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Passion For Jura – The Wines
In the previous “Passion for Jura” post, we talked about the region – history, terroir, grapes and types of wines – but we didn’t talk about the wines themselves. “Passion for Jura” was the name of the seminar and tasting which I recently attended in New York city, where I had an opportunity for the first time to really immerse into the fascinating world of one of the oldest wine producing regions, which is really unknown in US.
During the seminar, 6 wines were presented by the winemakers themselves. The idea was to let us experience the full range of the Jura wines (for some strange reason, Vin Jaune was not presented during the seminar). Here are the wines we tasted:
NV Domaine Jacques Tissot Cremant du Jura Blanc Brut (12% ABV) – 100% Chardonnay, refreshing grassy nose, very acidic, bubbles are present but somewhat muted in the glass. Creamy mouthfeel with toasted bread and apple on the nose. Overall, not bad, but lacking a bit an overall energy of the sparkling wine.
2011 Domaine de la Pinte Jura Arbois Polsard de L’Ami Karl (11.5% ABV) – light, refreshing, cranberries with the touch of barnyard, herbs (sage), light but with the nice tannins. Very interesting and very enjoyable.
2011 Benoit Badoz Vermiel (13.5% ABV, 70% Trosseau, 30% Pinot Noir) – fresh grapey nose – not a pronounced as Beaujolais Nouveau, but still quite explicit. Cherries and blackberries show up next. Beautiful, smokey notes on the palate, a bit sharp, but fresh. Clean acidity, long pleasant finish. Somewhat similar to Oregon Pinot Noir, but more round. Also has a noticeable green component.
Compare the colors of the two red wines in the tasting:
2011 Domaine Champ Divin Cotes du Jura (13% ABV, Chardonnay/Savagnin blend) – vanilla, minerality on the nose. Delicious. Acidity and minerality on the palate, fresh apples, very refreshing
2009 Fruitiére D’Arbois Savagnin Arbois AOC (14% ABV, 100% Savagnin) – oxidation is very much pronounced, pretty much like with Sherry, both on the nose and the palate. This wine is typically made as Vin Jaune, but it requires lesser aging time. After the wine breathes, it becomes much less aggressive and comes through as clean, despite the oxidation.
2009 Domaine Pierre Richard Vin de Paille (15% ABV) – delicious nose. Palate is beautiful, with refreshing acidity, touch of bitterness, and full of fresh juicy apricots. Wow!
And here is the list of some of the wines I tasted during the walk around tasting. The place was small, and got very crowded after a while, so I didn’t taste the wines from all 20 producers. As usual for the trade tasting, I’m using the “+” sign system. The wines mentioned below were my favorites, for the most cases with “+++” ratings with some exceptions (of course), such as “++-|” and “++++”.
2010 Domaine Jacques Tissot Arbois Chardonnay (12.5% ABV) – +++, beautiful!
2012 Domaine Jacques Tissot Arbois Chardonnay La Mailloche (12.5% ABV) – +++-|, butter and balance! perfect.
2009 Domaine Jacques Tissot Arbois Savagnin (13% ABV) – +++, very elegant
2006 Domaine Jacques Tissot Arbois Vin Jaune (14.5% ABV) – +++, mushrooms and forest floor! should be amazing with savory dishes. Vin Jaune can last for 6 month after being opened.
2010 Domaine Jacques Tissot Arbois Trousseau (12.5% ABV) – ++-|, clean, elegant, light – red which more feels like white
NV Domaine Jacques Tissot Macvin du Jura (17% ABV) – very unusual palate, with raspberries, almost taste like Framboise, very nice. Can last for 6 month in the fridge.
