Archive
Celebrate The End Of BBQ Season with The Federalist, The American Craft Wine
Here you have the title I’m really not sure about.
Let’s see.
The end of the BBQ Season. First, who said that BBQ season is ending? Even on the East Coast of the USA people proudly fire up their grill in January, bragging about battling knee-deep snow. Never mind California, and let me not offend the South. So what’s ending?
What’s BBQ? When I grill the steak on a gas grill, is it classified as BBQ, or is the open fire required? Is charcoal qualified as a source of fire, or do I have to use the actual wood? Food is not as polarizing as politics these days, but it still has its share.
And then even if BBQ season is ending, is that something worth celebrating?
Never mind all this blabbering, as maybe the most important question is: what is The American Craft Wine?
Let’s watch this short clip:
If you will search online for the “American Craft Wine”, The Federalist will be the very first link which will come up. The Federalist is the winery in California, which makes a range of traditional American wines, and defines itself as “Born from the virtues of every forward-thinking, hard-working, red-blooded American, this is The Federalist. This Is American Craft Wine.”
Is craft wine an answer to the craft beer, an extremely popular consumer category (if you ever “checked in” on Yelp, “do they serve craft beer” question is one of the most popular ones while filling up a small check-in questionnaire)? Beer is often associated with BBQ, and of course, it is better to be a craft beer. But why not a craft wine? I think we would all agree that wine is the result of winemaker’s craft; good wine requires a good skill, a craft – so maybe The Federalist is paving a way to the new wine category?
I had an opportunity to taste The Federalist wines for the first time 3 years ago, and I liked them. Therefore, when I was offered a sample of The Federalist wines a few days ago, I was really curious to see how they will fair now, as both the style of wine and my tastebuds can easily change.
I’m glad to report that even if my tastebuds changed, I still found the wines delicious:
2016 The Federalist Cabernet Sauvignon Lodi (14% ABV, $17.99, 93% Cabernet Sauvignon, 5% Zinfandel, 2% Petite Sirah, Merlot, and Cabernet Franc; 15 months in oak, 35% new)
Garnet Color
Coffee, dark fruit, a hint of currant, eucalyptus
Soft, approachable, licorice, sweet cherries, a touch of cinnamon and nutmeg
8-, unmistakably Lodi, generous and easy to drink
2017 The Federalist Honest Red Blend North Coast (15% ABV, $21.99, 45% Zinfandel, 24% Merlot, 20% Cabernet Sauvignon, 7% Malbec, 4% Cabernet Franc; grapes sourced from: 42% Mendocino County, 33% Sonoma County, 25% Napa County; 15 months in oak, 35% new)
Dark garnet
Blackberries, sweet oak, cassis, a hint of mocha
Firm, wells structured, blackberries, tobacco, dry tannins, dusty cherries, good acidity, good balance
8, excellent, perfect by itself, will work perfectly with the steak
Is the BBQ season ending? You’ll be the judge of that. But if you have any BBQ plans this weekend, fire up whatever you designate as your BBQ machine, and give a try to The American Craft wine, paired with your own crafted BBQ. There is a good chance you might like it. Cheers!
How Do You Albariño?
Quick – name the most popular Spanish white wine (and grape). Yes, Verdejo, Viura (Macabeo), Godello are all good candidates, but the crown unquestionably belongs to Albariño, the white grape predominantly grown in Rias Baixas in Galicia, in the Nothern Spain.
As it often happens with grapes, nobody can tell for sure where Albariño originated. The leading theory is that the Albariño grape was cultivated in the Rias Baixas area for a few thousands of years. But again, similar to many stories we hear today, things got real with Albariño once the growing zone was designated by the Spanish law in 1980. While initially it was an area designated to the Albariño grape itself, once the EU rules got into the play, the same area became known as Rias Baixas DO (Denominación de Origen), and this is where the absolute majority of Spanish Albariño wine is produced.
In most of the cases, Rias Baixas Albariño is unoaked wine (there are few producers, such as La Cana, who make oaked versions, but this is rare). I don’t like generalizing about the taste of the wines from the specific region, but to me, most of the Albariño wines have a core of salinity and Meyers Lemon. If you think about the location of Rias Baixas, right on the coast of Atlantic Ocean, it makes perfect sense that the most prominent wine from the region perfectly compliments the seafood dishes which one would expect to find in the coastal region. Albariño is easy to drink, works perfectly with and without the food, and it is typically priced under $20, which makes it an excellent white wine choice overall.
It is also worth noting that slowly, but surely, Albariño wines are fine-tuning their identity. What started about 40 years ago as one single region, Rias Baixas, now comprise 5 sub-regions – Ribeira do Ulla, Val do Salnés, Soutomaior, Condado do Tea, and O Rosal. You can’t always find the sub-regions listed on the labels yet, but I’m sure this is just a matter of time.
Make no mistake – the appeal of Albariño is not lost on the rest of the world. Today you can find excellent Albariño wines produced in California (Lodi makes some amazing renditions, such as Bokisch), Oregon, and Washington – and then Texas, lest not forget about Texas. Australia is also churning out some outstanding versions of Spanish classic (don’t think those wines can be found in the USA, though).
Beginning of August saw a slew of events celebrating Albariño – International Albariño Days took place from August 1 through 5; during the same days, Albariño was celebrated at The Albariño Festival, which is the second oldest wine Festival in Spain, taking place in the city of Cambados in Rías Baixas and attracting more than 100,000 visitors.
It is important to remember that Albariño is not just for summer – it is a versatile white wine, capable to elevate any evening, with or without a seafood dinner in tow. For the past two years, I attended virtual tastings on Snooth, each including a good selection of Albariño from the different sub-regions in Rias Baixas – here you can find the detailed descriptions of the 2017 and 2018 tastings. This year, I was offered an opportunity to try a couple of samples – here are my notes:
2018 Nora Albariño Rias Baixas DO (13% ABV, $18)
Very light golden
A hint of tropical fruit, white flowers, a touch of pineapple, medium-plus intensity, inviting
Clean, fresh, minerally forward, green apples, lemon, round, perfectly balanced.
8, perfectly refreshing for a hot summer day.
2018 Señoro de Rubiós Robaliño Albariño Rias Baixas DO (12.5% ABV, $18)
Light golden
Restrained, minerality, salinity, underripe green apple
Bright, fresh, touch of white plum and lemon, zipping acidity
8-, refreshing, but craves food (oysters!)
What do you think of Albariño? What is your go-to white wine, especially when it is hot outside? Cheers!
A Quick Trip To Chile
Have wine, will travel.
Today our destination is Chile. As our travel is virtual, we need to decide on the wine which will help us to get to Chile, hence the question to you – what wine would you associate with Chile?
If you would ask me this question about 20 years ago, my answer would be quick – Cabernet Sauvignon. Chilean Cabernet Sauvignon has an unmistakable personality with a core of bell pepper – one sip, and you know where you are heading. Then, of course, you got the Carménère – the mysterious grape of Chile, long mistaken for Merlot – for a long time, Carménère was considered the ultimate Chilean grape, its unique flagship.
How about white wine? Again – 20 years ago, it would be a Chardonnay. Actually, that would be for no specific reason outside of remembering the shelves of the wine store full of Concha y Toro Chardonnay right by the entrance to the store – the most imported wine brand at a time. Unlike Cabernet Sauvignon, that Chardonnay was not particularly recognizable or memorable.
