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Stories of Passion and Pinot, And Not Only Pinot: Battle Creek Cellars
I love urban wineries (or city wineries as they are often called). Solvang, Woodinville, Walla Walla – each place was different but similar at the same time – unique wines, unique stories, unique experiences. I would venture to say that winemakers at the urban wineries have more freedom to create and experiment, as they can choose the vineyards they want to work with and the style of the wines they want to produce. My latest experience in Portland is a direct confirmation of this.
My last winery visit in Oregon was at the city winery called Battle Creek Cellars, located in Portland’s Pearl District. I was told that I’m going to meet a winemaker who not only makes wines but also plays American football professionally, and has a unique personality. And I had about one hour before I had to start heading to the airport to make my flight – somewhat of a challenge for me as it is in my nature to worry about not missing a flight.
Sarah Cabot, the winemaker, was already waiting for us as we arrived at the tasting room. We grabbed glasses, a few bottles and headed out to the patio in the back to taste wines and to talk.
At the city winery, you can expect to find great wines, but you are not necessarily expecting to be blown away by what you taste and what you learn. The wines were absolutely spectacular, starting with the very first one 2018 Battle Creek Cellars Reserve White Blend – the wine had a distinct spicy nose, honey notes, and on the palate was clean, crisp with great acidity, creamy, and very different from the nose. This is where the unique sides of Sarah were already showing – she was getting the fruit from the vineyard where the vinegrower refused to tell her the exact composition of the blend – she only knew that Riesling and Gewürztraminer are a part of the blend, but the exact composition was not known.
Not only Sarah works with unknown grape blends, but she also uses a range of tools to produce the wines. For example, her 2019 Chardonnay Reserve was spectacular – round inviting nose with a hint of honey, and clean, crisp, and creamy green apple driven on the palate, a delicious rendition of Chardonnay – fermented in the sandstone jar.
Talking to Sarah I learned that while Battle Creek Cellars production is about 10,000 cases overall (6000 cases for unconditional Pinot Noir, 4000 cases of the other wines), Sarah is responsible for the production of more than 100,000 cases annually for her parent company, Precept Wine, Northwest’s largest private wine company. I also learned that Sarah greatly values the freedom to experiment which she has while working with her Battle Creek Cellars portfolio and that esoteric elitism, so common in the wine industry, is making her uncomfortable. And the amount of energy Sarah was exuding during our conversation, explaining all the different ways she utilizes when looking for the right vineyards and the right grapes and deciding how she would ferment and age any particular wines, was simply contagious.
We tasted more wines:
2018 Battle Creek Cellars Reserve Rosé was simply outstanding, offering a whole array of sensory experiences – onion peel color, and the nose which prompted you to imagine yourself walking in the garden and smell strawberries, flowers, and just open meadows. The palate offered great acidity and was fresh and crisp.
2015 Battle Creek Vineyard Pinot Noir from the vineyard planted in 1998 was excellent, with cherries, mushrooms, chocolate on the nose, and more cherries, lean and crisp on the palate. Definitely an aging-worthy wine.
And then there was the 2019 Amphora Series Carbonic Red Blend Oregon which literally blew my mind… Grenache/Malbec blend, fermented whole cluster in amphorae for 30 days with skins. The nose was amazing with crunchy raspberries and cranberries, and then fresh fruit on the palate with beautiful supporting tannins was simply incredible, the wine you have to experience to believe it.
Next, we were out of time – but we agreed to continue the conversation, which we did using both emails with questions and a phone call, so I really had here the full experience as the writer.
Here is what transpired during our follow up conversation:
[TaV]: How did you get into the wine? When did you realize that making wine is your calling?
[SC]: I was working in casual fine dining restaurants as an undergraduate student in Boston and developed an initial fascination with wine there. Eventually, my life brought me back to the West coast and a sommelier I used to work with suggested that I go back to school for enology/viticulture when I mentioned to him that I was feeling unfulfilled in the service industry. I followed his advice and I knew, beyond a shadow of a doubt, that I had found my calling after my first day of classes.
[TaV]: What was the first memorable wine you made, the wine you were completely happy about?
[SC]: I guess that, to me, they have all been memorable in some way. As far as a wine that I’ve been “completely happy” about…I think that would be the 2018 Amphora Riesling. That wine made its own decisions and I couldn’t have made better ones if I had tried. Now, 3 years later, I feel even more ecstatic about it as I notice the developing notes of petrol that I’ve always coveted about fine Rieslings.
[TaV]: You seem to be working with lots of vessels to ferment and age wines – in addition to the standard vessels such as stainless steel and oak, you also use amphora, sandstone jars of different shapes, and probably a bunch of others. How do you decide when to use what, what grapes to put into what vessel and for what wine?
[SC]: This will probably sound a little silly, but the right fruit just seems to end up in the right vessel. It’s a combination of varietal, timing, and my whim in the moment. There’s no real formula to it.
[TaV]: When you were talking about your 2020 carbonic red blend, you mentioned that you instantly fell in love with Merlot you saw, and you wanted to make the wine exactly with the Merlot. How does it work for you? What was so special about that Merlot?
[SC]: More than the grapes themselves, it was the site where they were growing that made me feel inspired to work with Merlot for the first time since I was in school. It’s a special, beautiful, steep and windy vineyard in the Columbia Gorge AVA called Wind Horse Vineyard. The grower is passionate and engaged and I haven’t ever stood in a vineyard quite like it. I thought…if Merlot from anywhere is going to be extra interesting, it’s going to be from here. Sure enough, the aromatics and texture of the finished wine did not disappoint.
[TaV]: Do you use natural or commercial yeast? Winemakers often get religious about their yeast approach – what is yours?
[SC]: Since I make all my wine in a large winery among other producers, I can’t claim that my ferments are all completed by “native” yeast. I do often allow my ferments to begin spontaneously and finish on their own/without the addition of commercial yeast. I do have a few commercial yeasts that I particularly like to use which are all blends of Saccharomyces and non-sacch yeasts. I’ll use these in certain cases when it is a challenging fermentation environment and I don’t want an unwelcome microbial load to mask the fundamental sensory characteristics of the vineyard.
[TaV]: When you select fruit for your next wine, do you take into account factors such as sustainably/organically/biodynamically grown? Do you have any viticultural preferences?
[SC]: More than anything, I prefer to work with growers whose priority is to cultivate a healthy and long-term-sustainable ecosystem in the vineyard. Don’t necessarily have a strong feeling about the certification, but care about the ethos of the grower, how the vineyard is treated, and the surrounding area, not just the production environment. I try to work with the growers who take this symbiotically – sustainability is a key. The intention behind farming matters more than a certificate on a piece of paper.
[TaV]: Is there a winemaker you would call your mentor?
[SC]: Brian O’Donnell at the Belle Pente winery. Brian is the owner and winemaker, and this was my first job in Oregon right after enology school – he definitely created the framework that holds up my knowledge now as a winemaker. He taught me what his philosophy is and left me to my own devices to sink or swim. I made a few mistakes of my own, nothing too costly, but this was the best way to learn. I know general ethos and philosophy, and now it is my time to grow, improvise and get on my feet. There are other incredible winemakers I had mentorship moments with, but Brian is the closest to the real mentor.
[TaV]: Is there a dream wine you always wanted to make? What would that be?
[SC]: The perfect Pinot? Nah. High elevation Ribolla Gialla, oxidized. Similar to what Gravner produces in Friuli, it should have acid but should be ripe enough. I have yet to find the fruit in Oregon.
[TaV]: Your single-vineyard wine labels have beautiful simplicity and different images – what do these images represent?
[SC]: The avatar on each label represents the character of the wine, and it is unique to the vineyard. There are explanations of all the avatars on the back labels. The avatars are used for single-vineyard wines. Even when there is a vintage variation, the barrels selected to be bottled under a single-vineyard label have a consistent profile. The barrels selected to be the most identifiable features of the vineyard – power, finesse – and this is what characters represent.
[TaV]: As I promised, we need to talk about football. Does playing football helps you make wine? How about your work as a winemaker influencing the way you play?
[SC]: Football definitely helps me to do everything. That level of extreme physical exhaustion and violence is very cathartic, and this helps me to be a better winemaker dealing with pressure.
