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WBC18: Merlot Deep Dive with Masters of Merlot
I remember my first “deep dive” into the Washington wines at the Chateau Ste. Michelle winery a few years ago, where I was told about the power of Washington Merlot. The explanation was given on the example of a group visiting Chateau Ste. Michelle from California, who were complaining that Washington Cabernet Sauvignon was too soft and mild as opposed to the Cabernet Sauvignon from California. The group was offered to taste the Washington Merlot wines next, and this is where they found the right amount of “power” they were looking for (or maybe even a bit more).
While attending Wine Bloggers Conference 2017, I was able to start the conference experience on a very high note with the deep dive pre-conference session on the California Cabernet Sauvignon, where we learned about one of the most classic California Cabs you can find – Beringer Cabernet Sauvignon. This year, at WBC18, we started on the equal, or maybe even higher note with the pre-conference session on Merlot. Very appropriately for being in Washington, and for the October being the #MerlotMe month, we were able not only taste a line of Merlot wines but to compare side by side the wines made by two of the Merlot pioneers and, unquestionably, the Masters – Duckhorn Vineyards from Napa Valley and L’Ecole No 41 from Walla Walla Valley.
Dan and Margaret Duckhorn started Duckhorn Vineyards back in 1976, becoming one of the first 40 Napa Valley wineries. Even in those early days, it was clear that Cabernet Sauvignon was The Grape everybody wanted to work with. At that time, Dan and Margaret decided to proceed in their own way, and instead of joining the Cabernet Sauvignon movement, be unique and different and embrace the Merlot. Ever since their inaugural vintage in 1978, they never looked back and became known as Napa Valley Merlot pioneers and one of the best Merlot producers in the world, starting with their first release of Napa Valley Merlot in 1979. Today, Duckhorn Vineyards expanded dramatically and now comprise multiple wineries and brands around the USA – however, Merlot is the heart and soul of Duckhorn wines, and it is not surprising that 2014 Duckhorn Vineyards Three Palms Vineyard Merlot was the Wine Spectator’s 2017 Top 100 Wine of the Year.
L’Ecole No 41 was founded by Baker and Jean Ferguson in 1983 when it became 3rd winery in Walla Walla, and 20th winery in the Washington state. Today the winery is run by the 3rd generation of the family, and sustainably farms estate Seven Hills and Ferguson vineyards. Merlot is the king in Washington, so it is not surprising that the L’Ecole crafts some of the best Merlot wines in Washington – however, their Cabernet Sauvignon, Syrah, and Bordeaux-style blends are equally world-famous.
Now that you know the bit of the history, let’s talk about our tasting. In our Masters of Merlot session, we had an opportunity to taste side by side Duckhorn Vineyards and L’Ecole No 41 Merlot from 2008, 2012 and 2015 vintages, plus a cherry on top (thank you, Duckhorn Vineyards) – 2015 Three Palms Merlot. Before I will leave you with the tasting notes for these beautiful Merlot wines, I just want to share some general observations. The three vintages of Duckhorn Merlot we were comparing had a different grape composition between the vintages while maintaining the same oak treatment for all the wines. As I mentioned in my summary post about WBC18 experiences, Washington weather is very consistent, so L’Ecole No 41 maintained the same grape percentages between the vintages and the same oak regimen – the changing parameters were only harvest dates and the vineyard source composition, which gradually shifted from solely a Seven Hills vineyard in 2008 to the 50/50 share between Seven Hills and Ferguson vineyards in 2015 (L’Ecole folks are ecstatic about the potential of the Ferguson Vineyard, now introducing more and more single vineyard wines from it).
Now, it is (finally!) time to talk about the wines. Here we go, in the tasting order:
2008 L’Ecole No 41 Estate Merlot Seven Hills Vineyard Walla Walla Valley (14.5% ABV, $?, 80% Merlot, 10% Cabernet Sauvignon, 10% Cabernet Franc, 18 months in French oak)
Rutherford dust on the nose, chewy, dense, tart cherries, needs time! I want more fruit! Would love to try it in 5-8 years.
