Wine News and Updates
As you know, I generally like to share the interesting wine world information which I come across, so below are few of such tidbits.
Let me start with something a bit unusual. Generally we don’t mix beer and wine. However, some innovative winemakers started experimenting with adding hops to their wines creating new and refreshing beverages which greatly appeal to millennials and generation Y. Not to miss the bandwagon as they did with the craft beers, Budweiser announced that they acquired a small winery in California and the new product, called BudMyWine, will appear soon in the supermarkets next to you. The initial release of BudMyWine will be packaged in the standard 6-pack of .33 tin cans, and will include Pinot Grigio, Chardonnay, Pinot Noir and Zinfandel. BudMyWine Light, boasting measly 49 calories per can, is expected to hit the store shelves closer to the Christmas season. With this development, I’m really curious who Budweiser will be mocking in the SuperBowl 2017 commercial…
Next, the wine is about to be taken to “where no man has gone before”. Elon Musk, the multi-talented entrepreneur behind SpaceX program, which has the goal of “enabling people to live on other planets”, recently decided to evaluate the effects of space travel on wine in a bottle. SpaceX teamed up with none less than Château Mouton Rothschild, which will produce a special bottling of its popular Mouton Cadet Chilean wines, which will take a voyage in space for the duration of about 12 month. The wine will receive a special label and will be called Space Cadet. About 1,000 cases will travel into the space. Upon return, the wine will be sold through the auction, and it seems that numerous collectors already started signing up so they wouldn’t miss their chance. Who knows, SpaceX and Mouton Rothschild might be onto something – 200 years ago, hugely popular Madeira was an accidental result of the ocean voyage – Space Cadet might start another cult wine revolution.
It is political season in the United States, so obviously wine is not immune to the political interests. Not to be outdone by Donald Trump who is affiliated with eponymous winery in Virginia, supposedly the biggest one on the East Coast, Hillary Clinton just announced an agreement to acquire Brotherhood Winery in Washingtonville, New York, the oldest winery in the United States. Mrs. Clinton stated that winemaking team will stay in place at Brotherhood winery. One of the Brotherhood Winery flagship wines, 1839 Cabernet Sauvignon, will be produced as a limited release under the name “White House Dreams”, picturing Hilary Clinton with the White House in the background. The wine will be available in July at a retail price of about $100, and is expected to be an instant hit among Mrs. Clinton supporters.
And here is the last update I have for you for today. As you might know, Playboy Magazine already ventured into the world of wine, first with the wine column written by the talented wine educator Joe Roberts a.k.a. 1WineDude, and then with the wine club. Few weeks ago, Playboy announced the new wine club, called “For your eyes only”. Playboy managed to sign an agreement with an undisclosed cult wine producer in California, and will offer a line of luscious, sexy wines to the very limited number of lucky mailing list subscribers. Chardonnay and Cabernet Sauvignon will be available in the first release, and the wines will be limited to the one three-pack of each per subscriber. The wines will be called Double Pleasure, and each bottle label will feature one of the Playboy cover models (naked, of course), going all the way back to 1953 – and new labels will be produced for each release. Each bottle will be wrapped in gold-accented black parchment paper; the wine will be priced at $450 for the 3 pack, plus shipping. It seems that the mailing list had been already sold out, so waiting list is now the only option for those who wants to get a taste of Double Pleasure.
That’s all I have for you for today. Until the next time – cheers!
Terrenal: Delicious Kosher Wines, and Great Values Too
What I like about wine world is that many things are changing, and most of them changing for the better. Winemakers around the world are more in tune with the nature, their means and ways are greatly improved, and it shows in the wines. The best testament to that is when you are poured a random glass of wine, you take a sip, you say “ahh, this is good”, and only then you care to look at the label to find out what you are drinking.
Over the past 5-8 years, Kosher wines improved so dramatically that there is no need anymore to defend them and advocate that “they can be good too” – if you are still wondering what Kosher wines are, I can offer you a short crash course in this post. Kosher wines today are definitely in that category I described above – you take a sip, then look at the back label and say “wow, this is actually a kosher wine!” – been there, done that.
When it comes to Terrenal, I knew that these are the kosher wines, but only from the experience – here is the link to the blog post about selection of Terrenal wines which I found at Trader Joe last year, and they were excellent as the wines and simply outstanding as a value.
