Archive
Frustration of the Oenophile – Choosing Wine
First-world problems, I know. Nevertheless, let’s talk about them.
I guess we, oenophiles, are tender creatures. Doesn’t take much to get us frustrated. Wine not tasting the way we expect; not enjoying critic’s choice 100-points wine; close friends not sharing your excitement about the wine in the glass. We can go on and on about these little insignificant things, each one a source of the full-blown frustration. Oenophile’s frustration looks different every day. And mine right now might be the biggest one of all (remember – taste is subjective, so are the feelings) – inability to choose the wine.
Assuming I will be able to finish this post today, tomorrow we are celebrating Valentine’s Day – and what says “I love you” better than a luscious, voluptuous, sexy, and seductive bottle of wine? Forget flowers, flowers don’t stand a chance against such a bottle of wine. But what wine will be luscious, voluptuous, sexy, and seductive? The need to choose that wine properly becomes the cause of the ultimate frustration. But that’s not all, because merely in a week we have to deal with OTBN – Open That Bottle Night – and this is the ultimate “oenophile frustration” cause, as now we need to decide what bottle we kept not opening waiting for a special moment which might either never arrive or already be in the past?
Decisions, decisions, decisions. Trying to select the right bottle of wine for the occasion, you have only a few minutes to agree with yourself on the proper bottle. If you will not arrive at the decision within those few minutes, the next 2, 3, 4 days will be miserable. You are going to pull a bottle, look at it, think about it for a moment, sigh, and put it back. Then repeat the process over and over again, pretty much until you force yourself to feel that you got the right bottle. Possibly to change your mind again in a few hours, or even 20 minutes before the bottle needs to be opened. If you are an oenophile, and you are not going through this pitiful “decision paralysis”, I envy you and congratulate you. And for the rest of us – I share your pain.
So what wine should you select for Valentine’s Day? I already told you – it should be luscious, voluptuous, sexy, and seductive – or not. Of course, there is a big dependency on the food, but don’t try to achieve a perfect match – it’s okay to enjoy your food and wine independently. I have to say that I’m not a big fan of still Rosé wines for Valentine’s Day – yes, it matches the pink color of all the all V-day paraphernalia – but it might not deliver the pleasure you are looking for. I also would suggest avoiding “thought-provoking” wines – rare grapes, natural wines, skin-contact wines, wines from the forgotten corners of the Earth. On a normal day, I’m the first one to ask for an obscure wine, but for Valentine’s Day, wine should give you pleasure, elevate your mood, it should be easy to understand. If upon the first sip you will not say “ahh, this is good”, you’ve chosen the wrong wine – put the cork back and go fetch another bottle.
I love to have bubbles for Valentine’s Day – of course, nothing can beat the classic Champagne (and it perfectly can be pink), but you can’t go wrong with Cremants, Franciacorta, Trento DOC, Cava, and all other méthode champenoise wines. If you like white wines, Chardonnay is your best choice of white V-day wine, pretty much from anywhere in the world, as long as it is not a lifeless purposefully unoaked rendition.
And then, of course, the red. Ideally, the red should have an age on it, to truly deliver all that pleasure upon a first sip. Amarone, Brunello (I would avoid Barolo unless you perfectly know what you are doing), Cabernet Sauvignon and Bordeaux/Cabernet blends, Super-Tuscans, Spanish Grenache, Rioja from a good producer, Syrah and Zinfandel. I’m not trying to make other wines feel bad, but for Valentine’s Day, this is what I would pick from.
Here is actually what I picked – Champagne and Syrah from California – and I will tell you all about it later on.
If you thought selecting wine for Valentine’s Day was frustrating, it is nothing in comparison with selecting the wine for OTBN.
OTBN (Open That Bottle Night) was invented in 1999 by Dorothy J. Gaiter and John Brecher, writers behind the Wall Street Journal’s wine column at that time. The purpose of the OTBN, which is always celebrated on the last Saturday in February, is to encourage wine lovers around the world to open that special, stashed far away bottle. We all have those bottles that can be categorized as “not today”. These wines typically exist in single quantities in our cellars and always have a memory attached to them.
This is what makes the selection process very difficult – to open or not to open? I have only one such bottle. What if I open it too early – I will never know how amazing it could become over the next 10 years? Once I open that bottle which was gifted by a dear friend, brought back from the amazing trip, acquired in the moment splurge, will my memories be lost forever? Should I just hold on to that bottle instead? Will I open this wine in the right company? Will people truly appreciate the sacrifice I’m making?
Frustrated, frustrated oenophile. It is hard to make wine decisions.
I hope you got my point. And I hope I helped you, at least a tiny bit, to select a proper bottle of wine, at least for Valentine’s Day. And please don’t ignore the OTBN – the right time to open a special bottle of wine is now – you never know, tomorrow the wine might be gone, or you might be gone. Truly, live in the wine moment – at least on the last Saturday in February.
Do you have frustrated oenophile moments of your own? Please share! And I wish you a happy, quick, and not-frustrating-at-all wine selection process, for all the special moments to come. Cheers!
Grape For The Future, Wine For Today
Source: Wikipedia
Have you heard of the grape called Marselan?
If you have – great, pat yourself on the back as you are ahead of many wine lovers.
If you have not – even better, as we are going to fix it right now.
Some grapes have been around seemingly forever (the winemaking is getting older and older with every new discovery – I just learned today that based on the latest research, the wines were made around 11,000 years ago – quite an age), and it is impossible to tell when particular grapes were born. For others, the history is much more definite, as those grapes have been bred with a purpose, and thus their “birthday” is well known.
Marselan is one such grape. It was bred by Professor Paul Truel in 1961. Marselan is a cross of Cabernet Sauvignon and Grenache, and it was bred to be heat-resistant and disease-resistant. While having those desired qualities, Marselan had small-sized berries, which was not a great trait in the 1960s – the desired grape was supposed to have a high yield, thus Marselan ended up on a shelf. As the climate was changing and the temperatures were rising, the need for heat-resistant and disease-resistant grapes became more apparent, and Marselan was brought back to life, entering an official INRA grape registry in France in 1990.
Marselan was bred by Professor Truel in Languedoc near the French coastal town of Marseillan which gave Marselan its name. Marselan is a blue-skinned late-ripening variety, producing large clusters of small berries, leading to a high skin to juice ratio in the winemaking. Marselan prefers dry soil and hot climate, and it has strong disease resistance to botrytis bunch rot, powdery mildew, and other grape malaises. While born in France, Marselan found its great fame in China, where it might be considered a “signature” grape according to Decanter magazine.
Marselan is best known as a blending grape. Nevertheless, varietal Marselan wines started being produced in Languedoc in 2002. Today, about 70 wineries in Languedoc produce varietal Marselan wines. In 2019, Marselan was one of four new red grapes authorized for use in the production of Bordeaux wines. In Bordeaux, Marselan can make up to 10% of Bordeaux Superior and Bordeaux AOC blends, though it cannot be listed on labels. In addition to France and China, Marselan today is growing in Spain, Switzerland, California, Brazil, Uruguay, Israel and other places.
Okay, the formal introduction is over, let’s move on to the fun part – tasting probably the best of the best wine Marselan has to offer – NV Gran Marselan Cuvée du Centenaire Vin de France (14.5% ABV, $169, 100% Marselan, 15 months in 2-years old French oak barrels, 1,716 bottles produced).
This wine had been produced by EdenGrapes with the grapes coming from two best and oldest (40+ year old vines) blocks of Marselan vineyards in Languedoc, discovered after an extensive search. The wine was released in 2024 to celebrate the 100th birthday of Paul Truel, creator of Marselan, who was born in 1924, hence the Cuvée du Centenaire designation.
While speaking with Christian de Rivel, the producer of Gran Marselan, he suggested that it would be very important to decant the wine for anywhere between 2 and 5 hours to let it shine. Well, you never need to ask the wine geek twice to play with his wine.
Long decant? Ha! I got you!
