Archive
An Evening With Friends – In Singapore
For years I had been following the Oz’s Travels blog, commenting from time to time on the great wine (and food) experiences described there. Over these years, we built a virtual friendship with Oz (Anthony), the author of that blog, with one recurrent theme “one day you will make it to Singapore, and then…”. As amazing as the life is, that “one day” actually happened about two months ago when my business travel finally brought me to Singapore.
Maybe you saw my very excited post about Gardens of Singapore – but the evening before I experienced all the gardens, I was able to meet, shake hands, and share a few (okay, more than a few) bottles with Oz and his friends.
Oz picked me up from the hotel with his friend Rob and we proceeded to the restaurant, where another Oz’s friend (also Rob), was already waiting for us. Then, there was food, wine, and scotch – but let’s take it all in steps.
First, the restaurant – newly open Garang Grill (a sequel to the already successful Garang Grill at another location). The restaurant allows guests to bring their own alcohol, which we took an advantage of – while restaurant provided glasses and decanters. During the course of our dinner, I had an opportunity to experience a variety of creative dishes. Skewers of sauteed foie gras were melt-in-your-mouth delicious. Luncheon meat fries (yes! talk about creative!) were superb with delicious dipping sauce. I since made the same dish at home and everyone loved it. Crab rillette, steak – everything was delicious and tasty. Here is an account of our dinner – in pictures.
And then there was wine. What I love about Oz’s parties is the abundance of wine, and not just any wine, but nicely aged wine – and you know how much I admire the wine with a little (or not so little) age on it. Here is what went down:
1996 André Beaufort Champagne Grand Cru Ambonnay. Never had it and never heard of André Beaufort Champagne before. Meanwhile, this happens to be one of the oldest all-organic grape growers in Champagne. This 1996 was disgorged in 2014. The wine had great acidity, green apples, still perfect fizz, candied apples with a hint of cinnamon showing on the nose. Yeast showed up later. Excellent. That was a real treat.
2008 Grosset Polish Hill Riesling Clare Valley. Australian Riesling is not a simple wine. I remember trying young Australian Rieslings many years ago, and putting them into the category of “I never want to drink this again”. It takes a bit of time to understand the beauty of the wine devoid of any sweetness and instead offering in-your-face acidity and minerality. But once you turn the corner, this becomes the style you crave. This particular wine at hand was, in many ways, an encounter with the legend. You see, Clare Valley is one of the best regions for Australian Riesling. Polish Hill is one of the very best vineyards. And Jeffrey Grosset is a legendary producer, one of the best winemakers in the world. Now you add a bit of age, say, 10 years – and you almost get heaven on Earth – petrol on the nose, restrained palate, minerality through the roof, great acidity, just a pure delight in every sip.
1994 Bodegas Beronia Rioja Reserva. Behind damaged label was an excellent wine – still fresh, good fruit, good acidity, excellent. Still has time to evolve. Based on the color also still young – just starts showing age.
2005 Jordan Cabernet Sauvignon Alexander Valley. This was my contribution to our lineup. Jordan needs no introduction to the Cabernet Sauvignon wine lovers. This wine was very good, typical California Cab. The wine had an interesting amount of sweetness, more than I expected – as it showed no age, I would assume it still needs more time to evolve. I have one more bottle from the same vintage – will have to wait with that one for a bit.
2008 Standish Wine Company El Standito Proyecto Garnacha Tintorera Yecla DO. This is a Spanish wine, of course – produced by Standish Wines from Australia. Yecla is the best known for their Monastrell wines – this wine, however, was made from the grape called Garnacha Tintorera, which is also known as Alicante Bouschet, which can produce massive, dense wines. This wine was no exception – excellent, restrained, good balance, good fruit, good acidity – and still in need 0f at least another 20 years to evolve.
2005 Dr. Loosen Erdner Prälat Riesling Auslese Mosel-Saar-Ruwer. You can’t finish such an evening without a dessert wine, can’t you? 13 years old Auslese by Dr. Losen – need I say more? The wine was amazing, great balance, a touch of candied plum, great acidity, fresh, simply superb.
This was the end of our dinner, but not the end of our evening. A short taxi ride took us to the unassuming building (well, it was dark, so maybe it is not as unassuming during the day) which happened to be a Rendezvous Hotel, one of the oldest in Singapore. After taking a flight of stairs up, we entered the room where my jaw literally hit the floor. The “room” was called The Auld Alliance – the scotch and whiskey bar (primarily) with more than 1,600 (!) different whiskeys available to taste and purchase. I never saw anything like that in my life, and the selection there was simply beyond words:
In addition to many whiskeys available by the glass, The Auld Association also offers a number of tasting flights – I had the one called “Smoke around the world” and it was definitely fun (I hope you don’t expect my tasting notes after 18 hours of non-stop travel and prior dinner with all the wines).
So this is my account of an amazing evening in Singapore. It was definitely a pleasure meeting Oz and his friends, and the whole evening was simply beyond expectations. Cheers!
Daily Glass: The Beauty of Aged Wine
Many wine critics and professionals alike insist that majority of the wines should be drunk while young, and only a few, less than 5% of all the wines produced, can be successfully aged. Well, I can’t speak about the percentages here – I’m a wine consumer, not a wine statistician – but I do like the majority of my wines aged.
