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Open That Bottle Night 2021 – What A Night!
Traditions, traditions, traditions.
Traditions need wine. Wine needs traditions. Makes sense? If not, express your disdain with a flaming comment. But if you are an oenophile (wine aficionado, wine snob, wine geek, …), you understand and can easily relate.
Open That Bottle Night, or OTBN for short, is one of the shortest living traditions of the wine world, where thousand years might be a good measure for some – OTBN was first celebrated in 1999 when it was created by the wine couple – Dorothy Gaiter and John Brecher, wine writers behind the “Tastings” column in Wall Street Journal. The OTBN was created to help wine lovers part with the special wine bottles which might otherwise become a waste.
There are two parts to any wine tradition – the first is a special wine itself, always carefully selected to match the tradition, and the second is sharing – sharing of that bottle with the world. Not with the whole world at once, but with the friends.
Let’s talk about finding and sharing.
Finding a proper bottle is never easy – and it might be even worse for the holiday such as OTBN, which was created specifically to help us part with the special bottle, the bottle which has a special meaning for us – no matter why and how, but special in whatever way. Sharing is typically not a problem – unless it is 2021 and the world is still mostly in lockdown – and that includes all of one’s wine friends.
I was lucky for the past many years to have wonderful celebrations of the OTBN with the friends, sharing the most amazing wine experiences (here is the first-hand account for 2017, 2019, and 2020). The only possible way to share OTBN 2021 was the one using for the majority of the gatherings during 2020 and 2021 – the virtual one. I’m not complaining – I’m grateful that at least we have the technology with allows us to spend time with each other face to face, no matter how physically distant we are. So sharing portion was rather easy, and now let’s talk about finding.
Finding is not even the right word. Finding is easy – but selecting is not. OTBN asks for that special bottle. Deciding on what makes one bottle more special than the other, when your cellar is full of unique bottles all present in the quantity of 1 (one), is the hard part. After some amount of deliberations, which included pulling numerous wine fridge shelves back and forth, back and forth, I settled on these four bottles:
Let me explain my selection logic so you will see why it is such a daunting process for me.
First, the white wine, as I’m a big proponent of the balanced diet. 2007 François Cazin Le Petit Chambord Cour-Cheverny AOC might be called my unicorn wine, at least when it comes to whites. The first time I tried a different vintage of this exact wine when it was 10 years old and this wine became one of the brightest memories for me – the beauty and interplay of bright fruit, honey, and acidity were simply unforgettable. When young, this wine from the Loire, made out of the rare grape called Romorantin, is a single note acidic. With age, it develops into an absolute beauty. When I opened the bottle of this wine back in 2015, the wine was superb. When I brought it to Jim’s house for the OTBN 2019, 4 years later, it was “interesting” but absolutely not exciting. I was hoping for redemption, so this was an easy choice.
My next selection was 2008 Tardieu-Laurent Hermitage AOC. When I see Hermitage written on the label, you can literally hear me sigh. Hermitage to me is synonymous with the Syrah, and I love classic Syrah. And so does my wife – Syrah is her favorite grape. I have very few Hermitage wines in my cellar – and this one was calling my name for a long time (meaning: it was pulled off the shelf and placed back many times). Considering that 2008 had a rainy growing season and the vintage has low ratings (WS86, for example) and “Drink now” recommendation, this was an easy decision – no point in waiting any longer.
How many unicorns can one have? Well, having a unicorn would be nice, but I guess I’m talking about chasing them. So how many unicorns can one chase? Clearly, it seems that I’m chasing many. Good Amarone is the wine I’m always chasing. Giuseppe Quintarelly Amarone is more of an ephemeral dream for me, considering the price and availability – and it is definitely one of those unicorns I’m talking about. With 2004 Zýmē Kairos Veneto IGT, I’m getting as close to that unicorn as I can. This wine is produced by Celestino Gaspari, the winemaker for Giuseppe Quintarelli. As the label says “Produced from 15 varietals of grapes of Verona, it is a reflection and interpretation of our soil and the culture of its terroir”. In case you are curious, the 15 grapes are Garganega, Trebbiano Toscano, SauvignonBlanc, Chardonnay, Corvina, Corvinone, Rondinella, CabernetSauvignon, CabernetFranc, Merlot, Syraz, Teroldego, Croatina, Oseleta, Sangiovese, and Marzemino. This was my last bottle, and I scanned the pages of this very blog for a good 20 minutes last night as I couldn’t believe that I could’ve never written about this wine before – apparently, I have not. Anyway, I was afraid that it might be the time for this wine, thus it was added to the OTBN group. By the way, another interesting tidbit about this wine is that the name “Kairos” means “timely”, “appropriate”, and “the perfect moment”.