There are many ways to decant the wine. I don’t want to go too far on the tangent here, so I will just give you a “short brief”, and hopefully a more in-depth decanting rundown later in another post. I prepared a few decanting instruments I have at my disposal – a classic decanter, a couple of aerators – VersoVino and Venturi, and even a super-decanting tool, or rather a “hyper-decanting” tool, the blender.
Wine Geek’s Mise an Place
Even if decanting is suggested, to decant or not to decant is a personal choice. I had to taste the wine to decide what I would like to do in terms of decanting, so first I just poured some wine into the glass:
Upon opening
Beautiful color, bright garnet
Nose of wild raspberries and wild blueberries, superb, earthy undertones
Beautiful palate of wild berries, well integrated velvety tannins, firm structure, good acidity, excellent balance 8+/9-, delicious overall and dangerous.
Based on tasting the wine “as is”, hyper-decanting was ruled out – the wine was perfectly drinkable from the get-go, no need for extreme measures. But I had to try the tools nevertheless:
VersoVino
Nose a bit more pronounced and open, adding tart cherries to the aromatics
Palate is a bit smoother, tannins become silkier, overall wine is more polished. I really didn’t expect that. Wow. 9-
Venturi
High intensity nose, now more Cabernet-like profile, a touch of eucalyptus
Excellent palate expression – it doesn’t have cassis, but instead offers gobs of dark fruit, good acidity, more of a chewy structure. After Venturi, the wine actually begs for a steak. It shows bigger. But it is now more in Grenache territory, with dark chocolate undertones. 8+
I definitely like the effect of VersoVino more. The wine is softer and more elegant with VersoVino compared to Venturi.
Bubbles – an effect of Venturi
Now we wait.
1 hour control point from decanter
Nose changed, now offering some sapidity undertones, became lean and powerful. Now nose promises big, “serious” wine
Delicious bouquet on the palate. Dark fruit, elegant, balanced, tart cherries woven over the firm structure. Elegant, delicious. 9-
2 hours later
Tart nose, earthy undertones, cherries
Lots of tart cherries on the palate, different representation, firm, tight, lots of energy, now gripping tannins which cut finish somewhat short. Wine is evolving. 8
4.5 hours later
Fresh berries returned on the nose with some earthy undertones
On the palate, the wine is tight with some brushy tannins, good clean dark fruit finish. The wine would perfectly complement steak, but for sipping I would prefer one of the earlier versions. 8
Second day
Still pretty much tastes like the wine after a few hours of decanting.
So what did I learn after tasting the Gran Marselan, besides the fact that I really didn’t need to decant it more than for an hour? The conclusion is easy. The grape has great future potential. But you don’t need to wait for the future – you can simply enjoy the wine right now. Also, I know what you are thinking – this Gran Marselan is expensive. While I can’t argue with that, if you are ever willing to spend $170 on a bottle of a special wine then this wine is well worth your consideration. I know of many California Cabernet Sauvignons in the same price range which will deliver much less pleasure, so this wine is definitely worth it. Maybe one day we will be able to compare the notes? Until that time – cheers!
Pinot Noir Battle – Let the Best (but Most Unexpected) Win…Again
It all started with a few tweets. I noticed a very high praise for the German Pinot Noirs shared by some of the European wine lovers I’m connected to on Twitter (still can’t make myself call it X, so you will have to forgive me for that). Particularly, Pinot Noir from Ahr was regarded as the best in the world, handily beating Burgundies on any occasion. I was intrigued and started searching for the Pinot Noir from Ahr, which proved to be challenging.
Ahr is a tiny region, one of the smallest in Germany – according to Wines of Germany, Ahr has only about 529 hectares of vineyards (around 1,323 acres), which comprises 40 single vineyards. 65% of the vineyard area is planted with Pinot Noir, about 860 acres – for comparison, the Jackson Family mostly Pinot Noir plantings in Oregon alone amount to roughly 600 acres. You can imagine that finding Pinot Noir from Ahr in the US was rather challenging.
The more I saw Ahr Pinot-praising tweets, the more I wanted to try it. Then one day I checked Wine.com, and there it was – Pinot Noir from Ahr, made by Meyer-Näkel. I quickly went to the Twitter folks to check if this wine would sufficiently represent the Ahr region, got an approving nod, and bought a bottle.
Once the wine arrived, I thought of the best way to try it. When it comes to learning about wine, tasting wines side by side is the best way to learn. Oh yeah, and if you want to be honest with yourself, blind tasting is the only way. We tend to be led by what we know, by our beliefs. Once we know that the wine costs $100, we want to believe that it is better than the bottle which costs $50. Once we see a bottle of Cabernet Sauvignon from Napa Valley in California, we automatically assume that it will be much better than the Cabernet Sauvignon from Lake County or Lodi. Nothing is wrong with us, this is how the brain works – so once you remove all the factors of influence, once you get one on one with the liquid in your glass without knowing the producer, the region, the price – it is very easy to be honest with yourself. So blind tasting it is.
Sometimes we don’t realize how fast the time passes. I love talking about blind tastings when I’m talking about wine, and I have a few of my favorite blind tasting examples, one of them particularly being the Pinot Noir blind tasting we have done in the past. What I didn’t realize is that the particular wine tasting I remember so well took place almost 15 years ago (time flies, isn’t it). The outcome of the tasting was very surprising, with South African Pinot Noir from Hamilton Russell beating California, Burgundy, and others – 15 years ago I didn’t even know that South Africa produced Pinot Noir!
Many things have happened in the wine world over these 15 years – of course, Pinot Noir is one of the oldest red wines produced in the world, but now it is literally produced everywhere – I don’t know if today there is a country which doesn’t produce Pinot Noir wines (maybe Spain?). Also, the quality of Pinot Noir throughout the world got a lot higher. The tasting you are about to read about is the perfect illustration of both points – the widespread geography and quality.
Okay, a blind tasting of Pinot Noir. The Ahr Pinot Noir got high praise, so we need to compare it with the best of the best – which means that we have to have California, Oregon, and Burgundy in the tasting, plus whatever else we might be able to find. I asked for a few samples of Oregon Pinot Noir. Very conveniently, Last Bottle had an offer for Chacra Pinot Noir from Patagonia – a different Pinot Noir from Chacra was James Suckling’s wine of the year recently, so this was a good addition to the tasting. Bottle by bottle, we assembled 12 Pinot Noirs from around the world, and the battlefield was ready to be set up.
This is a blind tasting, so we placed all bottles in the paper bags, and then my daughter who was now a participant in the tasting put the labels randomly on the bags (15 years ago her role was limited only to attaching the labels :)). I also prepared a few of the “reference points” for everybody to use in the form of the crushed fruit in the glass – I didn’t find plums in the store, but we had many other relevant “references” – cherries, pomegranate, blueberries, raspberries, blackberries, and even liquid smoke.
We also had paper for taking notes, and as a reference, I included all the countries that were present in the tasting so we could try guessing the countries for each wine. All countries except the two, as both Zak and I brought in one “surprise” each – Pinot Noir from the countries that are not really known as Pinot Noir producers – we didn’t know what wine the other person was bringing. Here is the list of countries that were offered for everyone’s reference: Argentina (Patagonia), California (Santa Rita Hills), France (Burgundy), Germany (Ahr), New York (Finger Lakes), New Zealand (Central Otago), Oregon (Willamette Valley, 2 wines), Poland, Washington, Surprise 1 (European country not listed above), Surprise 2.
Off we went, tasting and discussing the wines, trying to figure out what was what. Consciously tasting 12 wines in a row is not an easy fit, especially when you try to at least identify the countries. Also, each person (there were 8 of us) was supposed to decide on 3 of their favorite wines so we would be able to vote for the most popular wine of the night, so we had to score each wine. Here score is simply comparative within your notes – 1 through 5, E to A, doesn’t matter, as long as everyone can decide on their favorites.
Here are my notes for all 12 wines as the tasting was happening.
