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For the Love of Madeira
If I were to offer you a glass of Madeira, what would you say?
Okay, let’s take it up a notch: I assure you it will be a good Madeira.
Would you gladly accept it, or would you energetically decline?
I’m betting about 80% on the latter. And if you like wine, that would be simply your loss. But if you are in that 20%, accepting that glass of good Madeira would be a very wise decision.
Madeira has a long history of ups and downs, similar to many other wines. I wrote about Madeira a few times in the past (not enough!), so let me be obnoxious and quote one of my older posts about the history of Madeira.
Madeira wine takes its name from Madeira Island in Portugal. The history of Madeira, which started around the 15th century, is full of accidental discoveries, glory, overcoming of the hardship, rise and fall, and even love – if you are interested in the full story, you should take a look at the Madeira Wine website. In the 15th / 16th centuries, Madeira wine was created when wine was transported in barrels through the ocean to far away places such as India and China. It was found ( by accident, of course) that a long ocean voyage improves the taste of wine compared to the original one that went into the barrel. After many trial-and-error experiments, it became apparent that prolonged exposure to the warm weather was the culprit, and then the method of heating the wine up to 60°C (140°F) was invented. The process of heating up the wine is called Estufagem, and it is done after the wine is fermented in the oak barrels, same as any other wine – again, you can find more details online – you can find less colorful but more technical details on Wikipedia (click here). Just to give you a few more details from Madeira’s history, trade embargoes led to further improving Madeira by adding brandy spirits in order to preserve the wine. Barrels of Madeira left for a prolonged time under the rain led to the development of the new style of Madeira wine, called Rainwater.
In the 18th century, Madeira was one of the most popular wines in the world, especially in England and the United States. Madeira was used to toast the United States Declaration of Independence, and was highly regarded as a drink of distinction. Unfortunately, first mildew and then phylloxera epidemic delivered a way too powerful one-two punch, which the Madeira wine industry was unable to overcome. Madeira subsided to nearly a cooking wine level, and stayed like that for a long time. Luckily, overall uptake on the wine industry throughout the world helps to revive the Madeira industry, and now it is becoming possible to find a great drinking Madeira even in the US – and you will see why. And I have to note that one of the great qualities of Madeira is in the fact that, unlike practically any other wine, once you open a bottle of Madeira, it will stay the same more or less indefinitely, due to both the Estufagem method and fortification with the spirit.
Now that you have a bit of historical perspective, let’s take a deeper dive into Madeira wine.
Madeira is a beautiful island with a subtropical climate and luscious greenery. Madeira’s name means wood, oak – this is what the first settlers saw. Madeira’s climate sports tropical winds, hot summers, mild winters, and high humidity. It also offers lots of microclimates, from south to north. Mountains and forests cover 47% of the island, mostly with altitudes of up to 200 meters, reaching 700 meters in some areas.
There are about 475 hectares of vineyards growing on the island (about 1,200 acres), cultivated by 2,000 growers. Vineyards utilize a pergola system to ensure proper aeration.
Six main grapes are used in wine production on Madeira: Sercial, Verdelho, Boal, Malvasia, Tinta Negra, and Terrantez. It is interesting to note that Verdelho and Verdejo are different grapes! Another interesting fact is that Tinta Negra can be vinified as white, rosé, or red.
After the harvest, the grapes are pressed and fermented as with any other wines. Fermentation is subsequently stopped, depending on the desired sweetness, by adding neutral spirit. Next, the heating process takes place. Less expensive wines are usually subjected to continuous heating in the steel tanks surrounded by coils for at least 90 days. Higher-end Madeiras, especially the single-harvest ones, are usually heated using the system called Canteiro, where the wine in the oak barrels is secured in place using wooden beams (canteiro) and heated by mother nature for a prolonged period of time, inside the winery.
The majority of Madeira wines are blends, with the labels indicating the age and type of grapes (it is also possible to make Madeira without indicating age and the grapes). The age designations can be 5, 10, 15, 20, 30, 40, and 50 years. There are also single-harvest Madeiras, called Colheita, which should be aged for at least 5 years in oak, and Frasqueira which requires at least 20 years in oak. Another beauty of Madeira is in the fact that the wine can stay in the barrel indefinitely, and bottled only when needed – some of the known Frasqueiras exceed 200 years of age.
