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Fun #GrenacheDay Celebration on Snooth
Does Grenache, a.k.a. Garnacha, deserves its own celebration? It used to be the third most planted red grape in the world (in the year 2000), and the most planted red grape in Spain; now it is 5th most planted red grape in the world, and second most planted in Spain. In this particular case, size might not matter (how many of you drunk the wines made from Airen, the most planted white grape in the world?) – what important is that Grenache is an essential part of lots of amazing wines, coming from everywhere in the world – France, Spain, California, Washington, Australia, Italy, there is really no limit here. Grenache is capable of amazing solo performances (think Clos Erasmus, Sine Qua None, No Girls), but more often than not, it is a great team player (Chateauneuf-du-Pape, Southern Rhone, Australian GSM and thousands of others).
Yes, Grenache is worthy of a celebration. Grenache wines are quite mendable at the hands of the winemaker, giving you a wide range of expressions. What is even more important, unlike Cabernet Sauvignon, even budget level Grenache wines (read: less than $10 a bottle) are very enjoyable, especially when they come from Spain. And don’t forget that under the word “Grenache” there can be three different grapes – Grenache Blanc, Grenache Gris (rare), and Grenache (or Garnacha Tinta).
A large group of “winos” assembled last night on Snooth, one of the leading online wine communities, to discuss virtues of Grenache grapes and, of course, to taste some Grenache wines. All the Grenache wines in the tasting came from Spain, two white Grenache Blanc and three of the 100% Grenache reds. Not only the wines were tasty, all of them also represented great value and great QPR, all priced under $14. The discussion was hosted by Master Sommelier Laura Maniec and Master of Wine Christy Canterbury – but to be very honest, the online discussion felt to me more like a wine bloggers conference attendees’ reunion, with lots and lots of familiar “voices” in the chat room, so I had a hard time paying attention to the presentation and was more focused on multiple dialogs taking place at the same time. Either way, it was a great fun, and wines perfectly supported the conversation.
Here are my notes for what we had an opportunity to taste:
2015 Cellers Unio closDalian Garnacha Blanca Terra Alta DO (12.5% ABV, $9, 100% Garnacha Blanca)
C: pale straw
N: intense, aromatic, white stone fruit, citrus
P: white fruit, lemon, herbal undertones, good acidity, fresh
V: 7+, very nice, food friendly (many people in the chat craved oysters)
2013 La Miranda Secastilla Garnacha Blanca Somontano DO (13.5% ABV, $14, 4 month in French Oak)
C: light golden
N: intense, vanilla, freshly crushed berries, golden yellow raisins, borderline Riesling profile with touch of petrol
P: plump, good body weight (medium to full), crisp acidity on the finish, round, firm structure – outstanding
V: 8, excellent overall
2015 Castillo de Monséran Garnacha Cariñena (13% ABV, $9)
C: dark Ruby
N: intense, freshly crushed berries, young
P: sweet fruit (restrained, not overly) with surprising structure and good acidity on the finish. Distant touch of earthiness and smoke.
V: 7+, simple and pleasant
2015 Evódia Varietal de Aragon Red Wine (15% ABV, $9, 100 years old vines, high elevation 2400–3000 ft)
C: Dark Garnet
N: very intense pure nose of fresh blueberries and blueberry pie, you don’t even need to be next to the glass
P: layered, soft, velvety, roll-off-your-tongue mouthfeel, fresh black fruit in background
V: 7+, needs time
2014 Coto de Hayas Garnacha Centenaria Campo de Borja DO (14% ABV, $14, 100% Grenache, more than 100 years old vines, 4 months in French oak)
C: garnet
N: lavender, anise, cherries, fresh, intense
P: smoke, earthiness, sage, roasted meat, sweet fruit and tobacco finish, wow; added peppery notes on the second day
V: 8+, outstanding complexity, amazing value
I would like to thank kind folks at Snooth for arranging this fun tasting and providing such an excellent selection of the value Grenache wines.
How did you celebrate #GrenacheDay? What was your most memorable Grenache wine ever – if you have one of course? Cheers!
One on One with Winemaker: Don Hagge of Vidon Vineyard
Don Hagge. Source: Vidon Vineyard
What do most people do at the age of 69? Retire, or at least, semi-retire, right? Humans live longer than ever before, and many still have enough energy and desire to continue doing what they are doing. But let me rephrase the question a bit – how many people do you know who would start a totally new business at the age of 69? Might be a difficult question, I understand. Sure it would be for me, but now I can proudly say that I know at least one person like that. Let me introduce to you Don Hagge.
So what does rocket scientist (with degrees from UC Berkeley in physics and business from Stanford), whose resumé includes Lawrence Berkeley Laboratory, Centre d’Etude Physiques Nucleare in Paris, Apollo Mission at NASA and Silicon Valley high-tech industry, upon retirement? Of course, starts his own winery! Well, it sounds radical, but considering that Don grew up on a farm in North Dakota, and had an opportunity to live in France and experience wines of Burgundy, maybe it is only logical?
Vicky and Don Hagge started Vidon Vineyard in 1999 in Willamette Valley, in the Chehalem Mountains AVA of Oregon (you can probably figure that name of the winery, Vidon, is made up after Vicky and Don). Fast forward to today, Vidon Vineyard produces primarily Pinot Noir, plus small amounts of Chardonnay, Pinot Gris, Pinot Blanc, Viognier, Syrah, and Tempranillo. Vidon Vineyard is sustainable, LIVE and Salmon-safe certified, and practices minimal intervention winemaking. Don Hagge not only makes wines, he also plays the role of a handyman when it comes to various winemaking tools and equipment. Plus, he is very opinionated about the use of glass enclosures instead of corks…
Source: Vidon Vineyard
I had an opportunity to [virtually] sit down with Don Hagge and ask him a few questions, so here you can find our conversation:
TaV: For many years, you had been living and working in California. Why have you decided to build a brand new winery in Oregon and not in California?
DH: I was recruited to Oregon by a venture capitalist as the CEO of a startup semiconductor company. During this time, I biked in the Willamette Valley regularly and loved the vineyards. Since I lived in France some time ago, Pinot Noir has been a favorite wine. I grew on a farm and decided to make a career change and what could be better than buying land, planting a vineyard and learning how to make wine? Oregon was gaining a reputation for Pinot Noir so here I am.
TaV: Your very first wines were made in 2002. Do you still have any of those bottles left? If you do, how do they drink today?
DH: Unfortunately, the 2002 vintage is gone. I made only 40 cases and didn’t label it, only for friends and personal use. We just had a 2006 vintage this evening which is fantastic.
TaV: During all the years of Vidon Vineyard existence, what was the most difficult vintage for you and why?
DH: Probably the 2007 vintage. This was the first year I used my own winery so many things were new. I saw the forecast for heavy weather, got a crew and pulled in 16 tons on September 25th. Before we finished cleaning the equipment it started raining and didn’t stop for a month. Most people suffered through the rains and the vintage got a bad rap in the press. We were lucky – it’s still a beautiful wine!