About 5 years ago, I started running into the wines which I never associated with Chile before. When I was offered to try the Chilean Pinot Noir, to say that I was skeptical would be an understatement – yep, I didn’t believe that Chilean Pinot Noir is a “thing”. Those first tastings made me believe that Pinot Noir is possible in Chile – but they were not at the level to really make me a convert. Yet.
And then, of course, Chilean Sauvignon Blanc – exuberant wine, nothing subtle about it – bright grapefruit, tons of freshly cut grass and crips lemon – very un-Sancerre. Chilean Sauvignon Blanc is truly a polarizing wine, not any less than New Zealand Sauvignon Blanc – both categories have plenty of haters. But let me not get on the tangent here.
A few days ago I was offered a sample of Chilean wines I never heard of before – Kalfu, Sauvignon Blanc and Pinot Noir. I’m always happy to expand my wine universe, so yes, please. This happened to be a wise decision.
Kalfu is a project by Viña Ventisquero, focused on showcasing cool climate coastal wines. In case you are wondering, as I did, what Kalfu means, here is what the website says: “Kalfu means “Blue” in Mapudungun, the language of the aboriginal Mapuche people of the region. It represents the color that provides a myriad of sensations: blue, like the Pacific Ocean’s intense blue; and blue, like the free sky, acting as an accomplice of and witness to the mysterious origins of life.”
Under Kalfu, there are three lines of wines, representing different regions – Molu from Casablanca Valley, Kuda from Leyda Valley, and Sumpai from Huasco – Atacama Desert, all three names representing different sea creatures. As the wines I tasted were from the Kuda line, let me tell you what Kuda means, again taking from the web site: “Kuda – in the case of the seahorse or hippocampus, the female lays her eggs and then the male takes care of them until the new seahorses emerge fully developed. Unlike other sea creatures, sea horses are delicate and unique, so they need to be cherished. ”
The wines were, in a word, beautiful. And maybe even surprising.
2018 Kalfu Kuda Sauvignon Blanc Leyda Valley (12.5% ABV, $19) was currant-forward. It didn’t really have the characteristic fresh grass, nor grapefruit – it had fresh black currant leaves and loads of Meyer lemon. It was a well present wine without going overboard, with a perfect balance of fruit and acidity. And yes, every sip wanted you to take another one. Drinkability: 8+
2017 Kalfu Kuda Pinot Noir Leyda Valley (14% ABV, $19) was even more surprising. For this wine, I can use two words. Frist would be finesse. The second word – Burgundian. The wine offered smoke, black cherries, violet, a touch of pencil shavings, good minerality – nothing over the top, none of the extra sweetness, but perfect, elegant balance. For $19, this is lots and lots of wine. Drinkability: 8+/9-
Here you are, my friends. Two beautiful wines worth seeking. And now I have my new favorite Pinot Noir which I will be happy to drink at any time. Where did you travel lately? Cheers!
June – What a Month, in Wines and Pictures
June might be my favorite month of the year. There are many reasons for me to say that. For one, it is the very beginning of summer. It is like a Friday night when the whole weekend is still ahead – the same thing with June, the summer is just starting. Then it is the month of my birthday and Father’s Day, which means I get to celebrate a few holidays which are related to me. Throw in the end of school celebration and occasional graduation, and you can clearly tell June brings a lot of reasons to be happy.
This June of 2019 went particularly overboard with all the goodness. At the beginning of the month, I got invited to so many wine tastings and dinners that I had to simply decline the number of invitations. Those which I managed to attend were an absolute standout. Tasting of South African wines was small, but superb, with lots of simply delicious wines. Right after the South African wine tasting, I met with Stefano Ruini, the winemaker for Bodegas Luce, tasted through yet another excellent set of wines and finally realized that Luce, the wine I tasted and admired before, is a Merlot Sangiovese blend produced in the heart of the land of Brunello.
The last event of the same day was a dinner with Michael Benedict and John Terlato of Sanford and Benedict Winery, a pioneer of California Pinot Noir, which took place at the spanking new Hudson Yards, at the Wild Ink restaurant, overlooking freshly minted The Vessel.
My next day was even more memorable, with two hours of the pure joy of talking to Stu Smith of Smith-Madrone Winery in Napa Valley, and tasting (a better way to put it: been blown away by) Stu’s wines, which were simply a standout.
That eventful week ended with the L’Ecole 41, iconic Walla Walla producer’s lunch and vertical tasting, where I finally discovered for myself what is all the fuss about Ferguson.
Then there was Father’s Day, with all the cooking fun and an opportunity to open a special bottle of wine – it is always easier to pull a better bottle when you have a good reason to do so.
My cooking fun was more of the usual – BBQ. However, I experimented with the way the meat was prepared. The chicken breast was marinated overnight in the onion juice if this is a thing – simply a big Vidalia onion pulverized in the blender and then used as a marinade – with the addition of the bbq spices. The lamb was marinated overnight in the buttermilk also with the addition of rosemary, sage, and the spices. The result was outstanding – both chicken and lamb came out juicy, tender, and delicious.
The wine story started with the 2018 Field Recordings Morro View Edna Valley (13.9% ABV, 100% Grüner Veltliner) – fresh undertones of grass, Meyer lemon, bright, crisp acidity – a perfect sip for the summer day.
Two of the Martinelli wines joined the party. Martinelli is most famous as the grape growers, however, they also produced a number of wines under their own name, albeit those are rare. First, we had 2009 Martinelli Syrah Zio Tony Ranch “Gianna Marie” Russian River Valley (15.4% ABV), which took a bit of time to open up into the a delicious, blackberries and pepper concoction, firm and supple.
I only had two bottles of Martinelli so I had no plans to open both on the same occasion. However, when my oldest daughter came and said “Dad, I can have a glass of wine over the next two hours and I want California Pinot Noir” (she has medical condition which generally prevents her from enjoying any type of alcohol), the only wine my brain could think of was 2010 Martinelli Pinot Noir Sonoma Coast (15.5% ABV), as I saw this bottle in the fridge the day before. This was a classic California Pinot Noir, which I generally describe as “plums and smoke” – soft, layered, good amount of fruit without going overboard, delicious long finish – an excellent example of the California Pinot Noir – and by the way, perfectly balanced – 15.5% ABV was absolutely unnoticeable.
The last wine I had high hopes for … well, didn’t work out. Back in 2012, I had 2004 Retro Petite Sirah, which was one of my top dozen wines of 2012. This time I opened 2007 Retro Petite Sirah Howell Mountain (14% ABV), hoping that 12 years is enough for this wine to at least start opening up. Nope, no such luck. The fruit was nowhere to be found, the wine mostly had sapidity, coffee and roasted meat notes on the first day, despite being decanted. It slowly improved day by day and showed some glimpses of the fruit on the third day, but still, it didn’t deliver the pleasure I was hoping for.
Well, let’s stop here. I will tell you about the rest of June in the next post – with lots (lots!) more pictures.
To be continued…
How To Cool Yourself Off On A Hot Summer Day
The heat is rising.
Photo by Quốc Bảo from Pexels
This is not a metaphor – the summer is here, the temperatures are pushing up to the “beyond comfort” level, and the question is real – how do you cool yourself off?