Three years ago, in 2022, I was lucky to attend the Madeira tasting in New York City, where I had an opportunity to taste some absolutely spectacular wines. The event included a Madeira Master Class as well as a walk-around tasting.
Here are the wines we tasted during the master class:
2009 Barbeito Single Harvest Tinta Negra
clean, open, light, easy to drink
2005 H.M. Borges Tinta Negra Colheita
Hazelnuts, dry fruit, figs, lemon, perfect acidity, beautiful dry fog finish. Lots of pleasure. Foie Gras would be perfect with it.
2001 Henriques and Henriques Malvasia Madeira
Complex herbaceous nose, nicely restrained
Salinity, acidity, supercomplex, dried fruit perfectly balanced
1999 Broadbent Tinta Negra Madeira Colheita
Chocolate, dried fruit compote, very restrained
Dried fruit, great acidity, toffee, tasty notes, outstanding.
1990 Pereira D’Oliveiras Malvasia Fresqueira Madeira
Bottled in 2018
Great herbaceous complexity, fall leaves, medicinal notes, eucalyptus
Amazing palate, dense, complex, loads of dried fruit and hazelnut. Superb.
1978 Blandy’s Fresqueira Terrantez Madeira
beautiful, herbal and vegetative notes, excellent balance, hazelnuts, salinity. Fresh and inviting.
There were lots of gems in the walk-around tasting, such as Justino’s 1996, 1997, and 50 years old Madeiras; D’Olivera Colheita and Fresqueira Madeiras from 2000, 1992, 1973, 1971, and 1969 (1969 was bottled only in 2022); Broadbent 10 years old Sercial, Verdelho, Boal, as well as 1999 Tinta Negra Colheita, and others.
As I said before, Madeira really needs to be experienced, and you have a perfect opportunity to do so.
Coming November 18th, you can experience the beauty of Madeira for yourself. Here are all the details:
Experience the Magic of Madeira – Sip, Taste & Vote!
Tuesday, November 18, 2025 | 5:30pm – 8:30pm
Ideal Glass Studio | 9 W 8th Street, New York, NY 10011
Six producers, six bartenders, one delicious adventure.
You can get 2 tickets for the price of one ($55) using this link.
✨ Your ticket includes:
- Walk-Around Tasting featuring six top Madeira producers — taste rare bottles, some worth over $100.
- Cocktail Competition – six NY bartenders crafting unique Madeira cocktails. Taste and vote for your favorite!
- Food Pairings by Chef Nuno of Leitão.
- Mini “Speed Tastings” with Wines of Portugal Ambassador Eugénio Jardim, exploring Madeira styles in fun, 15-minute bursts.
- Cocktail Seminar: Madeira Cocktails Made Easy with bartender Francesco Dionese — learn how to shake, stir, and sip Madeira at home. (seating is limited).
Don’t miss your opportunity – and you can thank me later. Cheers!
For the Love of Riesling
I love Riesling.
What do winelovers do when they love the wine?
That’s easy.
We want to share that love.
The biggest reward for a winelover is to offer someone a glass of wine and hear them say “oh, it is good!”.
Sharing the wine is the most enjoyable part of drinking the wine. We want the other people to experience the same joy as we do, we want them to experience the pleasure only the wine can deliver.
As I said before, I love Riesling.
Riesling might be the most underappreciated white grape. It is one of the main 3 white grapes (Chardonnay, Sauvignon Blanc, and Riesling). Riesling wines are made everywhere in the world – Germany, Alsace, Australia, New Zealand, New York (Finger Lakes, Hudson Valley), Canada, Oregon, California, and so on – and yet many of the wine drinkers wouldn’t even openly admit that they like Riesling and that they are happy to drink it.
It is hard to tell why that is. Many people associate the word Riesling with the word “Sweet”. It is a big mistake, as it means, for example, that they never experienced bone-dry, tongue-twisting Rieslings from the Claire Valley in Australia. I would even dare to say that the majority of the well-made Rieslings are not sweet, unless they are purposefully made to be sweet, such as BA or TBA German Rieslings. The main trait of Riesling, similarly to all other wines, is balance. As long as the Riesling is balanced, it is one of the most enjoyable white wines you can imagine. And it pairs well with the wide range of food. I’m telling you – Riesling is one of the best white wines in the world.