TaV: For how long do you typically age your Pinot Noir wines in French oak Barrels?
DH: Most of my wine carries the 3-Clones label and gets 11 months in French oak barrels which are on average 30% new. I’m not a fan of big oak in any wine.
TaV: You are an enthusiastic proponent of glass enclosures instead of traditional cork. When did you start using glass enclosures? Also, did you ever try to bottle the same vintage both with glass enclosures and traditional corks and then compare the results of the aging?
DH: Until the 2008 vintage I used corks and usually quite expensive ones. However, I determined that no matter what they cost, they still taint wine because of TCA and pre-oxidize occasionally. Therefore, in 2008 I began using Stelvin screw caps. In 2009 I started using Vinoseals for the Single Clone labels. No, I’ve never done a comparison of cork vs Vinoseal glass closures. It’s not necessary, I know what corks do and Vinoseals and screw caps don’t do. I don’t understand why anyone uses a closure that ruins a percentage of their wines when there are alternatives that don’t.
TaV: Today, you are producing a number of different white and red wines. Do you have any plans (if not plans, may be at least some thoughts) about starting to produce Rosé and/or Sparkling wines?
DH: I made Rosé for two vintages and one was great, I was told. I’d like to do a Sparkling but my winery is too small given what I’m now doing. That’s not to say I’m not dreaming of a winery expansion and interested in trying more and different wines.
Vidon Winery. Source: Vidon Vineyard
TaV: Outside of your own wines, which are your favorite Pinot Noir producers in the world?
DH: Good Bourgogne wines are what I like to emulate. The 2004 vintage was the nearest to a great Bourgogne that I’ve made.
TaV: If you would have an opportunity to start your winery again, would you do something different?
DH: Given the resources I had, not much. Perhaps I’d build a better winery instead of an expensive house, but I have a wife. 🙂
TaV: You describe your approach in the vineyard as “minimal intervention”, and your winery is LIVE Certified. Do you have any plans to become certified organic or biodynamic winery?
DH: I’m a scientist and Biodynamic winemaking isn’t scientific. Many of their practices are good, how they treat the land, etc. But I don’t believe in VooDoo. I don’t’ believe that Organic Certification results in better wine or land management than what we do in the LIVE program.
TaV: I understand that you have built your own bottling line wine dispenser for the tasting room. What are the other technological tools which you built at your winery?
DH: I don’t think I’ve built anything for winemaking that any good farm boy couldn’t have. I’m always trying to find ways to simplify tasks and become more efficient in using time and material. I have an idea about saving wine and labor in barrel topping but haven’t implemented it yet. My use of Flextanks to replace some barrels is already saving wine and labor by eliminating barrel topping while producing wine that’s equivalent to that from barrels.
TaV: You already work with quite a few grapes (Chardonnay, Pinot Gris, Pinot Noir, Tempranillo, Cab Franc, Syrah). Do you plan to add any other grapes in the vineyard?
DH: No more varieties. No more land to plant. However, I do hope to plant a small plot of Coury clone Pinot Noir next year. Planting of the clone date back 50 years to the original plantings.
TaV: What drives your passion? You started Vidon vineyards at the age when most of the people are happily retiring, so there must be some deep reason for you to engage in such a – of course, a labor of love – but hard labor?
DH: I like to live. I’m not ready to “stop” and watch TV. I think having a ToDo list every morning and a little anxiety and stress about getting things done will result in a longer life. To have no challenges is pretty dull and boring. When one is doing things that one enjoys, it’s not labor.
What do you say, my friends? This interview continues our Stories of Passion and Pinot series, and I think it is a perfect sequel to the conversation with Ken Wright – Don Hagge exudes the same righteousness, passion, and confidence in everything he does.
And you know what supports Don’s ways and means? His wines! I had an opportunity to try his Chardonnay and Pinot Noir, and in a word, I can tell you – what a treat! Two stunning, perfectly balanced and perfectly Burgundian in style – made with passion and care in Oregon.
For what it worth, here are my notes:
2015 Vidon Vineyard Chardonnay Estate Chehalem Mountains, Oregon (12.9% ABV, $35)
C: golden color
N: initially, very restrained, mostly minerality. After 2 days in the fridge, honey and vanilla, quite spectacular
P: initially tight, minerally and acidic. Two days later – exuberant, golden delicious apples, perfect acidity, vanilla, medium finish. Every sip leaves you craving for more
V: 9, simply outstanding, delicious.
2013 Vidon Vineyard 3 Clones Pinot Noir Estate Chehalem Mountains, Oregon (14.3% ABV, $40)
C: bright Ruby, cranberry undertones
N: inviting, intense, a touch of smoke, lavender, red fruit
P: nicely restrained, minerality, crushed red fruit, mouthwatering acidity, fresh, elegant, lots of finesse
V: 9-, outstanding wine, Burgundian style
Here you are, my friends – another story of Passion and Pinot. And I have more for you, so until the next time – cheers!
To be continued…
P.S. This post is a part of the “Stories of Passion and Pinot” series <- click the link for more stories.
One on One With Winemaker: Ken Wright of Ken Wright Cellars
Source: Ken Wright Cellars
Grape grower. Pioneer. Visionary. Winemaker. Mentor. Teacher. Philanthropist.
It makes perfect sense to start our “Stories of Passion and Pinot” series by conversing with Ken Wright. After starting making wines in Willamette Valley in Oregon in 1986, Ken came to the realization of a tremendous diversity of soils and microclimate conditions in the region. Ken was instrumental in establishing 6 AVAs in the region; he also focused his winemaking on showcasing terroir through single-vineyard bottlings. The rest is the history which you can read on Ken Wright Cellars web site and various publications, such as Wine Spectator May 2015 issue.
I have limited exposure to Ken’s wines – the production is small, and there are lots of people who love to drink his wines. But even my limited encounters resulted in long-lasting impressions – and not only the wines but also the labels which you need to see only once to remember forever. Thus when I had an opportunity to ask Ken a few questions, albeit virtually, I was very happy to do so – and the outcome of our conversation you can see below. This might be a tad long, so arm yourself with a nice tall glass of Pinot – and enjoy!
Source: Ken Wright Cellars
- When it comes to the winemaking, is there someone who you would name as your mentor or a teacher?
KW: My first position was in California and included working with Dick Graff of Chalone on their Gavilan brand. Dick started a research group, in 1979 I believe, that met once a month at Mount Eden Vineyards. The group included many of the best wineries in the state including Mt. Eden, Kistler, Calera, Sanford, Acacia, Forman, Chalone and the Paragon group among others. The opportunity, as a novice winemaker, to be part of that group of successful producers allowed me to be part of cutting edge winemaking discussions. Ears were perked, respectfully my mouth was generally closed. I was a sponge.
- As a pioneer and a long standing and successful winemaker, I’m sure many young winemakers look up to you and want to learn from you. Are there any winemakers who you would call your students?
KW: Once I moved to Oregon, in 1986, to pursue the production of Pinot noir I had a learning curve to understand the new area that I was in. During those early years I fell in love with the ability of Pinot noir to connect myself and our buyers with the qualities of individual sites. After blending sites for several years I began in 1990 to produce site specific wines that connected us to place.