Wine #1: Country: New World (have no idea what I was thinking, I guess something outside of Europe), Vintage: 2021. Cherries, lots of cherries, raspberries, tart cherries on the palate, good balance, nice. Score: 8
Wine #2: Country: Oregon, Vintage: 2021. Iodine, cherries, tart, pepper, tannins, earthy, rocky. Score: 8+
Wine #3: Country: Poland?, Vintage: 2021. Cherries, initially fresh berries, fresh raspberries, sweet cherries, good balance. Score: 8
Wine #4: Country: Argentina?, Vintage: 2019. Gunflint, fresh, crisp, tart, rocky, cherries, excellent. Score:8/8+. Tasting again at the end of the tasting, the wine lost something, so finally score is 8
Wine #5: Country: California?, Vintage: ? Almost black color, dark, aged, medicinal nose, iodine, sweet cherries on the palate, tart. Score: 8-, after retesting later – 8, wine improved.
Wine #6: Country: Oregon? No, Vintage: ?, carrot juice on the nose, very grippy tannins on the palate, cherries. Score: 7+
Wine #7: Country: ? , Vintage: ? Beautiful color, Rutherford dust, hint of cherries, tannins and cherries on the palate, good balance. Score: 8 initially, 8+ after breathing
Wine #8: Country: Germany, Vintage: ? Love the garnet color, smoke, tar, concentrated nose. Wow! Superb – cherries, concentrated, good acidity, good balance. Score: 8++
Wine #9: Country: Oregon, Vintage: ? Pencil shavings, Rutherford dust, tannins, cherries, elegant but needs a touch more acidity. Score: 8
Wine #10: Country: ?, Vintage: ? Pomegranate seeds, cherries, very tight. Cool aid, cherry cola Score: 8-
Wine #11: Country: Finger Lakes, Vintage: ? Smoke and rubber, tar, on the nose. Rubber, tannins, cherries, became more balanced after breathing Score: 7+ initially, improved to 8 on the second tasting.
Wine #12: Country: Oregon, Vintage: ? Cherries, vegetation, cool aid on the nose. Cherries, good balance, good acidity, excellent. Score: 8+, went down to 8 after re-tasting as the finish showed sugar candy.
Ugh, this was not an easy tasting, but it was finally complete. Time to decide on favorites. First, everyone had to make their own decisions for the 3 favorite wines. After re-tasting and struggling, my list of favorites in descending order looked like this:
1st favorite: #8
2nd favorite: #2
3rd favorite: #7
Next, the vote. Remember, each person (there were 8 of us) was allowed to vote for 3 favorite wines, thus we just called the wine number and asked to see a show of hands. Here are the results.
Wine #1 – 1
Wine #2 – 5
Wine #3 – 1
Wine #4 – 0
Wine #5 – 0
Wine #6 – 3
Wine #7 – 3
Wine #8 – 3
Wine #9 – 3
Wine #10 – 1
Wine #11 – 1
Wine #12 – 3
Therefore we had a clear winner – wine number 2, and 5 wines in the second place with 3 votes each – #6, #7, #8, #9, and #12.
Next came the best and final part of the blind tasting – the reveal! Would you believe me If I told you that the revealed bottle elicited a loud “oh, wow, really” literally from everyone? Surprise after surprise after surprise.
The most popular wine? Pinot Noir from (drum roll, please)
Japan!
Seriously, Japan??? How? Yes, Japan makes wine, but to make Pinot Noir that shows better than Oregon, California, Burgundy, and all other countries? Just wow. Apparently, this is an impossible-to-get “cult” wine, produced in minuscule quantities, $100 wholesale but $300 retail if you can even find it? That was the first “surprise” wine.
Pinot Noir from Poland that was very good? How about that? My favorite wine of the tasting, Southern Lines from Central Otago, by some absolute miracle was $15 per bottle – how is that even possible (it is a case buy if you can find it at that price).
Here is the full list of wines in the numbered order:
- 2021 Bells Up Jupiter Pinot Noir Estate Chehalem Mountains AVA (13.5% ABV, $50)
- 2021 Domaine Takahiko Soga Nana-Tsu-Mori Pinot Noir Hokkaido Japan (13% ABV, $300?)
- 2022 Violetti-Rebbau Pinot Noir Barrique Vin de Pays Suisse (13% ABV, $N/A)
- 2021 Meyer-Näkel Pinot Noir Ahr Germany (12.5% ABV, $56 at Wine.com)
- 2018 Paul Garaudet Pinot Noir Bourgogne AOC (13% ABV, $39)
- 2017 Shaw Vineyard Pinot Noir Reserve Finger Lakes New York (13% ABV, $N/A)
- 2021 EILA Violet Pinot Noir Willamette Valley (12.7% ABV, $65)
- 2021 Southern Lines Pinot Noir Central Otago New Zealand (13.5% ABV, $15)
- 2022 Chakra Sin AzuFre Pinot Noir Patagonia Argentina (12% ABV, $30 Last Bottle)
- 2021 Golden West Pinot Noir Goden West Vineyard Royal Slope Washington (14% ABV, $21)
- 2011 Sea Smoke Southing Pinot Noir Santa Rita Hills Santa Barbara County (14.5% ABV, $100?)
- 2021 Adoria Vineyards Pinot Noir Zachowice Poland (12.5% ABV, $25)
You see, this is what blind tasting does. Under the guise of the brown bag, all wines are “the same”. You are not influenced by anything – “ahh, I brought this wine, it must be better”, “ahh, the guy in the store was raving about it so much”, “ahh, it got 99 points from Suckling” – none of this matters. You let your palate be the judge. Wine has to give you pleasure.
As the wines were left at my house after the tasting, I was the lucky bastard who had an opportunity to taste them over the few next days. This is not how the general population consumes wines, so this has very little bearing on the results and the whole tasting process, but I can tell you that for example, the Sea Smoke Southing became literally my favorite wine – it developed a depth of flavor and a beautiful complexity – if it would taste like that during the tasting it would be handily the wine number 1, for sure for me. The Pinot Noir from Ahr also developed additional layers, with gunflint and roasted meat notes now dominating the flavor profile in a very respectful manner, making it a lot more pleasant to drink – again, in that state it would again get a much higher rating in my book. And pretty much across the board, the Pinot Noirs continued their evolution and most of them were still drinkable even 5 days after being open – a testament to quality.
Here we are. 15 years later, the most unexpected Pinot Noir wins again. But this is the beauty of wine. The mystery, the enigma, the art. Wine is a liquid art form, and this tasting delivered an unmeasurable amount of pleasure and created new memories. This is what life is all about, isn’t it? Creating good great memories. And wine is exceptionally good at that. Onward and upward.
An Evening of Pure Pleasure
Do you know what makes an oenophile’s heart melt and pound, what fills it with joy? Hearing their friends say after you pour the wine into their glasses
“Oh my god, this is so good!”
This brings a double pleasure – it is not only you now getting the pleasure from the aroma and the bouquet – but your friends also enjoying it as much as you do. Wine is meant for sharing, and this makes sharing so much more enjoyable…
Wine can never be taken for granted. Let’s remember that the wine continues changing even after bottling – each time we open the bottle, we find the content of the bottle in its unique state. Yes, we can hope that if you open all 12 bottles from the case at the same time, all wines will taste the same – but it is still a game of probabilities, with opportunities for the “bottle variation” to be increasingly more noticeable as the wine ages. And I’m not even talking about potential wine faults…
Next, there are expectations. Expectations are a big deal for the oenophile. Just one look at the bottle and an oenophile forms expectations – bottle appearance, place, producer, type of wine, vintage – everything is taken into account, and we know what to expect. It is the most joyous moment when the liquid in the glass meets expectations – and the most daunting when it does not (let’s not get to the corner case of Two Bucks Chuck, please). But there is more to the expectations in wine. One of the biggest challenges with wine expectations lies in the fact that it doesn’t matter how much you like the wine and how well your great expectations are met – everyone’s palate is different. It is hard learning to be okay with the fact that while you enjoy the wine immensely, your friend doesn’t care for it. It doesn’t make the wine bad. It doesn’t mean that you are wrong or did anything wrong. It simply means that taste is personal, you just need to learn to accept this simple fact of life – and not get upset.