The love for wine needs to be shared. And so earlier in the year, I decided to do a Riesling wine tasting. My audience (family, future in-laws) wanted to learn more about the wines, and I have decided that tasting a bunch of Rieslings will offer an excellent educational opportunity (was I right? I have no idea, but I know we had fun).
Ask me to name three of my favorite Cabernet Sauvignon producers, and I will quickly become frustrated – can I give you at least 10? 20 or 30 would be even better. The same would be for a Chardonnay, Syrah, and Tempranillo. When it comes to Riesling, however, that would be an easy task. Grosset from Australia. Smith-Madrone from California. Brooks from Oregon. This is my “top 3 Riesling producers” list. I would absolutely love to do a comparative testing of these 3 Rieslings, but I managed to get only 2. I got Smith-Madrone Rieslings first, and then when I got the idea for the tasting, I wrote to Brooks, and they were kind enough to send me a nice vertical of Brooks Rieslings. I also asked Ravines Wine Cellars from Finger Lakes for a similar set, but got no reply, so my tasting consisted of a vertical of Smith-Madrone Rieslings from 2018, 2019, 2021, and 2023, and Brooks Ara Riesling from 2018, 2019, 2021, 2022, and 2023 (both wineries didn’t produce wines in 2020).
It is important to note that Riesling can age very well, and aged Riesling is just a special experience. I did an online search and found out that it is rather hard to find aged Riesling anywhere, at least for the price I was willing to pay (age your Riesling, people, take my advice). I managed to find a bottle from 1997, which was seemingly in reasonable condition. At the same online store, I also managed to find a sparkling wine made out of Riesling, known in Germany as Sekt. I scored a bottle of Sekt at the same online store, and it became our first wine in the tasting.
The tasting was non-blind as it had more of an educational purpose than anything else. Here is what transpired during the tasting (outside of the fact that I numbered Brooks Rieslings in the wrong order, so we tasted them from the older vintages to the newer, where I really wanted to go in the opposite direction):
Wine #1: 2013 Dreissigacker Riesling Brut Rheinhessen (12.5% ABV)
bubbles were still present, lemon, a touch of sugar, well balanced, very nice overall. Believe it or not, but this was the first Sekt that I liked.
8-
Wine #2: 2018 Brooks Ara Riesling Willamette Valley (14% ABV, 325 cases produced)
Beautiful color. Honey, petrol, explivit nose of tropical fruit
Great complexity, perfect balance, showing off an interplay of pear, apples, peach, even vanilla and quince. Delicious. 8
Wine #3: 2019 Brooks Ara Riesling Willamette Valley (13% ABV, 225 cases produced) – a very interesting wine, as my tasting notes for day 1 and upon re-tasting the next day differ dramatically.
Day 1: Very unusual, some honeydew, hint of pear. 8-
Day 2: Superb. Lean. Acidity is through the roof, fresh, crisp. Needs 20 years to become amazing. 8++
Wine #4: 2021 Brooks Ara Riesling Willamette Valley (12.5% ABV, 225 cases produced)
Day 1: Beautiful petrol and flowers on the nose
Fresh, petrol, complex, white fruit, excellent balance. 8+
Day 2: Petrol + earth. Beautiful, honey notes on the palate, much richer than ‘19. Still lean and mean. 8
Wine #5: 2022 Brooks Ara Riesling Willamette Valley (12.5% ABV, 150 cases produced)
Day 1: Flowers, touch of brown sugar
Most complex so far – wow, beautiful. 8+
Day 2: Petrol, hint of tropical fruit. Lemon with a touch of honey, lean, crisp, built for aging, let’s say another 20-something years. 8++
Wine #6: 2023 Brooks Ara Riesling Willamette Valley (12.5% ABV, 100 cases produced)
Day 1: Very muted nose. Palate is young, nice, concentrated. 8-
Day 2: Nose almost non-existent. Very lean palate with a hint of honey mixed with lemon. Need to develop for a long, very long time.