In the mid 90’s I was part of a group we created, quite similar to the California research group, that focused on research both in the vineyard and winery. My partners were Bethel Heights, Cristom, Solena and Penner-Ash. Beaux Freres joined at a later date. Our experiments provided a volume of information that I believe changed the way in which we all grew grapes and made wine. That information was openly shared with anyone who cared to ask. Many viticulturists and winemakers are now approaching their craft with the lessons we learned whether or not they are aware of where this information came from. I would not want to take any personal credit for the success of those that have benefited from this work or from my many direct relationships. Information comes from so many sources. If I have benefited someone along the way that would be great but I would only be one of many.
- You personally helped to define 6 AVAs in Oregon. Do you think there are still areas in Oregon which would benefit from their own designated AVAs?
KW: It is a natural evolution for regions to define themselves. All areas must first identify which wine varieties have inherent superiority. It’s a process. What is clear at this time is that the Willamette Valley, particularly the area of the six new AVA’s, is world class. We are producing Pinot noir that is riveting. While there are regions that can say they are older there is no area on the planet that can say they are better, period. I suspect there will be new AVA’s within the six new identified AVA’s that will further define each region in more detail.
- In the description of the Freedom Hill vineyard, there is a mention of Phylloxera. How did it come around? How difficult was it to contain it and deal with it? Is that the only one of your vineyards which was affected?
KW: Phylloxera reared its ugly head in 1990 at Fuqua Vineyard in the Dundee Hills. With the first inexpensive own rooted plantings of Eyrie in 1966, the industry coasted until this time with the hope the blight would never come. But it did. It is impossible to know what the source of the “infection” may have been. This was an older vineyard so unless they were purchasing replacement vines on a regular basis from a nursery that had an issue it would be hard to assign blame on the source of vine material. Not impossible though.
Phylloxera became real in the mid 90’s. Freedom Hill began to fail. Guadalupe began to fail. Shea began to fail. There were a number of others. Vineyard owners, hoping to forestall the infection, did whatever they could to protect their sites. At the time the concern was that the insect was being transferred on soil. We had chlorine foot baths. Incredible cleaning of vineyard equipment. It did not help. It is only my opinion but I believe most of the “infection” was directly from the replacement vines from nurseries that had the bug in their soil material that came with new or replacement vines.
- Can you make parallels between any of your vineyards and Burgundy vineyards, in terms of wines which they are capable of producing?
KW: Burgundy could only hope to make wine that consistently produces the quality of wine that we produce. They are in our rear view mirror. It’s sad that people automatically assume age of region is related to quality. Do truly blind tastings and you will not be able to assign label prestige to the result.
- Same question regarding your wines – would you compare any of your wines with any of the wines from Burgundy, and if yes, which with which?
KW: If there is any comparison I would say that Oregon Pinot noir has a perfect fresh fruit profile. Burgundy tends to be more acidic, angular in youth and less forward.
- It seems that you only produce Pinot Noir from all of the vineyards you are working with, and the only white wine you are producing comes from Washington. Is there a reason why? Have you ever thought of planting white grapes in Oregon?
KW: As a business, anything we produce that is not Pinot noir is harder to sell and less profitable. The entire world recognizes the quality of Pinot noir from our region but no other variety resonates. We have a half acre of the Chardonnay Dijon 548 clone at Savoya. It is delicious but only sold to our mailing list. We will not plant more Chardonnay in my lifetime.
- I find your wine labels fascinating. How do you come up with the designs? Are you making those yourself or you are working with an artist? Do you change any of the labels from vintage to a vintage?
KW: The artist that created our labels is David Berkvam, a Portland native. He is a dessert chef at a local Italian restaurant named Geno’s. The original artworks are 100% beeswax carvings. Incredible depth that we attempt to relay on paper. Our relationship with David began with seeing his work at a gallery in 1999 in Portland.
Our original label for Ken Wright Cellars was a clean, straightforward text only label. It was not memorable or noticeable. My wife Karen and I decided to make a significant change to the look of our label. We asked David to produce a label that showed the efforts of the Mexican laborers in our vineyards during the difficult time of winter pruning. There was no other labor that would do this work. Yet the Mexican women and men who did this work did so with graciousness and humor. That was our first label with David. Now each vineyard has its own artwork from him and each is quite personal for us.
- What is your approach to the oak aging? For how long do you typically age your wines? What type of oak do you use most often?
KW: Unfortunately, we have to use French oak for our wines. Would prefer to buy from the US but our native oak species are very resinous which does not rhyme with Pinot noir. Pinot noir spends 11 months in oak before bottling.
- Based on the information on the web site, your general philosophy around winemaking is “minimal intervention”. Did you ever consider going into organic or even biodynamic wine production?
KW: Winemaking has nothing to do with your farming approach. Yes, the winemaking at the highest level is minimal intervention, assuming a very high level of professional babysitting. All inherent quality comes from the vineyard. Any winemaker at the highest level knows they are subservient to the quality of what they receive.
- You’ve been making wine in Oregon for the very long time. Did you have any scary (okay, most difficult) moments you can share with us?
KW: The beauty of our area is that we do in fact have “vintages”. No robotic wines. The year is reflected in the wine. A great example of a “scary” vintage was 1991. A cool year that produced wine that was at first reticent. With age this vintage proved to be perhaps the best of the decade for most producers.
- Among all the wines you made in Oregon since the beginning, can you share a few of your most favorite vintages and particular wines?
KW: 1990 was the best vintage I have seen in Oregon. An unusual year in that it was amazing for so many regions in the world, Germany, Italy, Champagne, Burgundy and more.
- Do you export your wines outside of the US? If yes, what are your top export destinations?
KW: We export to all provinces of Canada, Sweden, Switzerland, Denmark, France, Italy, Japan, China, Singapore, Hong Kong, Puerto Rico, the Bahamas, South Korea and of course Luxembourg.
- Today, Oregon wines are well known and well recognized by the wine lovers. What is ahead for the Oregon wines? What are the latest trends and new directions for the Oregon wines?
KW: We will always hang our hat on Pinot noir because we truly have a world treasure with this variety. As world markets emerge we will find a place at the table in each of these markets.
- You have a very extensive list of charities you support. How do you go about deciding which charities you are going to support?
KW: Karen and I normally choose to support local charities that keep our immediate area healthy. We have hosted Flavors of Carlton for 15 years which is by far the most impactful event that keeps the pre school, after school, summer work experiences, 12 sports programs and more financially sound. We are founding sponsors of Salud, started in 1992, which is a combined effort of Wineries, hospitals, clinics and Medical Teams International that has provided health care for vineyard workers. Karen and I were the initial 50K endowers of the local Community College program for their vineyard curriculum.
We partnered with the local FFA Alumnae, High School FFA teacher, YC Board, the curriculum writers from the local college and members of our AVA board to create a path for our local young people to get real world experience in growing grapes. We created a 1.5 acre vineyard on the high school property so they would have real world experience, not book knowledge.