My work as a winemaker has had both positive and negative impacts on my game. As the negative impact, winemaking experience makes me second guess my decisions. However, as a winemaker I learn to react quickly and make decisions quickly, which helps, When I will retire from playing football I will need to start coaching because I will need this in my life.
[TaV]: During our conversation, you mentioned that working with Chardonnay is easy, but working with Pinot Noir is a pain in the butt. Do you care to expand on this? Can you be very specific?
[SC]: Chardonnay is not easy, but easier than Pinot. Working with Pinot is difficult because of the thinner skin and lower levels of phenolics, and it is not as protected by phenolics from the mistakes as Merlot or Syrah and is susceptible to all sorts of issues. Growing Pinot, if temperatures reach 88F, that affects the fruit, the vine can shoot down, and you don’t want to irrigate too much, so there is a constant worry. Because of thinner skin, it raisins a lot easier than others; when it is too wet, it breaks a lot easier than the others. With Pinot Noir, you can’t look away for one second.
[TaV]: Was there a pivotal wine for you, or a pivotal wine experience?
[SC]: There are 3. There is one that made me decide I love Pinot when I was 19 and working at the restaurant – 1996 Hartley-Ostini Hitching Post Pinot Noir from Santa Barbara. It tasted like candy, I was 19, and I loved it.
The red wine which made me realize how versatile the grape variety can be and how much where it grows to make a difference was Guigal Côte-Rôtie. I had learned about Syrah as a blending grape in Southern Rhone or Washington Syrah, and then I tired Côte-Rôtie, and my head was blown.
The white was really an assortment of whites from Trimbacbh – big, round, acidic, ultimate food wines.
[TaV]: Do you have an all-time favorite wine or wines?
[SC]: It will be Morgon. Duboeuff or Jean Foillard grand cru. Moulin-a-Vent would be a close second.
[TaV]: Given the opportunity, is there a winemaker you would want to make the wine with, or the winery you always dreamt of working at?
[SC]: I would love to have the opportunity to work side by side with Gravner or Radican, or anywhere in Jura, producing the traditional wines. Gravner is the ultimate. Gravner is the reason I got amphorae. I love their wines very much and I would love to learn there.
I can tell you that after the conversation with Sarah, I definitely want to try Gravner wines, and I can’t wait to experience the 2020 Amphora series which should be made with that magnificent Merlot…
Here you are, my friends. Another story of passion, Pinot, and not only Pinot, and pushing the envelope as far as it can go. If you are planning to visit Portland, make Battle Creek Cellars your “must stop”. Cheers!
This post is a part of the Stories of Passion and Pinot series – click the link for more stories…
Tempranillo, Transposed
How do you transpose a grape, any grape?
What does this title even mean? You transpose matrices (in algebra), or, at the very least, the notes of music. But Tempranillo???
Let me put my geek’s hat on, and let’s look at the definition of the “transpose” as the infinitely wise internet presents it:
“transfer to a different place or context”
The legendary CVNE had been producing Tempranillo wines in Rioja since 1879. Step by step, new vineyards were planted, and new styles of Rioja were going into production, each one with its own unique style and character – CVNE, the original earthy Rioja; softer and gentler Viña Real, powerful and concentrated Imperial, elegant and modern Contino. These are all Rioja wines, a blend of Tempranillo and a few other varieties, each one with its own personality and its own following.
Achieving success, some of us can just sit quietly and enjoy it. And some of us just want to say “I’m here now, and this is great, but I can’t stop. Let’s go further”. And down south CVNE decided to go, into the Ribera del Duero area.
Rioja is unquestionably famous with its Tempranillo wines, with producer such as CVNE, Muga, La Rioja Alta, Lopez de Heredia, and Contador. Ribera del Duero, down south from Rioja, got Vega Sicilia, Pingus, Pesquera, Emilio Moro – all amazing Tempranillo renditions as well. Now, the question is – why would a famous Rioja producer expand into a different region? Well, this is somewhat of a “why did the chicken cross the road” type of question – simply to get to the other side. CVNE doesn’t want to stop. CVNE goes beyond Rioja, into Ribera del Duero, the land of 100% Tempranillo wines – and the folks in Rioja know a thing or two about Tempranillo…
This is how the new brand of CVNE wines from Ribera del Duero was born – and it is called Arano. I had a few questions about this new adventure for CVNE, and so I asked those questions of Victor Urrutia, CEO of CVNE, to understand why the Arano name, why Tempranillo from Ribera del Duero, and what does the future hold. Victor graciously agreed to answer my questions – here is our conversation:
[TaV]: Why Arano label? What is the relationship between Arano and CVNE?
[Victor Urrutia]: CVNE is the owner and founder of Bela and Arano. The Bela and Arano labels are facsimiles of a label of ours, that is to say from CVNE in Rioja, from 1910. It is a simple and beautiful label from our archives. When we try and invent things we realise that we’re not very good at it, and that in fact, what our forefathers did is far better. CVNE is a family company and has been since it was founded in 1879. The 3 stars on the label represent the 3 children of CVNE’s cofounder, Eusebio Real de Asúa. He had 2 daughters and one son. Their names were Sofia, Ramon, and Aurea Minerva. The eldest, Sofia, was known as Bela. That is the name we have given to this winery, and it is also the first estate wine that we have made in Ribera del Duero. It’s the first star. The second star is for Arano. The only son was called Ramon and his mothers’ maiden name was Arano. We chose this name for the second estate wine to be released from the winery.
Bela is Tempranillo from our vineyard in the village of Villalba, on clay soils. Aged for 9 to 12 months in barrel. The vineyard is around 70 hectares. Arano is Tempranillo from our vineyard in the village of Moradillo de Roa, on limestone and pebbled soils. Aged over 12 months in barrel. The vineyard is around 9 hectares.
[TaV]: Why Ribera del Duero? What was the inspiration for CVNE to expand into Ribera del Duero?
[Victor Urrutia]: We want to bring our take on rioja’s elegance to rugged Ribera del Duero. The latter makes excellent wines and is a historic region. As ambassadors for Spain across the world, we felt it was our obligation to own vineyards and make wine in Ribera del Duero; and to make these known everywhere.
[TaV]: What is the future hold for Arano Ribera del Duero wines? Do you plan to produce Reserva and Gran Reserva?
[Victor Urrutia]: In Ribera del Duero we are making wines that express the vineyards that we own in this appellation. We label some of these as Crianza, for instance, because some consumers find it helpful; but it is not an important consideration for us when we conceive the wine. As we get to work and know our vineyards better, we will consider releasing new wines from this winery. After all, there is another star in the label, that we need to make a wine for. We haven’t yet found this vineyard. Or rather, haven’t found the way to express what must be our grand cru in this region. But we are working on it.
[TaV]: Any future plans for CVNE to expand further south, maybe into the Toro region?
[Victor Urrutia] There are some great producers in Toro, like the García family behind Mauro. But in general, we find the wines of Toro to be very dense and powerful, and I’m not sure we know how to make wines in that style. Our future lies in continuing to make wines of elegance and age-worthiness.
We need to continue looking for vineyards that will allow us to make those kinds of wines. They’re probably in higher elevations and northern exposures. There’s much to continue doing in Rioja, Ribera and of course, Galicia, where our Virgen del Galir winery has started to make wines of great depth from the vineyards that we bought as well those we’ve planted there. We bottle Godello, Mencia as well as Merenzao, varieties that we hardly knew about some years ago and the wines are phenomenal. We even have Palomino (locals call it Jerez, or sherry) that, arguably, expresses the terroir better than anything, given its neutral profile as a grape variety. Is it perfect? No, but it’s honest. And also quite interesting. Like everything that we try to do.
Now let’s talk about CVNE’s latest and greatest – 2018 Arano Crianza. As Victor mentioned, the grapes for this wine are coming from 4 different plots in the Moradillo de Roa vineyard, located at an altitude of about 3,000 feet above sea level. I had an opportunity to taste this wine, and it was unquestionably Ribera del Duero in style, much leaner and tighter than a typical Rioja wine. Here are my notes:
2018 Arano Crianza Ribera del Duero DO (14.5% ABV, $30, 15 months in French oak barrels, Vegan)
Dark garnet
Aromas of roasted meat and earth jump out of the glass at least a foot away from it. Espresso and herbs come at you at high intensity.