Wine #7: 2023 Smith-Madrone Riesling Spring Mountain (13.2% ABV)
Light color
Candy on the nose
White flowers, fruit medley, bitter orange, crisp, spectacular. 8+
Wine #8: 2022 Smith-Madrone Riesling Spring Mountain (13.2% ABV)
A touch of petrol
White fruit, white apples, delicious. 8+
Wine #9: 2021 Smith-Madrone Riesling Spring Mountain (13.2% ABV)
Petrol, beautiful
Lots of complexity, apples, excellent. 8
Wine #10: 2019 Smith-Madrone Riesling Spring Mountain (13.3% ABV)
Complex aromatics, flowers
Flowers on the palate, a touch of honey, beautiful, complex. 8+
Wine #11: 2018 Smith-Madrone Riesling Spring Mountain (13.3% ABV)
Beautiful, hint of petrol, white fruit.
Wow, playful, amazing. 8++
Wine #12: 1997 Dr. Fischer Ockfener Bockstein Riesling Kabinett Mosel (8% ABV)
Apple juice all the way, past prime. Still an interesting experience.
As always in such tastings, it is fun to figure out the group’s favorite wine. There were 8 of us tasting the wines, and everybody were asked to decide on 3 of their most favorite wines (mine were #11, #8, and #5), and then we took a vote. To my surprise, we had a clear winner after the first round – wine #8, 2022 Smith-Madrone Riesling, was everyone’s favorite, with wine #11, 2018 Smith-Madrone Riesling getting 5 votes. It was interesting that even wine #12, 1997 Riesling, got 3 votes (for me, it was an interesting experience, but not the wine I want to drink again).
As you can see from the notes above, I had a chance to re-taste the wines, this time at a bit of a slower pace. It is very clear that Brooks Rieslings needed more time to open, as you see that on the second day they showed a lot more of what they got, but even then, I believe they would benefit from another 20 years in the cellar, or maybe more.
As I’m writing this, I’m already dreaming of setting up the tasting of 20+ years old Rieslings. Give me Grosset, Brooks, Smith-Madrone, Zind-Humbrecht, and maybe Markus Molitor, from the early 2000s – and this would make it an absolutely amazing tasting. By the way, talking about dreams – what would your dream Riesling tasting include?
I can’t speak for my guests, but I really enjoyed the opportunity to taste such beautiful wines side by side. While both Brooks and Smith-Madrone perfectly exhibited my beloved petrol, Brooks Rieslings on average were a bit leaner than Smith-Madrone, while Smith-Madrone exhibited a richer bouquet on the palate. I’m saying this not in the comparative sense – each one of these wines would make me super-happy any time.
There you are, my friends – my Riesling experience. Do you like Riesling? What are your favorite “go-to” Rieslings?
Beautiful Wines of Smith-Madrone
I love the wines of Smith-Madrone.
I’m not even trying to make it a secret.
Yes, I’m biased. But I’m not ashamed of it.
Stu Smith and his brother, Charlie, founded the winery in 1971 in the Spring Mountain District of Napa Valley. When Stu was buying a property overflowing with trees, he was told that he was making the mistake of his life. But the best wines are born out of conviction – add perseverance, gamption, hard work, ingenuity, and imagination – just get all of these ingredients, and you might also be able to make some beautiful wines.
I told you that I love the wines of Smith-Madrone. Usually, love doesn’t require proof. But if you insist, I have one – not only I wrote about wines of Smith-Madrone on multiple occasions, but their wines had been included in my Top Wines of the Year lists 4 times – #11 in 2018 (Riesling), #1 (Cook’s Flat Reserve) and #14 (Riesling) in 2019, #3 in 2023 (Cabernet Sauvignon), and #4 in 2024 (Cook’s Flat Reserve). I don’t have any other wines that so consistently appear in the Top Wines lists.
For many years, Smith-Madrone produced only three wines – Riesling, Chardonnay, and Cabernet Sauvignon, with the addition of the Cook’s Flat Reserve Cabernet Sauvignon in exceptional years. A few years back, Rosé and Cabernet Franc joined the collection, and I was dying to try them ever since. This year, I finally got my hands on the wines (I rarely ask for samples, but this was one of such rare moments – I did ask…), so now I can share my tasting notes with you.
2019 Smith-Madrone Estate Riesling Spring Mountain District Napa Valley (13.3% ABV)
Light golden
Petrol mixed with honey and honeysuckle, a pure aromatherapy in the glass for a Riesling lover. Crisp, bright, honey with lemon in perfect harmony, clean and crisp finish with lots of energy.
9, a pure delight.