2008 Duckhorn Vineyards Merlot Napa Valley (14.5% ABV, $70, 86% Merlot, 9.5% Cabernet Sauvignon, 3.5% Petit Verdot, 1% Cabernet Franc, 16 months in French oak)
Raisins on the nose, very explicit, beautifully dry on the palate, sage, anise, tart, showed a bit of Rutherford dust after swirling, great acidity. Amarone! I want to drink it NOW!
2012 L’Ecole No 41 Estate Merlot Walla Walla Valley (14.5% ABV, $30, 80% Merlot, 10% Cabernet Sauvignon, 10% Cabernet Franc, 76% Seven Hills Vineyard, 24% Ferguson Vineyard, 18 months in French oak)
Espresso, Rutherford dust (a bit less explicit than 2008). More fruit on the palate, bright, beautiful.
2012 Duckhorn Vineyards Merlot Napa Valley (14.5% ABV, $65, 88% Merlot, 7% Cabernet Sauvignon, 2% Petit Verdot, 2% Cabernet Franc, 1% Malbec, 16 months in French oak)
Delicate, fresh plums, a touch of truffle notes, plums and lavender on the palate, delicate, fresh, round.
2015 L’Ecole No 41 Estate Merlot Walla Walla Valley (14.5% ABV, $36, 80% Merlot, 10% Cabernet Sauvignon, 10% Cabernet Franc, 50% Seven Hills Vineyard, 50% Ferguson Vineyard, 18 months in French oak)
Dark fruit, Rutherford dust, dark berries, a bit of bell pepper on the palate, plums, sapidity, interesting minerality. Needs time.
2015 Duckhorn Vineyards Merlot Napa Valley (14.5% ABV, $56, 85% Merlot, 12% Cabernet Sauvignon, 2% Cabernet Franc, 1% Petit Verdot, 16 months in French Oak)
Closed nose, a touch of mint, however – palate is beautifully ripe, open, clean, fresh fruit.
2015 Duckhorn Vineyards Merlot Three Palms Vineyard Napa Valley (14.7% ABV, $98, 91% Merlot, 7% Cabernet Sauvignon, 1.5% Petit Verdot, 0.5% Cabernet Franc, 18 months in French Oak)
Rich, opulent, caramel, anise, sage, on the palate coffee, ripe fruit, mocha, dark chocolate. Big and delicious.
Were these wines similar, even between the different wineries? Of course. I love the presence of the Rutherford dust on many of the wines we tasted – after tasting best of the best in Rutherford in Napa Valley – the BV wines, I picked up that term and I always use it describe the perceived dusty impression of the wine’s aroma. L’Ecole Merlot was a lot more structured and minerally-driven. I would safely say that 2-3 hours in the decanter would help those wines a lot. The Duckhorn Merlot were a lot more fruit driven but offered an impeccable balance with that fruit. If I have to pick the favorite, it would be between 2008 Duckhorn (ahh, that Amarone-like beauty) and 2015 Duckhorn Three Palms, but there were really no bad wines in this tasting.
There you have it, my friends. Beautiful Merlot wines, easy to love and appreciate, and most importantly, offering lots of pleasure. How is your Merlot Me month going? What are your discoveries or the old favorites?
I have to say special thank you to Constance Savage of L’Ecole No 41 and Kay Malaske of Duckhorn Vineyards for offering this special tasting to the wine bloggers! Cheers!
WBC18: Like A Kid In The Candy Store – Again, or 4 Days in Walla Walla
Back in 2014, I was visiting the state of Washington on business, and my obsession with local wines led me to the small town of Woodinville, about an hour northeast of Seattle. As I parked next to the industrial building and started going door to door, visiting one artisanal winery after another, I really felt like a kid in the candy store – the wines were delicious, and conversations with winemakers and not were even better than the wines – what else the wine lover needs? I was so impressed with that visit that my enthusiasm showed in the blog post, which won one of the Monthly Wine Writing Challenges (we called them MWWC) with the theme “local”.