Why do people age the wines? There are many reasons. Collectors age wines because they might (and many definitely will, if you pick right) increase in price. Well, that is not the type of wine aging which is worth our attention here, so let’s leave it aside. Many people age wine because they have a special memory attached to those bottles – birth year, memory of the trip, given by a special friend, signed by the winemaker – the OTBN was invented specifically for those people (I’m one of “those people” too, never sure if the moment is already right, or if it can become “righter”). And then there are those who believe that the wine might will improve with age, and therefore, willing to put some bottles aside and wait for the right moment, which we often refer to as “wine at its peak”.
When we finally open that aged bottle of wine, we enjoy it more often than not. There are many reasons and many ways in which we enjoy that aged wine – some of those are purely related to the taste, which we expect to change for the better; some of those reasons are purely emotional. Drinking 50 your old wine at your 50th birthday is definitely a moving experience – the wine might not be perfect, but hey, it is as old you are, give it some respect! Drinking the wine brought from the trip to Italy 20 years ago is guaranteed to send you down the memory lane, letting you re-live those special moments and recreate its pleasure. The wine might not even taste that great (yeah, I knew I should’ve spent another $50), but who cares – those were the times! But the best of all is when, after the aging, we actually get to drink the wine which evolved and got to its peak.
Very often we praise the aged wine for how youthful it tastes (it is especially true of the wines under the screwtop, which pretty much don’t age at all while closed). Assuming the wine was tasty from the very beginning, this is great and deserves full respect, but this is not really what we want when we are tasting the aged wine. We are looking for the next level of taste, for the wine at its peak, for the wine which evolved. We want the wine to deliver a truly special tasting experience, we are looking for the whole bouquet instead of just individual aromas, we are looking for the interplay of complexity which young wine can rarely offer. We are looking for the wine which can possibly become a life-changing experience. We are looking for the wine which can be pondered at, which can stop the conversation and just let the wine lovers be.
A few days ago, a friend was coming over, and it was right before her birthday. Of course, when someone is coming to the house for a dinner, my worry is always to have the right wine for the occasion. So I asked my wife what year our friend was born, and when I heard “1986”, my immediate thought was – “hmmm, I think I have a bottle”. Memory served me right, and the desired bottle was retrieved.
So the bottle at hand was 1986 Chateau Cordeillan-Bages Pauillac AOC (12.5% ABV, $54.97). After inspecting the cork, I decided to try the regular corkscrew first, before getting out the two-prong opener. It actually worked fine, as you can see. Next was the sigh of relief after a quick sniff – no sign of any faults, and off the wine went into the decanter, both to avoid the sediment and to add to the aesthetics (the wine simply looks grander in the decanter, isn’t it?).
Once in the glass, the first sniff simply extorted the “OMG”. The complexity of the aromas was mind-boggling. Rutherford dust, smoke, roasted meat, cassis, minerality, baking spices, graphite, an incredible bouquet. The palate showed soft dark fruit, clean acidity, fresh, vibrant, graphite, well-integrated tannins, pencil shavings, all with the super-sexy, velvety texture. The 32 years old wine – incredible, and it was a conversation stopper. (Drinkability: 9+).
Trying to understand how and where I got this bottle, I figured that I have to thank PJWine, one of my favorite wine stores in New York, for that. The wine is produced at the Chateau Cordeillan-Bages, a tiny property of only 5 acres in Pauillac, planted with 80% of Cabernet Sauvignon and 20% of Merlot. The property is owned by the Cazes family of the Chateau Lynch-Bages fame (5th growth in the 1855 classification), and it also hosts a 2 Michelin star restaurant and a Relais & Chateaux hotel. The Chateau Coreillan-Bages wine is typically only offered at the restaurant, but the Cazes family decided to make a library release to the public, and PJWine buyers were at the right time in the right place – the rest was a history.
Here you are, my friends – a beautiful wine and a special experience. Do you have the aged wine stories of your own? Share them below. Cheers!
Daily Glass: Textbook Precision
Once you fully embrace the wine world, one of the important lessons you learn is rather simple – “there are no guarantees”. The bottle of wine can perfectly say “Cabernet Sauvignon” – there are absolutely no guarantees that Cabernet Sauvignon from Washington, California, and Chile will have any smell and taste similarities, never mind Cabernet Sauvignon from China, Czech Republic, and Moldova. And this is okay, we can all accept it – at the end of the day, the only thing which matter is whether we like the wine or not.
Despite all the differences, when it comes to the major grapes, such as Cabernet Sauvignon, Chardonnay, Merlot, Sauvignon Blanc, Pinot Noir and so on, we usually know how the “classic” wine should taste like – especially if we take any formal wine education or make enough effort to study the wine, pay attention to what we drink and make it a lesson to learn. Yes, there might be a bit of our perception in it too, but still, we usually have that “classic profile ” idea in the mind.
What prompted this post was a lucky happenstance, an encounter with two classic, textbook wine profiles for two nights in the row.
First, there was Pinot Noir. When it comes to Pinot Noir, there are probably four classic profiles – Burgundy (of course!), with lots of dark fruit power and a little bit of funk (especially with age, but drinking young Burgundy is almost like killing a baby, right?). Then you have New Zealand, which usually can be identified by the pronounced acidity. Oregon Pinot Noir often screams minerality, mocha and dark chocolate. And then you got California, with luscious smokey plums and silky, seductive texture.