2021 Smith-Madrone Estate Chardonnay Spring Mountain District Napa Valley (14% ABV, 10 months in 50% new French oak)
Brilliant golden color
White plums and a touch of vanilla on the nose, a distant hint of gunflint (the wine is almost at room temperature). Apples, a touch of honey, vanilla, more apples, and a cleansing acidity. Delicious.
8+/9-, superb.
2023 Smith-Madrone Estate Rosé Spring Mountain District Napa Valley (14.2% ABV, 50% Merlot, 50% Cabernet Franc)
Beautiful, bright crimson red
Tart cherries, fresh, on the nose. Light, inviting, elegant.
Beautiful tart cherries on the palate, well present, round, delicious.
8+, delicious Rosé with character
2021 Smith-Madrone Estate Cabernet Franc Spring Mountain District Napa Valley (14.7% ABV, 89% Cabernet Franc, 11% Cabernet Sauvignon, 18 months in 60% new French oak)
Dark garnet
Ripe black currant, dark chocolate, fat, juicy, exciting. Delicious, black currant, dark chocolate, a rich California Cab Franc style, bell pepper came in later, together with a beautiful black pepper note, spicy and delicious.
8+/9-
Truth be told, I also got a sample of the 2021 Cabernet Sauvignon – but this is one of my most favorite Cabernet Sauvignons ever, so I couldn’t muster the courage to open the bottle yet, and will be waiting for the right occasion later this year – maybe a Thanksgiving celebration, as I did back in 2018.
I think both Rosé and Cabernet Franc are great additions to the portfolio. Both are produced in small quantities (131 cases of Rosé, 153 cases of Cabernet Franc), and Rosé is already gone (duh, summer is ending), but the Cab Franc is still available. And if we are talking about new additions, maybe we will see a sparkling wine one day? Or wait, I might have even a better idea – how about some late harvest Riesling? Knowing the quality of Smith-Madrone Riesling, if they were ever to produce a dessert-level Riesling, I’m sure it would be an absolute delight. Oh well, maybe one day…
Here you go, my friends. I hope you had a chance to discover the wines of Smith-Madrone for yourself. If you have not, head over to the Smith-Madrone website, admire the scenery of beautiful mountain vineyards, and get a few bottles for yourself to enjoy. I guarantee you will not regret it. Cheers!
An evening with friends, August 2025 Edition
I love to be the wine guy.
When someone says “I’ll cook, you bring wine”, I’m absolutely delighted to oblige. First, it is one of the greatest pleasures for the oenophile to choose wines for dinner. The only pleasure bigger than selecting wine is when your friend takes a sip and says “ah, this is delicious”. And of course, there is a side benefit of taking wine out of the house, where the wine is literally stored everywhere, but let’s leave that aside for a moment.
I generally don’t care too much about what exact dishes will be served. My goal is to have a wine “program”, to bring a range of experiences. If a particular wine doesn’t work with a particular dish, it is not a problem – we can enjoy food on its own, and wine on its own.
On Friday, we got together with friends for dinner, and I was happy to be the wine guy.
To play it simple, I decided to go with a “classic” line-up – bubbles, white, red, dessert. Here is what transpired.
My choice of bubbles was NV Champagne Pascal Leblond-Lenoir Brut Tradition (12.5% ABV). This is a very generous Champagne, it perfectly combines crispiness with generous body, apples and vanilla eloped with a fine mousse, delivering lots of pleasure with every sip. Everyone loved it, particularly being happy about this Champagne not being too acidic.
Next was the white wine – 2014 Ott Der Ott Grüner Veltliner Austria (12.5% ABV). White wine with age is a real joy, and this 11 years old wine unquestionably delivered. Whitestone fruit with a touch of petrol on the nose (yes, petrol, one of my favorite aromas). Round and elegant body, with more of the whitestone fruit, good earthy undertones, perfectly balanced and perfectly delicious.
Side note: Bernard Ott is one of the very best wine producers in Austria, practicing Biodynamic viticulture after visiting Domaine la Romanée Conti in 2006. And lastly, 2014 vintage was so difficult that no single vineyard wines were produced – I have to say this was a glorious wine from a difficult vintage.
