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Perfect Pairing for a Quiet Night
Quick: can you name the wine (a type of wine) which would help you to enjoy your quiet evening? Winter evenings often bring out this “quiet night” analogy, as it gets dark really early, and you might find more time available to yourself. But of course, there are plenty of quiet nights during spring, summer, and fall. When all the daily chores are done, the house is getting quiet, you can pour yourself a glass of something, sit in your favorite chair with your favorite book (maybe), and just feel at ease. So what would that “something” in your glass be?
If you said Scotch (neat!), we are totally intuned, but this we will discuss other time.
If you said Port, then we really understand each other, because it is Port I want to talk about today.
What do you think of Port? Not the port-style, but actual, classic Port from Portugal – 10, 20, 30, 40 years old, vintage, late bottled vintage, colheita – doesn’t matter what type and age, but classic Port?
Port used to command the wine world. It was born out of need more than anything else – in the 17th century, the war between England and France forced Englishman to seek a replacement to the French Claret. Portuguese wines were not great, tart and austere, and had a tendency to spoil in transit, until someone discovered that the addition of Brandy can prevent the spoilage – and additional of Brandy during fermentation made wines to retain a lot more of the sugar, thus making them even more palatable.
In the middle of the 18th century, in 1756, the Douro region of Portugal (this is the region where Port is produced) became the first identified and protected wine-growing area in the world (take a note – this is a perfect fact to know for the next wine trivia night with friends). Another interesting trivia fact is that the first time Vintage port terminology was used in the wine auction catalog in 1773, to identify a bottle of an excellent 1765 Vintage Port. However, I don’t want to take you too far into Port types and styles – I wrote about it in the past so please refer to this article if you want to learn more.
Everything was going right for Port in the 18th and a good half of the 19th century until Douro vineyards received a “perfect” one-two punch – first, powdery mildew epidemic which started in 1848, followed by … yes, I’m sure you guessed it – the phylloxera hitting the vineyards in 1870. It was not until 1896 that the Douro vines were consistently grafted on phylloxera-resistant rootstock. From there on, Port started working on the comeback, but never reached its glory days of demand and appreciation.
Just to get a bit philosophical for a minute – you got time, you don’t mind, do you? I would say that there are three reasons why Port doesn’t have the attention it deserves nowadays.
First, the way we eat changed. One of the best “classic” pairings of Port is Port and stilton, the stinky, sharp cheese. Now, we lost the art of dinner where cheese is offered as a dessert course (by the way, forget traditions – there is a scientific explanation of why it makes perfect sense). At the best, cheese is considered an appetizer, often offered as part of the charcuterie board together with smoked and cured meats – but heavy and powerful Port is anything but an aperitive type beverage (I’m not talking about white Port – this is a separate category we are not discussing today).
Second, sweet = shame. We became extremely cautious about other people’s opinions towards us. Port is sweet. It is commonly appropriate to publicly despise sweet things, while secretly craving them. We are born with a love of sugar, and we need sugar as a source of energy – everything in moderation, of course. But outside of enjoying an actual dessert, and especially when it comes to the wine, we are trained to state how much we don’t like sweet, and we don’t enjoy sweet wines at all. “Oh no, I don’t drink sweet wines, no”. The pleasure of the wine is in the balance of the elements – sugar-loaded Sauternes, BA/TBA Rieslings, PX Sherries, Port – as long as the wine has enough acidity, it becomes an absolute pleasure, but we are too afraid to admit publicly that this is something we might be suspected of enjoying.
Third, we lost our ability to relax. You want to take your time with a glass of Port. The time stopped. You can just be, taking tiny sips from a glass, looking at the fire, flowers, or slow-rolling waves. Just be. But we can’t. There is always something new on the phone we need to attend to. We can’t just lose time relaxing. There is a new post to like, what relaxing are you talking about?
It is hard to properly introduce Symington Family Estates and explain its role in the Portuguese wine industry and the world of Port in particular. Symington Family Estates story started more than 130 years ago when Andrew James Symington arrived in Portugal at the age of 19. After spending some time at Graham’s Port, he started a Port shipping company under his name, which was the beginning of the family business.
It is impossible to represent the history of 5 generations of the Symington Family in a few sentences here – here is the link to the Symington Family Estates website where the history is presented in all the finest details. Over the years, Symington Family Estates acquired four of the Port producers – Graham’s, Dow’s, Warre’s, and Cockburn’s, as well as a number of wineries in the Douro Valley. Symington Family Estates owns 26 vineyards (Quintas) in the Douro Valley, a total of 2,255 ha (5,600 acres) of which 1,024 ha (2,560 acres) are under vine. All the vineyards are managed under a strict minimal intervention policy, and 260 acres are certified organic. Symington Family Estates is also a registered B Corporation, the first wine business in Portugal to receive such certification.
Enough about the business – let’s talk about the Port. I want to offer to you a choice of Port for all those quiet moments your heart desires.
First, the Graham’s Six Grapes Reserve Port (20% ABV, $26, Touriga Nacional, Touriga Franca, Tinta Roriz, Tinta Barroca – with the addition of Tinta Amarella, Tinta Cão, Souzão, and Tinta Francisca from the mixed plantings). I had this port many times before but never paid attention to its story. It appears that in the old days, the grape symbols were used to represent the quality of wine in the individual barrels, from 1 to 6. Six grapes implied that the wine in the barrel had Vintage port potential, or effectively was of the highest quality. In the early 1900s, Graham’s started bottling such wines under its own “Six Grapes” label, and it continues to do so to this day.
This bottle had a recent redesign, now adorned with the red top, slick and beautiful. The Port was excellent – dark cherries and blackberries on the nose, blackberries, blueberries, and more of the dark cherries on the palate, with nice tannins in the finish. This wine ages in the oak barrels between one and two years, so the tannins overall are noticeable – and contrary to the general recommendation of chilling the Port slightly before serving, I don’t recommend it – the tannins on this wine become too pronounced and bitter. (Drinkability: 8).
Now, three more Ports from Dow’s, one of the original Symington holdings. The grapes for Dow’s Ports are harvested from some of the finest Quintas in Douro – Senhora da Ribeira and Bonfim, both supplying grapes for the Dow’s port for more than a century. Two of the Ports below are so-called Old Towny Ports, which means that the wines were undergoing a special wood aging regimen to reach their specific character. And another interesting tidbit – over the 10 years of aging, the Port barrel loses 25% of its original content. For the 20 years old Port, this number reaches 35% – while these Ports might seem to be pricey, you really need to appreciate the amount of labor and effort going into the creation of such a bottle.
Dow’s 10 Year Old Tawny Port (20% ABV, $39) – dry fruit and candy notes on the nose, a touch of mint. Hazelnuts and dried figs on the palate, good acidity, overall delicious (Drinkability: 8)
Dow’s 20 Year Old Tawny Port (20% ABV, $67) – Powerful and complex nose – dried herbs, dried fruit, present but not overpowering, inviting and seductive. On the palate, beautifully integrated, with perfect acidity, dried fruit harmoniously balanced and intertwined. (Drinkability: 8+).
And the last wine for you for today – Late Bottled Vintage Port. Late Bottled Vintage, or LBV for short, is a very special category of Port. You see, in Portugal, each and every type of wine should be approved to be released in its category by the IVDP, the regulatory body. If a company wants to declare a vintage year for a Port, it needs to request approval for that from IVDP. If such approval is not granted, the company can proceed with such a Port either in the path of the Old Tawny (the Ports we just discussed) or it might age it for some time and then declare it an LBV.
2016 Dow’s Late Bottled Vintage Port (20% ABV, $26, Touriga Franca, Touriga Nacional, Souzão, Tinta Barroca, Tinta Roriz, 4-6 years in seasoned oak before release) comes from a difficult vintage – warm winter, cold spring, one of the hottest and rainiest summers on record. Dry, sunny weather before harvest helped quite a bit, and the result was tasty and powerful Port – tart and sweet cherries on the nose, a hint of dried figs on the palate, cherries, good acidity, nicely present tannins on the finish. (Drinkability: 8).
Here you are, my friends. You can be honest with yourself – it is okay to enjoy well-made, sweet, but balanced, harmonious wines. And one way or the other, we all need our quiet moments. So get a bottle of Port, get comfy, and just enjoy your being. At least for a few moments.
Sparkle Every Day
Ohh, festive times… Bubbles, laughter, smiles, more bubbles, and more laughter and smiles.
We still think of bubbles as a holiday or otherwise celebratory wine, but it doesn’t have to be like this – every day is worth celebrating, and good bubbles bring something special – they have a magic power to make things better.
