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Deceptive Simplicity: Masciarelli Linea Classica
Simple is an interesting word to use around food and wine – there is a lot of dependency on the context.
I love simple recipes – one of my favorite recipes for sauteed eggplant has only 5 ingredients in it, takes 30 minutes to make and the result is consistently delicious. Air-fried salmon bites take less than a minute to prep, consist of only salmon and seasoning, and again, are consistently delicious. Near East couscous takes 5 minutes to make – and it is a perfect side dish every time it is made. When it comes to food, “simple” usually is a good word.
Calling the wine simple requires clarifications, it requires real context. “Simple wine” often means inexpensive, and this is a good thing – as long as the wine tastes good, as long as wine gives you pleasure “simple/inexpensive” is a good word (nobody likes “inexpensive” but crappy). Simple can apply to the label and overall packaging. The wine can also taste simple, and here the truth is in the eye of the beholder – many people prefer simpler-tasting wines so they will not interfere with the food. But if someone is craving complex, thought-provoking, multi-layered wine, “simple” is the last descriptor that someone will be happy about. “Simple wine” has a meaning only in the context.
The interesting part of a “simple wine” designation is that once we call the wine simple based on price and appearance, we make assumptions about the taste. Once we say “simple wine”, we are intuned to take it all the way – assuming that this simply looking wine will be also simply tasting wine.
Can simple packaging and a reasonable price hide the wine of a much grander standing than it appears to be? In other words, can simplicity be deceiving? Of course. Let me present my case to you – a classic lineup (Linea Classica) of wines from Tenuta Agricola Masciarelli in Abruzzo Italy.
Gianni Masciarelli produced his first vintage of red, white, and Rosé in 1981 from the 5 acres vineyard owned by his grandfather and located near the family house in San Martino in the province of Chieti in Abruzzo. Abruzzo region, located east of Rome along the Adriatic coast is best known for its – here it comes again – simple white and red wines, produced, respectively, from Trebbiano and Montepulciano. From the very beginning, Gianno was convinced that Abruzzo was capable of producing world-class wines. He worked very hard not only in his own winery but pushing forward the whole region. Gianny was the first to introduce a French Guyot training system for the vines and French oak barrels for aging the Montepulciano and Trebbiano wines. By the way, while Trebbiano is a popular white grape that grows all over Italy, Trebbiano Abruzzese is a local ancient Trebbiano clone that is growing only in Abruzzo. Trebbiano Abruzzese has lower yields and produces wines that can age.
Today, Tenuta Agricola Masciarelli is run by Giovanni’s wife, Marina Cvetić, together with their eldest daughter, Miriam Lee Masciarelli. Tenuta Masciarelli is the only winery that owns vineyards in all four provinces in Abruzzo (Chieti, Pescara, Teramo, l’Aquila). The vineyards span 740 acres (300 hectares) and consist of 60 non-adjacent parcels. Masciarelli produces 7 different lines of wines, 4 out of which are exported to the USA. The winery produces about 2.2 million bottles of wine every year that gets exported to 55 countries.
Here are my notes for the Linea Classica wines I had an opportunity to try:
2022 Masciarelli Trebbiano di Abruzzo DOC (13% ABV, $15)
Light golden
Tropical fruit, peach, minerality, medium intensity, inviting
Crisp, fresh, lemon notes, tart minerality, medium long refreshing finish, cleansing acidity, very nice
8-/8
2022 Masciarelli Colline Teatine Rosato IGT (13% ABV, $14)
Beautiful salmon pink
Fresh strawberries on the nose
Strawberries, brilliant fresh strawberries, cranberries, perfect acidity, good mouthfeel presence, crisp and clean finish. Excellent.
8
2020 Masciarelli Montepulciano di Abruzzo DOC (13.5% ABV, $15)
Dark garnet
Earthy, restrained, hint of cherries
Dark tart cherries, succulent, a touch of tobacco, dark, earthy, minerality, good acidity, good balance, medium to full body.