Next, we opened 2009 Sauvella Luscinia Canta Costers del Segre DO (14.1% ABV, Syrah, Cabernet Sauvignon, Grenache). I was blown away by this wine last year (number 7 on the Top 24 of 2024 list) – and the wine continued over deliver. Delicious, generous and round, with wallops of fresh dark fruit, perfect structure and perfect acidity. The wine showed a touch more sweetness and plumpness compared to our second red wine – 2005 Domaine De l’Île Margaux Cuvée Mer de Garonne Grand Vin Bordeaux Supérieur (13.5% ABV, 33% Merlot, 33% Cabernet Sauvignon, 34% Petite Verdot).
This is the second time this year I have enjoyed this wine, which comes from a unique place, a small island in the middle of the Gironde River, overlooking the great estates of Margaux. Perfectly Bordeaux, perfectly on point – a bit leaner than the previous wine, with a precise Bordeaux profile – cassis, eucalyptus, cedar box, a hint of bell pepper, and firm structure with a delicious finish. A pure delight in the glass, and an excellent accompaniment for the lamb stew, which was served as a main course.
Dessert time! Liquid dessert it is.
I always love an opportunity to open a bottle of dessert wine, especially with a group that would appreciate it.
I went through a few options, and somehow decided on 2020 Balderdash Cellars Kill Joy Late Harvest Viognier Eden Valley, California (10% ABV). The wine had a beautiful nose of tropical fruit, and a tropical fruit medley on the palate, not too sweet and with perfectly cleansing acidity. “Ohh, it is so good” was the group’s sentiment.
Here you are, my friends. Happy dinner. Happy diners. Happy memories. And as I’m finishing writing this, I’m ready for a repeat.
Wine and Cheese – A Rare Pleasure
What’s so rare about wine cheese? Nothing, of course. “Wine and cheese” is one of the most abused “topics” of a social gathering. “Ah, let’s get together, I will bring wine and you will bring cheese”. Easy and straightforward, right?
So let me ask you, when was the last time you enjoyed yellow cheddar with a sip of a nice Chardonnay? Never mind Chardonnay, do you think yellow cheddar will work well with a random Pinot Grigio? Or maybe an inexpensive Rioja? I will let you ponder that enjoyable yellow cheddar pairing for a while – let me know when you come up with a good answer.
Wine and food pairing “that works” is an art. When wine and food pairing is attempted, one of the best general results is when wine and food don’t fight each other. In the rare cases when food and wine work together, that creates a pleasure of the next level, a pure hedonistic joy.
There are many books written on the subject of food and wine pairing, so I’m not going to try to cover the subject within a few sentences on this blog. On a basic level, wine and food pairing work well either by contrasting or complementing flavors. For example, an effervescent Moscato d’Asti perfectly complements an angel cake, as the flavors are similar, but Asti elevates the mouthfeel with light bubbles and a touch of acidity. Nice Kabinett Riesling perfectly contrasts spicy Asian dish with its acidity and sweetness, offering a welcoming relief to your fired-up taste buds. Many of the pairings would fall somewhere in between, but the whole point is that a bite of food together with a sip of wine should give you more pleasure than each one on its own.
So, how can you go about finding pleasurable combinations of food and wine? Wait, no, this is a topic for another blog post. Let me rephrase the question – how do you find pleasurable combinations of cheese and wine?
The right answer is: it depends.
Why, it always depends, doesn’t it?
When it comes to cheese, there is one easy hack (workaround is a nicer word :)) – if we are talking about artisanal cheeses, the pairing gets easier. Similar to wines, artisanal cheeses are also a product of terroir – many European cheeses have a protected area of origin. For most of the cases, that means that those artisanal cheeses had been produced in the specific area for a while, and that in turn means that most likely, the wines were produced locally right next to cheese, and therefore they is a good chance that wine and cheese from the same place might pair together well.
I had a perfect opportunity to test this theory. I got an unusual birthday present last month – a selection of artisanal cheeses from the local cheese monger – five cheeses from France and Switzerland. Obviously, that presented a perfect opportunity to try that difficult cheese and wine pairing and see how it would work.
