Here is What You Probably Missed – Last Bottle Wines 5th Anniversary Marathon Madness
The Last Bottle, purveyor of the fine wines at a great value prices, is turning 5 (5 years old it is), and to celebrate this occasion, Last Bottle does it in their best possible style – by giving away offering crazy amount of crazy wines at crazy prices in the format of their inimitable Marathon Madness.
For those of you who still might not know what Last Bottle Wine is: Last Bottle Wine is an online wine store specializing in so called “Flash” wine sales – they offer wines at a very substantial discounts (sometimes reaching 80%), also with free shipping if required minimum number of bottles is purchased, which is typically 3 to 6 bottles. Last Bottle Wines selection is outstanding, offering wines from well known producers, which are often also hard to find. You need to have an account to buy from Last Bottle Wines, so in case you don’t have one yet, I will be glad to be your “reference” and you can use this link to sign up. If you sign up using this link, you will get $5 credit on your first order. Yes, I will get $20 bonus for signing you up – but remember that it will be you who will get $20 next time around when you will sign up your friends – and believe me, your friends will be thanking you profusely. To see why your friends will be thanking you, read on.
The Marathon Madness was announced only on Wednesday, hence the title of this post. However, it is not all lost yet – Friday 04/29 will be the second day of the marathon, and if anything will be left to sell, it will continue over the weekend (however, I doubt that). The great thing about Marathon is that the minimum quantity requirement doesn’t apply – you can buy wines by single bottles and still get the same great discount.
What I did today is to try to capture information about some of the offered wines. During marathon, the wines are sold at an incredible speed, sometimes within literally half a second (think of it as a clicking competition), so it is very difficult to collect meaningful information about the wines been sold. I spent a bit of time refreshing the browser window and capturing the pictures, so below is what I was able to collect. Note the pedigree, the prices, and most importantly (for me), the vintages – lots of offered wines are of the older vintages – 1994, 1998, 2000, etc., which means that they are perfectly ready to drink – this is priceless in my opinion.
Without further ado, here is what you probably missed (a very small subset of it):
Fire, Water, Air, Earth
Fire, Water, Air, Earth. Four basic elements, which uphold humankind. Literally and figuratively.
“When we learned to cook, we became fully human”.
When it comes to social media, which at this point we learned we can’t live without, the typical experience may be best expressed with one word – bombardment. During the day (more often than not, even during the night, so we might as well speak about 24 hours) we are bombarded with [probably] thousands of snippets, bit and pieces of “important” (can you imagine: mere 12 years ago, there was no social media as we know it – horror!) information – read this, watch that, listen to this. It is amazing that our brain can extract any interesting information while been under such a constant attack.
Talking about interesting – few weeks ago, I came across (don’t ask me where and how, the brain will not give up its secrets) a little article (I think) which also pointed to the video. The video happened to be a trailer for Cooked, the original Netflix documentary:
Two minutes of the trailer was enough for me to say I. Must. Watch it. Note that in general, I’m not a big fan of documentaries. But this trailer promised the movie done so well that I literally wanted to drop everything I was doing and start watching it.
I managed to contain myself until the evening. I also avoided binge watching (despite strong desire), and extended the pleasure over a few evenings.
Cooked is a documentary consisting of 4 episodes, called Fire, Water, Air and Earth, where award-winning author, Michael Pollan, looks at the history of cooking, what it means to humankind, and where it is today. Each episode is dedicated to one of the basic cooking elements – what we cook with fire, which was historically the very first cooking method; how water changes the way we cook; where do you see air come to play (spoiler alert: this episode is mostly about the bread), and then the earth, which is all about fermentation – did you know that about 30% of the food we eat every day is fermented? By the way, a mini quiz for you – do you know how chocolate is related to fermentation?
This series is all about honest, get back to your roots cooking. It is also about respect. Respect to the people, respect to the food we eat and its basic ingredients, whether it is meat, grains, cheese or anything else (gluten included – watch Nathan Myhrvold talk about science of gluten). Photography is incredible, with stunning images, and the whole series is just something you want to watch. And then watch again, as it really appeals to your very basic senses.