So the wine I had a pleasure of experiencing was a textbook, unmistakable California Pinot Noir – 2015 Field Recordings Derbyshire Vineyard Pinot Noir San Luis Obispo County (13.1% ABV, $28, 20% whole cluster fermentation, foot tread in open top bins, 12 month in French oak) – smokey plums on the nose, bright cherries and plums profile on the palate with a perfect balance of acidity, velvety layers – tremendous amount of pleasure in every sip. Drinking this wine evokes comparisons with other California classics such as Siduri. It doesn’t reach the ultra-luxurious texture of Sandhi, but if you have any experience with classic California Pinot, one sip of this wine will perfectly put you in the right place.
Now, talking about classics, let’s talk about the grape which is not a relative of Pinot Noir, but more often than not, a closest friend and neighbor – Chardonnay. What is interesting about Chardonnay, in my opinion, is that good Chardonnay is a lot more cosmopolitan than a Pinot Noir. With the exception of Chablis, which often can be recognized by the gunflint on the nose, the classic Chardonnay profile includes vanilla, apples and a touch of butter. You can often differentiate Burgundy from California by the amount of butter (California usually offers lots more) and acidity (that’s what you will get with the young Burgundy), but still, Chardonnays from Australia, Burgundy, Chablis, and California have quite a bit of similarity.
Oregon, which is definitely an established world leader when it comes to Pinot Noir, lately also started to show its Chardonnay provenance. Two years ago, I was blown away by the perfection of Vidon Chardonnay. This time around, the 2016 Knudsen Vineyards Chardonnay Dundee Hills (13.5% ABV, $45) made me say “wow” many, many times. Perfect nose of vanilla and golden delicious apples with a distant hint of butter and even honey (honey is usually showing up in Chardonnay after some aging) was supported by the same profile on the palate – vanilla, apples, butter – all perfectly mended together in cohesive, sublime package resting on the vibrant core of acidity. This was definitely a textbook Chardonnay for me, and the one which I would love to see aged, at least for another 5-7 years.
Here you go, my friends – a textbook experience with two classic grapes. What are your textbook wine experiences? Cheers!
Open That Bottle Night – 2018 edition
We all have THAT bottle. How I mean it, you ask? Simple. We all have bottles which have special meaning for us. This one was brought home from the vacation 5 years ago. That one was given by a generous friend with the recommendation to wait for a special moment to drink it. Those in the corner came from the parent’s cellar. Ahh, these I found on a garage sale – would you believe it? Oh yes, and those I got during a great sale – yes, one of each, as I couldn’t afford to buy any more of them.
Wine is a perfect vehicle for creating special moments. Maybe the best there is. But this also is a problem in itself. We get attached to those special bottles, always doubting if this is the right moment to open them and keep waiting and waiting for a perfect one. Yes, the wine improves with age, but nothing is forever. There is always a chance that at the proper moment, the wine might not be there for us anymore, and we might not be there for the wine.
To help people with THAT bottle dilemma, Dorothy Gaiter and John Brecher, the journalists behind Wall Street Journal’s Tastings column at a time, created a special event which they called Open That Bottle Night (OTBN for short) back in 1999, celebrated always on the last Saturday in February. Now, almost for 20 years, OTBN helped wine aficionados around the world to ease the pain of parting with those special bottles and actually enjoy the wine in its prime time (or at least that is the intent and the hope).
The OTBN is truly all about the wine, so the oenophile gets its chance to agonize about the impossible choice, going from one bottle to another bottle and finding the reasons why this is not yet the time to claim for it to be THAT bottle. I went multiple times through all my wine fridges, joyfully finding and immediately grudgingly rejecting my choices. Three days later, I just grabbed two bottles which jumped to my attention and said “this is it! no more!”.
Let’s talk about our OTBN wines – there should be at least some reason for the wines to be “it”, right? So the white wine was interesting in many ways. First, it came to our house via the Secret Wine Santa exchange, courtesy of inimitable Drunken Cyclist. The wine is made out of the rare grape (Malvasia) which is absolutely uncommon for California; the wine is Skin Fermented, which seems now to be a popular term for what was known before as “orange wine” – the grapes are fermented in contact with skin, which is not typical for the white wine. Lastly, the wine comes from the Suisun Valley, which seems to be an up and coming region in California – for example, Caymus, a California wine powerhouse, recently released the new wine called Grand Durif (Durif is original French name for Petite Sirah), made from the grapes grown in the Suisun Valley.
2015 Onward Skin Fermented Malvasia Suisun Valley (12.8% ABV) – light golden in the glass (nothing says “orange wine”), beautiful tropical fruit on the nose – guava, passion fruit. On the palate, initially showed light fizz which went away in about 15 minutes. Cut through acidity, peppery spiciness, white underripe fruit, there is a touch of funk or maybe rather oxidative notes which hint at extended skin contact; overall – different and delicious (Drinkability: 8). Also much rounder on the second day. Probably requires food.
Now, the red doesn’t really have a story. I have no idea how did it make it into our house. Yes, it is a Brunello, which is generally good (one of the 3 big Bs of the Italian wines – Barolo, Barbaresco, and Brunello); Argiano seems to be a good producer even though I don’t know much about them. Lastly, the wine has good age on it, however, it is not much of an age for any of the big Bs. Oh yes, and it was my only bottle, which squarely puts it into THAT category.
2003 Argiano Brunello di Montalcino DOCG (14% ABV) – needed a bit of help from the decanter to open up (about an hour) – dark concentrated garnet color, no hint of age, deep tobacco and roasted meat on the nose, leather, cherry, cherry pit and a touch of plums on the palate. Right after opening, the wine seemed that it was either at prime or maybe already even past prime – after 3 hours in the decanter and a glass, the wine started closing, with fruit disappearing and fresh, young tannins taking its place. This wine would probably last for another 10 years – but I stand no chance to find out as this was my one and only bottle. Still, the verdict is simple – delicious (Drinkability: 8+/9-).