You might wonder why I am talking about all this wine geek mumbo jumbo, why is that important? Simple. No matter how familiar you are with the wine you are pouring, or how many times you have had the wine from the same vintage and producer, when the wine reaches the glass, it is always the moment of revelation. Double that (triple? quadruple?) when you are poring wine for your friends. And even if you think that wine is perfectly perfect, you can never assume your friends will think the same. Wine can never be taken for granted.
I guess I got lucky. At last weekend’s evening with our dear friends, I managed to hit a double “trifecta” :). Three delicious wines out of three, and my friends loved all three to the “oh my god, this is so good!” moment.
First wine – NV Champagne Camille Jacquet Brut Grand Cru Chardonnay A Le Mesnil-sur-Oger (12% ABV). I do not know the producer, but I had high expectations for this wine possibly for a silly reason. A small village Le Mesnil-sur-Oger is well known for the quality of its Chardonnay vineyards and a home to some of the best (if not the best ) Blanc de Blancs Champagnes in the world – Salon le Mesnil and Krug Clos du Mesnil. Knowing that Camille Jacquet Champagne comes from basically the same vineyard gave me high hopes (silly, as I said) for this Champagne. And my high expectations were perfectly met. Beautiful nose of toasted bread with a touch of apple, impeccably crisp, fresh and precise on the palate. The acidity was fully in check with the complexity of the toasted, baked goods on the palate, leading to an impeccable (yes, I know I already used that word) balance. “Oh my god, this is so good!” said my friends, and the wine disappeared in a jiffy.
Next, two beautiful wines from one of my favorite producers ever. Over the years, I wrote about Smith-Madrone wines extensively. Cooks’s Flat had been one of the Talk-a-Vino Top 10 Wines of the Year 2019 top wines (that year, I had 3 #1 wines, tell me about my inability to make decisions), and Smith-Madrone Cabernet Sauvignon was #3 on the Talk-a-Vino Top 23 of 2023. So I was very happy that I got the samples of Riesling and Cook’s Flat and was able to share both wines with my friends (I will also taste a nice vertical of Smith-Madrone Riesling, it will take a central stage on these pages soon).
Smith-Madrone Riesling is one of my favorite Rieslings in the world – it is one of the 3 if you are interested – Grosset Polish Hill Claire Valley Australia, Smith-Madrone from Napa Valley, and Brooks Ara from Oregon. This 2019 Smith-Madrone Riesling Spring Mountain District Napa Valley (13.3# ABV) was spectacular. First, it offered a tremendous pop of petrol on the nose – and nothing makes my Riesling lover’s heart happier than these petrol aromatics, coupled with a whiff of honeysuckle. On the palate, it was fresh, energetic, with a wide range of citrus flavors readily present, from Meyer lemon to oranges and mandarines, supported by clean acidity and a perfectly cleansing acidic finish. Delicious, and the second “oh my god, this is so good!” wine.
Finally, the 2018 Smith-Madrone Cook’s Flat Reserve Spring Mountain District Napa Valley (14.2% ABV, 87% Cabernet Sauvignon, 13% Cabernet Franc, 20 months in new French Oak). This wine is designated as “Reserve” and this is not random – it represents the best of the best Smith-Madrone makes, using the best plots, best grapes, and produced only in the best years. This wine also has a historical connection to the parcel of land where Smith-Madrone vineyards where replanted in 1972 – the tissue wrapping the Cook’s Flat bottle is a copy of a land grant document, signed by the President of the United States. Here is the description from the Smith-Madrone website:
“Cook’s Flat Reserve is a proprietary name for a wine that is the culmination of our 50 years of growing grapes and making wine in the mountains of the Spring Mountain District. The name refers to George Cook, the first owner of the property. ‘Cook’s Flat’ was the local oldtimers’ name for the eight-acre plateau-like vineyard block which was replanted in 1972.
The packaging expresses the property’s history and an uncompromising attention to detail. Each bottle is numbered and only around one thousand bottles are produced in each vintage. Each bottle is wrapped in tissue which has been printed with a multi-colored copy of the U.S. Land Office Patent which granted ownership to George Cook and was signed by President Chester Arthur on December 5, 1885. We proudly display the original at the winery.”
What I love about Smith-Madrone wines is textbook precision. So far literally everything I tasted from the winery had this textbook precision of flavor – Riesling is unmistakably Riesling, Chardonnay is unmistakably Chardonnay, Cabernet Sauvignon is unmistakably Cabernet Sauvignon.
This 2018 Cook’s Flat, a blend of Cabernet Sauvignon and Cabernet Franc, was also unmistakably a Cabernet. A core of black currant, a.k.a. cassis, and eucalyptus, supported by sweet tobacco and sweet oak, with a whiff of the bell pepper (love it). On the palate, the textbook flavors continued with succulent cassis, eucalyptus, a touch of mint and bell peppers, firm structure, perfectly integrated and perfectly present tannins, impeccable balance. Just a pure joy. “Oh my god, this is so good!” wine again disappeared in no time, with the last drops almost squeezed out of the bottle.
Here you are, my friends. An evening of pure pleasure – and a happy oenophile who managed to make his friends “oh my god, this is so good!” happy.
I have more happy stories to tell – stay tuned…
Pleasures of Obscure and Difficulties to Express it in Words
German Pinot Noirs are hard to find in the US.
This story is not about Geman Pinot Noir, but the quest for one played a major role here.
I follow a group of wine-os on Twitter X who are swearing by Pinot Noir from Germany, particularly from Ahr, being the best Pinot Noir in the world, easily rivaling Burgundies in quality. Naturally, my interest was piqued and I started looking for the Pinot Noir from Ahr in the US. The problem is that Ahr is a tiny appellation to begin with, and given the popularity of Ahr Pinot Noir in Europe, this was not an easy task. I found Ahr Pinot Noir on Wine.com and confirmed with the group that it was a good producer. The wine itself was $56 or so, adding shipping and tax was making it even more expensive. Now, American Express credit card often has special offers for variety of merchants, Wine.com often being one of such merchants. I think the deal I registered for was $20 off a $100 purchase – considering that Wine.com shipping for 1 bottle is the same as for 3 (I think it is $20), it was a no-brainer – I just had to find a few bottles to reach $100 and get the discount.
At first, I was looking at some of the familiar wines to add to that Ahr Pinot, but then it dawned on me that I might look for wines to add to my rare grapes collection, which is exactly what I did. In the picture below, you see an end result – a Pinot Noir from Ahr and two wines made from the grapes I have not tried yet.
As you might know, I have been a grape geek for a long time, ever since I was bitten by The Wine Century Club bug (probably close to 20 years by now). I’m always happy to taste the wines made from unknown grapes, whether I will be delighted or terrified – it is all a good experience. Also trying a wine made from an unknown grape is extra fun as you can always approach such a wine with an open mind having no references (read: constraints) of any kind.
The 2022 Petit Sauvage Rouge Vin de France (13% ABV) was made from the grape called Cabernet Cortis which I have never had before. Cabernet Cortis is a hybrid grape, created in 1982 in Germany by crossing Cabernet Sauvignon and Solaris, another hybrid grape (last year I tasted the wine made from Solaris in Sweden). The grape was developed to be better adapted to climate change as well as to be disease-resistant.
The wine was uniquely delicious. Some of the uniqueness I need to attribute to the fact that I was unable to describe the perceived qualities of this wine in English. Yes, you heard that right. My mother tongue is Russian, and while Russian is really not the language of wine, one of the Russian words was the best for describing this wine – терпкий (terpkii). The word describes both taste and textural sensation. To give you an idea of the best textural association, I have a strange question for you – have you ever licked velvet with your tongue? I’m serious. Have you ever seen a TV episode where Gary Vaynerchuk explains wine descriptors to Conan O’Brian and forces him to chew on a wet sock? Something like that, only without socks. So if you would ever try to lick a piece of velvet (make sure it is clean if you do), this would be the closest you would get to that descriptor.