Every good plan A needs plan B, right? The backup. Have you ever went to a friend’s house with a bottle of wine, while another bottle stayed in your car just in case the first one would be corked? Yep, that’s the plan B we are talking about. 2004 Vaucher Pere et Fils Gevrey-Chambertin was my plan B. I don’t have a lot of Burgundies, so opening one is always a special moment. 2004 vintage was so so, with WS88 rating and “drink” recommendation, so this bottle was rightfully on the OTBN list, should the need and opportunity come.
Now you know all about selecting, and I want to say a few more words about sharing. Sharing wine is one of the best pleasures of drinking wine. The approving, understanding nod from the fellow wine lover after he or she is taking the sip from the bottle you brought really fills you up with joy. It might be even more satisfying than your own enjoyment of the same wine. Yet in today’s world, sharing the wine face to face is literally impossible, OTBN or not. To at least share the moment, I reached out to the technology which seemed to save the world from going mad – a virtual get-together over video. Zoom is my tool of choice, so after sending the invites to the group of bloggers, we got together at 7 pm on the OTBN Saturday.
We were not a big group – even in the virtual world, people are busy and have their own plans. But I’m really grateful to everyone who was able to spend that special Saturday time together – some for the whole 2 hours, some for 20-30 minutes, talking about wines, sharing life stories and experiences, and most importantly, having fun. You can scroll through the pictures below, I’m sure you will see some familiar faces.
So how was my OTBN? In other words, let me tell you more about the wines.
The miracle didn’t happen, and the white wine didn’t become suddenly magical. If I need to describe this 2007 François Cazin Le Petit Chambord Cour-Cheverny AOC in one word, the word would be “strange”. At some moments, it was oxidative and plump. In other moments, it was acidic. It never showed that amazing lemon and honey notes I was expecting. I still have one more bottle, but now I really need to forget it for as long as possible and see if the miracle will happen.
The Hermitage was … superb. First of all, opening it was a breeze – cork was perfectly intact, regular waiter’s corkscrew worked just fine. Drinking this 2008 Tardieu-Laurent Hermitage AOC was a great pleasure – a touch of pepper, a distant hint of a barnyard, round and delicious fruit. The wine was just right – perfectly balanced, round, and smooth. I don’t have a lot of experience with Hermitage, but this wine was clearly one of the best renditions of Syrah I had in a long time. “Elegant” would be the single word descriptor I would use.
The Kairos was the bottle I was concerned about the most. It could’ve been gone by now, especially considering such an eclectic blend of grapes. When I started opening this 2004 Zýmē Kairos Veneto IGT, first I decided to use the regular corkscrew, which worked perfectly fine for the Hermitage. Looking at the way the screw was going in, the cork seemed to be too soft, so I decided that it was the job for Ah-So – I’m glad this decision was not an afterthought I usually have after the cork is already broken in half – Ah-So worked perfectly well and the cork came out with no issues.
And the wine… The wine was magical. Dark fruit with a hint of dried fruit on the palate, perfectly firm and structured, powerful and elegant, with clean acidity and an impeccable balance. The wine was delicious on Saturday, and I also enjoyed that over the next two days. So now I regret not having any more bottles left – but I’m glad I had this special experience. Magical would be the word.
As two bottles of red had no issues whatsoever, the Burgundy was left aside and now will be waiting for its special moment to be opened and enjoyed.