2010 Domaine Jacques Tissot Cotes du Jura Pinot Noir (12% ABV) – ++-|, very interesting and unusual for a Pinot Noir
2012 Domaine Désire Petit Ploussard (12.5% ABV) – +++, smokey nose!
2012 Domaine Désire Petit Trousseau (12.5% ABV) – ++-|, dry, clean, nice
2012 Domaine Désire Petit Chardonnay (12.5% ABV) – ++-|, clean, classic, minerality!
2012 Domaine Désire Petit Savagnin Ouillé (13% ABV) – +++, 6 month in oak, very complex wine
2011 Domaine Désire Petit Tradition (12.5% ABV, 25% Savagnin) – +++, perfect acidity
2008 Domaine Désire Petit Savagnin(13% ABV) – ++-|, delicate, elegant
2007 Domaine Désire Petit Vin de Paille (14.5% ABV) – +++, prunes on the nose! perfect balance
2012 Domaine Berthet-Bondet Cotes du Jura Chardonnay (12.5% ABV) – ++-|, light, round
2012 Domaine Berthet-Bondet Cotes du Jura Naturé (13% ABV) -+++, good fruit
2012 Domaine Berthet-Bondet Cotes du Jura Tradition (13% ABV) -+++, delicious
2005 Domaine Philippe Bornard Arbois Pupillin La Chamade Ploussard (12.8% ABV) – ++++, wow!
2011 Domaine Philippe Bornard Arbois Pupillin La Chamade Ploussard (13.5% ABV) – +++, wow! delicious, sweet undertones
2011 Domaine Philippe Bornard Arbois Pupillin Trousseau Le Ginglet (12% ABV) – +++, delicious complexity in the back
2011 Domaine Philippe Bornard Arbois Pupillin Savagnin Ouille Les Chassagnes (13.5% ABV) – ++-|, complex
2011 Domaine Philippe Bornard Chardonnay Les Gaudrettes (12.5% ABV) – +++, complex, delicate!
2011 Domaine Philippe Bornard Arbois Pupillin L’Ivresse de Noé (14% ABV) – +++, late harvest Savagnin, a touch of sweetness, delicious complexity
I also tasted 4 different Vin Jaune wines from Domaine André & Mireille Tissot, all from 2007 vintage, all single vineyard, and all delicious, with the one from Chateau-Chalon being the best – unfortunately, as all those wines were not listed in the tasting brochure, I can’t give you their exact names – but look for Domaine André & Mireille Tissot Vin Jaune – they are well worth your attention.
That concludes my report on the Passion for Jura tasting. Based on my experience, I can simply tell you – Jura makes delicious wines, and you need to experience them. Go to your wine merchant and ask for the Jura wines by name – and let me know how you will like them. Cheers!
Instant Gratification, and Arrival of the Spring
You know, when the winter is like the one we had in New England, you get to the point when you sort of stop believing that the spring will come. You wake up in the morning, your thermometer shows 20F, and your mind doesn’t even comprehends the concept of spring, flowers, grass – no, those leftovers of the snow are going to stay forever. Only a few days ago I was explaining to my daughter about the flowers called snowdrop in English, which are usually showing up as soon as snow melts, and I was lamenting that this year we probably will see no snowdrops as the winter was so brutal here.
Then today was the first official day of spring, and while it was still cold outside, it was definitely more palatable (read: warmer), and the snow was almost gone. And walking around the house all of a sudden I saw… flowers! It was simply magic, the magic of life happening right here, right now. No matter how brutal the winter is, the spring will come no matter what – and I was looking at the proof. Don’t know if this is exactly a snowdrop or simply a similar flower, but I was definitely happy to see it.
Okay, so spring is here. And for the instant gratification part? Easy. Here I’m talking about wine (wow – total surprise, huh?). You know, I can define the instant gratification as a sequence of a few very simple steps – twist, pour, sniff, say “ahh”, sip, roll your eyes towards the ceiling – have a moment of bliss. The wine which gave me this moment of blissful instant gratification – 2006 Mt. Difficulty Pinot Noir Central Otago, New Zealand. I wanted to have a good glass of wine, and as I only have a vague idea of what wines are in the cellar, I was simply looking through the wines on one of the shelves – and when I saw this bottle Mt. Difficulty, I thought – yes, that will do it – and it delivered. Beautiful classic Pinot Noir on the nose – a little smoky, a little earthy – and perfectly fresh, full of juicy cherries and herbs, harmonious palate. You know, the one which gives you an instant gratification. I loved that wine so much that I simply had to connect the first flowers with this wine – as you can see it in the picture below:
The spring is here! Let’s drink to Life! Cheers!
Make Cooking Fun and Easy – with Chef Neil Fuentes
When I got a note that there are some spots available in the Tapas cooking class with Singing Chef Neil Fuentes, of course the first word which got my attention was “tapas” – tapas, or “small plates”, is generally my favorite type of food in any restaurant, Spanish or not – so the invitation definitely attracted my attention. The very next question was – who is Singing Chef Neil Fuentes?
