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Travel Diaries: Beautiful Prague
For the first time I visited Prague in 1990 (if memory serves me right, of course). I have some scarce memories of that trip – Charles Bridge, Clock Tower, Gothic architecture and a street the food in form of the waffle with whipped cream and chocolate sauce. I always wanted to come back and experience Prague once again – and finally opportunity presented as one of my business meetings took me there.
You know how it can be dangerous to rely on the past experiences while setting the expectations? Everything changes – we change, everything around us changes as well – “you can’t enter the same river twice”. And the best moment in any experience is when you say – ahh, it is even better than I expected.
That is my feeling about the Prague. Beautiful city, all covered with the red roofs (somehow, red roofs have a magical effect on me), beautifully colorful buildings, castles and cathedrals everywhere – you derive the pleasure from anywhere you look (well, sadly, once you step a little away from the old town, you see lots of graffiti and simply start dreaming about all the pain which should be inflicted on the people who do that, but this is way outside of the subject of this post).
I’m not going to try to describe my impressions in words – instead, let me inundate you with pictures – lots and lots of pictures of the beautiful town of Prague. And when I say lots and lots, I actually mean it…
Don’t think you will find vine grapes growing in New York’s Central Park, but you do in Prague!
These two peeing man (the parts of their bodies which attract the most attention are not only releasing the water, but also moving – heard quite a range of comments from the spectators:
The legend has it that St. John of Nepomuk was executed for refusing to give the details of queen’s confession to the king. The St. John is honored with his own statue on the Charles Bridge. The legend also has it that if you will touch two of the fragments on the bottom of the statue, you wish will b granted. However, it seems that the legend might not get it exactly right – take a look at this blog post to learn what exactly do you need to touch:
Let me leave you with the love locks at the Charles Bridge – Prague is a beautiful city which is easy to fall in love with. Cheers!
Pleasures of Drinking Local
I love travel -seeing the world, different cultures, different people, different traditions, and, of course, different food and drinks. Food is given, as we all have to eat, so one way or the other we get to experience local cuisine. But then what I drink is also very important to me, with the same spirit of exploration.
I love drinking local. And, of course, when I say “drinking”, I primarily mean wine. When travel, I always make an effort to find and try local wines. Unknown and obscure? Perfect – the less I know about the wine, the more pleasure it brings. Drinking local wines doesn’t mean I have to visit the wineries. More often than not, my trips don’t include any spare time and any facilities to reach the wineries. But – in many places, and I would even say, in increasingly more places, you can still find local wine at local shops, as long as you willing to look for it.
It is, of course, the best when you are visiting places where the wine is part of the culture, like most countries in Europe (sorry, never been to Latin America or Australia, but somehow I think I would do fine there as well). If the wine is a part of the culture and tradition, it almost guarantees you authentic wine experiences – and what is very important – without breaking the bank. In the USA, for instance, the wine is still a part of the fashion and not part of the tradition, thus in USA, finding reasonably priced wines is extremely difficult, and finding locally produced and reasonably priced wines is simply a mission impossible. Wait, I didn’t mean for this post to be a rant, so let me get back on track.
This time around, my travel took me to Prague, the capital of the Czech Republic. I’m sure for many (most?) of people, as soon as they will hear “Czech Republic”, the very next image of the local drink is – of course – a beer. This makes perfect sense, as Czechs are internationally known for their beer, same as Germany or Belgium, and rightfully so. But – what most of the people don’t know is that Czechs also had been making wines almost forever – okay, starting from approximately the 2nd century – long enough? Czech wine never made it to the levels of fame of French or Italian wines – but that doesn’t decrease the pleasure of drinking Czech wines in any way.
I discovered Czech wines for myself last year, when I had delicious Pinot Noir and Pinot Gris ( you can read about it here). Thus I had no doubts that Czech wine is something I’m going to look for upon arrival.