And that, my friends, concludes my OTBN 2021 report. While the sharing was virtual, the experience and pleasure of the wine and the company were real, and it will stay in my memory as yet another great OTBN night. Hope you had fun too. Cheers!
A Perfect Perfection
Yes, I know. “Perfect Perfection”. The English language offers more than 170,000 words, and this “writer” can’t even come up with a decent title for the post. Shame on me.
And nevertheless, I insist on my choice of words. Let me tell my tale to see if this will make sense to you too.
Valentine’s Day is a very personable holiday, loved by some, and hated by others. Many years ago, we decided that it will be simply a family holiday for us (no restaurant Prix Fix menus and back to back sitting), which translates into an opportunity to cook and – it is a special holiday, after all – open a special bottle of wine.
A special bottle of wine means a special selection process. “Special selection process” usually means trouble – going from a wine fridge to a wine fridge, opening the door, pulling the shelf, looking at the bottles, pulling another shelf out, still not finding anything appropriate, and repeating until full exhaustion. For this dinner, however, a choice of the main dish greatly simplified the process.
In this house, special dinners are often associated with the steak. Such was this Valentine’s Day – New York strip was acquired and ready to be cooked. Many wines can play well with the steak, but in simple terms, steak needs Cabernet Sauvignon or a Cabernet Sauvignon blend. With that in mind, choosing the wine was almost easy and straightforward – California Bordeaux-style blend with a nice age almost popped into my hand on its own.
I never had this wine before. While looking for the 1998 wines to buy (birth year of my son) at the Benchmark Wine, I came across this 1998 Reverie Special Reserve Meritage as it was described. At $30, 22 years old unknown wine from California sounds like a risk I was willing to take (so far, I didn’t miss – “knock on wood” – even a single time buying aged wines from Benchmark Wine, everything was tasty and perfectly drinkable). In the wine fridge, this wine was laying on one of the first shelves I pulled out, and the inner voice quickly said “this is it” – I decided not to argue.
I had the wine warm up a bit before opening it. About an hour and a half before our decided dinner time, I carefully pulled out the cork – I had quite a few corks crumbled almost to the dust on me lately, so was extra careful pulling this one out. To my delight, the cork came out in a perfect shape, practically intact.
The first whiff of this 1998 Reverie Special Reserve Diamond Mountain (13.5% ABV, blend of Cabernet Sauvignon, Cabernet Franc, and Petite Verdot, aged in 100% new small French oak barrels) simply suggested taking a sip immediately. The wine had aromas of cassis and mint, a pure, classic, beautiful Cabernet Sauvignon profile. The palate followed almost in the impossibly perfect way. Cassis, mint, and eucalyptus, all in pristine, perfect, form. There was nothing extra in that sip – it was perfectly round, perfectly smooth, with just enough acidity, with just enough of the tannins, with just enough of the fruit. A perfect, perfect, perfect balance, an absolute harmony which is not easy to find – the one which puts a stupid smile on your face. Yep, that’s how good the wine was.
Our impressions seemed to match perfectly with what the back label said: “we only designate the blend made from the best lots of the traditional Bordeaux varietals as Special Reserve when we believe the wine is extraordinary. We believe this wine is worthy of that designation. We are incredibly proud of this very limited release wine and know you will also enjoy it immensely. A wine this fine should be saved for a special occasion and enjoyed with the finest cuisine and good friends”. It is rare to find a back label to be spot on describing the wine – but in the case of this special Reserve, this was a complete success.
I don’t think my pan-seared steak belonged to the finest cuisine category – but at least it was not burnt and raw at the same time – and it paired very well with the wine. We also made special potatoes in the air fryer and oven-roasted asparagus came out super-tasty (from now on, this might be the only way I will cook asparagus).
This is my story of the perfect wine experience – truly at the level which will be hard to replicate. What are your “perfect wine” stories?
Of Beautiful Things
Beauty is an interesting concept. It seems to be simple and universal. And nevertheless, the declaration of beauty might dramatically differ, even for the people going through the same experience. Take flowers, for example – if someone doesn’t like daisies, looking at the field of daisies will solicit no emotional response, but the same person might spend an hour admiring an orchid.