But now the bubbles are on everyone’s mind – the last two weeks before the New Year celebration, bubbles need to be consumed and gifted. Very appropriately, I’m inviting you on a trip around the world, to taste some sparkling wines, and maybe even find new favorites or discuss the old and familiar.
You can’t beat the classics, so let’s start in the place which started it all (I know it is contested, like everything else nowadays, but let’s just skip that discussion) – the Champagne, of course.
I’m starting today with Champagne which is unique and different, and in reality should warrant a full post, as this is Champagne with the story. In 1975, Bruno Paillard, tracing his family grower and negociant heritage back to 1704, started working as a Champagne negociant. In 1981, at 27 years of age, Bruno sold his old collectible Jaguar and started his own Champagne company with the vision of producing a different style of Champagne. In 1984, he designed a unique above-ground cellar to be able to fully control temperature during the production of Champagne. By 1988, he already was collecting raving reviews from the critics such as Hugh Johnson, and others.
Bruno Paillard calls his approach to Champagne production Multi-Vintage, as even non-vintage-designated wines still have known proportions of reserve (vintage) still wines used during production. Also, every bottle of Bruno Paillard Champagne carries a disgorgement date on its back label. I had an opportunity to taste Bruno Paillard Premiere Cuvee Champagne, which comprises 35 out of 320 Champagne crus, with up to 50% of the wine coming from 25 reserve vintage wines since 1985:
MV Bruno Paillard Premiere Cuvée Champagne (12% ABV, $60, 45% Pinot Noir, 33% Chardonnay, 22% Pinot Meunier, 36 months on the lees, 5 months in the bottle, disgorged in June 2020)
Fine mousse, crisp
Classic nose – toasted bread, very clean, delicate
Classic palate – toasted bread, minerality, a hint of apples, fresh, round, great energy, cut-through acidity, delicious overall
8+, superb. If you can drink it every day, more power to you – but it is well worth at least an occasional celebration.
As we are in Europe, let make another stop along the way – all the way down to the South of Italy – in Sicily.
Italy is no stranger to spectacular classical style (method Champenoise) bubbles – powerful Ferrari and others up north in the Trentodoc, majestic Franciacorta in Lombardy, and more classic sparkling wines everywhere in between. However, this was my first encounter with the classic-style bubbles from Sicily.
Not to be overdone, this wine comes from Planeta, which is one of the most famous and best producers in Sicily – still, I never heard of their sparkling wines. This wine was made out of the local white grape called Carricante, but if you would try it blind, it would be very hard to distinguish this wine from an actual classic Champagne.
NV Planeta Carricante Brut Methodo Classico Sicilia DOC (12% ABV, $42, 100% Carricante)
Light Golden color
Beautiful intense nose, minerality, a touch of gunflint, toasted notes
A touch of green apple, minerality, toasted bread, good acidity, medium to full body.
8+, outstanding. Mostly available in restaurants, but you still can find it in a few liquor stores.
Now, let’s cross the Atlantic all the way and then some, going to the west side of North America – we are stopping by in California, to be precise. Here I have two wines to offer to your attention.
If you like California sparkling wines, then you don’t need an introduction to Scharffenberger. Found in 1981 by John Scharffenberger, the winery was built from the get-go for sparkling wine production, showcasing the terroir of Mendocino country.
In 2004, the winery became a part of the Roeder Collection. Overall, it continues the same traditions as 40 years ago, and today the 120 acres estate is sustainably farmed and Fish Friendly Farming certified.
Scharffenberger produces a range of Non-Vintage sparkling wines, all made using the classic method, all made from various proportions of Chardonnay and Pinot Noir. The wine I want to offer for your holiday festivities and casual daily life celebrations is Brut Rosé:
NV Scharffenberger Brut Rosé Excellence (12.5% ABV, $26, 55% Chardonnay, 45% Pinot Noir)
Salmon pink
Toasted bread, brioche, a touch of strawberries
Tart strawberries, hazelnut, freshly baked bread, crisp, generous, invigorating
8+, excellent bubbles for any day
Now, we are still staying in California, but moving about 2 hours south and east from Mendocino to the Russian River Valley. Here, in 1984, Judy Jordan started her J Vineyards and Winery (at the age of 25). Throughout the years, Judy acquired 9 vineyards, managing 300 acres of vines around the area. Her brother John Jordan manages the eponymous Jordan winery in Sonoma, producing “Chardonnay, Cabernet, and Hospitality” (I really love this quote of his as I had an opportunity to experience all three at the wine bloggers conference 2017).
During my first wine bloggers conference in 2014 in Santa Barbara, I attended joint Jordan reception, hosted by J Vineyards and Jordan Winery, creating the most magnificent experience between delicious J Vineyards bubbles and Jordan Cabernet verticals.
Why am I telling you all of this and how is it relevant to the J sparkling wine I tasted? Actually, there is no real connection, except the sad feeling of the loss of true authenticity, after J Vineyards was sold to E and J Gallo in 2015. If you visit the J Vineyards website today, it is all about selling the wine. There is no “about” section. There is no history of the estate. Just buy, buy, buy. Buy this or buy that. Okay, okay – I get it – wine is a business. But it can be a business with soul – sadly, I don’t think E and J Gallo know how to operate one.
This J Vineyards Cuvée 20 was originally produced to celebrate the 20th anniversary of the winery but then became a standard feature in the sparkling wine lineup.
NV J Vineyards Cuvée 20 Russian River Valley (12.5% ABV, $38)
Straw pale, fine mousse
Gunflint is a primary element
Toasted bread, gunflint, a touch of lemon, crisp, energetic, perfect cleansing acidity
8/8+, needs food – oysters, cheese, steak – any food.
Let’s now take a long flight down south, to the Argentinian desert, to visit Domaine Bousquet in Tupungato.
Actually, I already wrote a long post about Domaine Bousquet sparkling wines, at the beginning of this year. These are essentially the same wines I tasted before, only with the new labels. If you are interested in learning more about Domaine Bousquet, please refer to the post above, and I will just share my latest tasting notes here:
NV Domaine Bousquet Brut Tupungato Argentina (12% ABV, $13, 75% Chardonnay, 25% Pinot Noir, Charmat method, organic grapes, vegan)
A yellowish tint in the glass
A hint of apple, fresh, clean
Perfectly round, good acidity, a touch of toasted notes, apples, easy to drink
8-, very good
NV Domaine Bousquet Brut Tupungato Argentina (12% ABV, $13, 75% Pinot Noir, 25% Chardonnay, Charmat method, organic grapes, vegan)
beautiful salmon pink
fresh, a touch of strawberries
more strawberries on the palate, fresh, clean, good acidity, nice body
8-, perfect for every day
And we are done. I’m leaving you here with a few of the options for your festive and daily bubbles – different prices, different wines, but all worthy of a life celebration as it happens. Cheers!
Vilarnau Cavas – Always a Pleasure for an Eye, and Now Organic Too
Here we go – I’m following up a post about Cava with another post about Cava.
Oh well…
It is really appropriate to drink bubbles every day. Really. And it is even triple appropriate to drink bubbles around holidays. And gift them. And every day has something worthy of a celebration. So yeah, let’s talk again about Cava.
First, a pleasure for an eye – take a look – aren’t these bottles gorgeous? I would certainly use them as a decoration if the content wouldn’t be so good. I love this Trencadis design of the bottles – “Trencadís” is a kind of mosaic that is created from tiny fragments of broken ceramic tiles, used by Catalan architects Antoni GaudÍ and Josep MarÍa Pujol in many of their designs. I talked about the trencadís extensively in a few of the older posts (in 2017 and 2018), so I would like to direct you there if you want to learn more.
Now, you still have a ground for complaint – I already talked about Vilarnau Cavas less than 6 months ago – what gives? Are there not enough wines to discuss?
Yes, you are right. Or, almost right, to be more precise. The reason to talk about Vilarnau now is a significant change – all of the Vilarnau wines are now made with organic grapes.
Why would winery change its [successful] ways to become organic? What can be a motivation for that? Is that organic wine any different from non-organic wine? I decided to ask all these questions (virtually) Eva Plazas, Cavas Vilarnau Winemaker – and here is our short dialog:
2. Why is using organic grapes important for you?
3. Can you taste the difference?
4. Is the whole range of Vilarnau Cavas already using organic grapes (talking about new vintages)?
5. Did you have to make any changes in the winemaking process since you started using the organic grapes?
I have stopped using these products or have looked for alternatives to proteins with the animal origin, using pea or potato proteins instead, that is why all Vilarnau cavas are now Vegan too.