Few weeks ago I got a sample of two of the new wines from Terrenal. First wine is made out of one of my most favorite red grapes – Tempranillo. The second wine closely mimics composition of one of the Spanish flagship wines – El Nido from Gil family estates, with the same blend of Monastrell and Cabernet Sauvignon in similar proportions. For what it worth, below are the tasting notes:
2014 Terrenal Tempranillo Yecla DO Spain (13.5% ABV, $4.99, 100% Tempranillo, kosher non-mevushal, certified Vegan )
C: dark garnet
N: blackberries, eucalyptus, sage, plums
P: nicely restrained, mouthwatering acidity, fresh fruit, tart blackberries, short finish, easy to drink
V: 7+, nice and simple, will work well with wide range of dishes
2014 Terrenal Seleccionado Yecla DO Spain (15% ABV, $7.99, 70% Cabernet Sauvignon, 30% Monastrell, kosher non-mevushal, certified Vegan)
C: dark garnet, almost black
N: sweet plums, hint of cinnamon, nutmeg, mocha
P: polished, round, restrained fruit, silky mouthfeel, hint of chocolate, good structure.
V: 8-, excellent wine, easy to drink and “dangerous”. Will evolve in 4-5 years.
Here you go, my friends. Two very tasty wines with an unbeatable QPR and a number of bonus points – Kosher and Vegan. Terrenal Seleccionado will not match El Nido in the extraction level and concentration, but $7.99 versus $150+ puts it in a very interesting perspective. Yes, of course, conduct your own experiment – get a bottle of each and taste them blind side by side – I wounder what you would think.
The only challenge might be that the Terrenal wines are only available at Trader Joe’s stores, at least in the United States, so if you have one close by, you are in luck. If you will see them anywhere else, please comment so the others would know where to look for them. Happy [Kosher, Vegan] value wine hunting. Cheers!
How Not To Saber, Or May Be What Not To Saber
I know many of my readers are well familiar with Jeff, a.k.a The Drunken Cyclist, writer of the eponymous wine blog. Jeff loves Champagne, and Jeff also loves to saber those Champagne bottles – I learned from him that it is fun, and the bottle of Champagne can be sabered not only with a proper champagne sword, but with variety of household items, particularly with a wine glass.
A short while ago Jeff posted a video of his attempt to saber the bottle with a stapler. His attempt was not successful, and he ended up sabering the bottle in the “traditional” way – with the wine glass. After watching the video, I left him a smart ass comment that he used the wrong stapler, and I thought that if he would’ve used nice heavy device such as Swingline, he would have no issues prying that bottle open.
Emboldened by my earlier successes with sabering with the glass, I decided to demonstrate how pros do it, so the others would learn.
Duh…
Here is a clear proof of my failure – the only difference with Jeff’s video is that mine is shorter and not well edited (it is just no edited at all). Plus my dog was trying to voice her encouragement (nope, that didn’t work):
My embarrassment didn’t stop there. Feeling challenged by some annoying bottle, I decided to show it who is in control and brought in the nice Chef’s knife:
The end result of this exercise was damaged stapler (the bottom bent slightly, as it appears that what I considered a solid steel was just a thin steel shell on top of something soft) and damaged ego. I definitely think that my choice of sparkling wine was part of the problem, as this French sparkler from Saumur didn’t have much bubbles after all – and I think having exuberant Champagne ready to “pop” is important for the success of the sabering (however I was previously successful with non-Champagne sparklers).
Well, I might need to practice again with the glass, at least until my confidence will be restored. But what about that stapler? I know! Staple Gun is next…
New Versus Old – Is Wine World Upside Down?
This post is an entry for the 23rd Monthly Wine Writing Challenge (#MWWC23), with the theme of “New”. Previous themes in the order of appearance were: Transportation, Trouble, Possession, Oops, Feast, Mystery, Devotion, Luck, Fear, Value, Friend, Local, Serendipity, Tradition, Success, Finish, Epiphany, Crisis, Choice, Variety, Pairing, Second Chance.
New. We all crave, adore and worship new in our lives. New experience. New restaurant. New baby. New job. New car. New iPhone. New house. New puppy. Add “new” to practically any object, and it instantly becomes something exciting.
The “new” is not limited to the things and objects. New ways constantly appear, and we embrace them wholeheartedly. New technologies and new processes are born every day. Self-driving cars. 3D printers. We store our pictures in the cloud. It’s all new, new, new around us.