That sums it up, folks. I love OTBN, as the wine is meant to be drunk, and OTBN helps us to get THAT bottle out and experience it before its too late. How was your OTBN? Cheers!
Gardens of Singapore
I don’t really have a “bucket list” (thinking about the etymology of the expression, it doesn’t even sound all that appealing). Instead, I have a “dream list” – places I truly want to visit and things I want to experience.
Believe it or not, but I can’t tell you how my “dream list” is formed. It is usually an article or pictures, which get stuck in the head, and then all of a sudden show up on that list. Such is the case with Singapore, and I can’t even tell you if it was any particular article or any pictures – all I know is that Singapore was definitely a dream destination for me for a long time. And then finally, the dream was realized – a business meeting brought me down to Singapore, with an open day for the sightseeing.
Singapore was definitely a place I wanted to visit – but I really didn’t know what to expect. So I’m not sure I can say that Singapore exceeded my expectations, but instead, I would have to say that I was blown away by what I saw. I felt that was living through the movie which was part beautiful science fiction, part thriller taking place in the Asian city (with all the little spots you really have to know about) – surreal is the word. No, I didn’t experience anything adverse, but the overall feeling was surreal.
Singapore is located 1 degree north of the equator – yes, that would definitely place it in the tropics. In turn, that also means that Singapore is really green – and it is happy to show it. On one side of the city-state, you can find Singapore Botanical Gardens, 159 years old tropical gardens, spanning 185 acres with many thousands of plants. It also hosts a National Orchid Garden with about a 1000 different orchard species. On another side of the town, you can find Gardens by the Bay, a $650 million project – 250 acres of land, hosting more than 250,000 different plants. Gardens by the Bay look nothing short of alien site landing, worthy of any science fiction movie – an absolutely stunning testament to human creativity.
This is the wine blog, yes – but I love photography, and flowers are some of my most favorite subjects. Hence let me inundate you with the beauty I was able to embrace last week. Hope you will enjoy it as much as I did. Cheers!
under the leaf…
One on One With Winemakers: Tasting The Stars
“Come quickly, I am tasting the stars!” – whether Dom Perignon said these words or not is not really important – but if you thought that we will be talking about the Champagne, you got it right! Also, plural mention of “winemakers” in the title is not a mistake – today’s “one on one” post is actually a double-feature.
The story of Duval-Leroy Champagne goes almost 160 years back, to 1859, when Edouard Leroy, wine négociant, met Jules Duval, grape grower – the rest is a history which you can read for yourself here. Today Duval-Leroy farms 200 hectares (about 500 acres) of vines, mostly in Premier and Grand Cru appellations, also using sustainable viticulture – Duval-Leroy is known as a pioneer of the sustainable grapegrowing in Champagne.
In 1785, “Heidsieck & Cie” company was founded with one dream – to create a Champagne worthy of a queen. After tasting the stars, Queen Marie Antoinette became the first “brand ambassador” for the Heidsieck Champagne. I don’t want to try to regurgitate here the rich history of Piper-Heidsieck Champagne, you would be far better of reading it for yourself, but for all these years, Piper-Heidsieck story always included royal families, fashion designers, and movies. The bottle of Piper-Heidsieck was the first Champagne to ever appear in the movie in 1933. Since 1993, Piper-Heidsieck is an official supplier of Cannes Film Festival, and many actors and producers were recognized with the special Piper-Heidsieck Award at film festivals around the world.
Now, let’s get to that double-feature interview I promised. I’m running this “one-on-one” series of the interviews for about 3 years now. Until now, there was always a unique set of questions, prepared specifically for the particular winery and the winemaker. This time, I decided to play it a bit differently – ask the same set of questions of two winemakers – however, in this case, there is a great “common space” between the subjects of the interview – they both make Champagne!
I had an opportunity to [yes, virtually] sit down with Sandrine Logette, Cellar Master of Champagne Duval-Leroy, and Séverine Frerson, Chef de Caves at Piper-Heidsieck, and here is what transpired:
[TaV]: What is your approach to the blending of Vins Clairs? How many Vins Clairs are typically comprising your most standard NV house blend?
[DL]: It is necessary to first think about the flavor profile you would like to achieve: the aromatic notes with its intensity and its descriptors, its mouthfeel, its volume, its angles, its power and persistence as well as the volume: number of bottles to produce, volume of reserve wines to use and volume of wine to save for future ‘liqueur d’expédition’. The vins clairs are tasted several times (at least twice) after the malolactic fermentation to familiarize ourselves with their characteristics. The first approach to blending is always a minimal concept; which is what I call it my ‘accounting idea’. It is tasted, assessed and compared to our first and last blends of this wine made in previous years. The vins clairs are then improved by modifying only one character at a time. The same improvement is repeated as many times as necessary to achieve the best result. We use about 45 to 55 vins clairs to produce our Champagne Duval-Leroy Brut Réserve.
[PH]: We blend over 100 crus to make Piper-Heidsieck’s NV cuvée: the Cuvée Brut. I think of the vins clairs (base wines) as spices stored in little boxes in her mind and I know exactly which boxes/spices (and proportions) I need to add to create the same taste every year.
[TaV]: Can you describe your “house style”?
