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Anatomy of Flavor
Anatomy of Flavor???
The author clearly goes on a tangent here. Everyone knows what anatomy means, and it has nothing to do with the wine. And nevertheless, let’s take a look at some definitions and see if we can actually analyze the anatomy of flavor.
Webster’s dictionary defines anatomy in a few different ways:
Definition number five describes anatomy as
structural makeup especially of an organism or any of its parts
Anatomy explains to us how living things are constructed. How do they move, jump, roll, smile, and cry.
Of course, the flavor is not a living being – but it is amorous, it changes, it morphs, it is perceived, and it is perceived differently every time, depending on many, many, many factors that we can spend days and days discussing.
I like definition number three more, as it is more appropriate for our purposes:
the art of separating the parts of an organism in order to ascertain their position, relations, structure, and function
Anatomy offers a firm structure – can we apply the same to flavor and understand how our perception of it works? Mostly, and luckily, no – we can’t. We have no idea how we will perceive the flavor of the particular wine once it is open – of course, we have expectations, but this is only one of the subjective factors in our perception of flavor, one of many. Instead, I can offer you to look at how the flavor is being built.
There is also definition number six:
a separating or dividing into parts for detailed examination
Anatomy explains to us how our muscles work and how they grow. Let’s see if we can take a similar look at the flavor of the wine.
We can’t do this with any random wine – if someone makes single-grape Syrah, Grenache, and Pinot Noir wines, all those wines are not connected to each other, they are unique and different – we can not taste Syrah and make expectations about Pinot Noir (assuming these are good quality wines) – as they have nothing in common. Most importantly, they better taste differently. But – there are wines which are perfectly suitable for our exercise. Do I have an example? Of course, glad you asked, but before we talk about particular wines, let’s take a look at the region they are coming from. Let’s go to Northern Italy, to the region called Valpolicella.
Valpolicella is a winemaking region east of Lake Garda, in the province of Verona, which is in turn located in Veneto. The region is influenced by the Alps to the north, Lake Garda to the west, and the Adriatic Sea to the east. Valpolicella received its DOC status in 1968, and Amarone and Recioto received the DOCG status in 2009. In terms of DOC wine production volume, Valpolicella is the second region in Italy after Chianti.
There are a few types of wines produced in the region – Valpolicella DOC, light wines considered to be similar in style to Beaujolais, Valpolicella Superiore, which should be aged at least one year, Valpolicella Ripasso, and, the most coveted wines, Amarone and Recioto.
It is not exactly known when winemaking started in Valpolicella. Still, it is typically associated with the ancient Greeks who were famous for making sweet wines made from partially dried grapes. That tradition of drying grapes before pressing is also a requirement for both Recioto and Amarone wines – this converts grapes to almost raisins and concentrates flavors. A lot of attention is also paid to preventing any sort of rot setting on the grapes as this imparts undesirable flavors.
Talking about red grapes, Corvina, Corvinone, Rondinella, and Molinara are considered the main winemaking grapes, even though many winemakers are trying to avoid Molinara as of late. Corvina should constitute between 45% and 95% of the blend – but up to 50% of Corvina can be substituted with Corvionone, which was identified as a distinct variety and not a clone of Corvina only in 1993. Out of all Val[policella wines, Ripasso stands aside as quite unique – it is made by macerating the Valpolicella wine with the pomace (grape skins) left after making Amarone and Recioto wines, which enriches the flavor of the wine – Valpolicella Ripasso is often referred to as “baby Amarone” (or “poor man Amarone” – you take your pick).
Of all wines made in Valpolicella (most of them are red), Amarone stands apart as the most sought-after. The grapes have to dry for anywhere between 3 and 4 months before they can be pressed to make Amarone. Those dried fruit flavors are retained by the final wine, assuming it is well made. The combination of the dried fruit aromas and powerful, dry, usually high-alcohol wine creates really a unique experience – if you have not had Amarone before, this is something that needs to be experienced by any wine lover.
Also going back to our “premise” with this post – to take a deeper look at the build-up, the anatomy of the flavor, Valpolicella wines offer an almost unique opportunity. Most of the Valpolicella wines are made from the same set of grapes, sometimes even used in the same proportions. The winemaking process is what creates the difference. Base Valpolicella wine can be aged for a year to get to Superiore designation. The same base wine can be macerated with Amarone pomace to become the Ripasso. The same grapes that are used for basic Valpolicella can also dry for 3-4 months, and then become an Amarone.