The palate is somewhat unexpectedly mellow, with dark fruit and herbs, good acidity, long and supple finish.
Better concentration on the second and third day, the wine feels tighter with more energy.
Drinkability: 8-. Enjoyable now, built for the long haul
The journey is getting more and more exciting by the minute. This is not algebra, but we are definitely looking at the case of the successful transposition of a grape – go find the results of this Tempranillo transposition, and we can compare notes. Cheers!
Spain’s Great Match, 2021 Edition
Spanish wines are some of my most favorite wines in the world.
Spain’s Great Match event in New York is one of my most favorites wine events of the year, always offering an opportunity to discover something new.
And I had not been to New York City in the past 18 months – lots of good reasons to be excited, would you agree?
For the second time in a row, Spain’s Great Match event was held at Mercado Little Spain, a Mecca of Spanish cuisine in one of New York’s hottest new neighborhoods, Hudson Yards. I was able to attend the walk-around tasting and two of the seminars, so here I want to share my impressions.
Before we get to the event, just a few facts about Spain’s wine industry. Spain has the biggest grape planting area in the world – more than 2.9 million acres. Spain today (2021) is the second-largest wine producer in the world after Italy. There are more than 600 grape varieties grown in Spain (only about 20 are used to produce the majority of the wines though). Spain has more than 130 defined wine-growing areas.
Now, let me share my observations.
First, Spanish wines are popular. Duh? I can’t argue – I’m starting with the most banal conclusion, but let me explain. Spanish wines were always regarded as the best-kept secret among wine professionals – whatever the general public likes to drink is fine, but the wine professionals would most often resort to the Spanish wines to share amongst themselves and with friends. I don’t know how many people attended the consumer portion of the event in the evening, but the trade event was incredibly busy, also with a significant number of MS and MW in the audience – I never saw these many Masters of Wine and Master Sommeliers attending this event. It might be just me not seeing it before, or it might be a testament to the growing popularity of Spanish wines. I think this popularity is also reflected in the increased prices of the Spanish wines – don’t know if supply issues are muddying things up, but otherwise, it seems that the prices are inching higher.
The trend of “internationalization”. Spanish Rioja and Ribera del Duero wines, the keystones of Tempranillo expression, always had its unique taste profile, driven by well-integrated tannins, minerality, and spicy undertones. This character was largely defined by the use of American oak which was traditional in Rioja. I didn’t taste each and every Rioja wine presented at the event, but based on what I managed to taste, it seems that there is a shift towards using the French oak, which completely changes the presentation of the wine, leading with grippy, mouth-drying tannins which completely lock the front of your mouth for a few minutes after the sip. Barolo used to be like that, and it became much better with tannins lately. Now Rioja is offering this internationally indistinguishable style which becomes borderline boring. If I want to drink a grippy powerful wine, I got plenty of choices outside of Rioja – I understand that this might be a trend with young wine drinkers, but it will be very difficult to maintain individuality and build a following if you are simply “one of many similar ones”.
Where did the Godello go? I saw a very little presence of Godello wines, which was surprising. I always thought that this white grape has an excellent future – this might still be the case, but this was not obvious with 3 whites ruling the show – Rioja Blanco, Albariño, and Verdejo Rueda.
Jerez is absolutely delightful. My love of Jerez is back, and the wines we tasted during the seminar (more details forthcoming) were simply superb.
Don’t forget Spanish bubbles. I tasted a bunch of Cavas, and none of them were mediocre. Fresh, clean, approachable, and reasonably priced – great QPR wines for every day.
Now, here are the wines I tasted during the event (with the exception of the seminar wines). Everything which is mentioned below was well drinkable, and the specific favorites are marked (bold) as such.
2020 Santiago Ruiz Santiago Ruiz D.O. Rias Baixas ($25)
2017 Bodegas LAN Rioja Crianza D.O.Ca. Rioja ($18) – probably my favorite from the Bodegas LAN selection. The most approachable and balanced from this group.
2015 Bodegas LAN Rioja Reserva D.O.Ca. Rioja ($24)
2017 Bodegas LAN D-12 D.O.Ca. Rioja ($25) – single vineyard
2017 Bodegas LAN Xtreme 2017 D.O.Ca. Rioja ($25)
2015 Bodegas LAN Viña Lanaciano D.O.Ca. Rioja ($30)
2018 Bodegas LAN Edicion Limitada D.O.Ca. Rioja ($55)
2015 Bodegas LAN Culmen D.O.Ca. Rioja ($70)
2016 Vins el Cep Gelida Brut Gran Reserva D.O. Cava ($20)
NV Bodegas Llopart Brut Reserva Rosé Corpinnat ($28)
2020 Bodegas Vatán Nisia Las Suertes D.O. Rueda ($32)
2018 Bodegas La Caña Navia D.O. Rias Baixas ($32)
2019 Bodegas Avancia Mencía Old Vines D.O. Valdeorras ($35)
2018 Bodegas Breca Garnacha D.O. Calatayud ($16) – clean, simple
2018 Bodegas Vatán Tritón Tinta de Toro D.O. Toro ($20)
2018 Bodegas Vatán Tinta de Toro D.O. Toro ($45)
2018 Bodegas Muga Flor de Muga Blanco D.O.Ca. Rioja ($50) – my favorite wine white of the event – clean, round, fresh, elegant
2014 Bodegas Muga Prado Enea Gran Reserva D.O.Ca. Rioja ($100) – surprisingly ready to drink
2011 Bodegas Sierra Cantabria Gran Reserva D.O.Ca. Rioja ($40)
2014 Bodegas Alvear Alvear Fino en Rama D.O. Montilla Moriles ($22) – outstanding. It is very rare to find dry sherry made from 100% Pedro Ximenes grapes.
2016 Sierra Salinas Mira Salinas D.O. Alicante ($18, Monastrell) – Elegant, fresh, perfect acidity
2016 Ramirez de la Piscina Ramirez de la Piscina Reserva D.O.Ca. Rioja ($22)
2018 Rafael Cañizares Bodegas Volver Tempranillo Single Vineyards D.O. La Mancha ($20)
2020 Rafael Cañizares Bodegas Volver Paso A Paso Tempranillo Tierra De Castilla ($35) – excellent, elegant, open
All three were excellent:
2013 Agustí Torelló Mata Cava Agustí Torelló Mata Brut Nature Gran Reserva D.O. Cava ($26)
2017 Agustí Torelló Mata Cava Agustí Torelló Mata Brut Reserva D.O. Cava ($21)
2011 Agustí Torelló Mata | Cava Kripta Brut Nature Gran Reserva D.O. Cava ($85) – unique and different, would make a perfect geeky present
2019 Bodegas San Valero S.Coop Cabeza Casa D.O. Cariñena ($11, Garnacha) – elegant, round, excellent QPR
2018 Bodegas San Valero Celebrities Syrah D.O. Cariñena ($11)
MV Bodegas San Valero 801 D.O. Cariñena ($20, blend of 2014 Cabernety Sauvignon, 2015 Merlot, 2016 Syrah) – very good, unusual, multi-vintage
2019 Bodegas San Valero Particular Garnacha D.O. Cariñena ($12)
Now, the seminars. The Jerez seminar was superb, offering lots and lots of knowledge about the fascinating world of sherries. Three white grapes – Palomino Fino, Pedro Ximenez, and Moscatel – are behind the tremendous range of wines, all with unique characters and tastes ranging from absolutely bone dry (sugar content less than 5 g/l) to the syrup level with more than 300 grams of sugar per liter. Another fascinating element of Sherry is the Solera production method, where the resulting wine might technically have trace amounts of 200+ years old wines. Lots and lots of care and attention go into the Sherry production. During the “Spotlight on Sherry” seminar, led by incomparable César Saldaña, General Director of the Jerez Control Board, we learned a lot about sherries and tasted through the outstanding flight of 8 wines (with the exception of the last 2 which I didn’t enjoy that much).
