Navarra, Surprising and Not
It is commonly known that Spanish wines are some of the best-kept secrets of the wine world. An oxymoron, you say? Not necessarily. I’m not implying that you need to know the secret knock on the unsightly door in order to acquire Spanish wine. The “secret” simply means that consumers still often overlook Spanish wines as a category, despite the fact that those wines possess some of the best value, the best QPR you can ever find – try a $30 Rioja (for example, La Rioja Alta, Lopez de Heredia) and you will see what I mean.
Spanish wine regions. Source: Navarra Wine US
Turns out that even secret wines have deeper secrets, such as Spanish (of course!) wines from Navarra, a northern province known for its unique climate (influenced by Mediterranean, Continental, and Atlantic climates). A long history of a close relationship with France (going back to medieval times) also led to Navarra sporting rather an interesting mix of grapes, with plantings of Garnacha and Tempranillo intermixed with Cabernet Sauvignon, Merlot, and Chardonnay. For a long time, Navarra was known as the “land of Rosé” – today you can find a full selection of white, Rosé and red coming from this small region.
By the way, here is the fun fact for you – in case you are a Game of Thrones fan, you might be interested to know that season six of the popular show was filmed in Navarra, in Bardenas Reales desert – here, you can impress your friends already.
If you are interested in a quick set of numbers (I know I always am) – Navarra has about 27,000 acres of vineyards, located on an average altitude of 1,300 feet (400 meters) above sea level. Annual production is about 70M liters of wine. Most planted grapes are Tempranillo and Garnacha, followed by Cabernet Sauvignon and Merlot. 90% of the wine production are red and Rosé (Rosé is 1/3 of this production), and 10% are white wines. Okay, done with numbers, let’s continue.
With this “secret of secrets” designation, you can probably figure that Navarra wines do not occupy central shelves of the liquor stores – but maybe it is for the better? Of course I mean it in our own, selfish interest – more for us, for the people “in the know”.
I had a pleasure of drinking Navarra wines before – for example, Tempranillo from Bodegas Ochoa is an excellent rendition of one of my most favorite grapes. However, this is where my exposure to the wines of Navarra mostly ends. Thus when I was offered to try a sample of Navarra wines, I quickly agreed.
The surprises started upon arrival of the wines. Once I opened the box, finding a bottle of Garnacha made perfect sense. However, not finding a bottle of Rosé was rather surprising – I was sure Rosé would be included in the sample of Navarra wines. And the biggest surprise for me was finding the bottle of … Sauvignon Blanc! No argument here – Spain is often associated with red wines, but it makes excellent white wines – Albariño, Verdejo, Godello, Viura – but 100% Sauvignon Blanc from Spain is not something I see often (Rueda might be an exception, as Sauvignon Blanc is used there too, but mostly for blending).
The surprises continued as I opened the bottle of 2018 Bodegas Inurrieta Orchidea Sauvignon Blanc Navarra (13% ABV, $12). I have to admit, before the first sniff, I was skeptical. The first whiff of the aroma immediately cured all of my worries as the wine was simply stupendous. In a blind tasting, I would instantly place this wine into California – the wine was round and powerful, on the level of Honig or Duckhorn Sauvignon Blanc. A touch of freshly cut grass and currant leaves were unmistakable, supported by golden delicious apple, lemon, and complete absence of grapefruit. Perfectly refreshing, delicious wine – and at the $12 price point, the word “steal” comes to mind. (Drinkability: 8+)
Then there was Garnacha. Garnacha, a.k.a. Grenache is a very interesting grape. Garnacha has a tremendous range of expression, from ultra-powerful likes of Alto Moncayo Aquilon and No Girls Grenache to light and ephemeral Cote du Rhone and Bodegas Tres Picos. The 2016 El Chaparral De Vega Sindoa Old Vines Garnacha Navarra (15% ABV, $15) showed rather in the “ephemeral” category, despite the 15% ABV (I only noticed this high ABV when I was writing this post but not when I tasted the wine). Two main descriptors for this wine are raspberries and pepper. The wine was light, it was playful, full of fresh, ripe, but perfectly crunchy raspberries. Each one of those raspberries had a dash of black pepper on it. Ephemeral, surreal, or simply tasty – I will happily go with either descriptor. Again – excellent, excellent value at $15. (Drinkability: 8+).
Here you go, my friends. You can’t go wrong with either of these wines – not in price, not in the taste, not in the pleasure. Look for the wines of Navarra – you might be on a cusp of your next great wine discovery. Cheers!
Stories of Passion and Pinot: Bells Up Winery
Do you know by any chance what “bells up” means? If you do, you can already pat yourself on the back and pour yourself a glass of wine. If you don’t – you can pour yourself a glass of wine and ponder at the question for a bit – the answer will follow.
Meanwhile, let’s talk about the passion, an indelible component of winemaking, possibly even a key ingredient in a delicious wine.
Dave Specter started making wine in the basement of his home back in 2006. By 2009, he realized that passion for winemaking trumpets his (successful!) career of a corporate tax attorney, and Dave decided to let his passion lead the way. In 2012, Dave and his wife Sara found themselves in Newberg, Oregon, purchasing a dead Christmas tree farm in the Chehalem Mountains AVA, where they started planting their estate vineyard. The rest is history – of passion and Pinot, there is.
Bells Up vineyards. Source: Bells Up Winery
Before there was wine, there was music. For more than 20 years Dave had been playing the French horn. In classical music, there is always a moment which needs to be stressed – “Bells up” is the conductor’s instruction to the French horn players to lift the bells of their instruments and produce the sound of maximum intensity. “Bells up” became Dave’s motto in life, and it also gave the name to his winery – now you have your answer in case you are still wondering.
While Pinot Noir was the first grape planted at the newly minted Bells Up winery, the passion also led Dave to plant half an acre of Seyval Blanc, the grape he successfully used back in Ohio. That Seyval Blanc planting became the first in the Chehalem Mountains AVA, and second in Oregon. If you look at Bells Up winery website, you will see that the winery bills itself as micro-boutique and un-domaine – planting Seyval Blanc and not Pinot Gris in Oregon is clearly an un-domaine move. By the way, the “un-domaine” was one of the words which caught my eye while researching the Bells Up winery information. So I took the opportunity to sit down (virtually, albeit) with Dave and listen to him share his passion for wine. Here is what transpired in our conversation:
[TaV]: What kind of wine(s) did you make in your basement in Cincinnati?
[DS]: In the beginning, when my wife Sara and I started making wine in 2006 as a couple’s activity for our fifth wedding anniversary, we started with kit wines—juice in a bag, essentially. When I moved on to grapes, I sourced from both local and regional vineyards for Seyval Blanc, as well as through a Cincinnati vintners club that would truck in fruit from vineyards in California. From that I made Syrah, Petit Syrah, Cabernet Sauvignon, Cabernet Franc, Merlot—even a Pinot Noir, although that fruit was sourced from Lodi, and was completely unlike the Pinot I work within Oregon today. Essentially, it was a hobby that grew out of control.