Let’s go one level deeper and look at some practical examples, shall we?
Tedeschi family ancestors purchased vineyards in Valpolicella four centuries ago, in 1630. The modern history of the Tedeschi winemaking family started 200 years ago, in 1824 when the family winery was established by Niccolò Tedeschi. Today the winery is operated by the fifth generation of the family, continuing the winemaking traditions.
Tedeschi estate is located in the village of Pedemonte di Valpolicella, with 75 acres of vineyards planted on the 200 acres estate. Tedeschi firmly believe that good wines are made in the vineyard, and they focus not only on showcasing the terroir but also conduct studies to understand the soil composition in the vineyard. Another important winemaking element is the use of not only the main 3 Valpolicella grapes (Corvine, Covinone, Rondinella) but the full range of grapes including Rossignola, Oseleta, Negrara, Dindarella, and Forselina. They also produce all types of Valpolicella wines – Valpolicella, Valpolicella Superiore, Ripasso, Amarone, and Recioto.
For our “anatomy” exercise, I had an opportunity to taste 3 of the Tedeschi wines – Valpolicella Superiore, Valpolicella Ripasso and Amarone della Valpolicela. All three wines are made from the identical set of grapes, used in the same proportions, so the difference is only in the winemaking techniques. Below are my notes with some additional information about the wines.
2019 Capitel Nicalò Valpolicella Superiore DOC (13.5% ABV, 35% Corvina, 35% Corvinone, 20% Rondinella, 10% Rossignola, Oseleta, Negrara, Dindarella, grapes drying for 1 month, 1-1.5 years in Slavonian oak barrels, 6 months in the bottle)
Dark ruby
Captivating nose of earthy dark fruit, tobacco, rocks
Beautiful fruit, blackberries, cherries, cherry pit, tart, focused, perfectly structured, perfectly balanced – lots of pleasure.
8/8+. Delicious.
2018 Capitel San Rocco Valpolicella Ripasso Superiore DOC (14.5% ABV, 14.5% ABV, 35% Corvina, 35% Corvinone, 20% Rondinella, 10% Rossignola, Oseleta, Negrara, Dindarella, alcoholic fermentation on the marc of Amarone and Recioto for 8-10 days, 1/2 years in Slavonian oak barrels, 6 months in the bottle)
Garnet
A hint of dried fruit, toasted nuts
Round fruit, cherries, soft, approachable, earthy undertones, well-integrated tannins, a hint of tobacco on the finish.
8/8+, delicious.

The name Marne 180 is a nod to the marl soils where the vineyard is located and 180 is degrees of exposure, from south-east to south-west. Source: Tedeschi
2018 Marne 180 Amarone della Valpolicella DOCG (16.5% ABV, 14.5% ABV, 35% Corvina, 35% Corvinone, 20% Rondinella, 10% Rossignola, Oseleta, Negrara, Dindarella, grapes drying for 4 months, 30 months in Slavonian oak barrels, 6 months in the bottle)
Dark garnet
Dark, concentrated, forest underbrush
Dried fruit, cherries, intermingled layers, powerful, well structured, delicious.
8+
Can we conclude anything from our flavor research? The wines share some similarities, but this is probably all I can say. I don’t see a clear progression from one wine to another, they are simply tasty wines, each one in its own right. Does it mean that we can’t talk about the anatomy of the flavor? I think we still can, but it is definitely more complicated than it seems.
The important outcome of this research project is three tasty wines from Tedeschi which I’m happy to recommend to you for your daily drinking pleasure. And this is the best conclusion we can make. Cheers!
Trapiche: Beautiful Perfection
Over my lifespan as a wine lover and especially, as a blogger, I tasted tens of thousands of wines. This is not a bragging statement, but purely statistical. Also, out of all those wines, every year a few hundred wines are covered in this blog.
Out of all these wines, there are probably 50 or so that are near and dear to my heart, These are my reference wines. These are the wines I would reach out to illustrate the comparison or simply deliver the message. For example, Bogle Petite Sirah is my favorite example of a budget-priced (typically around $9.99), delicious, consistently drinkable wine. Of course, I occasionally come across wines which equally or even tastier and cost even less, but Bogle is still the wine that is ingrained in my memory, and hence it is my ready-to-use reference.