Here are my notes regarding the 8 wines we tasted:
Bodegas Hidalgo Manzanilla La Gitana
4 years Solera
Almonds, hazelnut, sage, brioche
Crisp, dry, fresh, hazelnut, pecorino cheese, sapidity, dusty palate
Excellent, perfect aperitif, and perfect for food
2021 Tio Pepe Fino Tio Pepe en Rama-Saca
Unique and different, blend of selection of 82 butts of Tio Pepe Solera
Bottled unfiltered
Beautiful floral nose,
Crisp, clean, elegant, mostly lemon and 0 sugar, chalky note – typical for this type of wine.
Great complexity, elegant
Valdespino Jerez Fino Ynocente
Single Vineyard in Pago Macharnudo
50 years old Palomino Fino vines
Fermented in cask
10 years Solera, Criaderras Solera
Very elegant, apples, lemon
Chalk, lemon, sapidity, 0 sugar
Williams Humber Amontillado Don Zoilo
Solera 12 years
Biologically aged until the full absence of flor
Butterscotch!
Crisp, fresh, herbaceous
Lustau Almagenista Oloroso Pata de Gallina
Almagenista: Juan Garcia Jarana
38 casks, aged on average 15 years
Butterscotch, caramel
Crisp acidity, sapidity, great complexity, hazelnut
Osborne Palo Cortado Capuchin VORS
Solera was founded in 1790! Potentially, there were traces of 230 years old wine!
5 criaderas
Average age 30 years
Tobacco, mint, basil
Pepper, tobacco, caramel, complex, long finish.
Superb
Bodegas Tradicion Cream Tradicion VOS
Blend of 30 years Oloroso (70%), 6 years old Pedro Ximénez (30%)
Average age 25 years
Dry fruit
Concentrated sugar, not great.
Barbadillo Pedro Ximénez la Chila
Solera system average 5 years
Amazing nose – raisins, figs,
Pure liquid raisins on the palate. I would like more acidity.
Finally, I attended the seminar called “Essential Spain in 8 Glasses”, presented by Laura Williamson, MS, and Evan Goldstein, MS.
If the country is the second-largest wine producer in the world, cultivating about 600 different grape varieties, is it even fathomable to present such a complex wine world in the format of 8 wines? While it is not easy, you can get reasonably close. I think the presenters made a good effort by including Cava, Albariño, Verdejo, Mencia, Rioja, Priorat, Garnacha, and Ribera del Duero.
2012 Pere Ventura Gran Vintage Brut Paraje Clasificada Cava DO ($55)
Yeasty nose, fresh dough
Crisp, yeasty, yeasty, yeasty, yeasty – not my wine
2020 Condes de Albarei Albariño ($16)
Tropical fruit nose
Acidic, Whitestone fruit, crisp, simple
2020 Bodegas Ordoñez Nisa Verdejo Old World Rueda ($32)
Intense nose with a hint of freshly cut grass, flowers
Rich, caramel component, overdone
2015 Ole Imports a-Portela Mencia ($29)
Very nice nose, fresh, open, fresh berries
Beautiful herbal/gamey component, but then very bitter on the palate – whole cluster not done right?
2014 Imperial Gran Reserva Rioja ($85)
Outstanding. Delicious all around.
2017 Clos Martinet Priorat (65% Grenache, 20% Syrah, 10% Carignan, 4% Merlot, 1% Cabernet Sauvignon)
Smoke, roasted notes
Red and black fruit, perfect balance, great acidity, a touch of chocolate
2018 Also Moncayo VERATON ($35, Garnacha)
Plums, cherries,
Good acidity, fresh, cherries, crisp, great finesse
2018 Pago de Carraovejas Ribera Duero ($39)
Chalk, a hint of cherries,
Cherries, dark concentrated fruit, restrained. Very nice.
Last but not least – there was food! The food was carried around in all the different forms – I didn’t have much time to enjoy it, so I was mostly grabbing pieces of Jamon and Manchego between the tastings – these are the pictures I will leave you with.
This concludes my report. Have you had any Spanish wine discoveries as of late? What are your thoughts about the new wines and new styles?
Expect the Unexpected?
Wine is meant to go with food.
Food is meant to go with wine.
Together, food and wine are supposed to give you a much better experience than two individually.
You already know all of this.
And yet this is theory. When met at the table, sometimes food and wine actually work together and deliver a heavenly, memorable experience. Sometimes, food and wine just coexist without interfering. And sometimes they clash, ruining the experience completely.
The food and wine pairings typically work in one of two cases:
- Food and wine are professionally paired. The chef and sommelier work together, adjusting the flavors of the dish to work with the wine which was selected as a pairing.
- Food and wine come from the same place and had been playing together nicely for centuries. Think about Beef Bourgogne paired with Bourgogne wine – I think we can trust this combination, don’t we? Or would you ever question Chianti with the pasta with nice red sauce?
Now, for most of the time, we are not traveling and we are not eating at the high-end restaurant, yet we still should be able to enjoy the elevated food and wine experience at home – the rules are simple, right?
Maybe the rules are simple indeed, but we need to tread carefully. Beef Bourgogne is made with Bourgogne wine, and all Bourgogne reds are made from Pinot Noir. So what would happen if we will make the dish with actual Bourgogne, and then try pairing it with a nice big Pinot from California? There is a good chance that you will not enjoy that combination, not at all.
Chianti is made out of the Sangiovese grape (predominantly) – but don’t try to pair your pasta with the Sangiovese from California – again, there lies a great opportunity for disappointment.
I’m not saying that Beef Bourgogne will never work with the California Pinot – find a more restrained version, such as Sanford Pinot Noir, for example, and you might be fine – or better yet, simply cook the dish using the same wine you want to drink. Similarly, there are some California Sangiovese that might perfectly complement and elevate your favorite spaghetti dish, such as Castello di Amorosa Sangiovese – but you should expect some trial and error on the road to perfection.
I love Georgian wines. I would gladly drink Georgian Saperavi on any day. I love Georgian cuisine – properly made, the flavors are incredible and so is the pleasure you will derive out of each and every dish. And considering that wine is an indelible part of the Georgian lifestyle literally for thousands of years, it is rather logical to assume that Georgian wines should work perfectly with Georgian dishes.
While I love Georgian cuisine, this is not the food I would generally try to make on my own, I prefer to defer the cooking to a few of the Georgian restaurants which we have in reasonable proximity, even though the experience is typically a mix of hit and miss. However, when my sister in law sent me the video with the recipe of the Georgian dish called Odjakhuri, the video looked so good that I decided that I must make the dish as soon as possible, considering that the main ingredients are near and dear to me from the childhood – meat and potatoes.
Back in 2015, we visited a winery in Pennsylvania called Fero Vineyards. In addition to all of the traditional east coast wines, the winery also was making the wine out of my beloved Georgian grape, Saperavi. I tried the wine during our visit, liked it very much (Fero Saperavi made it to the 2015 edition of my annual Top Dozen wines of the year list as #12), and brought home a bottle. After I decided that I will make an Odjakhuri for the Friday night dinner, I realized that I have no Georgian wines on hand – but then I remembered that I had a bottle of Fero Saperavi which I had been looking for a good reason to open for quite some time – and what can I be a better reason than trying it at a family dinner with Georgian dish?
To tell you the truth, I had no idea how it is going to work. First, the bottle I had was the 2013 Fero Saperavi. Who knows if the wine from Pennsylvania can age for 8 years? The wine might be gone already, way gone. But even if the wine is not gone, would Saperavi from Pennsylvania work with the flavors of the dish? Local wines work with local dishes because they went through a slow process of alignment over hundreds of years – well, maybe that is one of the reasons. And here we have a dish with the supposedly proper flavor profile, and proper grape from totally different terroir – everything is possible…
When I was opening the bottle of Fero, I had no expectations. Let me take that back. When I was opening the bottle of Fero, I was expecting that the wine will be past prime. And even if it will be still drinkable, that it will not work with the dish, not for a second. And I’m glad I didn’t make any bets with anyone because I lost on both counts.
The wine was perfectly fresh. It had a ruby color, not hinting at any age. On the nose, there were cherries and herbs, nicely restrained. On the palate, the wine showed a hint of cherries, sage, gamey undertones, tobacco. Perfectly live, perfectly fresh, excellent acidity, medium-plus finish.