[TaV]: Why Oregon? As a young winemaker, you had many options – what made you decide to go to Oregon?
[DS]: First, thank you for calling me young. We were a whole lot younger when we started this journey. After that first kit wine, I was hooked on the process and wanted to learn more. Sara graciously let me take over the basement, then the garage, then the dining room. And we started taking wine vacations to “hidden gem” wine regions—Texas Hill Country, Finger Lakes, and finally Oregon in 2008.
We had already visited Oregon briefly in 2004 and loved it. In 2008 we spent two weeks roaming the state, with the last few days in Newberg at a bed and breakfast just 400 feet up the mountain from the property that is now ours. We fell in love with Oregon, the scenery, the climate, the wines, and the intimate experiences tasting wines at the tiniest wineries with the winemaker. We decided then that this was the place for us.
[TaV]: Seyval Blanc is one of the most popular grapes in the Eastern US. But why Seyval Blanc in Oregon?
[DS]: When we moved to Oregon in 2012, we knew we wanted to plant a vine that connected to our story. I’d been working with Seyval Blanc for years in Ohio and when I won two amateur national winemaking competitions in 2011, one was with a 2010 Seyval Blanc. So, it was a great tie-in.
But also, we see an opportunity to differentiate ourselves with a white wine that nobody else has in the Willamette Valley—and only one other winery has in Oregon. Plus, we believed it would grow well here, and after two small harvests that resulted in some beautiful wine, we’re happy to be proven right. Note, however, we didn’t plant a lot of it: only about 250 vines (and not all of them made it—so Sara’s been propagating like crazy ever since for replants). We figured if it was a failure, we could always graft over it.
[TaV]: Any future plans for more mainstream Oregon white grapes – Chardonnay, Pinot Gris, Riesling?
[DS]: From a business perspective, we’ve taken a really close look at what other wineries in the area are making, and for a 500-ish case production winery like ours it’s best to have just one white wine available for sale at a given time. That’s because we don’t move enough volume and the whites generally don’t age as long as reds.
We currently make Pinot Blanc and we like it quite a bit. It’s a bit rarer in these parts than Pinot Gris or Chardonnay, which again helps to differentiate us. But as for expanding our white wine program, the ultimate plan is to phase out Pinot Blanc for Seyval Blanc and that will be the only white in our line-up. There are a lot of similarities between my Pinot Blanc and my Seyval
Blanc, so the transition from one to the other won’t be as jarring as a shift from another white varietal, such as Chardonnay.
Bells Up wines. Source: Bells Up winery
[TaV]: Today you already make white, rosé, and red. Any plans to join seemingly the hottest Oregon trend and start producing sparkling wine?
[DS]: No. I know I keep coming back to the numbers, but I’m a finance guy with an MBA and a corporate tax law career. While we think there’s a place in the market for adding bubbles to still wines, if I made a sparkling wine I’d want to do it the right way (traditional method). That takes time, space and money. And at our volumes, what we’d have to charge per bottle to justify that type of investment is more than what the market would reasonably bear.
[TaV]: Continuing the same question – as you already produce Seyval Blanc, which makes very good dessert wines, any plans for some Late Harvest Seyval Blanc goodness?
[DS]: Don’t give Sara any ideas! Actually, we’ve been so focused on just getting these Seyval Blanc vines established and proving that our concept had legs that we really haven’t thought much farther than straight up Seyval Blanc. Our 2017 harvest yielded 100 pounds and made 23 bottles (yes, bottles)! Our 700-pound 2018 harvest produced 15 cases and we’ve made that available exclusively to our wine club members on a 2-bottle allocation. Give me a few years when I’ve got Seyval Blanc growing out of my ears and I’ll get back to you on a Late Harvest version.
[TaV]: Who are your winemaking mentors (if any)?
[DS]: First and foremost, Joe Henke of Henke Winery in Cincinnati. Joe took me under his wing as a basement winemaking hobbyist. He offered me a position as an unpaid cellar rat but promised he’d teach me everything he knew—open book—and he did. He even showed me his books because he wanted me to understand what he called “the good, the bad and the ugly of being a professional winemaker.” He’s an award-winning winemaker who makes 2,000 cases across roughly 15 different types of wines (including a phenomenal sparkling Chardonnay and an incredible Norton) in the basement of a 100-year-old house in an urban neighborhood with the bare essentials: barrels, a pump, a press, a pallet jack. I learned so much from him about the process of winemaking and the business of winemaking; that you don’t need a bunch of expensive equipment to make incredible wines. You just need to do a ton of cleaning. Amazing mentor.
Additionally, I did a harvest internship in the Fall of 2012 at Alexana in Dundee, Oregon under Bryan Weil. It was Bryan’s first harvest there as winemaker and Lynn Penner-Ash of Penner-Ash Wine Cellars was still working alongside Bryan, as she had been consulting winemaker for the label prior to Bryan coming on board. I soaked up as much as I could about working with Pinot Noir from both of them. Because, at age 39, I was not your typical harvest intern—plus I had three years of time at Henke Winery under my belt—Bryan was gracious enough to build my internship around what I needed to learn. He put me in the vineyard for sampling fruit, for example, something I’d never had the opportunity to do before. He had me set up the lab for him and run lots of testing because I knew how to do it. We’re still very close today and I appreciate everything he was gracious enough to share with me.
As far as winery business mentors, there have been so many people in the Willamette Valley who have generously offered advice and shared their successes and failures that it would be impossible to name them all. But they know who they are.
[TaV]: What is your view on sustainable viticulture, dry farming, organic methods?
[DS]: That’s what we do here in our own vineyard and at the vineyards we source from. We think it’s very important to be good stewards of the Earth—we’re farmers now! It also produces stronger vines that develop more flavorful grapes and ultimately better wines.
[TaV]: How did you choose the music pieces as the names of your wines? What was your thought process, what criteria? What message are you trying to convey with those names?
[DS]: Let me start by explaining the name of the winery. I played French Horn for more than 20 years (I’m horribly out of practice now—Sara says I only make noise) including after business and law schools, so it was a key part of my life. When it came time to name the winery, we wanted to name it something personal that wasn’t our last name (people are terrible at remembering names!) and I really wanted to tie it into the French Horn. Coincidentally, the property Sara found was on Bell Road in Newberg. So that tied in perfectly to the term “Bells Up,” which is a notation by the composer in the score of a piece of music. At a dramatic moment, it directs the French Horns to lift the bells of their instruments to project their sound with more intensity. It’s our time to shine—which is why I say the winery is my #bellsupmoment.