I always think that all of my reference wines are already covered on the blog – 50-60 wines is not a high number spread out over the 12 years of blogging, and yet from time to time I engage in a futile search for the articles about some of these reference wines, only to say to myself “really?”.
When it comes to Argentinian Malbec, my reference wine is Trapiche Broquel Malbec. Malbec definitely came of age lately, especially with a dramatic increase in popularity over the last few years. While I tasted lots and lots of absolutely delicious renditions of Argentinian Malbec, it is still generally not my go-to wine. But if presented with the Trapiche Broquel Malbec, nobody would need to ask me twice to have a glass or a three.
There are 145 posts in this blog that include the word “Malbec” (not including the one you are reading now). None of these posts talk about my reference wine, Trapiche Broquel Malbec. Well, this is not entirely true – in a few posts, Trapiche Broquel Malbec is used precisely as I presented it here – as a reference. Nevertheless, there are no posts discussing any particular vintages of this wine or presenting any tasting notes.
And so will not be the post you are reading at the moment. But – at least this post is about two of the Trapiche wines I had an opportunity to taste (but none of them are Broquel Malbec).
It is so interesting when you think that you know something, and then it appears that no, you really don’t. I knew the Trapiche name and had a number of their wines over the years, but I had no idea that Trapiche is the biggest winery in Argentina. Founded in 1883, the winery stayed in the family for a long time, transitioning from father to son, until it was acquired by the Grupo Peñaflor, one of the 10 largest wine producers in the world, exporting its wines to more than 90 countries.
Trapiche vineyards span throughout Mendoza, the most famous winemaking region in Argentina from the Andes mountains to the Atlantic ocean around the town of Chapadmalal. Trapiche is using biodynamic farming methods and is very much focused on farmland diversity and sustainability. Trapiche’s hard work and dedication didn’t go unnoticed, acknowledged by multiple international awards, such as the “50 Most Admired Wine Brands” selection by Dinks International (the only winery in Argentian to get on that list 5 times over 5 different vintages), or Wine Enthusiast’s “The New World Winery of the Year” in 2019.
I had two bottles of Trapiche wines to try – 2020 Trapiche Broquel Cabernet Sauvignon Mendoza (14% ABV, $14.99, 100% Cabernet Sauvignon, 14 months in oak barrels) and 2019 Trapiche Gran Medalla Malbec Mendoza (14.5% ABV, $24.99, 100% Malbec, 18 months in new French oak, 1 year in the bottle). I have to tell you that I opened the bottles not without trepidation. I never had either one of these wines, I really like Broquel Malbec, and I really wanted to avoid disappointment…
First I opened Cabernet Sauvignon. The initial nose was not the one typical of the Cabernet Sauvignon – it did smell like a typical Argentinian Malbec would. I wanted to compare the nose side by side, so I quickly opened and poured in the glass the Malbec. The smell was practically identical – the vanilla, warm herbs, plums, with the Malbec bottle offering a bit more intensity. While I appreciate this nose on Malbec, I like the Cabernet Sauvignon to be a bit more traditional.
But the palate of the Cabernet Sauvignon didn’t disappoint, showing cassis with a wallop of dark cherries, a touch of bell peppers, and eucalyptus. As the wine was opening up, it transitioned through a few stages, making cassis more explicit and then adding up the level of acidity on the finish. A very good rendition with an excellent QPR (Drinkability: 8-).
The Gran Medalla Malbec was produced to commemorate the 125th anniversary of the winery, and it is sourced from the best Trapiche vineyard parcels in Uco Valley. And boy, did this wine delivered… This was Malbec like no other. The was the wine that stops you in your tracks; you want the time to stop so you can enjoy that perfect flavor in your mouth endlessly. The wine had the perfect amount of ripe, succulent dark cherries, sweet oak, and sage, weaved around a perfect core of smooth tannins, delivering layers upon layers of pure pleasure. This was the wine that you always dream of drinking, but it is so hard to find. Thinking about the $25 suggested retail price, this wine has great QPR and it is literally a steal if you will be able to find it. (Drinkability: 9-).
There you are, my friends – a case of wine’s beautiful perfection. Which also doesn’t need you to break the bank. Cheers!
One on One With Winemaker: Lucio Salamini of Luretta
If you call yourself a wine lover, you definitely have an affinity for Italian wine. I have yet to meet a wine lover who doesn’t like Italian wine – there is such a range of wines coming from Italy, everyone can find at least something which speaks to their heart and palate.