Here are the cheeses I got with a brief wine pairing recommendations collected through an internet search:
– 1 –
Schallenberg
Origin: Switzerland, Alpine region
Milk: Cow (raw)
Age: 10 months
Suggested wine pairings:
White: Riesling, Ice Wine
Red: Pinot Noir, Beaujolais, Barbera
– 2 –
Hornbacher
Origin: Switzerland, Alpine region
Milk: Cow (raw)
Age: 11 months
Suggested wine pairings:
White: Gewurztraminer, Pinot Gris
Other: (fortified dessert wines): Sherry, Port
– 3 –
Abbaye de Tamié
Traditional French cheese crafted by the monks at the Trappist Abbey of Tamié since the 12th century
Origin: France, Savoie, Rhône-Alpes
Milk: Cow (raw)
Suggested wine pairings:
White: Chardonnay, Savoie (Chasselas and others)
Red: Pinot Noir, Beaujolais, Gamay
Other: Champagne, other sparkling wines
– 4 –
Vacherousse d’Argental, double-cream Brie style
Origin: France, Lyon region
Milk: Cow
Suggested wine pairings:
Other: Champagne and other sparkling wines
White: Riesling, Grenache Blanc
– 5 –
Ovalie Cendrée
Origin: France, Loire Valley
Type: Goat (raw? Pasteurized?)
Suggested wine pairings:
White: Sauvignon Blanc, Riesling
Rosé
Red: Pineau d’Aunis
As you can tell, there was quite a range of wines suggested for the pairing, with Pinot Noir and Champagne being a common thread.
I get it about Champagne, as well-made Champagne possibly is the most versatile food pairing wine out there. Pinot Noir sounded a bit surprising, as I think many Pinot Noirs would easily overpower cheeses. And of course, Riesling makes perfect sense to pair with the cheeses, alongside the dessert wines.
While there is a good range of wines that might work with my cheese selection, the goal of this exercise was to get pleasure, not to conduct a comprehensive research of cheese and wine pairings, thus I had to limit the selection of the wines. I had a bottle of Champagne that I wanted to open for a while. I decided to go with Pinot Noir for the red, and luckily (for everyone), I settled on the Burgundian version and not Oregon or California. And last but not east, instead of looking for a right Chardonnay or Sauvignon Blanc or Riesling, I settled on the beautiful rendition of Chenin Blanc from Loire (of course!) from one of the best (best?) producers, Domaine Huet, basing my decision on the fact that one of the cheeses was coming from Loire region, thus giving me hope that local wine will pair well with local cheese.
Here are brief notes about the wines and their pairing with the cheeses:
NV Champagne Domaine les Monts Fournois Premier Cru (12.5% ABV, 70% Pinot Noir, 20% Chardonnay, 10% Pinot Meunier, Bottled in June 2016, Disgorged in September 2022) – superb. A classic nose of brioche and apples, followed by toasted bread and apples on the palate with cleansing acidity. Elegant, supple, delicious. Worked well with all cheeses.
2019 Domaine Huet Clos du Bourg Sec Vouvray AOC (13.5% ABV)
What a delight! Beautiful light golden color, elegant nose of whitestone fruit and a hint of nutmeg, inviting and enticing. Round, roll-off-your-tongue experience on the palate, an elegant white fruit medley, balanced acidity, a welcoming complexity with a medium-long finish. The wine was a riot paired with ashy goat, Ovalie Cendrée.
2019 Domaine Rebourgeon-Mure Cuvée de Maison Dieu Bourgogne (13.5% ABV, 14-18 months in partially new oak barrels)
Elegant would be the best descriptor. The wine was soft and approachable, with red fruit on the nose and more of the red fruit on the palate, medium body, soft and delicate. If I were just to open it to drink on its own, I think I would be disappointed. But paired with cheese, the wine shone, matching nearly perfectly pretty much all the cheeses we had in the tasting. I think my personal favorite was pairing with two of the Swiss hard cheeses, but again, this Burgundian Pinot worked perfectly with all 5 cheeses.
We also opened one more bottle in the evening – 1998 Mondavi Moscato d’Oro Napa Valley – we did’t pair it with the cheese (I’m sure that the pairing would be superb), but it was delicious on its own, with light sweetness of honey notes and still good acidity, still fresh – a delightful finish to the tasty night.
Here you are, my friends – a story of the rare pleasure – a successful pairing of the wine and cheese. Do you have your own stories about wine and cheese?
Open That Bottle Night OTBN 2025 – What a Night!
What a Night! The end.
If I say “what a night”, can this serve as a sufficient wine descriptor?
Okay, of course not, but what a night it was.