Source: Ken Wright Cellars
We are done – and I hope you are still here, as there was a lot to read (and I thank you for that). Hope you found this interesting, and now have an increased desire to drink Ken Wright Cellars Pinot Noir (good luck with that unless you already have one in your cellar). I also believe that this was an excellent opening into our Stories of Passion and Pinot – you can clearly feel passion and pride in every word of Ken’s answers…
We will continue our series next week, so for now – cheers!
To be continued…
P.S. This post is a part of the “Stories of Passion and Pinot” series <- click the link for more stories.
WBC16: Day 2 – Speed Tasting, Reds
A few days ago I told you about the live blogging session at the Wine Bloggers Conference 2016, dedicated to the White and Rosé wines. On the second day, we had a similar session, only now dedicated to the red wines. The same format – 60 minutes, 19 (or so) tables, 25 (or so) wines, 5 minutes to taste, take pictures, ask questions and share impressions in the social media, of course. Also with the higher chance of damage – clothes damage, it is, as we were dealing with red wine and time-pressed pourers. But this is part of fun, isn’t it?
Same as before, I would like to offer to you my twitter notes. Just to make it even more fun, you can compare my notes with Jim Van Bergen’s, a fellow blogger we had a pleasure of sharing the table with (alongside other great people – I think we had the most fun table in the house).
Here we go:
Wine #1: 2014 The Federalist Zinfandel Lodi ($17.76 MSRP) – very nice start for our Reds extravaganza
Wine #2: 2013 Windrun Pinot Noir Sta Rita Hills (100% Pinot Noir, blend of 5 clones from Lafond Vineyard) – nice and classic California Pinot
Wine #3: 2012 Corner 103 Zinfandel Dry Creek Valley Sonoma County – clean and varietally correct
Wine #4: 2012 Prie Vineyards Zinfandel Lodi – another excellent Zinfandel
Wine #5: 2012 Trione Vineyards Henry’s Blend Alexander Valley (35% Cabernet Sauvignon, 34% Merlot, 13 % Petite Verdot, 13% Cabernet Franc, 5% Malbec) – a welcome deviation from Zinfandel, a classic Bordeaux blend. I also realized that my tweet didn’t have the picture, so picture is now included:
Wine #6: 2013 Peirano Estate ‘The Immortal’ Zin Old Vine Zinfandel (120 years old vines!) – if anything, the age of the vines commands utmost respect. Note that my tweet incorrectly puts the vintage as 2012, where it is 2013 (I blame it on the speed).
Wine #7: 2013 Klinker Brick Farrah Syrah Lodi – an excellent rendition of one of my most favorite grapes
Wine #8: 2013 Abundance Vineyards Carignane Lodi (90% Carignane, 10% Petite Sirah)
Wine #9: 2014 Oak Ridge Winery OZV Old Vine Zinfandel (Zinfandel/Petite Sirah blend) – Number one selling Zinfandel in California and a great value at $10.99
Wine #10: 2013 Harney Lane Old Vine Zinfandel Lizzy James Vineyard Lodi – one of the best Zinfandels in the tasting
Wine #11: 2013 Michael David Winery Inkblot Cabernet Franc Lodi – in the land of Zinfandels, we finished tasting with an absolute standout of 100% Cabernet Franc – you have to taste it for yourself
Here we go, folks. As you can tell, I can’t even count – we had 11 wines and not 10 during these 60 minutes, but yes, it was lots of fun. And I’m far from being done talking about Wine Bloggers Conference 2016 in Lodi.
Until the next time – cheers!
Stories of Passion and Pinot
An important note: Stories of Passion and Pinot is a series that was started in 2016 and it keeps updating year after year with new stories. This post will serve as the starting page for the series and will be constantly updated as new stories are added…
It is easy to declare this grape a king. It is a lot more difficult to have people agree to and support such a designation. And here I am, proclaiming Pinot Noir worthy of the kingship, despite the fact that this title is typically associated with Barolo (made from Nebbiolo grape) or Cabernet Sauvignon.
Barolo might be a king, why not – but its production is confined strictly to Italy, and can be considered minuscule in terms of volume. Cabernet Sauvignon is commanding attention everywhere – but I would argue that it is more because of the ease of appeal to the consumer and thus an opportunity to attach more dollar signs to the respective sticker. Don’t get me wrong – I love good Cabernet Sauvignon as much or more than anyone else, but having gone through so many lifeless editions, I developed a healthy dose of skepticism in relation to this noble grape.
Pinot Noir grapes. Source: Vidon Vineyard
Talking about Pinot Noir, I’m not afraid to again proclaim it a king. If anything, it is the king of passion. Hard to grow – finicky grape, subject to Mother Nature tantrums, prone to cloning, susceptible to grape diseases – and nevertheless passionately embraced by winemakers around the world refusing to grow anything else but this one single grape – a year in, year out.
Historically, Pinot Noir was associated with Burgundy – where the love of the capricious grape originated, and where all the old glory started. Slowly but surely, Pinot Noir spread out in the world, reaching the USA, New Zealand, Australia, Chile, and Argentina – and even Germany, Italy, Spain, Canada, and South Africa are included in this list. Looking at the USA, while the grape started in California, it then made it into Oregon, and now started showing along the East Coast, particularly in Hudson Valley.
I don’t know what makes winemakers so passionate about Pinot Noir. For one, it might be the grape’s affinity to terroir. Soil almost always shines through in Pinot Noir – it is no wonder that Burgundians treasure their soil like gold, not letting a single rock escape its place. While soil is a foundation of the Pinot Noir wines, the weather would actually define the vintage – Pinot Noir is not a grape easily amended in the winery. But when everything works, the pleasures of a good glass of Pinot might be simply unmatched.
However important, terroir alone can’t be “it”. Maybe some people are simply born to be Pinot Noir winemakers? Or maybe this finicky grape has some special magical powers? Same as you, I can’t answer this. But – maybe we shouldn’t guess and simply ask the winemakers?
Willamette Valley in Oregon is truly a special place when it comes to the Pinot Noir. Similar to the Burgundy, Pinot Noir is “it” – the main grape Oregon is known for. It is all in the terroir; the soil is equally precious, and the weather would make the vintage or break it. And passion runs very strong – many people who make Pinot Noir in Oregon are absolutely certain that Oregon is the only place, and Pinot Noir is the only grape. I’m telling you, it is one wicked grape we are talking about.
Aerial view of Oregon vineyards. Source: Youngberg Hill Vineyards
I see your raised eyebrow and mouse pointer heading towards that little “x”, as you are tired of all the Pinot Noir mysticism I’m trying to entangle you in. But let me ask for a few more minutes of your time – and not even today, but over the next few weeks.