By the same token, I’m sure that the knowledge of Italian wines is quite widespread among the wine-loving public. So let’s play a simple game. There are 20 administrative regions in Italy. I will give you the name of the region, and you will tell me one, the most famous wine associated with that region. Let’s start with Tuscany – what wine do you associate with Tuscany? Of course, you are correct, it is more than one – Chianti, Brunello, super-Tuscan. How about Piedmont? You are right again – Barolo and Barbaresco come to mind first. Veneto? Yes, correct – Valpolicella, and if you said Amarone, you get an extra point (I’m a sucker for a good Amarone).
Now, how about Emilia-Romagna? Are you drawing a blank? I can help you – a large region in northern-central Italy, right above Tuscany? Still nothing? If someone said “Lambrusco”, congratulations, it is actually the most famous wine coming out of Emilia-Romagna, but it is absolutely not the only one.
The winemaking region of Colli Piacentini is located in the western part of Emilia-Romagna, with winemaking history in Colli Piacentini going back to 2000 B.C. Colli Piacentini DOC covers about 9,000 acres of vineyards with various microclimates defined by mountains, hills, and river valleys. There are 16 DOCs within Colli Piacentini, with grape varieties ranging from the typical Italian varieties such as Barbera, Croatina, Malvasia, and Trebbiano to the international stars – Cabernet Sauvignon, Sauvignon Blanc, and others. It is interesting that Colli Piacentini DOC rules allow putting the name of some of the grape varieties on the front label, quite unusual for the old world.
After spending some time in France and learning local agricultural traditions, Felice Salamini, a cattle breeder, came across the Castle of Momeliano, a fortress almost 1,000 years old, nestling in the hills of Emilian valley. This seemed to be an ideal place to grow grapes, make, and age wines, and in 1988 Luretta was born.
Luretta vineyards occupy 123 acres, surrounding Castle of Momeliano on the hill from 800 to 1,650 feet elevation. From the beginning, Luretta started using organic viticulture, with no herbicides, no synthetic fertilizers, and no irrigation. In 2000, Lureta obtained Italian certification for sustainable practices. Many of the French varieties – Cabernet Sauvignon, Merlot, Petitte Verdot, Pinot Noir – are growing there among the indigenous varieties – Barbera, Malvasia, Trebbiano, and many others.
Lucio Salamini, the second-generation owner of Luretta, is now leading the charge at the winery, working together with winemaker Alberto Faggiani, the longtime enologist at Jermann, overseeing the annual production of about 300,000 bottles. Each white, red, and sparkling wine produced by Luretta has its own unique story, showcasing the diversity of Colli Piacenti terroir. I had an opportunity to virtually sit down with Lucio and ask him a few questions – here what transpired in our conversation:
[TaV]: Let’s start with your website, which I find very interesting. Each wine has its own set of images associated with it on the website – how do you come up with those images?
[LS]: We really enjoy creating personalized and evocative image for the company. Usually we draft drawings that can create mental associations to get closer to the wine, that recalls its history, flavors, and characteristics, and then we embed them in our labels and throughout the website. We have always been believers of ‘mental’ pairings, so to create a match not just between a wine and a dish, but also a song, a climate, a mood, a season, a moment in the day or a moment in life. These drawings are vehicle for those impalpable connections.
[TaV]: One more question related to the same subject. Each wine also has a quote associated with that specific wine. How do you come up with those? What is the message you are trying to convey?
[LS]: It is a quote I like from a song, a book or a movie. These mental associations help me get deeply into the mood of that specific wine.
[TaV]: You have been farming organically since 2000. Have you ever considered biodynamic farming? What is your take overall on biodynamics?
[LS]: The company has been organic since almost the beginning of its practice, since the early 1990s. Then in 2011, Europe introduced the regulation of Organic Wine and we aligned to sustainable practices also for what concerns the processes in the cellar. However, we do not follow the Steiner philosophy of biodynamic agriculture. I do not often approve it but admire it as a whole concept and I think that this movement is too often carried followed in a superficial way that does not deserve. Biodynamic farming is a way of cultivating the land and making wine aimed to preserve nature and what people drink. It is an all-embracing philosophy and, as such, it should concern the whole lifestyle of the producer and his vision of the world. In this light, for me is not coherent to ship the wine on a boat or a plane to sell it on the other side of the world. But maybe let’s leave this controversy alone!