8, excellent
All three wines are unoaked and … yes… simple. At least in their presentation and pricing. But here is the interesting part. You can’t treat them as “simple wines”. Despite being unoaked, all three wines improved on the next day. And the next day. And even the next day. Truth be told, after I just opened and tried the Montepulciano, I was simply upset – the wine was not drinkable. For sure for my palate – green and tart. It became better the next day. And it really blossomed on the third day. In total, I enjoyed this screwtop-capped wine over the 6 days – pouring a glass, twisting the cap back, and leaving it on until the next day on the counter. And the wine kept getting better and better. This is a testament to the quality of this simple wine. And this simple wine can definitely age and it will become better with age. All for under $15.
Simplicity can be deceiving. Don’t take my word for it – try Masciarelli Linea Classica for yourself and let’s compare the notes. Cheers!
American Pleasures #9: Balverne Wines
Wine should give you pleasure – there is no point in drinking wine if it does not. Lately, I have had a number of samples of American wines that were delicious standouts – one after another, making me even wonder if someone cursed my palate. I enjoyed all those wines so much that I decided to designate a new series to them – the American Pleasures.
And we are back to talk about more delicious American wines (after a long and unintended break).
I love how wine not only entices your senses but lets you play a sleuth, a researcher, a scientist, a philosopher – a different role on a different day, or all of them at once – take your pick.
I can give it to you right now [spoilers alert]: I got a sample of three California wines, one better than another, one of them possibly even WOTY 2023 (told ya, spoilers) – and ended up doing the whole research (thanks, Google) trying to connect layers one by one. From the roles I mentioned above, I played mostly a sleuth trying to understand how far history was taking me and how all the little pieces fit together. Ah, never mind, let’s just get to it.
In the center of this excitement are the wines produced by the Notre Vue Estate (Notre Vue stands for Our View in French) and called Balverne. Notre Vue is a 710 acres estate located in the heart of Sonoma County next to Healdsburg and acquired by Bob and Renee Stein in 1992. The history of the land where the estate is situated goes all the way back to 1841 when it was the part of Rancho Sotoyome land grant of 1841. The grapes had been growing on the estate starting from 1869, and commercially starting from 1907 – I’m assuming after the estate was acquired by Antonio Perelli-Minetti.
Let’s take a quick stop here – have you heard of Antonio Perelli-Minetti? I have to shamefully admit that I never have. We all know who Rober Mondavi and Andrew Tschelisteff are, but Antonio Perelli-Minetti? When Antonio Perelli-Minetti died in August of 1976 at the age of 95, his obituary in S.F. Chronicle was titled “Dean of winemakers is dead at 95″. Dean of winemakers – and with all my passion for wine, all the reading and learning, I never came across his name? Well, it may be just me… But then there is almost nothing written about him, for sure online… Okay, moving along…
The winemaking at the estate started in 1972 under the name of Balverne Cellars – supposedly, Balverne is a hybrid Anglo-French term meaning “a place of trees”, which is very appropriate for the estate. In the 1980s, two recent UC Davis graduates, Doug Nalle and John Kongsgaard (I’m sure both names need no introduction), made the estate famous with Balvernet Cellars wines being served at the White House dinners and at some of the finest restaurants in Los Angeles and New York. After Steins acquired the estate in 1992 they were mostly selling the estate grapes to some of the best wineries in California. The winemaking was reintroduced at the estate in 2005 under the name of Windsor Oaks Vineyards, and in 2013, the Balverne name was brought back.
Whew, done with the history. Let’s talk about the present.
At the heart of the Notre Vue estate lays 350 acres of “Forever Wild” Nature Preserve, covered by a variety of oak trees and inhabited by red-tailed hawks (Red-Tailed Hawk is a symbol of Balverne, depicted on every label), wild turkeys, owls, bluebirds, coyotes, bobcats, grey foxes, hares, rabbits and lots more. This Forever Wild nature oasis is a critical element of sustainable viticulture practiced throughout 250 acres of surrounding vineyards. These Sonoma’s Certified Sustainable vineyards are split into multiple blocks growing 18 grape varieties, and they span two of Sonoma County’s prominent AVAs – Russian River Valley and Chalk Hill.
I had an opportunity to try 3 of Balverne’s recent releases – Pinot Noir, Cabernet Sauvignon, and Chardonnay. I would typically start tasting with the white wine – here, as I was tasting in the comfort of the house instead of the tasting room, I started with the red – Pinot Noir. The wine was excellent, tightly woven which is not always the case with California Pinot.