I don’t want to tell you anything else about the movie, except to [strongly] suggest that you should to go and watch it. Find a comfy spot, pour yourself a glass of wine, and indulge in something which is masterfully done, beautiful and thought provoking. And then may be dig up some of your mom’s recipes – and get cooking.
What Is A Good Wine?
Let’s say you are given a glass of wine. Can you tell if this is a good wine or not? Before you will jump on the obvious, let me clarify this question a bit – the wine is in the perfect condition – it is not corked, it is not cooked, it is not oxidized – there are no common faults of any kind, this is just a well made bottle of wine. So, is it good or not?
Is this question even makes sense? Can such a question be answered? Let’s talk about something more common first – food. Imagine you are in a restaurant for dinner, with friends and family. The dishes start arriving, and here is a side of french fries. There is a very good chance that if the fries are executed properly – good color, nice consistent cut, crispy and not soggy, with the right amount of salt, tasting fresh – everybody at the table would universally agree that “the fries are good”, and you can only hope that there were enough fries ordered for everybody to share. What also important here is that nobody would be shy to slam these very french fries if something is not up to snuff – too much salt, fried in the old oil etc – everybody is confident in their ability to judge french fries to be universally good and tasty, or not.
Stepping up from the side dish, let’s take a look at the main dishes ordered around the table. Someone got steak, someone got lobster, someone is enjoying vegetarian lasagna. Now, it would be much harder to build taste consensus around the table for all these dishes. One person likes steak rare, and the other one only eats it well done – it will be very hard for these two to agree what is good and what is not. Someone might be allergic to a shellfish – there is no way they can even touch the sauce from that lobster dish to attest to your “this is sooo good” claim. So yes, it is hard to build a consensus here, but people are confident in their own right about the dishes they ordered to be able to judge good or not. If steak doesn’t have the right level of doneness, it will be sent back. If lobster is not seasoned right – well, not sure about “sent back”, but I’m sure the problem with the dish will be stated and discussed at the table. And of course if one states that their dish is delicious, then the whole table must try at least a tiny bit to experience “the goodness” (at least this is how it works in our family).
Now, arriving at a wine, the situation is different, and often dramatically. Unlike french fries, the wine still has an aura of mystery, of a special knowledge required to be able to understand and appreciate it, and to claim if it is good or not. The same people who are very confident to send underdone or overly salty (to their personal taste!) steak back to the kitchen, will be very shy and even afraid to say anything if the wine is obviously corked – they will take it as their own inability to properly understand the wine, and therefore will not say anything. Of course the situation is not as consistently dramatic as I present it here – wine today is very popular, and increasing number of people feeling confident enough around it to state what they like and not; however, step out of the oenophile circle, and go dine with people who drink wine occasionally, and I guarantee you will hear “ahh, I don’t know anything about wine” as an answer to the question if they like the wine or not.
In reality, making a personal “good/not good” decision about the wine is as easy as in the case of french fries. I took the “Windows on the World” wine school back in the day, which was taught by Kevin Zraly – Kevin is single-handedly responsible for teaching tens of thousands of people to understand and appreciate the wine. Of course, the question “is this a good wine or not” was one of the most important questions people wanted to get an answer for in such a course. Kevin’s explanation was very simple: “Take a sip of this wine. If this wine gives you pleasure, it is a good wine”. You can look at it as overly simplistic, as there are many factors affecting the perceived taste of wine – where we are, who we are with, the label, the story behind the label, the temperature, the mood, yada, yada, yada. Of course this all matters. But still, for majority of the cases, we are looking for pleasure out of drinking the glass of wine – the way it smells, the way it tastes, with all the little discoveries we make as we let the wine open up and change in the glass (“ahh, I taste blueberries and chocolate now”) – all those little pleasant moments we experience with every sip, it gives us a pleasure of enjoying a glass of wine; if we are getting the pleasure, this is a good wine. Yep, I said it was simple.