The timing for the Wine Bloggers Conference 2018 (WBC18) was a little strange – for the most of the time, the conferences took place in August, and October is definitely not the ideal month to take time off (I know that many of the regulars couldn’t attend due to the timing). However, my high opinion of the Washington wines and the memories of visiting the Woodinville became the deciding factor, so I was able to find the time for this trip to Walla Walla in Washington.
Boy, was I not disappointed. After a beautiful ride from the Portland airport along the Columbia River (I wish I would record a little video – the amazing scenery must be shared), I arrived at the Walla Walla. Walla Walla is a home to about 30,000 residents, but it is hard to tell from the tiny downtown. However, when it comes to wine, don’t let the small size to full you – Walla Walla downtown hosts 30 something tasting rooms, plus a number of full working wineries located within the city limits (there are 120 wineries in the Walla Walla Valley overall) – it is definitely a destination for any wine lover out there.
As it always happened so far (this was my fourth WBC), the 4 days of the Wine Bloggers Conference became a non-stop adventure of sipping, spitting and learning, and most importantly, spending time with the fellow bloggers. I can’t tell you how many wines were tasted during these four days – whatever happens at WBC, stays at WBC. But – I will be happy to share with you main takeaways from these 4 days. Here we go:
- Washington State produces some magnificent wines (duh) – at least on par with Napa, and often far exceeding the Napa offerings in terms of QPR – and they are predominantly red. All six Bordeaux varieties are doing quite well in Washington, both in the form of the Bordeaux blend and on its own. Merlot might be a king of Washington, but Cabernet Sauvignon can often fight for that royal crown, and quite successfully. The Syrah is definitely a queen, well deserving your attention, following by the other Mediterranean breeds, such as Grenache and even Tempranillo.
- Washington whites are much rarer find – but they can be equally delightful as the reds. Rhone varieties do particularly well (Marsanne, Roussanne), but Chardonnay, Sauvignon Blanc, Riesling, and even Albarino can deliver a happy surprise. An important reminder – please, please drink Rhone whites at the cool room temperature – they really taste better like that. Make them too cold, and they become indistinguishable and boring.
- Unlike California, where you can find 100+ years old [continuously farmed] vineyards, such as Bechtold in Lodi (farmed since 1886), and 150 years old continuously producing wineries, Washington wine industry didn’t survive the prohibition. What was striving in the 1860s, was completely destroyed in 1920s, and had to be rebuilt in 1960s. This information actually doesn’t have any deep meaning outside of being an interesting (and unfortunate) fact.
- I don’t believe you need to pay attention to the vintages for Washington wines, unless something ultra-bad happens, like out of blue frost in May. The temperatures are consistent, and so are the general climate conditions – too hot of a summer can be compensated by harvesting earlier. Well, the summers are typically hot, so the “canopy management” is a hot subject in winemaking circles. If the vineyard is managed properly, and winemaker does the job right, there is a good chance for consistency. In other words, don’t ask “how was that vintage”, just get the wine you want to drink. But – the way a lot of wines in Washington are made, especially coming from the small wineries – with utmost respect to the product at all stages – guarantees that the wines will age well. Give them some time, and prepare to be amazed.
I can probably think of more conclusions, but instead, I really want to tell you how my four days unfolded – just in case you wonder what one does at the Wine Bloggers Conference. Look at it more like the set of highlights as opposed to the detailed report. And then my plan is to convert many of this mentions below into the separate posts, to make my report more detailed – oh well, will see how that will work.
Day 1: After the beautiful ride along the Columbia River from Portland, I checked into the hotel, and then my next immediate stop was a tasting at the Seven Hills Winery, located right next to the conference hotel. After tasting at Seven Hills, next stop was the tasting at the Gård Vintners – with lots of delicious surprises. That tasting was followed with a very short walk back to the hotel to attend the Masters of Merlot session (now part of the official WBC program), presented by two of the Merlot Greats – Duckhorn and L’Ecole No 41 (very appropriate for the October, the #MerlotMe month).
Next was the mingling with the fellow bloggers around so-called Expo, where WBC sponsors poured their wines and offered their products. My last activity for the day was a superb, mind-blowing tasting at the Eternal Wines (more later) in lieu of group dinner. I also skipped all after-hours activities – that was enough for the first day.