2021 Balverne Pinot Noir Russian River Valley AVA (14% ABV, $35, Pinot Noir clones 459 and 667 with a small percentage of 114 and 115, 9 months in 25% new French oak)
Dark garnet
Plums, violets, intense, inviting
Nicely restrained, dark cherries, tart, crisp, lean, well structured
8, excellent
Cabernet Sauvignon followed, being nothing short of excellent, and perfectly drinkable from the first pour.
2019 Balverne Cabernet Sauvignon Chalk Hill AVA (14.3% ABV, $48, 79% Cabernet Sauvignon, 9% Petit Verdot, 9% Malbec, 3% Cabernet Franc, 18 months in French oak)
Dark garnet
Eucalyptus, cassis
Everything weaves around the acidic core. Perfectly restrained, nice Bordeaux/old world style, harmonious, balanced, delicious.
8+, outstanding.
And then came Balverne Chardonnay.
I poured a glass without much thought. Sometimes, it is best to have no expectations – not low, not high, just none. This was the case, even after the first two very successful reds. White wine is difficult. With white wine, the winemaker has nowhere to hide. Even if it will be two out of three, this would be a successful encounter.
The very first whiff of the glass made me literally speechless. The following sip confirmed my excitement:
2021 Balverne Chardonnay Russian River Valley AVA (14.2% ABV, $35, clone 17, 5 months in 20% new French oak)
Light golden
Beautiful, varietally correct nose – vanilla, apple, lemon
The first sip blows your mind – vanilla, golden delicious apple, honey, lemon, minerality – impeccable balance and beauty only a Chardonnay is capable of expressing.
9, spectacular. This wine is just something. Something special.
As you might see in one of the pictures above, my sample set went beyond wine – The Notre Vue’s own California Extra Virgin Olive Oil was a part of the package. I decided to do [an unfair] comparison between Californian and Italian EVOO. Both olive oils were expectedly different, with the Italian one showing green, tight, and peppery, and the Californian one being much more fruity. The beauty – it is not a competition, depending on what dish you are using the olive oil for, each one would have its own advantages.
Now you have a complete experience report, including my uninvited research (but everyone is entitled to their own version of fun). What’s important is that I presented to you three excellent wines, both on their own and as a value. Once you taste this Chardonnay, believe me, you’ll understand…
And we are done here. But – I always have more American pleasures to share, so stay tuned…
The Land Whispers… You Just Need To Listen
I love wine dinners. Especially the wine dinners with the winemaker.
I dread wine dinners. Especially the wine dinners with the winemaker.
I know, I don’t make much sense at the moment. Wine dinners are wonderful, and I really do love them. The dreadful part comes from the experience of not being able to write about those wine dinners in a timely fashion. “Timely fashion”, huh – there are wine dinners I never wrote about in 5 years and such memories can hunt you down – they definitely do for me. I don’t know why this is happening on a regular basis – the elation often experienced during open and engaging conversations about wine becomes an ephemeral spirit, woefully resistful and easily escaping the slightest attempt to capture it in the form of words…
Let’s see if I will be able to break my unsettling tradition.
Last week I had a wonderful time and experience tasting the wines of Viñedos Veramonte and speaking with Gonzalo Bertelsen, General Manager and Head Winemaker in a small group of wine lovers, around the dinner table at the Monterey Brasserie in New York. The conversation topics were ranging from low-alcohol wines (is that really a trend? Are people really asking for it or is that just a gimmick?) to the production of organic and biodynamic wines to “why Germans don’t want to drink organic wines from Chile” (I will not tell you why but you are welcome to guess) and to many other far and between. But most importantly we got to enjoy Viñedos Veramonte wines with and without the food.
Viñedos Veramonte was one of the first wineries in the Casablanca region, founded in 1990 by Agustin Huneeus, a Chilean wine pioneer. From the very beginning, the winery embraced organic viticulture – and more recently, the winery spent more than 6 years making estate vineyards officially organic certified, obtaining ECOCERT® organic certification, one of the most respected in the world. The project involved the conversion of more than 1,200 acres of vineyards in Casablanca and Colchagua valleys to organic and biodynamic farming, with the aim to also become fully Demeter’s biodynamic certified – which requires making changes in the winery, not only in the vineyard – plus importers also have to be biodynamic certified.