You see, I was lucky enough to have a conversation (albeit virtual) with a few people who combined Pinot and Passion in Oregon, and can’t see it any other way. What you will hear might surprise you, or maybe it will excite you enough to crave a glass of Oregon Pinot Noir right this second, so before you hear from a pioneer, a farmer, a NASA scientist, and a few other passionate folks, do yourself a favor – make sure you have that Pinot bottle ready. Here are the people you will hear from:
- Ken Wright of Ken Wright Cellars
- David Nemarnik of Alloro Vineyard
- Mike Bayliss of Ghost Hill Cellars
- Wayne Bailey of Youngberg Hill Vineyards
- Steve Lutz of Lenné Estate
- Don Hagge of Vidon Vineyard
I would like to extend a special note of gratitude to Carl Giavanti of Carl Giavanti Consulting, a wine marketing and PR firm, who was very instrumental in making all these interviews possible.
As I publish the posts, I will link them forward (one of the pleasures and advantages of blogging), so at the end of the day, this will be a complete series of stories. And with this – raise a glass of Pinot Noir – and may the Passion be with you. Cheers!
2017 – 2020 Updates:
This Passion and Pinot Series continues to live on. Here is what had been added during these 4 years – and you should expect to see more stories as we continue talking with the winemakers who made Pinot Noir their passion:
- Page Knudsen of Knudsen Cellars
- Tony Rynders of Tendril Cellars
- Dave Specter of Bells Up Winery
- Richard Boyles of Iris Vineyards
- Tom Mortimer of Le Cadeau Vieyard
- Dan Warnshuis of Utopia Vineyard
2021 Updates:
2021 was a good year as I added one more “Passion and Pinot” interview and also met in person with a number of winemakers I only spoke with virtually before – and this resulted in Passion and Pinot Updates.
New interview:
Passion and Pinot Updates:
P.S. Here are the links to the websites for the wineries profiled in this series:
Alloro Vineyard
Battle Creek Cellars
Bells Up Winery
Ghost Hill Cellars
Iris Vineyards
Ken Wright Cellars
Knudsen Vineyards
Le Cadeau Vineyard
Lenné Estate
Tendril Cellars
Vidon Vineyard
Utopia Vineyard
Youngberg Hill Vineyards
Remembering Last Summer – Fero Vineyards in Pennsylvania
Does it make sense to write about a winery visit a year after? Well, I will leave you to ponder at that question, and will just go ahead with my post.
We have a tradition which we keep going for many years now – adults getaway. One weekend in August, we all get together for the two days of food, wines, laughter and simply enjoying each other’s company. These trips usually take place within reasonable driving distance (3 hours or less) for all people in the group (we all live in a close proximity to the New York city), and winery is always a good choice for the first stop.
Lucky for us, oenophiles, the wine bug caught up everywhere in the US, so there is no shortage of interesting wineries to visit along the East Coast of the United States. Our choice last year was the winery in Central Pennsylvania, called Fero Vineyards and Winery. The choice was not random – one of the grapes they use in the wine production is Saperavi. This is definitely not a common choice – however, a rapidly (I think) growing trend among Eastern USA winemakers, in Finger lakes and other regions. Having been exposed to many amazing Georgian wines, where Saperavi is a king, I was very intrigued at a perspective of tasting the local rendition of such wines.
Had all the arrangements made to meet with Chuck Zaleski, a winery owner and winemaker at Fero. Chuck was taking time for this off his busy schedule, as he was participating in the town fair where he was pouring his wines.
Just curious – do you think everything is going boringly well, or do you expect a twist in this story?
So yes, the twist happened – in the form of a flat tire. About 70 miles down the road, the familiar sound appeared – anyone who had a flat tire knows what I’m talking about; if you never had one – keep it this way. Not a problem, I thought – while the spare tire is very awkwardly located in Toyota Sienna, under the cabin floor, right in a middle – at least I knew where it was. Next ten minutes of jumping around the car ended up in a grim realization – the spare tire was not there. Angry call to the dealer (luckily, it was Saturday) lead to a discovery – all wheel drive Toyota Sienna cars don’t have a spare tire as there is no space for it – instead, they are equipped with run-flats. To make long story short, after arriving with the smoldering tire to the closest dealership and waiting for about 3 hours, we were able to get on our way (of course I fully realize this was still a very lucky outcome).
As we were at least 3 hours behind the schedule, the decision had to be made – should we visit Fero (Chuck, of course, was not there) or forget it all together, just drive to our B&B and relax after such an ordeal. I’m glad the love of wine prevailed and we decided to stop by the Fero Vineyards first.
If you will look at the line up of the Fero Vineyards wines, you would find the closest match in Germany or Austria – of course with the addition of Saperavi. Despite the fact that we didn’t manage to meet with Chuck, he still took care of us, by leaving a bottle of Saperavi for us to taste, as the winery was sold out of their last vintage. We tasted through almost a complete portfolio of Fero wines, so here are the highlights for what I liked the most (as usual, there were too many wines, too little time):
2013 Fero Vineyards Grüner Veltliner Pennsylvania – dry, crisp
2013 Fero Vineyards Dry Riesling Pennsylvania – German style, nice minerality, good fruit
2013 Fero Vineyards Pint Noir Pennsylvania – dry, classic nose, crisp, very nice
2013 Fero Vineyards 1812 Lemberger Pennsylvania – crisp, crushed red fruit, pepper
2012 Fero Vineyards Pinot Gris Pennsylvania – nice, simple
2014 Fero Vineyards Pinot Noir Rosé Pennsylvania – residual sweetness, light, balanced, excellent overall
2014 Fero Vineyards Semi-dry Riesling Pennsylvania – excellent, nice touch of sweetness
Fero Vineyards Concord Pennsylvania Table Wine – yes, this is rather sweet, but if you like Concord, this was a classic, restrained and delicious
2013 Fero Vineyards Pinot Gris Pennsylvania – crisp, minerality, excellent
2013 Fero Vineyards Estate Lemberger Pennsylvania – roasted fruit, good concentration, excellent
Fero Vineyards Late Harvest Riesling Pennsylvania – nice touch of petrol, good touch of sweetness, excellent overall
2013 Fero Vineyards Saperavi Pennsylvania – excellent, nice concentration, tannins, crushed blackberries, pepper notes
I’m definitely intrigued by this Saperavi wine. Fero Saperavi has a character of its own, as you can see from my tasting notes above. I would love to taste it side by side with its Georgian counterparts, of course blind. And let’s keep in mind that Saperavi grows in the Balkans (never tasted it), Finger Lakes (also never tasted it), and probably some other places I can’t even think of. Can someone please put together an exciting blind tasting? Or this might be a great subject for the #winestudio session…
Well, I still have a few bottles of Fero wines left, including 2013 Saperavi (courtesy of Chuck, yes) – but I want to give it at least a few more years. See, this is how oenophiles build their excitement…
And we are done here. If you are looking for the great East Coast wines, Fero Vineyards must be on your short list. And who knows, may be you will be lucky enough to taste their Saperavi. Cheers!
WBC16: Overwhelmed Even Before The Day One
Yet another ambitious plan goes nowhere. While attending the Wine Bloggers Conference 2016 in Lodi, I had a great idea of posting a recap of the prior day in the morning. No need to start checking for the missing posts from me – none of it happened. Every day was so packed from dawn to dusk that what seemed to be a great idea didn’t survive the test of the reality. Yes, I probably could muscle a few lines in, but it would come at the expense of the great time talking to the fellow bloggers, which was the trade off I didn’t want to make.