Of course, there are lots and lots of solutions – from very low-tech fans, powered by one’s own hand, to the battery operated misters, neck braces and more – but this is the wine blog, remember? Thus we will not be talking about any gadgets, neither low-tech nor high-tech. We are going to proceed with our simple, you can even call it simplistic, approach – “wine is the answer, what is the question?”
To tame down that heat, we are going to ask for the help of mountains, called the Dolomites, or Dolomiti in Italian. The Dolomites are the mountain range located in northern Italy; they are a part of the Italian Alps, and overall they are located in the Alto Adige region. The Dolomites are known for its striking beauty and intense contrasts. The whole area is considered the world’s treasure and was designated as a UNESCO World Heritage site in 2009.
Alto Adige is one of my favorite Italian wine regions, especially when it comes to white wines. The mountain climate, soil, vineyard elevations – everything which we know as terroir, all take part in producing the wines of character. Thus when I was offered a couple of wines from the region for the review, I gladly said “yes, please” – with or without a summer, Alto Adige, Trento, and all of the sub-regions, such as Vigneti delle Dolomiti, always promise to surprise you, and generally, in a good way.
The history of Alois Lageder started in 1823, first as a wine merchant business in Bolzano. Next generations of Lageder family started acquiring vineyards and experimenting with making the wine, and in 1934, Alois Lageder III purchased wine estate in Alto Adige, which became the starting point of the modern period for Alois Lageder Estate. With attention to the quality becoming paramount since the 1970s, today Alois Lageder’s 125 acres of the family estate are farmed biodynamically. You can visit the winery’s website for more information – it is not only the information, you will also find some stunning photographs there.
In addition to producing more than three dozens of different wines, Alois Lageder is also involved in the number of special projects. One such project is called Terra Alpina and it is dedicated to the striking beauty of Dolomites, it is an attempt to convey that beauty in the liquid form – take a look at this picture:
Source: Terra Alpina by Alois Lageder website
The wines in the Terra Alpina project produced via the partnership with local grape growers and winemakers in the Vigneti delle Dolomiti area. Currently, there are two wines produced under the Terra Alpina label, Pinot Bianco and Pinot Grigio – these were the wines I received for the tasting.
When the wines arrived, at first I even thought I got two bottles of the same wine – they looked very similar. After a few seconds, I figured out that this was not the case, and those were actually different wines. While the bottles looked similar on the outside, once I opened the wines, there was no question of similarity – the wines were beautifully and distinctly different, with Pinot Bianco strongly minerally-driven, and Pinot Grigio showing a perfectly noticeable, but the well-balanced amount of fruit – you can see my notes below.
Were these wines capable of delivering on the “cooling off” promise? Perfectly so. While different, both were fresh and bright, dropping a few degrees off a summer heat with every sip. The wines would be perfect on its own, but they would also play very well with food. And please make no mistake – while the wines offer a welcome relief to the summer heat, these are excellent, year-around, versatile wines, which offer a great value, and perfect for any day, and every day.
2018 Alois Lageder Terra Alpina Pinot Bianco Vigneti delle Dolomiti IGT (12.5% ABV, $15)
Straw pale
Touch of sweet apples, lemon, minerality
Crisp but buttery, noticeable salinity, minerally driven, dry, refreshing, lemon, lemon finish.
7+/8-, very nice
2018 Alois Lageder Terra Alpina Pinot Grigio Vigneti delle Dolomiti IGT (12.5% ABV, $16)
Light golden, a shade darker than Pinot Bianco
Intense, tropical fruit, guava, candied lemon, honeysuckle
Crisp, also a bit buttery and round, fresh lemon, vibrant, refreshing, delicious.
8-/8, excellent, passes room temperature test with flying colors
Here is my summer cooling off story. What’s yours? Cheers!
Between The Worlds
What lies on the intersection of the Old World and the New World?
Yep. Starting with the question. As many of you have come to expect. Let me repeat – what lies on the intersection of the old world and the new world? Of course it is the wine we are talking about.
I can spin this question differently if you want. What is the name of the major winemaking region (a country, rather) which is most often overlooked at dinner tables, wine stores, and restaurant wine lists? Yes, give it a thought. I’m sure you know the answer. But it is too obvious, which makes it difficult.
Let’s continue?
If you said “South Africa”, pat yourself on the back. You got it. Yes, it is South Africa. The wines of South Africa are often described as “old world wines masquerading as the new world”, and when you taste the wines from the region, you can easily see why such description makes a lot of sense.
I wrote about wines of South Africa many times in the past, also including them into the “best hidden secrets” series. Winemaking history of South Africa goes back more than 400 years, to the mid-1600s. From there on, South African wine had good times, bad times, phylloxera, political issues, boycott, and lots, lots more. Many times in history the wine production was focused on quantity and not quality, which obviously had consequences and not a good ones.
I had been tasting South African wines for quite a while, and I have to say that I perceive a definite upswing in quality. As I mentioned at the beginning, South African wines are still rare and underrepresented in the modern wine scene, for sure in the USA – nevertheless, every time I get a chance to taste South African wines, they make me say “wow” more often than not.
Case in point – recent tasting of the South African wines in New York. It was not a large tasting, by all means, maybe 60–70 wines, but out of those 60–70, I probably was wowed by at least a half of them, which is very unusual for the trade tasting, maybe with the exception of Gambero Rosso Tre Bicchieri. Below are my brief notes – as I had a bit more time than at the typical trade tasting, but absolutely not enough to do a full assessment, I’m using words instead of plus signs. Plus, I share here some of my general impressions.
Let’s go:
I love Graham Beck wines – their sparkling wines represent great value. These wines are similar to Champagne, as they undergo secondary fermentation in the bottle, so any time you are looking for the bubbles but want to spend the half of what you will spend on the Champagne, see if your wine store carries Graham Beck wines.
NV Graham Beck Brut Methode Cap Classique WO Western Cape – love it! Fresh, generous
NV Graham Beck Brut Rosé Methode Cap Classique WO Western Cape – beautiful, elegant
2012 Graham Beck Rosé Methode Cap Classique WO Western Cape – a touch of strawberries, toasted notes, excellent
2013 Graham Beck Blanc de Blancs Methode Cap Classique WO Western Cape – wow! Elegant, clean, polished
2012 Graham Beck Brut Zero Methode Cap Classique WO Western Cape – good
NV Graham Beck Bliss Demi-Sec Methode Cap Classique WO Western Cape – beautiful! Touch of sweetness, good acidity, elegant
I had some past (and delicious!) experience with Glenelly Chardonnay, so I was definitely looking forward to tasting their line of wines:
2018 Glenelly Unoaked Chardonnay Stellenbosch – excellent
2016 Glenelly Estate Chardonnay Reserve Stellenbosch – excellent, a touch of vanilla, burgundy style
2015 Glenelly Glass Collection Cabernet Sauvignon Stellenbosch – excellent, cassis forward
2012 Glenelly Estate Reserve Stellenbosch (45% Cabernet Sauvignon, 38% Shiraz, 11% Petit Verdot, 6% Merlot) – restrained, clean, herbaceous, salinity. The wine is built for the long haul.