I don’t know what we are going to do if one day Internet will disappear – I know this is rhetorical, but don’t you have a tiny, tini tiny fear deep inside, that this incredible source of knowledge, capable of answering any questions you might, or even might not want to ask, will disappear one day? Oh well, I digress. So I used the powerful Internet to quickly come up with lots of answers about Chef Neil – yes, he is a Singing Chef because he can actually sing and dance, he is fun to watch, and he also competed on Chopped (that might be the biggest influence factor for me – huge fun of the show, and have the utmost respect for every Chef who has enough courage to enter that kitchen). Yep, I definitely want to meet Chef Neil Fuentes.
The cooking class was conducted at the kitchen at Chef’s Equipment Emporium in Orange, CT (a heaven for anyone who is into the cooking, if you ask me). When I arrived there, Chef Fuentes was, of course, already in the kitchen, preparing for the class:
All ingredients around looked very promising too:
And then the class started. I can tell you – Chef Fuentes was a pleasure to watch. He managed to cook, entertain and teach all at the same time, with ease. We found out that Chef Fuentes was born and raised in Venezuela, and he started cooking pretty much from the age of 6, as cooking was important in his family. Hmmm, let me clarify the “important” part. Neil Fuentes grew up on the farm, where cooking was done only with the fresh ingredients (yep, that includes the meat). Later on, Neil became flight attendant for the Venezuela airline, which played an important role in his culinary upbringing. You see, Venezuela airline had only 5 planes, but it was serving almost the same number of international destinations as United Airlines. How is that possible and what it has to do with culinary skills building, you ask? Let me explain. The flights were taking place once a week, so the flight crew had a week of time at their respective destinations. Instead of spending time in the restaurants and bars, Chef Fuentes, who has a great ability to make friends, preferred to visit friends and … yes, you got it – to cook with them! This way, he had an opportunity to learn a lot about world cuisines, and build the skills, which he now gladly shares with others.
After arriving to US, Neil Fuentes started in Bridgeport as a waiter at the Taco Loco restaurant. Then he joined SBC Brewing company, eventually becoming the catering manager, until he started his carrier as Private Chef. Then, there was television. To the date, Chef Fuentes recorded 69 episodes on the Channel 8, and he is planning to start his own Chef Fuentes Live show on the Youtube – with special guests appearances, promotions, and the whole “bam” appeal of Emeril Lagasse show (this is definitely an aspiration). But – remember – Neil Fuentes is the Singing Chef! He teaches musical class on Saturdays, writing musical for kids and loves to perform on stage. Okay, let’s get back to food.
During the class, Chef Fuentes cooked 3 different dishes. The first dish which he started cooking was Tortilla Española, which is a traditional Spanish breakfast dish. To make this dish, you need to first to dice potatoes and onions (we used 3 potatoes and 2 onions), and then simmer them in a light olive oil over a medium heat.
Please note the keyword here – “simmer”, not deep fry. Effectively, you cook the potatoes and onions in the oil instead of water. You simmer the potatoes until they will become soft (will take about 20 minutes), then drain potatoes and onions and put aside to cool off. Meanwhile, Chef Fuentes whisked 12 eggs, then added potatoes and onions to the mix, with salt and pepper, and pour mix into the pan over the low to medium heat, for the next 3-4 minutes.
While the tortilla was cooking, Chef Fuentes started working on home-made mayonnaise. which was made out of the egg yolks, Dijon mustard, lemon juice, pepper, olive oil and Chipotle peppers in adobo sauce – the mayo was accompanying the Tortilla Española.
After 3-4 minutes of cooking, the tortilla was gently flipped, just to cook for another 3-4 minutes, and then it was flipped again – you want to reach a nice consistency of color. And then – voila! Tortilla Española ready, sliced up Tapas style and served with that home-made mayo. Yummy! I would gladly eat that dish for breakfast (and not only) any day.