The wine also perfectly complemented the dish, enhancing and elevating the flavors and creating a better experience.
Was this pure luck on both counts? The wine was perfectly drinkable and it complimented the dish very well? I don’t have an answer, I’m just reporting on the experience, and raising the question – where are the wine and food pairings created?
This pretty much ends my story about expecting the unexpected, but before we part, I want to leave you with the recipe for this simple and delicious dish.
Disclaimer: Odjakhuri in translation from Georgian means “family”. So as a family meal, I’m sure there are tons of “correct” recipes for this dish. The recipe which I’m sharing is exactly the one we made, thus this is the one I recommend.
Apology: I would love to share a video with you, but an actual video that I have is in the Russian language. Still, I believe it will be useful even without understanding the language, so here it is:
Odjakhuri – Georgian meat and potatoes family dish
Ingredients:
- Meat (pork, beef, chicken) – 2 lb
- Potatoes (Russet would work the best) – 4 lb
- Red onion, medium size, sliced – 4
- Garlic, chopped – 4 cloves
- Cilantro (can be replaced with parsley), chopped – 2 tbsp
- Hot pepper, sliced – 1
- Coriander, ground – 1 tsp
- Sweet paprika – 1 tsp
- Cayenne pepper – 1/2 tsp
- Dill (dried) – 1/2 tsp, optional
- Black pepper, ground – 1/2 tsp
- Salt, by taste
- Olive oil
Steps:
- Potatoes: Preheat oven to 375F. Peel potatoes and slice them into the pieces about 1 inch in size. Put into a large bowl. Add olive oil (you can use any oil you like for roasting), coriander, black pepper, cayenne, paprika, dill (if using), and 2 tbsp of salt (I prefer kosher salt). Mix everything together. Line roasting pan with parchment paper and arrange potatoes preferably in a single layer. Roast for 45-50 minutes – check readiness, potatoes should be crispy but shouldn’t be overlooked. Once ready, get it out of the oven and put it aside.
- Meat. Meat should be prepared as it would be for a kebab. Ideally, it should be sliced into 1-inch cubes and marinated overnight. You can, of course, just roast the meat without marinating it, but marination will add to the flavor of the dish. In our dish, we used bone-in pork loin, I just cut the meat off the bone. If you will be using pork, look for darker meat, it is less prone to drying up while frying.
- Once you put potatoes in the oven, you can start on the meat. Heat a small amount of oil on medium-high heat in the cast iron dutch oven, and fry the meat until ready. If meat is not marinated, use salt, pepper, and any other spices you would like. When ready, get the meat out of the pan. make an effort not to overcook the meat.
- Reduce heat to medium-low, add 3 sliced onions and sauté them slowly, pay attention not to burn them. When almost ready, in about 12 minutes, add garlic and let it cook for another 3 minutes. Now it is time to assemble the dish.
- Reduce heat to low. Return meat to the dutch oven, add roasted potatoes. Add fresh cilantro (or parsley), sliced hot pepper, and last sliced onion, mix everything lightly (try not to crush the potatoes). Let the dish heat up, uncovered, for about 10 minutes, to let the flavors meld. In 10 minutes, turn off the heat, serve and enjoy!
There you have it, my friends. If you don’t have Saperavi on hand, try it with any wine you’d like, and expect the unexpected. Cheers!
So Long, Catarratto. Welcome, Lucido
Catarratto grapes. Source: Sicily DOC website
It is a mouthful of the title, isn’t it?
“So long, Catarratto, welcome Lucido” – a bunch of strange words lumped together seemingly without any purpose, right?
Okay, I get it – some explaining is due.
Catarratto is the most planted white grape in Sicily and the second most planted white grape in Italy. Sicily has about 75 acres of Catarratto vines between two of its clones, Catarratto Bianco Comune and Catarratto Bianco Lucido, which represents 30% of the whole vineyard area in Sicily. Catarratto production increased from 17,300 bottles in 2012 to 730,000 bottles in 2020. And it is one of the historical varieties, growing forever on the island, producing fresh, round, and well-balanced wines. Sounds great, right? I would assume that you sense that the “but” is coming. So what is the problem with this picture? The name, Catarratto, is the problem.
Catarratto – pronounced “kah-tahr-rat-to”. Say it a few times, just for fun. Think if you will be comfortable ordering it in the restaurant, while just calling it by name instead of pointing with your finger on the line in the wine list saying “this”, “I want this”.
As Catarratto was growing in popularity, its name became a barrier. People don’t want to be embarrassed. And saying the word you don’t know how to pronounce requires a lot of courage. When Sicilian wines were presented at the seminar in China 10 years ago, there was enough of the anecdotal evidence collected in the form of videos with attendees struggling greatly while trying to pronounce the word Catarratto. And so it was well understood by the Sicilian winemakers that if they want to be successful with the wine which actually well deserves such success, something needs to be done.
Lucido is the name of one of the clones of Catarratto, and it is the name that often was used in ancient times. While Catarratto Bianco Lucido has a slightly different appearance compared with Catarratto Bianco Comune with Lucido grapes being shiny (hence the name), genetic research showed that both grapes are completely identical (speaking of genetics – another Italian grape, Garganega, is considered to be one of the parents of Catarratto, but then nobody knows where Garganega came from… ).
Sicilian DOC Consortium took this grape renaming task to the heart and after 2 years of lobbying, on November 21, 2018, the national Ministry issued a decree allowing the name Lucido to be used for any of the Catarratto wines produced in Sicily.
There are about 530 native grape varieties in existence in Italy, so it is obvious that setting up the precedent with renaming the grape variety was not taken lightly. But in the case of Catarratto/Lucido, it became very clear that considering the volume of production and possibilities of increased international demand, the hard-pronounced name of the grape variety became a gating issue of the wine’s success, and the right decision was made.
While Sicilian winemakers definitely appreciated the opportunity to change the name, it doesn’t mean that in mere 3 years you will see the name Lucido appear on all the wine labels. While we might think that the picture should look like this:
the 3 samples which I received looked like this:
Well, whether Catarratto is difficult to pronounce or not had no bearing on the wines, as I loved all three of them:
2020 Cottanera Barbazzale Catarratto Sicilia DOC (12.5% ABV)
Straw pale
A hint of tropical fruit, lemon, herbs
Round, beautiful, Golden delicious apples, lemon, good acidity, clean and fresh.
8/8+, outstanding.
2020 Tenuta Gorghi Tondi Midor Catarratto Sicilia DOC (12.5% ABV, organic grapes)
Straw pale
Generous nose with a hint of vanilla, honey, and gunflint
Crisp, clear, precise, elegant, beautiful acidity, lemon, more gunflint, and Granny Smith apples.
8+, can be easily confused for a Chardonnay. Wine with finesse.
2019 Alessandro di Camporeale Benedè Catarratto Sicilia DOC (13% ABV)
Straw pale
Lemon, steely minerality
Crisp, tart, lemon, expressive minerality, clean acidity. Very refreshing
8, excellent food-friendly wine
I wouldn’t lie to you – Midor Catarratto was my most favorite wine, and I really admire its tile-styled label.
Catarratto’s name served the eponymous grape well, but the change is coming. It is a slow change, but as long as it is just the change of the name, and we will still get to enjoy the wine inside the bottle, it is the change that will help this wine to deliver pleasure to more wine lovers around the world.
And for you, my wine friends, Catarratto or Lucido – go find this wine and expand your wine vocabulary.
Welcome, Lucido.
P.S. For the grape geeks out there: as I was working on this post, I came across this article, which identifies Mantonico Bianco as the second parent (along with Garganega) of Catarratto. The article is from 2017, so it should be old news, but at least the Wikipedia article on Catarratto has no mention of it…
Celebrate Versatility of Sherry
Sherry. Jerez. Xerez.
I’m sure you’ve seen the name, at least one of the three. But when was the last time you actually had a sip of sherry? While you are trying to recall, let’s talk about it.