Viñedos Veramonte produces 4 distinct lines of wines – Veramonte, Ritual, Primus, and Neyen – all from organic grapes, of course. We had an opportunity to taste wines from all 4 lines.
We started with the 2022 Veramonte Sauvignon Blanc Reserva Casablanca Valley ($13.99 SRP). This wine has one of the biggest productions, and it is very important for Veramonte. Preserving freshness is paramount, so special care is taken to prevent any oxidation of the grapes and juice, and the wine is bottled as soon as possible. The wine was herbaceous and crisp, delicious on its own but also nicely supporting our first course – Grande Plateau of seafood containing oysters, clams, tuna tartare, and lobster. The Sauvignon Blanc pairing with the oysters was the best – and the oysters were delicious, probably my favorite component of the Grand Plateau.
Next, we moved on to the 2019 Ritual Chardonnay Casablanca Valley ($20.99 SRP, fermented in oak barrels and concrete tanks). I wrote about Ritual wines many times, last time only a few months ago – the wines are consistently delicious. The wine was paired with a choice of appetizer – crispy artichokes or barbecued prawns. I selected crispy artichokes, forgetting that artichokes are notoriously difficult to be paired with wine. The dish was delicious on its own, and the wine was also good – on its own.
We also tried the 2020 Primus Carmenere Apalta DO ($20.99 SRP) with our appetizer course. The wine was excellent and had a nice profile of cassis supported by the bell peppers, showing off the pyrazines. Some of the winemakers are trying to prevent the pyrazines from showing up by changing growing conditions, harvesting regime and more – but I personally enjoy the pyrazines’ flavor very much, it adds to the authenticity of the wine. While Carmenere was still not a perfect match for the artichokes, it offered a bit better pairing than the Chardonnay.
Now we were ready for the main course, and the new wine arrived.
Last December I had an opportunity to try for the first time yet another Veramonte wine called Neyen. Neyen vineyards are located on a small parcel of land situated between the Andes Mountains and the Coastal Range. Neyen wines are literally always a blend of 50% Cabernet Sauvignon and 50% Carmenere, both coming from truly the old vines – Cabernet Sauvignon vines were planted in 1889, joined by Carmenere in 1936, which makes the vines respectively 134 and 87 years old.
In the local dialect, Neyen means “whisper”. The land whispers, you only need to listen to her – low intervention is what the Neyen winemakers practice. And this is the whisper you can taste.
The wine literally stopped me in my tracks. You know that stupid smile that you can’t control when something good is happening? This was my face upon the first whiff of the 2003 Neyen Espíritu de Apalta Apalta DO ($N/A) – the first vintage of Neyen wine ever produced. The time stopped – there was only the endless pleasure of aromatics that only mature wine can bring.
Time, wait. Don’t move. I’m still enjoying it. Please, just a few more moments.
Cassis and eucalyptus on the nose. Cassis and eucalyptus on the palate, silky smooth, perfectly integrated tannins, full body of the mature wine at its absolute peak, pleasure slowly descending layer after layer. This is the case where the words are clearly insufficient to describe the joy of the oenophile, but I hope I offered at least a glimpse.
For the main course, I selected Bluefin Tuna au Poivre with baby beets and citrus sauce – and to my delight, the 2003 Neyen offered a perfect pairing, elevating every bite of the food.
We also had the 2016 Neyen, Espíritu de Apalta Apalta DO ($N/A). Tasting 2016 after 2003 was somewhat of a mistake. 2016 is an excellent wine, but the beautiful core we were able to experience in 2003 was still covered by layers of baby fat, the wine showing a lot richer, almost jammy on the first sip, and in need of time to open up.
