBN with great wines and great company. Hope you enjoyed your OTBN as much as we did – feel free to share your OTBN stories below. Cheers!

And All The Fuss About Wine Reviews…

September 24, 2013 10 comments

wine ratingsFew days ago I read an article by Joe Roberts, talking about wine reviews. The article, called “Does The Wisdom Of The Crowd Provide Better Wine Reviews Than The Experts?“, and the subsequent comments were evolving around the role of the “crowd-sourcing” in the wine reviews from the sites such as Cellar Tracker versus traditional wine critics and wine experts, the value of wine ratings and all the other critical analysis of wine. Instead of commenting in the thread, I decided to express my thoughts in the form of this post.

Warning – this might be long. You might want to arm yourself at least with one glass of wine. Or more…

It is very interesting to observe “are the wine reviews and wine critics relevant” discussions to periodically flare up all over the blogosphere and all of the digital media. Some of those discussions and opinions are quite antagonistic, from “death of Wine Advocate predicted” to “the number of wine bloggers will decrease dramatically” to “blind tasting puts wine experts to shame again”. Some of them are supported by some facts and findings which authors deem indisputable. And some are written just purely for the entertainment or quick publicity purposes.

For all of us obsessed with wine, the subject of wine ratings and wine reviews is near and dear to the heart. The world seems to rotate around those 98s, A and B, 4 stars and all other metrics. Meanwhile, majority of the wine consumers couldn’t care less. Based on the number of studies, people buy wine based on the label, advice of the store associate and the price. By the way, the price factor is funniest of all (should be a subject of a separate post) – when we buy for ourselves, we always want to find $10 wine which will taste like a $100; when we need to bring a present, we ask for the advice to find the best wine at the top of our budget, and then spend a few extra bucks just not to look cheap. In any case, very few consumers concern themselves with the ratings which are abundantly displayed in many stores (interestingly enough, there are quite a few stores nowadays which are doing away with all those rating displays). Yes, the people who buy more expensive wines are interested to know what the experts think about the wine they are about to shell $50, $80, or a $150 for. Of course wine collectors track all those ratings as they are stock tickers (well, they kind of are). But considering the world of wine, those people are an absolute minority (okay, don’t bring up the 80/20 or 90/10 – that is not the subject of the post).

So Joe Roberts argues that Cellar Tracker ratings might replace all the expert opinions simply because they are the crowd sourced and it is proven by many sources, which Joe is citing, that crowd-sourcing is the way to go in today’s world. It is stated that the crowd-sourcing works because it is proven by TripAdvisor, Yelp, Amazon and thousands of other sources soliciting people opinions. Well, may be, but it depends. Let’s look at Yelp, as the food world is probably more related to the wine world than travel or gadget shopping.

Different people review restaurant on Yelp, and for the most of the cases the reader of the review doesn’t know anything about the writer. But if you think about an average restaurant, a lot of aspects of the review are based on the common sense. The understanding of the “good service” is pretty much universal. The understanding of “clean” versus “dirty” is also quite universal. “Run down” is pretty well understood. When the food is served cold, or you have to wait for 30 minutes for a cup of coffee, you don’t have to be an expert to universally recognize it. And if you ordered steak in a restaurant, I have reasonable expectations that you know how good steak tastes like.

No, you can’t take the ratings on Yelp for granted. People get upset, people get unreasonable – true. But this is where crowd-sourcing works the best. If a restaurant on Yelp has four stars out of five, based on the average of a 150, or 300, or better yet, 1000 reviews, you know that your chances of good experience are pretty high. If the restaurant has five stars based on 3 reviews, you know that means nothing in terms of your potential experience. The fact that that restaurants are judged on the multitude of factors, many of which are universal and even independent of the type of restaurant (clean Thai restaurant with good service is not any different from clean steakhouse with good service), gives you a certain level of reliability of the crowd-sourced ratings.

Wine is different. There is no foundation to all those ratings, outside of smell, taste and ability to deliver pleasure. But – “tastes good” is highly individual. If someone only likes to drink California Cabernet, convincing the person that this Sagrantino was a great wine might be difficult. Now, if you look at the crowd-sourced ratings, like Cellar Tracker offers, it means nothing, as based on the rating alone you can’t align your base with the people who wrote the reviews. You don’t know if the person who rated that St. Joseph Syrah at 78 simply doesn’t like barnyard undertones, or the wine is actually bad. You have to read the review to try to figure out what is wrong with the wine, and why the reviewer didn’t like it, may be he was just in a bad mood or had the wrong food with it.

When it comes to the wine critics, the situation is different. Yes, I know, the most famous of them are periodically accused of bias and various forms of dishonesty, but this is not relevant here. As the critics, they are able (and expected) to judge the wine objectively. Also, wine critics typically have their area of expertise, like James Suckling focusing on Italian wines, Steve Heimoff on California or Allen Meadows on Burgundy. I’m not trying to say that if a critic rated the wine at 95, it means that this will be a great wine for you no matter what – but at the same time, that objective persistency, consistency of the ratings and narrow focus of the critic allows you to align the base, and then have a quick opinion, a probability of liking the wine based on the given rating by a known critic. I don’t buy my wines based on the ratings, and I’m not willing to pay $100 more for the bottle of Cabernet only because Parker gave it 96 versus the wine next to it with only a 90 rating – but that rating allows me to establish a frame of reference.

Let’s look at the big picture. We can see an increased interest to wine all over the world. We also see an increased wine production all over the world. People “en mass” are increasingly more comfortable and more knowledgeable about the wine, especially if we are talking about Millenials and younger generations. And that does lead to the reduced role of “The Wine Critic” (Wine Spectator, Wine Advocate, etc). But – the need for the critical information about the wine is increasing, and as people gain more knowledge and learn to trust their own palates, they are willing to take wine advice from the lesser figures than Parker or Suckling, and they are willing to take it from many different sources – blogs, twitter, web sites and other digital media outlets. People are building their own tribes. This is where Cellar Tracker comes to play – but only for the people who are inside, only for the people who uses the service and is able to align the base. My personal “wine experts” tribe consists of many bloggers I started following over the years, one by one. Reading their posts, tasting the wines they are talking about, having a dialog, I was able to build my alignment, little by little, one glass at a time. I know that I can rely on and willing to take Jeff’s (the drunken cyclist) advice for the Pinot Noir, or Oliver’s (the winegetter) for German Rieslings, Julian (VinoInLove) and Stefano (Clicks & Corks) for any of the Italian wine, or Alissa (SAHMmelier) for the wines of Texas. This is not my unique experience – I truly believe this “tribe concept” works for everybody, more and more so.

Are you still with me? Wow, I really have to thank you for sticking along. Let’s round this up. No, the wine world is not going to rotate around Cellar Tracker. Yes, the role of The Wine Critic will decrease, but in the end of the day we will still have more of them. There will be ever increasing number of people who will be willing to share their experiences (and sometimes put it in the form of numbers), and there will be ever increasing number of people willing to take that advice. Crowd-sourcing? Kind of, but very different. May be “Tribe-sourcing” is the word. The world of wine is big, and it is only getting bigger – I think we all can perfectly get along.

Don’t know about you, but I need a glass of wine. Cheers!