The winemaking area where the eponymous wine is produced, Jerez-Xérès-Sherry, is located in the south of Spain and is one of the oldest winemaking areas in Spain and in the world, producing wines since 1100 BC. Nowadays, Sherry is known as a fortified wine – meaning that a neutral spirit was added during wine production to stop the process of fermentation. However, the fortification of Sherry is relatively a young phenomenon, developed in the 17th-18th centuries – until then, Sherry was simply known as a high-quality wine. After developing its unique style as fortified wines aged typically for 8 years using the solera method (the wine is partially taken from the barrel for bottling, and the barrel is topped off with the wine from the new vintage, repeating the process for many years), Sherry became one of the most popular Spanish wines, competing for the crown with Rioja. Phylloxera infestation at the end of the 19th century delivered a lethal blow to the Sherry wine industry, from which it never fully recovered.
Sherry wines are unique and even mysterious. Only three grapes – Palomino, Pedro Ximénez, and Moscatel, are used in the production of sherries. Actually, Palomino is used in the production of about 95% of all Sherry wines. Five different styles of dry Sherry – Fino, Manzanilla, Amontillado, Palo Cortado, and Oloroso, are produced from the same palomino grape, each one with its own unique characteristics. Then you have a range of Cream sherries, typically combining one of the Palomino-based dry sherries with Pedro Ximénez, to achieve various degrees of sweetness. Last but not least would be Pedro Ximénez (typically abbreviated as PX) and Moscatel sherries, delivering oozing sweetness – but, when done properly, offering balancing acidity, and becoming heavenly nectar.
I discovered the world of Sherries more than 10 years ago, and really enjoyed that discovery for a while. Until for some mysterious reason (there is a mystery in Sherry, I’m telling you), I stopped enjoying most of them with the exception of PX. I was a bit confused as to why and how it happened and even shared my frustration and the attempted comeback in this post. Then a few months back, I poured myself a little glass of Oloroso from the leftover bottle from the past tasting (the beauty of Sherry – it can keep almost indefinitely after opening, don’t try that with wine), looking for the pre-dinner drink – and I was back in love. Pure mystery, but I’m not complaining.
Considering its range of styles, Sherry is one of the most versatile wines out there. You can pair it with your mood, as the expressions of the dry sherries are literally unmatched in the world of wine offering non-fruity complexity (nuttiness, salinity, herbaceousness, crisp acidity, and more); sweet sherries simply bring you into the world of hedonistic indulgences. You can also perfectly pair a whole dinner with Sherry, starting with a simple aperitif, as I did with the aforementioned Oloroso, and ending with PX, either by itself (good enough) or with a dessert (even better).
Oh yes, the dessert. This week, November 8 – 14, 2021, is designated as Sherry Week (#SherryWeek2021), a worldwide celebration of this unique wine. As part of the festivities, I received samples of the Sherry wines produced by González Byass, one of the purveyors of the fine Sherry wines. Moreover, the sherries were accompanied by dessert, and suggested pairings! I got a selection of pies from Tiny Pies to pair along with the Gonzalez Byass Sherries as follows:
- Apple Pie with Gonzalez Byass Alfonso Oloroso
- Pecan Pie with Harveys Bristol Cream
- Texas Two Step (a pecan and chocolate brownie pie) with Gonzalez Byass Solera 1847 Cream
- Cherry Pie with Gonzalez Byass Néctar Pedro Ximenez
Let me say first a few words about Tiny Pies. Tiny Pies company was born in 2010, in Austin, Texas, with its history starting from a simple question – quoting from the Tiny Pies website in the words of one of the founders, Amanda: “One day in 2010, my son, Andrew, innocently asked why he couldn’t take a piece of apple pie to school. I tried explaining to him that it wouldn’t be easy to eat. Andrew then suggested that we make a pie he “could eat with his hands””. The rest is history- today Tiny Pies operate 4 locations in Austin, and they also ship their pies countrywide, and yes, you can eat them with your hands.
Now, the sherries. Out of the four sherries I received, I was well familiar with 3 – Oloroso, Harveys Bristol Cream, and Néctar – instead of repeating my notes, you can find them in this post. González Byass Solera 1847 Cream Dulce (18% ABV, $17/375 ml, 75% Palomino, 25% Pedro Ximénez) was a new wine for me. At first, I got very excited about 1847 in the name, as I thought that maybe this is when the original solera was started and maybe it is still going (which would make it a 170 years old wine, not bad, right? :)). I asked the publicist this question, and the answer was a bit more prosaic but still worthwhile: The founder of González Byass, Manuel Maria González, founded the winery in 1835. His son turned 1 in 1847, so he decided to name the Sherry after the year he turned 1. Otherwise, the wines spent 8 years in solera, and each barrel is used for approximately 30 years. So one way or the other, but 1847 is not a random number.
Of course, I tasted the wine by itself, and it was delicious – dark amber color, complex and herbaceous nose. The palate was full of dried fruit, chocolate, and figs, with good acidity and perfect balance.
And now, to the pairing!
I obviously went along with the recommendations – here are my notes:
Apple Pie with Gonzalez Byass Alfonso Oloroso:
Interesting. Some contrasting notes, but not great. Best pairing – Pedro Ximenez. Worked perfectly, matching the cinnamon profile of the apple pie.
Pecan Pie with Harveys Bristol Cream:
Very nice. Excellent match on the nuttiness. Not so good with Cream 1847. Harveys complements perfectly and refreshes the palate after the bite.
Texas Two Step (a pecan and chocolate brownie pie) with Gonzalez Byass Solera 1847 Cream
Very good, pairing by the contrast. Sherry perfectly cuts through the sweetness.
Cherry Pie with Gonzalez Byass Néctar Pedro Ximenez
Not good. Néctar flavors clashed with the Cherry pie. Tried with all the sherries, and the only working was Harveys Bristol Cream, as it complimented the flavors of the cherry pie.
This was definitely a fun exercise – it is interesting to note that at least one of the 3 sweet sherries paired perfectly with the dessert – however, the Oloroso pairing with dessert was lost on my palate.
While I’m sharing my experience here, I’m really hoping that this would spark at least a little interest in you, my readers, to seek and try a sherry. Sherry wines are not gimmicks, they are versatile, inexpensive, and give you almost unlimited time to finish that bottle. No need to wait for Sherry Week 2022 to experience Sherry – visit your favorite retailer and give it a try. And then let’s compare notes…
Magnificent Rioja: CVNE Deep Dive
It is no secret that I have a special relationship with Rioja – I happily admitted it many times. When asked about my favorite wine, I always say that I don’t have one. And every time I give this answer, deep inside there is a bit of the uneasy feeling, the one you get when you know you are not lying, but somewhat flirting with the truth, as Rioja is probably “the one”.
What would make the Rioja so special for me? For one, it was a pivotal experience at the PJ Wine Rioja seminar, where I tasted through an incredible lineup, including a 45 years old Rioja, and it was still absolutely beautiful (later on I tasted 65 years old Rioja which was, again, superb). Also, when it comes to Rioja, I can easily give you a bunch of producer names, whose wines I would wholeheartedly recommend to a friend and also would be excited to drink at any time myself – come to California, I might have to pause for a moment while looking for the favorites to recommend – I hope it tells you something.
Speaking about favorite Riojas, I want to talk to you today about CVNE, also known as Cune due to a typesetting mistake. In 1879, the Real de Asúa brothers arrived in Haro for the reason not related to wine. Nevertheless, that’s how the story of Compañía Vinícola del Norte de España (C.V.N.E.), one of the most prominent Rioja producers, has begun. During its 140 years, CVNE remained a hallmark of quality and creativity. In 1915, CVNE introduced the very first White Rioja wine, Monopole. In 1973, CVNE founded Vinedos del Contino, the very first single-vineyard Rioja. Now in its 5th generation, CVNE continues to be a family winery and continues its advancement, now venturing even outside of Rioja, into Ribera del Duero and Valdeorras.
CVNE Rioja wines are produced at 5 wineries. First, there is the original Cune, which is simply a misspelled word for the CVNE, founded in 1879. In 1920, CVNE started production of Viña Real and Imperial Riojas. Viña Real was envisioned to be a more modern rendition of Rioja (in the 1920s), and Imperial was specifically produced for English markets. Imperial went on to become one of the most coveted Rioja wines, even becoming the wine #1 on the Wine Spectator’s Top 100 Wines list in 2013.