Very often pleasure is simplistically associated with erotic and sex, or at least that would be the very first thing which will come to the mind of many once they hear the word “pleasure” – oh no, I see your condemning look, of course I’m not talking about you, you are wired differently. Meanwhile, we derive pleasure from everything which surrounds us, and from everything we do – and if we don’t, we work hard to fix it. Every waking moment of our day is a perfect illustration to this. If we start our day from a walk or maybe a meditation – it is a pleasure of being one on one with yourself, deep in your own thoughts. Think about the pleasure of hugging that morning cup of coffee or tea and smelling the aroma. We look at the watch on our hand – it doesn’t have to be the Rolex or Philippe Patek to be admired and to create a feeling of pleasure. We put on a shirt or a blouse, look in the mirror – and we are pleased with the way we look (okay, fine, we might not be – but again, then we get to work hard to fix it). After the day at work, we come home to be welcomed by a wagging tail and a scream “mommy is home” followed by a huge smile and a hug – tell me that this is not what defines pleasure. No, not everything we do gives us pleasure – but those little bits and pieces of pleasure are what we seek, every time, every day.
Wine is simply a complementing part of our lives. Today we are in the mood for the white shirt, tomorrow – for the blue with yellow stripes; similarly, today you might want the glass of Pinot Noir, tomorrow it can be Tempranillo. We are constantly changing, and so do the things which we will get the pleasure from. People go from carnivores to vegetarians to vegans and back to carnivores – as long as we find pleasure in the way we are at the moment, that is all that matters. No matter what is in your glass, if it gives you pleasure, it is a good wine. It really doesn’t matter what the experts said about the wine you are drinking. It really doesn’t matter what your friends say. If this is White Zinfandel in your glass, and it gives you pleasure, it is a good wine. If this is massive, brooding Barolo, and it gives you pleasure, it is a good wine. If this is big, oaky, buttery California Chardonnay, and it gives you pleasure, this is a good wine – don’t let anyone who says that Chardonnay should be unoaked and acidic to persuade you otherwise. It is okay to have your own, individual taste – we do it with everything else, and wine shouldn’t be any different.
If the wine gives you pleasure, it is a good wine.
This post is an entry for the 24th Monthly Wine Writing Challenge (#MWWC24), with the theme of “Pleasure”. Previous themes in the order of appearance were: Transportation, Trouble, Possession, Oops, Feast, Mystery, Devotion, Luck, Fear, Value, Friend, Local, Serendipity, Tradition, Success, Finish, Epiphany, Crisis, Choice, Variety, Pairing, Second Chance, New.
Celebrate Malbec!
This very blog exists for more than 6 years, so in my mind, I’m sure I’ve written about pretty much everything, especially when it comes to such a heart-warming subject as grape holidays.
Only it turns out I have not.
Sunday, April 17th is 6th (!) annual celebration of World Malbec Day. So how many times over those 6 special occasions I’ve written a post for the Malbec Day? Aha, you got that. Zero.
Well, this is incorrect. None for the previous five, but we are talking about Malbec today, so the problem is finally fixed.
Thinking about grapes with long and turbulent history, Malbec might be the most prolific example of such. Taking its roots in Middle Ages, being a choice wine of the kings, shining in Bordeaux and all over the France and then literally disappearing from the face of the earth, but luckily, finding its second, and very prosperous life in Argentina – not too many grapes can brag about such an adventurous life. By the way, if you are curious about the events I mentioned here, you can test your knowledge of Malbec with this quiz, or you can just jump straight to the answers.
Starting from the second half of 19th century, Malbec found its new home in Argentina. Consistently dry climate of Mendoza happened to be just what Malbec needed to strive. As there are two sides to everything, the ideal growing conditions lead to overproduction and subsequently dull wines. It was not until the 1980s that Malbec commanded proper attention for the quality instead of quantity, and slowly became one of the darlings of the wine world – depending on who you would talk to, Malbec is considered the hottest wine at the moment. Starting from the bottom of Andes in Mendoza, plantings of Malbec are now extending to the higher and higher elevations, offering new range of expression of already delicious wines.