The pieces of music I chose to name each wine are all ones that prominently feature the French Horn, as well as epitomize the wine itself. George Gershwin’s “Rhapsody in Blue” inspired our Pinot Blanc to be named “Rhapsody” because it’s a jazzy, energetic white wine. Gustav Mahler—the French Horn player’s best friend because his pieces tend to be horn-heavy—wrote his Symphony No. 1 in D Major, called “Titan,” and it’s become regarded as his flagship work. Therefore, our Willamette Valley Pinot Noir, which we consider to be our flagship Pinot, is “Titan.” And so on. There’s a link at the top of our wines page to a playlist of all the pieces for those interested in hearing them.
[TaV]: Why “un-domaine”?
[DS]: It was a term that came up as we were discussing how to describe our casual tasting room vibe, our keep-it-simple winemaking approach, and our distinctive brand with a good friend who happens to be a wine writer. A couple of years ago after we opened our doors in 2015 there was a trend of new wineries opening in the Willamette Valley with the word “Domaine” in their name. We just aren’t. Our property is humble, our tasting room is a converted pole barn, you won’t find a marble fireplace. While Sara and I enjoy wine, nobody would ever confuse us with wine snobs.
Does “un-domaine” mean we’re not for everyone? Absolutely. There’s no cachet associated with owning or drinking a bottle of Bells Up wine. And that’s perfectly fine with us. We’d much rather be the bottle on your table every day of the week than the one gathering dust in the wine rack because you spent a ton of money on it and are waiting for a special occasion—and friends who will appreciate it—before it’s opened.
[TaV]: Did you have a pivotal wine in your life, the one which changed your wine worldview?
[DS]: Not so much a specific wine but a wine experience I had very early on. I had the pleasure of visiting some friends in Europe after graduating from law school and they took me to Beaune (in the heart of Burgundy) for a weekend. We did a lot of tasting in the touristy cellars, but also in garages and co-operatives where the atmosphere was much more down-to-earth. I knew absolutely nothing about wine prior to that but I was in awe of what I saw, smelled, and tasted. I couldn’t put my finger on it at the time, but I was in the heart of a culture that valued wine as an everyday experience—that part really resonated with my soul. Looking back, I’m sure that I would appreciate that experience more fully if I took the same trip now, but that time in Beaune has fueled my passion for wine ever since.
[TaV]: With the exception of your own wines, what are your favorite Oregon wines and /or producers?
[DS]: We truly have an embarrassment of riches here in the Willamette Valley—so many quality producers call this place home that a list of my favorite producers would fill about 3 dozen barrels. With every producer having their own unique style—plus the trailblazing nature of the Oregon wine industry—innovation is happening all the time: new grapes, new techniques, and so on. I think many people assume that a winemaker drinks only his or her own wine at home, but the truth is I almost never drink my own wines outside of the professional setting. I’d much rather be exploring the styles and fresh ideas that other winemakers here are creating and perhaps get inspired to try some of those ideas myself!
[TaV]: What are your favorite wines and/producers outside of Oregon?
[DS]: Again, way too many to answer! The wines I enjoy most are ones where I have a personal connection in some way and I’m fortunate to have so many talented friends in other parts of the winemaking world. Back in Ohio, my mentor Joe Henke at Henke Winery, of course, but also my friends Greg Pollman of Valley Vineyards and Bill Skvarla of Harmony Hill Vineyards make fantastic wines from grapes grown locally and regionally. Up in Woodinville, Washington my friend, Lisa Callan of Callan Cellars is making a name for herself with her Washington-focused program. And up over the border in Naramata, British Columbia my friend Jay Drysdale has founded Bella Sparkling Wines, BC’s only winery dedicated to sparkling wines. I know that some other friends have projects in the works and can’t wait to brag about them in a few years too.
[TaV]: Where do you see Bells Up Winery in 20 years?
[DS]: Not in the grocery store. Our customer base is national, but we have no aspirations for retail distribution. We’re perfectly content to sell direct-to-consumer and to a couple of local restaurants and a wine bar in Downtown Portland. When we hit 1,000-case production, that’s it. We won’t make any more than that annually because we both enjoy and believe wholeheartedly in the micro-boutique winery experience we’ve created. We want to have personal relationships with our customers. We specifically don’t have an online ordering portal because we want to have a conversation with our buyers either by phone or email. Making and maintaining those connections is really important to us, and we hope to grow those relationships over the next 20 years and beyond.
I’m sure you are ready to taste some wine by now. Before I will share with you my notes after tasting 3 of Dave’s wines, I want to bring something to your attention. By now you know that Bells Up wines are named after different musical compositions. In case you want to experience those musical compositions, either by themselves or together with the wine, Dave has a link to Spotify playlist of all the relevant music pieces available on the winery website. And now, here are my notes:
2018 Bells Up Helios Seyval Blanc Chehalem Mountains AVA (13.1% ABV, $38, 15 cases produced)
Light golden
Restrained, minerality-driven, touch of gunflint, a touch of fresh green apples
Excellent acidity, Granny Smith apples all the way, crisp, fresh, good texture. Has traits of Seyval Blanc (tropical fruit intent, I would say, like a hint of guava without any fruit notes), but put on a different core
8-, very interesting, thought-provoking and food friendly wine (acidity lingers on the finish for a good couple of minutes)
2018 Bells Up Prelude Rosé of Pinot Noir Chehalem Mountains (13% ABV, $22, 126 cases produced)
Light red
Medium plus intensity, distant hint of the barnyard, underripe cranberries, herbal notes
Bone dry, crunchy cranberries, excellent acidity, food-friendly wine, fruit showing up a bit later, excellent balance
8/8+, delicious and dangerous. I can keep drinking it until the bottle will be empty
2016 Bells Up Titan Pinot Noir Willamette Valley (13.1% ABV, $40, 12 months in French oak (39% new), 131 cases produced)
Dark ruby
Plums, a hint of smoke, violets
Slightly underripe plums, crisp cherries, sage undertones, good acidity, light to medium body,
8-, light, easy to drink, food friendly. Should improve with time.
Dave Specter conducts the private tasting. Source: Bells Up Winery
Here you are, my friends. Another story of Passion and Pinot.
To be continued…
P.S. Here are the links to the posts profiling wineries in this Passion and Pinot series, in alphabetical order:
Alloro Vineyard, Ghost Hill Cellars, Ken Wright Cellars, Knudsen Vineyards, Lenné Estate, Tendril Cellars, Youngberg Hill Vineyards, Vidon Vineyard
Enjoying The Wine In The Can
Let me start with the question: what do you think of wines in the can?
I’ve seen rather an interesting reaction in social media (both Instagram and Twitter) when I post a picture of the wine in the can. It ranges from “Hmmm” to “Really???” to “How you can even talk about wine in the can???” to “I can’t believe there can be any good wine in the can”. Mind you, this doesn’t come from uninitiated people – wine pros of different walks have a very similar reaction when seeing the reference to the wine in the can. And I find this a bit surprising.