I tried translating it using Google Translate, and the best I can get is “tart” – here are a few more options from the Russian-English dictionary: терпкий — tart, harsh, acerbic, acerb, acidy. None of these would do. As a wine descriptor, tart generally means acidic, and devoid of fruit. And this doesn’t describe the textural and taste sensation I experienced when tasting that wine. Tannins probably would work best, especially those called “velvety tannins”, but I’m still not convinced that this is the best way to describe the taste of this Cabernet Cortis wine. All in all, the wine was delicious, a little bit racy and gamey, but this was perfectly integrated into an overall taste profile. And I would gladly drink this wine again if I had a chance.
Well, the only way we can solve this is for you to find this wine, taste it, and explain to me how little I know about wine – I promise to listen, and will be happy to expand my wine vocabulary.
By the way, speaking about tart – the second wine, 2019 Domain Tatsis Xynomavro – Negoska Young Vines Macedonia Greece, made out of Negoska grape, was actually tart, it was tart beyond belief, and basically, not drinkable. It didn’t improve even after a few days. You do have to kiss a lot of frogs in life… But it’s okay, a part of the process.
Here you are, my friends. There are lots more of the rare grapes I need to report on, so stay tuned…
Top 23 of 2023
2023 is almost over, which means that the time has come for the hotly anticipated perennial Talk-a-Vino feature – the list of top wine experiences of the year.
2023 was an interesting year for a variety of reasons, some of which are obvious, and some of which are not, but this is not the time and not the place to discuss it. We are here to dreadfully decide on the list of 24 23 best wines of the year – and share that list with you, my readers.
To explain how this top list is created, instead of re-writing the same explanation every year using barely different words, let me just quote what I explained before:
If you are a regular here on these pages, you know the story. Every year ever since this blog started in 2010, I come up with a list of the most memorable, most interesting/unique/unusual/stunning wines I tasted throughout the year. When I started these Top Wine lists, the goal was to identify a dozen (12) top wines. I was rarely successful with such limitation, and most of the Top wine lists consist of two dozen, a few times there were even two dozen plus a few.
As the year already ended, I will not try to separate the first and second dozens of the top wines – without further ado, here is the full list of the 23 most memorable wines of 2023 – and yes, the pun is intended:
23. 2021 Stolpman Vineyard Combe Trousseau Ballard Canyon ($24) – I had no idea Trousseau, a classic red grape from Jura in France is even grown in California, never mind by the Syrah specialist such as Stolpman Vineyard. I ordered this wine at a restaurant in New York as it seemed to be one of a very few somewhat affordable options. The wine was surprisingly brilliant, fresh, light, and uplifting – it was definitely a great find.
22. 2007 Leviathan California Red ($40) – this was my last bottle of the 2007 vintage of this legendary wine, an unofficial second label of Screaming Eagle. Beautiful California Cab that probably has another 20-25 years to go on. No, I wouldn’t want to wait that long.
21. 2019 Le Morette Riserva Lugana DOC ($NA) – this wine was probably my favorite from the Lugana wine tasting events, beautiful white wine with a substance. Going beyond just a specific bottle, consider this entry more a node to the Lugana wines of Northern Italy that represent an outstanding QPR and just a bunch of delicious wines.
20. 2018 Vino Vasai Pinot Noir Estate Reserve Chehalem Mountains ($58) – superbly balanced Oregon Pinot Noir – powerful and delicious, with a label to adore.
19. 2019 Plantaže Crnogorski Krstač Montenegro ($10) – love pleasant surprises. This wine was acquired strictly for being made from the unique grape I have not had before – it also happened to be simple and delicious – I’ll take this bonus any time.
18. 2016 Alban Patrina Estate Syrah Edna Valley ($58) – I don’t believe I ever I had a wine from Alban that I didn’t like – this Syrah was unctuous and delicious.
17. 2015 Carlisle Grenache Rossi Ranch Sonoma Valley ($39) – another favorite producer, Carlisle, with an absolutely delicious wine – beautiful nose and dark fruit intermingling with dark chocolate on the palate.
16. 2022 La Torre Girgentina Maltese Islands IGT ($15) – Similar to wine #19, this wine was acquired strictly to add to the rare grapes collection and to add another winemaking region to the Wines of the World page. The more interesting part was the bright, refreshing, round white wine, simply world-class delicious.
15. 2017 Etude Fiddlestix Vineyard Pinot Noir Santa Rita Hills ($NA) – Never paid much attention to Etude Pinot Noir – this wine was presented as a gift. The wine was definitely bigger than a typical Californian Pinot Noir – it was also better than the typical, with layers of dark fruit and cocoa. A tasty encounter.
14. 2018 Amichai by Shiloh Micah Judean Hills Israel ($57) – Shiloh is one of my favorite Israeli producers, but this is not the reason why this wine is listed among the top wines of the year. It is a perfect rendition of Cabernet Sauvignon, round and delicious.
13. 2018 El Coto Coto De Imaz Blanco Reserva Rioja DOC ($24.99) – this wine belongs to the “surprise” group, as I never had a Chardonnay from Rioja. Never mind the surprise part, this was simply delicious Chardonnay, bright and perfectly varietally correct. Pleasure in the glass.
12. NV Capetta Dolce Asti DOCG ($NA) – Asti wines are sooo underappreciated… They are often dismissed as light and sweet, but the whole point is in the balance. Yes, this wine was sweet, and nevertheless, cleansing acidity was making it impossible to put the glass down until the bottle was empty. Similar to the Lugana wines mentioned above, this wine is a nod to Asti wines as a category that is well worth everyone’s attention.
11. 2021 Domaine Bousquet Virgen Natural Malbec Tupungato Uco Valley Mendoza Argentina ($13) – Domain Bousquet makes excellent wines, for sure. But this unoaked organic malbec, made without any additional SO2 was unexpectedly delicious. Try it for yourself.
10. 2020/2021 Campochiarenti Sant’ Ambrogio Chianti Colli Senesi DOCG (€10) – I had both 2020 and 2021 wines, and couldn’t make up my mind which one do I like more. With or without taking into account an excellent price, this wine offers tremendous value for the money, as I often wish that the wines that cost 10 times more would taste as good as this wine. Another case of pure pleasure in the glass.
9. 1998 Chateau Saint-Nicolas Fronsac AOC ($19.99) – a perfect example of “wine is a living thing”. The wine which tasted like nothing on the first day, evolved into a beauty on the second day. It doesn’t happen always, but hey, give your wine a chance.
8. 2021 La Loggia Toscaia Sangiovese in Bianco Toscana IGT ($14) – I had before white Merlot and white Pinot Noir, but never a white Sangiovese – and this wine didn’t disappoint. It was masquerading a nice Chardonnay – and yet it was delicious in its own unique right.
7. 2019 Sine Qua Non Distenta 1 California White Wine ($150) – big, voluptuous, expressive, delicious. A perfect first experience with the wines of Sine Qua Non.
6. 1999 Beaulieu Vineyards Cabernet Sauvignon Rutherford Napa Valley ($30) – delicious wine from a legendary producer. A perfect rendition of the nicely aged Californian Cabernet Sauvignon which will continue to delight for many years, if someone would have enough patience, of course.
5. 2013 Stolpman Vineyards Sangiovese Ballad Canion ($30) – besides the total surprise factor that Stolpman even ever made Sangiovese, this wine tasted perfectly on par with outstanding Chianti that was opened at the same time, just adding a Californian touch to the cherry/leather/tobacco profile. Superb.
4. 2019 Flora Springs Red Wine Blend Napa Valley ($95) – a quintessential Napa Cabernet Sauvignon. Bold, voluptuous, unashamed, but impeccably balanced with all components in perfect harmony. A definition of hedonistic pleasure.
3. 2019 Smith-Madrone Cabernet Sauvignon Spring Mountain District Napa Valley ($65) – wines of Smith-Madrone are often featured in this blog. Smith-Madrone Cook’s Flat was the wine of the year in 2019. This 2019 Smith-Madrone Cabernet Sauvignon has such impeccable precision of a beautiful Cabernet Sauvignon, varietally correct and incredibly enticing, even coercing you into the nirvana state – yes, this is how good this wine is.
