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A Weekend In Unique Wines
A unique wine.
A unique concept.
We can take it to the extreme if we want. Wine in the bottle is a living thing. Wine is changing – for the better or worse, but wine is changing – enzymes are breaking, tannins are fading down. We can claim that every bottle of wine is unique, and similarly to “you can not enter the same river twice”, you can not taste the same wine twice.
Okay, let’s move away from such highly esoteric spaces, and let’s talk about personally unique wine happenings – and I will do my best to explain why I designate each encounter as “unique”.
Unique wine case #1 – “I never had it before”
“light golden color, guava, herbs, med-intensity, inviting; vanilla, apples, lemon, crisp, fresh, round, clean med-long finish” – in all modesty, I’m quoting the description of the wine from my own tweet a few days ago. Looking at this description, what wine do you think was in my glass?
Give it a thought for a few minutes. Meanwhile, I continue.
I will not be playing this #inmyglass game here, of course – especially since I actually borrowed this game from Le Bon Vin #inmyglass. The game was played on Twitter, asking people to identify the place and the grape(s) this wine was made from.
Chardonnay. Chennin Blanc. Sauvignon Blanc. Bordeaux Blend. Garganega from Soave. Lugana. Vermentino. Roero Arneis. These were some of the guesses, I’m sure I’m also missing a whole bunch.
Once we established the place – Italy – and after a few strong hints that the wine is a “curveball” and “thinking out of the box required”, we arrived at the correct answer.
Sangiovese in Bianco. A white wine made from red grapes.
It will not be the first – two out of the 3 main grapes in Champagne are red; Pinot Noir Blanco is quite popular in Oregon; I also had white Merlot and even white Cabernet Franc – and it will not be the last, I’m sure, but this was my personal first experience with white Sangiovese wine.
From the very first whiff 2021 La Loggia Toscaia Sangiovese in Bianco Toscana IGT (12.5% ABV) was special. Beautiful aromatics of guava and herbs, followed by a brilliantly balanced presentation on the palate, with lemon, apple and vanilla, crispy, fresh, delicious. If I would try this wine in the blind tasting, I would confidently make my bet on the old world Chardonnay – and yet this wine was made from Sangiovese.
I got this wine from the Last Bottle wines, which means that I might never see the same one again (I have a few more bottles to see how it will age) – but to my delight, I learned that an increasing number of producers offer Sangiovese in Blanco – I just hope the others will be as good as this one.
Unique wine case #2 – I might (will?) never try this again
Every Champagne lover knows Bollinger. A legendary producer whose Champagne was often 007’s wine of choice (yes, it is James Bond I’m talking about). Bollinger even produces one of the Champagnes under the “007” name. But I’m not talking about Champagne here.
Champagne appellation laws allow production of the still wines. The 2002 Bollinger Ay Rouge La Cote Aux Enfant Coteaux Champenois (12.5% ABV) is red Pinot Noir wine, produced from 2 acres of vineyard called La Cote Aux Enfant located in the heart of Grand Cru Aÿ region and aged in oak casks. This wine is only produced by Bollinger in exceptional years. I had this wine once 9 years ago, and at that time the wine was quite powerful, requiring some time to breathe. This time, the wine was ready to drink from the get-go, offering mostly the tertiary aromas – plums, dried fruit, still having enough acidity and some structure. My daughter offered probably the best descriptor for this wine – she said that the aromatics remind her of an old book – in a good sense. It is the book you lovingly and carefully take into your hands, expecting the magic to happen as you turn the pages. Do I wish I opened this wine 4-5 years ago? You bet. Did I regret my choice of keeping this wine for as long as I did? Not for a split second. A perfect rendition of the mature wine…
Unique wine case #3 – back from the dead and then red with cheese? Surprise!
1998 is one of the special vintages in my book, and I am always on the lookout for 1998 wines for a reasonable price. When I saw 1998 Chateau Saint-Nicolas Fronsac AOC (12.5% ABV) for $19.99 at Wine Exchange, I couldn’t help but grab a few bottles. I opened this bottle right after the 2002 Bollinger. The aromatics were very restrained, and on the palate, the wine just had some glimpses of fruit, but overall the wine gave an impression of the Bordeaux I don’t want to drink. A few hours later, things turned even to the worst – the wine was offering nothing on the nose or on the palate. Of course, it tasted like wine, but it had nothing going I would be able to apply any descriptor to. It was late in the day, so I pumped the air out and decided that I will deal with the wine the next day.
The next day I reopened the wine having literally zero hope for anything even half good happening to this bottle. The smell from the glass offered a glimpse of hope – dark fruit and a hint of eucalyptus showed up. To my delight, the palate completely transformed, offering silky cassis, anis, and lots of herbs. The wine didn’t even give out its age, it was still perfectly fresh with a good amount of acidity.
I had a small cheese board on the table, and without much thought, I took a sip of wine after a cracker with cheese. Combining wine and cheese is a lot more difficult than people like to think, so once again, I didn’t expect much. All of a sudden the taste buds jumped of joy, because the cheese, Bucheron soft-ripened goat cheese from Trader Joe’s, was perfectly complemented by this 21-year-old Bordeaux, creating a new level of hedonistic pleasure. A unique wine transformation and a unique pleasure of elevated food and wine experience – the experience worth remembering.
Here you are – my report on the weekend in unique wines. When was the last time you had a wine which you considered “unique”?
The Land Whispers… You Just Need To Listen
I love wine dinners. Especially the wine dinners with the winemaker.
I dread wine dinners. Especially the wine dinners with the winemaker.
I know, I don’t make much sense at the moment. Wine dinners are wonderful, and I really do love them. The dreadful part comes from the experience of not being able to write about those wine dinners in a timely fashion. “Timely fashion”, huh – there are wine dinners I never wrote about in 5 years and such memories can hunt you down – they definitely do for me. I don’t know why this is happening on a regular basis – the elation often experienced during open and engaging conversations about wine becomes an ephemeral spirit, woefully resistful and easily escaping the slightest attempt to capture it in the form of words…
Let’s see if I will be able to break my unsettling tradition.
Last week I had a wonderful time and experience tasting the wines of Viñedos Veramonte and speaking with Gonzalo Bertelsen, General Manager and Head Winemaker in a small group of wine lovers, around the dinner table at the Monterey Brasserie in New York. The conversation topics were ranging from low-alcohol wines (is that really a trend? Are people really asking for it or is that just a gimmick?) to the production of organic and biodynamic wines to “why Germans don’t want to drink organic wines from Chile” (I will not tell you why but you are welcome to guess) and to many other far and between. But most importantly we got to enjoy Viñedos Veramonte wines with and without the food.
Viñedos Veramonte was one of the first wineries in the Casablanca region, founded in 1990 by Agustin Huneeus, a Chilean wine pioneer. From the very beginning, the winery embraced organic viticulture – and more recently, the winery spent more than 6 years making estate vineyards officially organic certified, obtaining ECOCERT® organic certification, one of the most respected in the world. The project involved the conversion of more than 1,200 acres of vineyards in Casablanca and Colchagua valleys to organic and biodynamic farming, with the aim to also become fully Demeter’s biodynamic certified – which requires making changes in the winery, not only in the vineyard – plus importers also have to be biodynamic certified.
Viñedos Veramonte produces 4 distinct lines of wines – Veramonte, Ritual, Primus, and Neyen – all from organic grapes, of course. We had an opportunity to taste wines from all 4 lines.
We started with the 2022 Veramonte Sauvignon Blanc Reserva Casablanca Valley ($13.99 SRP). This wine has one of the biggest productions, and it is very important for Veramonte. Preserving freshness is paramount, so special care is taken to prevent any oxidation of the grapes and juice, and the wine is bottled as soon as possible. The wine was herbaceous and crisp, delicious on its own but also nicely supporting our first course – Grande Plateau of seafood containing oysters, clams, tuna tartare, and lobster. The Sauvignon Blanc pairing with the oysters was the best – and the oysters were delicious, probably my favorite component of the Grand Plateau.
Next, we moved on to the 2019 Ritual Chardonnay Casablanca Valley ($20.99 SRP, fermented in oak barrels and concrete tanks). I wrote about Ritual wines many times, last time only a few months ago – the wines are consistently delicious. The wine was paired with a choice of appetizer – crispy artichokes or barbecued prawns. I selected crispy artichokes, forgetting that artichokes are notoriously difficult to be paired with wine. The dish was delicious on its own, and the wine was also good – on its own.