[DL]: Our goal is to maintain the quality of our Brut Réserve NV vintage after vintage:
- A complex aromatic profile showing fruity notes of yellow peach, damson and subtle red berries along with notes of cocoa powder and toasted bread
- An integrated, round and generous mouthfeel but yet elegant and fresh.
[PH]: Piper-Heidsieck’s wine style is fruity, structured and complex, with lots of deepness. It’s a champagne to treat yourself and to share with your loved ones. Champagne serves as a bridge between people. It triggers and enhances moments of sharing, complicity and joy. And we are the ones who strive to create memorable experiences. It is all truly wonderful!
[TaV]: Somewhat of a continuation of the previous question: I don’t know if you ever experimented with this, but I wonder if a panel of wine consumers (non-experts) would be able to identify your standard NV offering in a blind tasting?
[DL]: We have worked with a panel of French consumers who tasted our Brut Réserve NV. This panel was able to detect the fruity nose without going into details and recognize the roundness of the mouthfeel and the integrated acidity.
[PH]: The goal of our Cellar Masters is to maintain Piper-Heidsieck’s style, and make it recognizable. Our wines are fruity, structured and profound but also well balanced, straight and bright. In the case of the Cuvée Brut, it’s a seductive champagne that you can recognize on your palate right away. What gives it away is its notes of almond and fresh hazelnut that are very lively, subtle and light. It’s a very smooth an pure champagne with notes of fresh pear and apple with a delicate hint of citrus fruits (pomelo). You can also taste the blonde grapes and juicy white fruits that create the lightness of the champagne.
[TaV]: Similar question to the second one, only now for the vintage Champagne – can you describe your house style?
[DL]: Our vintage “house style” is given by the characteristics of that specific year which varies according to the weather, therefore, the quality of the grapes (acid-sugar balance – fruit richness). We do not look for our vintage cuvées to be identical year after year. We make the best vintage with what nature has to offer.
[PH]: The Cellar Masters’ goal when creating a vintage champagne is to put a special year in a bottle. They want to take a snapshot of this particularly great year to keep it as a memory and reward the hard work of our vineyard team without forgetting about the Piper-Heidsieck style. Every vintage is different but they all answer to the Piper-Heidsieck style: wines that are fruity, structured with great depth. Our Cellar Masters took the best grapes from 2008 to put it in our current vintage: Vintage 2008 is a precise, elegant and free-spirit wine that showcases the greatest wines 2008 had to offer.
[TaV]: I would assume all (many?) of the Champagne houses have their “secret stash” of Champagnes which had not been disgorged yet – and the wines are disgorged on one by one basis, maybe for the special clients. Do you have such a “secret stash”? What are the oldest, not yet disgorged wines you have in your cellars?
[DL]: Of course, Duval-Leroy has its secret reserve Champagnes that are not disgorged and waiting in the cellar for that special request. Vintages such as 1979, 1982, 1986, 1988, 1990 … are kept in bottles and magnums (not systematically in each cuvée).
[PH]: We do have old cuvées in our Cellars, our “secret library” contains old NV from 1980 to now and different vintages from 1982 and on.
[TaV]: Are the Champagne styles changing to address the consumer demand? For instance, I would expect that people would like to drink more of Brut Nature/zero dosage and Rosé Champagne. What do you think?
[DL]: The Champagnes’ style may slightly vary depending on consumers demand, but not fundamentally change. Champagne is an Appellation d’Origine Contrôlée which defines production rules and style objectives of quality.
We have seen a greater demand for Champagne Rosé and 5 to 10% sales increase over the past 10 years.
Rosé Champagne is an accessible Champagne, more obvious in terms of taste, festive by its color and more enticing.
The growing demand is also linked to the fact that Rosé Champagne has more personality and a specific identity. It is definitely easier to produce due to warmer weather in recent years.
We find an equally interesting demand for low dosage Champagnes. These low dosages are made possible because of a better integrated acidity naturally due to the wines richness and roundness.
[PH]: We do see some trends in the industry, people tend to be more knowledgeable about what they consume and younger generations like to be more informed. They become more and more wine experts so they ask to question about dosage, disgorgement dates … We have our cuvée Essentiel that works really well with wine experts since they have all the information they need on the label (disgorgement date, bottling date, lot number…) and it’s an extra brut. At Piper-Heidsieck we have a wide range of champagnes to please everyone, we have Rosé Sauvage, Essentiel (extra brut) for wine experts and connoisseurs, our Cuvée Brut, a vintage and Cuvée Sublime (a demi-sec). Our range satisfies all consumers, from non-experts to wine lovers and our entire range has complimentary food pairings.
[TaV]: Champagne seems to enjoy higher popularity overall over the last few years. Do you expect that trend to continue? Are the challenges for Champagne which need to be overcome?
[DL]: Of course we want this trend to continue and Champagne to remain the leader sparkling wine out there. In order to overcome any challenges, the Champagne region needs to continue improving.
[PH]: This trend will continue for sure. As mentioned before, the younger generation tends to be more and more knowledgeable about what they consume, especially for wines. They gain interest and want to develop their palate and their knowledge about wine. With more educated consumers that know the quality of champagne and tend to pair champagne with food more and more often we will keep seeing an increasing popularity in champagne consumption in the upcoming years.
The biggest challenge we will be facing is climate change. The Earth is getting warmer and the climate is changing making it even more difficult for us to ensure the quality of grapes as the years go on. With the unpredictable weather, our vineyard team will have to work even harder to protect our vines and ensure a high quality. At Piper-Heidsieck we already took measures to protect the environment as much as we can with recycling measures, reducing our water consumption and gas emissions. It’s a global concern and a challenge that will affect all industries in one way or another.