2. 2003 Neyen Espíritu de Apalta Apalta DO Chile ($N/A) – when poured at a table, this is the wine that has the power to stop everyone in their tracks, force them to forget that reality exists, and for a few minutes make everyone to communicate only using nods and smiles. The words are not needed in the presence of such greatness. Tasting this wine was one of the absolutely best experiences of 2023.
1. 2021 Balverne Chardonnay Russian River Valley AVA ($35) – when I tasted this wine for the first time, not only I was blown away, but my first thought was “this will be the wine of the year”. Don’t get me wrong – each and every wine in the top ten of this list would easily qualify for the Talk-a-Vino Wine of the Year position, but still, this wine will stay in my memory for a long time. This wine had a brilliant precision of Chardonnay which doesn’t even let you put your glass down. Truly, you need to experience this wine to share the feeling.
Here you are, my friends. 23 most memorable wines of 2023. Cheers to the new wine discoveries of 2024!
Ode to Cab
Ode to Cab.
Or we can just call it a Love Letter to Cabernet Sauvignon.
As an oenophile, I always try to maintain my “grape neutrality”. I can never name my favorite type of wine, never mind favorite wine. If you will hard press me against the wall with this question, I might say that it is Rioja, but the reality is a lot more complex than that.
If you search through articles in this blog, you will find a full range of wine styles and grapes. There are many blogs out there that cover specific region(s) or specific types of wine – but when I started writing close to 15 years ago, I knew that I would not be able to do that. This blog is about wine appreciation – any wine. “Wine should give you pleasure” – and so this is what my writing is primarily after – sharing the joy, the pleasure of wine, no matter what is the pedigree. Wines made from little-known grapes – Bobal, Trepat, Kekfrankos, Romorantin by tiny producers can give you as much pleasure as first growth Bordeaux, cult California, or best super-Tuscans. The liquid in the glass matters, and the only opinion that matters is yours and only yours – you can not enjoy the critic’s 100 points in your mouth.
This is my approach – try any wine with an open mind, and always be ready to be pleasantly surprised – or even blown away for that matter. And yet there is something about Cabernet Sauvignon that makes my heart race, especially coming from the producer I know or have heard of. Listen, I’m doing my best to tell you the truth, even though the “thought spoken is a lie”. But the brain gets all excited when I’m opening a bottle of the familiar Cabernet Sauvignon because I already know how good it can be. Very different from the excitement of the possible taste of DRC, Petrus, or Quintarelly (I’m yet to taste either) – because with those I wouldn’t know what to expect. But I do know what to expect from the well-made Cabernet Sauvignon that is ready to drink.
Even with the wines I happily call the favorites, I can’t tell you what I’m expecting to taste. I can’t describe my expectations when tasting La Rioja Alta, Ken Wright Pinot Noir, or Loacker Corte Pavone Brunello di Montalcino. I expect that I will like those wines as I know the producers and had their wines many times before – but I can’t tell you my exact expectations of the aroma or the taste of the wine. With Cabernet Sauvignon, I have very precise expectations of the aroma and the taste for me to like the wine. If I do not find the cassis (black currant) on both nose and palate when the bottle says “Cabernet Sauvignon” on it, there is no way I will like the wine, no matter how good the wine is for anyone else. Eucalyptus, mint, and a good structure are also expected, but with this some variations are possible. But when the expectations are met… the Cabernet Sauvignon is nothing but a pure, hedonistic pleasure.
So yes, deep down, Cabernet Sauvignon might be the most favorite wine of all – I just hope I will remember it next time I’m asked about my favorite wine.
Now, truth be told, I had a good reason for all this rambling about the beauty of Cabernet Sauvignon. A few weeks ago, I had an opportunity to conduct an accidental side-by-side tasting of the California Cabernet Sauvignon and the results were simply amazing.
With this tasting, we are taking a little trip. We will start in Northern California, where Barra of Mendocino is located. I wrote about their wines before, and now I have a few of the latest releases and I thought that Cabernet Sauvignon would be quite appropriate for the tasting.
Barra Cabernet Sauvignon was the leanest of 3, but still had a perfectly recognizable Cabernet Sauvignon profile:
2021 Barra Reserve Cabernet Sauvignon Mendocino (14.5% ABV, $28, 18 months 30% new French oak, balance in neutral barrels)
Garnet
Eucalyptus, cherries, a hint of cassis
Eucalyptus, dark berries, cherries, cassis, well integrated tannins, perfect balance, medium-long finish.
8
Moving 80 miles southeast, we now arrive at the Flora Springs winery, located in the heart of the Napa Valley. Again, one of my favorite wineries in California, I wrote about their wines on multiple occasions.
The wine I had an opportunity to taste was a special holiday release. Flora Springs is big on the holiday celebration, so this bottle features etched gnomes, perfectly appropriate for the holidays. But it is what’s inside that counts, and this wine was nothing short of spectacular.
2019 Flora Springs Red Wine Blend Napa Valley (14.5% ABV, $95, predominantly Cabernet Sauvignon, 18 months in 70% French and 30% American oak barrels)
Dark garnet
Cassis, mint, black tea, cassis is playing in and out – you can smell this wine forever. Cassis is prevalent, wow.
Burst of cassis at first, then tannins come in, offering some bitter notes around the otherwise perfect Cabernet core. A very powerful, delicious wine that needs time to soften up. Either decant for a few hours, or lose it in the cellar for 10 years. The winery says you can enjoy it through 2036 – I’m sure you can easily add another 20 years on top of that.
8/8+
Going back about 8 miles northwest, we now arrive at the Smith-Madrone, the winery located in the Spring Mountain district of Napa Valley. Smith-Madrone is yet another one of my favorite wineries, and the one I feel a bit guilty about as a writer. I wrote about Smith-Madrone wines on many occasions in this blog – 5 years ago, Smith-Madrone were my wines of choice to celebrate Thanksgiving; in 2019, Smith-Madrone Cabernet Sauvignon was my wine of the year. And I’m still yearning to write a post fully designated to the winery…
Nevertheless, Smith-Madrone Cabernet Sauvignon to me is one of the most textbook-proper, pure Cabernet Sauvignon wines there is. Not everyone would share my opinion – my sister-in-law with whom I was tasting these 3 Cabs, was preferring Flora Springs Cab, just for the sheer, unashamed beauty. But to me, a more subtle but very confident representation of the Cabernet Sauvignon by Smith-Madrone was just a perfection:
2019 Smith-Madrone Cabernet Sauvignon Spring Mountain District Napa Valley (14.3% ABV, $65, 83% Cabernet Sauvignon, 5% Merlot, 12% Cabernet Franc, 18 months in 55% new French oak)
Brilliant dark ruby
A perfection. A textbook Cabernet Sauvignon cassis, pure, perfectly precise cassis. You can think of a bell pepper – I’m not sure it is there, but it comes to mind.
The palate is amazing – cassis, eucalyptus, perfect minerality, a touch of the pencil shavings, salivating acidity. This is an impeccably balanced wine built for aging. In 10 years, it will be insanely good. In 20 – … well, I don’t want to even think about waiting that long…
9-, pure and superb.
If you like Cabernet Sauvignon, either one of these 3 wines will make you happy – each one perfectly representing their terroir and the vision of the winemaker, and yet unquestionably perfectly representing maybe the most noble grape of all.
So now you know what my secret passion, secret true wine love is. What’s yours?
A Weekend In Unique Wines
A unique wine.
A unique concept.
We can take it to the extreme if we want. Wine in the bottle is a living thing. Wine is changing – for the better or worse, but wine is changing – enzymes are breaking, tannins are fading down. We can claim that every bottle of wine is unique, and similarly to “you can not enter the same river twice”, you can not taste the same wine twice.
Okay, let’s move away from such highly esoteric spaces, and let’s talk about personally unique wine happenings – and I will do my best to explain why I designate each encounter as “unique”.