Whatever we see as “beautiful” solicit emotion, it gives us a tiny burst of positive energy, it makes us happy. But the proverbial “truth in the eye of the beholder” is fully in control – everyone decides on their own concept of beauty.
Photography is one of the best and simplest tools to capture the beauty of the moment and convert it into a tangible memory, something you can get back to. For sure I’m the one who heavily relies on photography for doing so. If you look at the pictures on my phone, you will have no problems figuring out that I consider wine, flowers, and sunsets as the most beautiful things in this life – well, this is not an absolute truth, but we can go with it for this post. Of course, sunsets and flowers are exactly what they are, but the wine bottles in the pictures simply represent the memory knots, the real beauty is inside the bottle, no matter how pretty the labels are.
Calla Lily Estate & Winery is a project of renowned California winemaker, Cary Gott, and a group of business partners out of Hong Kong, who together started Calla Lily in 2013. Calla Lily is 95 acres of the estate in the Pope Valley section of Napa Valley, with the first vines planted in 1995. The estate’s vineyards comprise 12 acres of Cabernet Sauvignon, 5 acres of Petite Sirah, and 1 acre each of Merlot, Cabernet Franc, Malbec, and Petit Verdot.
Calla Lily is not a random name. You can see the beautiful flower appear on the label of Cabernet Sauvignon, and it is both the name and the symbol. Calla is a type of lily flower, which takes its name from the ancient Greek word “Kallos” which means “beauty”. Calla Lily had been around a few thousand years and has a lot of symbolism associated with the flower in Greek, Roman, and Egyptian cultures, as well as in Christianity overall. You can read about Calla Lily symbolism further here, but I also can’t resist quoting the same source in regards to the meaning of the color of the Calla Lily flowers: ”
- White Calla Lilies: Purity and innocence.
- Yellow Calla Lilies: Joy and growth.
- Pink Calla Lilies: Appreciation and admiration.
- Red Calla Lilies: Intense passion.
- Blue Calla Lilies: Femininity and refined beauty.”
As you can see, red Calla Lily is depicted on the label of the Calla Lily wine, and after tasting the wine, I have to agree to the “intense passion” suggestion.
After talking about beautiful flowers, let’s talk about beautiful wines, as I had an opportunity to sample two of the Calla Lily wines.
2016 Calla Lily Ultimate Red Cabernet Sauvignon Napa Valley (14.5% ABV, $65, 84% Cabernet Sauvignon, 6% Cabernet Franc, 6% Merlot, 4% Petit Verdot, 26 months in 40% new French oak) was an interesting experience. While the nose was intense with red and black fruit, the wine on the palate was way too powerful for me to really enjoy it as “pop and pour”. The wine kept gradually improving over the next 4 days, finally offering soft rounds of cassis and mint, over the velvety texture. You need to wait for some beautiful things in life – for example, for a flower to fully open up from a tiny bud – this wine is beautiful, but you might need to wait for it – or decant it well in advance (Drinkability: 8- )
2015 Calla Lily Audax Cabernet Sauvignon Napa Valley (14.1% ABV, $120, 92% Cabernet Sauvignon, 4% Merlot, 3% Cabernet Franc, 1% Malbec, 27 months in 50% new French oak) is yet another interesting wine. “Audax” in Latin means “bold”, and this barrel-reserve wine is a tribute to the audacity of the pioneer winemakers, many of whom settled in the Pope Valley. Somewhat unexpectedly, the wine was more approachable from the get-go than the previous one – beautiful nose of cassis, and more cassis on the palate, accompanied by mint, pencil shavings, espresso, and cherry pit. Lots of beautifully balanced power with a firm, dense structure. (Drinkability: 8)
Here is the story of the two beautiful things in life – flowers and wine. Beautiful things are well worth seeking. What brings beauty into your world?
Daily Glass: Unlimited Pleasures
I opened the bottle.
The wine was delicious. I will be happy to drink it again.