Remember, I said 3 dishes, right? Next up – Mushrooms with Quail Eggs. Mushrooms is one of my very favorite foods (mushrooms were always an object of craving in my family as I was growing up), I can eat mushrooms every day. I love cooking them, but unfortunately, I butcher them way too often, rendering them super-dry. What Chef Fuentes did with mushrooms was, in my book, literally a masterpiece. A combination of regular white mushrooms with Shitake mushrooms was used in dish. I found it interesting that Chef Fuentes suggested using Thyme with mushrooms, as it nicely complements mushroom flavor (never done it before, but will do now). Mushrooms are sliced, minced garlic, thyme, salt and pepper are heated up over the medium heat, mushrooms are added afterwards. In about 10 minutes, mushrooms will reduce to about half of the size – and this is when they are pretty much ready. Quail eggs are fried sunny side up, and the final dish is assembled on top of the small, fresh and buttery croissant – perfect!
Last, but not least dish – Ham and Cheese Bruschetta. First the minced garlic goes into the pan with medium hot oil, and the small tomatoes are cut in half. Once the garlic heated up sufficiently and released the flavor, tomatoes go into the same pan, cut side down. Slice the baguette into long slices, and prepare cheese slices (Manchego works perfectly well) and Prosciutto rolls. Once the tomatoes become somewhat soft, start assembling the bruschetta. Take slice of bread, take half of the tomato with the oil and garlic, and simply spread it all over the bread ( you will discard the skin of the tomato when you are done). Put slice of cheese on top of the bread, then prosciutto roll on top of cheese and … enjoy!
Just to give you an idea how much I loved that dish – on the way home, I called my wife to tell her that I’m making an appetizer for everybody as soon as I will arrive. Stopped by Trader Joe’s, got baguette, tomatoes, Manchego cheese and Prosciutto, and in 15 minutes family was enjoying this wonderful bruschetta.
So I told you about fun and entertainment, now – what did I learn? A few simple, but very useful things:
1. Don’t use the knife or the edge of the bowl to break the eggs – this is how you get the shell crumbles! Instead, hit the egg lightly at the flat surface – and effortlessly get the egg’s content into the bowl.
2. When you cook the garlic first, don’t do it over the high heat, it will make garlic bitter! Start with medium heat and let the oil to absorb the garlic flavor – without burning the garlic pieces.
3. Well, don’t know if this is universally important, but – mushrooms pair very well with Thyme.
What else can I leave you with? First, lots of information about Chef Fuentes – here is the link to his website, where you can get to know him, and see him sing, dance, entertain, and of course, cook. Note that Chef Fuentes does both cooking classes and private events – if you live close enough to New Haven, Connecticut, you might consider hiring him. Also, Chef’s Equipment Emporium is running a constant slew of the educational classes and events, make sure to check their events schedule here.
As Chef Fuentes said, food and cooking should be fun and easy – and that’s what you definitely get in his class. Thank you, Chef, for the great time and great food! Cheers!
Daily Glass: Wine, Beautiful and Different
Have you ever caught yourself using the same expression over and over again, to the point of being annoyed with oneself, but not been able to do anything about it? One of my expressions, pretty much a single word, is “beautiful”. Yes, of course I mean it in the wine context. The best case scenarios include the first “wow” once your nose encounters the aroma exuding from the glass, connecting to the “wow, this is beautiful” after the first sip, when aroma and bouquet altogether transform into a beautiful (oops, sorry), memorable experience. Yes, I know, reading the wine reviews consisting of “wow, this is beautiful” notes is somewhat pointless, and if it draws your ire, feel free to take it out in the comments section below – but I have to say it when it happens.
The wine I’m talking about today was exactly like that. I got this bottle from a friend back in October. The wine is made by his father in Sicily – a small family production, for all I understand. One consequence is the fact that there is no information available on internet – and the bottle doesn’t have a back label, so I can only share my impressions. But – it was a beautiful wine.
The color of this 2012 Contrada Santa Croce Casteltermini Sicilia Cuvée Artisanale Chardonnay Grillot (13.5% ABV) was intense yellow with an orange hue – I don’t think the wine was aged in oak, but it was definitely fermented on the lees, and probably was aged on the lees for a good few month, to have such an intense color. It was also showing a bit cloudy in the glass – I can assume it was unfiltered.
And then there was was the nose. You know, that aroma which you can commonly pick up on many wines from Sicily – the volcanic soils, the touch of sun and minerals, inviting and promising, with hint of lemon zest. And then the palate. Totally unique. Starting from light, dry, almost effervescent midpalate feel. Then showing mature fruit, apricot and apricot pit, finishing with mouthwatering acidity, prickling sides of the tongue with fresh lemon notes. One sip inviting another. Until the wine is gone, and you are left with the memory.