Unique wine case #1 – “I never had it before”
“light golden color, guava, herbs, med-intensity, inviting; vanilla, apples, lemon, crisp, fresh, round, clean med-long finish” – in all modesty, I’m quoting the description of the wine from my own tweet a few days ago. Looking at this description, what wine do you think was in my glass?
Give it a thought for a few minutes. Meanwhile, I continue.
I will not be playing this #inmyglass game here, of course – especially since I actually borrowed this game from Le Bon Vin #inmyglass. The game was played on Twitter, asking people to identify the place and the grape(s) this wine was made from.
Chardonnay. Chennin Blanc. Sauvignon Blanc. Bordeaux Blend. Garganega from Soave. Lugana. Vermentino. Roero Arneis. These were some of the guesses, I’m sure I’m also missing a whole bunch.
Once we established the place – Italy – and after a few strong hints that the wine is a “curveball” and “thinking out of the box required”, we arrived at the correct answer.
Sangiovese in Bianco. A white wine made from red grapes.
It will not be the first – two out of the 3 main grapes in Champagne are red; Pinot Noir Blanco is quite popular in Oregon; I also had white Merlot and even white Cabernet Franc – and it will not be the last, I’m sure, but this was my personal first experience with white Sangiovese wine.
From the very first whiff 2021 La Loggia Toscaia Sangiovese in Bianco Toscana IGT (12.5% ABV) was special. Beautiful aromatics of guava and herbs, followed by a brilliantly balanced presentation on the palate, with lemon, apple and vanilla, crispy, fresh, delicious. If I would try this wine in the blind tasting, I would confidently make my bet on the old world Chardonnay – and yet this wine was made from Sangiovese.
I got this wine from the Last Bottle wines, which means that I might never see the same one again (I have a few more bottles to see how it will age) – but to my delight, I learned that an increasing number of producers offer Sangiovese in Blanco – I just hope the others will be as good as this one.
Unique wine case #2 – I might (will?) never try this again
Every Champagne lover knows Bollinger. A legendary producer whose Champagne was often 007’s wine of choice (yes, it is James Bond I’m talking about). Bollinger even produces one of the Champagnes under the “007” name. But I’m not talking about Champagne here.
Champagne appellation laws allow production of the still wines. The 2002 Bollinger Ay Rouge La Cote Aux Enfant Coteaux Champenois (12.5% ABV) is red Pinot Noir wine, produced from 2 acres of vineyard called La Cote Aux Enfant located in the heart of Grand Cru Aÿ region and aged in oak casks. This wine is only produced by Bollinger in exceptional years. I had this wine once 9 years ago, and at that time the wine was quite powerful, requiring some time to breathe. This time, the wine was ready to drink from the get-go, offering mostly the tertiary aromas – plums, dried fruit, still having enough acidity and some structure. My daughter offered probably the best descriptor for this wine – she said that the aromatics remind her of an old book – in a good sense. It is the book you lovingly and carefully take into your hands, expecting the magic to happen as you turn the pages. Do I wish I opened this wine 4-5 years ago? You bet. Did I regret my choice of keeping this wine for as long as I did? Not for a split second. A perfect rendition of the mature wine…
Unique wine case #3 – back from the dead and then red with cheese? Surprise!
1998 is one of the special vintages in my book, and I am always on the lookout for 1998 wines for a reasonable price. When I saw 1998 Chateau Saint-Nicolas Fronsac AOC (12.5% ABV) for $19.99 at Wine Exchange, I couldn’t help but grab a few bottles. I opened this bottle right after the 2002 Bollinger. The aromatics were very restrained, and on the palate, the wine just had some glimpses of fruit, but overall the wine gave an impression of the Bordeaux I don’t want to drink. A few hours later, things turned even to the worst – the wine was offering nothing on the nose or on the palate. Of course, it tasted like wine, but it had nothing going I would be able to apply any descriptor to. It was late in the day, so I pumped the air out and decided that I will deal with the wine the next day.
The next day I reopened the wine having literally zero hope for anything even half good happening to this bottle. The smell from the glass offered a glimpse of hope – dark fruit and a hint of eucalyptus showed up. To my delight, the palate completely transformed, offering silky cassis, anis, and lots of herbs. The wine didn’t even give out its age, it was still perfectly fresh with a good amount of acidity.
I had a small cheese board on the table, and without much thought, I took a sip of wine after a cracker with cheese. Combining wine and cheese is a lot more difficult than people like to think, so once again, I didn’t expect much. All of a sudden the taste buds jumped of joy, because the cheese, Bucheron soft-ripened goat cheese from Trader Joe’s, was perfectly complemented by this 21-year-old Bordeaux, creating a new level of hedonistic pleasure. A unique wine transformation and a unique pleasure of elevated food and wine experience – the experience worth remembering.
Here you are – my report on the weekend in unique wines. When was the last time you had a wine which you considered “unique”?
Wine Weekend of Ups and Downs
The life of an oenophile is never dull – of course, if an oenophile chooses such.
UP
Let’s talk about “ups” first.
Sine Qua Non. The legendary Sine Qua Non. The Sine Qua Non winery is unique in many ways. First and foremost, Sine Qua Non wines are unique. Of course, every winemaker is sure that his or her wines are unique. But for Sine Qua Non, these are not just bragging words. Every vintage, a different set of wines is produced, and wines do not or rarely repeat year after year. Each wine has a label designed by Manfred Krankl, who owns the winery together with his wife Elaine. And the wines are impossible to get – I had to wait for 10+ years to move from the waiting list to the mailing list.
My sister-in-law and her husband were visiting over the weekend. They both enjoy wine very much – which is a perfect reason to get out a special bottle. Sine Qua Non is better known for its Rhone-style reds, but they produce white wines as well. One of the first wines in my allocation was Sine Qua Non white wine. Communal notes on the internet seem to indicate that SQN white wines shouldn’t be aged for too long, so I decided that 4 years is a good age for this wine, to avoid any possible regrets (who am I kidding – there are always regrets when it comes to wine).
2019 Sine Qua Non Distenta 1 California White Wine (15.3% ABV) is a blend of 41% Roussanne, 26% Chardonnay, 14% Petit Manseng, 12% Viognier and 7% Muskat (Gelber Muskateller), fermented in barrel and matured on its lees, 23 months in 64% new French oak. The sublime nose of whitestone fruit, herbs, and flowers, with a distant hint of tropical fruit. And the palate, the bouquet… As a child, I loved to sing, and I spent some time in the chorus. I was perfectly fine singing in unison, but for the life of me, I could never do the canon, the subtype of polyphonic singing, where each singer has their own melody, and those melodies harmoniously combine together. This wine delivered such a canon singing – beautiful notes of sage, eucalyptus, tobacco, and whitestone fruit were changing into tropical fruit with a touch of bright honey notes. Somehow, it was possible to taste both profiles at the same time. I know I’m not describing it well, but this was the wine I really didn’t want to end… (Drinkability: 9)
By the way, an added bonus – it appears that I never had the Gelber Muskateller grape – and now I can unexpectedly increase my grape count.
DOWN
Over the years, I got two bottles of red wine from Newton Vineyards, a well-respected California winery, as presents, both from the same 2010 vintage, and both identical. I know the producer’s name, but it seems that I only tasted Newton Chardonnay before, and I have no memories of tasting their red wines.
Both bottles were gifted by the sister-in-law and her husband I just mentioned, so I thought their visit was a perfect opportunity to enjoy this wine together.
And so I opened the bottle of 2010 Newton The Puzzle Spring Mountain District Napa Valley (14.5% ABV, 60% Cabernet Sauvignon, 18% Cabernet Franc, 18% Petit Verdot, 4% Malbec).
And the bottle was corked.
I just recently mentioned in one of the social media discussions that I rarely encounter corked California wines. I guess I jinxed it… The cork faint was ever so slightly noticeable on the nose, and the palate kind of seemed okay, so I even decanted it and we even tried drinking it. The decanting made the corked nature of the wine even more apparent, and I pulled the second bottle.