Day 2: The actual conference program started. One of the main morning highlights was the panel discussion by the 4 of the Walla Walla winemakers, talking about terroir, canopy management, and stories, their personal, real life stories. I also liked the panel of wine influencers, talking about the wine industry, wine writing, and Dos and Don’ts of wine blogging. During lunch, we had an opportunity to taste wines from the Cascade Valley Wine Country, where one particular wine, WineGirl Wines Red blend left a mark with me – a standout, flawless, round, and beautiful.
After lunch, I went with a group of friends to taste delicious Oregon non-Pinot wines from Troon Vineyards Applegate Valley, as presented by WBC veteran, Craig Camp (I believe Craig didn’t miss a single WBC event). We got back to listen to the keynote by Lewis Perdue, the founder of Wine Industry Insight publication, who was focusing on a seemingly simple concept – Trust – and the tenets of good writing.
Next session was one of my traditional favorites – Live Wine Blogging for red wines, and once that was over, we all left for the dinners at mystery wineries (nobody knew where they are going), with our mystery winery being Canoe Ridge. Do you think this was enough for a day? Wrong. It is never enough – the last part of the program was so-called “after party”, where we tasted lots more wines (attendees are invited to bring wines to share with the others for this late night session). My highlights from this late-night tasting were Chardonnay and Cabernet Sauvignon from Smith-Madrone and iOTA Cellars Oregon Pinot Noir vertical (2013, 2014, 2015). Whew, time to sleep.
Day 3: The day started from learning about the location of the Wine Bloggers Conference 2019 – Hunter Valley in Australia, October 10-12, 2019. This sounds ultra-attractive – and equally impossible (in my own world). After a few of the breakout session, we went out for lunch at the Walla Walla tasting rooms which we had an opportunity to select the day before – my choice was Otis Kenyon Winery. Next was the session called Bubbles and Bites, a sparkling wine and food pairing lesson presented by Gloria Ferrer. Right after that, we had an in-depth lesson about European Cheeses. Up next was the “Lightning talks” session – 5 minutes presentations by the fellow bloggers with the slides rotating every 15 seconds. Wine Live Blogging session for whites and Rosé closed the main conference activities – which left us with the wine dinner with the vintners from Walla Walla. At the dinner, I fell in love with the wines from Revelry Vintners, which were simply stunning, and also enjoyed a few wines from Bergevin Lane. And then … yes, of course, another late night session (someone had to drink all that wine, right?)
Day 4: The conference was officially closed, but – there were post-conference excursions. I visited Maryhill Winery in Walla Walla, and Cathedral Ridge Winery in Oregon, both offering spectacular views and delicious wines.
The End.
Here it is – my abbreviated report of the WBC18 activities. Speaking strictly for myself, I greatly enjoyed the conference – the place, the wines, people and conversations – everything work together very well to create a memorable experience. If you never attended the conference – do you want to attend one now, after reading my report? If you are a “regular”, what are your thoughts about WBC18 and will we see each other in Australia? Cheers!
Perfection, or When Everything Works Together…
If you are into wine and food (or food and wine, whatever your preferences are), I can safely bet you were looking for that climactic moment of combining the food and wine to reach a new, higher level of pleasure. Yes, I’m talking about that “oh my God” moment when your taste buds experienced that already exceptional bite of food becoming something beyond exceptional in combination with the sip of the wine. By the same token, if you were looking for that moment, I’m sure that more often than not (actually, a lot more often than not) you couldn’t find it – those beautiful pairings are often equally evasive.
Here I want to share with you my account of my recent encounter with perfection, that climatic experience if you will.
A few months ago I got a box in the mail (one of the little perks of the wine blogger). Inside, there was a bottle of wine, a bottle of olive oil, a jar of sea salt and a recipe – for Bistecca alla Fiorentina.