The hotel I’m staying at is adjacent to the shopping mall, which includes a supermarket, a wine store and some other food stores, all of them selling wines. And mind you – at the prices which make you smile from ear to ear. So far I got the wines from the supermarket, and you will see the prices I paid in the descriptions of the wines, as usual.
I had an easy criterion for selecting the wines. Price – of course, but there was another important requirement – new grapes. As you can see the grape count in the right column of my blog page, I continue my grape journey, so I’m always on the lookout for the additions to the list. Of course, it is usually not that easy – the name of the grape in the local language might sound new and unique – but once you do the research, you can easily find out that there is nothing new about that grape. For instance, take a look at Rulandské modré – sounds unique, right? Meanwhile, it is only a local name for Pinot Noir. Or Rulandské šedé – must be something indigenous, right? Nope, it is simply the Pinot Gris.
Obviously, that didn’t stop me. I found two new white grapes, and for the red, the name looked so cool (Svatovavřinecké) that I had to get it, despite the fact that this was the local name for the St. Laurent grape – well, how often do you drink St. Laurent wines anyway?
I started with the red wine, as whites needed some chilling – and 2015 Templářské Sklepy Svatovavřinecké Morava Czech Republic (11.5% ABV, 119 Kč ~ $5, 100% St. Laurent) didn’t disappoint – light garnet color. Pleasant nose with touch of spices, sage, lavender, tobacco, hint of blueberries. Fresh fruit on the palate, tobacco, pepper, medium body, mouth-watering acidity, light, pleasant. Drinkability: 8-/8, a proof that delicious wine doesn’t have to be a fruit or tannin bomb.
The whites where new, unique and different. One was made out of the grape called Muškat moravsky, which is a cross between Muscat Ottonel and Prachtraube. The other grape was called Pálava, and it was a cross between Müller Thurgau and Gewürztraminer, first selected in 1953. I’m always a bit concerned with the new white wines (many things can go wrong), but this two were simply a stand out. I guess I was simply lucky. Or may be my palate is cursed. Of well. Here are the notes for the white wines:
2015 Chateau Bzenec Muškat moravsky Morava Czech Republic (11.5% ABV, 119 Kč ~ $5)
Straw pale color. Perfumy nose, reminiscent of Gewurtztraminer but of a lesser intensity, white peaches, lemon undertones, touch of minerality. Delicious on the palate – succulent fresh whitestone fruit with practically no sweetness, ripe green apple and touch of lemon. Clean, balanced, fresh, excellent acidity. Medium-short finish, pleasure to drink. Very impressive. Drinkability: 8/8+
2015 Vinium Velké Pavlovice Pálava Pozdní Sber Morava Czech Republic (12% ABV, 239 Kč ~ $10)
Light golden color. Very pleasant nose, perfumy, touch of honey, tropical fruit (guava, pineapple), medium intensity. Delicious lip smacking palate – crisp acidity, medium to full body, wine is nicely present, mouth coating, acidity keeps lingering with tart apples underpinning, then some ripe apples showing with addition of white plums. Another excellent wine. Unique and different, perfectly enjoyable on its own, but will play very nicely with the food. Drinkability: 8/8+, outstanding.
That’s all I have for you, my friends. When travel, take risk, drink local – your reward will be new experience and lots and lots of pleasure. And if you will not like it – the experience will still be with you. Cheers!
Tango Tours – A Pioneer In Wine and Culinary Tourism
Wine and Travel – aren’t those the best together? Visit new places, try new wines, then more new places and more new wines. I’m sure this is simply a music to the ears of many. Today I want to offer to your attention a guest post by Mark Davis, Managing Partner at Tango Tours – A Luxury Travel Company (www.tango.tours) – the company which can help you realise that dream of having a great time and great wine while travelling the world. And as we are still in the Malbec Month of April, below you will find the Argentinian wine Infographics, courtesy of Tango Tours. Cheers!