Another challenge would be the increasing sales of other sparkling wine, but it’s not too concerning as sparkling wines and champagne are very different products consumed for different reasons. As the consumers are getting more knowledgeable they can tell the difference between sparkling wines and champagne and they consume one of the other at different occasions.
[TaV]: What is your most favorite Champagne you personally or your house overall ever produced and why?
[DL]: My favorite is our Femme de Champagne tête de cuvée and specifically the 1995 and 1996 vintages. Very great vintages with beautiful and precise balance and a great aging potential.
[PH]: I actually don’t have a favorite champagne! It all depends on the moment, when I will open it and with whom! I will choose the Cuvée Brut for a festive aperitif with friends. I love the Vintage 2008 for an intimate dinner and the Rosé Sauvage in the summer with a barbecue.
[TaV]: Champagne rules allow using 7 different grape varieties, yet absolute majority only uses 3 from that list. Have you ever experimented with using any of those 4 leftover grapes? If yes, did you get any interesting results?
[DL]: Since 1998, we regularly vinify one of the old grape varietal of Champagne called ‘petit meslier and produce a specific cuvée: Précieuses Parcelles. Petit Meslier is a white grape varietal that grows well in soils rich in clay (a natural cross between Gouais and Savagnin) in the right bank of Vallée de la Marne.
It is a varietal that struggles to ripen, therefore has a mouthfeel marked by sharp acidity and aromatic notes of rhubarb.
I chose to vinify it in barrels to add some fine oak and spicy notes. Currently, we are working on the 2007 vintage with a low dosage of 4 g / l.
It is a cuvée of curiosity, interesting for its rusticity and for an unusual “Taste” of Champagne.
[PH]: Piper-Heidsieck’s Cellar Masters never experienced with the other grapes, because they only focused on those 3 grapes and developed an expertise in those grapes.
[TaV]: Sparkling wines are produced absolutely everywhere in the world today. Have you tried any of the Methode Classique sparkling wines produced outside of France (Italy, Spain, South Africa, USA,…), and if yes, did you find anything you liked? You don’t have to love them, but maybe you liked just a little, tiny bit? 🙂
[DL]: Fifteen years ago, the Duval-Leroy family contemplated purchasing vineyards in England but decided otherwise. They’d rather stay focused on the terroirs of Champagne.
[PH]: Today sparkling wines are developing, but Champagne stays the luxurious sparkling wine of reference.
It’s always interesting to discover other regions – for example, I tasted high quality sparkling wines from Italy, Spain and Hungary and even if we are in the sparkling wine category they all had they own style and authenticity!
Time top drink some Champagne, isn’t it?
First, I wanted to try NV Duval-Leroy Rosé Prestige Premier Cru (Chardonnay/Pinot Noir blend) and NV Piper-Heidsieck Rosé Sauvage (50-55% Pinot Noir, 30-35% Meunier, 15-20% Chardonnay) side by side, as both are Rosé Champagne. There was a dramatic difference in appearance and taste profile. Duval-Leroy, in a word, was sublime. Delicate pinkish color, just a light salmon pink, whiff of the toasted bread, vibrant acidity on the palate, touch of lemon – seductive, and yes, sublime. Sauvage, on another hand, means “wild” in French – and that exactly how the Piper-Heidsieck was. Strawberry pink in the glass, fresh tart strawberries and a touch of yeast on the nose, and then generous toasted bread, granny smith apples and strawberries on the palate. Truly different and delicious in its own right.
NV Piper-Heidsieck Cuvée Brut (50-55% Pinot Noir, 30-35% Meunier, 15-20% Chardonnay, 10-20% reserve wines) was, in a word, classic – generous, voluptuous, touch of toasted bread and yeast, full mouthfeel, golden delicious apple sweetness, good minerality, very present and excellent overall.
Three Champagnes, three different wines, each delicious in its own right, each worthy to be a star of a special celebratory dinner or a quiet evening for two. And two conversations about the wines, the passion, the style, the stars. We spoke enough today; if you are still reading this, thank you and cheers!
Christmas at Newport Mansions
New England has no shortage of beautiful places, full of history and character. One of such beautiful places is the town of Newport in Rhode Island. For as long as I live in Connecticut, Newport is always a “goto” place to visit, at least once a year. While Newport’s history generally aligned with the one of New England, with first inhabitants appearing there in early 1600, it shot up to prominence in the late 1800s, when the town became The Destination for the summer residences for all of the wealthiest families in the USA (you can read about history of Newport here).
While those summer residences were called “cottages”, they are typically known today as Newport Mansions. Just to give you a frame of reference – the biggest “cottage” in Newport, The Breakers, has 125K sq. ft. of total space, out of which about 62.5K sq. ft. are livable – yep, that’s one summer cottage. Each mansion is built in its own, unique style – the architecture, the features, everything was done in the unique fashion with lots of attention to the details.
We always visited Newport during spring, summer or early fall, exploring mansions, walking along the coastline and enjoying delicious fresh seafood. All along those many visits, I always saw the ads for Christmas at Newport Mansions, but somehow, the plans never worked out to go and see it – until this year.
We were planning to visit our friend in California, leaving before Chrismas and coming back shortly before the New Year. But my wife couldn’t take the time off, so we decided to split the vacation into two parts, and first spend a few days in Newport, to finally see the Christmas decorations.