[TaV]: You have quite an international selection of the grapes – Pinot Noir, Sauvignon Blanc, Cabernet Sauvignon, etc. What made you plant international varieties in the first place? Do you find your terroir particularly conducive to the international varieties?
[LS]: We were pioneers in this area of Piacenza. We had to experiment first in order to understand better. Thus, planting International varieties was a part of a whole pioneristic phase that informed our practice since the beginning. Often, but not always, this has proved us right. Indeed, it is an area that is well suited to international vines as well as, of course, traditional vines.
Besides the drive to try and experiment, we also have a pure deep passion for international varieties.
[TaV]: In a blind tasting, if your Cabernet Sauvignon would be placed together with super-Tuscan, which wine do you think might win?
[LS]: In the autumn of 2021, there was this tasting by the famous critic Daniele Cernilli ( Dr. Wine ) where my cabernet came out very well, despite costing on average a third of the other bottles. And I was very proud of that, of course! In general, though, I believe that parallel tastings should not be done to see who wins but rather to understand and enjoy the differences between the various territories.
[TaV]: The same question as before, but let’s replace super-Tuscan with Napa Valley Cabernet Sauvignon – how do you think your wine would fare against those?
[LS]: I would say that whether the super Tuscans and Napa wines focus on food, power, softness and low acidity, my wine has more tertiary hints of evolution such as spices, aromatic woods, pepper, balsamic, and then, instead of looking for softness, it pushes towards a tannic acid balance in the mouth, underlining the sapid and mineral notes of Colli Piacentini, our soils.
[TaV]: Do you have any plans for additional international varieties – Syrah, for example?
[LS]: I have experimented over the years with plantings of Syrah, Grenache, Cabernet Franc and Petit Verdot. But they have not been successful. And the vineyards were either grubbed up or replanted, proving that not all varieties can adapt to these soils.
[TaV]: You are farming 123 acres of estate vineyards. Have you identified vineyard plots that perform better/different from the others? Do you have any plans for single-plot wines in the future?
[LS]: The map of the single vineyards with names, varieties, altitudes and soil differences will be ready in September. It is a project we have been working on since January. Broadly speaking, we have the autochthonous vines planted up to an altitude of 820 ft above sea level, characterized by the “Terre rosse antiche” (old red soils in English) soil, loaded with red clay.
The international vines, on the other hand, are planted in vineyards ranging from an altitude of 800 ft to 1400 ft above sea level, in the lands of lower Apennines, characterized by a greater concentration of limestone. Most of the vineyards are located within the small Val Luretta – which gives the name to the company- characterized by a temperate microclimate, protected from either spring frosts, summer heat waves and large concentrations of humidity thanks to a lucky flux of air that constantly blows in our lands.
Wine time!
I had an opportunity to taste 2 of Luretta’s wines.
2019 Luretta Boccadirossa Colli Piacentini DOC (13.5% ABV, $30, 100% Malvasia di Candia Aromatica) had beautiful golden color. A beautifully perfumed nose of wild flowers and tropical fruit was supported by the body which was plump and crisp at the same time, with white plums and lemon and a perfectly acidic finish. Overall, solid and delicious.
2018 Luretta Superiore Gutturnio DOC (14.5% ABV, $25, 50% Barbera, 40% Croatina, 9 months in wood) was as quintessential Italian as only the Italian wine can be. The nose of leather and cherries followed by the exquisite palate of sweet cherries, leather, and a hint of tobacco, layered, generous, earthy, and complex.
Here you are, my friends – unexpected, unconventional, and well worth seeking Italian wines, waiting to be discovered by wine lovers around the world. Cheers!
Mother’s Day Escapades – 2022 Edition
Sometimes, the best plan is to have no plans.
When it comes to holidays, I usually start sweating it long in advance. What wine is worthy of a celebration? What should I open to match up the holiday? What will everyone enjoy? This chain of thought usually is followed by a long process of opening wine cabinet doors and pulling shelves back and forth. Yes, I might have a loose idea of what should be available, but I still don’t remember where which wine is, so I have to really search for it. It’s a process, and more often than not I even manage to annoy myself with the “wine selection paralysis” of my own making.