NV Vilarnau Brut Reserva Cava DO (11.5% ABV, $14.99, 50% Macabeo, 35% Parellada, 15% Xarel Lo, 15+ months in the bottle)
Light gold
Herbal, earthy, apple, lemon
Fresh, clean, apples, creamy, good body
7+, perfect for every day
NV Vilarnau Brut Reserva Rosé Cava DO (12% ABV, $15.99, 85% Garnacha, 15% Pinot Noir, 15+ months in the bottle)
Salmon pink
Fresh strawberries, a touch of gunflint
Fresh strawberries, crisp, clean, energetic, delicious.
8, excellent
Now, a placeholder for the wines to be tasted in a week – updated on December 29, 2021
NV Vilarnau Brut Reserva Cava DO (11.5% ABV, $14.99, 50% Macabeo, 35% Parellada, 15% Xarel Lo, 15+ months in the bottle, Organic grapes, Vegan)
Light golden color, small persistent bubbles
Freshly toasted bread, gunflint, medium intensity
Freshly toasted bread, a hint of granny smith apples, a hint of gunflint and minerality, nice creaminess
7+/8-, simply delightful
Looking for Bubbles? Roger Goulart Got Everything You Need
First question: how often do you crave bubbles? (My answer: almost every day).
Second question: how often do you actually drink bubbles? (My answer: not often enough. Read – once in a blue moon).
If you answered “not often enough”, here is the third (and fourth) question(s): Why is that so? What stops you?
I can only speak for myself here – I have a few reasons for not drinking bubbles often enough – price; having the right bottle on hand; not being able to finish a bottle once it is opened. Now, can we solve these problems? Let’s take them one by one.
The third problem (not being able to finish the bottle once it is opened) is the easiest problem. No, you don’t need newly minted Coravin for this. The standard Champagne bottle stopper will do the trick.
For the first and second problems – price and having the right bottle on hand – I have a simple answer – Cava.
Cava is a sparkling wine from Spain, made using exactly the same method as Champagne, with the secondary fermentation in the bottle, and aging requirements on par or even stricter compared to Champagne – minimum of 9 months for the regular Cava, minimum of 15 months for Reserva, and the minimum of 30 months for Gran Reserva. Good Cava offers a pleasure comparable to any Champagne in the same category, at half or even a third of the price per bottle, especially considering today’s Champagne prices.
If you noticed, I used the descriptor “good” in conjunction with Cava. As you can never assume that all of the Oregon Pinot Noir is equally good, all of the Riojas are equally good, or all of the Australian Shiraz are equally delicious, not all of the Cavas are equally good. So let me offer my helping hand and make a suggestion – Roger Goulart Cava will not fail you, no matter what the occasion is.
The history of Roger Goulart Cava started in 1882 when Magí Canals dug a wine cellar in the garden in the back of the house, where he started making Cava, in those days still known as Champagne. 17 years later, his son Josep bought the land adjacent to the Canals’ house from the Goulart family – we can consider that an official beginning of the Roger Goulart Cava. In 1919, a beautiful cathedral building was built by Ignasi Mas i Morell, a student of Antonio Gaudí – this became a new home of the Roger Goulart Cava. When Cava DO (destination of Origin) was created in 1972, Canals were one of the founding families. In 1997, 3,000 feet (1 km) of underground caves (more of a tunnel) were dug at the depth of 100 feet (30 meters), to provide ideal aging conditions for the Cava, maintaining a constant temperature of about 57°F-59°F (14°C-15°C).
Roger Goulart Cava Caves. Source: Roger Goulart
Roger Goulart Cava Caves. Source: Roger Goulart
Roger Goulart Cava offers a range of sparkling wines, including Brut Nature (zero dosage) and a range of Gran Reservas – Roger Goulart Gran Reserva cavas are actually not disgorged until the purchase order comes in, to ensure the freshest possible wine being delivered to consumers. The majority of the non-Rosé Cavas are made with three traditional varieties – Xarel·lo, Macabeo, and Parellada, but some of the Cavas might also include Chardonnay. The Rosé Cavas are primarily Garnacha driven, with the addition of other red grapes (Pinot Noir, Monastrell). The new Cavas are also produced from certified organic grapes, so we should expect to see more of Roger Goulart Cavas made with those in the future.
I had an opportunity to taste 4 different Cavas, and even catch a beautiful winter sunset with one of them (as you will see below in the picture). What was surprising to me was the level of freshness across all four wines – the 2012 and 2018 tasted equally fresh. Another interesting tidbit was the fact that the older Cavas, also been Gran Reservas, benefited from additional breathing time. I used the stopper I mentioned before, and I actually enjoyed those wines even more on the second day out of the refrigerator.
Here are my notes for what it is worth:
2018 Roger Goulart Cava Reserva (12% ABV, $19.99, 50% Macabeo, 35% Xarel-lo, 15% Parellada, min. 15 months in the bottle, organic grapes)
Fine bubbles
Freshly toasted bread on the nose, a hint of apples
Perfect amount of yeast, toasted notes, crisp, fresh, creamy mouthfeel.
8, excellent. Great with food (had it with salami and cranberry encrusted goat cheese)
NV Roger Goulart Coral Cava Brut Rosé (12% ABV, $19.99, 70% Garnacha, 30% Pinot Noir, min. 9 months in the cellar, bottled in December 2016)
Fine bubbles, beautiful salmon pink color
A hint of brioche and strawberries on the nose, nicely restrained
Toasted notes, toasted bread, creamy mouthfeel, delicious.
8+, outstanding.
2014 Roger Goulart Cava Brut Rosé Gran Reserva (12% ABV, $19.99, 85% Garnacha, 15% Monastrell, min. 36 months in the cellar, bottled in March 2015)
Deep reddish color
A touch of toasted bread notes.
Dry, concentrated, a hint of fresh bread, needs time to open up, then crisp and fresh.
8, very good, better on the second day
2012 Roger Goulart Cava Brut Gran Reserva (12% ABV, $19.99, 60% Xarel-lo, 20% Macabeo, 20% Parellada)
Toasted bread, clean, fresh
Perfect balance, apple, a hint of toasted bread, cut-through acidity, tight, vibrant, full of energy, would perfectly compare to any champagne in a blind tasting. Most likely, would beat the competition.
8+/9-, I loved it even more two days after the bottle was opened. Superb.
As you can see all of these Cavas are priced the same, and at $19.99 they are worth every penny, as the comparable Champagne will be at least in the $45 – $50 range. And the great thing about this pricing is that you can choose the wine based only on how you feel at the moment, and not on the price.
The holidays are upon us, but with or without the holidays – every day deserves a glass of bubbles. Try Roger Goulart Cavas and send me a thank you card later. Cheers!
Stories of Passion and Pinot, And Not Only Pinot: Battle Creek Cellars
I love urban wineries (or city wineries as they are often called). Solvang, Woodinville, Walla Walla – each place was different but similar at the same time – unique wines, unique stories, unique experiences. I would venture to say that winemakers at the urban wineries have more freedom to create and experiment, as they can choose the vineyards they want to work with and the style of the wines they want to produce. My latest experience in Portland is a direct confirmation of this.
My last winery visit in Oregon was at the city winery called Battle Creek Cellars, located in Portland’s Pearl District. I was told that I’m going to meet a winemaker who not only makes wines but also plays American football professionally, and has a unique personality. And I had about one hour before I had to start heading to the airport to make my flight – somewhat of a challenge for me as it is in my nature to worry about not missing a flight.
Sarah Cabot, the winemaker, was already waiting for us as we arrived at the tasting room. We grabbed glasses, a few bottles and headed out to the patio in the back to taste wines and to talk.
At the city winery, you can expect to find great wines, but you are not necessarily expecting to be blown away by what you taste and what you learn. The wines were absolutely spectacular, starting with the very first one 2018 Battle Creek Cellars Reserve White Blend – the wine had a distinct spicy nose, honey notes, and on the palate was clean, crisp with great acidity, creamy, and very different from the nose. This is where the unique sides of Sarah were already showing – she was getting the fruit from the vineyard where the vinegrower refused to tell her the exact composition of the blend – she only knew that Riesling and Gewürztraminer are a part of the blend, but the exact composition was not known.
Not only Sarah works with unknown grape blends, but she also uses a range of tools to produce the wines. For example, her 2019 Chardonnay Reserve was spectacular – round inviting nose with a hint of honey, and clean, crisp, and creamy green apple driven on the palate, a delicious rendition of Chardonnay – fermented in the sandstone jar.