Bistecca alla Fiorentina is a dish coming from Tuscany (Florence) and depending on the historical account, it traces its origins either to the 16th or the 19th century – well, the history of Bistecca all Fiorentina is definitely not something we will be talking about here, so let’s move on. I’m sure you understand that “Bistecca” simply stands for “beef steak”. However, the recipe calls not for any steak, but specifically for the porterhouse or T-bone steak, which should be simply prepared rare or medium-rare over the charcoal. As the recipe is very simple, here it is in its entirety:
Ingredients (serves 4):
2 (1.5″ thick) bone-in porterhouse steaks (3.5 lb)
1/4 cup Il Poggione EVOO
Tuscan sea salt and freshly ground black pepper, to taste
2 sprigs rosemary
Get the charcoal ready. The distance between the hot charcoal and the steak should be about 4 inches (10 cm). The steak should be at room temperature before you start grilling (it should be out of the fridge for about 10 hours to get to room temperature). Grill steak on one side for 5-8 minutes, flip it with tongs (no forks of any kind!), salt the top surface with Tuscan sea salt and pour some olive oil. Cook for another 5-8 minutes, then stand the steaks on the bone and cook for another 5 minutes. Take it off the heat, put it down to rest, salt the other side and put some olive oil on it. After 5 minutes of rest, you can slice and serve your steak. See, can it get any simpler?
Now, it is time to talk about perfection.
First, the perfection started with the exceptional meat. In addition to what I already described, the box contained a gift card for Pat LaFrieda. The story of Pat LaFrieda Meat Purveyors started at the beginning of the 20th century when Anthony LaFrieda arrived in the USA and opened his first butchery – you can read the rest of the story on Pat LaFrieda website. Whatever the story is, the proof is always in the pudding – or on the fork in this case. I have to honestly tell you that I never had a better steak than this – the meat was sublime and was simply melting in the mouth – a good start for the perfect experience.
The second element of the perfection was, of course, the wine – 2016 Il Poggione Rosso di Montalcino (14% ABV, $27, 12 months in large oak barrels). Tenuta Il Poggione is one of the oldest producers in the Montalcino area, started to make Sangiovese wines – now known as Brunello – at the beginning of the 1900s. Today, it is one of the largest wineries in Montalcino, with 1500 acres, out of which more than 300 acres are under vines and 170 acres planted with olive trees (that Il Poggione EVOO in the package was superb).
The wine actually happened to be one of the best Rosso di Montalcino wines I tasted in a long time. The key word to describe this wine is finesse – it had a welcoming nose of tart cherries, medium intensity, and a hint of herbs. That profile perfectly continued on the palate, where delicate fresh cherries were joined by sage and rosemary, with clean acidity and excellent balance. Definitely one lip-smacking, delicious wine (8+).
Let’s not miss any details – we are talking about the perfect pairing here. As the devil is in the detail, there was one more element – little, but essential – to this amazing pairing, besides superb meat and outstanding wine. The last element? Tuscan sea salt. This was not some random sea salt – this one was Tuscan Sea Salt from AG Ferrari, listing the following ingredients: “Italian sea salt, fresh rosemary, fresh garlic, sugar, fresh sage, ground black pepper” – this Tuscan Sea Salt became the bridge which connected the flavor of the seasoned meat with the perfectly aligned flavor profile of the Il Poggione Rosso di Montalcino, delivering the genius pairing and an amazing experience.
I have to honestly tell you – I tried to replicate this experience two days ago – and failed. I used the same Tuscan Sea Salt, but I had a steak from the local supermarket butcher shop (1/3 of the price compared to Pat LaFrieda), and the wine was 2015 Collosorbo Rosso di Montalcino. The steak was simply not good (happy to be blamed for it as a cook – but I cooked the one from Pat LaFrieda too). The wine was okay, but a lot fruitier than Il Poggione, thus the pairing simply didn’t work. This once again proves my point about the evasive nature of a great wine pairing.
Did you have any climactic food and wine pairing experiences you care to share with the world? Or maybe you want to recount the worst moments? Will be happy to hear about it either way. Cheers!
Have a Car? Love Wine? Let’s Travel!