Mother’s Day last Sunday was nothing like the usual. There were only 5 of us. My wife drinks very little wine as of late (or any alcohol for that matter), my mother-in-law prefers tequila, and my kids don’t like wine, so I didn’t have much to worry about in terms of the wine program. Also as spring is settling in here in Connecticut, there were lots to do outside – cleaning, building new raised beds, preparing for the soil and mulch delivery which were taking place the next day.
Coming back into the house after a few hours of work outside I realized that I’m craving a glass of white wine. The first bottle which grabbed my attention was unpretentious 2020 Domaine René Malleron La Vauvelle Sancerre. Sancerre is a rare guest in the house, as it is usually a more expensive version of Sauvignon Blanc than the others, and for my personal preferences, I find that I like a generic Loire Sauvignon more than a typical Sancerre. I’m not even sure how I got this bottle, I’m assuming it was something I found through a WTSO offer.
Never mind this “not liking of Sancerre” – this bottle was superb. Fresh, floral, and a touch grassy on the nose, it delivered exactly the same profile on the palate – bright, elegant, round, crisp, clean, thirst-quenching, and delicious.
I was thinking about opening the bottle of Syrah for dinner. While looking for a particular bottle to open, I came across this 2004 Vaucher Père et Fils Gevrey-Chambertin. Of course, this is Burgundy and not a Syrah, but there is nothing wrong with celebrating with Burgundian Pinot Noir instead of Californian or Washington Syrah, especially considering that I was looking at this bottle for a while.
This happened to be another successful choice for a few reasons – it was at its peak, probably about to start the journey down. While it tasted good at the moment, it was also a timely decision as I’m not sure it would be still enjoyable a few years down the road. The wine had smoked plums and cherries on the nose, and more of the same darker fruit profile on the palate, introducing the notes of dried fruit, but still having enough freshness to be enjoyed. The wine also well complemented the burgers, which were our main dish. Those were good burgers – Peter Luger burgers from our local Darien Butcher Shop (DBS for short), and good burgers are well worthy of a good glass of wine.
As a surprise, my daughter requested a Mimosa while dinner was in the making. I don’t have a lot of bubbles in the house, so at the moment I didn’t have any Prosecco or a Cava which would be my preferred choice for this purpose. I opened a bottle of one of my favorite everyday Champagne – NV André Chemin Brut Tradition Champagne, which is made with 100% Pinot Noir. While the girls enjoyed their Mimosas, I was happy to have a few glasses of this delicious wine – a perfect combination of freshly toasted bread and yeasty notes, crisp, refreshing, and satisfying.
Here it is, a full account of a celebration in the wine terms. It was definitely unusual for this household to drink only French wines, and also classic French wines – Burgundy, Champagne, and Sancerre – in one sitting. Interestingly enough I believe all three wines were procured through WTSO, which is simply a fun fact I would like to mention.
Father’s Day is coming in about a month – it might be the time to start worrying about my wine choices…
Chilean Wines: Sustainability is a Long Game
Sustainability is a lifestyle.
Sustainability is a long game.
Have you ever dieted in your life? Did you achieve the intended results (let’s say, lose 20 pounds)? Did you go back where you started shortly after you stopped the diet? Of course, you already heard this a million times and you know what I’m going to say – diets don’t work. You need to change your lifestyle if you want those lost pounds to never come back, because the diet is a hack, and as such, it can give you only a quick and non-lasting, non-sustainable result.
Sustainability is a lifestyle.
When I think of sustainability my first thought goes to the vineyard. How vineyard integrates into the environment, how vineyard, land, soil, and everything around can happily co-exist now and in the future. My second obvious thought goes to the winery operation – sustainable energy use, recycling, waste reduction.
In 2011, the Chilean wine industry defined its Sustainability Code, a voluntary certification system aimed to improve sustainable practices in the wine companies in Chile. In 2011, it all started in the vineyard. Today, the Sustainability Code for the Chilean Wine Industry (SCWI) represents a colorful flower, consisting of 4 areas, and featuring 351 individual requirements:
- Viticulture (98 individual requirements /Green)
- Vinification, Bottling, and facility operations (65 individual requirements /Red)
- Social (118 individual requirements /Orange)
- Wine Tourism (70 individual requirements /Purple) — new category added in 2020
In the ten years since its inception, SCWI has been adopted by all the country’s leading wine producers and accounts for 80% of Chile’s bottled wine exports. Wines from certified producers come from 123,550 acres of vineyards, out of 485,000 acres of total vineyard space in Chile, so roughly 25%.