2012 Glenelly Lady May Stellenbosch (89% Cabernet Sauvignon, 10% Petit Verdot, 1% Cabernet Franc) – Bordeaux style, needs time
This was an unknown producer for me:
2018 Beau Joubert Oak Lane Chenin Blanc – Sauvignon Blanc Stellenbosch – unusual, might be a touch sweet
2017 Beau Joubert Oak Lane Merlot – Cabernet Sauvignon Stellenbosch – simple
2017 Beau Joubert Oak Lane Shiraz – Cabernet Sauvignon Stellenbosch – earthy, nice pepper note
2013 Beau Joubert The Ambassador Stellenbosch – needs time
2014 Beau Joubert Fat Pig Stellenbosch – port style, very good balance, tasty
Yes, there was food too:
Let’s get back to wines.
The next set of wines surprised me in a lot of ways – packaging (labels), creative wine names, unusual grape varieties for South Africa (Barbera? Touriga Nacional?!) and most importantly, tasty wines. When I commented to the lady who was presenting the wines how unique and tasty the wines were, she said very unpretentiously “ah, it is my brother, he is always running around with new ideas, experimenting with the wines”. Little did I know that Bruce Jack is a star winemaker who was making wines for more than 25 years and who has almost a cult following. I can tell you, as the proof is in the pudding, this line of Drift Estate wines offered plenty of proof.
2018 Bruce Jack Year of the Rooster Rosé Western Cape – nice and restrained, excellent Rosé rendition. You would never guess the grape this wine is made out of – Touriga National. Yep. As I did a bit of research, I found out that 2017 was made out of Pinotage, and 2016 out of … Touriga Franca. Yep, talk about South African wines.
2014 Bruce Jack Moveable Feast Red Blend Western Cape – excellent. Dark fruit, spices, just excellent.
2017 Bruce Jack Gift Horse Single Vineyard Barbara Western Cape – another hit. Dark fruit, tar, pencil shavings, tobacco, just wow. Yep, a South African Barbera.
2016 Bruce Jack There Are Still Mysteries Single Vineyard Pinot Noir Western Cape – beautiful, elegant, restrained, truly a mix of the new world and an old world. If you didn’t discover yet South African Pinot Noir, go on, try to find this wine.
And a few more wines:
2018 Boschendal Rose Garden Rosé South Africa – excellent, restrained, Provençal style. Merlot + Pinot Noir blend
NV Boschendal Brut Rosé Methode Cap Classique South Africa – excellent
2016 Boschendal Elgin Chardonnay South Africa – Burgundy! Wow, spectacular wine – might be the best 9fnthe tasting.
2016 Bellingham The Bernard Series Old Vine Chenin Blanc Coastal Region – (3 Chenin Blanc vineyards, vines are 35 to 47 years old) – petrol on the nose, beautiful, clean, delicious.
2014 Bellingham The Bernard Series SMV Coastal Paarl Region (Shiraz, Mourvèdre, Viognier) – Elegant! Excellent
2014 Brampton Roxton Stellenbosch (41% Syrah, 33% Petit Verdot, 26% Malbec) – outstanding. Lots of power. This wine is named after a bull.
That competes my report. What do you think of wines of south Africa? Any favorites? Cheers!
Samples Galore: From Ohio to Washington with a Stop in Argentina
Have wine, will travel – who is coming with me?
How about staring our wine journey in Ohio? There is a very, very good chance you never had a wine from Ohio – am I right? So was I – until the beginning of this year.
All 50 states in the USA produce wine – not sure as of what date, but this was already true at least 15 years ago. While this is true, it doesn’t mean that you can go into the store and pick up a bottle of wine from South Dakota as this is something you want to drink tonight. There is a slew of issues (economic, legal, etc.) which make it impossible. Never mind South Dakota – while Texas is one of the largest wine producers in the USA, I stand no chance of finding Texas wines in the local liquor store in Connecticut. And as I love collecting the experiences, when I was offered to participate in the Twitter Chat about Ohio wines, I quickly agreed.
The wines had been made in Ohio for a while – on par with most of the traditional wine regions in the USA. The wine cellar which is now a part of Firelands Winery in Sandusky, Ohio, was built in 1880. Obviously the wines are still unknown outside of the local towns and maybe some visitors, but still, Ohio has the winemaking history.
When I opened the box with the wines for the tasting, my first reaction was “ohh, this might not end well”. First one was Firelands Gewurztraminer – and I consider Gewurztraminer a very difficult grape – it is really difficult to create a balanced Gewurztraminer wine – I had lots (did I say lots?) of undrinkable editions, so yes, that bottle made me concerned. The second wine was equally concerning – Vidal Blanc Ice Wine from Ferrante winery. Again – an experience with many plonk-level Ice wines was definitely getting in the way.
So how the wines fared, you ask? Much (much!) better than I expected (sorry, the inner snob was talking) – really, here are the notes:
2017 Firelands Winery Gewurztraminer Isle St. George, Ohio (12.5% ABV)
Light golden
Beautiful fresh tropical fruit – leeches, guava, white peach, intense
Dry palate, clean acidity, spicy bite, Whitestone fruit, good minerality, good balance
8, very enjoyable wine, will work well with food, excellent with cheese (manchego)
2016 Ferrante Vidal Blanc Ice Wine Grand River Valley (11% ABV)
Golden color
Honey, candied peaches, fig jam, medium plus intensity.
Perfectly clean palate, a touch of honey, apples, ripe pear. Honey notes linger on the finish, but it is not overwhelming and supported by good acidity.
8+, very impressive, this is the wine I want to have a second glass of. Outstanding.
As you can see, very impressive wines. I would gladly drink both at any time – and I would love to visit the wineries if I ever make it into the area. Ahh, and one more check mark for my collection of attempts to try the wines made in all 50 states – a personal challenge which I’m tracking right here.
After having a great experience in Ohio, let’s continue our trip. Next stop? California.
First, let’s go to Santa Barbara County. Lucas and Lewellen Estate Vineyards were born in 1996 out of the friendship between Louis Lucas, a third-generation grape grower, and Superior Court Judge Royce Lewellen who first met back in 1975. They started making wine under their own label in 1998, and from there, the business expanded to include vineyards in 3 principal winegrowing areas in the Santa Barbara County – the Santa Maria Valley, the Los Alamos Valley, and the Santa Ynez Valley. They also opened a tasting room in Solvang, one of the best “wine towns” in the country. The wine we are talking about today is a classic Bordeaux blend coming from the Valley View Vineyard in Santa Ynez Valley:
2016 Lucas and Lewellen Cabernet Sauvignon Valley View Vineyard Santa Ynez Valley (14.5% ABV, $25, 75% Cabernet Sauvignon, 7.5% Petit Verdot, 7.5% Malbec, 5% Merlot, 5% Cabernet Franc, 21 months in French oak, 40% new)
Dark garnet
Mint, underbrush, blackberries, cherries, medium intensity
Cherry-forward, tart, a touch of mint, tight, well-integrated tannins, full body, good acidity, good balance, spicy finish in the back of the mouth
8-, probably will further improve with time
Let’s move up north in California, to the famed Napa Valley.