In today’s world, wine advanced its standing far beyond just an alcoholic drink. Yes, we get a lot of pleasure from the glass of a good wine, but leaving that aside for a moment, just think about the source of the wine – the grapes, the vineyards, the wineries. Think about rows of vines, which are always tended to so they look immaculate, with all those perfectly positioned lines. And then think about all the slopes – vines love hills, so think about all those beautiful rows covering the sides of the hills and mountains and ascending into the fog… And how about all those winding roads, where with every turn you keep repeating “oh my, just look there! Did you see it? Did you see it?” Before the liquid in the bottle, the pleasure comes from admiring all that beauty in its simple, natural form.
Want to see and experience that beauty of the vineyards? Most likely, you will need a car. Of course, you can always hire a driver, but then you are not fully in control as to where you will stop, what you will see, and how slow (or fast) you will go. As most of us, wine lovers, have to travel to see the vineyards, a rental car is our friend. So the CarRentals put together an infographic (love infographic as a concept), presenting 8 different wine routes around the world, giving you all the details you need to enjoy your trip. You can read the detailed descriptions of those eight routes in their blog post.
So, where are you going next? Cheers!
Can You Enjoy The Wine In The Can? Yes You Can!
I couldn’t resist a little fun with the title, but really – what do you think of the wines in the can?
Let me ponder at the subject a bit while you give it a thought.
I’m sure that I qualify as one of the pioneers of the wine in the can. Here is an article in LA Times, talking about wines in the can showing up around the USA, and explaining why those make sense. This article appeared in September of 2015. Here is the link to my own post, titled “My First Can of Wine“, written back in November of 2014. So yes, I can claim some familiarity with the subject.
My first can of wine was produced by Field Recordings, a very unorthodox winemaking company to begin with, offering strange wines, with strange labels, unusual blends, aged in unusual barrels (Acacia wood, anyone?) – but ultimately, unquestionably delicious. I wrote numerous posts about Field Recordings wines, starting from 2011 – you can scroll through a few pages here. Field Recordings went on to create a club dedicated to the wines in the can (suggestively called Can Can Club), and then they even created a whole new company, called Alloy Wine Works. One of the fun parts of that Can Can club membership was to observe the progression of packaging and delivery of club shipments of canned wines – from packing bubble-wrapped cans in the same wine shipping box as the regular bottles (didn’t work too well), to the Fedex Tube:
to the practically a masterpiece of packing:
Okay, I probably got a bit off on the tangent here – this post is not about Field Recordings, but rather about wine in the can as a category, so let’s continue our discussion.
First, I think we need to establish a very simple truth – wines in the can are NOT a reduced, lower quality, cheap leftover junk wines – they are full-blown, legit, properly made wine of the same quality as all other wines made at a given winery, simply presented in the different format – a high quality lined aluminum can. These are the same wines, people, and if you want any takeaway from this post, this is my main point. One more time – these are the same wines, which are simply packaged in cans instead of being packaged in the glass bottles.
Now, why do we need wines in the can? I don’t want to get into the whole “cool factor” and “millennials” discussions – yes, those are important, I know, as they further democratize wine and bring new people to try the wine for the first time. But all of these can be categorized as a marketing gimmick, and I want to look for the actual benefits of the canned wines. Let’s see:
- On the go: Canned wines are perfect on the go. It is much easier to stuff a can of wine exactly as you would a can of soda into your backpack, and off you go. When you decide you want to drink the wine, it is very easy to open, and you don’t need to look for the glass. And even two cans of wine will be lighter than one bottle of wine, for the most of the cases. As we said – just get it, and go.
- Safety: Wines in the cans are a lot safer around small children, and generally anywhere where glass is simply a bad idea – like a beach or a pool.
- Convenience: Standard size for a can of wine is 375 ml, which is half of the bottle. If you want to drink white, and your friend is in a mood for a hearty red, having two different cans is easier than opening two bottles of wine.
- Experimenting and variety: with the smaller format and different packaging, there is an opportunity to create new types of wines or even go beyond wine. With Alloy Wine Works, I had wines going way beyond white, red and Rosé – wines finished with beer hops, wines mixed with coffee, plums, stout and lots lots more.