The certification is done by the accredited international bodies (ECOCERT from France, NSF from the USA, and SGS from Switzerland, a few more should be added soon), and it is an ongoing process, as re-certification has to be done every two years. Certification has a substantial cost, so Vinos de Chile has a special program in place to help small and medium producers to achieve certification. To date, 80 wineries achieved full certification – if you will look at the list, you will see a lot of familiar names. Some, such as Casa Lapostole, one of the most famous Chilean wineries, use its own set of sustainability rules.
I had an opportunity last year to taste a number of wines from the certified sustainable Chilean wineries. Let’s talk about them.
Viñedos Emiliana (now known as Emiliana Organic Vineyards) was founded in 1986. However it is interesting that if you will check the history section on Emiliana’s website, the time count starts from 1998 – this is when Emiliana began its journey to convert into a sustainable, organic, and biodynamic winery. In 2001, Emiliana became 1st winery in Chile, and 7th in the world to obtain ISO 14001 certification in environmental management. Two years later, Emiliana produced its first organic wines (Coyam was one of them). In 2006, the winery obtained its Demeter certification and produced its first biodynamic wine, 2003 Gê. Moving forward, Emiliana obtained multiple certifications in social responsibility, fair trade, carbon neutrality, and more. As a fun fact, with 2,760 acres in size, Emiliana is the largest biodynamic, sustainable, and organic vineyard in the world.
The wine I tasted for this post was 2018 Coyam. Back in 2015, the 2011 Coyam was my wine of the year. The 2018 Coyam was good, but really needed lots of time to open up.
2018 Emeliana Coyam Colchagua Valley DO (14.4% ABV, $35, 42% Syrah, 39% Carmenere, 6% Cabernet Sauvignon, 5% Garnacha, 3% Malbec, 3% Carignan, 1% Tempranillo, 1% Mourvedre, organic vineyards, vegan)
Dark garnet
Bell pepper, cherries, cassis
Beautiful, cassis, mint, medium-plus body, good balance, good acidity
8, these are the 3rd day notes, this wine needs time.
Viu Manent‘s history began in 1935, when Catalonian immigrant Miguel Viu-García and his two sons founded Bodegas Viu, bottling and selling their own wines. In 1966, Miguel Viu-Manent, one of the sons, acquired an estate in Colchagua Valley which also included 375 acres of vineyards, planted with pre-phylloxera vines. In 1993, Viu Manent became the first Chilean winery to produce, bottle, and label Malbec under its name. In 2001, as a tribute to the founder, Miguel Viu-Manent, Viu Manent produced its single-block Malbec from approximately 100 years old vines. In 2003, the winery started producing its Secreto de Viu Manent line of wines. In 2007, Viu Manent joined the environmental biodiversity program run in Chile by the University Austral of Chile’s Ecology & Biodiversity Institute. In 2018, 3 solar panel energy plants were put into production at the winery and in the vineyards. The winery also participates in wastewater and solid waste management programs and other environmentally-friendly initiatives.
2019 Viu Manent Secreto Malbec Valle de Colchagua (13.5% ABV, $15, Malbec 85%, 15% “Secret”)
Dark garnet, almost black
Raspberries, blackberries, cigar box
Fresh raspberries on the palate, fresh, open, good minerality, a bit astringent on the finish even on the second day. Needs time.
7+ On the second day
8- on the third day
Viña Maquis, an estate located between two rivers, the Tinguiririca River and the Chimbarongo Creek, traces its roots to the 18th century when Jesuit priests were producing noble wines on the property. In the 19th century, the property belonged to the two Chilean presidents who even hosted cabinet meetings at that location. In 1916, the property was acquired by the Hurtado family with the goal of producing fine wines. Viña Maquis was one of the first wineries to obtain sustainability certification. They use in the vineyard energy recovery system based on geothermal heat pump technology for which the winery won the 2013 Innovation Prize for energy saving and carbon footprint reduction awarded by the British-Chilean Chamber of Commerce. They also use biological corridors which host beneficial insects, birds, and animals, and more than 2,600 sheep help control the weeds and fertilize the vineyards.
2018 Viña Maquis Cabernet Franc Gran Reserva Colchagua Valley (14% ABV, $24, 90% Cabernet Franc, 7% Carménère, 3% Petit Verdot)
Dark garnet
Cassis, cassis leaves, a touch of bell pepper
Cassis, blackberries, good acidity, fresh, crisp, medium body.