Let’s drink for the beautiful wines and people making them. Cheers!
VIA Masterclass: Amarone
Continuing the subject of VIA Masterclass (here is the link to the previous post about Barolo masterclass), I want to talk about Amarone, one of the most uniquely Italian wines. The class was called “Amarone – The Velvet Underground”, and I think the name is very fitting. Let me explain.
Have you ever experienced a great Amarone? To me, the great Amarone starts with the nose which you can’t forget. As the wine is made from the grapes which had been dried under the sun for at least 90 days and thus more resembling the raisins than actual grapes before they will be pressed, it shows all those beautiful flavors of the dry, sun-aged fruit. After the aromas, which you can’t stop inhaling, comes the body – perfectly dry, perfectly full, perfectly powerful. This is what good Amarone is supposed to be. If you will think about the process, you will understand why Amarone has its price (think about the fact that most of the grapes lose about 40% of their mass – how many more grapes do you need to make the same bottle of wine?) – but if good Amarone is your wine, you will be willing to pay the price.
If you will search my blog for Amarone, you will find many posts, a lot of them complaining, hinting at my disappointment (I very rarely talk negatively about wines – I prefer not to write about bad experiences instead of bashing them). As of late, it became increasingly difficult to find Amarone as I described above, soft and velvety, but powerful and beautiful at the same time. A lot of the wines have very muted nose, and super-alcoholic, over-extracted, unbalanced body (and I just boasted about my non-confrontational style, huh).
This is where information from our Masterclass became very helpful. Yes, first we listened to the history of Amarone (discovered by accident, when the cask of Recioto, a famous sweet wine made from the dried grapes (passito) , was allowed to ferment through and became a dry elegant wine with – alas – bitter taste! Hence the name – Amarone, from the word Amaro – bitter). Then we talked about the geography and various sub-zones of Valpolicella region in Veneto – this is where Amarone is produced, with the best Amarone coming from the (not surprisingly!) hillside vineyards. Over the last decade, there was a huge increase in demand for Amarone worldwide. Think about the following facts. Consortium of Amarone producers was established in 1973 to regulate production of Amarone – so the production statistics are available from approximately that time. Amarone area plantings increased from 11431 acres in 1972 to 15723 in 2009. At the same time, all the way until early 2000s, there were about 1 million bottles of Amarone produced per year. In 2007, this number jumped to 8 (!) million, and then to the 16 (!!) million in 2008. Yes, it is great to have such a demand, but – where do you get the grapes to increase your production so dramatically over such a short period of time? You have to allow your vineyards to overproduce, and you have to lower your standards of quality and harvest the grapes from the vineyards which in the past you will never take the grapes from for your flagship wines. You see, Amarone is a top wine of Valpolicella. Amarone wines are typically made from Corvina, Corvinone, Molinara and Rondinella grapes, taken in the different ratios as each grape brings its own qualities tot he wine. Wines of Valpolicella are made from the same grapes – but it would be those which were not good enough to be made into Amarone.
To satisfy this huge demand in Amarone, there is also a push to extend the production area of Amarone, which would lead to the further deterioration of quality. In 2013, Amarone Consortium approved the increase of Amarone production zone by 30%, which will mainly come from the flatlands. To fight against it, 12 Amarone producers (Allegrini, Begali, Brigaldara, Masi, Musella, Nicolis, Speri, Tedeschi, Tenuta Sant’Antonio, Tommasi, Venturini, Zenato) created Amarone Family association (Famiglia dell’Amarone d’Arte) back in 2009, with the goal of pushing back and defending traditions of quality in production of Amarone. Marilisa Allegrini, currently the Head of Amarone Family association was present at the masterclass and she had an opportunity to talk briefly to all the attendees.
And then there was the tasting, of course. We went through 11 different Amarone wines, and here are the notes (this are my actual notes in its progression, like declaring the wine “best so far”).