I’m sure there are other benefits of wines in the can, but – do cans of wine have only a good side without a bad one? As you know, this is never the case in life, so let’s talk about challenges:
- This is wine, not a beer!: It is important to remember that a can of wine holds half a bottle of wine – not beer. What’s my point, you ask? A typical can of beer contains less than 4% of alcohol. Typical wine – 13% as the least, so that one can of wine is equivalent to at least three cans of beer in terms of alcohol volume – you better remember that. Half a bottle of wine is not something you can easily dismiss.
- Once it’s open, it’s open: if you just want to have a glass of wine, it is easy with the bottle – open, pour a glass, close the bottle back. It is not going to work like that with the can – once it’s open, it’s open, and there is no going back. This problem has an easy solution – provide a plastic cap which can be used to reclose the can – but so far I didn’t see too many of those sold with the cans.
- Aging: I don’t think this is a real problem, as I don’t expect much of the aging-worthy wines to show up in the can, but in any case, keep in mind that the wine cans are better not be lost in the cellar.
Here you go – my take on the wines in the can. I didn’t plan to include much of tasting notes in this post, but I can tell you that this year I had wines in the can from California, Oregon, Australia and Long Island, and all of them were well made tasty wines.
At this point you had plenty of time to come up with your opinion about the wines in the can – would you please share it with everyone? Here is an easy poll for you – let us know what you think about canned wines! Cheers!
The Art of Tempranillo
I love Tempranillo wines. I wouldn’t call myself an expert, but I had a wide range of Tempranillo – with the exception of Australia, I believe I tried most of the major renditions – Rioja, Ribera Del Duero, Toro, most everywhere else in Spain, Texas, California, Oregon, Washington (am I missing something? do tell!). With all the love and respect to all the regions, if I have to put an order of priorities in that “list”, I would put Rioja first, Ribera del Duero very close second, but the competition for the 3rd place would be severe – in my world, of course.
I like wines of Toro, the closest sibling to the Rioja and Ribera del Duero, but it would be hard for me to place them higher than some of the beautiful Tempranillo renditions from Irwin Family Vineyards, Duchman, or Fields – considering the Toro wines I had in the past. Compared to Rioja and Ribera del Duero, Toro is … well, maybe I need to explain why I keep mentioning Rioja, Ribera del Duero, and Toro together all the time. These are the only three regions in the world where the absolute majority of the red wines is made out of the Tempranillo grapes. Yes, there are Garnacha and Graciano in Rioja, Cabernet Sauvignon and Merlot in Ribera del Duero, but still – most of the red wines in these three regions are made out of the Tempranillo, hence the constant comparison.
Out of the three regions, Toro is south-most one, with an expressly continental climate, low annual rainfall amounts, and significant range of day-night temperatures – which typically translates well into the flavor. Tempranillo is the grape of Toro, but similarly to Tuscany/Brunello, where you have Sangiovese and Sangiovese Grosso, Tempranillo in Toro is known as Tinta de Toro, a.k.a Tempranillo de Castilla, a.k.a. Ink of Toro. The grape is a bit smaller, with thicker skin, which coupled with growing conditions typically results, in massive, concentrated wines requiring extensive aging to become drinkable – I still have a memory of trying Alabaster made by Sierra Cantabria, one of the well-known producers in Toro, which was one of the most massive wines I ever experienced. Nevertheless, as I said at the beginning, Tempranillo is one of the favorites, so when the opportunity called to try 3 wines from Toro, I was definitely curious – and a bit cautious at the same time.
To ease things up, together with the 3 Toro wines from Bodega Matsu came a bottle of Rioja Reserva from Bodega Classica. While coming from unrelated producers, there is a common link between them – this link is called Vintae – a young company with a serious passion for the Spanish wine for the modern world. Vintae, started in 1999 by the Arambarri family, set on changing world’s perception of the Spanish wine as “boring”. To the date, Vintae unifies a collection of 11 different “projects”, all focused on showcasing the regions and the grapes.