We love new so much that “old” becomes almost en expletive. We might attach “old” to the experiences, but not to the objects! Think about it. When you are looking for the used car, the dealer will refer to such a car exactly like that – used. She might even say “almost new” or “gently used”. But you will never hear from the dealer that they want to offer you this old car – unless you are in the market for antiques – but even then “old” descriptor will be avoided. Or let’s say you are looking for a house. Ever heard agent saying “let me show you this old house“? We learn to be afraid of the world “old”, as we don’t want to get old ourselves.
Talking about wine world, the word “new” is exciting as in any other aspect of our lives. In essence, the whole wine world is built on the concept of new – ever year there is a new harvest, and a new wine will be produced from the grapes of that new harvest. New labels are made for the wines. New wineries are founded. New tasting rooms are built. New vineyards are planted. New processes are invented to press the grapes, to ferment them, to preserve wines, to bottle. New packaging (wine in a can, anyone? wine on tap?). New is a most prominent concept in the wine world.
But the concept of “old” is ohh so different when it comes to wines. “Old” in the wine world commands such a respect that we might not find in any other areas of human life. Let’s start in the vineyard. So you planted a new vineyard? Great. Now you need to wait until it will become old, as for the most of vineyards you need to wait at least 3-4 years before they will produce fruit suitable for winemaking. And that vineyard has to become old in the natural way, just by letting the time pass – there is no magic bullet.
To top it off, the older vineyard gets, the better it is. Ever seen the words “old vines” on the bottle? May be viñas viejas? Or how about vieilles vignes? These words mean exactly what they say – that this wine was made from the grapes harvested from the vineyards which had been around for a long time – 20 years, 30 years, 60 years, 100 years. The term “old vines” is typically not regulated, so there is no way of knowing exactly how old the vines are – but often the back label will give you that information. Very often that “age” is also reflected in the price – the older the car, the less it costs – but it is exactly opposite in the wines – the older the vines are, more expensive wine becomes (older vines yield less grapes with higher flavor concentration = tastier wine).
“Old” doesn’t stop in the vineyard. Lots and lots of wines are aged before they are released – both by law and by the desire of the winery. By law, non-vintage Champagne have to age for a minimum of 15 month, and vintage Champagne for at least 3 years – in reality, most of NV is aged for 2-3 years, and vintage is typically 4-10. By law, Rioja Gran Reserva requires at least 5 years of aging before the release. By law, Brunello Rieserva can be sold not earlier than 6 years after the harvest. Many of the wineries in California offer so called “library releases”, when the wines are aged for you in the winery’s cellar in the ideal conditions. Some wineries in Bordeaux sell their wines only 10 years after the harvest, including First Growth Chateau Latour, which recently declared that “vintages will be released when the chateau believes they are ready to drink”. Let’s go down all the way – how about some 100 year old Para Vintage Tawny from Seppeltsfield in Australia, which is released … yes, 100 years after the vintage date.
It is not that “old” is unquestionable winner in the world of wines. More often than not, “new” and “old” are clashing – sometimes in amicable ways, sometimes – not so much. One of the simplest “conflicts” – new oak versus used oak. This, of course, is what making winemakinng an art, as there is no hard and fast rule to when to age wine in old oak barrels versus new oak – each has its own benefits. Another form of the simple “conflict” is an internal fight which oenophile endures trying to decide when the wine from her cellar is ready to drink – there is also lots of good bad advice coming from all the wine professionals and the media – and we still are trying to figure that magical moment when the wine is perfectly “old“, or rather “aged” as we like to say, to maximize our pleasure. And then you got all those violent clashes between old and new – think about “traditional Barolo” versus “new style Barolo”. Think about fight for the Super Tuscans, attempts to introduce the new grapes in Brunello, or just any winemaker trying to do something new against the rules of the appellation.
Now, what do you think? Is wine world upside down for the new and old? Is there anything else which humans do where old commands equal or greater respect than new? Cheers!
OTBN 2016: Two Spanish Jewels, And What The Others Opened
I don’t like making decisions. Here, I said it. Not around the wines for sure. But I have a justification for this indecisiveness – and I’m sure many oenophiles will attest to the same. You see, I like to drink aged wines. Despite popular notion from many wine professionals that people don’t understand what is good for them and should drink their wines young (here is the latest piece from Steve Heimoff on the subject), I still like my wines with a little age on them. Heck no, I actually like them well aged. But most wines in my cellar are in the single quantities (yes, that means One bottle) – therefore, if I open it, I will not be able to find out if it will improve with age. As you can imagine, this can lead to many, many “indecisive moments”.
So for the people like myself, Open That Bottle Night was invented. I will not go again into the history of the OTBN – I already wrote about it extensively here. But the event itself really makes you to take decisions and “just do it”.