1. 2010 Tommasi Viticoltori Amarone della Valpolicella Classico DOC
Nose: ok, traditional nose of a red wine, but not Amarone
Palate: over extracted and super-bitter
2. 2008 Begali Amarone Classico
Nose: campfire, then dark fruit with medicinal undertones
Palate: bitter, biting
3. 2009 Speri Amarone Classico Vegneto Monte Sant’Urbano
Nose: green and vegetative
Palate: bitter, over extracted.
4. 2009 Masi Agricola SPA Amarone Costasera
Nose: nice, open, hint of sweet fruit
Palate: not bad. Not too bitter, good power, clean balance. ++-|
5. 2009 Allegrini Amarone
Nose: best so far – beautiful, nice, open, fresh berries
Palate: closed, bitter
6. 2009 Zenato Amarone della Valpolicella Classico DOC
Nose: exceptional – true Amarone nose – fresh jammy fruit, but very balanced – raisins, figs – wow! +++
Palate: nice, soft, round – very good.
7. 2008 Musella Amarone della Valpolicella Riserva
Nose: nice! Fresh, open, good fruit
Palate: excellent. Best so far – nice, clean wine, powerful tannins without bitterness. +++
8. 2008 Brigaldara Amarone Case Vecie
Nose: nice, good dried fruit
Palate: good, clean, round – outstanding! Even better than the previous wine +++
9. 2008 Tedeschi Capitel Monte Olmi della Valpolicella Classico DOC
Nose: nice, concentrated fruit, good
Palate: needs time, but still perfectly round +++
10. 2008 Venturini Amarone
Nose: interesting nose, but pretty closed.
Palate: too austere. Not bad as a wine, but not good as Amarone
11. 2007 Tenuta Sant’Antonio Amarone Campo dei Gigli
Nose: dark, concentrated fruit, blueberries, raspberries
Palate: very good, but a bit bitter. It’s a bummer as I had a great experience with this wine at the tasting in September.
That’s all I have for you for today. What do you think of Amarone? Share your experience! Cheers!
Devotion – The Blog Post I Can Not Write
As soon as I saw the new theme for the Monthly Wine Writing Competition #7, Devotion, my very first thought was “hmmmm, this will be hard, or more precisely, extremely hard”. The problem is that when I hear the word “devotion”, the immediate mental picture is of a giant cross at the very best, or no picture at all – but I can assure you it ain’t the picture of a bottle of Cabernet Sauvignon.
Ever since the theme was announced I was struggling to find the connection of “devotion” to the wine world. I’m sure the examples of the true devotion are abundant in the wine world. May be even more than in many other trades, the success requires a lot of sweat, blood and sacrifice. Not been a wine historian, but rather only a very appreciative and dedicated consumer, I don’t have those stories of sweat and blood handy, and searching the Internet and rewriting someone else’s stories is not something I usually do, thus search for the connection between wine and devotion became literally a daily routine. To no avail.
I thought that I will start my post with the analysis of the word “devotion” – yes, the linguistic analysis. Oliver did it it perfectly in his post for the #MWWC7, as he was struggling with the theme in pretty much the same way as I did. Oliver took the Latin route for the meaning of “devotion”, so I can still refer to the English meaning of the word. Here is a nice representation of the Google search for the definition of “devotion”:
Yes, love and loyalty (or dedication for that matter) sound like the right way to go here – but if that is the direction, I would simply use the word love, and not devotion. Nope. It doesn’t connect.
So as today is a pretty much the last day to submit the entry, I still don’t have it.
But let me give you somewhat of an interesting twist here. Let’s put the word “devotion” aside for a minute, and let’s go back to the wine. Think about two sides of the wine world (not exclusively two – but let’s simplify here). On one side, winemaker should be willing to make an honest wine, the wine he or she will be willing (and proud) to offer (sell) to any consumer. On another side of the spectrum is the consumer who should be willing to buy the wine. Let’s make this statement even more precise – the consumer who should be willing (and eager) to drink the wine. Do you think we can find devotion on both sides here? Does it take devotion to make the best possible wine? Yes this is an easy case, I would say (and it was perfectly presented by Jeff at FoodWineClick in his photo essay about devotion of the winegrower). And how do we get to the devotion of the wine consumer? While this might not sound all too fitting for the term, but one should be devoted enough to the wine world to be willing to open the bottle – any bottle, a cult (DRC, Petrus, Screaming Eagle), or the most obscure, of unknown grape and producer; the wine which costs thousands, and the wine which costs $1.99. Open and give that wine a chance, step over the preconceived notions (“ahh, I don’t drink California Chardonnay”) and make an effort to understand the wine for what it is. Is that a behavior of the wine-devoted consumer, an oenophile? We are not talking here about people who buy the wine as an investment, with the sole purpose of selling the wine once its price will increase – those people are devoted to money, not to the wine. But for the oenophile, the wine is approached with an open mind – that doesn’t mean that the one should equally love all the different styles and tastes – but that one has equal respect to them all.