So here we are, the conference is over, so now I will do my best to share my perspective of the events as they took place. Here we go.
I took a flight early morning on Thursday to arrive to San Francisco. After getting the rental car, my first stop was in Napa, at Oxbow Public Market, where I met for lunch Danielle Irwin and her husband Derek. Oxbow Public Market is a very interesting place, conceptually somewhat close to the Chelsea Markets in New York, only built in modern, contemporary style, with lots of small artisan shops and restaurants, offering food and wine, fresh produce, coffee and whatever else your heart desires. Great place to stop by if you are looking for a break during your winery visits.
It was a great pleasure to meet Danielle and Derek face to face. I had been virtually talking to Danielle for a while – she is writing her blog Danielle Dishes The Vineyard Dirt at Naggiar Vineyards in Sierra Foothills, where her husband Derek is the winemaker. Derek is a vigneron who is involved in a lot of vineyard and winery projects, and he also produces his own wines under Irwin Family Wines label. I had a pleasure of tasting his Tempranillo, which was the first California Tempranillo I ever tasted. Conversation with Derek was an excellent introduction into the Lodi wines, as he gave me some ideas for what to expect there.
A hour an a half later, after a ride along route 12 which I wouldn’t call pleasant (lots of stop and go traffic, not a fun ride) I arrived to the Hampton Inn in Lodi, which became home outside of home for the next 3 days.
The first event of the night was the conference opening reception at the Mohr Fry Ranch, sponsored by Lodi Wine. With that reception came my first real encounter with Lodi wines.
Until coming to Lodi, I only knew it as a source of many Zinfandel wines. And then there was a perception of hot, high alcohol wines, based on the tasting of occasional Cabernet Sauvignon with Lodi regional designation. Yep, that’s all I had on Lodi in my head.
The very first taste of the Lodi wine broke that perception. By the end of the tasting, it was shattered completely and didn’t exist anymore.
I stopped at the table of the Fields Family Wines, and the very first white wine I tasted was 2015 Fields Family Wines Clay Station Vineyard Grenache Blanc Lodi. I never tasted Grenache Blanc from California, let alone the fact that it is coming from one of the hottest regions (yep, sense my fear?) – yet the wine had clean acidity, touch of minerality, restrained fruit – a great start.
You know what – now I’m afraid to bore you away with all this “acidity and restrained fruit”, but this was the trait of literally every Lodi wine I had an opportunity to taste – there were no fruit bombs, there were no hot wines, there were delicious, well made world-class wines, made with love and care. I just have to tell you this, as it was really an overarching impression over the three days of tasting, so now I will [try to] avoid repeating myself all the time.
Have to be honest – the next red wine I approached with trepidation (huh, like the previous one I did not, right). Tempranillo from Lodi? I already told you that I had good experience with Irwin Family Tempranillo from Napa, but it was one particular wine, which doesn’t guarantee anything in a long run. And if you are reading this blog for a while, you know my passion for the Spanish Tempranillo wines – and now in my mind I was facing a clear opportunity to be disappointed. First sip of this 2010 Fields Family Wines Tempranillo Lodi put all my doubts to rest – the wine had a nose of black fruit and spices, and it was dark and brooding on the palate, with those espresso notes so characteristic in the wines of Toro in Spain. An outstanding rendition by all means, and I would love to see it in a blind tasting against the actual Toro wines.
2010 Fields Family Wines Estate Grown Syrah Lodi was an excellent example of the cold climate Syrah – touch of roasted meat, dark fruit, spicy with clean acidity – great rendition of another one of my favorite grapes. 2011 Fields Family Wines Estate Grown Syrah Lodi added more complexity and more roasted meat, all with perfect balance. 2010 Fields Family Wines Petitte Sirah Lodi was simply outstanding, offering silky smooth, velvety texture, supple ripe black and blue fruit with enough acidity in the core to make the wine perfectly balanced. As you can tell, Fields Family Wines provided a splendid introduction into the wines of Lodi.
My [now exciting] Lodi wine deep dive continued at the next table. Successful first experience should’ve really put me at ease – and still, an Albariño on the label triggered a subconscious alarm – Lodi doesn’t leave the impression of the Rias Baixas (not that I visited Spain, unfortunately, but just a mental image of coastal region), so “just in case, prepare for the worst”, the concerned brain said. This happened to be really a needless worry. 2015 Harney Lane Albariño Lodi had a a nose of white fruit and excellent acidity on the palate, which is the typical characteristic of the Spanish Albariño. 2013 Harney Lane Tempranillo Lodi was a bit lighter than the Fields Tempranillo version (it was also 3 years younger), but still preserving the core of dark fruit and good acidity. 2013 Harney Lane Lizzy James Vineyard Old Vines Sinfandel Lodi was as classic as Lodi Zinfandel can be – blueberries, blackberries, spices – very tasty.
I could continue tasting Lodi wines as there were many more winemakers present. However, there is something you need to know about Wine Bloggers Conference. In addition to all of the program events, there are always lots and lots of activities taking place somewhere around the WBC space. Call them private tastings or what, but this is something to pay attention to. Thus we left the reception, and after a short drive arrived at a house where Troon Vineyards tasting was taking place.
Troon Vineyards started in Southern Oregon in 1976 (vines were planted in 1972). I’m sure that when you hear “Oregon wine”, your first thought is Pinot Noir – nevertheless, Troon Vineyard doesn’t produce any Pinot Noir wines, and instead focuses on Mediterranean grape varietals (and Zinfandel). Another interesting fact is that many of the Troon wines (especially the whites) are co-fermented, meaning that different varietals are fermented together at the same time, as opposed to fermenting separately and blending afterwards.
I tried a number of Troon wines, with the two favorites been 2015 Troon Blue Label Longue Carabine, Applegate Valley, Southern Oregon (blend of Vermentino, Viognier, Marsanne and Roussanne) – touch of perfume on the nose, medium to full body with expressive minerality and good acidity. 2013 Troon Black Label M*T Reserve, Applegate Valley, Souther Oregon (blend of Malbec and Tannat) had nose of black fruit with dark core and good structure, medium to full body and good balance.
The last stop of the long day (remember, I left the house at 5 am in the Eastern time zone) was at the Rodney Strong Vineyards party, which was luckily taking place right at the hotel.
Rodney Strong winery had been producing wines in Sonoma for more than 50 years and would well deserve its own post to talk about their long history (the oldest vineyard at Rodney Strong was planted in 1904) and their achievements. But for the sake of this post, let me just talk about few of their wines I had an opportunity to enjoy.
2015 Estate Sauvignon Blanc, Charlotte’s Home, Northern Sonoma was excellent – grassy nose, fresh, crisp and restrained palate, with just a touch of grass and lemon – delicious and very refreshing. 2009 Ramey Platt Vineyard Chardonnay Sonoma Coast was a stand out (no wonder Ramey Chardonnay was one of Decanter magazine’s 10 best Chardonnay wines in the world outside of Burgundy) – classic intense vanilla nose, vanilla apple and pear on the palate, excellent balance and excellent overall. As an extra bonus, the wine was poured from double-magnum (3L) bottle. In case you are wondering about connection here, David Ramey is a consulting winemaker at Rodney Strong.