We also tried the 2020 Primus Carmenere Apalta DO ($20.99 SRP) with our appetizer course. The wine was excellent and had a nice profile of cassis supported by the bell peppers, showing off the pyrazines. Some of the winemakers are trying to prevent the pyrazines from showing up by changing growing conditions, harvesting regime and more – but I personally enjoy the pyrazines’ flavor very much, it adds to the authenticity of the wine. While Carmenere was still not a perfect match for the artichokes, it offered a bit better pairing than the Chardonnay.
Now we were ready for the main course, and the new wine arrived.
Last December I had an opportunity to try for the first time yet another Veramonte wine called Neyen. Neyen vineyards are located on a small parcel of land situated between the Andes Mountains and the Coastal Range. Neyen wines are literally always a blend of 50% Cabernet Sauvignon and 50% Carmenere, both coming from truly the old vines – Cabernet Sauvignon vines were planted in 1889, joined by Carmenere in 1936, which makes the vines respectively 134 and 87 years old.
In the local dialect, Neyen means “whisper”. The land whispers, you only need to listen to her – low intervention is what the Neyen winemakers practice. And this is the whisper you can taste.
The wine literally stopped me in my tracks. You know that stupid smile that you can’t control when something good is happening? This was my face upon the first whiff of the 2003 Neyen Espíritu de Apalta Apalta DO ($N/A) – the first vintage of Neyen wine ever produced. The time stopped – there was only the endless pleasure of aromatics that only mature wine can bring.
Time, wait. Don’t move. I’m still enjoying it. Please, just a few more moments.
Cassis and eucalyptus on the nose. Cassis and eucalyptus on the palate, silky smooth, perfectly integrated tannins, full body of the mature wine at its absolute peak, pleasure slowly descending layer after layer. This is the case where the words are clearly insufficient to describe the joy of the oenophile, but I hope I offered at least a glimpse.
For the main course, I selected Bluefin Tuna au Poivre with baby beets and citrus sauce – and to my delight, the 2003 Neyen offered a perfect pairing, elevating every bite of the food.
We also had the 2016 Neyen, Espíritu de Apalta Apalta DO ($N/A). Tasting 2016 after 2003 was somewhat of a mistake. 2016 is an excellent wine, but the beautiful core we were able to experience in 2003 was still covered by layers of baby fat, the wine showing a lot richer, almost jammy on the first sip, and in need of time to open up.
The culmination point of our evening, though, was … a bit unexpectedly, as we are talking about Chilean wines … the Malbec. 2019 Neyen Espíritu de Apalta Malbec Apalta DO ($149.99 SRP). 2016 was the first released vintage of this super low-intervention wine – harvested and destemmed by hand, fermented in small tanks, no machines, no electricity used in the production of this wine, aging only in 3rd and 4th use French oak barrels. This is the crown jewel of the Veramonte Neyen collection – even James Suckling agrees, rating this wine at 100 points. Only 200 cases of the wine were produced in 2019, with the US allocation standing at 40 cases.
The main word I would use to describe this wine would be “elegant”. The wine was showing beautiful eucalyptus notes, a lot leaner than most of the Argentinian Malbecs, begging comparison with old world Malbec, the Cahors. Elegant, layered, delicious.
And this, my friends, brings us to the end of the wonderful evening. The company was great, the food was excellent, the wines were amazing.
Mother Nature whispers, and good things happen when we listen. I wish I had a case of this 2003 Neyen Espiritu de Apalta – that would really make me happy. Well, we generally don’t get to have all the things we want – and I’m grateful for the opportunity to experience such wines at least once.
Veramonte wines offer a great selection for every budget and every palate – check them out when you will have a chance. Cheers!
New Releases From Bodegas Beronia
When it comes to Rioja, Bodegas Beronia is a relative newcomer, founded in 1973 by a group of friends who fell in love with La Rioja while visiting on a holiday – compared with many of the Rioja’s finest taking its roots from the 19th century.
I wrote about Beronia wines many times before, so instead of sending you to this link to read about the winery itself, here is simply an excerpt from that post:
The name Beronia is not random – here is the explanation: “name linked to the history of the land where the winery is found. In the 3rd Century BC, the area known as Rioja today was inhabited by a Celtic tribe called the ‘Berones’. They inhabited the towns of Tricio, Varea, and Leiva, marking the limits of the Berones region, today La Rioja.”
Originally, the wines were produced literally by friends for the friends, without much thought of commercial sales. In 1982, Bodegas Beronia became a part of González Byass family, and at that point, wines of Bodegas Beronia started to appear on the international markets.
Beronia style starts in the vineyard, practicing sustainable viticulture. Different vineyards are used for different types of wines – Crianza, Reserva, Gran Reserva. For example, Gran Reserva wines are typically produced from 80-90 years old vineyards. And talking about the style, wines are manipulated as little as possible.
Bodegas Beronia Rioja wines represent an intersection of tradition and modernity. While “traditional” and “modern” styles of Rioja can be a subject of great debate with a lot of wine consumed to prove the point, I would offer a very simplistic viewpoint. Tempranillo has a great affinity to the oak; the resulting Rioja wine is well influenced by the oak regimen. Traditionally, Rioja is matured in American oak casks. Modern-style Rioja often uses French oak. Here is your style distinction – American oak versus French. Bodegas Beronia goes a step further than many. They create their own barrels, using both American and French oak elements in one barrel. Thus the wine is not defined by blending of the separately aged components, but instead, it is aging in a mixed environment.
Now, here is something I never shared before. In June of 2018, I had an opportunity to attend a lunch with Bodegas Beronia winemaker, Matias Calleja. During that lunch, we were able to actually taste the differences between the same exact wine, 2015 Tempranillo, aged for 18 months in 3 different types of oak – French, American, and Beronia’s own, mixed.
When we tasted these three wines side by side, the wine aged in the American oak had the brightest fruit. The French oak-aged was more earthy and had a bigger presence on the palate. The wine aged in the mixed barrels provided the most complexity, and fell in the middle, with interesting spicy notes. Pepper, which is not a typical Tempranillo descriptor, was very pronounced on the mixed barrels. The mixed-barrel one was my favorite.
Now, we can talk about the latest release from Bodegas Beronia – pay attention to the notes on the oak regimen:
2022 Bodegas Beronia Rosé Rioja DOC (13.5% ABV, $12.99, 55% Garnacha, 45% Tempranillo)
Very light pink, almost a rose gold
Very restrained, a hint of underripe strawberries
Crisp, tart, very limited fruit, a distant hint of strawberries with a tartness of cranberries, medium finish
8-, Provençal style, clean, refreshing
2019 Bodegas Beronia Rioja Crianza DOC (13.5% ABV, $14.99, 95% Tempranillo, 4% Garnacha, 1% Mazuelo, 12 months in mixed American oak (staves) and French oak (ends) barrels, 3 months in the bottle)
Dark garnet
Cherries, cigar box, a hint of sweet tobacco
On the first day, the wine had a lot of baby fat, too round
Second day – much better, tart cherries with good acidity and earthy undertones.
8-, needs time. The wine is either genuinely too young, or this is a problem with the screwtop enclosure, not allowing the wine to properly breathe, therefore properly mature.
2018 Bodegas Beronia Rioja Reserva DOC (13.5% ABV, $24.99, 95% Tempranillo, 4% Graciano, 1% Mazuelo, 18 months in mixed American and French oak barrels, 18 months in the bottle)
Dark garnet
Earthy, dense, inviting
A hint of barnyard, tart cherries, vanilla, good acidity, good balance
8-/8, elegant and round. Asking for food
2015 Bodegas Beronia Rioja Gran Reserva (14.5% ABV, $29.99, 94% Tempranillo, 5% Graciano, 1% Mazuelo, 28 months in French oak barrels, 36 months in the bottle)
Dark Garnet
A touch of barnyard, dark and earthy, anis appeared on the 3rd day
Cigar box, sapidity, roasted meat, cherries and plums, clean acidity, firm structure, well-integrated tannins. On the third day, a touch of espresso on the finish.
8+, delicious. Will evolve. I would love to taste this wine in 10 years. And then in 20.