Do wines fascinate you or are you yet to explore about this luxurious drink? Tango Tours will make that happen for you. Whether you are planning a private wine tasting tour or looking to indulge in a world-class and an unforgettable culinary experience, this is the right place for you.
Food And Wine Tour– Tango Tours curates food and wine tour to feature the finest restaurants serving local delicacies.
Exclusive Vineyard Tours– You get to explore some of the exclusive vineyard tours featuring wineries that are publicly inaccessible.
Luxury Wine Tours– Enjoy a guided luxury wine tour and taste some of the most exquisite wines of the world.
Deluxe Accommodation– You will be offered deluxe accommodation during your tour so you can sink into the silky soft beds of a luxury five-star hotel after a long and fulfilling day.
Tango Tours covers the most popular wine destinations around the world and the tours include:
Argentina Wine Tours– The itinerary features tasting the Argentinean Malbec, luxury food and wine adventure across Argentina and a visit to the reputable Argentina vineyards, along with discovering the local cuisine and culture.
Napa/Sonoma Tours– The luxury wine tour packages of the Napa and Sonoma valley offer you with a unique wine and culinary experience. From the sprawling vineyards of the region to delectable dishes from the finest restaurants, you get to explore everything.
Chile Tours– The highlights of Chile Tours include deluxe tour packages for wine connoisseurs who wish to explore the best of Chile.
Custom Wine Tours– If you have a specific destination in mind, Tango Tours helps you plan the vacation of your dream. Pick a place of your choice and we will make all the arrangements.
Why Choose Tango Tours?
At Tango Tours, we have an extensive knowledge of wines and food from the famous wine regions of the country. We work closely with some of the best winemakers and restaurateurs in the food and wine industry through which you can access private wineries and prestige vineyards across the region.
All ready to enjoy the fruity Merlots of Chile and Napa/Sonoma Valley or the dark, smoky flavors of the highest-quality Argentine Malbec? Just pack your bags and let us plan it for you and give us a chance to take you on a remarkable food and wine adventure.
Argentina Beyond Malbec with Achaval-Ferrer and #WineStudio
Of course, Argentina wine industry can’t be subsided only to Malbec – Torrontes and Chardonnay for the whites and Malbec and Cabernet Sauvignon (and Bordeaux-style blends, of course) for the reds comprise an absolute majority of Argentinian wines available at any given moment. You can find some Argentinian Bonarda, Pinot Noir and Sauvignon Blanc, but they don’t carry the full recognition of the 4 main grapes.
Winemaking has a long history in Argentina, starting in the 16th century and entering an international trade in the second half of 19th century. If we will take into account that most of the grape plantings in Argentina are at high altitude, with climatic conditions and terroir overall ideal for the grape growing and providing protection against many grape diseases, such as phylloxera, we will quickly realize that Argentina is home to some of the best and oldest vineyards in the world. However, it is only during the last 20-25 years Argentinian wines start receiving a full international recognition they deserve, with Malbec been the brightest shining star.
Achaval-Ferrer winery was founded in 1998, and over its relatively short history, became a leading winery in Argentina, garnering numerous awards and high critic scores for its wines. To the great pleasure of wine geeks, wines of Achaval-Ferrer were also a focus of April #WineStudio educational program, allowing us to experience some of the very best wines Argentina is capable of producing – Malbec, Cabernet Sauvignon and Bordeaux blend called Quimera. But for the last April session, Achaval-Ferrer and #WineStudio took us on the trip in entirely new direction with the inaugural vintage of the Cabernet Franc wine.
I guess it is time to reveal one of my (no, not darkest) deepest wine secrets – I have “a thing”, an obsessive passion for the Cabernet Franc wines. I can’t explain to you why or how. I don’t know how it happened that out of most grapes, the words “Cabernet Franc” make me literally jump. No matter how tired I am at the end of the large tasting, say to me “let’s go try Cab Franc” and I’m ready to run. Thus you can imagine how excited I was at this opportunity to try a new first release of Cabernet Franc.