The first vineyard on the Mt. Veeder site which is now home to the Hess Family Wine Estates, was planted in 1876. Donald Hess acquired his first vineyard on the Mt. Veeder in 1978, and through the chain of events which are described in details here, all the history connected together. In 1986, the Hess Collection winery was established, and from the early days Hess Collection became a pioneer of sustainable viticulture, hosting the first Natural Farming Symposium in 1992, and then helping to develop the California Wine Institute’s “Code of Sustainable Winegrowing Practices” in 2002.
You can see a symbol of the lion on most of the Hess Collection wines – “live each day with the heart and courage of the lion” had been a guiding principle of the Hess family for 9 generations. Two years ago, Hess Family Wine Estates introduced a new portfolio of wine with the release of Lion Tamer red blend. Last year, the Lion Tamer was joined by Panthera Chardonnay in its inaugural release. I had an opportunity to taste the new release of these wines, and here are my notes:
2016 Hess Collection Lion Tamer Red Blend Napa Valley (14.8% ABV, $45, 40% Malbec, 27% Zinfandel, 21% Petite Sirah, 8% Cabernet Sauvignon, 2% Mourvedre, 1% Petit Verdot, 1% Merlot, 22 months in French oak, 40% new)
Dark garnet
Coffee, dark fruit, sandalwood, cherries, a touch of sapidity
Palate on the first day was massive, with espresso, tar, pencil shavings, and cherries.
On the second day, the wine appeared a lot more balanced, with clean acidity underscoring fresh blueberries and blackberries with a touch of coffee on the finish.
V: 8, definitely needs time. Decant for 2-3 hours if you want to drink now, or put it aside for the 4-5 years. Make sure to serve it at room temperature at around 68F.
2016 Hess Collection Panthera Chardonnay Russian River Valley Sonoma County (14.3% ABV, $45, 15 months in French oak barrels, 35% new)
Golden color with a greenish hue
Distant touch of a gunflint, minerality, underripe white plums
Vanilla, butter, a classic California Chardonnay profile, big, present, Granny Smith apples, good acidity.
8-, I prefer Chardonnay with a bit more subtle expression, but this is definitely drinkable on its own and should be good with food ( nicely complimented manchego cheese)
Our next stop is in Pacific Northwest – in Oregon, to be more precise. Knudsen Family had been growing grapes in Dundee Hills AVA in Willamette Valley since 1971, one of the pioneers of the viticulture in Oregon. For a long time, the grapes from the Knudsen Vineyards were only bought by the other wineries. Relatively recently Knudsen Vineyards started producing Pinot Noir and Chardonnay under its own name. Previously, I tasted Knudsen Vineyards Chardonnay from 2015 and 2016 vintages, which were both excellent. This year I had an opportunity to try 2017 Knudsen Vineyards Chardonnay (13.5% ABV, $45), and was able to see a clear progression, from 2015 to 2016 to 2017. My analogy for 2017 is Burgundian, but I don’t even know if this is a fair comparison. Knudsen Chardonnay is not a white Burgundy – it is an Oregon Chardonnay first and foremost, and it is a simply beautiful wine.
Citing myself sounds strange, but here is what I wrote about 2017 Knudsen Chardonnay in the Instagram post: “I would describe this wine as an Elegance of Precision – from the get-go, it had just a perfect amount of everything Chardonnay is famous for – a touch of vanilla, a touch of butter, a touch of golden delicious apples, vibrant acidity – and it was getting even better over the few days it was stored in the fridge, more precise, more integrated, more Burgundian. If you like Chardonnay, this is a “case buy” wine – not because it is inexpensive, but because you want to keep a few bottles in the cellar for the next 5-10 years, to see it magically evolve”. Drinkability: 9-
While we are in the Pacific Northwest, let’s try a few more wines. Kin and Cascadia wines are the result of the partnership between multi-generational families, Sagers and Masters, with these multiple generations involved in the wine business (hence the “Kin” part). This new line of wines comes from the Cascade Mountains region – which brings in Cascadia part. I had an opportunity to try Kin and Cascadia Cabernet Sauvignon and Pinot Noir – here are the notes.
2017 Kin and Cascadia Cabernet Sauvignon Columbia Valley Washington (13.5% ABV, $16)
Dark garnet color
Intense berry flavor, blackberries, eucalyptus, sweet cherries
Fruit forward but has enough supporting acidity to make it pleasant. Medium body, light, simple, fresh, fresh berries (cherries and blackberries), good acidity.
7+/8-, not my idea of Cabernet Sauvignon, but it is definitely easy to drink wine. Plus, it is young, so it might evolve.
2017 Kin and Cascadia Pinot Noir Willamette Valley (13.5% ABV, $14)
Ruby color
Muted nose, a touch of earthy notes, underbrush
Not very expressive palate either – Light, medium body, good acidity lingering on the finish
7/7+, I personally would like more fruit and more energy. This is drinkable, but not thought-provoking.
And we finally arrived at our last stop in Argentina.
In 1950, Alberto Zuccardi started working on the new irrigation systems for the vineyards in Mendoza. In 1963, he founded the vineyard of his own, which over the years became one of the most renowned in Argentina. In 1982, Bodega Santa Julia was born, named in honor of Julia (yes, she is a real person), the granddaughter of Albero Zuccardi – and Julia Zuccardi is managing her namesake winery today.
Bodega Santa Julia focuses on organic and sustainable viticulture, which sprawls from the vineyards to the people. Santa Julia was the first winery in Mendoza to achieve Fair for Life certification.
The winery joined the popular canned wines movement in the USA and introduced the line of beautifully packaged wines, which I had an opportunity to try. The wines are not amazing, but sufficient for the day on the beach or a pool party. Here are my brief notes:
NV Santa Julia Organic Malbec Rosé (375 ml can, SRP $6) – simple, quaffable, but too sweet for my taste.
NV Santa Julia Organic Chardonnay (375 ml can, SRP $6) – a bit tart, restrained fruit expression.
NV Santa Julia Tintillo Red Blend (375 ml can, SRP $6, 50% Malbec, 50% Bonarda) – good fruit expression, good acidity, medium body, good balance. My favorite of the three. And despite the recommendation, I liked it more at the room temperature than cold.
Here you are, my friends. As I said before, have wine – will travel. Until the next trip – cheers!
Navarra, Surprising and Not
It is commonly known that Spanish wines are some of the best-kept secrets of the wine world. An oxymoron, you say? Not necessarily. I’m not implying that you need to know the secret knock on the unsightly door in order to acquire Spanish wine. The “secret” simply means that consumers still often overlook Spanish wines as a category, despite the fact that those wines possess some of the best value, the best QPR you can ever find – try a $30 Rioja (for example, La Rioja Alta, Lopez de Heredia) and you will see what I mean.
Spanish wine regions. Source: Navarra Wine US
Turns out that even secret wines have deeper secrets, such as Spanish (of course!) wines from Navarra, a northern province known for its unique climate (influenced by Mediterranean, Continental, and Atlantic climates). A long history of a close relationship with France (going back to medieval times) also led to Navarra sporting rather an interesting mix of grapes, with plantings of Garnacha and Tempranillo intermixed with Cabernet Sauvignon, Merlot, and Chardonnay. For a long time, Navarra was known as the “land of Rosé” – today you can find a full selection of white, Rosé and red coming from this small region.