Just to summarize this tasting experience – the Rosé was excellent. I really didn’t love the screw top on Crianza – I believe it doesn’t let the wine properly mature in the bottle. And the Gran Reserva for $30 MSRP is the wine to get by the case and let it gracefully mature…
What were your latest Rioja discoveries?
Stories of Passion and Pinot: Eugenia Keegan
Joseph Swan Vineyards. Volnay, Puligny-Montrachet. Hop Kiln Winery in the Russian River Valley, Bouchaine Vineyards in Carneros, Vine Cliff Winery in Oakville.
Keegan Cellars in Russian River Valley, dedicated to single-vineyard Chardonnay and Pinot Noir.
Oregon.
France again, this time Châteauneuf-du-Pape and Roussillon.
And back to Oregon.
This is not a random list – these are some of the places where Eugenia Keegan, born fifth generation to a family with deep roots in the Russian River Valley, worked during more than 45 years of her wine-centered career.
Working in the cellar. Working in the vineyard. Making wines. Managing wineries. Managing wine businesses. Going beyond just a business, Eugenia had been actively involved in Oregon’s wine world at a higher level as chair of the board of directors of the Oregon Wine Board, president of the Oregon Winegrowers Association, president of the Willamette Valley Wineries Association Board, and co-chair of Willamette: The Pinot Noir Auction. And to top it all off, Eugenia was named the 2021 Wine Executive of the Year as part of Wine Enthusiast Magazine’s 2021 Wine Star Awards.
Since 2016, Eugenia is working as a senior vice president of winemaking and business development for Jackson Family Wines’ Oregon properties, overseeing the winemaking programs for Gran Moraine, Penner-Ash Wine Cellars, WillaKenzie Estate, and Zena Crown Vineyard.
Eugenia Keegan. Source: Jackson Family Wines
A conversation about Oregon’s Willamette Valley wine inexplicably means a conversation about Pinot Noir. As you probably know by now, conversations about Oregon’s Pinot Noir had been one of the longest-running themes on the blog, a collection of winemaker interviews under the Stories of Passion and Pinot. As most of Eugenia’s winemaking career rotated around Pinot Noir, I thought that a conversation with her would be a great addition to the series – and with the help of Carl Giavanti, I managed to sit down (virtually) and talk with Eugenia.
Here is what transpired in our conversation:
[TaV]: How is this managing 4 different wineries with their own established style and following? Do you enforce JFW brand identity or encourage individuality?
[EK]: Individuality is a major part of our success. JFW provides the tools and overarching guidance (safety and quality). Each winery is encouraged to find its own personality based on the estates and people that are key to that brand.
[TaV]: You personally produced Pinot Noir in California and Oregon. If it is at all possible to “average out”, how would you describe the difference between California and Oregon Pinot Noir?
[EK]: Weather and light are the key differentiating factors when comparing these two areas. The long summer evenings allow the grapes to catch up to a warmer area like parts of California that bud out earlier and the cool Septembers allow the Oregon fruit to mature during cooler days, pushing fresh fruit and higher acidities.
[TaV]: You started in the wine early, and you were born in Sonoma, so wine obviously is in your DNA, but nevertheless – did you have a pivotal wine in your life? The one you tasted and said, “now I understand”?
[EK]: Yes indeed! But after I was in the business. I recall with absolute clarity while in Ireland having a 1985 Louis Latour Corton Charlemagne and “knew” that this was the benchmark of great chardonnay and have been in pursuit of that ever since. There were many fabulous Burgundies, both red and white, along the way that continue to provide inspiration years later.
[TaV]: Thinking about your long career in wine, do you have any regrets? Is there anything you would do differently knowing what you know now?
[EK]: I would have stayed in Burgundy longer. After each of my stagiaire I quickly came home excited to apply what I had learned. If I knew then how long a road this would be, I would have stayed longer and probably have tried to work there full time.
[TaV]: What is the sustainability story for Jackson Family Wines in Oregon? Where are you now and what are your plans for the future?
[EK]: Throughout our 40 years in business, the Jackson family has long prioritized natural resource conservation and environmental stewardship. We embrace climate-smart farming and winemaking practices that lower our environmental impacts, including preserving open space to building soil health and reducing our water and energy use. These sustainability values and practices extend to all regions where we grow and make wine, including Oregon. In fact, our Oregon properties have been on the forefront of many initiatives that we’re proud of as a global wine company. Less than 35% of our total acres are planted to vines to protect natural habitats and wildlife. Each year, we generate enough onsite renewable energy to offset the annual consumption of approximately 15 homes in Oregon. It’s also worth pointing out that our WillaKenzie Estate was the first LIVE-certified winery in Oregon, so it has a long history and legacy of sustainability leadership. All of our other Oregon vineyards and wineries are also certified through the LIVE program.
So, whether it’s through sustainability certification, our commitment to protecting natural habitats, or use of renewable energy, Oregon has had a positive impact on our overall Jackson Family Wines Rooted for Good: Roadmap to 2030 sustainability and climate action efforts. And, they will play a major role in our efforts to reach or goals for 2030.
[TaV]: Are there any plans to convert to organic viticulture at any of the JFW properties in Oregon?
[EK]: At this time, there is no plan to convert our estate vineyards towards organic farming in Oregon. As I mentioned all our vineyards are currently LIVE certified and as part of our Rooted for Good: Roadmap 2030 sustainability plan, we made a commitment to transition 100% of our estate vineyards to regenerative farming practices, including in Oregon. We believe this transition to regenerative agriculture is the best approach for maintaining a healthy ecosystem. By using a lighter touch, regenerative farming will leave our lands healthier for future generations so we can continue to craft distinctive, beautiful wines for the next hundred years. For us, we define regenerative farming as a set of farming principles and practices that increases biodiversity, enriches soil heath, improves watersheds and enhances the ecosystem surrounding our vines. Key regenerative farming practices include rebuilding soil organic matter through limited tillage and adding carbon rich compost and other nutrients; increasing biodiversity in and around our vineyard with cover crops and livestock integration (sheep + chickens); and reducing synthetic chemical inputs. Beyond the environmental benefits of regenerative farming, we also believe it’s the best approach for wine quality.
[TaV]: We repeatedly hear that the young generation (Gen Z, I guess) doesn’t want to drink wine. Do you agree with this? If yes, what needs to be done to change that?
[EK]: I think that the approach to wine is very different for younger consumers. My generation grew up with wine as mystical and magical. Everything was done in the ancient European tradition. I think for people growing up in the US now, wine is just another beverage option, not an extension of some old culture. I consider this a huge opportunity to move outside the traditional European varieties and styles and a chance to experiment. And along the way I believe that many will find the same magic and mystery of the ancients.
[TaV]: This might be the only question I like to ask all the winemakers I’m speaking with – what is your take on biodynamic viticulture?
[EK]: There are two things that I love about biodynamics: the whole farm concept and the attention to detail. And the beauty is that these two principles apply to any approach to farming and land stewardship.
[TaV]: What is ahead for the Willamette Valley wine in general? What do you think will happen over the next 10 years?
[EK]: I think that in the traditional world we will see Chardonnay and sparkling wines take their position on the global stage next to our Pinot Noirs. And I think that we will see a lot of new and interesting wines from the younger winemakers.
[TaV]: Are there any plans to add more wineries to the JFW collection in Oregon?
[EK]: We are always looking for the best sites for winegrowing everywhere in the world. Oregon is no exception, but for now we are pretty busy with what we have.
[TaV]: Is there a wine you always wanted to make but still didn’t have a chance?
[EK]: Working with Pinot Noir and Chardonnay for 50 years has been everything that I could ask for. But I would not mind taking a crack at Chenin Blanc and Grenache, two of my favorite wines.
[TaV]: Are there any problems facing Oregon wineries now, or is everything is perfectly clear on the horizon?
[EK]: There is climate change of course. The fascinating thing about climate change is that it is a global challenge. EVERY winegrowing area in the world is facing this same issue. That helps in working toward solutions. But nothing that is existential to Oregon.
[TaV]: Can Oregon ever produce the wine rivaling DRC? Leaving the image aside, maybe a better question is: is there an Oregon Pinot Noir that you know of which can take on DRC in the blind tasting?