It’s been almost 5 years since I tried my first wine in the can. I don’t think I ever had a question “why wine in the can” (my first reaction was “wow, cool, something new and different!”) – my only question was “is it good?”. A can is just a different form of packaging – nothing more and nothing less. If you follow the subject of wine in the can, I’m sure you saw lots of different reasons and explanations to the question of “why” – “democratize wine”, “pinkies down”, “appeal to millennials” and blah blah blah. Whatever. I don’t think that simply putting wine in the can is the “magic bullet” for anything.
Of course, unique and different packaging helps to appeal to potentially a different category of consumers. But – the wine is binary. You either like it – or not. The proverbial question of the desire of the second glass is the key. Consumers might buy the can for the first time for its unique form. But they have to like it to come back and buy it again.
There is another interesting side of wine in the can in addition to the form factor. Making wine in the can allows winemakers to get ultimately creative, as you can work with a very small batches – and you can do truly uncommon things, such as finishing wine with beer hops or mixing Zinfandel with coffee – I’ve had plenty of oddly interesting concoctions, courtesy of Filed Recordings Can Club, the true pioneers of the wine in the can (Field Recordings Wine and Can club is the only wine club I belong to – because it never gets boring with Andrew Jones). Such a variety is also making it interesting for the curious wine lovers, who always have something new and different to try. And if you like something, you really want to run and grab it, while you can – the flip side of the small batch winemaking is that the wine is gone in no time.
Just to give an example, here are the notes for two of the latest shipments I received this year from the Field Recordings can club. The first one arrived just a few days ago, but I made an effort to familiarize myself with the wines quickly :). In case you are wondering, all these wines are priced at $5 per 375 ml can, so two cans would be somewhat equal to the $10 bottle of wine.
2018 Field Recordings Chardonnay Coquina VIneyard Rancho Arroyo Grande (12.1% ABV, 6 barrels produced) – fresh crunchy plums all the way, sprinkled with the lemon juice and some granny smith apples. Refreshing, round and delightful. Will make a beautiful summer day even better.
2018 Field Recordings Charbono Guglielmo Giovanni Vineyard Paso Robles (11.8% ABV) – how often do you drink Charbono (known in Argentina as Bonarda)? The producer recommended to serve this wine at the cellar temperature – I had it at a room temperature, and after 5 minutes in the glass (by the way, if you drink at home, feel free to use your favorite glass, you don’t have to drink from the can if you don’t want to) the wine was delicious – medium weight, supple dark fruit and spices, simple and easy to drink. Another winner for the summer day.
2018 Field Recordings Valdiguié Shell Creek Vineyard Paso Robles (13.7% ABV, one puncheon produced) – How about the Valdiguié grape? While typically found in the South of France, in Languedoc, the grape found its way into the US and was known for a while as Napa Gamay. I tried this wine at room temperature (too acidic and herbaceous, literally “leaf-forward”), from the fridge (much better than at the room temperature, good acidity, and underripe berries), and then at the “cellar temperature” (as recommended) – best, with excellent complexity, young berries, fennel, mint and lemon.
Here are the wines from the shipment earlier this year – note the completely different style of the labels – isn’t it fun? I tried only two of these so far, both superb:
2018 Field Recordings Dry Hop Chardonnay Pét Nat Paso Robles (11.5% ABV, 3 barrels produced) – ohhh, what a pleasure! Light fizz, dry hoppy notes, fresh apple, vibrant acidity, an impression of simply walking in the meadow – the can disappear in a few gulps, literally.
2018 Field Recordings Jurassic Park Chenin Blanc Santa Ynez Valley (11.3% ABV) – Chenin Blanc from Field Recordings never disappoints. This wine was made in two formats – a bottle and a can. It is yet something I need to try, but I have high hopes.
2017 Field Recordings Old Potrero Zinfandel Arroyo Grande Valey (14.9% ABV, 6 barrels produced) – this was mind-boggling. While I accept canned wines wholeheartedly, I still expect canned wines to challenge me – but there was nothing challenging about this wine. From the first smell and sip, this was an amazing California Zinfandel in its beauty – powerful, dense, loaded with blackberries, a touch of dark chocolate, lusciously layered and dangerous (we almost had to fight for the last drops). A wow in the can.
As you can tell, I’m pretty excited about the canned wines I tried – but this is not my main point. I’m simply suggesting that you should look at the wine in the can not as a gimmick, but as a product made with a purpose. Are all wines in the can good? Of course not. There will be some which you will like, and some which you will not. But it is the same with the wine in the bottle – there are some which you like, and some which you don’t. Don’t be afraid of the wine can – just give it a try. And prepare to be pleasantly surprised. Cheers!
Your Wish Is My Command
Oenophiles are very generous people.
I’m not speaking in general terms here – we are only talking about the wine. But when it comes to wine, we are ready to share. We want to share the experience. We want to share the joy of what we consider a great sip of wine with the whole world. It doesn’t always work – what tastes amazing to you, might be unimaginable plonk for someone else – everyone’s palate is different. But when it works, the experience is priceless. When the person takes a sip of the wine and says “OMG”, this is the best feeling in the world. Been able to help someone to share your joy and discover something new is incredible, and I can’t really describe it – I just truly hope you get to experience it at least once.
And then there are some key words which spur oenophile into the action. “I always wanted to try that wine”. “I never tasted the wine from that region”. “Trying this wine was always my dream”. “If I can ever find that wine”. All of these are the phrases which should be used very carefully around oenophiles, as these are the trigger phrases. They make an oenophile jump of joy and immediately devise the plan on mediating the issue in whatever way possible. If you consider yourself an oenophile, I’m sure you can relate. If you are not – I hope you know at least one.
Recently at the birthday party, an old friend said: “I always wanted to drink aged wines, but I don’t know how to find them, they are probably expensive, and I don’t know anything about them”. Can you imagine my ears perked up as soon as I heard it? Oenophile’s joyous moment, an opportunity to share the wine – yes! I gave her advice as to where she can find some aged wines (Benchmark Wines, for instance), but the brain already was put to the task. When we decided to get together for dinner, the first thing I said was “I’m bringing the wines”.
After some deliberation, I came to an agreement with oneself regarding the wine program – you can see the whole program in the picture above. I was happy that I had a reasonably aged sparkling wine – Guido Ferrari. I wrote about Ferrari wines many times, these are definitely some of my favorite sparkling wines. 2005 is still a baby, as this is a current vintage, but still – this is an excellent sparkling wine, and it was a sample so I had to open it in any case – sharing with friends makes me very happy.
I definitely wanted to have a Rosé as part of the repertoire, but the absolute majority of Rosé is not made for aging – and those which age well, are either impossible to find, or very expensive, or both. So yeah, no Rosé. For the white, I decided to go with another one of my favorites – barrel-aged Verdejo, 2009 Shaya Habis. 10 years is not that much in terms of wine age, but most of the white wines don’t age that well, and I didn’t have a nice Burgundy, Chablis or white Rhone to offer instead, so I think 10 years old Verdejo should be interesting enough.