Talking to Sarah I learned that while Battle Creek Cellars production is about 10,000 cases overall (6000 cases for unconditional Pinot Noir, 4000 cases of the other wines), Sarah is responsible for the production of more than 100,000 cases annually for her parent company, Precept Wine, Northwest’s largest private wine company. I also learned that Sarah greatly values the freedom to experiment which she has while working with her Battle Creek Cellars portfolio and that esoteric elitism, so common in the wine industry, is making her uncomfortable. And the amount of energy Sarah was exuding during our conversation, explaining all the different ways she utilizes when looking for the right vineyards and the right grapes and deciding how she would ferment and age any particular wines, was simply contagious.
We tasted more wines:
2018 Battle Creek Cellars Reserve Rosé was simply outstanding, offering a whole array of sensory experiences – onion peel color, and the nose which prompted you to imagine yourself walking in the garden and smell strawberries, flowers, and just open meadows. The palate offered great acidity and was fresh and crisp.
2015 Battle Creek Vineyard Pinot Noir from the vineyard planted in 1998 was excellent, with cherries, mushrooms, chocolate on the nose, and more cherries, lean and crisp on the palate. Definitely an aging-worthy wine.
And then there was the 2019 Amphora Series Carbonic Red Blend Oregon which literally blew my mind… Grenache/Malbec blend, fermented whole cluster in amphorae for 30 days with skins. The nose was amazing with crunchy raspberries and cranberries, and then fresh fruit on the palate with beautiful supporting tannins was simply incredible, the wine you have to experience to believe it.
Next, we were out of time – but we agreed to continue the conversation, which we did using both emails with questions and a phone call, so I really had here the full experience as the writer.
Here is what transpired during our follow up conversation:
[TaV]: How did you get into the wine? When did you realize that making wine is your calling?
[SC]: I was working in casual fine dining restaurants as an undergraduate student in Boston and developed an initial fascination with wine there. Eventually, my life brought me back to the West coast and a sommelier I used to work with suggested that I go back to school for enology/viticulture when I mentioned to him that I was feeling unfulfilled in the service industry. I followed his advice and I knew, beyond a shadow of a doubt, that I had found my calling after my first day of classes.
[TaV]: What was the first memorable wine you made, the wine you were completely happy about?
[SC]: I guess that, to me, they have all been memorable in some way. As far as a wine that I’ve been “completely happy” about…I think that would be the 2018 Amphora Riesling. That wine made its own decisions and I couldn’t have made better ones if I had tried. Now, 3 years later, I feel even more ecstatic about it as I notice the developing notes of petrol that I’ve always coveted about fine Rieslings.
[TaV]: You seem to be working with lots of vessels to ferment and age wines – in addition to the standard vessels such as stainless steel and oak, you also use amphora, sandstone jars of different shapes, and probably a bunch of others. How do you decide when to use what, what grapes to put into what vessel and for what wine?
[SC]: This will probably sound a little silly, but the right fruit just seems to end up in the right vessel. It’s a combination of varietal, timing, and my whim in the moment. There’s no real formula to it.
[TaV]: When you were talking about your 2020 carbonic red blend, you mentioned that you instantly fell in love with Merlot you saw, and you wanted to make the wine exactly with the Merlot. How does it work for you? What was so special about that Merlot?
[SC]: More than the grapes themselves, it was the site where they were growing that made me feel inspired to work with Merlot for the first time since I was in school. It’s a special, beautiful, steep and windy vineyard in the Columbia Gorge AVA called Wind Horse Vineyard. The grower is passionate and engaged and I haven’t ever stood in a vineyard quite like it. I thought…if Merlot from anywhere is going to be extra interesting, it’s going to be from here. Sure enough, the aromatics and texture of the finished wine did not disappoint.
[TaV]: Do you use natural or commercial yeast? Winemakers often get religious about their yeast approach – what is yours?
[SC]: Since I make all my wine in a large winery among other producers, I can’t claim that my ferments are all completed by “native” yeast. I do often allow my ferments to begin spontaneously and finish on their own/without the addition of commercial yeast. I do have a few commercial yeasts that I particularly like to use which are all blends of Saccharomyces and non-sacch yeasts. I’ll use these in certain cases when it is a challenging fermentation environment and I don’t want an unwelcome microbial load to mask the fundamental sensory characteristics of the vineyard.
[TaV]: When you select fruit for your next wine, do you take into account factors such as sustainably/organically/biodynamically grown? Do you have any viticultural preferences?
[SC]: More than anything, I prefer to work with growers whose priority is to cultivate a healthy and long-term-sustainable ecosystem in the vineyard. Don’t necessarily have a strong feeling about the certification, but care about the ethos of the grower, how the vineyard is treated, and the surrounding area, not just the production environment. I try to work with the growers who take this symbiotically – sustainability is a key. The intention behind farming matters more than a certificate on a piece of paper.
[TaV]: Is there a winemaker you would call your mentor?
[SC]: Brian O’Donnell at the Belle Pente winery. Brian is the owner and winemaker, and this was my first job in Oregon right after enology school – he definitely created the framework that holds up my knowledge now as a winemaker. He taught me what his philosophy is and left me to my own devices to sink or swim. I made a few mistakes of my own, nothing too costly, but this was the best way to learn. I know general ethos and philosophy, and now it is my time to grow, improvise and get on my feet. There are other incredible winemakers I had mentorship moments with, but Brian is the closest to the real mentor.
[TaV]: Is there a dream wine you always wanted to make? What would that be?
[SC]: The perfect Pinot? Nah. High elevation Ribolla Gialla, oxidized. Similar to what Gravner produces in Friuli, it should have acid but should be ripe enough. I have yet to find the fruit in Oregon.
[TaV]: Your single-vineyard wine labels have beautiful simplicity and different images – what do these images represent?
[SC]: The avatar on each label represents the character of the wine, and it is unique to the vineyard. There are explanations of all the avatars on the back labels. The avatars are used for single-vineyard wines. Even when there is a vintage variation, the barrels selected to be bottled under a single-vineyard label have a consistent profile. The barrels selected to be the most identifiable features of the vineyard – power, finesse – and this is what characters represent.
[TaV]: As I promised, we need to talk about football. Does playing football helps you make wine? How about your work as a winemaker influencing the way you play?
[SC]: Football definitely helps me to do everything. That level of extreme physical exhaustion and violence is very cathartic, and this helps me to be a better winemaker dealing with pressure.
My work as a winemaker has had both positive and negative impacts on my game. As the negative impact, winemaking experience makes me second guess my decisions. However, as a winemaker I learn to react quickly and make decisions quickly, which helps, When I will retire from playing football I will need to start coaching because I will need this in my life.
[TaV]: During our conversation, you mentioned that working with Chardonnay is easy, but working with Pinot Noir is a pain in the butt. Do you care to expand on this? Can you be very specific?
[SC]: Chardonnay is not easy, but easier than Pinot. Working with Pinot is difficult because of the thinner skin and lower levels of phenolics, and it is not as protected by phenolics from the mistakes as Merlot or Syrah and is susceptible to all sorts of issues. Growing Pinot, if temperatures reach 88F, that affects the fruit, the vine can shoot down, and you don’t want to irrigate too much, so there is a constant worry. Because of thinner skin, it raisins a lot easier than others; when it is too wet, it breaks a lot easier than the others. With Pinot Noir, you can’t look away for one second.
[TaV]: Was there a pivotal wine for you, or a pivotal wine experience?
[SC]: There are 3. There is one that made me decide I love Pinot when I was 19 and working at the restaurant – 1996 Hartley-Ostini Hitching Post Pinot Noir from Santa Barbara. It tasted like candy, I was 19, and I loved it.
The red wine which made me realize how versatile the grape variety can be and how much where it grows to make a difference was Guigal Côte-Rôtie. I had learned about Syrah as a blending grape in Southern Rhone or Washington Syrah, and then I tired Côte-Rôtie, and my head was blown.
The white was really an assortment of whites from Trimbacbh – big, round, acidic, ultimate food wines.
[TaV]: Do you have an all-time favorite wine or wines?
[SC]: It will be Morgon. Duboeuff or Jean Foillard grand cru. Moulin-a-Vent would be a close second.
[TaV]: Given the opportunity, is there a winemaker you would want to make the wine with, or the winery you always dreamt of working at?
[SC]: I would love to have the opportunity to work side by side with Gravner or Radican, or anywhere in Jura, producing the traditional wines. Gravner is the ultimate. Gravner is the reason I got amphorae. I love their wines very much and I would love to learn there.
I can tell you that after the conversation with Sarah, I definitely want to try Gravner wines, and I can’t wait to experience the 2020 Amphora series which should be made with that magnificent Merlot…
Here you are, my friends. Another story of passion, Pinot, and not only Pinot, and pushing the envelope as far as it can go. If you are planning to visit Portland, make Battle Creek Cellars your “must stop”. Cheers!