There was a lot of excitement around this wine, seems everybody really enjoyed it. As for all the wines of Achaval-Ferrer, the grapes for this Cabernet Franc came from the high altitude vineyards (3,280 ft above sea level) in the Uco Valley, mostly sustainably farmed. Here are my tasting notes:
2015 Achaval-Ferrer Cabernet Franc Mendoza Argentina (14.5% ABV, $24.99, 100% Cabernet Sauvignon, 10 months in 3-year old French oak barrels)
C: Dark garnet
N: intense, baking spices, dark fruit, mint, dark chocolate
P: medium-full body, fresh cut-through acidity, mint, hint of cassis, touch of white pepper on the finish, smooth, long finish with tannins kicking in at the end and lingering. Needs time…
V: 8, nice, can be drunk on its own, will be great with the food, and will evolve with time – at least 10 years. The wine opened up more on the second day, and I’m sure will further improve on the 3rd.
Definitely an excellent wine which will be hard to find – 1,400 cases total production, and a lot of this wine went to Morton’s steakhouse (so if you plan to visit Morton’s keep that in mind) – but it is well worth seeking. If you will score some of these bottles, lay them down in the cellar and let them evolve. At least this is what I would do.
This wine concluded a delicious #WineStudio experience with the Achaval-Ferrer wines, and to sum it up, I want to leave you with the twitter quote from Tina Morey, the host of #WineStudio:
I can fully sign under every word here – beautiful, expressive wines, well representing what Argentina is capable of. Salud!
Translation – Implicit Virtue and Pain of Oenophile
When you hear the word “translation”, what is the first thought which comes to the mind? Make no mistake – we will be talking about the wine here, but let’s leave that aside for now – we will connect the dots a bit later. So, how about that translation?
I would bet that your immediate thought was of a foreign language. This is where “translation” is typically invoked. Maybe you remember your French class in the high school; may be you have a vivid picture of your last trip to Italy – in either case, we see or hear the word (at least, we assume whatever we hear to be a word), and then we make an effort to understand what that word mean in our own language, and not just by itself, but also taking it in the context of conversation or a text we are reading.
When we speak and read in our mother tongue, the words typically create immediate associations. If you hear the word “door”, you have an instant mental image of the door – whatever the style is, but you know it is a door. If you will see or hear the word “porte”, unless you speak French and expect to see a French word, that word will cause no mental images to show up, despite the fact that “porte” simply means “door” in French.
You don’t have to travel or try to read Swiss newspaper in the morning to have a need to translate something. There are plenty of interesting words we encounter all the time, which need translation in order to achieve that comfortable mental image. Some of those words came from foreign languages, some are specific technical terms, some are just an urban jargon – either way we need to translate those word one way or the other in order to “get” them. Need examples? Let’s look at something as straightforward as steak. I’m sure the word “steak” generates an instant mental image (apologies to the vegetarian readers), of juicy, crusted goodness. But, without the help of Google, how many people do you think will be puzzled if asked if they would like to order steak Diane, chateaubriand or tournedos (okay, you can use Google now)? Steak is complicated, you say? No problems, let’s go even simpler here – how about some pasta? Easy, right? Okay, please describe to me croxetti, rachette or gigli. No? Yeah, sure, go ask Google.
You know what is important here? Rachette or gigli, but we know that it is pasta, and it is comfortable enough for us, so we can skip the translation. Our experience can replace the translation itself – not always, but often. Take a couple of trips to France, and you will not be reaching for the dictionary to understand “merci” or “bonjour”. We don’t even think about what those words mean, but we know where and how to use them, and that works. We do learn, and as we learn, we get comfortable. But we have to still remember that translation is all about little details.
You must be thirsty by now, so let’s talk wine. How often do we have to use translation skills around wine? If you said “all the time”, you are right. I’m not even talking about dealing with professional winemakers’ language (debourbage, remouage, Oechsle, anyone?). I’m not talking about translating from the crazy winespeak of some of the tasting notes (references to various exotic fruits are my “favorite” – how many people know how bilberry, jostaberry or a tayberry taste like? I’m sure we all can identify Satsuma plum and Castlebrite apricots, right?). Leaving all that aside, getting comfortable with wines requires a lot of learning – and translation.