By the way, here is the fun fact for you – in case you are a Game of Thrones fan, you might be interested to know that season six of the popular show was filmed in Navarra, in Bardenas Reales desert – here, you can impress your friends already.
If you are interested in a quick set of numbers (I know I always am) – Navarra has about 27,000 acres of vineyards, located on an average altitude of 1,300 feet (400 meters) above sea level. Annual production is about 70M liters of wine. Most planted grapes are Tempranillo and Garnacha, followed by Cabernet Sauvignon and Merlot. 90% of the wine production are red and Rosé (Rosé is 1/3 of this production), and 10% are white wines. Okay, done with numbers, let’s continue.
With this “secret of secrets” designation, you can probably figure that Navarra wines do not occupy central shelves of the liquor stores – but maybe it is for the better? Of course I mean it in our own, selfish interest – more for us, for the people “in the know”.
I had a pleasure of drinking Navarra wines before – for example, Tempranillo from Bodegas Ochoa is an excellent rendition of one of my most favorite grapes. However, this is where my exposure to the wines of Navarra mostly ends. Thus when I was offered to try a sample of Navarra wines, I quickly agreed.
The surprises started upon arrival of the wines. Once I opened the box, finding a bottle of Garnacha made perfect sense. However, not finding a bottle of Rosé was rather surprising – I was sure Rosé would be included in the sample of Navarra wines. And the biggest surprise for me was finding the bottle of … Sauvignon Blanc! No argument here – Spain is often associated with red wines, but it makes excellent white wines – Albariño, Verdejo, Godello, Viura – but 100% Sauvignon Blanc from Spain is not something I see often (Rueda might be an exception, as Sauvignon Blanc is used there too, but mostly for blending).
The surprises continued as I opened the bottle of 2018 Bodegas Inurrieta Orchidea Sauvignon Blanc Navarra (13% ABV, $12). I have to admit, before the first sniff, I was skeptical. The first whiff of the aroma immediately cured all of my worries as the wine was simply stupendous. In a blind tasting, I would instantly place this wine into California – the wine was round and powerful, on the level of Honig or Duckhorn Sauvignon Blanc. A touch of freshly cut grass and currant leaves were unmistakable, supported by golden delicious apple, lemon, and complete absence of grapefruit. Perfectly refreshing, delicious wine – and at the $12 price point, the word “steal” comes to mind. (Drinkability: 8+)
Then there was Garnacha. Garnacha, a.k.a. Grenache is a very interesting grape. Garnacha has a tremendous range of expression, from ultra-powerful likes of Alto Moncayo Aquilon and No Girls Grenache to light and ephemeral Cote du Rhone and Bodegas Tres Picos. The 2016 El Chaparral De Vega Sindoa Old Vines Garnacha Navarra (15% ABV, $15) showed rather in the “ephemeral” category, despite the 15% ABV (I only noticed this high ABV when I was writing this post but not when I tasted the wine). Two main descriptors for this wine are raspberries and pepper. The wine was light, it was playful, full of fresh, ripe, but perfectly crunchy raspberries. Each one of those raspberries had a dash of black pepper on it. Ephemeral, surreal, or simply tasty – I will happily go with either descriptor. Again – excellent, excellent value at $15. (Drinkability: 8+).
Here you go, my friends. You can’t go wrong with either of these wines – not in price, not in the taste, not in the pleasure. Look for the wines of Navarra – you might be on a cusp of your next great wine discovery. Cheers!
Stories of Passion and Pinot: Bells Up Winery
Do you know by any chance what “bells up” means? If you do, you can already pat yourself on the back and pour yourself a glass of wine. If you don’t – you can pour yourself a glass of wine and ponder at the question for a bit – the answer will follow.
Meanwhile, let’s talk about the passion, an indelible component of winemaking, possibly even a key ingredient in a delicious wine.
Dave Specter started making wine in the basement of his home back in 2006. By 2009, he realized that passion for winemaking trumpets his (successful!) career of a corporate tax attorney, and Dave decided to let his passion lead the way. In 2012, Dave and his wife Sara found themselves in Newberg, Oregon, purchasing a dead Christmas tree farm in the Chehalem Mountains AVA, where they started planting their estate vineyard. The rest is history – of passion and Pinot, there is.
Bells Up vineyards. Source: Bells Up Winery
Before there was wine, there was music. For more than 20 years Dave had been playing the French horn. In classical music, there is always a moment which needs to be stressed – “Bells up” is the conductor’s instruction to the French horn players to lift the bells of their instruments and produce the sound of maximum intensity. “Bells up” became Dave’s motto in life, and it also gave the name to his winery – now you have your answer in case you are still wondering.
While Pinot Noir was the first grape planted at the newly minted Bells Up winery, the passion also led Dave to plant half an acre of Seyval Blanc, the grape he successfully used back in Ohio. That Seyval Blanc planting became the first in the Chehalem Mountains AVA, and second in Oregon. If you look at Bells Up winery website, you will see that the winery bills itself as micro-boutique and un-domaine – planting Seyval Blanc and not Pinot Gris in Oregon is clearly an un-domaine move. By the way, the “un-domaine” was one of the words which caught my eye while researching the Bells Up winery information. So I took the opportunity to sit down (virtually, albeit) with Dave and listen to him share his passion for wine. Here is what transpired in our conversation:
[TaV]: What kind of wine(s) did you make in your basement in Cincinnati?
[DS]: In the beginning, when my wife Sara and I started making wine in 2006 as a couple’s activity for our fifth wedding anniversary, we started with kit wines—juice in a bag, essentially. When I moved on to grapes, I sourced from both local and regional vineyards for Seyval Blanc, as well as through a Cincinnati vintners club that would truck in fruit from vineyards in California. From that I made Syrah, Petit Syrah, Cabernet Sauvignon, Cabernet Franc, Merlot—even a Pinot Noir, although that fruit was sourced from Lodi, and was completely unlike the Pinot I work within Oregon today. Essentially, it was a hobby that grew out of control.
[TaV]: Why Oregon? As a young winemaker, you had many options – what made you decide to go to Oregon?
[DS]: First, thank you for calling me young. We were a whole lot younger when we started this journey. After that first kit wine, I was hooked on the process and wanted to learn more. Sara graciously let me take over the basement, then the garage, then the dining room. And we started taking wine vacations to “hidden gem” wine regions—Texas Hill Country, Finger Lakes, and finally Oregon in 2008.
We had already visited Oregon briefly in 2004 and loved it. In 2008 we spent two weeks roaming the state, with the last few days in Newberg at a bed and breakfast just 400 feet up the mountain from the property that is now ours. We fell in love with Oregon, the scenery, the climate, the wines, and the intimate experiences tasting wines at the tiniest wineries with the winemaker. We decided then that this was the place for us.
[TaV]: Seyval Blanc is one of the most popular grapes in the Eastern US. But why Seyval Blanc in Oregon?
[DS]: When we moved to Oregon in 2012, we knew we wanted to plant a vine that connected to our story. I’d been working with Seyval Blanc for years in Ohio and when I won two amateur national winemaking competitions in 2011, one was with a 2010 Seyval Blanc. So, it was a great tie-in.