Yes, the decision making is frustrating. But once decision is made, frustration is out and anticipation and excitement are in. It would be so interesting to understand how the mind (subconscious?) arrives at a decision where there are lots of possibilities, all promising similarly happy outcome (in the end of the day, no matter what bottle you will open, as long as it is not spoiled, you will still be happy – with a 99% chance). Someone really have to study how the oenophile’s mind works. So in this mysterious way, all of a sudden the decision came to open two of the Spanish wines I had for a little while. To be absolutely honest – first I decided on those two wines, then I started figuring out what was making them special – and these wines are special.
How special? Both wines were made by pioneers, and they represent true passion and vision which makes winemaking so unique. The first wine was called Martinsancho, made out of the grape called Verdejo in Rueda, Spain. Martinsancho is the name of the vineyard in Rueda, where Verdejo had been planted since 17th century. But you see, in the mid 1970s, the whole size of the vineyard was only 1 acre, and it was pretty much the last of Verdejo left in Spain, due to natural (phylloxera) and man made (political, economic) causes. Angel Rodriguez had a passion, vision and tenacity to preserve that vineyard, replant the original cuttings on the 25 acres, and literally single-handedly restart Verdejo production in Rueda. Angel Rodriguez’s hard work was even honored by the King of Spain Juan Carlos.
How was the wine? One word – delicious. One of the very best Spanish white wines I ever had. Here are the notes:
2009 Ángel Rodrígues Martinsancho Verdejo Rueda DO (13% ABV, $17, 100% Verdejo)
C: light golden, very pretty
N: restrained, touch of grass, minerality, almonds
P: great deal of finesse, it is smooth, silky, good acidity, medium to full body, elegant
V: 8+, great world class wine
Our second started with this view once the top foil was removed:
From my experience, this doesn’t mean the wine is spoiled (at least so far it never happened), but it still makes you uneasy – there are no substitutes in this game. This was the only hiccup though, the wine itself was unaffected.
Similar to the first wine, this one was also a product of a passion, a dream. Clara Concejo Mir inherited the vineyard from her grandfather Mario. Located at the high altitude of 7,750 feet, this is first vineyard in teh Ribera del Duero region; the vineyard is also adjacent to the vineyards of legendary Vega Sicilia. While Tempranillo is a king in Ribera del Duero (often called Tinto Fino), Clara also had a vision to add Cabernet Sauvignon to her wine which she called Mario (yes, in honor of her grandfather). She also had perseverance to lobby the regulatory body of Ribera del Duero to allow officially put Cabernet Sauvignon on the label of the Ribera del Duero wine. The rest of this can be subsided to a moan which you will produce upon taking a sip of this wine.
2008 Vegaclara Mario Ribera Del Duero DO (13.5% ABV, $25, 77% Tempranillo, 23% Cabernet Sauvignon, 13 month in oak – 33% French, 33% American, 33% Hungarian)
C: dark garnet
N: fresh berries, touch of barnyard, eucalyptus, black currant
P: yum! (is that a good descriptor?) silky smooth, polished, great depth and concentration, black currant, dusty mouthfeel, flawless, perfect balance
V: 9, a wine of an outstanding finesse
Now that I told you about wonderful wines and passion we experienced, I want to give you a glimpse into what the others were drinking. First of all, I was very happy to see an increased number of posts about OTBN all over the social media – or as at least it seemed as an increased number of posts to me. And then over the course of the week I inundated lots of people on Twitter, keep asking them what are they going to drink (and making sure they will remember about OTBN) – I hope it didn’t cost me any followers, but oh well, it is a good cause. So below is a small collection of tweets plus some blogs posts about the OTBN wines, in no particular order:
https://twitter.com/FWHedonist/status/703811785808179200
Wine Raconteur wrote about the wines he will not be opening for OTBN:
https://thewineraconteur.wordpress.com/2016/02/27/open-that-bottle-night-2/
Margot Davies: (by the way, I would really love to try that wine)
https://twitter.com/gatherandgraze/status/702622651668262912
These are the snippets of conversations I had about #OTBN – I’m sure I missed some too. So what did you end up opening for OTBN and did you like your choice after the cork was pulled out? I would love to know – you know where the comments section is.
Before we part, I want to remind you that actually you have the power to make any night an Open That Bottle Night – no need to wait a year to open That Bottle. Just do it! Cheers!

