The end.
Simple story, right? Boring too, I guess, but – it doesn’t always work like that. Quite an opposite – I opened the wine. It was okay. I don’t want to drink it again. The end. But this is not the story anyone wants to talk about.
Let’s go back to the delicious wine.
If you read this blog for any extended period of time, I’m sure you already know: I love aged wines. Contrary to what typical wine articles advocate – stating that the absolute majority of the wines should be consumed young and should never be aged – I absolutely believe that a significant number of wines, especially reds, not only can age but also improve with age. The evolution of the wine in the bottle is what we are after. Young wine can be perfect and deliver lots of pleasure to the drinker. Well-aged wine delivers lots and lots more – it is not just pleasure, it is often the whole experience. My latest proof and case in point (wish you were there) – 1999 BV Rutherford Cabernet Sauvignon.
If you like drinking aged wines, and share my view that many wines can age, the good news is that you don’t always have to personally buy the wine and wait for 20 years before drinking it. I found this wine while browsing the Benchmark Wine website. Benchmark Wine Group buys collections and then sells the wines at the market price without an auction. “Collection” doesn’t necessarily mean only DRC and Petrus – collections also include wines suitable for everyday drinking. Those “everyday wines” represent great value, as aging is included, and often it doesn’t cost you anything – I paid $30 for this exact 1999 BV Rutherford – and I can get the current (2016) vintage of the same wine in New York area for $29.99. Yep, I rest my case.
BV, which is short for Beaulieu Vineyard, is one of the iconic California wineries, founded in 1900. This is where André Tchelistcheff, often referred to as Maestro, honed his winemaking craft, completely changed winemaking at BV, and tremendously influenced winemaking in California ever since his arrival to Napa in 1938. It is impossible to talk about André Tchelistcheff within a short blog post, and I’m sure you can find hundreds of articles and books talking about his legacy. André Tchelistcheff retired from the active winemaking duties in 1973 – and I read somewhere that the last great vintage from BV was 1972. I wish I could compare 1999 which I had with 1972, but for my palate, even 1999 completely over-delivered.
The wine opened up with an intense nose of eucalyptus and mint – you could tell from a distant corner of the room that this was classic California Cabernet Sauvignon in the glass. The palate followed with layers upon layers of black currant, eucalyptus, mint, bell pepper, all interwoven in complete harmony. A perfect balance of fruit, acidity, tannins – every sip was repeating that full performance over and over again.
At the end of the evening, the wine showed a bit of the plum and dried fruit and made me think that I was lucky to catch the wine at its peak. On the second day, the wine showed a bit more restrained, somewhat losing great energy it had the previous evening. On the third day, the wine changed again, bringing back the same black currant and eucalyptus, however this time in much leaner, classic Bordeaux fashion, and really showing up young, full of energy and promise.
Not only this was a delicious, well-aged wine, but it was also [expectedly] a memory catalyst. I had an instant flashback of memories of a wonderful visit we had at BV about 8 years ago, tasting not only multiple vintages of Georges de Latour Private Reserve Cabernet Sauvignon, but also unique clonal Cabernet Sauvignon wines. It is amazing in how many ways you can enjoy a simple sip of delicious wine.
That is my story, friends. Well-aged wines are amazing – can you tell yours?
Wine Opinions, Forming and Changing
Well, this might be a dirty laundry type of post which I might regret later – but sometimes, it is good to look into the mirror, so let’s talk.
How do you form an opinion about the wine? Is it on the first sip? Is it after a glass? Is it based on tasting the wine, let’s say, for an hour or two and slowly deciding if you like the wine or not, sip by sip? Equally important – what other factors contribute to that said opinion? Critic’s 95 rating – would that affect your opinion? Respected friend’s recommendation – how important is that? I’m not even talking about ambiance, mood, food, or any other factors.
Okay, now I have another question.