This post is a part of the Stories of Passion and Pinot series – click the link for more stories…
Re-Discovering Oregon
It’s been more than 20 years since my first visit to Oregon. It’s been more than 20 years since I tried Oregon Pinot Noir for the first time. More than 150 posts in this very blog mention Oregon one way or the other, including 14 interviews with Oregon winemakers. And nevertheless, this year 2021 was the one when I really discovered Oregon as a winemaking region.
A picture worth a thousand words. When it comes to creating memories, a picture is definitely stronger than just words. What would be even better at creating memories than a picture? An experience. Seeing something with your own eyes, touching, smelling – a full sensory experience would certainly create the most lasting impressions.
In August of 2021, I attended the Wine Media Conference in Eugene, Oregon. Three days of the conference were so filled with wines, conversations, and more wines that these 3 days really became more like just one. One long, very eventful day. It was only after the conference was over, and I stayed behind for another 3 days to meet with winemakers and yes, drink more wine, that I finally had a moment to reflect and create an actual new impression.
We stopped at the rest area off the highway while driving to the first appointment at Le Cadeau with Carl Giavanti, and I found myself surrounded by the beautiful, tall, straight pine trees, standing magnificently over the clean forest floor. This view instantly transported me to my childhood – growing up in Belarus, this was the forest I was used to, full of tall, magnificent trees, perfectly suitable to become ship masts. And the air, the air – you breathe differently in a forest like that. This was a great beginning for my deep dive into Oregon.
And then, of course, seeing the vineyards, seeing the Kill Hill at Lenné and absorbing magnificent views from the vineyard, seeing and touching the rocks at Le Cadeau, and tasting the wines surrounded by the grapes – all of it guaranteed the creation of the long-lasting impressions. Even more, for the first time ever seeing the vines while they are going through veraison, the magnificent promise of the vintage was also a great way to create a strong proverbial “memory knot”.
During these 3 days, I met with winemakers I already virtually talked to before (Bells Up, Le Cadeau, Lenné, Utopia, Youngberg Hill, as well as winemakers I met for the first time, and I plan to talk about those experiences later on. But based on my leanings during the conference, and conversations with the winemakers, let me summarize my realizations about Oregon wines.
One important idea to keep in mind – when it comes to wine, Oregon is not just a Willamette Valley, and Oregon is not just Pinot Noir. Yes, winemaking in Willamette Valley got its initial boost in the early 1970s when winemakers from California started moving up north in search of locations to grow cool-climate Pinot Noir, hoping that cooler weather will push vines to produce less fruit of a higher quality. Considering the quality of the Oregon Pinot Noir, this plan definitely worked – however, as we were visiting the McMinnville area of Oregon, the temperatures during the day were pushing 95F, which is not the idea of a cool climate of course. Leaving that aside, yes, the Pinot Noir is a king of Willamette Valley, but we shouldn’t discount Riesling, Merlot, Cabernet Franc, Cabernet Sauvignon, Tannat, and many, many other grape varieties successfully growing around the state. But as I spent all of my time in the McMinnville area, let me share with you my observations for this Pinot Kingdom.
Pinot Noir is a King, but Chardonnay is a Queen.
Not letting Burgundian parallels stop at the Pinot Noir only, Oregon producers now fully embrace Chardonnay. And this Chardonnay is stunning. I tasted lots of Chardonnays during the three days, and I don’t think I had a single one I didn’t like. And the best Chardonnays were showing purely Burgundian, with vanilla, apples, and honey, my absolute favorite Chardonnay profile.
It’s all about the rocks.
Rocks. Seemingly nutrient-devoid soils. You just need to see this land to simply ask yourself – how is that even possible? The vine needs so much strength to reach the nutrients through the rocks and basalt – no wonder Steve Lutz at Lenné was ready to give up on his work as the vines couldn’t establish year over year. You need lots of patience. And you need to believe that one day, the vine will fully establish, and the fruit will be worth it. And it does.
Clones Rule!
It is the clonal game here in the Pinot Kingdom. Le Cadeau grows 18 different clones of Pinot Noir, all of which are used in the production of the wines. At Utopia, there are 12 clones of Pinot Noir growing there, and one of the Utopia Pinot Noir wines uses all 12 clones. The same Utopia is growing 3 clones of Chardonnay, all 3 are used in the estate wines.
The grape juice is clear
I don’t know how much of the trend is this, but as you know, the juice of most of the red grapes is clear – and thus you can produce white wines from the red fruit, which many of the producers already do quite successfully. Will this become a big deal? Maybe. Either way, creativity is always great.
The bubbles are everywhere
Almost everyone we talked to produces already sparkling wines. Whatever way it is done – either by harvesting some of the grapes earlier to preserve acidity, or growing the grapes specifically for the sparkling wines, but the sparkling wines make perfect sense as been based on the same Pinot Noir and Chardonnay. The bottling is easily done with the mobile bottling line, so adding bubbles to the repertoire is easy and makes sense, especially as an important addition to the wine club inventories.
Oh yes, the wine clubs!
The wine clubs are the key model. While it is great to have nationwide distribution and demand, selling directly to consumers is a lot less involved, and offers much better margins. You don’t have to deal with the three-tier system, you don’t need to deal with extensive marketing – just create a loyal following, make sure members are happy, interested, and get the royal treatment, and you can achieve your financial goals right there and then.
Don’t hope for Rosé
While it seems that producing Rosé is a no-brainer, and it theoretically makes as much sense as sparkling wines in terms of extending the offerings, it doesn’t make much economic sense. When you harvest grapes for the sparkling wines, you are either using the fruit which will never ripen enough to go into the estate wines, or you will do a first pass collecting fruit for the sparkling wines and thus directing all the strength of the vines to the remaining grapes, making your estate wines even better. To make good Rosé, you need to use exactly the same fruit as you would use for the estate wines – only you can’t charge for Rosé as much as you can charge for the estate wines. So yes, while it sounds fashionable and proper to us, consumers, it doesn’t make much business sense.
The view from Lenné vineyards
This is where I can stop this little summary. The rest of this story is really in the wines, delicious wines I had an opportunity to taste. There will be updates to the stories of Passion and Pinot, and there will be new conversations to share. Until then – cheers!
How Art The Wine Is?
<rant>
Wine is Art.
I always say this, and I’m willing to fight anyone who disagrees.
Same as a painting, a classical music piece, a sculpture, an architectural masterpiece, or an elaborate flower garden, well-made wine solicits the emotional response, hence it is an art form. Defining this art, there is one key difference between, let’s say, a painting and a bottle of wine – we only need to look at the painting to trigger an emotion – but we need to drink the wine to make it an ultimate art form.
A few months ago, a friend told me “I have a wine question for you”. He is a wonderful friend, but he typically drinks Bartenura Moscato, so the wine question? Okay, let’s hear it. So the question was about the wine and NFTs. NFT, which stands for Non-Fungible Token is a form of cryptocurrency, typically used to guarantee authenticity and ownership of unique forms of art or objects – this article might help if you want to learn more. So the friend was asking if he should buy NFTs of some obscure wine (there was a choice in the catalog) – and if not this wine, then maybe that wine.
Literally the next day I got a call from another friend who was asking if he should invest a good amount of money in the fund which invests in fine wines. Technically, you pay for the case (or 5, it depends on availability and demand) of unreleased wine (futures). The fund company will take ownership of that case, will store it in the proper conditions, and will report back to you a current market value of your case, so you can sell it when you think it is time – with a very large profit, of course.
It seems that these investments are flying out faster than hot potatoes in the hands of an amateur chef. That same friend called me to complain that because I didn’t give him good advice right away, the wine he was asking about was already sold out and he had to get on the waiting list for the wine of supposedly a lesser pedigree.
During last month I also heard about the same offerings from yet another friend, and then even received a direct ad in the Instagram stories, to invest in wine with a guaranteed incredible return.
Now, my question to you – a collective “you”, anyone who would spend time – is this how it should be? Yes, I get it, it is capitalism, supply and demand, of course, but the wine is made to be drunk, consumed, mesmerized upon, start crying, laughing, grabbing someone excitedly on the shoulder – but not just to be another form of the stock certificate?