Similar to the visit to Copenhagen earlier this year, the weather didn’t cooperate – almost freezing rain on the way to Newport, and then the rain for the whole Saturday. Well, that didn’t stop us from getting tons of pleasure from the stunningly beautiful mansions. We visited The Breakers, Rosecliff and Marble House – out of these three, The Breakers and Marble House were specially decorated for Christmas; Rosecliff didn’t have any special decorations but was hosting an exhibit of the works of the Pierre Cardin, which was an interesting addition to our program.
From here on, let me simply inundate you with the pictures of beautiful Christmas at the Newport Mansions. And yes, put it on your bucket list – you will not regret it.
Our Saturday morning view:
The Breakers fully compensated for this:
The view from the window at The Breakers, usually magnificent, was rather gloomy:
But still, the decor was there:
The Breakers were the home for Cornelius Vanderbilt, railroad magnate – of course a little train exhibit is the most appropriate – and fun!
Rosecliff – in the cake
The Breakers – cake version
Next, the Rosecliff:
The biggest dancing floor in all of Newport Mansions
And Pierre Cardin’s Exhibit:
Sunday morning looked a lot better:
Visit to the Marble house provided a beautiful ending to the trip:
Marble House, Cake edition
That’s all I have for you, my friends. Merry Christmas!
Drink Local, North Carolina Edition – Chatham Hill Winery
Once again, I was on the road. And as you know, if I have the slightest chance, I will look for the local wine. If I can also throw in a winery visit – that becomes a double pleasure.
In these terms, this time around, it was exactly a double pleasure. While visiting Raleigh in North Carolina I managed to squeeze in a short visit to the North Carolina winery call Chatham Hill, located in the town of Cary (about 20 minutes from Raleigh-Durham airport).
I had an opportunity to try North Carolina wines for the first time a few years ago while connecting through the Charlotte airport. I had favorable impressions after the first experience, thus was definitely looking forward to the opportunity to expand my “wine map” of the 50 United States.
The Chatham Hill Winery was founded in 1998. When Chatham Hill Winery opened, it was the 14th winery in the state of North Carolina – today, there are more than 185 wineries and 525 vineyards there. Chatham Hill was also the first urban winery in the North Carolina – they don’t own any vineyards. The absolute majority of the wines at Chatham Hill are made either from the North Carolina grapes, coming primarily from the Yadkin Valley AVA, or from the grapes shipped from California (Lodi).
Chatham Hill winery produces a good number of different wines, both dry and sweet, with the total production of about 5,000 cases per year. With this production, it is considered a “medium size” winery by the North Carolina standards. I tasted through many wines the winery offers, but took rather scarce notes, so for what it worth, here is a roundup:
2013 Chatham Hill Winery Chardonnay Yadkin Valley North Carolina ($18) – a bit unusual, big body, good balance, nice overall
2015 Chatham Hill Winery Riesling Lodi California ($16) – not a traditional style, doesn’t speak Riesling to me, but still quite drinkable
2014 Chatham Hill Winery Perfect Harmony Yadkin Valley North Carolina ($25, unoaked, 70% Chardonnay, 30% Viognier) – dry, playful, tropical fruit notes
2012 Chatham Hill Winery Cabernet Franc Yadkin Valley North Carolina ($20) – soft, round, very pleasant
2014 Chatham Hill Winery Cabernet Sauvignon Yadkin Valley North Carolina ($20) – beautiful, smooth, blackcurrant on the nose and the palate, layered, great extraction, excellent wine overall and lots of wine for the money. Clearly my favorite wine from the tasting.
2013 Chatham Hill Winery Merlot Yadkin Valley North Carolina ($16) – excellent balance of fruit and acidity, dark fruit on the palate, very good overall
2015 Chatham Hill Winery Malbec ($18) – a bit sweeter than previous few wines, but refreshingly light for the Malbec and very pleasant overall.
2015 Chatham Hill Winery Petite Sirah ($22) – good fruit, good acidity
Chatham Hill Winery Muscadine Yadkin Valley North Carolina (11.5% ABV, $15) – Not sure what the vintage was, the wine was just released and not available yet for the public – raisins and dry fruit medley on the nose, touch of Isabella grapey profile on palate, clean acidity – very nice effort
I find trying local wines to be truly a humbling experience, always bringing out great surprises – that Cabernet Sauvignon was just a pure, varietally correct, stand out – would happily drink it again in a heartbeat.
The wine is simply an expression of passion and art, and there are truly no limits to the creativity and obsession wine lovers share, anywhere you go. Drink local, my friends!
And Winter Gracefully Arrived
The winter arrived in Connecticut, and arrived in a very graceful way – the snow was coming down on Saturday – not too hard, just right. We probably got about 6 inches, and that snowy Saturday followed by a beautiful, sunny Sunday, with the beauty of the first snow, crisp, fresh, white. No work commute was affected, no schools closed – the very graceful arrival of the winter.
What you see here are a few pictures, from my walk around the neighborhood, all captured with the trusted iPhone. Enjoy!
Environments of Wine
We all love to wax-poetic about the wine – about the magic in the glass, about the liquid which can transport us through time, bring back memories, change our mood, brighten up any happy moments in our life and put smiles on our collective oenophile faces in the myriad of mysterious ways.