Red wines generally can age. I decided to go with “middle-aged” wines, even though the “middle” varies dramatically between the wines and the regions. My selection – 1995 Estancia Meritage, a Bordeaux style blend from California, 1995 Quinta do Poço do Lobo from Portugal (one of my top dozen wines of 2018), and 1998 Kirkland Ranch Merlot from California. I saw that the folks on Cellar Tracker considered Estancia to be past prime for a while so this will be an interesting experience, no matter what. And the 1998 Merlot I never had before, so this is an excellent opportunity to try it. 2007 Sauternes for dessert? 12 years is not much of age for the Sauternes, but this was one of the few older dessert bottles at my disposal so this would have to do.
The above part of the post was written before the tasting. Now, it is time to tell you how the wines actually fared.
Vintage-designated sparkling wines with some age are not a simple thing for uninitiated wine lovers – many say that Dom Perignon is amazing only because they know how much it costs, not because they enjoy it. This 14 years old, 2005 Giulio Ferrari Riserva del Fondatory was outstanding in my opinion – fresh, complex, elegant, it was truly a beautiful, minerality-driven Chardonnay, enframed with some fine bubbles. You know what was the best part? To hear my friends say “wow” and “I really like it”. Mission accomplished.
We continued with 2009 Shaya Habis Rueda (100% old vines Verdejo, barrel aged). This wine is one of my favorite Verdejo renditions, typically offering lots of complexity – but I never had it with 10 years of age. The wine was still young and crisp, with minimal fruit expression and tons of minerality, tons. Again, I consider this wine a success as one of my friends literally hugged the bottle and kept drinking this wine, repeating every few minutes “wow, and I even don’t like the whites!”.
Now, it was not without trepidation that I opened 1995 Estancia Meritage Alexander Valley (67% Cabernet Sauvignon, 17% Merlot, 16% Cabernet Franc), taking into account the negative sentiment on the CT. But – my fears were unfounded. The wine was a perfect example of the nicely aged California wine – yes, it mellowed down and was tertiary aromas-driven, but it stayed that way during the whole evening, and it was a perfect example of what aging does to the wine – simply the next dimension. The aromatics which you can enjoy endlessly, an abundance of lip-smacking plums, touch of eucalyptus, good acidity – a great experience. And yet another “yes” vote in our wine program – everyone liked the wine. Were they simply polite? I don’t know. I hope they actually liked the wine, as I wholeheartedly did.
The next wine I brought simply as a “safe bet”, just in case Estancia would not work out. While Estancia was fine, I was happy to open this wine, if anything, at least, to compare two of the wines from the same vintage – of course, from very different wine regions. 1995 Caves São João Quinta do Poço do Lobo Reserva from Bairrada in Portugal didn’t change its standing “you are drinking me too early” even for a bit (the wine was only released last year, and I was raving about it before) – elegant, restrained dark fruit and herbs – two of these 1995 wines couldn’t be any more different than they were. Again, I think people liked this wine too – but it was too far into the evening to keep track. In any case, I’m glad I still have a few more bottles left.
We didn’t open the 1998 Kirkland Merlot – will have to wait for another occasion – but 2007 Haut Charmes from Sauternes was delightful and all apricots, both the nose and the palate. Ripe apricots, candied apricots, apricot jam – all of it was in every sip – oh yeah, don’t worry, all apricots were supported by acidic core. I don’t know if this was a common expression for the aged Sauternes, but there was a lot of pleasure in every sip of that wine.
This is my story of helping friends to experience aged wines. If you ask me, this was a complete success as people got to enjoy something new and different. Have you had any of these wines? What would you open for your friends to try? Cheers!
Friday Night Wine
Isn’t Friday the best day of the week? Or to narrow it down even more – isn’t Friday night the best time of the week?
I know, it is considered lame. The right thing to do is to love Mondays, as this is your new chance to make a difference, and yada yada yada. Whatever.
So really, isn’t Friday night great? Especially when you don’t need to go anywhere. You don’t need to entertain anyone. The whole weekend lies ahead. Life is good.
Does such quiet Friday night deserve a special wine? This is a tough question, especially for someone who drinks wine only on the special occasions, such as days which names end with “y”. I can actually argue this both ways – I guess it only depends if you feel like making it special, or treat it as any other day and just open a random bottle. Well, but still – quiet Friday night is special, so a special bottle feels appropriate more often than not.
Finding the right bottle for the Friday night is an as difficult exercise as selecting a bottle for any special holidays or birthdays. On one side, it is the Friday night – on another side, it is just a Friday night, one of the 52. A Friday is not a special enough occasion to pull one of your most prized bottles, but you do want to celebrate the weekend coming, so it should be at least something unique and different.
It is hard to figure out how the brain decides on the bottle. After about 10 minutes of pulling the wine fridge shelves back and forth, I came across the 2011 Cahors, and the brain (or whatever is there) said: “that will do”.
2011 Jean-Luc Baldès Triguedina Clos Triguedina Cahors AOP (14.5% ABV, 85% Malbec, 10% Merlot, 5% Tannat) was one of my favorite discoveries of the past year while attending the Wines of Southwest of France event. I had only one bottle, but that is the same story with the absolute majority of my cellar, so I typically go through the regretful “second thoughts” process no matter what I decide to open.
Boy, was that a lucky decision… This wine had everything one can desire to make any day special – from the first smell to the first sip to the last sip; a perfect oenophile wine. Its major quality, outside of balance, was a tremendous range of expression. The nose started with a little funk, a touch of the barnyard, and fresh berries. The palate offered an exquisite bouquet and an ability to travel in the instant. The first sip squarely established – I’m not sitting on my deck anymore, I’m now in the winery’s cellar, breathing the vinous aromas which accumulated there during the centuries.
The wine continued evolving, offering tobacco, fresh blackberries, a touch of pepper, dark power, dark magic, and layers of pleasure. The acidity, the tannins, the fruit – everything was there in complete harmony. I call such wines a “vinous vino”, as these are the only words which come to mind. The wine was a beautiful rendition of Malbec – unquestionably an “old world”, and unquestionably delicious. If Cahors wines produced back in the middle ages were anything similar to this Clos Triguedina wine, I fully understand why it was so popular in Europe and Russia.
There you are, my friends. I hope your Friday night was filled with pleasure, just like mine was. Do you think Friday night wine should be special? What would you open to celebrate a quiet Friday night? Cheers!
Rediscovering Beaujolais
Source: Discover Beaujolais website
I remember learning about wine many moons ago at Kevin Zraly’s Windows on the World Wine School, where Beaujolais was one of the first French wine regions we discovered. We learned that there are general Beaujolais wines, which are not worth seeking, Beaujolais Villages, which are a bit better than the regular Beaujolais, and ten Cru wines (Brouilly, Chénas, Chiroubles, Côte de Brouilly, Fleurie, Juliénas, Morgon, Moulin-à-Vent, Régnié, and Saint-Amour) – and the Cru wines are something worth looking for.