Of course, there is wine collecting. There are people with access, who accumulate lots and lots of bottles, many of them very expensive and very limited, but I would assume that even the wine collectors acquire the wine to be consumed and enjoyed – not all of it, but at least some of it? This wine investment fund idea relegates wine simply to the form of another agricultural commodity – corn, wheat, cattle. Commodity trading had been around forever – nobody owns 100 bushels of rice, but anyone can make (or lose) money on it. But rice is not art – rice is simply a necessity, and yes, if you are hungry, it will solicit the emotion, but it will not be the same as when you are truly enjoying a glass of wine.
The latest entrant into the NFT craze – Robert Mondavi winery. Three of the star winemakers produced 1966 magnums of wine called MCMLXVI (that is 1966 in Roman numerals – 1966 is the year when Robert Mondavi winery was founded), Cabernet Sauvignon and Cabernet Sauvignon blends from 2019 vintage. This wine will be packaged into specially designed porcelain bottles by the French porcelain designer Bernardaud, with each bottle having a unique QR code, and sold at $3,500. Now, when you will buy the bottle, you will get an NFT, which will assure your ownership, and there will be a connection between an NFT and that QR code on the bottle. In addition to the bottle of wine, each purchase will somehow include the generative artwork (you look it up – I guess it means a visual object/ painting generated by computer algorithm) by the artist Clay Heaton. Also, the QR code with NFT will serve as protection against counterfeiting – like the porcelain magnum bottle by itself is not enough.
So I wrote all of this, then took a pause and had to ask myself – what is your problem, dude? Everything sounds great in this picture – great winemakers, perfectly artful presentation of the perfect wine, guaranteed authenticity, and even a bonus in the form of the hot piece of art. What is my problem, really?
This wine is not created to be enjoyed as wine. This product is strictly a financial instrument. Star winemakers will attract attention. Unique packaging will attract attention. But then this is strictly sold as a financial instrument. NFTs are typically sold through an auction-like mechanism, so there clearly will be open bidding, with $3,500 being an initial price. There is also an opportunity to resell that piece of digital art, so all in all, this is strictly a money transaction. I wonder if any of these bottles will be ever open, or they will strictly exist for their monetary value.
Yes, wine is business. Yes, I’m naive. Yes, I’m romanticizing wine. Yes, you can call me old and stupid. That’s all fine. But the only way to enjoy wine is by drinking it. I love money as much as anyone else here, but still, if someone is buying wine only for its resale value, they don’t love wine, they only love money. Connecting NFTs to wine only amplifies the conversion of the wine into a financial instrument. And if wine is becoming only an abstract monetary instrument, one day someone will realize that it doesn’t matter what is in the bottle – any plonk will do. And then another day, someone will open that bottle… and… I really have no idea what will happen then. Or what will happen if one day, unhackable blockchain will be hacked, and all the NFTs will disappear – will someone then decide to drink that wine?
Wine is art. To be more precise, the wine in the closed bottle is only a potential art – or just another monetary instrument. Wine becomes art the moment it is poured into your glass. And that is the only reason for wine to exist.
</rant>
Am I missing something? Do NFTs have anything to do with enjoying the wine? Are NFTs really connected to the future of wine? Am I just jealous of the people with unlimited monetary resources? I’m ready to discuss…
Tempranillo, Transposed
How do you transpose a grape, any grape?
What does this title even mean? You transpose matrices (in algebra), or, at the very least, the notes of music. But Tempranillo???
Let me put my geek’s hat on, and let’s look at the definition of the “transpose” as the infinitely wise internet presents it:
“transfer to a different place or context”
The legendary CVNE had been producing Tempranillo wines in Rioja since 1879. Step by step, new vineyards were planted, and new styles of Rioja were going into production, each one with its own unique style and character – CVNE, the original earthy Rioja; softer and gentler Viña Real, powerful and concentrated Imperial, elegant and modern Contino. These are all Rioja wines, a blend of Tempranillo and a few other varieties, each one with its own personality and its own following.
Achieving success, some of us can just sit quietly and enjoy it. And some of us just want to say “I’m here now, and this is great, but I can’t stop. Let’s go further”. And down south CVNE decided to go, into the Ribera del Duero area.
Rioja is unquestionably famous with its Tempranillo wines, with producer such as CVNE, Muga, La Rioja Alta, Lopez de Heredia, and Contador. Ribera del Duero, down south from Rioja, got Vega Sicilia, Pingus, Pesquera, Emilio Moro – all amazing Tempranillo renditions as well. Now, the question is – why would a famous Rioja producer expand into a different region? Well, this is somewhat of a “why did the chicken cross the road” type of question – simply to get to the other side. CVNE doesn’t want to stop. CVNE goes beyond Rioja, into Ribera del Duero, the land of 100% Tempranillo wines – and the folks in Rioja know a thing or two about Tempranillo…
This is how the new brand of CVNE wines from Ribera del Duero was born – and it is called Arano. I had a few questions about this new adventure for CVNE, and so I asked those questions of Victor Urrutia, CEO of CVNE, to understand why the Arano name, why Tempranillo from Ribera del Duero, and what does the future hold. Victor graciously agreed to answer my questions – here is our conversation:
[TaV]: Why Arano label? What is the relationship between Arano and CVNE?
[Victor Urrutia]: CVNE is the owner and founder of Bela and Arano. The Bela and Arano labels are facsimiles of a label of ours, that is to say from CVNE in Rioja, from 1910. It is a simple and beautiful label from our archives. When we try and invent things we realise that we’re not very good at it, and that in fact, what our forefathers did is far better. CVNE is a family company and has been since it was founded in 1879. The 3 stars on the label represent the 3 children of CVNE’s cofounder, Eusebio Real de Asúa. He had 2 daughters and one son. Their names were Sofia, Ramon, and Aurea Minerva. The eldest, Sofia, was known as Bela. That is the name we have given to this winery, and it is also the first estate wine that we have made in Ribera del Duero. It’s the first star. The second star is for Arano. The only son was called Ramon and his mothers’ maiden name was Arano. We chose this name for the second estate wine to be released from the winery.
Bela is Tempranillo from our vineyard in the village of Villalba, on clay soils. Aged for 9 to 12 months in barrel. The vineyard is around 70 hectares. Arano is Tempranillo from our vineyard in the village of Moradillo de Roa, on limestone and pebbled soils. Aged over 12 months in barrel. The vineyard is around 9 hectares.
[TaV]: Why Ribera del Duero? What was the inspiration for CVNE to expand into Ribera del Duero?
[Victor Urrutia]: We want to bring our take on rioja’s elegance to rugged Ribera del Duero. The latter makes excellent wines and is a historic region. As ambassadors for Spain across the world, we felt it was our obligation to own vineyards and make wine in Ribera del Duero; and to make these known everywhere.
[TaV]: What is the future hold for Arano Ribera del Duero wines? Do you plan to produce Reserva and Gran Reserva?
[Victor Urrutia]: In Ribera del Duero we are making wines that express the vineyards that we own in this appellation. We label some of these as Crianza, for instance, because some consumers find it helpful; but it is not an important consideration for us when we conceive the wine. As we get to work and know our vineyards better, we will consider releasing new wines from this winery. After all, there is another star in the label, that we need to make a wine for. We haven’t yet found this vineyard. Or rather, haven’t found the way to express what must be our grand cru in this region. But we are working on it.
[TaV]: Any future plans for CVNE to expand further south, maybe into the Toro region?
[Victor Urrutia] There are some great producers in Toro, like the García family behind Mauro. But in general, we find the wines of Toro to be very dense and powerful, and I’m not sure we know how to make wines in that style. Our future lies in continuing to make wines of elegance and age-worthiness.
We need to continue looking for vineyards that will allow us to make those kinds of wines. They’re probably in higher elevations and northern exposures. There’s much to continue doing in Rioja, Ribera and of course, Galicia, where our Virgen del Galir winery has started to make wines of great depth from the vineyards that we bought as well those we’ve planted there. We bottle Godello, Mencia as well as Merenzao, varieties that we hardly knew about some years ago and the wines are phenomenal. We even have Palomino (locals call it Jerez, or sherry) that, arguably, expresses the terroir better than anything, given its neutral profile as a grape variety. Is it perfect? No, but it’s honest. And also quite interesting. Like everything that we try to do.
Now let’s talk about CVNE’s latest and greatest – 2018 Arano Crianza. As Victor mentioned, the grapes for this wine are coming from 4 different plots in the Moradillo de Roa vineyard, located at an altitude of about 3,000 feet above sea level. I had an opportunity to taste this wine, and it was unquestionably Ribera del Duero in style, much leaner and tighter than a typical Rioja wine. Here are my notes:
2018 Arano Crianza Ribera del Duero DO (14.5% ABV, $30, 15 months in French oak barrels, Vegan)
Dark garnet
Aromas of roasted meat and earth jump out of the glass at least a foot away from it. Espresso and herbs come at you at high intensity.