Yes, we can skip translation and just learn by drinking the wines, it is easy – I like this wine, and I don’t like that wine. But this approach doesn’t scale – there are millions of wines in the world, it is not given that the exact wine we like will be available anywhere, any time we want it. So we need to start translating the “winespeak”, which is typically right in front of us on the wine label, into the “mental images” we can bring on at any time. When we start drinking wine, we probably start from the grape. We try one Cabernet Sauvignon, and we like it. Then the next, and the next, and then we know – we like Cabernet Sauvignon. But one day we try Cabernet Sauvignon and it might be nothing like the wine we like. What happened? Time to learn about the regions. We start stating “I like Cabernet Sauvignon from Napa Valley. Until it is time to learn again – the label says “Cabernet Sauvignon”, the label says “Napa Valley”, but the wine is not that great – and this is when we might start learning about producers.
There is not much translation in what I just described above – depending on where you live and what language you speak. Let’s not forget that Europe is still the most influential “wine region”, and so most of the wine drinkers will have to translate what they see, and pay attention to the “fine print”.
Okay, it is a wine label, not a legal document, but we still need to learn to translate, as the language we assumed to be our native is not universal. Remember we started our love of wine from the Cabernet Sauvignon? Unlike California, French wines typically list only the region and not the grapes the wine is made out of. It is now our job as oenophiles to translate Pomerol and Saint-Émilion into “predominantly Merlot-based wines”, and Pauillac and Margaux into “predominantly Cabernet Sauvignon-based wines”. Many French winemakers understand this Achilles hill and they put the name of the main grape directly on the label. This becomes a great thing for some wine drinkers, while some of us are getting on the offensive – “ahh, this French wine list the grape – it must be a cheap plonk made specifically for the export”. Nothing is perfect, right?
And then that fine print… As we keep translating, we learn that every little word is important, very important – but depending on the context. If you see the word “Reserve” on the bottle of California wine, it doesn’t translate into anything of any significance, as the use of the word “reserve” is not regulated in California. The word “Reserva” on the bottle of Chianti or Rioja, however, can mean the world of difference in the taste of the wine, as the use of this word is tightly regulated and it also translates into the significant difference in taste.
Funny thing that when you think you have achieved your level of proficiency and can “translate” anything with the word “wine” in it, this is when there is a good chance you are going to make a mistake. Here is one of my favorite illustrations to this statement. A few years back, I was in Portugal with a group of colleagues. We stopped by a restaurant, and I ordered the bottle of wine which was absolutely delicious. I actually loved it so much that I bought two extra bottles at the restaurant to take home. A few days later, we visited the same restaurant again, and I ordered exact same wine. When the wine arrived at the table, I couldn’t believe that I liked that wine so much before. The wine was not spoiled, but it definitely lacked the depth and layers of flavor. For a while, I couldn’t understand what have happened – until I found the tiny difference – the second wine was lacking the word “Reserva” on the label…
I hope I didn’t lose you in translation, my friends. When translating, and we always do, we, oenophiles, should always pay attention – and enjoy the ride. Cheers!
This post is an entry for the 32nd Monthly Wine Writing Challenge (#MWWC32), with the theme of “Translation”. Previous themes in the order of appearance were: Transportation, Trouble, Possession, Oops, Feast, Mystery, Devotion, Luck, Fear, Value, Friend, Local, Serendipity, Tradition, Success, Finish, Epiphany, Crisis, Choice, Variety, Pairing, Second Chance, New, Pleasure, Travel, Solitude, Bubbles, Smile, Winestory, Obscure, Faith
Geekiest Way to Celebrate #MalbecWorldDay – #WineStudio Blind Tasting with Achaval-Ferrer
Starting in 2011, April 17th is the day when we celebrate Malbec – one of the noble French grapes, which almost disappeared in France, but found its new life in Argentina, where it became a star. I don’t want to bore you with the Malbec history – you can read it on your own in many places, including few posts in this very blog (here is a bit about the history of the Malbec grape, and here you can take a Malbec quiz).