7+/8-
Concha y Toro is one of the oldest wineries in Chile, founded in 1883 by Melchor Concha y Toro with a dream of producing the best wines. He brought in vines from the Bordeaux and built the winery with all the best equipment at a time. As Concha y Toro was transitioning from a family business to a corporation, 50 years later the wine export started, the Netherlands being a first international destination. In 1987, Concha y Toro released the first vintage of its iconic Cabernet Sauvignon, Don Melchor, named in the honor of the founder. In 2020, James Suckling awarded 2018 Don Melchor a perfect 100 score.
In 2021, Concha y Toro received B Corporation Certification, which recognizes companies around the world that meet the highest standards of environmental management, governance, and social performance. This B Corporation certification included metrics such as 100% drip irrigation, 97% of waste reused/ recycled, 24% reduction of waste over 2018, 83% of energy coming from renewable sources. Concha y Toro also works with the scientific community and Wines of Chile to develop a measurable roadmap for carbon footprint reduction.
2019 Concha y Toro Cabernet Sauvignon Serie Riberas Gran Riserva DO Marchigue (13.5% ABV, $17, 94.5% Cabernet Sauvignon, 3% Carmenere, 2.5% Syrah)
Dark garnet, practically black
Summer meadows, a touch of cassis, hint of mint
Open, fresh with happily gripping tannins (French oak), firm structure, fresh fruit, needs time
8-, will be great with the steak.
8+ second/ third day – wine became more integrated, polished, layered, perfect balance, pleasure in every sip.
In 1885, Francisco Undurraga imported vines from France and Germany and founded the Viña Undurraga winery. In 1903, Viña Undurraga became the first Chilean winery to export its wines to the USA. In 1942, under the management of Pedro Undurraga Fernández, the winery becomes a pioneer in exporting Chilean wines, reaching more than 60 countries. In 2006, the Los Lingues far was acquired, giving a start to Viña Koyle, which in 2009 started the transition to Demeter-certified biodynamic viticulture.
2019 Viña Koyle Carmenere Gran Reserva Alto Colchagua (13.5% ABV, $17, 85% Carmenere, 9% Tempranillo, 6% Petit Verdot)
Dark garnet, practically black
Cassis, a hint of underbrush, fresh dark fruit, inviting
Fresh berries, dark chocolate, a hint of sweet tobacco, round, succulent, excellent t balance, medium-long finish
8, excellent
In 1874, the winemaker Don Franciso de Rojas founded the winery in Maipo Valley which he called Viña de Rojas. In 1876, one of his wines received Silver Medal at a competition in Philadelphia in the USA. Now here is the rare happenstance with the transition of the name from Viña de Rojas to Viña Tarapacá. In 1892, the winery was acquired by Don Antonio Zavala and it became Viña Zavala. After the divorce, the winery became alimony assigned to his wife, who renamed the winery Viña Tarapacá ex Zavala to express her gratitude to her divorce lawyer Don Arturo Alessandri who had a nickname “The Lion of Tarapacá”. In 1992, the winery was acquired by the holding company with a focus on international expansion. In the same year, the winery acquired El Rosario Estate, 6,500 acres parcel, out of which 1530 acres are planted with vines, right in the heart of Maipo Valley. In 2008, Viña Tarapacá became a part of VSPT Group, the second-largest exporter of Chilean wines.
The winery holds a large number of environmental and sustainability certifications, and in 2016 it also became the Chilean winery to build a hydroelectric plant, capable of supplying 60% of all winery’s energy needs.
2018 Viña Tarapacá Red Wine Blend Gran Reserva Maipo Valley (14% ABV, $20, 31% Cabernet Franc, 26% Syrah, 22% Carmenere, 11% Merlot, 10% Cabernet Sauvignon, organic wine)
Dark garnet, almost black
Delicious nose of mint, currant, a touch of sweet basil and thyme
Ripe berries, firm structure, gripping tannins, a touch of cherries and black pepper, good acidity, excellent balance.
8+, delicious, but will be amazing in 10-15 years.
Here you go, my friends. Chilean wineries take sustainability seriously and show the world how it should be done. And they also support it with delicious wines. Sustainability is a lifestyle.





