The second bottle was not corked, and it was drinkable. However, it was a bit underwhelming. The fruit was there, it was possible to taste the cassis, but considering that this was a Californian wine, it showed leaner than expected. I would generally consider that Californian wine of such level need at least 20 years to develop, and under normal circumstances I would leave the second bottle alone for another 5-7 years, but oh well. We did enjoy it, of course, I was just hoping we would enjoy it more. (Drinkability: 8- )
STILL DOWN
I’m not going in chronological order here. The Newton red was planned to be the main wine to serve with dinner. As a “pre-gaming”, I gleefully pulled out the 2018 Alto Moncayo Veraton Campo de Borja (15.5% ABV). I opened a bottle of this 100% Garnacha last year, and it was absolutely spectacular from the get-go – succulent cherries and layers of pleasure. I loved the wine so much that it was included in the top two dozen list of 2022 wines as number 13.
Feeling great about myself, I opened the bottle and poured wine into the glasses. At the first tiniest sip, instead of excitement, my instant thought was “ohhh nooo, why is it so sweet???”. I also instantly knew that I’m in trouble with my sister-in-law, as she stopped drinking California Pinot Noirs for being too sweet… And her reaction was exactly what I was afraid of. After the first sip, she raised her head from the glass, looked at me inquisitively, and said with a wry smile “but why is it so sweet?”. This is when we put this bottle aside and proceeded with The Puzzle – and you just read how swimmingly well it went.
Truly, whatever goes up will go down.
AND UP AGAIN
Whatever went down still has a chance to go up.
The very next day, Veraton somewhat solidified at its core, the sweetness subsided, and the structure started to appear. On the third day, the wine was as delicious as I was expecting it to be – succulent ripe cherries, juicy and generous, with crunchy acidity and perfect balance. (Drinkability: 8+).
Here you go, my friends. Another weekend in wine – sometimes you win, sometimes you learn. With the exception of the corked bottle, which is never okay – but as my sales team always said, “it comes with the territory” – it was a great wine weekend, even with all the ups and downs. How was yours?
Weekend in Turley, With a Dash Of Carlisle and Hardy
Many moons ago, my friend Henry and I discovered Turley wines. We were at a restaurant in Manhattan with our wives, either before or after the Broadway show, and on the wine list, Turley Zinfandel (either Juvenile or Old Vines) was one of the reasonably priced wines, so that was the wine we ordered. I don’t remember if I heard about Turley before (maybe), but tasting that wine was a pivotal moment – we fell in love with Turley wines.
Turley Wine Cellars was founded in Napa Valley by emergency room physician, Larry Turley in 1993, and went on to become one of the most prominent Zinfandel producers in the US. Turley produces about 50 different wines from about 50 different vineyards, most of them organically farmed, from all around California. Many of those vineyards date back to the late 1800s. While Turley might be best known for its Zinfandel and Petitte Sirah, they also produce a number of white wines, a number of other reds, and even Cabernet Sauvignon, first produced in 2010, and eloquently called The Label (Larry Turley’s famous saying was that Cabernet drinkers drink “the label”, hence the name – I had my own share of troubles with this wine).
Turley wines are hard to get in the store, and if you really would like to enjoy them at will, you need to be on the Turley mailing list. Turley was one of the very first mailing lists I managed to get on more than 10 years ago, and I had been a happy customer ever since. My friend Henry finally got his first allocation about two years back.
A place on the mailing list still doesn’t guarantee you access to each and every wine Turley makes, and their list operates on a “first come, first serve” basis – I missed quite a few wines that were included in my offering, but disappeared much sooner than I could make up my mind.
Last Saturday, Henry was coming over for dinner, so I had to make it a Turley evening.
Turley makes only two white wines – Sauvignon Blanc and a blend called White Coat. The wine we opened was the 2019 Turley Estate Sauvignon Blanc Turley Estate Napa Valley (13.4% ABV). It is interesting that Sauvignon Blanc was one of the original wines produced back in 1993. Sauvignon Blanc plantings at Turles Estate were replaced with Zinfandel, but then Sauvignon Blanc was planted again on a small section of the dry-farmed, certified organic vineyard. The wine was fermented using natural yeast and it was bottled after 6 months in 100% French, used oak barrels. The wine was an absolute delight, showing beautiful whitestone fruit, perfectly present, perfectly elegant, with fruit and acidity singing in complete balance.
I had a little bit left in the bottle after that evening, and on Sunday I was able to please the most discerning palate in our household – my mother-in-law. She came over for Mother’s Day on Sunday and wanted to drink the white wine. When it comes to wine, she is completely unpredictable, and I always try to pour her wine without showing the bottle – she has lots of preconceived notions about wines and the regions, so I’m always trying to make sure she will just try the wine first, and then I can tell her where it is from. To my delight, she liked the wine, and even when I told her the wine was from California, she still liked it – a serious achievement in this household.
Our next wine was 2021 Turley Zinfandel Rosé California (12% ABV). This wine sometimes is called White Zinfandel, but only to poke fun at the uninitiated (and the bottle is adorned with the white label). This wine is impossible to score – you literally have to press “buy” as soon as your summer offering arrives. The wine is fermented in stainless steel and aged in used French barriques. It is lip-smacking, it speaks cranberries and strawberries, it is very Provençal in its presentation, but Californian in its soul.
And then there was Tecolote – 2018 Turley Tecolote Paso Robles Red Wine (15.7% ABV). This wine is rarer than rare, as you need to know it exists, to begin with. I got it once through some special holiday offer, but it is never included into the standard seasonal offerings. This wine is typically only available in the tasting room, but being a mailing list member has some advantages – I asked if I can get a few bottles, and they arrived just in time for us to enjoy. This wine is a Spanish-inspired blend of 60% of Grenache and 40% Carignane, coming from the specific block in Pesenti Vineyard, planted in the 1920s. Tecolote means “owl” in Spanish, and this is how the vineyard block is also called. The wine offered layers of lip-smacking black cherries, kitchen spices and sweet tobacco. A perfect balance of textual presence, fruit and acidity made this wine disappear in no time…
Next, let me step away from the wine for a bit – but not from the grapes. I rarely talk about cognac on these pages, but then I have an experience to share.
On an average day, I’m a scotch drinker. But of course, I would never refuse a sip of a good cognac. The keyword is “good” – nowadays, it is difficult to find a good-tasting cognac at a reasonable price in the US. However, my recent cognac tasting with my school friend led me to the discovery of Cognac Expert. Subsequently, I got a recommendation from Cognac Expert for the cognac I now enjoy immensely – without any need to break the bank – Hardy Legend 1863 Cognac. This cognac was produced by the Cognac House of Hardy, to commemorate the founding of the Hardy house back in – yes, you guessed it – 1863. This cognac is a blend of spirits made from the grapes coming from Borderies and Petite Champagne growing areas, aged from 2 to 12 years and finished in classic Limousine oak. From the first enticing smell to the long-lasting, coffee-loaded finish, this cognac offers the ultimate pleasure of balance of fruit, spices, and acidity. And at $40, this might be the best QPR cognac out there today.
Last but not least – 2015 Carlisle Mourvedre Bedrock Vineyard Sonoma Valley (14.9% ABV), which I opened on Sunday. Carlisle is another one of my favorite producers, specializing in Zinfandel, Syrah, and Petite Sirah – and some other grapes. The fruit for this wine came from the 130+ years old vineyard, planted in 1888. The wine was aged in French oak, 20% new. It is interesting that stylistically, this wine was similar to Turley Tecolote – succulent tart cherries on the nose and the palate, a touch of eucalyptus, refreshing acidity, perfect balance. This was an excellent wine to finish the weekend right.
Here you are, my friends – my weekend wine story. If you can find any of the wines mentioned in this post you should definitely look for them. And if you like cognac, this Hardy 1863 Legend is hard to beat. And you know where to find it.
Nevermind. I should have never told you that.
Until the next time – cheers!
Last Bottle Sign Up ($10 credit)
Talk-A-Vino 