In 1973, Viñedos del Contino was created to become the first single-vineyard Rioja wine. In 1994, CVNE started its latest Rioja project, Real de Asúa, to honor the founders of the winery and create the most modern rendition of Rioja, using grapes from high altitude Villalba vineyards in Rioja Alta area.
Each one of these Riojas has its own, unique style. But can we taste the differences? I had a perfect opportunity to try answering this question. I got samples of 3 of the CVNE Rioja Reserva wines – Cune, Viña Real, and Imperial, all from 2015,. I also happened to have a few bottles of 2015 Contino Reserva and altogether this set out a perfect stage to try 4 different Rioja wines from the same vintage and technically, the same producer.
Before we get to wines, let’s say a few words about the vintage. Production of Rioja wines is strictly regulated by its governing body, Rioja Consejo Regulador, to ensure quality, and subsequently, the reputation of the Rioja wines around the world. All the vintages in Rioja have their official vintage ratings – Excellent, Very Good, Good, Medium, Normal. 2015 was officially designated as Very Good (not Excellent, such as 2001, 2004, or 2010, but still Very Good), which should still set a good level of expectations. 2015 vintage had a couple of unique characteristics, though. 2015 had the earliest harvest in the history of Rioja, starting early in September. It was also a very short harvest – typically, the harvest in Rioja takes about 2 months, with the feast of Virgen del Pilar usually taking place on October 12th, to celebrate the peak of the picking season. In 2015, the harvest was completed in 4 weeks so by October 12th all the picking was pretty much complete. How does any of this manifest in wines? I’m honestly not sure, that would require actually a vertical tasting – which I would be happy to conduct if I would have an opportunity.
So how were the wines? In a word – amazing. All four wines were absolutely gorgeous, delicious right now, and will continue to be delicious for the many years ahead. Here are my notes:
2015 Viña Real Reserva Rioja DOCa (14% ABV, $37, 90% Tempranillo, 10% Garnacha, Graciano, and Mazuelo)
Dark Garnet
Dark fruit, tobacco, espresso, expressive
Red and black fruit, cedar box, herbs, forest underbrush, firm, good structure
8/8+, lip smacking goodness. Delicious. If you are looking for a massive, earth-shattering wine, such as Walla Walla or California Cab, this is not the wine for you. But if you are looking for the wine which seduces and sings to you, give this wine a try.
2015 CVNE Cune Reserva Rioja DOCa (14% ABV, $29, 85% Tempranillo, 15% Garnacha, Graciano, and Mazuelo)
Dark garnet, almost black
Dark, brooding, minerality, cedar box, funk
Dark fruit, plums, explicit tannins, firm structure, fresh, good acidity.
8/8+, excellent, comforting, powerful, impossible to stop drinking.
2015 Contino Reserva Rioja DOCa (14% ABV, $46, 85% Tempranillo, 10% Graciano, 5% Mazuelo and Garnacha)
Dark garnet, almost black
Plums, cigar box, sweet tobacco
Complex, multilayered, earthy, dark fruit, clean acidity, lots of energy
8/8+, This is very early for this wine, but it is very enjoyable now, and it will be amazing with age
2015 Imperial Reserva Rioja DOCa (14% ABV, $50, 85% Tempranillo, 15% Graciano, Mazuelo, and Garnacha)
Dark Garnet
Earthy, spicy, red and black fruit, medium-plus intensity
Dark fruit, cigar box, firm, perfectly structured, delicious.
8+/9-, outstanding, lots of pleasure.
Believe it or not, but Imperial Rioja was my accidental pairing with BBQ chicken pizza, and the wine worked perfectly with it.
So now the secret is out. I’m lying when I’m claiming that I don’t have a favorite wine, and Rioja is the one. Well, I’m quite happy with my choice of affection – but do you have enough courage to name your favorite wine? Oh yes, with the coming holidays, any one of these Riojas would make a perfect present – to a friend, or to yourself. Go ahead, find it – everyone deserves a tasty Rioja. Cheers!
Daily Glass: Uncomfortable Wine
“Uncomfortable wine”??? What utter nonsense, right? Did the author had one too many glasses while writing this post?
The wine can be spoiled. The wine can taste bad. We can call it plonk, we can pour it out. But uncomfortable?
Shoes can be uncomfortable. The dress can be uncomfortable. The shirt’s collar might be too tight. Not knowing how to start a conversation with an attractive stranger might be uncomfortable. Not knowing how to answer a live interview question for the position you dreamed of your entire life is uncomfortable. Many, many things can be uncomfortable. But wine?
When I refer to wine as an art, the typical association in my mind is painting. As an art form, I imply that there are similarities between the bottle of wine and the painting on the wall. But maybe a book would be a better art form to compare?
Reaction to painting is instantaneous – you can, of course, spend hours looking at elaborate details and discovering new elements even if you saw the painting a thousand times before – but your first impression is unlikely to change, it might only deepen as time goes on. But with the book, first we see the cover, then we start reading, and if we found the book which speaks to us, by the time we reach the second page, nobody cares about that cover anymore.
When it comes to the wine, the bottle and the label matter – until we take the first sip. If we found “our wine”, the same as 300 pages book can be obsessively consumed within a few hours, a good bottle of wine will be gone in no time. And while you will be enjoying it, most likely you wouldn’t even remember how the label looked like.
What’s with this interlude and our comfort/uncomfort discussion you ask? Don’t worry, this is all connected.
So what can be uncomfortable about wine? Actually, many things. Remember – in the wine world, it is all about perception – except the taste, the pleasure, and your desire to have a second glass – of course, if you chose to be honest with yourself. Otherwise, perception is everything. Enjoying a glass of 2 buck chuck is uncomfortable. Bringing a $5 bottle of wine to your friends’ house is uncomfortable – knowing that it is an amazing bottle of wine without any regard for a price doesn’t make it less uncomfortable. Enjoying the glass of wine while your best friend hates it is uncomfortable. And then there are labels.
Okay, call me “captain obvious”, but this is where I was leading you all the way – the label can make you uncomfortable. There are enough wines in this world that have, for example, sexually suggestive or simply offensive words or images on the label. Ever saw the bottle of If You See Kay? This is a perfect example of suggestive language on the label – the book cover – for a perfectly delicious wine produced by Jayson Woodbridge. And there are wines that don’t even use suggestive language anymore – like the Little Fuck Malbec from Cahors.
When a friend sent me a picture of this label a few days ago, my first reaction was literally WTF – how can such a label be even approved (Jayson Woodbridge had lots of trouble getting his If You See Kay label approved 9 years ago)? But as the wine was available, I decided that I would not judge the book by its cover, and actually try reading it – and so I got the bottle.
I have to say that as soon as I got a hold of the bottle my negative impressions instantly started to diminish. This is hard to explain, as I don’t know if all the oenophiles feel the same way, but there are bottles that express “comfort” with its shape, weight, and overall feel in your hands. Once you take such a bottle in your hands, you can’t help yourself but say “oh, this is nice”. This was precisely the bottle. Outside of the wine name and the image on the label, the bottle was very comfortable and really created the anticipation – “oh yeah, I do want to open that bottle”. Even the label looked well designed in its shape and size and added the overall “comfort” feeling.
The wine didn’t disappoint – 2020 Vellas Père Et Fils Little Fuck Malbec Cahors AOP (14% ABV) was unapologetically a New World Malbec – big and brooding – and in a blind tasting I would confidently place it into Argentina, but never into the old world. The wine was full of raspberries, smoke, and sweet tobacco – on the nose and on the palate. Big, full-bodied, and powerful, but also well balanced and delicious – a very unapologetic Malbec I might be ashamed to bring to the acquaintance’s house but would be happy to drink at home or with close friends.
I’m really curious about the backstory of this wine. I don’t believe the name and images are random. Nicolas Vellas is a vigneron in the 4th generation at Vignobles Vellas, farming 300 acres of vines and producing a wide range of wines in the South of France. If this would be the only wine produced at the winery, yes, we could dismiss it as a gimmick. But this is simply one of many and the only one with such a unique label, so I truly believe there is a story for this wine, which is not easy to figure out – I even sent a message to the winery asking them to share the story if they can, but I’m not very hopeful. Well, actually lots of Vignoble Vellas wines have very creative labels – you can see them here, but I don’t know if there are any more of the “uncomfortable” ones.