There might be a few reasons why Cru Beaujolais wines are worth looking for – we should remember that Beaujolais is part of Burgundy, and thus it shares similar soils and climatic conditions as the rest of the Burgundy. Beaujolais wines are made out of Gamay Noir, not Pinot Noir, which is a king of Burgundy, but still – well-made Cru Beaujolais wines can offer a poor man’s alternative to its rarely affordable cousins.
But then there is this thing… Beaujolais Nouveau. The wine which became a glorious marketing success – and Achilles hill of Beaujolais wines. Beaujolais Nouveau became an international celebration of the new vintage, where the wine produced from the grapes just harvested a few months ago, hits the shelves of the wine stores worldwide on the third Thursday in November. While the success of Beaujolais Nouveau is unquestionable, its marketing message has a simple consequence – say “Beaujolais”, and most of the wine consumers immediately add the word “Nouveau” – overshadowing all the great Cru Beaujolais wines.
Yours truly is guilty as charged – in almost 10 years of blogging, I wrote about Beaujolais Nouveau literally every year – and I have only two posts covering Cru Beaujolais, after attending the tasting of the Duboeuf Cru Beaujolais portfolio back in 2012 (here are links to the Part 1 and Part 2 posts, if you are interested). I have to also say that the avoidance of Beaujolais wines was not conscious – there are few regions and types of wines which I intentionally avoid, such as generic Cotes du Rhone or similarly generic Argentinian Malbec – but the Beaujolais avoidance was rather subconscious.
Château de Bellevue. Source: CognacOne/Chateau de Bellevue
When I got the email from CognacOne, an importer with an excellent collection of French wines, introducing the new Cru Beaujolais wines from Château de Bellevue, something piqued my interest, and I got the sample of two Cru Beaujolais wines from Morgon and Fleurie.
Château de Bellevue was built at the beginning of the 19th century in the village of Villié-Morgon, with the addition of the cellar behind it in 1830. Today, Château de Bellevue is both the winery and Bed and Breakfast Inn. Château de Bellevue vineyards span 37 acres across a number of the Cru Beaujolais appellations (Moulin à Vent, Morgon, Fleurie, and Brouilly) – needless to say, Gamay Noir is the only grape which can be found there. While it is all Gamay grapes, the terroir rules, and wines from the different appellations are perfectly distinguishable.
Here are the notes for the two wines I had an opportunity to try:
2015 Château de Bellevue Fleurie AOP (13% ABV, $25, aged 9 months in steel tanks)
Dark garnet
Crushed rock, iodine, underbrush, cherries
Medium plus body, crunchy berries, minerality, good tannins, good acidity, good balance
8, easy to drink, dangerous.
2015 Château de Bellevue Climat Les Charmes Morgon AOP (12.5% ABV, $25, aged 9-10 months (partially) in large French oak barrels)
Dark garnet
Raspberries, minerality, hot rocks
Nicely tart, well present tannins, tart cherries, excellent balance
8, a bit more earthy and bigger bodied, delicious.
Second day: 8+, the wine opened up magnificently, adding beautiful layers of fruit and spices.
Here you go, my friends. I know – too many wines, too little time – but I definitely intend on adding more Beaujolais wines to my cellar. How do Cru Beaujolais fare in your wine world? Cheers!
Wine Love: Lodi, California
It is with the bittersweet feeling I confess my unconditional love to the wines of Lodi.
It is bittersweet, as on one side when the person is in love, they want to tell the whole world about it. On another side, I don’t want to tell the whole world about it – I want to keep it all to myself. I want Lodi to stay as a secret refuge for those who know. I want the Lodi wines to stay affordable, and the wineries to stay un-Napa – simple, humble, friendly, and worth visiting. But – this is not necessarily right for the winemakers of Lodi, who wants their wines to be known and drunk by the people, and therefore, it is my mission as a wine writer and wine aficionado to help with that, even risking that Lodi might not stay the same.
Bittersweet, yeah.
In general, Lodi is unknown and misunderstood. Wine lovers think that Lodi is only producing Zinfandel and high-power, high-alcohol fruit bombs. This can’t be any further away from the truth about what Lodi really is. So if this is what you thought of Lodi before, take it out of your head, and let me tell you what Lodi really is.
Historically, if California is an agricultural capital of the USA, Lodi is an agricultural capital of California. By the way, do you know where Robert Mondavi (yes, THAT Robert Mondavi) went to the high school? Yep, in Lodi. These are just fun facts, but now let’s get closer to the subject. Lodi is not about Zinfandel. First and foremost, Lodi is home to the Mediterranean grape varieties – Tempranillo, Sangiovese, Viognier, Albariño, Grenache, Cinsault, Syrah, Barbera, and many others. Lodi has a great climate for grape growing – it gets very hot during the day – temperatures in July/August can reach into the lover 100s – however, it cools off very nicely to “ohh, I need a jacket” on August night. That temperature range helps grapes to concentrate the flavor.
Lodi has sandy soils, which are not conducive for phylloxera, thus most vineyards in Lodi are planted on their original rootstocks. Lodi is home to some of the oldest continuously producing vineyards in the USA and in the world – for example, Carignane and Cinsault vineyards are 120+ years old, still bearing wine-worthy fruit. Lodi Rules, developed starting in 1992, became the standard of sustainable winegrowing in California (the same rules are even implemented at Yarden winery in Israel). And one of the most important elements – Lodi winemakers are some of the friendliest wine people you can find.
Until late 2016 I was square with the general public, equating Lodi with Zinfandel only. Then Wine Bloggers Conference happened, hosted in Lodi, and I was blown away by what I discovered upon arriving in Lodi. During that week I was also mesmerized by the attitude and hospitality of the winemakers, who took their time off the most important winemaking activity of the year – harvest – and spent time with the wine bloggers, sharing their love of the land. It is not only about the attitude – the absolute majority of the wines were tasted were delicious – I’m very particular in my expectations as to what good Syrah, Tempranillo, Barbera, or Albariño should taste like.
Two months after the wine bloggers conference I was in the Bay area on the business trip and had an open weekend. I tried to make some appointments in Napa, and when that didn’t work out, I went again to Lodi – had an amazing time tasting through the whole portfolios of Bokisch, Borra Vineyards, and Lucas Winery (the absolute beauty of 15 years old Lucas Chardonnay we tasted at the WBC16 speed tasting session still haunts me). I never wrote about that experience, but this is a whole another matter.
When I got an invitation from Snooth to join the virtual tasting session of Lodi wines, I almost jumped of joy – yes, I will be delighted to experience the Lodi wines, which are still hardly available outside of Lodi or California at the best (or is that a good thing :)?) Six wines, six producers, a unique and unusual set of grapes – what more wine aficionado can be excited about?