The palate is somewhat unexpectedly mellow, with dark fruit and herbs, good acidity, long and supple finish.
Better concentration on the second and third day, the wine feels tighter with more energy.
Drinkability: 8-. Enjoyable now, built for the long haul
The journey is getting more and more exciting by the minute. This is not algebra, but we are definitely looking at the case of the successful transposition of a grape – go find the results of this Tempranillo transposition, and we can compare notes. Cheers!
Cabernet Franc – Well Worthy of a Celebration
Cabernet Franc.
Let’s talk about it.
Cabernet Franc is a parent. Like most parents, Cabernet Franc is often overshadowed by the achievements of its kids – especially when its kids are none less than Cabernet Sauvignon and Merlot, some of the most famous in the wine world. It is interesting that Cabernet Franc is often described as “blending grape” – while it is true that Cabernet Franc is a popular choice in Bordeaux blends around the world (it typically ripens at a week earlier than Cabernet Sauvignon, so it offers winemakers an “insurance policy” of sorts), it also excels just by itself. As a blending grape, Cabernet Franc is typically used with Cabernet Sauvignon or Merlot, adding something important to the resulting wine. Meanwhile, the majority of single-grape Cabernet Franc wines have nothing else in the blend – just pure, unadulterated Cabernet Franc.
Today, we are talking about this pure Cabernet Franc. It grows successfully in the absolute majority of the winemaking regions – Bordeaux and Loire Valley in France, Italy, Argentina, Australia, Chile, Eastern Europe, Canada, New York, Virginia, New Jersey, California, Washington, Oregon, …. Pure Cabernet Franc wines typically happen to convey the terroir much better than Cabernet Sauvignon or Merlot. With Cabernet Sauvignon, no matter where it is coming from, everyone is trying to achieve the “golden standard” of Bordeaux or Napa Valley expression, even if the wine is made in Italy, Argentina, or Long Island, New York. Cabernet Franc typically conveys a sense of place first and foremost – lean, clean, and minerally driven from Chinon, tart and herbaceous from New York, round and luscious from California. Same grape, unlimited number of expressions.
Celebrating the range of expressions of Cabernet Franc I can simply offer you a few of my experiences from this year. Back in April, I had 2017 Hawk and Horse Vineyards Cabernet Franc Red Hills Lake County California, a biodynamically produced rendition that offered pristine beauty of cassis elegantly framed with the core of the well-integrated tannins. And then there was 2019 Domaine Bousquet Gaia Cabernet Franc Gualtallary Vineyards, minerally driven Cabernet Franc from the Argentinian dessert. Then there was the 2018 Terra Pacem Cabernet Franc Columbia Valley experience in Eugene, Oregon, offering pure Chinon-inspired, bell pepper and cassis rendition. And I can’t forget the 2011 Gran Enemigo Cabernet Franc Single Vineyard Gualtallary Argentina, again a high elevation desert beauty, which after the unimpressive start, opened up into an intricate interplay of iodine, cherries, cassis, and herbs (this one will definitely be on my 2021 top dozen list).
My most interesting Cabernet Franc wine discovery of this year came in the form of the bottle of Cabernet Franc from Bel Lago winery in … Michigan! My excitement comes from the fact that not only I got to taste the wine I never had before, but it also came from the region I had no prior experience with (so I got to update my Wines of 50 United States table the second time this year). And I also got to learn about winemaking in the new state.
2021 is an important year for the Michigan wine industry, as its oldest winery, St. Julian Winery, celebrates 100 years. Today, Michigan has 5 viticultural areas – Fennville, Lake Michigan Shore, Leelanau Peninsula, Old Mission Peninsula, and Tip of the Mitt. About 200 wineries operate in Michigan today, most of them located within 25 miles radius of Lake Michigan.
The Vitis Vinifera grapes were introduced in Michigan about 45 years ago, and today traditional cool-climate varieties, such as Gruner Veltliner, Pinot Blanc, Riesling, Cabernet Franc are doing very well there, and even Cabernet Sauvignon, Pinot, Merlot, Syrah, and Chardonnay had been successfully introduced. Michigan is particularly proud of its Cabernet Franc and even held its first Cabernet Franc Challenge in 2009, where 18 Michigan wineries and one of the French wineries from Chinon competed for the top prize (no, Chinon didn’t win it).
Bel Lago Winery (Bel Lago means Beautiful Lake in Italian) was founded in 1992 and opened its tasting room in 1999. The winery cultivates 100 grape varieties on 37 acres of land and produces between 17,000 and 20,000 cases per year. Bel Lago also produces fruit wines (Cherry wine is very popular) and a number of ciders.
2017 Bel Lago Cabernet Franc Leelanau Peninsula Michigan (13.5% ABV, $48, 87.5% Cabernet Franc, 12.5% Merlot, 34 months in French and American oak barrels) was a beautiful wine – currant leaves and anis on the nose, with a touch of tobacco. Restrained with good cassis expression and herbal notes on the palate with cut-through acidity. Definitely an enjoyable Cabernet Franc rendition, again with its own character, easy to drink, and delicious.
Here it is – new winemaking region and new Cabernet Franc experience. How was your #CabFrancDay experience? Did you learn something new or find a new Cabernet Franc wine that you like?
One on One with Winemaker: Dennis Murphy, Caprio Cellars
Source: Caprio Cellars
It is a known fact that wine is produced in all 50 states in the US. And I will clearly risk it to alienate many people, but with all due respect to New York, Texas, and Virginia, there are only three belonging to the “big three” – California, Oregon, and Washington. It is Washington I want to talk about today.
I don’t know how this works, but when I think about Washington wines, I feel warm and fuzzy. I don’t know if it relates to wonderful experiences, such as the visit to Chateau Ste. Michelle, getting lost in Woodinville or exploring Walla Walla, or maybe it is because of some of the most amazing American wines being produced in Washington, such as the whole range of Cayuse wines, L’Ecole No41, Guardian Cellars, Mark Ryan, and countless others.
And today, I want to bring to your attention one of my very latest Washington wine discoveries – Caprio Cellars in Walla Walla.
On one side, Caprio Cellars’ story is absolutely “normal” (yes, an interesting choice of word here – what does “normal” even mean, right?). Dennis Murphy purchased a plot of land in Walla Walla Valley (previously a wheat field) in 2003. The first vines were planted in 2005, and the vineyard was called Eleanor in honor of Dennis’ grandmother, Eleanor Caprio; after the first harvest in 2008, the winery got the name of Caprio Cellars, and the rest is history. The second vineyard, Octave, was planted on the hillside in 2007. The latest high-altitude vineyard, Sanitella, was planted on the Oregon side of the Walla Walla AVA. Bordeaux varieties – Cabernet Sauvignon, Cabernet Franc, Merlot, and Malbec are planted across all three sustainably farmed vineyards, with the addition of Sauvignon Blanc planted on Sanitella.
This is where “normal” ends. What is unique about Caprio cellars is that your tasting is always complimentary (okay, yes, this still can happen in the other places). You also have complimentary chef-prepared dishes accompanying your tasting flight, with the seasonal menu – yes, complimentary, as in “free of charge” (I hope you are getting as impressed as I am because I’m not sure where else you can find that). And Dennis is very passionate about charities he supports. That definitely puts Caprio Cellars in the category of its own.
After tasting a few of the Caprio Cellars wines, I was ready to talk to Dennis. While we were unable to meet in person (something I really hope to rectify in the near future), we sat down with Dennis virtually, and he patiently answered all of my questions – and now I would like to share our conversation with you. Before we begin, one small note – this is a long conversation, and you definitely shouldn’t miss the answers to the questions at the end of this conversation. So I suggest you will settle in your favorite chair, pour yourself a glass of wine, and come along!
Dennis Murphy. Source: Caprio Cellars
[TaV]: Growing up, what was your exposure to the wine culture?
[DM]: Growing up, I remember my dad and grand parents making wine in the garage or the basement. Some was good, some was not so good. Wine was always a part of the dinner celebration, holidays and family gatherings.
[TaV]: Was there a pivotal wine in your life?
[DM]: The wine that brought me to Walla Walla was L’ Ecole No. 41 Merlot. I tasted this wine at a restaurant in Seattle and was blown away. I then started stopping at the winery and collecting the wine and eventually moved to Walla Walla.
[TaV]: When and how have you decided that you will own a winery?
[DM]: After tasting some Walla Walla wines and visiting Walla Walla, I fell in love with the town and moved. I could feel the energy in the wine scene emerging and moved to Walla Walla in 1999. There were just a hand full of wineries, so I started to make myself available during harvest and made some friends in the wine industry. In 2003 I purchased the winery estate property and in 2005 I planted my first vineyard, the Eleanor Vineyard.