Argentinian Malbec wines are easy to like for many palates – while appearing big and powerful in the glass with its inky, almost black color, Malbec wines are usually round, soft and mellow, avoiding spikes of tannins and acidity which often upset wine drinkers looking for relaxing glass of wine. Interestingly enough, Malbec from other regions, such as Cahors in south of France, shows totally differently and often offers very forceful personality, so if you are looking for that soft and mellow Malbec, you might want to ask for the Argentinian Malbec by name.
Today I want to bring to your attention two Malbec wines I had pleasure of tasting recently. It is not the first time I’m talking about Rutini wines from Argentina in this blog – here you can find my interview with Mariano Di Paola, winemaker at Rutini wines, as well as tasting notes for few other Rutini wines. Here are the notes for the two Malbec wines:
2014 Rutini Trumpeter Malbec Mendoza Argentina (14% ABV, SRP $11.99)
C: dark garnet
N: freshly crushed fruit, sage, savory notes
P: clean, earthy, tart cherries with hint of licorice, touch of sweet tobacco
V: 7+/8-, nice, refreshing, round, great QPR
2011 Rutini Encuentro Malbec Mendoza Argentina (13.5% ABV, SRP $18.99)
C: dark garnet, inky
N: roasted notes, tar, cherries, warm, inviting, touch of barnyard
P: soft, round, sweet berries, concentrated, good acidity, perfect balance. Became dark and concentrated on the day 2/3.
V: 8, very enjoyable, easy to drink; will evolve with time – you should forget few bottles in the cellar…
Here you are, my friends. Celebrate Malbec, this grape definitely worth your attention. Cheers!
Wine and Beer Lovers, Unite, or Marrying Hops and Grapes
Sacrilege? Possible. Should I be ostracized by beer and wine aficionados alike, and this very blog been banned forever from their reading lists? I will leave it to aficionados to decide. I’m merely doing what I’ve always done in this blog – sharing my experiences, those which I deem worth sharing. That’s all there is to it.
When I got email from Andrew Jones, the winemaker behind one of my favorite labels, Field Recordings, advertising something called “Can Club”, the decision was quick – “yada, yada, yada – I have to do it” (the “yada” part is here to explain how much attention I was paying to the exact email content). Then I glanced over the following: “ Pure, free-run rose from a pair of our westside Paso Robles vineyard partners, mostly Grenache. 100% whole cone citra hops [sic] were added prior to canning. The results, a super refreshing elixir, combining your love of Provence with a touch of Belgian brew. I have a tough time explaining it because it isn’t like anything I have tried before. It’s impossible for me to properly analyze. I just want to drink it.“, and the next thought was “whatever. I have no idea what he is talking about, and I don’t care”. So yes, I signed up.
Few days ago, the door bell rung, and FedEx guy asked me to sign for something which rather resembled the set of engineering drawings – “hmmm, what is it” was my first thought. And then it downed on me (“this box contains alcohol” sign was a good cue) – aha, the can club?! I liked the unorthodox presentation so much that I even shared the puzzle on twitter, asking people to guess how the object in the picture can relate to the wine:
The most prevalent idea was “poster”, so I had to share an answer a few hours after:
And then I opened the can. The liquid in the glass had an appeal of a perfect Rosé. Classic salmon pink color. On the nose, it was perfectly Provençal Rosé – touch of strawberries, hint of onion peel, refreshing minerality, touch of lemon. And the palate was, once again, perfectly Provençal – strawberries, touch of lemon, fresh, crispy. With the tiny beer bite on the finish. You know, the one which you get from the fruity, light Belgium beer. You don’t have to believe me, but I only read Andrew’s exact words when I sat down to write this post. “love of Provence with a touch of Belgian brew” – wow. It would be rare, very rare case that my take on the wine would match its description with such a precision . And then I have to fully agree with Andrew on one other thing – “ I just want to drink it“.
What can I tell you about this 2015 Field Recordings Citra Rosé Paso Robles (13.1% ABV, $14 retail/$10 club – 500ml can, 67% Grenache, 22% Picpoul Blanc, 8% Mourvédre, 3% Syrah)? It was delicious, perfectly combining the best of both beer and wine worlds – crisp, fresh, bright, thoughts provoking. Dangerous as well – as the wine comes in the can, you pretty much treat it as a single serving – while it actually contains more than 3 standard glasses of wine. But I think the taste is well worth that danger. And until you will get your hands on one of those cans, my words are all you got, so yes, take my word for it.