Your opinion about the wine is formed. What would it take to change it? Is it enough to taste the wine once to change your opinion completely? Or would you need multiple encounters to have your opinion changed completely, doesn’t matter in which direction? Well, actually I think here we need to differentiate here between positive and negative opinions. If your opinion was positive, it will probably take a few unsuccessful encounters with the same wine to decide that you made a mistake the first time. But in case of a negative opinion… it gets more complicated. Would you even be willing to give the wine a second chance in such a case? What would make you pick again the bottle of wine you didn’t appreciate before?
Let’s make it more practical.
For a long time, I saw John Fodera, who is an expert in Italian wines, give the highest praise to the wines of Campochiarenti from Tuscany. I had an opportunity to finally taste one of the Campochiarenti wines – 2016 San Nicola Chianti Colli Senesi, one of the most basic wines in the Campochiarenti portfolio. Granted, I tasted this wine during the grand festivities of the open house John hosted during the OTBN Saturday – after tasting a variety of Gran Selezione, Super Tuscans, and a magical 1999 Soldera. And in the middle of all that extravaganza, the Campochiarenti Chianti’s appeal was lost on me. I mentioned in the post that the wine was “classic and simple”, but the major point was the price – it was an okay wine for the expected $12 when the wine will finally make it into the USA. Not that I didn’t like the wine, but I didn’t care much for it either – my palate perceived it as too dry and unidimensional.
Erich Russell, who I wrote recently about, has a business relationship with Daniele Rosti, the winemaker at Campochiarenti (Rabbit Ridge soon will be releasing the wine which will be a blend of Italian and California wines), and Erich happened to import a good number of Campochirenti wines to be able to showcase his future joint releases, which he now has available via his website. A few weeks ago, while I was ordering the birthday present for my sister-in-law in the form of the Rabbit Ridge wines, I recalled that she and her husband love Italian wines, so I decide to include a few bottles of the Campochiarenti wines in my order.
This past weekend we visited my sister-in-law who lives on Cape Cod. While deciding on the wine to take with us to see the sunset, I realized that this was a great opportunity to see what am I missing about this 2016 Campochiarenti San Nicola Chianti Colli Senesi – considering the universal love the wine has, I needed to try it again. It only took me one sniff and sip to have my opinion changed completely. The wine was absolutely mindblowing, in both bouquet and the taste, bursting with succulent cherries and offering velvety mouthfeel and impeccable balance. The picture above perfectly summarizes the way I felt about the wine – a double score, an amazing sunset paired with a superb wine.
After coming back and ordering my own case, I can now offer you another case buy recommendation. Visit Rabbit Ridge wine shopping page here, and look for the wine called Danielle – at $15, this wine is an absolute steal. You can also try Campochiarenti Vernaccia di San Gimignano, which supposed to be on par with the Chianti (when ordering, you can specify how many bottles of white and red you want) – I’m waiting for mine to arrive soon.
That is my story of a changed wine opinion. It was very easy for me, one sip and done. How about you? Have you changed your wine opinions and how? Do tell! Cheers!
Latest Wine News and Updates
Of course, it would be too much to say that wine is in the center of everyone’s attention – but it is a beloved beverage for hundreds of millions, and some tens of millions are involved in wine industry one way or the other, so the wine news definitely gathers some attention.
From time to time, I share in this blog some of the interesting tidbits of what’s going on in the wine world, so here is the latest round of newsworthy happenings around the globe.
When you hear Chateau d’Yquem, what do you think of first? Of course, the quintessential Sauternes, the magical elixir not even produced in all the years. But – do you know that Chateau d’Yquem also produces dry white wine? It is called “Y”, and it is a tasty blend of Sauvignon Blanc and Semillon. Last month, Chateau d’Yquem announced that they will be expanding their portfolio and adding … wait for it … a red wine which will be called Y Not. It appears that 5 years ago, Chateau d’Yquem replaced some of their Sauvignon Blanc plantings with the Cabernet Franc, Merlot, and Petit Verdot, and now it is ready to produce the first vintage. The 2019 Y Not will be released in 2022. The price had not been disclosed at the moment, but considering the total production of 300 cases, you can imagine that it will not be inexpensive.