[EK]: HA, that is a loaded question! Oregon cannot make Burgundy anymore than Burgundy can make Oregon. Can Oregon wines give one the same pleasure and satisfaction as the great wines of Burgundy? Yes indeed.
[TaV]: Do you have unicorn wine? The wine you always wanted to try? For example, I have two – DRC and Quintarelli Amarone. What would be yours?
[EK]: After several hours of thinking about this, the answer is no. BUT having said that I still have that same thirst for winegrowing knowledge that I had 50 years ago and continue to explore new regions and wines every day.
[TaV]: You and David Adelsheim have been friends and partners for a long time. How did you meet and how would you characterize your relationship? Do you talk business or keep church and state separate?
[EK]: David and I met at the Steamboat Pinot Noir Conference in the early 80’s. We found that we shared a lot of interests in common not just being fully engaged as producers of Pinot Noir (before Sideways) in full throttle pursuit of wine quality and healthy sales. We are still the very best of friends with a dash of romance thrown in. NO, there is no division of church and state. We talk wine ALL the time.
Here you are – another addition to the Stories of Passion and Pinot. I hope you enjoyed this encounter with the winemaker’s passion and maybe even learned something new.
Until the next time…
P.S. For more stories of Passion and Pinot please visit the series’ main page.
Wine Weekend of Ups and Downs
The life of an oenophile is never dull – of course, if an oenophile chooses such.
UP
Let’s talk about “ups” first.
Sine Qua Non. The legendary Sine Qua Non. The Sine Qua Non winery is unique in many ways. First and foremost, Sine Qua Non wines are unique. Of course, every winemaker is sure that his or her wines are unique. But for Sine Qua Non, these are not just bragging words. Every vintage, a different set of wines is produced, and wines do not or rarely repeat year after year. Each wine has a label designed by Manfred Krankl, who owns the winery together with his wife Elaine. And the wines are impossible to get – I had to wait for 10+ years to move from the waiting list to the mailing list.
My sister-in-law and her husband were visiting over the weekend. They both enjoy wine very much – which is a perfect reason to get out a special bottle. Sine Qua Non is better known for its Rhone-style reds, but they produce white wines as well. One of the first wines in my allocation was Sine Qua Non white wine. Communal notes on the internet seem to indicate that SQN white wines shouldn’t be aged for too long, so I decided that 4 years is a good age for this wine, to avoid any possible regrets (who am I kidding – there are always regrets when it comes to wine).
2019 Sine Qua Non Distenta 1 California White Wine (15.3% ABV) is a blend of 41% Roussanne, 26% Chardonnay, 14% Petit Manseng, 12% Viognier and 7% Muskat (Gelber Muskateller), fermented in barrel and matured on its lees, 23 months in 64% new French oak. The sublime nose of whitestone fruit, herbs, and flowers, with a distant hint of tropical fruit. And the palate, the bouquet… As a child, I loved to sing, and I spent some time in the chorus. I was perfectly fine singing in unison, but for the life of me, I could never do the canon, the subtype of polyphonic singing, where each singer has their own melody, and those melodies harmoniously combine together. This wine delivered such a canon singing – beautiful notes of sage, eucalyptus, tobacco, and whitestone fruit were changing into tropical fruit with a touch of bright honey notes. Somehow, it was possible to taste both profiles at the same time. I know I’m not describing it well, but this was the wine I really didn’t want to end… (Drinkability: 9)
By the way, an added bonus – it appears that I never had the Gelber Muskateller grape – and now I can unexpectedly increase my grape count.
DOWN
Over the years, I got two bottles of red wine from Newton Vineyards, a well-respected California winery, as presents, both from the same 2010 vintage, and both identical. I know the producer’s name, but it seems that I only tasted Newton Chardonnay before, and I have no memories of tasting their red wines.
Both bottles were gifted by the sister-in-law and her husband I just mentioned, so I thought their visit was a perfect opportunity to enjoy this wine together.
And so I opened the bottle of 2010 Newton The Puzzle Spring Mountain District Napa Valley (14.5% ABV, 60% Cabernet Sauvignon, 18% Cabernet Franc, 18% Petit Verdot, 4% Malbec).
And the bottle was corked.
I just recently mentioned in one of the social media discussions that I rarely encounter corked California wines. I guess I jinxed it… The cork faint was ever so slightly noticeable on the nose, and the palate kind of seemed okay, so I even decanted it and we even tried drinking it. The decanting made the corked nature of the wine even more apparent, and I pulled the second bottle.
The second bottle was not corked, and it was drinkable. However, it was a bit underwhelming. The fruit was there, it was possible to taste the cassis, but considering that this was a Californian wine, it showed leaner than expected. I would generally consider that Californian wine of such level need at least 20 years to develop, and under normal circumstances I would leave the second bottle alone for another 5-7 years, but oh well. We did enjoy it, of course, I was just hoping we would enjoy it more. (Drinkability: 8- )
STILL DOWN
I’m not going in chronological order here. The Newton red was planned to be the main wine to serve with dinner. As a “pre-gaming”, I gleefully pulled out the 2018 Alto Moncayo Veraton Campo de Borja (15.5% ABV). I opened a bottle of this 100% Garnacha last year, and it was absolutely spectacular from the get-go – succulent cherries and layers of pleasure. I loved the wine so much that it was included in the top two dozen list of 2022 wines as number 13.
Feeling great about myself, I opened the bottle and poured wine into the glasses. At the first tiniest sip, instead of excitement, my instant thought was “ohhh nooo, why is it so sweet???”. I also instantly knew that I’m in trouble with my sister-in-law, as she stopped drinking California Pinot Noirs for being too sweet… And her reaction was exactly what I was afraid of. After the first sip, she raised her head from the glass, looked at me inquisitively, and said with a wry smile “but why is it so sweet?”. This is when we put this bottle aside and proceeded with The Puzzle – and you just read how swimmingly well it went.
Truly, whatever goes up will go down.
AND UP AGAIN
Whatever went down still has a chance to go up.
The very next day, Veraton somewhat solidified at its core, the sweetness subsided, and the structure started to appear. On the third day, the wine was as delicious as I was expecting it to be – succulent ripe cherries, juicy and generous, with crunchy acidity and perfect balance. (Drinkability: 8+).
Here you go, my friends. Another weekend in wine – sometimes you win, sometimes you learn. With the exception of the corked bottle, which is never okay – but as my sales team always said, “it comes with the territory” – it was a great wine weekend, even with all the ups and downs. How was yours?
OTBN Conundrum
OTBN, short for Open That Bottle Night, is my favorite wine holiday. Nowadays, there are lots and lots of wine holidays, usually associated with a particular grape – International Chardonnay Day, International Cabernet Day, Beaujolais Nouveau celebration, and so on. The majority of such wine holidays encourage you to open a bottle of wine made from a particular grape, whether there is a story behind the bottle or not. You can take these grape holidays with all seriousness and meticulously prepare and select the right bottle, or you can just grab any random bottle you will see in the store – or skip the grape holiday altogether if you don’t feel like drinking Cabernet Sauvignon or Chardonnay on that particular day.
OTBN is different. OTBN was invented for people who take their wine seriously. Or maybe rather those who take their wine too seriously. Over the years, we accumulate wine bottles that are deemed special; brought home from the winery you visited in France; got this bottle after an amazing tasting event; a bottle from an amazing family vacation many years ago; a bottle given to you by a dear friend. We can continue on and on, but you got the point.
Many of those special bottles in your collection would have some similar traits: they exist in the quantity of 1 and they are too special to be opened at random. Those special single bottles stay put in your cellar, waiting for the special company, special circumstances, special moment, special friend’s visit to be opened and enjoyed. More often than not, they keep waiting, and waiting, and waiting, because that special moment keeps not happening. And then, when it finally arrives, you might open that special bottle you preserved with the best care in the world, only to find that the content can solicit the memory but can’t bring you joy anymore because the wine in the bottle simply turned past prime. And it also kind of ruins the moment. This is why OTBN was invented, and this is what makes it such a great holiday for all the winos out there.
My personal conundrum draws exactly along the lines I just described. I have a lot of single bottles (actually, an absolute majority of my wines in single bottles – I practically never buy any wine by the case), and as such making a decision about a “special” bottle of wine for an event or a holiday, never mind the hallmark of them all, OTBN, a long and tedious process. “Is this bottle good enough? Okay, but I only have one. What if I will open it now and would never know how great it could’ve been? What do I do? What do I do?”