The reds of Rodney Strong provided an amazing finish to the very long but very exciting day. 2013 Davis Bynum 2013 Jane’s Vineyard Pinot Noir Dijon Clone 115 Russian River Valley was a classic California Pinot Noir – with plums and smoke, soft and round. 2010 Rodney Strong Symmetry Meritage Alexander Valley is one of the very best Bordeaux blends from California – again, classic, classic, classic – cassis, green bell pepper, mint, perfect structure, absolutely delicious wine. The last three reds were flagship single vineyard Cabernet Sauvignon wines – 2009 Rodney Strong Alexander’s Crown Single Vineyard Cabernet Sauvignon Alexander Valley, 2013 Rodney Strong Rockaway Single Vineyard Cabernet Sauvignon Alexander Valley and 2013 Rodney Strong Brothers Single Vineyard Cabernet Sauvignon Alexander Valley. Considering the end of a very long day, I’m not going to give you any details on the notes other than that all three were classic Cabernet wines, pure, varietally correct and delicious – I would love to drink those at any day.
If you are still with me, aren’t you tired reading this post? I’m tired even writing it – but we are done here. My first WBC16 report is over – and more to follow. Cheers!
To be continued…
Expanding My Wine Map of Argentina
Let’s start with the question: name winemaking region in Argentina, other than Mendoza. You have 5 seconds. Fine, take 10. Your time is up! Hmmm, no answer, huh?
May be I couldn’t hear and you said “Uco Valley”? That would be a good answer, though Uco Valley is a high altitude sub-appellation in Mendoza. But don’t feel bad; as a bare minimum, it makes two of us – Mendoza was the only appellation I knew in Argentina until a few weeks ago.
Then I was offered to try a few Argentinian wines from the appellation I never heard of – Salta, located all the way up in the northwest. In addition to unknown appellation, the wines were coming from the high altitude vineyards – not just high, but the highest in the world. I’m always interested to learn about the effect of extreme conditions on the grapes and wines. Poor soils and lack of water make vines to work hard, which is then manifested in flavor. High altitude usually means a large difference in day and night temperatures, which makes grapes to concentrate flavors. So yes – new region and high altitude vineyards – I’m definitely game.
The wines I got to try were produced by two wineries, both part of Hess Family Wine Estates collection. Wine production at Bodegas Colomé dates all the way back to 1831, when the winery was built high in the Andes Mountains. The pre-phylloxera Malbec and Cabernet Sauvignon vinies were brought in directly from Bordeux in 1854, and they still produce fruit today, which is used for the Reserva wines. Today, Bodegas Colomé sustainably farms highest elevation vineyards in the world, including Altura Máxima, located at the 3,100 meters (about 10,170 feet) above sea level (mind boggling, if you ask me).
The second winery, Amalaya, is much, much younger – it was founded in 2010 as a project by Bodegas Colomé, with the idea to grow more than just signature Malbec and Torrontés, but the other old world varietals as well (like Cabernet Franc, for instance). It was built high up in the desert, where nothing was growing before. I like this quote from the winery web site, I think it explains well the philosophy behind it and explains the colorful labels: “Amalaya means «Hope for a Miracle» in native language. the miracle is revealed from the heart of the Cafayate desert in a mystical and magic way, in order to provide us vines with excellent quality. The holistic circle embodies the fertility of the «pachamama» or «mother earth».”
I had an opportunity to try Malbec and Torrontés wines produced by Amalaya and Bodegas Colomé – below you will find my tasting notes:
2015 Amalaya Malbec Salta Argentina (13.9% ABV, $16, 85% Malbec, 10% Tannat, 5% Syrah, 5,900 feet above sea level)
C: Dark garnet, practically black
N: black truffles, ripe plums, touch of cinnamon, licorice, warm, inviting
P: lighter than expected, medium body, a bit of back burn on the palate, under extracted?, unbalanced. After 2 days, the wine leveled out and became more balanced, with dark core.
V: 7- initially, 2 days after opening – 7, wine improved.
2015 Amalaya Torrontés/Riesling Salta Argentina (13% ABV, SRP: $12, 85% Torrontés, 15% Riesling, 5,500 feet above sea level)
C: light straw pale, just a touch darker than water
N: exuberant, intense, lots of ripe tropical fruit, guava, mango
P: crisp, clean, good acidity, good balance, grassy notes after warming up
V: 7+, very good, refreshing wine
2013 Colomé Estate Malbec Salta Argentina (14.9% ABV, SRP: $25, 100% Malbec, 4 high altitude vineyards from 5,600 to 10,100 feet)
C: dark Garnet, practically black
N: intense, ripe fruit, plums, cherries, touch of roasted meat
P: polished, silky smooth, fine grain tannins, dusty mouthfeel, tar, dark restrained fruit, needs time to open,
V: 8/8+, good aging potential
2015 Colomé Estate Torrontés Valle Calchaquí Salta Argentina (13.5% ABV, SRP: $15, 100% Torrontés, vineyards altitude from 5,600 to 10,100 feet)
C: straw pale
N: lightly perfumed, restrained, touch of tropical fruit, hint of lemon
P: continues to be restrained, elegant, fresh clean and balanced, touch of white fruit with good acidity, good structure
V: 8, elegant white wine, definitely a next level for Torrontés, great QPR
As you can tell from my notes, these were good wines. Would I claim that I clearly saw the effects of the high altitude? No, not at all. To make such an observation would probably require a tasting (blind) of seemingly similar wines, produced at the different altitudes – may be someone will come up with such a tasting, that would be cool. In any case, these were interesting wines and I’m glad I had an opportunity to try them. Have you had any of these wines? What are your thoughts? Cheers!
And This Is Why I Love Spanish Wines
Yes. Confessed uncountable number of times, in this blog and everywhere (want proof? Click here, here, here, here or here).
I love Spanish wines. Never tried to hide it, so no, there is nothing to look for in the closet.
Spain is one of the so called “Old World” wine countries, with biggest grape area plantings in the world and one of the highest volumes of the wine production. But of course this is not the reason for my high sentiment towards Spanish wines. What is important, however, that if we will take 10 random wines produced in any country, in about the same price range, I will find the most of the wines to my liking out of those hypothetical 10 among Spanish wines – compare to any other region. Another equally important point for me is the value – Spanish wines offer one of the best values in the world; not only that – they are possibly the best QPR wines in the world. For example, if you will compare 1964 Rioja, which is still perfectly drinkable today and still can be found for less than $150, to majority of the wines of the similar age but from the other regions, most of them will not come anywhere close in the amount of pleasure they deliver, never mind the cost.
And then we have to talk about innovation and drive forward. Spanish wines are not standing still. Styles are changing, wine quality is improving, new and unexpected grapes are made into delicious wines. To make this conversation more practical, let me share with you some of my recent Spanish wine encounters.