Below are my notes and thoughts about the wines. In case you want to follow along with the video of the virtual tasting, which provides way more information than I’m including here, here is the link for you.
2018 Acquiesce Winery & Vineyards Ingénue Mokelumne River AVA Lodi (13% ABV, $32, 35% Clairette Blanche, 35% Grenache Blanc, 20% Bourboulenc, 10% Picpoul Blanc, 350 cases produced) – Sue Tipton, winemaker and owner at Acquiesce Winery is known as a white wine specialist. She produces a range of wines made primarily out of the southern Rhone varieties.
Straw pale color
White stone fruit, candied fruit, concentrated
Day 1:
White stone fruit on the palate, good acidity, minerality, salinity
7+; it is really a 7+ out of respect to the wine which so many bloggers raving about. I clearly don’t get this wine, and no, it doesn’t give me pleasure.
Day 2-4:
Elegant, lemon and white peach notes, clean, good mid-palate weight, definitely resembling white Chateauneuf-du-Pape, uplifting, vibrant, perfectly balanced
8+; OMG. The wines can’t be any more different after being open for a few days. It changed dramatically, it opened up, it showed balance and elegance. This is an excellent wine, just give it 5-10 years to evolve (or longer).
2018 m2 Wines Vermentino Mokelumne River AVA Lodi (12.3% ABV, $20, 250 cases produced) – this Vermentino was unique and different in its show of minerality – it is quite rare for me to taste the wines like that.
Light straw pale, really non-existent color
Minerality-forward nose, granite, lemon undertones
Salinity on the palate, lemon, crisp acidity.
8-, tremendous minerality on this wine, it has more minerality than fruit. This wine also shows a bit more fruit after being opened for a few days, but it still retained all of its minerally character.
LangeTwins Winery & Vineyards 2018 Aglianico Rosé Lodi (13% ABV, $20, winery exclusive) – owned by the twin brothers, as the name says, LangeTwins is quite an unusual winery. Fun fact: their own production under LangeTwins label is quite small – however, as a contract winery their capacity to produce and store wines exceeds 2.2 million gallons. It is not the first time LangeTwins makes delicious Rosé from the Italian grapes – their Sangiovese Rosé has a cult following and impossible to get. This Aglianico Rosé is worthy of joining the cult ranks.
Beautiful pink color
Strawberries on the nose, nicely restrained, some minerality undertones
Delicate, balanced, perfect crunchy strawberries, crisp, refreshing
8, love this wine, would drink it any day
2016 Mettler Family Vineyards Pinotage Lodi (14.9% ABV, $25, winery exclusive, 350 cases produced) – not familiar with the winery, but seeing Pinotage on the label made me really wonder. Pinotage is a South African grape, which now produces much better wines than 20-30 years ago, but still with a very polarizing following (love/hate). This was my first taste of Pinotage produced outside of South Africa – and this was one unique and delicious wine.
Dark Garnet, almost black
Ripe blueberries, a touch of smoke, herbaceous undertones
Silky smooth, dark fruit, a touch of molasses, smoke, good textural presence, minerality, good acidity, good balance
8, lots of pleasure
2016 PRIE Winery Ancient Vine (1900), Block 4 Spenker Ranch Carignane Mokelumne River AVA Lodi (14.4% ABV, $29, 70 cases produced) – Just a thought if drinking the wines made from the grapes harvested from the vine which exists for 120 years, gives me quivers. An absolutely unique experience.
Bright garnet
Roasted meat, granite, chipotle
Great complexity, tart raspberries, rosemary, bright acidity, medium body, distant hint of cinnamon, excellent balance
8+/9-, it might sound like an oxymoron, but this wine is easy to drink and thought-provoking. Lots of pleasure in every sip
2016 Michael David Winery Ink Blot Cabernet Franc Lodi (15% ABV, $35, 85% Cabernet Franc, 8% Cabernet Sauvignon, 7% Petite Sirah, 65% 16 months neutral oak, 35% 16 months new French oak) – Michael David winery is known for its show of power in the wines. But when power is supported by elegance, that’s when you have an ultimate experience.
Dark garnet
Unmistakably Lodi, blueberries and blueberries compote, medium plus intensity, fresh
Lots of fresh berries – blueberries, blackberries, chewy, fleshy, well present. Touch of cinnamon, good acidity, overall good balance.
8, massive wine offering lots of pleasure. It just happened that soon after tasting, I had to leave the town for a business trip, so I just pumped the air out and left it standing on the floor. My wife didn’t have the opportunity to finish it, so when I came back 10 days later, I decided to taste it before I will pour it down the drain. To my horror surprise, the wine was still perfectly drinkable. That technically means that it has great aging potential, so maybe I need to lose a few bottles in my cellar.
Here you are, my friends. I hope I made you curious about the wines of Lodi. Definitely look for them in the store, but also keep Lodi in mind as your next winery excursion trip – just get ready to haul home a few cases of wine. Cheers!
Patches of Goodness – Introducing Ferzo
In Italian, Ferzo is a patch of fabric that is stitched together with others to create a sail. Let’s sail together into the world of wine.
Wine lovers are some of the happiest people in the world.
Don’t jump to any conclusions – the happiness starts before the bottle is open, not after the wine is consumed.
How I mean it? Let me explain.
I personally believe that travel is one of the best things people can do as a pastime. You get to experience a different culture, people, food, and lots more. Travel typically requires planning – money, time off work, finding someone to sit with your three dogs, water plants, feed goldfish … you get the picture. A successful trip requires one’s full, undivided involvement, from start to finish – and then it usually ends with happy memories.
Wine lovers, on another hand, have it easy. It is enough to take a bottle of wine in your hands, and you are instantly transported. Your trip starts with the first look at the label, and then it is only limited by your imagination. The more you learn about the world of wine, the easier such travel becomes. You can instantly immerse into the culture, imagine visiting the vineyard, talking to the people, sitting in the tiny cafe with a glass of wine, just observing life as it happens. Sounds good? Can I take you on a trip right now, right at this moment? Of course, I know you are ready. I’m inviting you to visit Italy, the region called Abruzzo.
Abruzzo is a region in Central Italy, located along the Adriatic Sea coast. The territory of Abruzzo is about half of the size of the US state of New Jersey. However, the region boasts the biggest number of forests and parks compared to any other region in Italy, and thus sometimes it is referred to as “the lungs of Italy”.
There is nothing unique about winemaking in Abruzzo – it is only about a few thousand years old, on par with the rest of Italy. Well, jokes aside, the Abruzzo region is enclosed in the Apennines mountains, which historically provided natural defenses to the people living in the region – as well as ideal conditions for the winemaking.