Same as the last year, I had to celebrate OTBN early this year due to the business trip spanning over the intended OTBN last Saturday of the month, February 25th. My wife doesn’t drink much wine nowadays, so I had to count primarily on myself. I had no good ideas coming to my head, there were no special bottles of wine I was ready to sacrifice. Looking at one of the wine fridges, I noticed the bottle of Jean Bourdy from Jura.
I don’t take Jura wines lightly, they are very hard to procure in the US. And then Jean Bourdy is a legend in itself – I better have a damn good reason to open such a special bottle. Then I thought that I already had some Jean Boardy in the past – maybe I would find some notes in the blog? I entered Jean Bourdy in the search box, and sure enough, this post came up. I tasted this wine in 2011 when I attended a Natural Wines seminar at PJ Wine store in New York – my first, a truly memorable encounter with natural (low intervention) wines as a category. I tasted this exact wine, 2006 Jean Bourdy Cotes Du Jura Rouge (fun fact: 2006 was the first vintage of Biodynamic wine production at Caves Jean Bourdy). I really liked the wine then, and my note said “It appears that wines of Jean Bourdy are known to age very well (note to self)”. As soon I saw this “note to self”, I instantly put that single bottle of Jean Bourdy back, as 17 years is most likely not an age for it.
In the same post, I noticed another wine that happened to be next to Jean Bourdy bottle on the same shelf – 2007 Le Pavillon de Saint Jacques Lalande de Pomerol. I pulled this bottle many times from the fridge before, always remembering that this was a natural wine, but again, no moment felt special enough. Then I read my note from 2011, which was clearly less than favorable. Here it is in its entirety:
“Very interesting. Smells like dirt, pure dirt after the rain. Very vegetative, no fruit on the palate, just pure dirt again. Almost no acidity. This wine was fermented in concrete tanks, aged for 18 months. It is “certified organic” and made with 90% Merlot and 10% Cabernet Franc – classic Pomerol wine. I would love to taste it in 10-15 years – I think it will greatly evolve, but it is not easy to say ” I like it” now”.
This “note to self” clearly stated that the wine was not good in 2011, but I should give it another try in 10-15 years. I was pretty much in the middle of that suggested term – 12 years after the original tasting, so opening that bottle all of a sudden became a perfect thing to do.
Cork came out easily, showing a good amount of crystals on the bottom, but otherwise perfectly fresh. The first sip instantly put my inner wine geek into a nirvana state. Barnyard. Pure, beautiful barnyard. If you belong to the group which screams “brett” at the first whiff of the barnyard smell on the wine, I’m sorry but we can’t be friends. Yes, there are limits to everything, but the reasonable amount (don’t ask me to quantify, everyone has to define their own “reasonable amount”) enhances the wine pleasure for me. I typically find barnyard associated with Syrah wines – possibly, this was my first Bordeaux with the barnyard aroma – but the barnyard aromas were followed by the classic, concentrated cassis. Layered, concentrated, softly rolling harmonious wine with perfect, firm structure and clean acidity. Beautiful, classic Bordeaux. This was truly an OTBN-worthy pure pleasure experience (by the way, my wife also loved the wine very much).
Here you go – my typical wine selection conundrum, happily resolved to make another memorable night. And as a bonus, the expectation of improvement of the wine with age fully came through (patting myself on the back).
The official OTBN night is almost here. You still have time to select the bottle or 5, maybe get some friends together and make some wonderful wine memories. If you want to celebrate only one wine holiday a year, make it OTBN – don’t risk the wine not being there for you, or you not being there for the wine.
And please share your OTBN stories – I would love to hear them.
A Few Days In Florida
Time flies.
Just a month ago It’s already been a month since we visited our close friends in Naples, Florida. We spent a week at our friends’ house, sometimes enjoying the sun and sometimes not (on the morning we were flying back to New York, the temperature was balmy 40°F). However, this is not a post about the weather – this is primarily a post about the wine, and some flowers – in pictures, that is. Possibly, quite a few pictures.
My friends enjoy an occasional glass of wine, but it doesn’t have to be absolutely anything in particular – the price should be right (low), that’s the main criteria. Therefore I enjoyed exploring the random collection – but of course, I couldn’t also resist an opportunity to visit some of the local wine stores.
First, there was an early morning flight – always an opportunity to enjoy the sunrise.
Talking about the wines, we started our first day in Florida with a few tasty whites. 2018 Grgich Hills Estate Sauvignon Blanc Fumé Blanc Napa Valley was outstanding – bright, succulent, bristling with acidity, and supporting core of the whitestone fruit. I love Sauvignon Blanc in all of its renditions, and this was the quintessential Napa Valley version. I also had the 2019 Whipstitch Barrel-Fermented Chenin Blanc Clarksburg which was restrained and interestingly elegant, with good acidity and a plump, fuller body mouth feel.
Our dinner plan for the evening was very simple – steak, a nice porterhouse from Pat LaFrieda. Ever since I made Bistecca alla Fiorentina a few years back, I got hooked on this specific way of cooking the steak every time I come across a good porterhouse. And then, of course, my preferred wine for such a dish is Montalcino, either Rosso or Brunello. There was no Montalcino on hand, so I went to the nearby Total Wine to pick up the bottle. After a long deliberation with myself in front of the Montalcino section (not very large), I settled for the familiar – 2020 Il Poggione Rosso di Montalcino. This was kind of a safe choice remembering a great experience I had with the 2016 Il Poggione Rosso and the steak.
The steak portion of our dinner was excellent – after all, Pat LaFreida provides top-quality meat, so my job was only not to overcook it. The wine, however, didn’t deliver. The 2016 Rosso was superb in its perfect balance of cherries and earthy flavors. The 2020 Rosso, which I also had a few months back, was simply too tight and rather void of any pleasure. The same two years of age (I had 2016 in 2018, and 2020 at the beginning of 2023), but the difference was profound. Oh well, at least we enjoyed the steak.
The next day we visited the supermarket store called Seed to Table, one of the local hallmarks in Naples. If you are familiar with Stew Leonard’s stores in Connecticut and New York, that will give you an idea of what Seed to Table is – only 10 times better. Seed to Table would deserve a special post of its own, which I might do after our next visit to Naples. But for now, I have to mention the wine section at the store – it was mind-boggling. The American wines were extremely well represented – California, Oregon, Washington, Virginia, and other states – very solid choices, not inexpensive, but still all the reasonable stuff, in the $30 – $80 range for the majority of the wines. I regret not taking the pictures to share with you – I will correct it the next time.
I picked up two bottles of wine there. The first one was the 2020 Textbook Cabernet Sauvignon Napa Valley, the wine which is rumored to be made from the same fruit as Harlan. I had Textbook Cab many times before and enjoyed it. This wine was not bad, but it was definitely opened too early. It was bold, tight, and “in-your-face” concentrated, nicely hiding a beautiful cassis core that was trying to present itself but was unable to. Give this wine 8-10 years, and you will be able to start enjoying it.
My second pick was 2020 We The People Cabernet Sauvignon California. This wine was a lot more approachable than the Textbook and was showing the telltale signature of Cabernet from Lodi – a hint of warm cinnamon notes, just enough to be noticed but not enough to get in the way of enjoying the wine. This wine was perfectly drinkable and enjoyable from the get-go.
A few days later my sister-in-law and her husband were planning to visit, so I decided to go to the Seed to Table again. This time, I came across the Spanish wine section and decided to pick up a few of the perennial favorites.
2016 Coto de Imaz Reserva Rioja DOC was spot on. Coto de Imaz is lesser known than Lopez de Heredia, La Rioja Alta, or CVNE. Nevertheless, Coto de Imaz Rioja is well worth seeking, as I had never been disappointed by their wines. This wine offered beautiful round dark fruit, a cigar box, and a touch of eucalyptus, all velvety and polished.
2019 Emilio Moro Ribera del Duero DO didn’t fare as well as the previous wine. It was too tight, and the fruit was not showing even a few hours after the bottle was opened. It is possible that this wine needs good 10-15 years in the cellar to mellow out, but at this point, this is probably not something you want to open.