With all that magic, it is easy to forget that first and foremost, the wine is an agricultural product. The grapes are grown in exactly same way as tomatoes, cucumbers, cabbage, wheat, apples, and potatoes. Same as with any agricultural product, the success of growing the grapes depends on many conditions which we collectively call “the environment” – condition of the soil, conditions of the plants, climate/weather conditions, availability and quality of the water, avoidance of diseases and pests, ability to protect plants and fruits from animals and birds and many other factors.
Once the grapes are successfully grown and harvested, this is where similarities with most (not all) of the rest of the agricultural products end, and grapes start their transformation to become that magic in your glass. But let’s leave that aside for now, and let’s get back to the grape growing environment.
Every year, the same process starts anew – with the first warm weather, the dormant plants come alive. The branches which looked completely dead just a day ago, are breaking with the tiny green leaves, and then at some point, a tiny clusters of future goodness show up, taking all the nutrients from the soil and the air, getting bigger and changing color from young green to golden and purple, until the time comes to collect them all and start creating the magic.
Every year, to get from the naked branches to the beautiful, sun-filled clusters, the vines have to be taken care of. They need enough water, they need enough sun, they need enough nutrients in the soil, they need to be protected from frost, excessive sun, mildew, and rabbits. The grape grower has to decide how to provide all of this. You can water the plants when you think you need to. You can bring in synthetic fertilizers. You can spray your vines with pesticides which will kill bugs and mildew. For many years, this is how the grapes were often produced, especially when they were produced in the large commercial quantities.
Little by little, grower by grower, winemaker by winemaker, the realization started that this might not be the right way to go. The chemicals and pesticides often bred resistance. Overfertilized and overwatered grapes simply lack the flavor and can never become the magnificent wines. With this realization, wine industry started changing its ways – the wines became “organic”, “biodynamic”, “sustainable” and even “natural”. All of these terms relate to the environment where the grapes are grown, but they are not interchangeable – organic is not always sustainable, and sustainable doesn’t equate organic. Let’s take a deeper look.
Sustainable might be my favorite term. There are many wine regions which define their own so-called “sustainable practices” – Australia, New Zealand, California, Oregon, Canada – all have their own sustainable practices defined, and for all I know, all those practices might be slightly different, but I’m sure they are all pursue the long-term relationship with the Mother Nature. Sustainability means that whatever we do to grow grapes successfully today, should ensure that the future generations will be able to continue to do the same with equal success. While we tend to the vines, we shouldn’t harm that environment, that habitat – use natural deterrents for the pests, use only natural fertilizers, ideally, generate our own power (think solar, for instance), be very cognizant about discarding the waste, or maybe have no waste at all, allowing land to rest and recuperate – the list can go on and on and on. At the same time, sustainable doesn’t mean organic – for instance, if you believe that one time use of the pesticide is warranted as the best way to deal with the problem (before it spreads or worsens), the sustainable rules will generally allow for it – but not the organic. All in all, the goal of sustainability is to leave the environment a little bit better than it was before – and I definitely like this approach.
We all know what “organic” means – only all natural elements are allowed in the whole entire process of getting from the first leaf to the harvested grapes – all organic fertilizers, all organic pesticides and so on. Do organic means better grapes? Yes, but only in the sense of absence of any harmful, bad elements. Organic doesn’t necessarily mean you would maximize grapes’ potential by utilizing dry farming. Organic doesn’t mean you will discard the waste in the ways least harmful to the environment. Organic doesn’t mean your power was generated in the sustainable ways. Don’t get me wrong – I’m all for organic, but… I guess you understand where my preferences are.
Biodynamic? First, taking about biodynamic winemaking can be an endless endeavor – if we are talking about the magic of the glass of wine, biodynamic principles might be the most in tune with the subject of magic. Are the biodynamic methods sustainable? I believe they are to the largest degree as the end goal here is to create harmonious habitat, the best possible environment for the grapes and all other living beings to grow happily and successfully. Is biodynamic the same as sustainable? Probably not, as sustainable methods still cover more elements, such as power which we mentioned. But all the kudos to the biodynamic practitioners and their perseverance with magic.
And now, let’s touch on the most controversial “environmental affiliation” of them all – natural wines. It is interesting to see the first reaction of many people when they hear the term for the first time – “natural wines”???? “All wines are made from the grapes, aren’t they all natural”? The idea behind natural wines is low intervention. During the grape growing part of winemaking, the process is somewhat similar to the sustained/biodynamic principals with the exception that some of the rules are made absolute, like no irrigation under any circumstances – but unlike all other methods, where there are external bodies which certify and enforce the rules, the natural wines are the truth in the eye of the beholder – the winemaker, in this case – whatever the winemaker believe “natural” means, that is what she will be practicing.
The wine was first made about 8,000 years ago. Nobody would ever tell if it was sustainable, organic, biodynamic or natural – we can only guess that it was made from grapes. But if we want the wines to be made for the next 8,000 years, we need to take care of the environment. Sustainable, organic, biodynamic – let’s leave this place a little bit better than we found it, for all of those who will come after us.
This post is an entry for the 36th Monthly Wine Writing Challenge (#MWWC36), with the theme of “Environment”. Previous themes in the order of appearance were: Transportation, Trouble, Possession, Oops, Feast, Mystery, Devotion, Luck, Fear, Value, Friend, Local, Serendipity, Tradition, Success, Finish, Epiphany, Crisis, Choice, Variety, Pairing, Second Chance, New, Pleasure, Travel, Solitude, Bubbles, Smile, Winestory, Obscure, Faith, Translation, Once Upon A Time, Memory, Eclipse
And if you really like this post, please vote for it here: #MWWC36
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