The culmination point of our evening, though, was … a bit unexpectedly, as we are talking about Chilean wines … the Malbec. 2019 Neyen Espíritu de Apalta Malbec Apalta DO ($149.99 SRP). 2016 was the first released vintage of this super low-intervention wine – harvested and destemmed by hand, fermented in small tanks, no machines, no electricity used in the production of this wine, aging only in 3rd and 4th use French oak barrels. This is the crown jewel of the Veramonte Neyen collection – even James Suckling agrees, rating this wine at 100 points. Only 200 cases of the wine were produced in 2019, with the US allocation standing at 40 cases.
The main word I would use to describe this wine would be “elegant”. The wine was showing beautiful eucalyptus notes, a lot leaner than most of the Argentinian Malbecs, begging comparison with old world Malbec, the Cahors. Elegant, layered, delicious.
And this, my friends, brings us to the end of the wonderful evening. The company was great, the food was excellent, the wines were amazing.
Mother Nature whispers, and good things happen when we listen. I wish I had a case of this 2003 Neyen Espiritu de Apalta – that would really make me happy. Well, we generally don’t get to have all the things we want – and I’m grateful for the opportunity to experience such wines at least once.
Veramonte wines offer a great selection for every budget and every palate – check them out when you will have a chance. Cheers!
Weekend in Turley, With a Dash Of Carlisle and Hardy
Many moons ago, my friend Henry and I discovered Turley wines. We were at a restaurant in Manhattan with our wives, either before or after the Broadway show, and on the wine list, Turley Zinfandel (either Juvenile or Old Vines) was one of the reasonably priced wines, so that was the wine we ordered. I don’t remember if I heard about Turley before (maybe), but tasting that wine was a pivotal moment – we fell in love with Turley wines.
Turley Wine Cellars was founded in Napa Valley by emergency room physician, Larry Turley in 1993, and went on to become one of the most prominent Zinfandel producers in the US. Turley produces about 50 different wines from about 50 different vineyards, most of them organically farmed, from all around California. Many of those vineyards date back to the late 1800s. While Turley might be best known for its Zinfandel and Petitte Sirah, they also produce a number of white wines, a number of other reds, and even Cabernet Sauvignon, first produced in 2010, and eloquently called The Label (Larry Turley’s famous saying was that Cabernet drinkers drink “the label”, hence the name – I had my own share of troubles with this wine).
Turley wines are hard to get in the store, and if you really would like to enjoy them at will, you need to be on the Turley mailing list. Turley was one of the very first mailing lists I managed to get on more than 10 years ago, and I had been a happy customer ever since. My friend Henry finally got his first allocation about two years back.
A place on the mailing list still doesn’t guarantee you access to each and every wine Turley makes, and their list operates on a “first come, first serve” basis – I missed quite a few wines that were included in my offering, but disappeared much sooner than I could make up my mind.
Last Saturday, Henry was coming over for dinner, so I had to make it a Turley evening.
Turley makes only two white wines – Sauvignon Blanc and a blend called White Coat. The wine we opened was the 2019 Turley Estate Sauvignon Blanc Turley Estate Napa Valley (13.4% ABV). It is interesting that Sauvignon Blanc was one of the original wines produced back in 1993. Sauvignon Blanc plantings at Turles Estate were replaced with Zinfandel, but then Sauvignon Blanc was planted again on a small section of the dry-farmed, certified organic vineyard. The wine was fermented using natural yeast and it was bottled after 6 months in 100% French, used oak barrels. The wine was an absolute delight, showing beautiful whitestone fruit, perfectly present, perfectly elegant, with fruit and acidity singing in complete balance.
I had a little bit left in the bottle after that evening, and on Sunday I was able to please the most discerning palate in our household – my mother-in-law. She came over for Mother’s Day on Sunday and wanted to drink the white wine. When it comes to wine, she is completely unpredictable, and I always try to pour her wine without showing the bottle – she has lots of preconceived notions about wines and the regions, so I’m always trying to make sure she will just try the wine first, and then I can tell her where it is from. To my delight, she liked the wine, and even when I told her the wine was from California, she still liked it – a serious achievement in this household.
Our next wine was 2021 Turley Zinfandel Rosé California (12% ABV). This wine sometimes is called White Zinfandel, but only to poke fun at the uninitiated (and the bottle is adorned with the white label). This wine is impossible to score – you literally have to press “buy” as soon as your summer offering arrives. The wine is fermented in stainless steel and aged in used French barriques. It is lip-smacking, it speaks cranberries and strawberries, it is very Provençal in its presentation, but Californian in its soul.