Here you go, my friends. Uncomfortable wine which also happened to be delicious. Yeah, I’m okay with that. I’ll take delicious any day. And comfort? It comes after delicious.
Daily Glass: For The Love Of Appassimento
Appassimento is an Italian word that means “drying”. Thus very appropriately, appassimento is the process where after the harvest, grapes are dried for some time (from 3 weeks to 6 months) before being pressed and fermented. Now, the question to the audience: name any wine (just type, no need for producer) which is made from such dried grapes?
If you said Amarone della Valpolicella, Passito di Pantelleria, Recioto di Soave, or Recioto della Valpolicella, you can definitely give yourself a high five. While this method of wine production originated in Greece, Italy produces most of the appassimento wines in the world. Drying of the grapes increases the concentration of flavors and sugars and changes the structure of the tannins, bringing an extra layer of complexity to the wine.
While getting more complexity is great for any wine, it also comes at a cost. Drying of the grapes requires additional space, whether inside with good ventilation, or outside under the sun. There is additional time required to dry the grapes. And while drying, grapes lose moisture, thus you need to use a lot more grapes to get that same bottle of wine – no wonder Amarone is usually an expensive wine – but if you ever experienced good Amarone, or Passito, Recioto, Sfursat (Sforzato di Valtellina), Vin Santo, you know that it was well worth it.
Making wines from partially dried grapes is not limited only to Italy – I had delicious Australian Shiraz made from partially dried grapes (Alfredo Dried Grape Shiraz from South Australia), Pedro Ximenez Sherry from Spain. Overall, the wines from dried grapes are produced in most of the winemaking regions – Eastern Europe, Germany, Greece, USA, and others.
The appassimento wine which I would like to bring to your attention today is produced in Italy, but it is far from common. Nero d’Avola is known to produce big, well-structured Sicilian reds. But when you take Nero d’Avola grapes from four of the areas in Sicily where Nero d’Avola is known to grow best, then you dry the bunches of the grapes for 3 weeks in fruttaia (well-ventilated rooms) and then continue to make wine, you end up with delicious, round, perfectly approachable wine in its youth.
2019 Cantine Ermes Quattro Quarti Nero d’Avola DOC Appassimento (14% ABV, 100% Nero d’Avola, 4 months in 500l oak barrels) is produced by Cantine Ermes we spoke about earlier this year – the coop of 2,355 producers, farming 26,000 acres across a number of provinces in Sicily. The wine was ready to drink from the get-go, offering beautiful dark berries medley with sweet oak, herbs, and a hint of dried fruit, exactly as one would expect when appassimento is involved – soft, layered, comforting, and dangerous – the bottle was gone very quickly, not being able to put the glass down.
This was a perfect example of the appassimento wine – yes, it didn’t have the power of Amarone, but it also didn’t need any cellaring time, offered instant gratification, and it is a lot more affordable. Definitely the wine worth seeking.
Now, what are your favorite appassimento wines – Amarone and not?
Daily Glass: While I Was Out
This September probably was my worst blogging month ever. Whatever the frustrating reasons are, this is not the self-reflection blog (it is, of course, but only for wine, food, and life-related matters), so one thing we are not going to do is an analysis of that “dry period”. However, it was dry only for the words, but not for the wines, so let me share a few of the recent delicious encounters with you.
Let’s start with the 2009 Alban Vineyards Reva Estate Syrah Edna Valley (15.5% ABV), which I opened to celebrate our anniversary. Alban makes some of the very best Rhône-style wines in the USA, and this Reva Syrah didn’t disappoint – beautiful fruit on the nose with a touch of barnyard, layers of red and blue fruit on the palate with spicy, peppery underpinning. Delicious.
Next, we continue with a number of Field Recordings wines. It is no secret that I’m biased toward Field Recordings wines, ever since I discovered them more than 10 years ago (this is the only wine club I belong to). Field Recordings wines don’t cease to amaze with Andrew Jones’ talent to find one-of-a-kind vineyards to make one-of-a-kind wines.
2020 Field Recordings Domo Arigato (Mr. Ramato) Skin Contact Pinot Grigio Central Coast (12% ABV, $25, 52 barrels made) is skin contact Pinot Grigio, made in Ramato (copper) Italian style. A beautiful complexity on the nose without going overboard, fresh fruit and herbs, clean and unctuous on the palate – when the friend stopped over, we finished the bottle without even noticing. This wine is a blend of Pinot Gris from two sites on the Central Coast, each of which spent a month on the skins and then was aged in the neutral oak barrels.
2019 Field Recordings Festa Beato Farms Vineyard El Pomar District (11.5% ABV, $25, 100% Touriga Nacional, 12 months in Neutral American oak barrels, 6 barrels produced) really surprised me. Touriga Nacional is not the grape California is known for. Also, from my experience with Portuguese wines, Touriga Nacional from the Douro definitely benefits from a long time in oak (I much prefer Douro Reserva over the regular wines), so I opened the Californian rendition without much of the expectations.
Wow. Festa actually means Party in Portuguese, and what a party it was! Wild berries on the nose – wild blueberries and wild strawberries. The same fresh, crunchy, crispy, fresh wild berries on the palate, but well supported by the medium to the full body of the wine and perfectly balanced in and out, creating one delicious mouthfeel. Another wine you can’t stop drinking once you start.
Let’s take a short break from the Field Recordings wines and let’s go visit Washington with the help of 2013 Brian Carter Cellars Byzance Red Wine Blend Columbia Valley (14% ABV, 53% Grenache, 22% Syrah, 17% Mourvedre, 5% Counoise, 3% Cinsault). I got this wine at one of the Last Bottle marathons, going strictly by the region, age, and price – never heard of the producer before. Turns out that Brian Carter had been making wines in Wahington since 1980, and he has a passion for blending – which this wine perfectly demonstrated. In my experience, 8 years is not an age for many Washington wines, so I opened the bottle not without trepidation. To my delight, the wine was simply superb – fresh cherries and blackberries on the nose, ripe cherries, mocha, and dark chocolate on the palate, soft, round, perfectly balanced, exciting, and delicious. And I didn’t need to wait for it even for a second. Pop, pour, enjoy. This is the wine that brings an instant regret with the first sip – why, why I didn’t buy a full case??
This next wine I want to talk about might surprise you, and this is something I very rarely discuss in this blog – it is Sake I want to share with you. As we planned to have sushi for dinner, the family requested sake to drink with it. I stopped at the wine store on my way to pick up sushi, and this Hananomai Sake Jun-Mai-Ginjo (15%-16% ABV) was recommended. What a great recommendation it was! I almost got the point of regretting buying only one bottle, as everyone couldn’t stop drinking it – nicely perfumed, light fruit notes on the palate, delicate and balanced – it perfectly complemented our eclectic selection of the sushi rolls.
And now, back to Field Recordings.
2018 Field Recordings Happy Accident Alicante Bouschet Vignoble Guillaume Jean Paso Robles (11.1% ABV, 10 months in stainless steel, 5 barrels produced) is another atypical California wine – made from the Alicante Bouchet grape. This is one of the few so-called teinturier grapes – red grapes which have not only red skin but also red flesh, thus producing red juice when pressed, without the need for skin contact (famous Georgian Saperavi is another example of the teinturier grape). Alicante Bouschet is a cross between Petit Bouschet and Grenache, and it was widely planted in California during Prohibition and lately increasingly planted in France, as well as in Spain and Portugal. The name of the wine has its own story, which I simply quote from the description I got with the wine club offering email: “Many things can go sideways in the cellar as we are ushering the fermentation along. In most wineries, a surprise visit from brettanomyces to your cellar could be a curse, but in this situation we are celebrating it. The funky wild yeast that is popular in the beer world brings out a signature funk. This signature funk, though, took 5 barrels of Alicante to another level. As a famous painter once said, there are no mistakes, just happy accidents.”
The wine offered an inviting nose of the fresh berries, continuing with tart, the dry mouthfeel of red and black fruit, and medium to full body. I think this wine would well benefit from another 3–4 years in the cellar, but it was quite enjoyable as is right now.
And that concludes our daily glass ride – hope you had some tasty wine discoveries lately!
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