I want to raise my glass to never ending creativity and courage. Beer and wine lovers, rejoice! Cheers!
One on One with Winemaker: Marcello Lunelli of Ferrari Trento
I’m sure Ferrari wines don’t need long introduction to any oenophile. Giulio Ferrari started eponymous winery in 1902 in the mountainous region in Northern Italy called Trento. He was the first person in Italy to plant substantial quantities Chardonnay, which he personally brought from France, and then started production of the “Classic Method” sparkling wines, inspired by the French Champagne. In 1952, Giulio Ferrari had chosen Bruno Lunelli to become his successor at the winery, and this was the beginning of the second chapter of Ferrari’s history. The rest is, yes, history, and you can read it for yourself here.
Over the years, Ferrari received numerous accolades, including most recent ones, “Sparkling Wine Producer of the Year 2015” from Tom Stevenson in the UK and “European Winery of the Year” from Wine Enthusiast magazine in the US. I had an opportunity to [virtually] sit down with Marcello Lunelli, Ferrari’s winemaker, and ask him a few questions – you can read our conversation below:
Q1: Ferrari is considered a symbol of the Italian Art of Living. What this “Italian Art of living” concept includes, how would you define it?
A: My family is incredibly proud that Ferrari as a brand is considered a symbol of the Italian Art of Living internationally. Whether it is being served at the Quirinale, home of the President of the Italian Republic, or used to toast celebrated events in the world of fashion, sport, cinema, culture, or design, Ferrari represents that hugely evocative emotional blend of tradition, sense of place, inherent quality, and the poetic virtues of our most cherished way of life.
The Italian Art of Living embodies the passion for beauty, taste and elegance; the ability to embrace innovation while respecting traditions; and a zest for life that is the very soul of the Italian spirit.
I firmly believe that the success of Italian wine is due to a unique love affair that exists in many countries for our way of life, our food, our rich and unique history, and the traditions of our culture. Beauty and pleasure are mutual to one another and Ferrari wines has joined together with fashion and design brands as ambassadors of the Italian lifestyle.
Q2: How is riddling done at Ferrari – still by hand or with use of the machines?
A: In the Ferrari winery we still do 1/3 of the riddling by hand, in particular, all the vintage wines and reserves. The rest is done with use of the machines.
Q3: Typical “house cuvée” at the Champagne house is a blend which might include about a 100 so called Vin Clairs, still wines coming from different vineyards and vintages. Does Ferrari have similar approach in the production of the non-vintage sparkling wines?
A: We do have a similar approach in the production of non-vintage sparkling wines. The biggest work in the vineyards and in the cellar is to keep separate each single homogeneous zone production in order to create the best cuvée.
Non-vintage sparkling wine cuvée includes grapes coming from vineyards within the Trentodoc denomination, which means only in Trentino region and it is created with 70/80 different base wines. Moreover vintage sparkling wine is made with grapes coming only from our own vineyards and it is a result of 40/60 diverse base wines of the same year.
Q4: Ferrari is promoting sustainable viticulture. Do you have any plans to become all organic, or at least to produce an organic wine?
A: One of the core philosophies of the Lunelli Group and Ferrari Winery is the advancement of sustainable practices throughout all our vineyards. We believe that by practicing sustainable farming techniques we not only improve the quality of our wines but protect and preserve our majestic environment and improve significantly the health and safety of our farmers. Indeed we strive to make sustainability a cultural heritage for all of our grape growers.
All of the vineyards owned by my family including those of the Ferrari winery and Tenute Lunelli are cultivated according to organic agricultural principles and in the near future they will all be organic. At the moment we are already producing an organic certified red still wine, Aliotto from our estate in Tuscany.
Q5: Considering that you share common name with the world famous car manufacturer, did you ever try to create a business relationship with Ferrari the car maker?