Typical “grape holiday” celebration usually includes an opening of an upscale (high end, memorable, etc) varietally correct bottle. Our today’s celebration was a bit different, as it was based on the concept of pure, unadulterated, geeky wine lovers’ fun – a blind tasting, and, of course, guessing.
This blind tasting was a part of the educational program run by the WineStudio during the month of April. In case you are not aware of the Wine Studio, it is a brainchild of Tina Morey, and it is wine education and marketing program which helps to expand people’s wine horizon and help them discover new regions, new grapes and new wines. April program, quite appropriately (April is designated as a Malbec wine month), was focused on the wines of Achaval-Ferrer, one of the very best wine producers from Argentina.
To facilitate the blind tasting, all the participants received a set of two bottles, some wrapped in colorful foil, and some in the black plastic – mine were the second type:
About an hour before the session I opened the bottles to let the wines breathe a little, as it was suggested by the organizers. And then the session started.
Of course, this was not the usual blind tasting. There are many ways to run the blind tasting, some of them quite extreme – for instance, tasting the wine without any known information from the black glass – an extreme sensual challenge. Going less extreme, in a typical blind tasting you will have at least some kind of limits installed – Pinot Noir grape, for instance, or wines of Pauillac. Our #winestudio blind tasting was on one side a lot less challenging, as we knew that the wines were made by Achaval-Ferrer, so we didn’t expect to find Petite Sirah in any of those bottles, and we even knew the vintage years, 2013 and 2012. At the same time, for sure for me, it was almost more challenging, as I was trying to guess the wines based on what I knew about Achaval-Ferrer and thinking about what they might want to showcase in the tasting, instead of focusing on the actual wines.
We were asked to evaluate wines using WSET Level 3 tasting grid (you can find it here if you are curious). Here is a summary of my tasting notes – I’m distinguishing the wines by their vintage:
Wine 2013
APPEARANCE
Clarity: clear
Intensity: deep
Colour: garnet
NOSE
Condition: clean
Intensity: medium
Aroma characteristics: touch of funk, mint, underbrush, blackberries
Development: youthful
PALATE
Sweetness: off-dry
Acidity: medium+
Tannin: medium
Alcohol: medium
Body: medium+
Flavour intensity: medium+
Flavour Characteristics: cassis, eucalyptus, mint, blackberries
Finish: medium-
CONCLUSIONS
Quality level: outstanding
Level of readiness for drinking/potential for ageing: can drink now, but has potential for ageing
Wine 2012
APPEARANCE
Clarity: clear
Intensity: deep
Colour: garnet
NOSE
Condition: clean
Intensity: medium+
Aroma characteristics: tar, tobacco
Development: developing
PALATE
Sweetness: off-dry
Acidity: medium+
Tannin: medium
Alcohol: medium
Body: medium+
Flavour intensity: medium+
Flavour Characteristics: red and black fruit, salinity, raspberries, anis
Finish: medium
CONCLUSIONS
Quality level: outstanding
Level of readiness for drinking/potential for ageing: can drink now, but has potential for ageing
As it is usually the case with the blind tastings, I didn’t do well. I really wanted the wines to be pure Malbec and Cab Franc, and this is what I included into my final guess:
then, of course, I second guessed myself and changed the answer:
When the bottles were finally unwrapped, we found this beautiful Bordeaux blend called Quimera been our Quimera for the night – it is no wonder every back label of Quimera explains the name: “Quimera. The Perfection we dream of and strive for. The search for an ideal wine”.