Abruzzo wines became known internationally in the 17th century, largely thanks to the Spanish writer, Miguel de Cervantes, who praised the high quality of the region’s white wine, Trebbiano d’Abruzzo – however, today Abruzzo is first and foremost known for its red wine, Montepulciano di Abruzzo, produced from the grape called Montepulciano (try not to confuse it with the wine made in the Montepulciano village in Tuscany, which is made out of Sangiovese).
The wine is made is all four provinces of Abruzzo, however, the province of Chieti has the highest production of the four. While Montepulciano is a “king” of Abruzzo, the white grapes always played an essential role in the region. Today, the focus is shifting past the traditional Trebbiano towards until recently forgotten varieties, such as Pecorino, Passerina, and others.
Codice Citra is the largest winegrowing community in Abruzzo, uniting 3,000 winegrowing families from 9 different communes (wineries), collectively farming 15,000 acres of vineyards. Formed in 1973, Codice Citra had been making wines from the autochthonous varieties – Montepulciano, Trebbiano, Pecorino, Passerina and Cococciola.
With bottling capacity of 20,000 bottles per hour, you can imagine that Codice Citra produces quite a bit of wine. But this is not what we are talking about here. When you make wine year after year, you learn what works and what doesn’t. Little by little, you can identify the parcels of the vineyards, the patches, which produce different, maybe better grapes, year after year. And at some point, you decide – this patch is something special, maybe it deserves to be bottled on its own?
And that’s how Ferzo was born. Single grape wines, made from the plots with the vines of at least 20 years of age, representing the best Abruzzo has to offer – Montepulciano, Pecorino, Passerina and Cococciola. I had an opportunity to taste the line of Ferzo wines, graciously provided as samples by Donna White, and I was utterly impressed with the quality and the amount of pleasure each wine had to offer. Here are the notes:
Travel Diaries: Two Days in New York, or Pleasures of Being a Tourist
I live in close proximity of New York – 45 minutes by train – and I almost call it my “home town”. Each year, I get to visit the City, as it is typically called by locals (and to the best of my knowledge, “The City” primarily refers to Manhattan – New Yorkers, feel free to correct me) numerous number of times – business meetings, dinners, Broadway shows, wines tastings – you name it. But every one of those visits is purpose-driven – get in, do your thing, get out. Yes, I get to walk the streets, which I enjoy immensely and snap a few pictures, but still – the mind is set on “in and out”. “Can I sit on this bench for another ten minutes? No, because then you will miss the train. Get up and get going”.
To tell you the truth, the idea of staying in New York for a night was on my mind for a long time. Last week was a school break, for which we had no opportunity to make any plans. I looked around for a short notice vacation – flying would cost a fortune and would be mentally exhaustive (don’t get me going on my travel luck lately). Driving long distance with a rainy forecast for most of the East Coast didn’t look attractive even for a bit. And then the thought came – what about New York? My wife and our youngest daughter quickly agreed (older kids had no vacation that week anyway); we got lucky finding the room at Marriott Marquis, right in the middle of the Times Square – and with my Marriott status we even scored an upgrade, so we were definitely all set for a short New York getaway.
We decided to come over by train so we will not have to deal with the parking. After some deliberations, we decided to skip the most touristy things – city tour and the Broadway show, and just enjoy the City for what it is. Our mandatory program was short – Times Square, 9/11 Memorial, Jewish Heritage Musem and Central Park. Natural History Museum was also on the list, but with a bit of a lesser priority. With the hotel located right on the Times Square, the first requirement was easy – plus our upgraded room exceeded our expectations – we had the full view of the Times Square from the 45th floor, any second we wanted to see it – that alone made our vacation perfect.
Despite the gloomy forecast, I have to say that the weather cooperated with us very well. The view of the World Trade Center building covered in the fog was rather unique, and overall gray weather was perfectly appropriate for the solemn mood of the 9/11 memorial and even Jewish Heritage Museum. And for the next day’s walk through Central Park we even had the sun coming out instead of the expected rain, so we really can’t complain about the weather at all. By the way – we made it to the Natural History Museum, but it seems that there were a lot (way too many) dinosaur fans in New York that day – the line to get into the museum to see T.Rex exhibition was stretching over the few of the neighboring streets, so we really decided to call it a day.
The fact that we stayed overnight in New York really changed the impression and perception of this vacation. Instead of fighting the traffic and crowds to get back home after dinner, the leisurely walk back to the hotel created a feeling of a real vacation, when you immerse into the life around you and lose the feeling of time. There was no feeling of the day trip, no feeling of being close to home – it was a real vacation, just somewhere in the world, in a place where time doesn’t exist and you don’t need to care about anything. We all really loved the experience of being a tourist almost in your hometown and will be looking forward to doing this again – in New York and not.
The only way I can share this experience with you is through the pictures. As I never know when to stop, here are some many pictures for you – definitely more than a few, but I’m only trying to share some of the moments of our [short] vacation. Hope you will enjoy them as much as I did while taking them. Cheers!
Lower Manhattan – The World Trade Center and around:
Somewhere in New York:
Times Square – day, night, and around:
Central Park:
Celebrate Malbec!
While performing the traditional morning ritual – checking in with all the social media sources, something caught my attention – ohh, I almost missed the Malbec Day, or to be even more precise, the World Malbec Day. So not to miss a celebration of one of the 10 major red grapes, let’s talk Malbec.
Today, when you hear “Malbec”, people instantly think “Argentina”. Yes, Argentina is the best-known source of the Malbec wines at the moment. However, Malbec story originated in France, where it was known initially under the name of Cot – this is the name which is still used in the wines of Cahors, the region in South of France, where Malbec was really a star for a long time. In Cahors, the wines were and still are required to contain at least 70% of Malbec – while popular in most of the other regions in France, there Malbec typically played a supporting role in the blends, such as Bordeaux, for example.
It was Argentina where Malbec really flourished starting at the end of the 19th century and became the star it is today. However, the popularity of Malbec goes way beyond Argentina, with excellent Malbec and Malbec-based blends coming from Australia, Chile, Israel, many regions in the USA, and other places. In Argentina, where Malbec is by far the most planted red grape (with more than 106,000 acres planted), the viticulture dramatically evolved over the years, with high altitude, ultra-premium bottlings being the latest craze.
Over the years, Malbec was always present on the pages of this blog. Want to test your knowledge of Malbec? Here is the Malbec wine quiz for you. Looking to add some sensuality to your evening? How about Kaiken Malbec? Do you think you know Malbec? How about a blind taste challenge from one of the best in the business, Achaval-Ferrer? Everyone love Argentinian Malbec but don’t ignore the classics – Southwest of France can deliver amazing Malbec renditions, and I had a pleasure of tasting them more than once. Do you have a favorite Malbec bottle? The one which you are always happy to see in the store or a restaurant wine list? I can tell you that mine is Trapiche Broquel, which never disappoint.
Well, it is time to round it up and proceed with celebration. Do you have a favorite Malbec wine or wines? Feel free to share it with the world. Cheers!
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