And then there was Tecolote – 2018 Turley Tecolote Paso Robles Red Wine (15.7% ABV). This wine is rarer than rare, as you need to know it exists, to begin with. I got it once through some special holiday offer, but it is never included into the standard seasonal offerings. This wine is typically only available in the tasting room, but being a mailing list member has some advantages – I asked if I can get a few bottles, and they arrived just in time for us to enjoy. This wine is a Spanish-inspired blend of 60% of Grenache and 40% Carignane, coming from the specific block in Pesenti Vineyard, planted in the 1920s. Tecolote means “owl” in Spanish, and this is how the vineyard block is also called. The wine offered layers of lip-smacking black cherries, kitchen spices and sweet tobacco. A perfect balance of textual presence, fruit and acidity made this wine disappear in no time…
Next, let me step away from the wine for a bit – but not from the grapes. I rarely talk about cognac on these pages, but then I have an experience to share.
On an average day, I’m a scotch drinker. But of course, I would never refuse a sip of a good cognac. The keyword is “good” – nowadays, it is difficult to find a good-tasting cognac at a reasonable price in the US. However, my recent cognac tasting with my school friend led me to the discovery of Cognac Expert. Subsequently, I got a recommendation from Cognac Expert for the cognac I now enjoy immensely – without any need to break the bank – Hardy Legend 1863 Cognac. This cognac was produced by the Cognac House of Hardy, to commemorate the founding of the Hardy house back in – yes, you guessed it – 1863. This cognac is a blend of spirits made from the grapes coming from Borderies and Petite Champagne growing areas, aged from 2 to 12 years and finished in classic Limousine oak. From the first enticing smell to the long-lasting, coffee-loaded finish, this cognac offers the ultimate pleasure of balance of fruit, spices, and acidity. And at $40, this might be the best QPR cognac out there today.
Last but not least – 2015 Carlisle Mourvedre Bedrock Vineyard Sonoma Valley (14.9% ABV), which I opened on Sunday. Carlisle is another one of my favorite producers, specializing in Zinfandel, Syrah, and Petite Sirah – and some other grapes. The fruit for this wine came from the 130+ years old vineyard, planted in 1888. The wine was aged in French oak, 20% new. It is interesting that stylistically, this wine was similar to Turley Tecolote – succulent tart cherries on the nose and the palate, a touch of eucalyptus, refreshing acidity, perfect balance. This was an excellent wine to finish the weekend right.
Here you are, my friends – my weekend wine story. If you can find any of the wines mentioned in this post you should definitely look for them. And if you like cognac, this Hardy 1863 Legend is hard to beat. And you know where to find it.
Nevermind. I should have never told you that.
Until the next time – cheers!
American Pleasures #8: Flora Springs, Napa Valley
Wine should give you pleasure – there is no point in drinking the wine if it does not. Lately, I have had a number of samples of American wines that were delicious standouts – one after another, making me even wonder if someone cursed my palate. I enjoyed all those wines so much that I decided to designate a new series to them – the American Pleasures.
This very blog was born out of a desire to share with the world the excitement that a glass of wine can bring. To share an appreciation of a well-crafted glass of fermented grape juice that can inspire great paintings, great poetry, and great conversations.
Sometimes, it is not very easy to find the right words to share that excitement. Yes, there is a great arsenal of wine technical terms to describe body, aroma, bouquet, finish – but those words do a very poor job of conveying emotions. Yes, they describe wine, possibly correctly but subjectively (you say it is a blackberry, and I say it is black cherry) and possibly sufficiently to give another wine geek or professional an idea of how the wine might taste. But when one whiff from the glass literally stops you in your tracks, whether the aroma contains raspberries, black currant, or the hair of the wet dog is really irrelevant. What is important is that wine blew your mind and delivered an ultimate pleasure, which you can’t resist but share with the world.