Time for flowers! We visited Naples Botanical Garden, and so here are some flowers I picked there, especially for you:
I would like to mention a few more wines in passing here. 2020 Chateau Roudier Montagne-Saint-Emilion AOC is a budget Bordeaux from Trader Joe’s. While not mind-boggling, it comes from an outstanding 2020 vintage and is easy to drink, mellow, and round. 2016 Ferrari Carano Cabernet Sauvignon Alexander Valley was a solid California Cabernet Sauvignon rendition, with a good amount of power, good structure, and underpinning of cassis. I picked up the 2017 Torbeck Cuvée Juveniles Barossa Valley Australia for a friend who swears by Chateauneuf-du-Pape – I wanted him to compare the CdP with a similarly made GSM (61% Grenache, 28% Mataro, 11% Syrah). The wine had cherries and plums with a hint of some spicy notes – quite delicious all in all.
When visiting Florida, taking pictures of the palm trees is unavoidable:
Before we part, last but not least – delicious scotch. Alexander Murray Benrinnes Distillery 19 years old (distilled in 1995). It had beautiful complexity, not heavy, without any noticeable peat, very elegant, and perfect with a cigar. Alexander Murray is an independent bottler I was not aware of before – but definitely will be now.
That’s all, my friends – that concludes my Florida story in wines and flowers. Cheers!
Stories of Passion and Pinot: Erik Kramer of WillaKenzie
Source: WillaKenzie Estate
The first LIVE Certified Sustainable winery in the Pacific Northwest, LIVE member 0001. Wines worthy of serving at the White House gala, state dinners, and even to the French President and British First lady. One of the first Direct to Consumer wine programs in Willamette valley. The list of accolades of the WillaKenzie Estate can go on and on.
Founded a little more than 30 years ago, WillaKenzie Estate takes its name from the eponymous sedimentary soils of Willamette Valley in Oregon where the winery is located. The name is also a tribute to the Willamette Valley’s two major rivers, the Willamette and McKenzie which are also displayed on the winery’s crest.
WilleKenzie Estate was founded in 1991 by Bernard and Ronni Lacroute who purchased 420 acres of farmland near the town of Yamhill, Oregon. Bernard and Ronni brought their Burgundian heritage to the newly planted vineyards, and with the help of another Frenchman, Laurent Montalieu, the first winemaker at WillaKanzie, produced its first vintage in 1995. The rest is history, as they say (if you are interested in more historical details, here is the link). In 2016, Lacroutes entrusted their legacy to the Jackson Family Wines.
In 2017, Erik Kramer became WillaKenzie’s third winemaker. I had an opportunity to sit down with Erik (yes, virtually), and ask him a few questions. Here is what transpired in our conversation:
[TaV]: Before making wines in Willamette Valley, you were working in New Zealand. New Zealand is also world-famous for its Pinot Noirs. How would you compare New Zealand and Oregon Pinot Noirs?
[EK]: That’s a broad question. With the Willamette Valley, we’re generally talking about one region with a few sub-appellations (e.g. Yamhill Carlton, Dundee Hills, etc.). When speaking about Pinot from the Willamette, it’s tough for me to do so without speaking about the climate, which moves between Mediterranean and Maritime. The result is a balanced expression of Pinot anchored in freshness and clarity of fruit. With New Zealand, there are quite a few different regions within the country where Pinot is being grown and each is a bit different. The region in New Zealand that often seems to garner the most attention is Central Otago, which has a climate that is much more continental than the Willamette Valley and it’s reflected in the wines that are grown there (dark, savory, and energetic). For me, the region in New Zealand that most resembles the Willamette Valley in terms of Pinot expression is Martinborough (complex Pinots with great energy and complexity). I believe Martinborough leans toward Mediterranean in terms of climate with similar levels of heat accumulation to the Willamette. It may just be a little drier on a year-round basis.
[TaV]: This conversation series is about “Passion for Pinot Noir”. What drives your passion for this grape commonly identified as a “finicky grape”?
[EK]: One of the things I love about Pinot is the level of complexity and cellaring potential it can offer in such a graceful and balanced package. It really can be the proverbial ‘iron fist in the velvet glove.’ One of my favorite Pinot memories dates to a conversation I had one evening at the home of a famous consulting oenologist named Andrea Paoletti. He’d consulted with many of the world’s best producers on viticulture, what to plant and where, clones, etc. We were sitting on his patio, overlooking his olive tree grove on a hillside just outside Chianti (it was a great evening!). I remember him saying to me over a glass of wine, “when Pinot Noir is good, I think it’s the best one.” He was speaking about the grape compared to all the others he’d worked with. That stuck with me, and I tend to agree.
[TaV]: It seems that you grow all the components of the sparkling wines (Chardonnay, Pinot Noir, even Pinot Meunier), and yet I don’t see a sparkling wine as part of WillaKenzie’s offerings. Will this change in the future, or do you have a particular reason not to produce Sparkling wines?
[EK]: Funny you ask this question! We tirage bottled our first WillaKenzie Estate Brut from the 2019 vintage in the summer of 2020 and have been bottling sparkling wines ever since then (made from the grapes you asked about). We just haven’t released anything yet. Our club members will be the first to get a glimpse of our first-ever Brut later this year.
[TaV]: Outside of the sparkling wines, any plans to plant new grapes? How about new types of wines, maybe Pinot Noir Blanco?
[EK]: On the new planting front, Chardonnay has become a much more important role player in our portfolio. We added about 4 acres of Chardonnay a few years ago and have an additional 3 acres planned for this spring (and more a few years down the road). We produce several terroir specific Pinot Noirs from several parts of the Estate and are moving in the same direction with Chardonnay (blanc and rouges from the same location). As far as new wines go, we bottled our first vintage of Tourdion (named after a 14th century Burgundian dance meant to signify a play on grape varieties). It’s a barrel fermented white blend that is made from Pinot Noir, Pinot Blanc, Pinot Gris and Pinot Meunier.
[TaV]: Today you make single vineyard wines. Any plans to produce “single block” wines?
[EK]: WillaKenzie Estate is a large, contiguous farm from which we produce several terroir specific wines that tell a story about the place. In essence, they are all single block wines from one Estate.
[TaV]: WillaKenzie was the first winery in Oregon to receive LIVE certification back in 2008. How do you see sustainability evolving at WillaKenzie today? Are there things you would like to change to further advance sustainability?
[EK]: Sustainability has always been an important part of the WillaKenzie identity. The farm has been managed sustainably since it was established in 1992. Maintaining a healthy, biologically diverse landscape is part of our holistic approach to land management. More recently, we established a bee colony on the Estate as well as experimented with different wildflower species. We also have several initiatives in place aimed at lowering our carbon footprint. We already have a solar array that provides between 40% and 50% of our power and we are looking at increasing the size of our array to provide up to 100% of our power. With that, we’re transitioning heavily to an all-electric model to move away from greenhouse gases and become more carbon neutral. We have a brand-new Ford F150 Lightning pickup truck that just rolled up last week. We already have one electric forklift and next year, we’ll replace the remaining gas-powered forklift with another electric unit. So yeah, we have a lot going on here.
[TaV]: Other than WKE, if you would have an opportunity to make wine at any winery in the world, what winery would you choose and why?
[EK]: This is a tough one. So many choices! I’ve already been very fortunate to work at some great places in and outside of the US. I guess if push comes to shove, I’d go with Ata Rangi in Martinborough, New Zealand right now. Those Pinots are so delicious, and I’ve not worked in Martinborough, but love the area. The bonus would be that I’d be able to visit my son on weekends (he’ll be studying at the University of Auckland for the next few years, which is only a few hours drive from there). Ask me again in 4 years and I’ll have a different answer. Probably something more obscure like living and working at Boutari in Santorini making delicious Asyrtiko and enjoying the view after work and on the weekend.
[TaV]: Where do you see yourself, and also WillaKenzie in 10 years?
[EK]: Me? I honestly don’t know and am not looking that far ahead right now, which is unusual since I’m a goal-oriented planner. Perhaps I’m still involved with WillaKenzie in some capacity? Perhaps I’m working on some exciting new wine project outside of the U.S.? Perhaps I’m teaching wine production or viticulture classes at some community college? As Eddie Vetter sings in the song ‘Release’ off Pearl Jam’s first album (Ten) – I’ll ride the wave where it takes me!