A: We are glad to share common name with an iconic brand such as Ferrari Maranello and to have a very good relationship with them. We are also proud to have in our photo gallery of famous moments, striking pictures of Grand prix ceremonies celebrated with Ferrari wines.
We both work throughout the world in promoting the very best of Made In Italy.
Q6: What was your most difficult vintage at Ferrari and why?
A: One of the most difficult vintages was 2014 due to a very long and intense rainfall during the growth cycle of the vine which presented a great challenge in vineyard management to ensure healthy grapes for the harvest. It is in a very complex year like 2014 that man, his work and his vision make the difference.
Q7: What is the oldest Ferrari wine you have in the cellar? What was the oldest Ferrari wine you tasted?
A: The oldest Ferrari wines already disgorged are from the sixties, when Giulio Ferrari and Bruno Lunelli were still working in the winery. The oldest Ferrari, still on the lees, is 1972 vintage, which is also the first vintage of Giulio Ferrari Riserva del Fondatore.
I was lucky enough to taste the first vintage of Giulio Ferrari Riserva del Fondatore. It was amazing, well balanced mature notes with an unexpected youth, fruit of our Trentino territory, Trentodoc mountain agriculture which allows for both longevity and youthfulness.
Q8: Do you have a favorite vintage of Ferrari wines?
A: My favorite vintage is Giulio Ferrari Riserva del Fondatore 1995 for two reasons: first of all because it is considered the vintage of the century where power, elegance, longevity and freshness are combined in one single wine and all these factors are in a perfect and unshakeable balance. Secondly this vintage has a personal affection because I had the good fortune to start to work at Ferrari in 1995.
Q9: Do you only use two varieties in the winemaking – Chardonnay and Pinot Noir – or do you use any others, such as Pinot Meunier, for instance?
A: We use Chardonnay and Pinot Noir grapes separately for white wine making in order to create all our 100% Chardonnay Ferrari wines and the Ferrari Perlé Nero, our 100% Pinot Noir, blanc de noirs. For our Rosé we use both the grape varieties: Pinot Noir, using the Rose making-process, which gives body and structure to wines and Chardonnay which provides elegance and freshness.
Q10: Do you produce or do you have any plans to produce still wines?
A: Ferrari Winery creates a remarkable collection of Trentodoc sparkling wines, yet the Lunelli Group also includes a series of elegant and long-lived still wines, under the brand, Tenute Lunelli. This brand embraces wines from three regions, each superbly suited to the production of winemaking grapes: Trentino with its mountain viticulture; Tuscany with the rolling Pisan hills and Umbria which reveals herself in the small, fascinating DOCG of Montefalco. All our still wines are representative of our standards of high quality with the ability to demonstrate the variety of our diverse lands; this is the incredible richness of the Italian wine industry. Respect for the land and sustainability are today common core values in all our brands. Besides the Estates and Ferrari, the Lunelli Group is made up of a distillery, Segnana, a mineral water, Surgiva.
Q11: Do you have any favorite Champagne wines, or any sparkling wines for that matter?
A: Champagne Bollinger and Cuvée Sir Winston Churchill Pol Roger which embody the characteristics I love in sparkling wines; elegance, refinement and longevity.
Q12: When you are not drinking Ferrari wines, what are your favorite wines, from Italy or anywhere in the world?
A: When I do not drink Ferrari I drink my favorite red still wines from Sangiovese grapes and Nebbiolo grapes: Brunello di Montalcino and Barolo. When I choose Barolo I always have discussion with my father because he prefers Barbaresco, with less power but more elegance.
And we are done here, my friends. I think this was quite fascinating and interesting conversation, adding an interesting detail to what you might already know about Ferrari wines – for sure this was very informative for me. I have to admit that I would looooove to try that 1972 Giulio Ferrari Riserva del Fondatore – well, the man can dream, right?
I didn’t have any new wines to taste to leave you with some tasting notes, but if this conversation made you thirsty, here are the links to my older posts about Ferrari Brut Classico and Ferrari Perlé. Cheers!