The wines were 2013 and 2012 Quimera, both classic Bordeaux blends, but with a high amount of Argentinian star variety – Malbec. Both vintages had the same composition: 50% Malbec, 24% Cab Franc, 16% Merlot, 8% Cab Sauv and 2% Petit Verdot. Just as a point of reference, I still have a few bottles of 2008 Quimera, and that wine has 40% of Malbec. Both wines were beautiful, but very different in its own right – and they will for sure age quite nicely. This was definitely a treat and yet another testament to the great wines Argentina is capable of producing.
Here you go, my friends. Another great night at #winestudio, celebrating the grape well worth a celebration. Next Tuesday, April 25, we will be tasting Achaval-Ferrer Cabernet Franc, their new single-varietal bottling – been Cab Franc aficionado, I can’t tell you how excited I am. Join the fun – see you at 9 pm! Cheers!
Finding Peace with Chappellet and 2007 Napa Vintage
Vintage. An essential word in the wine lovers’ lexicon. “How was the vintage” often is a defining question, something we certainly have to find out and then store in the brain compartment for important wine facts. Depending on the stated greatness, some vintages might keep their recognition almost forever, like 1949 or 1982 Bordeaux, and 1964 or 2001 Rioja. The vintage by itself is no guarantee of quality of the particular wine from a particular producer, but it is generally considered that in the better vintages, there are more good wines available across the board.
2007 was lauded as a truly outstanding vintage in Napa Valley in California. According to the Wine Spectator vintage charts, 2007 [still] is the best vintage since 1999, with the vintage rating of 97. When the first 2007 Napa wines appeared, I was very eager to taste them – only to be disappointed for the most cases. In my experience, the wines were lacking finesse and balance, they were often devoid of fruit and had demonstrably attacking and astringent tannic structure. My main thought tasting 2007 Napa wines was “it needs time, and a lot of it”.
Chappellet is one of the famous producers in Napa, making wines for more than 40 years, now in the second generation of the family; their wines are highly regarded by consumers and critics alike. Some time back in 2010 I scored a few bottles of 2007 Chappellet Mountain Cuvee Napa Valley (14.9% ABV, Cabernet Sauvignon 51%, Merlot 46%, Malbec 1%, Cabernet Franc 1%, Petit Verdot 1%). My first taste was also one of the early posts in this very blog, and nothing short of disappointment (read it here). Continuing tasting throughout the years, I was still missing that “aha moment”, an opportunity to say “ahh, I like it”. It particularly applies to the 2007 vintage of Chappellet, as in 2014 I had an opportunity to taste the 2012 vintage of the same wine (Mountain Cuvee), and the wine was quite pleasant.
A couple of days ago I was looking for the wine to open for dinner and the last bottle of 2007 Chappellet caught my attention. Well, why not? 10 years is a good age for the California wine – let’s see how this wine is now ( even though I have not much of a hope based on the prior experience). Cork is out, wine is in the glass. The color, of course, shows no sign of age, still almost black. But the nose was beautiful – fresh, intense, inviting, with a touch of cassis and mint. The first sip confirmed that the wine completely transformed – open, rich, succulent fruit, cassis and blackberries, supported by the firm structure of the tannins without any overbearing, eucalyptus and touch of sweet oak, clean acidity. Perfectly powerful, but also perfectly balanced with all the components been in check. Now this was the “ahh, this is so good” wine which I would be glad to drink at any time. (Drinkability: 8+/9-).
This delicious experience prompted this post. I’m glad to find it with my own palate, that “needs time” is not a moniker for the “crappy wine”, but a true statement. I’m sure this is not universally true – some wines are simply beyond the help of time – but this definitely worked for this particular wine and for the 2007 Napa vintage. I don’t have any more of this 2007 Chappellet, but I have other 2007 Napa wines, and I just upped my expectations significantly.
Have you had similar experiences? How would you fare 2007 Napa vintage? Cheers!














