WillaKenzie in ten years? That’s easier. It’s regarded as one of the great estates of the Willamette Valley. The winery’s Estate Cuvee Pinot Noir and Chardonnay are on important wine lists around the country. Our club members have been enjoying WillaKenzie’s Brut and Blanc de Blanc in their club shipments. We are not just growing terroir specific Pinot Noirs from places on the Estate like Aliette and Emery, but also Chardonnays. Tourdion (that exciting white blend) is available nationally. The winery’s solar array now provides 100% of the Estate’s power supply. Our HVAC systems have been modified from LPG to electric. We have not just one bee colony, but several and our club members are taking WillaKenzie Estate honey home as gifts at club events. The list goes on and the future is very bright.
Okay, it is time to taste some wines:
2018 WillaKenzie Estate Chardonnay Yamhill-Carlton (13.8% ABV)
Straw pale
Apples, vanilla, a touch of honey, hint of fresh herbs
Granny Smith apple, tart lemon and lemon zest, good structure, crisp, good body, well integrated tannins on the finish
8, excellent by itself, but will work well with a range of dishes.
2019 WillaKenzie Estate Cuvée Pinot Noir Yamhill-Carlton (13.9% ABV)
Dark garnet
Cherries, sage, violets
Cherries, a hint of dark chocolate, cut-through, lip-smacking acidity supported by well-integrated tannins on the back end. Good structure, good balance. Succulent dark cherries on the medium+ finish.
8-/8, very nice.
Here you, my friends. Another story of passion for the finicky grape. When it’s good, it is really good. Until the next time – cheers!
P.S. For more stories of Passion and Pinot please visit the series’ main page.
Stories of Passion and Pinot: David Adelsheim
For those of us, eternal optimists and romanticists, who also happen to be wine lovers, wine always has a story. A glass of good wine always solicits an emotional response, and we truly believe that passion trumpets the world of wine. To create a wine that can move emotions, passion must be one of the key ingredients.
In the wine world, passion alone will not get you very far. It needs to be supported by hard labor. Unwavering resolve. Gumption and belief that you can not fail. Or so I learned by talking with winemakers in Oregon who made Pinot Noir their passion, growing it sometimes in places where nothing is supposed to grow. These conversations became the series that I called Stories of Passion and Pinot – in these stories you can see for yourself what that passion means.
Among winemakers, there are those who rightly deserve to be called pioneers. They come first, building the road that others can follow. David and Ginny Adelsheim were such pioneers, planting some of the first Pinot Noir vines in Willamette Valley in 1971, starting Adelsheim Vineyard, and never looking back. I had the pleasure of briefly meeting David about 10 years ago at a trade wine tasting in Connecticut and tasting some of his wines. A few months ago, Carl Giavanti helped me to actually have a conversation with David and ask him a few questions albeit virtually. David’s achievements over the 50 years and his role in promoting Oregon wines and bringing them to the world stage are nothing short of legendary and very hard to capture in a short interview format – but I believe it still will be well worth a few minutes of your time.
[TaV]: You learned a lot over the 50 years. If you would start the winery again, would you do something differently?
[DA]: Probably, I’d try to focus more attention on the quality of wines we produced and the fiscal stability of the winery. Or hire a winemaking consultant and a CFO, who could do those things, since my time is probably better spent helping the industry and selling wine.
[TaV]: Over the course of your winemaking career, what were your favorite vintages and why?
[DA]: I don’t really have favorite vintages because it was my job to be excited about every vintage. There are vintages, like 2021, where the weather cooperated, and the vineyard and winery logistics were easy. There are vintages, like 1983, 1988, 1990, 1999, 2005, 2012, and 2019, where the wines received great scores from the critics. There are vintages, like 1986, 1991, 1997, 2007, 2013, where the wines got so-so scores, but with time became glorious. There have been a couple of disastrous vintages like 1984 that, with time in bottle, became better than I would have expected. And then there are a few vintages, like 2003, 2006, 2009, and 2015, that ended up being very ripe.
[TaV]: Not to go too far on this tangent, but what is your opinion of biodynamic winemaking?
[DA]: Our vineyards are not biodynamically farmed, and our winery does not follow biodynamic principles. All our vineyards are LIVE-certified as is our winery. In addition, we use no herbicides in our vineyards.
Quarter Mile Lane Vineyard. Source: Adelsheim Vineyard
[TaV]: Adelsheim Vineyard farms about 200 acres in Chehalem Mountains AVA with a large variety of soil types and microclimates. Based on your experience, is this the time to think about establishing additional sub-AVAs?
[DA]: The 1979 regulations establishing the system of American Viticultural Areas is not rigorous enough. The word “wine” does not appear, no expertise is required to submit a petition, and there is no top-down guidance to ensure a logical, helpful system of AVAs. It is time to help everyone, from consumers to our own winemakers, understand the connection between where grapes come from and how a wine smells and tastes. In the Chehalem Mountains, we have undertaken a project to define distinct neighborhoods of wine, using a winemaker tasting panel working under the guidance of a researcher in Burgundy. If we are able to define such neighborhoods, just by tasting single vineyard wines, the wineries in the Chehalem Mountains area will have to decide whether to petition for additional nested, nested-AVAs (like Ribbon Ridge and Laurelwood District) or devise a better way to communicate with the public.
[TaV]: What are the oldest Adelsheim wines in the winery’s cellar?
[DA]: We have an extensive library that is supposed to contain examples of every wine we’ve ever produced, included from 1978, our first vintage.
[TaV]: How are they holding up?
[DA]: I haven’t tasted the 1978s in a pretty long time. The estate Pinot noir was served at our 40th anniversary in 2011. I was surprised that had held up. The whites – an estate Chardonnay and a WA Sémillon – are, of course, pretty oxidized but both still have fruit. And I bet that the two WA Merlots are pretty stunning – I can’t remember when I last tried one.
[TaV]: Over the last 4-5 years, significant efforts were made to protect the origins of Willamette Valley wines, such as the case against Copper Cane from California. How widespread is this problem, and what more needs to be done to better protect the Oregon wine industry?
[DA]: The Copper Cane case is getting resolved, I believe. But it illustrates that there are people, who would like to take advantage of the geographic brands we created – like Oregon and Willamette Valley. We saw a Chilean Pinot noir, bottled by a company with “Oregon” in their brand name. That’s illegal under TTB rules, but where’s the enforcement? Of course, I believe that the Willamette Valley AVA should have stricter rules – a 100% requirement to use the varietal name and 100% to use the Willamette Valley AVA or its nested AVAs. But proposing that to the 2019 legislature ended up splitting the industry so there’s little appetite for a second round any time soon.
[TaV]: Last year, the EU awarded Protected Geographical Indication status to Willamette Valley. Is that sufficient to protect the Oregon wine industry as a whole, or more needs to be done?
[DA]: We probably should figure out how to protect the name “Willamette Valley” in China and, perhaps, other parts of the world. Napa isn’t going through the work of protecting the names of their nested AVAs with the EU, so we probably don’t have to do that either.
Calkins Lane Vineyard. Source: Adelsheim Vineyard
[TaV]: Should Oregon also receive a PGI status?
[DA]: Probably, yes. But someone will need to volunteer to complete the incredibly long application and the revisions required. It took Harry Peterson-Nedry ten years to get the EU to grant Willamette Valley TGI status. The Oregon Wine Board should do that application. But probably doesn’t have the bandwidth.
[TaV]: You are often referred to as an ambassador of Oregon wines to the world. Are Oregon wines well recognized worldwide?
[DA]: Well, the top wines from the Willamette Valley (mostly Pinot noirs) are starting to be recognized in markets that can afford them. The problem is that they are being called “Oregon,” which leads to confusion of consumers. We need to stop using “Oregon” when we’re referring only to the wines of the Willamette Valley.
[TaV]: What are the main exporting countries for Willamette Valley Pinot noir?
[DA]: Number 1 is Canada, followed by the UK and Japan, followed by Sweden and Denmark. Other Asia markets (Korea, Singapore, Taiwan, the Philippines) are growing as are Caribbean markets. In the EU, there are countries that can afford WV PNs – Germany, France, Italy, Holland, Belgium in particular. But they continue to focus primarily on French, German, and Mediterranean wines.
[TaV]: What needs to be done to make Willamette Valley wines better known internationally?