But also, we see an opportunity to differentiate ourselves with a white wine that nobody else has in the Willamette Valley—and only one other winery has in Oregon. Plus, we believed it would grow well here, and after two small harvests that resulted in some beautiful wine, we’re happy to be proven right. Note, however, we didn’t plant a lot of it: only about 250 vines (and not all of them made it—so Sara’s been propagating like crazy ever since for replants). We figured if it was a failure, we could always graft over it.
[TaV]: Any future plans for more mainstream Oregon white grapes – Chardonnay, Pinot Gris, Riesling?
[DS]: From a business perspective, we’ve taken a really close look at what other wineries in the area are making, and for a 500-ish case production winery like ours it’s best to have just one white wine available for sale at a given time. That’s because we don’t move enough volume and the whites generally don’t age as long as reds.
We currently make Pinot Blanc and we like it quite a bit. It’s a bit rarer in these parts than Pinot Gris or Chardonnay, which again helps to differentiate us. But as for expanding our white wine program, the ultimate plan is to phase out Pinot Blanc for Seyval Blanc and that will be the only white in our line-up. There are a lot of similarities between my Pinot Blanc and my Seyval
Blanc, so the transition from one to the other won’t be as jarring as a shift from another white varietal, such as Chardonnay.
Bells Up wines. Source: Bells Up winery
[TaV]: Today you already make white, rosé, and red. Any plans to join seemingly the hottest Oregon trend and start producing sparkling wine?
[DS]: No. I know I keep coming back to the numbers, but I’m a finance guy with an MBA and a corporate tax law career. While we think there’s a place in the market for adding bubbles to still wines, if I made a sparkling wine I’d want to do it the right way (traditional method). That takes time, space and money. And at our volumes, what we’d have to charge per bottle to justify that type of investment is more than what the market would reasonably bear.
[TaV]: Continuing the same question – as you already produce Seyval Blanc, which makes very good dessert wines, any plans for some Late Harvest Seyval Blanc goodness?
[DS]: Don’t give Sara any ideas! Actually, we’ve been so focused on just getting these Seyval Blanc vines established and proving that our concept had legs that we really haven’t thought much farther than straight up Seyval Blanc. Our 2017 harvest yielded 100 pounds and made 23 bottles (yes, bottles)! Our 700-pound 2018 harvest produced 15 cases and we’ve made that available exclusively to our wine club members on a 2-bottle allocation. Give me a few years when I’ve got Seyval Blanc growing out of my ears and I’ll get back to you on a Late Harvest version.
[TaV]: Who are your winemaking mentors (if any)?
[DS]: First and foremost, Joe Henke of Henke Winery in Cincinnati. Joe took me under his wing as a basement winemaking hobbyist. He offered me a position as an unpaid cellar rat but promised he’d teach me everything he knew—open book—and he did. He even showed me his books because he wanted me to understand what he called “the good, the bad and the ugly of being a professional winemaker.” He’s an award-winning winemaker who makes 2,000 cases across roughly 15 different types of wines (including a phenomenal sparkling Chardonnay and an incredible Norton) in the basement of a 100-year-old house in an urban neighborhood with the bare essentials: barrels, a pump, a press, a pallet jack. I learned so much from him about the process of winemaking and the business of winemaking; that you don’t need a bunch of expensive equipment to make incredible wines. You just need to do a ton of cleaning. Amazing mentor.
Additionally, I did a harvest internship in the Fall of 2012 at Alexana in Dundee, Oregon under Bryan Weil. It was Bryan’s first harvest there as winemaker and Lynn Penner-Ash of Penner-Ash Wine Cellars was still working alongside Bryan, as she had been consulting winemaker for the label prior to Bryan coming on board. I soaked up as much as I could about working with Pinot Noir from both of them. Because, at age 39, I was not your typical harvest intern—plus I had three years of time at Henke Winery under my belt—Bryan was gracious enough to build my internship around what I needed to learn. He put me in the vineyard for sampling fruit, for example, something I’d never had the opportunity to do before. He had me set up the lab for him and run lots of testing because I knew how to do it. We’re still very close today and I appreciate everything he was gracious enough to share with me.
As far as winery business mentors, there have been so many people in the Willamette Valley who have generously offered advice and shared their successes and failures that it would be impossible to name them all. But they know who they are.
[TaV]: What is your view on sustainable viticulture, dry farming, organic methods?
[DS]: That’s what we do here in our own vineyard and at the vineyards we source from. We think it’s very important to be good stewards of the Earth—we’re farmers now! It also produces stronger vines that develop more flavorful grapes and ultimately better wines.
[TaV]: How did you choose the music pieces as the names of your wines? What was your thought process, what criteria? What message are you trying to convey with those names?
[DS]: Let me start by explaining the name of the winery. I played French Horn for more than 20 years (I’m horribly out of practice now—Sara says I only make noise) including after business and law schools, so it was a key part of my life. When it came time to name the winery, we wanted to name it something personal that wasn’t our last name (people are terrible at remembering names!) and I really wanted to tie it into the French Horn. Coincidentally, the property Sara found was on Bell Road in Newberg. So that tied in perfectly to the term “Bells Up,” which is a notation by the composer in the score of a piece of music. At a dramatic moment, it directs the French Horns to lift the bells of their instruments to project their sound with more intensity. It’s our time to shine—which is why I say the winery is my #bellsupmoment.
The pieces of music I chose to name each wine are all ones that prominently feature the French Horn, as well as epitomize the wine itself. George Gershwin’s “Rhapsody in Blue” inspired our Pinot Blanc to be named “Rhapsody” because it’s a jazzy, energetic white wine. Gustav Mahler—the French Horn player’s best friend because his pieces tend to be horn-heavy—wrote his Symphony No. 1 in D Major, called “Titan,” and it’s become regarded as his flagship work. Therefore, our Willamette Valley Pinot Noir, which we consider to be our flagship Pinot, is “Titan.” And so on. There’s a link at the top of our wines page to a playlist of all the pieces for those interested in hearing them.
[TaV]: Why “un-domaine”?
[DS]: It was a term that came up as we were discussing how to describe our casual tasting room vibe, our keep-it-simple winemaking approach, and our distinctive brand with a good friend who happens to be a wine writer. A couple of years ago after we opened our doors in 2015 there was a trend of new wineries opening in the Willamette Valley with the word “Domaine” in their name. We just aren’t. Our property is humble, our tasting room is a converted pole barn, you won’t find a marble fireplace. While Sara and I enjoy wine, nobody would ever confuse us with wine snobs.
Does “un-domaine” mean we’re not for everyone? Absolutely. There’s no cachet associated with owning or drinking a bottle of Bells Up wine. And that’s perfectly fine with us. We’d much rather be the bottle on your table every day of the week than the one gathering dust in the wine rack because you spent a ton of money on it and are waiting for a special occasion—and friends who will appreciate it—before it’s opened.
[TaV]: Did you have a pivotal wine in your life, the one which changed your wine worldview?
[DS]: Not so much a specific wine but a wine experience I had very early on. I had the pleasure of visiting some friends in Europe after graduating from law school and they took me to Beaune (in the heart of Burgundy) for a weekend. We did a lot of tasting in the touristy cellars, but also in garages and co-operatives where the atmosphere was much more down-to-earth. I knew absolutely nothing about wine prior to that but I was in awe of what I saw, smelled, and tasted. I couldn’t put my finger on it at the time, but I was in the heart of a culture that valued wine as an everyday experience—that part really resonated with my soul. Looking back, I’m sure that I would appreciate that experience more fully if I took the same trip now, but that time in Beaune has fueled my passion for wine ever since.