Going back to the wines at hand, let’s talk about Rioja first. The wine comes from Bodega Classica, located in the heart of Rioja Alta. Rioja Alta offers a unique high-altitude setting to produce arguably the best Tempranillo of the whole of Rioja region. Couple that with more than 100 years old vineyards, and you are looking at some tasty opportunities in the bottle, as this Bodega Classica Hacienda López de Haro Rioja Reserva was. Here are my notes:
2013 Bodega Classica Hacienda López de Haro Rioja Reserva DOCa (13.5% ABV, $16.99, 90% Tempranillo, 5% Garnacha, 5% Graciano, 20 months in French and American oak)
Dark garnet color
Pepper, vanilla, raspberries, mushrooms, nice minerality
Medium body, good acidity, noticeable alcohol burn initially, went away in about 15 minutes, good fruit showed up, characteristic cedar notes, good acidity, round, soft.
8-, nice, just give it a bit of time to soften up at the beginning. The second day continued without changes. Good life expectancy, as expected of Rioja Reserva. And an excellent QPR.
Now, let’s go back to Toro. As I already said, in my prior experience, Toro wines were massive and concentrated, requiring long aging to soften and really show a beautiful expression of Tempranillo. And then there were wines called Matsu.
Matsu in means “wait” in Japanese. As we all know, waiting is one of the favorite games of oenophiles. When it comes to the three Matsu wines I had an opportunity to taste, there are many different levels of “waiting”. The wines had been progressively aged for the longer times before the release – 3 months for El Picaro, 14 months for El Recio, 16 months for El Viejo. The grapes were harvested from the vines of different age (again, progressively) – 50-70 years old for El Picaro, 90-100 years old for El Recio, more than 100 years old for El Viejo. See, waiting here is clearly a part of the equation.
And then there are those ultra-creative labels. Not only labels commemorate people who actually worked to create the wines, they clearly identify what you should expect from the wines – in age, in style, and even in price. I conducted a little experiment, first with my kids, and then with the people on Instagram, asking them to identify the most expensive wine – nobody made a mistake, the labels speak very clearly to us.
How were the wines? Surprising. Probably the best Toro wines I ever had – without any regard to the pricing category. Here are my notes, so you can see for yourself:
2016 Bodega Matsu El Picaro Toro DO (14.5% ABV, $13.99, 100% Tinta de Toro, 50 – 70 years old vines, 3 months minimum aging on the lees, concrete tanks)
Bright ruby color, noticeable legs, minimal rim variation
Young fresh berries, medium+ intensity, a touch of vanilla
Surprisingly light on the palate, pleasant tannins, fresh berries, very quaffable.
8-, might be the lightest rendition of Toro I ever had. The smell is a bit more complex on the second day. Palate nicely evolved, good balance, raspberries, no more impression of the young wine, lots of minerality.
2015 Bodega Matsu El Recio Toro DO (14.5% ABV, $21.99, 100% Tinta de Toro, 90 – 100 years old vines, 14 months aging in second use oak barrels)
Garnet color, noticeable legs, minimal rim variation too
Sage, fresh raspberries, quite fruity, roasted notes, minerality, distant hint of cinnamon
Underripe plums, blueberries, thyme, nice herbal component, surprisingly light, still noticeable alcohol, needs more time
8-, needs time. Second day: 8/8+, velvety texture, well integrated, excellent balance, a touch of tobacco and espresso on the palate and ripe plums. Outstanding.
2015 Bodega Matsu El Viejo Toro DO (15% ABV, $46.99, 100% Tinta de Toro, 100+ years old vines, 16 months in new French oak barrels)
Garnet Color, noticeable legs, rim variation is not extensive, but present
Sweet blueberries and raspberries on the nose, sage, sweet oak
8- first day, waiting for more.
Second day: 8, much evolved, more integrated, velvety texture, dark fruit, round, smooth. Will evolve further.
Here you are, my friends – the Art of Wine, from the label to the glass. Very impressive and thought-provoking wines, definitely worth seeking. Have you had any of these wines? Have you had Toro wines before? Do you have any Tempranillo favorites? Cheers!







