Everyone derives wine pleasure on their own. For me, smell (aroma) and taste (bouquet) are two distinctly different categories. I had wines that had a magnificent aroma, and an underwhelming bouquet. I had wines where the aroma was either absent or borderline terrible, and the bouquet was magnificent. Of course, many have both. Taking about deriving the wine pleasure, mine definitely starts with the nose, the aroma. I’ve had wines that I didn’t start drinking for a good few minutes, just inhaling the aroma exuding from the glass. I can’t tell you why and how this works with the aromatics of some of the wines being so captivating – simply sharing my perspective here.
This was a long introduction to the gist of this post – two wines of Flora Spring from Napa Valley in California that I had an opportunity to taste lately.
From the moment I heard the name Flora Springs for the first time, there was something subconsciously attractive in that name – I have no idea why and how. But ever since the first encounter, I always expect magic while tasting Flora Springs wines.
Flora Springs Winery was founded in 1978 by Flora and Jerry Komes in Napa Valley, rooted deeply in the rich history of the US wine industry’s ups and downs, going from 763 wineries in California to only 40 surviving Prohibition. Name Flora in combination with the natural springs running through the property helped to define the winery’s name – Flora Springs. From the moment the winery was founded, it was truly a family affair, all built and developed by Jerry and Flora, their kids, grandkids and their families – you can learn all of it on Flora Springs’ website – and it is well worth a few minutes of your time.
The line of wines Flora Springs produces is something you would expect from the winery in Napa Valley – Chardonnay, Sauvignon Blanc, Cabernet Sauvignon, Merlot, and a few others. Yet the two wines which prompted this post belong to the Flagship category – the white blend called Soliloquy and the red Bordeaux blend called Trilogy.
I tried Soliloquy for the first time 13 years ago – no, I don’t have such an amazing memory, I simply have my notes – in this very blog. The wine I tried back then was Sauvignon Blanc from Soliloquy Vineyard. Actually, Soliloquy Sauvignon Blanc is identified as a Sauvignon Blanc clone, certified by the UC Davis to be unique to Flora Springs, so I found that wine to add a unique grape to my collection (I actually added two, as that wine was a blend of Sauvignon Blanc Soliloquy and Sauvignon Musqué). My next encounter was about a year later when I was blown away by the 11 years old Soliloquy bottling.
It is worth noting that in the 1990s, the Soliloquy vines became nearly extinct due to the disease. The winery spent the next 8 years re-growing the Soliloquy vines first in the lab and then in the nursery before the plantings were restored in the vineyard.
2021 Flora Springs Soliloquy Napa Valley (14.2% ABV, SRP $60, 73% Sauvignon Blanc, 12% Chardonnay, 15% Malvasia, 7 months in French oak barrels), the wine which I had, is still made primarily from Soliloquy Sauvignon Blanc with the addition of Chardonnay and Malvasia. The wine offered beautiful bright aromatics, with the whitestone fruit and a distant hint of honey. The palate was full of energy, uplifting, showing more of the white stone fruit, Meyer lemon, crisp acidity, and overall perfect balance. A perfect example of the capabilities of the Napa Valley white.
Not to be overdone, my second wine was 2019 Flora Springs Trilogy Napa Valley (14.2% ABV, SRP $85, 75% Cabernet Sauvignon, 10% Petit Verdot, 8% Cabernet Franc, 7% Malbec, 18 months in French (80%) and American (20%) oak barrels). Trilogy wine was originally produced for the first time in 1984 (thus 2019 is the 35th vintage of the wine), with the name being a nod to the three main Bordeaux varieties comprising the blend.
This wine was truly a show-stopper. On the first whiff, the world slowed down. There was just me and the glass. Pure, delicious black currant, eucalyptus, currant leaves. Round, and around, and around. I few minutes later, I developed the courage to take a sip. To my delight, the palate delivered as much excitement as the nose. Polished, layered, seductive, Bordeaux-style textbook profile, black currants, well-integrated tannins, perfect structure, powerful but perfectly balanced. You really don’t expect the wine like that to be a pop’n’pour wine, and yet it was, in my glass. Absolutely delightful.
There you are, my friends. Another case of delicious American wines, delivering lots and lots of pleasure. These wines are not really everyday sippers but are well worth looking for to brighten up any special occasion.
I have more American pleasures to share, so stay tuned…

