[TaV]: With the exception of your own wines, what are your favorite Oregon wines and /or producers?
[DS]: We truly have an embarrassment of riches here in the Willamette Valley—so many quality producers call this place home that a list of my favorite producers would fill about 3 dozen barrels. With every producer having their own unique style—plus the trailblazing nature of the Oregon wine industry—innovation is happening all the time: new grapes, new techniques, and so on. I think many people assume that a winemaker drinks only his or her own wine at home, but the truth is I almost never drink my own wines outside of the professional setting. I’d much rather be exploring the styles and fresh ideas that other winemakers here are creating and perhaps get inspired to try some of those ideas myself!
[TaV]: What are your favorite wines and/producers outside of Oregon?
[DS]: Again, way too many to answer! The wines I enjoy most are ones where I have a personal connection in some way and I’m fortunate to have so many talented friends in other parts of the winemaking world. Back in Ohio, my mentor Joe Henke at Henke Winery, of course, but also my friends Greg Pollman of Valley Vineyards and Bill Skvarla of Harmony Hill Vineyards make fantastic wines from grapes grown locally and regionally. Up in Woodinville, Washington my friend, Lisa Callan of Callan Cellars is making a name for herself with her Washington-focused program. And up over the border in Naramata, British Columbia my friend Jay Drysdale has founded Bella Sparkling Wines, BC’s only winery dedicated to sparkling wines. I know that some other friends have projects in the works and can’t wait to brag about them in a few years too.
[TaV]: Where do you see Bells Up Winery in 20 years?
[DS]: Not in the grocery store. Our customer base is national, but we have no aspirations for retail distribution. We’re perfectly content to sell direct-to-consumer and to a couple of local restaurants and a wine bar in Downtown Portland. When we hit 1,000-case production, that’s it. We won’t make any more than that annually because we both enjoy and believe wholeheartedly in the micro-boutique winery experience we’ve created. We want to have personal relationships with our customers. We specifically don’t have an online ordering portal because we want to have a conversation with our buyers either by phone or email. Making and maintaining those connections is really important to us, and we hope to grow those relationships over the next 20 years and beyond.
I’m sure you are ready to taste some wine by now. Before I will share with you my notes after tasting 3 of Dave’s wines, I want to bring something to your attention. By now you know that Bells Up wines are named after different musical compositions. In case you want to experience those musical compositions, either by themselves or together with the wine, Dave has a link to Spotify playlist of all the relevant music pieces available on the winery website. And now, here are my notes:
2018 Bells Up Helios Seyval Blanc Chehalem Mountains AVA (13.1% ABV, $38, 15 cases produced)
Light golden
Restrained, minerality-driven, touch of gunflint, a touch of fresh green apples
Excellent acidity, Granny Smith apples all the way, crisp, fresh, good texture. Has traits of Seyval Blanc (tropical fruit intent, I would say, like a hint of guava without any fruit notes), but put on a different core
8-, very interesting, thought-provoking and food friendly wine (acidity lingers on the finish for a good couple of minutes)
2018 Bells Up Prelude Rosé of Pinot Noir Chehalem Mountains (13% ABV, $22, 126 cases produced)
Light red
Medium plus intensity, distant hint of the barnyard, underripe cranberries, herbal notes
Bone dry, crunchy cranberries, excellent acidity, food-friendly wine, fruit showing up a bit later, excellent balance
8/8+, delicious and dangerous. I can keep drinking it until the bottle will be empty
2016 Bells Up Titan Pinot Noir Willamette Valley (13.1% ABV, $40, 12 months in French oak (39% new), 131 cases produced)
Dark ruby
Plums, a hint of smoke, violets
Slightly underripe plums, crisp cherries, sage undertones, good acidity, light to medium body,
8-, light, easy to drink, food friendly. Should improve with time.
Dave Specter conducts the private tasting. Source: Bells Up Winery
Here you are, my friends. Another story of Passion and Pinot.
To be continued…
P.S. Here are the links to the posts profiling wineries in this Passion and Pinot series, in alphabetical order:
Alloro Vineyard, Ghost Hill Cellars, Ken Wright Cellars, Knudsen Vineyards, Lenné Estate, Tendril Cellars, Youngberg Hill Vineyards, Vidon Vineyard
Friday Night Wine
Isn’t Friday the best day of the week? Or to narrow it down even more – isn’t Friday night the best time of the week?
I know, it is considered lame. The right thing to do is to love Mondays, as this is your new chance to make a difference, and yada yada yada. Whatever.
So really, isn’t Friday night great? Especially when you don’t need to go anywhere. You don’t need to entertain anyone. The whole weekend lies ahead. Life is good.
Does such quiet Friday night deserve a special wine? This is a tough question, especially for someone who drinks wine only on the special occasions, such as days which names end with “y”. I can actually argue this both ways – I guess it only depends if you feel like making it special, or treat it as any other day and just open a random bottle. Well, but still – quiet Friday night is special, so a special bottle feels appropriate more often than not.
Finding the right bottle for the Friday night is an as difficult exercise as selecting a bottle for any special holidays or birthdays. On one side, it is the Friday night – on another side, it is just a Friday night, one of the 52. A Friday is not a special enough occasion to pull one of your most prized bottles, but you do want to celebrate the weekend coming, so it should be at least something unique and different.
It is hard to figure out how the brain decides on the bottle. After about 10 minutes of pulling the wine fridge shelves back and forth, I came across the 2011 Cahors, and the brain (or whatever is there) said: “that will do”.
2011 Jean-Luc Baldès Triguedina Clos Triguedina Cahors AOP (14.5% ABV, 85% Malbec, 10% Merlot, 5% Tannat) was one of my favorite discoveries of the past year while attending the Wines of Southwest of France event. I had only one bottle, but that is the same story with the absolute majority of my cellar, so I typically go through the regretful “second thoughts” process no matter what I decide to open.
Boy, was that a lucky decision… This wine had everything one can desire to make any day special – from the first smell to the first sip to the last sip; a perfect oenophile wine. Its major quality, outside of balance, was a tremendous range of expression. The nose started with a little funk, a touch of the barnyard, and fresh berries. The palate offered an exquisite bouquet and an ability to travel in the instant. The first sip squarely established – I’m not sitting on my deck anymore, I’m now in the winery’s cellar, breathing the vinous aromas which accumulated there during the centuries.
The wine continued evolving, offering tobacco, fresh blackberries, a touch of pepper, dark power, dark magic, and layers of pleasure. The acidity, the tannins, the fruit – everything was there in complete harmony. I call such wines a “vinous vino”, as these are the only words which come to mind. The wine was a beautiful rendition of Malbec – unquestionably an “old world”, and unquestionably delicious. If Cahors wines produced back in the middle ages were anything similar to this Clos Triguedina wine, I fully understand why it was so popular in Europe and Russia.
There you are, my friends. I hope your Friday night was filled with pleasure, just like mine was. Do you think Friday night wine should be special? What would you open to celebrate a quiet Friday night? Cheers!
Last Bottle Sign Up ($10 credit)
Talk-A-Vino 