[TaV]: Any plans for stepping outside of Bordeaux play – how about Syrah or Grenache which are so popular in Washington? Or maybe some Sangiovese or Tempranillo?
[DM]: I only make wines that I love to consume. I would look at Grenache, I love Grenache and think that the valley can produce some good fruit. We are making sparkling wine, I am intrigued to make a sparkling Rosé. I believe that focus is required to make world-class wine. I am focused on making world-class red Bordeaux-style wines from Walla Walla.
[TaV]: Considering your Italian heritage, do you have any favorite Italian wine regions, wines, or producers?
[DM]: It will not surprise you, I am a Super Tuscan guy. I think that the Cabernet Sauvignon and Merlot show very well. One of my favorite all time wines is the 1997 Ornellaia.
[TaV]: Are there any wineries and/or winemakers in Walla Walla who you would consider as your source of inspiration?
[DM]: Seven Hills/ Casey McClellan makes my favorite wine in the valley, the Pentad. Casey is a great winemaker, makes solid wines and the valley is fortunate to have him.
Source: Caprio Cellars
Source: Caprio Cellars
[TaV]: You are practicing sustainable farming – what does it entail in your daily routine?
[DM]: Sustainable farming is really about being as hands off the vineyard as possible, letting the land and crop do their thing naturally. Sustainable farming is very important for the industry and the environment. Mother Nature can provide anything that a chemical or synthetic can provide, you just have to work at it.
[TaV]: Any plans to advance your farming towards biodynamics?
[DM]: I do not have any current plans to farm biodynamic, but I have not ruled it out either.
[TaV]: First harvest at Caprio Cellars was in 2008. Do you still have any of those wines in your cellar? How are they evolving?
[DM]: Yes, I have the 2008 Caprio Cabernet Sauvignon, it was the only wine we made that year. I keep about 50 cases per vintage in the library, this would be considered a lot, but I like to keep more wine around for winemaker dinners, etc. The 2008 Caprio is holding up well and we get to visit it occasionally.
[TaV]: Any plans for more white wines in the future?
[DM]: Caprio grows Sauvignon Blanc and Semillon, these two varietals do well in our higher elevation Sanitella Vineyard. We release our Sauvignon Blanc in the spring, it is a crowd-pleaser and sells out quickly. We also make a rose’ of Cabernet Franc, this is a beautiful spring released wine as well.
[TaV]: Where do you see Caprio Cellars in 10-15 years?
[DM]: Caprio will be at our production goal of 5,000 cases per year. I believe this production is a sweet spot for a winery and you can still maintain quality. We will continue to provide a unique approach to hospitality, I am not sure what is next on that front, but we will continue to be the thought leader in our industry in the Walla Walla valley and push the envelope, it is in our DNA.
Let’s take a little break and taste some wines. I had an opportunity to taste two of the estate wines, Bordeaux blend, Eleanor, from 2017 and 2018 vintages. Here are my notes – and some related conversation right after:
2017 Caprio Cellars Eleanor Estate Red Walla Walla Valley (14.5% ABV, $48, 50% Cabernet Sauvignon, 28% Merlot, 12% Malbec, 10% Cabernet Franc, 65% Octave Vineyard / 35% Eleanor Vineyard, 18 months in 100% French oak – 35% new oak / 65% neutral barrel)
Dark Garnet
Minerality, underbrush, herbal profile – fruit undetectable
Expressive minerality, cherry pit, espresso, massive presence – typical Washington red which needs time (and hope) – and these are second day notes. Too big for my palate on the first day.
7+/8-
2018 Caprio Cellars Eleanor Estate Red Walla Walla Valley (14.5% ABV, $48, 59% Cabernet Sauvignon, 19% Merlot, 15% Malbec, 7% Cabernet Franc, 53% Octave Vineyard / 47% Eleanor Vineyard, 18 months in 100% French oak- 35% new oak / 65% neutral barrel)
Dark garnet
Blackberries, a touch of eucalyptus and cassis
Beautiful. Perfect mid-palate weight, silky smooth and velvety, cassis, cherries, supple, voluptuous.
8+, superb from the get-go.
[TaV]: This question is two-part about the wines I tasted:
First, the bottle of 2017 Eleanor is capped with foil, and 2018 is not. Why the change? Is this going to be the style moving forward?
[DM]: I am a traditional guy, I do love a foil cap on a bottle of wine. In line with our sustainability efforts, we held a customer focus group and it turns out that most customers prefer not to have the foil. We decided to leave it off in 2018 and it has been well received. I believe all future wines will not have a foil cap.
Now, the question which I never ask, but this time I have to. I tasted first 2017 Eleanor Red, and the wine was massive and tight – very typical for Washington reds, I call this type of wines “liquid rock” – lots of minerality and limited fruit. The wine opened up a bit on a second day but still was very tight. 2018 Eleanor Red, on the other hand, was approachable from the get go – Bordeaux style fruit, layered and smooth. Can you explain such a dramatic difference between these two wines? The grape composition is very similar, was that the terroir? Winemaking?
[DM]: Acid – the 2018 was the first vintage I nailed the acid level. It is a tight rope when it comes to acid, but 2018 and the 2019 are near perfect. I was pretty excited when I opened the 2018 Eleanor after bottling. Additionally, the vintages differed, 2017 was a tough year to get ripe, there were some photosynthesis issues that vintage. The 2018 vintage was a playbook vintage. What is funny is that in the tasing room we would taste the 2017 and 2018 side by side and the verdict was a 50/50 split. The 2017 was the fastest selling Eleanor we have produced, but the 2018 Eleanor is a critic’s favorite.
[TaV]: I understand that Caprio Cellars also supports a number of charities. What was the motivation behind this program? How do you decide what charities to support?
[DM]: Giving is a part of my every day living, it is in my fabric as a human. I created the phrase “give as you go”, this phrase is at the core of the purpose statement for my construction company. It was only natural for me to carry this belief to Caprio when we started. Caprio gives resources to many charities, mostly in the form of auction donations of wine and winemaker dinners. The winemaker dinners are very popular and bring a large amount of funds to the charity. Caprio focuses most monetary giving to First Story and Big Brother Big Sister. My construction company founded First Story and it helps families that otherwise would not have a home to get a home of their own. I have been a Big Brother for 18 years now and was on the board of directors, so it is a cause near and dear to me.
[TaV]: Last question is from the “how do they do it???” line. I understand that the wine tastings at Caprio Cellars are complementary. Not only that, but you also feed people! I read a number of discussions on professional wine forums with explanations that winery is a business and that literally how dare the wine lovers to expect their tasting to be complementary. And here is Caprio Cellars which does exactly that. So how do you do it and why? How is it working for you?
[DM]: I had no interest in opening a tasting room and charging a tasting fee. It seems like our industry has evolved into that business model. That model doesn’t make any sense to me. I wanted to disrupt the industry and focus on hospitality and the customer. Specifically focusing on the customer journey. We held focus groups at the beginning with Joseph Michelli (NYT bestselling author and consultant) from the Michelli group. Joseph believes that most businesses do not pay attention to their customers’ needs until it is too late in the customer journey. The Caprio tasting experience is based on the equity theory, I do something nice for you and in return, you will do something nice for me. The majority of the industry takes a tasting fee from the customer and gives it back “if you decide to buy”. We are all adults here; I do not need to take your money and give it back. I spent hours in other tasting rooms watching the customers sit in their group and have an agonizing group discussion on “how are we going to get out of here alive with our tasting fee”, discussions about you not liking the Syrah or him not liking the Chardonnay. Why put your customer through this process? At Caprio, we skip this pain point and we add the pleasure of a hand-crafted food pairing from our Executive Chef Ian Williams. My grandmother Eleanor Caprio is to blame or credit for the food pairing, if she knew I invited you over for a glass of wine and I didn’t offer you food, she would be very disappointed in me. The food program at Caprio was nonnegotiable when we opened, it is part of our program and a distinguishing advantage to our experience. Here is the punch line, if you like the food and wine pairing, we ask you to purchase a couple of additional bottles of Caprio to pay it forward to the next guest in our care. So far it is working out well and the ecosystem is taking care of itself, it is a beautiful thing, but somebody had to have the guts to try it.
Here we are, my friends. A wonderful story of passion, good wine, and a unique business approach. If your travel will bring you to Walla Walla, Caprio Cellars should be on your visit list. And if your travel will not bring you to Walla Walla … change your travel plans! Cheers!
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