Today, Albariño needs no introduction. The star white grape of the Rias Baixas region in Northern Spain is known to produce wines with explosive acidity and profile of salinity, which makes them an ideal companion to oysters and anything seafood for that matter. While Albariño wines are generally very good, there is one word I would rarely associate with them – finesse. Or at least I was not, until I had an opportunity to try these two Albariño.
2014 Bodegas LA VAL Albariño Rias Baixas D.O. (12% ABV, SRP $17, 2 month sur lie) had greenish/straw pale color; intense and open nose of minerals, wet stone and lemon. On the palate, the wine was plump with invigorating acidity, intense lemon finish, crisp, fresh – excellent overall (Drinkability: 8).
2014 Viña Moraima Albariño Rias Baixas D.O. (12.5% ABV, SRP $19, 7 month sur lie) had light golden color. Nose was very unusual, with candied lemon, intense, tropical, guava notes. On the palate, the wine showed remote hint of sweetness, full body, round and layered with hint of salinity, good acidity. This was definitely the next level of Albariño, thought provoking and different. (Drinkability: 8)
As you can see, Albariño is really starting to deliver on the next level, and I can’t wait to see how far it can go. What is interesting, however, is that all of the best Spanish white wines – to my knowledge, of course – are made from the indigenous varieties – Albariño, Godello, Verdejo and Viura would be the “major four”. The situation is slightly different for the reds, where the local stars, Tempranillo and Garnacha, are joined by the international best, such as Cabernet Sauvignon and Merlot. Going back to the whites, outside of some experimental plantings, Riesling, Sauvignon Blanc and Chardonnay are nowhere to be found in Spain, yes? Well, that would be my statement as of the month ago, but not anymore.
Enters Hacienda de Arínzano. Having tasted recently Hacienda de Arínzano Rosé, which was outstanding, I know that Pago de Arínzano, first Pago (highest denomination of quality in Spain) in Northern Spain, can produce excellent wines. Still, this 2014 Hacienda de Arínzano Chardonnay Pago de Arínzano DOP (13.5% ABV, SRP $19.99, 100% Chardonnay. 12 month French oak barrels – 30% new) far exceeded my expectations. From the first smell the wine in the glass was screaming “Chardonnay” – touch of vanilla, hint of golden delicious apples, just classic Chardonnay. The palate reaffirmed the “classic Chardonnay” impression – fresh, open, creamy, with perfectly balanced white fruit, vanilla, distant hint of butter, perfect amount of acidity – a delicious world-class Chardonnay which I would be glad to drink at any time – and almost a steal at this price. Drinkability: 8+.
We talked about new wines and new styles. Let’s talk about quality now – well, not the quality per se, but let’s talk about changing mindset. If you would ask me “should I open 5 years old Rioja Reserva”, my immediate answer would be “absolutely not – give it at least another 5 years to enjoy it fully”. By law, Rioja Reserva has to spend at least 1 year aging in the barrel, and most of the producers age it for much longer, so the resulting wines typically should be given ample time in the bottle to evolve. But once again I was proven wrong. I opened the bottle of 2011 Bodegas Beronia Rioja Reserva (14% ABV, SRP $21, 94% Tempranillo, 4% Graciano, 2% Mazuelo, 18 month in barrel, 20 month in the bottle) and was absolutely blown away. Concentrated nose of dark fruit, cigar box and eucalyptus was supported by bright, dense, perfectly structured palate, with dark fruit and touch of sweet oak. This was definitely one of the best PnP (Pop ‘n Pour) wines I ever experienced, and a nice surprise. Drinkability: 8+
I want to mention one more beautiful Rioja wine – this one with a bit more age on it. I like it when I have a reason to open a nice bottle of wine, which otherwise would be still laying down and waiting for the “perfect moment”. The special reason was my son’s high school graduation, and as he was born in 1998, this was the first 1998 bottle I pulled out of the wine fridge (well, I’m not telling all the truth – this was the one I knew the exact location of).
To begin with, I was impressed with the state of the cork on this 18 years old wine – it was perfect, showing literally no age on it whatsoever. 1998 Coto de Imaz Rioja Reserva (13% ABV, 100% Tempranillo) still had enough freshness on the nose, with the notes of ripe plum, and the palate had ripe fruit with the distant hint of sweetness without any tertiary aromas, good acidity, medium to full body and excellent balance. I’m sure this wine would go on happily for many years. Drinkability: 8+
Okay, we are done here. Do you think I explained my passion for Spanish wines well enough? Great wines, great values, great QPRs, and lots and lots of pleasure – what is not to love? If you had any of the wines I mentioned here, I would love to know your opinion. Until the next time – cheers!
Daily Glass: Not Your Mother’s Pinot Grigio
Pinot Gris grapes. Source: Wikipedia
Of course I don’t know your mother, and of course I don’t know her wine preferences. But assuming a general motherly image, cue in a hot summer day, I would make a pretty safe bet that refreshing beverage in the glass in her hand is a white wine. Continuing playing it safe, I would expect that white wine to be very easy to drink, unoffensive and simple, so traditional Pinot Grigio (think Santa Margherita) would perfectly fit the bill.
Now, what do you think would happen if after crushing the grapes, the juice will be left in the contact with skins for, let’s say, 24 hours? Yes, of course Pinot Grigio is a white wine, at least typically it is. But to give you a little hint, take a look at the picture of the grapes – this are not random grapes, these are exactly the Pinot Grigio grapes – or as they are known throughout the most of the world, Pinot Gris. Gris here stays for “gray”, this is how we can perceive the color of these grapes.
With this little hint – what do you think now about that juice left in contact with the skins for 24 hours? If you said that you expect it to gain some color, you are absolutely right. Here is an example of an end result for you:
Isn’t it beautiful? The 24 hours of skin contact gave this wine this orange hue, which technically makes this wine a part of the “orange wines” craze. I don’t have an intention of getting into the “orange wine” debate, but I can tell you that it is not only the color which is different here. Before we talk about the taste of this 2014 Attems Pinot Grigio Ramato Venezia Giulia IGT (12.5% ABV, $18, 100% Pinot Grigio, stainless steel and barriques), let me give you a short explanation about the name of the wine and its color, from the winery’s web site: “Attems Pinot Grigio Ramato continues a tradition of the Republic of Venice, since “ramato,” or coppery, was the term that referred to Pinot Grigio in contracts. A special vinification practice led to the use of this term: the must remains in contact with the skins for 24 hours and this practice gives the wine a very distinctive coppery hue“.
It was not only the color which was different. The wine had a nose of intense honey, but the palate was dry and crisp – if anything, reminding a lot more of a great Provence Rosé with a hint of strawberries and an onion peel. An excellent and thought provoking wine, whether for the hot summer day or for any day when you crave a nice glass of wine. Drinkability: 8.
That’s all I have for you for today, my friends. White, Rosé, Orange, Red – enjoy whatever is in your glass and happy Independence Day for those in the USA. Cheers!
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