And let me tell about devotion of the winemaker through the eyes, nose and palate of the devoted oenophile (yep, myself in this case).
I brought the bottle of 1966 Louis M. Martini California Mountain Pinot Noir from Chicago about a month ago. I was in the store, shopping for the older vintage wines, and I couldn’t resist to buy such an old wine for $25 – yes,this is how much this wine was.
I didn’t want to hold it for too long, so Valentine’s Day seemed like a perfect opportunity to open a special bottle of wine (yes, I should’ve wait for the Open That Bottle Night, but we are always traveling over the actual OTBN day, as it generally falls on the kids’ school vacation).
When I told my friend Zak (who owns the wine store) that I will be opening the 1966 California Pinot Noir for the Valentine’s Day, his reaction was “why? You understand that the wine will not be any good, just keep the bottle as is for the decoration”. My thought was “I can always keep the empty bottle as a decoration. I have to give this wine a try”.
I honestly didn’t know what to expect. 1966 Pinot Noir from California? Not made by the star winemaker at the state of the art modern winery? The only thing I knew about the wine that it was made at Louis M. Martini winery. And Louis M. Martini doesn’t even make Pinot Noir wines today! Okay, let me come clean here – I had an additional reinforcement of my hope. I remember my wine class on Californian wines at the Windows on the World wine school, where after we tasted the line of California Cabernets, Kevin Zraly said “this wine is made by the Louis M. Martini. They make make excellent wines, and they could charge a lot more for them, but they chose not to”.
Louis M. Martini was an Italian immigrant who came to the United States in 1899. After working in the wine trade for a while, he opened Louis M. Martini winery in Napa Valley in 1933, as Prohibition was ending. Last year, the winery celebrated its 80th anniversary. You can read the history on the Louis M. Martini winery web site, but I want to mention that Louis P. Martini, the son of Louis M. Martini, went on to become one of the pioneers of California Pinot Noir and Merlot, and he was inducted to California Vintners Hall of Fame in 2008.
Let’s get back to the wine. It was the time to open that 1966 bottle, so I armed myself with the waiter’s corkscrew and the two-prong cork pull. I even had a thought of using Port Tongues, but that sounded a bit too fancy. Foil was cut, and I was presented with pristine looking cork top. Considering that appearance, I used the the regular waiter’s corkscrew, only moving it very slowly. The cork struggled only a tiny bit, and came out as a whole – and just look at this cork! I had 5 years old wines, where cork was in the terrible condition, never mind 48 years old wine!
So I poured the wine into the glass – beautiful red brick color, with an orange hue, reminiscent of signature Barolo color. I was really concerned about the first smell – hoping not to find a sauerkraut or vinegar there – and the nose was perfect! Yes, the herbal flavors were prevailing over the fruit, but nevertheless, it was a very pleasant nose without anything disturbing. The first sip – wow. This wine is beautiful! Yes, lots of herbs – sage, eucalyptus, may be even lavender, but also with the nice plum component, and most importantly, balancing acidity. An extremely complex and thought provoking wine – but in the perfect elegance of all the components. The wine opened up a bit more, showing a bit more sweet fruit notes – and then it was gone – we finished it all. Truly spectacular and almost unbelievable – but it was real. I would love to compare this wine to the old Burgundy – I guess this is what it will taste like, if I’m lucky.
And you are looking for connection to the today’s theme, devotion? To me, it is simple. To make the wine which will last for so long and stay in such a perfect condition (go back and look at that cork again) requires a dedication, it requires the full devotion of the winemaker, it requires the unconditional love to what you do. And this wine had it all.
Raise your glasses, my friends, for the true devotion of the winemakers and oenophiles. Cheers!



