[DA]: Education of the importers about our region and the brands available in the particular country. Once enough wineries have representation, then we can start educating the media and the trade. Finally, once the wines are available in stores and restaurants, with stories appearing in wine and lifestyle media, then we can start education consumers.
[TaV]: What are the main problems facing the Willamette Valley wine industry, now, and say, over the next 20 years?
[DA]: You mean besides global climates change, which threatens all of today’s top wine regions. Well, beyond that, we need to ensure that Oregonians are buying the State’s successful wineries, not just wine companies from outside the State and, often, outside the country. You can’t talk about Avis being the best rental car company if it’s owned by Hertz.
[TaV]: What would be your advice to the young winemakers who are just getting started?
[DA]: They don’t seem to need my advice. They have figured out the pathway to starting their own brand – start at the bottom, working for others. Buy grapes and rent space to make tiny amounts of amazing wine. Grow slowly, never making enough wine, always over-delivering on quality. Don’t borrow capital. Once they have a strong reputation and a successful brand, they can start thinking about their own vineyards, and way down the road, their own bricks-and-mortar winery.
[TaV]: If you could select just “one thing” you’d like to be remembered for, let’s call it your legacy trademark, what would that one thing be?
[DA]: Heck if I know; you pick one:
1973 – Worked with Bill Blosser, Dick Erath and others to map where grapes could be grown in Yamhill County, which led to the saving of YC hillsides for agriculture; and adoption of a similar approach in other counties
1973-1977 – Drafted the strict Oregon Labeling Regulations, lobbied the industry to support and the OLCC to adopt them
1974 – Realized the importance of PN & CH clones in Burgundy while an intern at the Lycée Viticole in Beaune
1974-1983 – Helped establish the clonal importation & evaluation programs at OSU
1975 – Coordinated the importation of clones from Alsace, including first Pinot blanc in the U.S.
1976 – Coordinated the importation of clones from ANTAV, including first Gamay noir in the U.S.
1977 – Participated in the effort to pass legislation to establish the TWRAB
1982 – Wrote petitions to establish the Willamette Valley and Umpqua Valley AVAs
1983-1993 – Led the discussion program at the Steamboat PN Conference each summer
1987 – Requested Raymond Bernard send clones of Chardonnay (incl 95) and Pinot noir (incl 667 and 777) to OSU
1987 – Helping Robert Drouhin find and buy land for DDO
1987/8 – Responsible for the Burgundians attending first and second IPNC
2000 – Cofounded OPC with Pat Dudley
2002 – Wrote the petition to establish the Chehalem Mountains AVA
2003 – Led the lobbying effort to change OWAB to OWB
2005 – Drafted extensive amendments to the labeling regulations
2005 – Helped lead the effort to rebuild the WVWA into one of the U.S.’s most important wine marketing organizations
2014 – Founded Chehalem Mountains Winegrowers
2015 – Proposed and led the creation of the first Chardonnay Technical Tasting that has elevated the style of WV Chardonnay
2015 – Leader in the effort to pass legislation to limit the number of non-sales-related events at wineries
2016 – Helped envision Willamette Valley: the Pinot Noir Auction
2019 – Leader in the lobbying effort for stricter regulations for varietal content and origin for WV wines, which failed
2020-202? – Envisioned and played a leadership role in the Neighborhoods Project for the region of the Ribbon Ridge, Laurelwood District and Chehalem Mountains AVAs
2021 – Conducted and edited the Founders’ Stories for Adelsheim’s 50th anniversary
2022/3 – Working with Josh Bergstöm on a technical winemaker event for Pinot noir
[TaV]: It seems that your motto is “never stop”, and for sure when it is necessary to advocate for and advance the Willamette Valley wine industry. What special Willamette Valley wine projects are you involved in now?
[DA]: I mentioned the Neighborhoods Project, focused on Pinot noirs from the Ribbon Ridge, Laurelwood District and the Chehalem Mountains AVAs back under question #5. I’m finishing up video interviews of the Founders of the first ten wineries in the Willamette Valley. Short versions are on our winery’s website (“Founders’ Stories.”) Videos of the entire interviews are in the Linfield University Wine History Archive. I’m working with other winemakers to create a way to come together and taste each other’s wines, so that the Pinot noirs of the Willamette Valley can evolve in a thoughtful way. Yeah, and the book… everyone says I need to write a book, and maybe I will.
Here you are – another addition to the Stories of Passion and Pinot. I hope you enjoyed this encounter with the winemaker’s passion and maybe even learned something new.
Until the next time…
P.S. For more stories of Passion and Pinot please visit the series’ main page.
Neyen, The Spirit Of Apalta
What do you think of Chilean wines? Have you had Chilean wines which took your breath away?
While you ponder that, let’s talk about Chilean wines.
Nobody can question today’s grandstanding of the Chilean wines in the world. According to Wikipedia, Chile is 7th largest wine producer in the world and 5th largest exporter – the ranking positions change every year, but there is a clear growth trend for Chilean wines, both in terms of volume and value. And Chile is one of the worldwide leaders in sustainable and organic viticulture, setting a clear example for the rest of the wine-producing world.
Not changing the subject, but what do you think of organic wines? I remember that 10-12 years ago, organic wines were few far and between, and those proudly displaying “organic” on the labels were largely undrinkable. The situation changed, mostly unnoticeably, and I can say that today at least 25% of the wines I get to drink during a year are made with organic grapes, and this number is definitely higher if we are talking about the samples I receive for the reviews.
If we are touching memory lane, who remembers Chilean flagships, Fronterra and Concha y Toro Cabernet Sauvignon and Chardonnay available for around $10 in 1.5L size? Those were the stars of any party, taste being much less important than the price. And again, slowly but surely this all changed, and Chilean wines now commend the full respect of wine lovers around the world, on the level of prized Bordeaux, Napa Cabs, and Brunellos.
Now, the reason behind this little Chilean wine excerpt is my recent encounter with pure pleasure – you know how much I value that element of wine drinking – the wine should give pleasure, otherwise, what is the point of drinking it. The wine I want to share with you today is the 2017 Neyen Apalta Estate Chile (13.5% ABV, $64.99, 50% Cabernet Sauvignon, 50% Carmenere, 14 months in 225L French oak barrels, 6 months in 3,000L foudres).
Neyen is a unique estate, a parcel of land situated between the Andes Mountains and the Coastal Range. Cabernet Sauvignon vines were planted there in 1889, joined by Carmenere in 1936. Soils at this organically farmed, low-intervention vineyard provide good drainage, and the semi-arid climate allows for the slow ripening of the grapes, maybe with the assistance of the Neyen, the Spirit of Apalta. Grapes are harvested by hand at the first light, sorted, destemmed, and subjected to the magic of winemaking. In most of the years, the blend stays at a consistent 50% Cabernet Sauvignon and 50% Carmenere, even though in some of the years different proportions are used.
When I opened the bottle and poured the first glass, I was really unconvinced. The wine was drinkable but didn’t incite any “oh my god” reactions which I expected at least based on the price. I pumped the air out and put the bottle aside for the evening.
The next day, I pulled the stopper out, poured a glass and the very first whiff brought the sacred “oh wow”. The cassis and eucalyptus were enveloping the senses, making it impossible to put the glass down and promising a lot more to come with the sip. Wine requires time to be enjoyed, you can’t hurry it. Finally, after a minute or so of just enjoying the aroma, I went for a sip. To my delight, the aromatic experience continued in full force on the palate. More cassis, more eucalyptus, layers of dark fruit, and silky, soft tannins were making the taste buds dance. The experience was taking me precisely between the worlds – the precision and structure of the old world Bordeaux was perfectly coupled with the youthful exuberance of the new world Napa Cab. Don’t get me wrong – this wine doesn’t need Bordeaux or Napa references, this wine perfectly exists in a class of its own, a perfect combination of ungrafted French Cabernet Sauvignon from 130 years old vines and Chile’s own Carmenere. (Drinkability 9-)
Here you are, my friends. A superb Chilean wine that is sure to bring a smile to your face. With holidays or without, winter or summer – this wine has a lot to give. Magic of the Neyen, the Spirit of Apalta? I will let you find the bottle and decide on your own.
By the way, how about the question I asked you at the beginning? Can you name some Chilean wines that took your breath away?
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