We are not done with Chateau d’Yquem yet. It leaked to the press that venerable Harlan Estate from Napa Valley, one of the topmost cult wine producers in the USA, enlisted the help of Chateau d’Yquem to start production of the dessert wine! The wine will be produced from the late harvest Cabernet Sauvignon. It is expected that the wine will be aged for at least 2 years in the mix of old and new French oak barriques, and probably 1 year in the bottle. The wine will be called Sweet Baby Harlan, and the 2020 vintage will be offered to the mailing list members at one 375 ml bottle per customer with the starting price of $1,100. Considering the tiny production, this wine will be impossible to get for a while.
Our next news is really bazaar. It’s been reported in The Eagle-Tribune in North Andover, Massachusetts that a number of Market Basket supermarkets experienced a little mayhem in the bottled juice section of the stores – the juice bottles (narrowed down to the grape juice bottles only after the few incidents) started to blow up at random, covering customers in sweet and sticky liquid. The culprit was traced to the popular brand of grape juice – Welch’s. Welch’s recalled all of the grape juice bottles sold in Massachusetts supermarket and opened the investigation into the incident. Based on the initial analysis, it appears that the yeast was added to the bottles at the final steps of the production, and as you know, the combination of yeast and sugar is how the wine is made, so blown up bottles come at no surprise. Apparently, some of the customers who managed to get the unexploded bottle to the homes were pleasantly surprised with the bubbly version of the popular grape juice, and some are even planning to start a petition to Welch’s to make this new type of grape juice a new product, possibly using some reinforced bottles.
It is not a secret that Australian winemakers are always eager and willing to step away from traditions and try the pioneering technologies, no matter how unorthodox they are. A simple example is a so-called screw cap, also known as Stelvin, which was developed in the late 1960s, and Yalumba winery in Australia become one of the early adopters introducing new bottle closure in 1973. Now another Australian wine producer, Penfolds, maker of the legendary Grange, decided to step in with a brand new solution for reducing the carbon footprint of the wine, which the wine industry is constantly grilled for. With the help of scientists at The University of Adelaide, Penfolds developed a brand new plastic bottle that is completely safe for storing the wine. Not only it is lightweight, but it is also made from the recycled materials and – get this – biodegradable. The bottle is guaranteed to fully disintegrate in 5 years’ time. The only culprit? The bottle will disintegrate in 5 years no matter what, so it will not be any time soon that we will see Penfolds Grange offered in this form of packaging. But for all the regular wines, which should be consumed as they are acquired, this will be a perfect vessel. Just don’t “leave and forget” such a bottle in your cellar – or you will remember it for a long time…
While the wine industry is squarely rooted in traditions, it is never shy to enlist the latest technology to help to advance its cause – helping people to enjoy their life a little bit more. Knowing when to open the bottle of wine to ensure the best possible experience is one of the most difficult problems of any oenophile, whether he or she is a Master Sommelier or an occasional drinker consuming two bottles of wine a year. Some of the most technologically advanced companies in the wine industry, world-famous specialty glass producer, Riedel, and Coravin Wine Systems, maker of the popular wine dispensing solution, teamed up to create a product which they called Smart Bottle. Seemingly indistinguishable from the regular glass bottle, the Smart Bottle is equipped with the array of sensors which constantly monitor the state of the wine inside the bottle, and will inform the owner when the bottle reached the ideal consumption phase via embedded Wi-Fi transmitter directly to the owner’s phone. While working on the design of the Smart Bottle, both companies filed about 25 patents. Apparently all leading wine producers in the world – DRC, Petrus, Chateau Latour, Screaming Eagle, Sine Qua Non and many, many others already lined up to get the Smart Bottle as soon as it will be released. An important and attractive feature of the Smart Bottle is the ability for producers to set up the proper aging profile specific to their particular wine, as it is clear that ideal indications, let’s say for DRC and Sine Qua Non will be quite different. Riedel and Coravin reported that they are finishing field trials and the production is slated to start in 2021.
That’s all the latest news I have for you, my friends. Until the next time – cheers!

