As a wine lover, I really treasure Open That Bottle Night, or OTBN for short, taking place on the last Saturday in February. OTBN was created by the Wall Street Journal wine writers, Dorothy J. Gaiter and John Brecher, back in 1999, to encourage wine lovers around the world to open that long-stashed special bottle that might be long gone while waiting for a special enough day to be opened.
Now, if I describe the experience as “agonizing”, does that portray a happy vibe? I might be unique in my self-directed masochism, but “agonizing” is the best way to describe the days leading up to the OTBN sacred night. Agreeing with oneself on wines worthy to be opened for OTBN can’t be described any other way, as I endlessly circle around the bottles located all over the house (an extra challenge of not having a dedicated wine cellar).
This year’s OTBN accidentally worked better than it could’ve been. We had been trying to arrange a dinner with friends for a while, and February 22nd was not my preferred date as it was my only night home in between two weeklong business trips. But as we tried to push it out to a later date, we came to a realization that it is either now, or it will be pushed far away, and we already had been talking about this get together for about half a year. I was responsible for the wine, and the other two couples for the food. As I started thinking about wines I should bring, it downed on me – ohh, this is the last Saturday of February, which means … OTBN!
Selecting the wines instantly got a lot more interesting and a lot more challenging at the same time. Now I need to bring not just wines, but the wines worthy of OTBN, the wines special for whatever reason, as a bare minimum special at least to me.
Celebrating OTBN in the group has a great advantage – I don’t need to decide what this one special bottle is – we can cover the full proper “wine dinner range” – bubbles, white, red, dessert. This is exactly what I did – and here are the wines I selected, with all the notes and impressions attached.
Bubbles – my selection is typically very limited at home, I have maybe 12 to 15 bottles of sparkling wines on hand, so deciding what is “special enough” is not easy – and the whole idea of OTBN is to work with your own cellar, so I had to really find that bottle inside. In the morning of, I pulled out a shelf with sparkling wines from the fridge, and inner voice said “how about this one”. Grabbed the bottle of 2008 Champagne Philippe Fourrier Brut Cuvée Millesime (12% ABV, I think I got it through WTSO a while back), and while checking the back label I realized that this was also a vintage champagne, a 2008 – even better! Now the bottle has become a lot more worthwhile to open at OTBN.
What a joy this wine was. Perfectly substantial without going overboard – toasted bread, apples, yeast, fresh and full of energy – an absolute “wow” of the champagne experience, the wine that was very easy to like instead of looking for ways to convince oneself that you like it. Extra bonus – everyone loved the wine, which is never given in the group, especially when it comes to bubbles.
Next, 2016 Salabka La Quine Chardonnay Czech Republic (12.5% ABV).
This wine was probably the most special in the group. This wine was associated with memories. I brought a few bottles of this same wine back from the Czech Republic in 2017, after tasting the wine at a dinner at Salabka city winery, located and growing their grapes within Prague city proper. This was my last bottle from that trip, and I already pulled it out of the fridge on multiple occasions, and put it back every time deciding “not today”. This time I decided that it was actually the time to pull that cork – but I didn’t have much hope for this 9 years old Chardonnay.
Oh my… what a wow wine it was. Perfectly intact cork with a few crystals. No age showing in the color, still at light golden. And the nose and the palate showing apples, pears and vanilla, woven over a firm citrus core. Bristling acidity doesn’t get in the way of enjoying wine. Considering how fresh the wine was, I’m sure this wine had another 20 years of life ahead of it – and now I have a perfect reason, even a strong need to visit Prague again.
Next, time for reds.
In retrospect, the selection of reds was very interesting, I don’t think I would’ve done it better even if I would try. A 2005 Bordeaux and 2012 Washington estate red – sounds reasonably far apart, right? And yet somehow, the wines literally were singing in unison, just imagine 2012 red having a bit of a deeper voice.
Maybe this was due to very similar grape blends – both wines were blends of Cabernet Sauvignon, Merlot, and Petite Verdot, but the Washington red was simply a continuation of the French Bordeaux.
The 2005 Domaine De l’Île Margaux Cuvée Mer de Garonne Grand Vin Bordeaux Superieur (13.5% ABV, 33% Merlot, 33% Cabernet Sauvignon, 34% Petite Verdot)
comes from a unique place, a small island in the middle of the Gironde River, overlooking the great estates of Margaux. The wine opened up as a classic, beautiful Bordeaux, with cassis and eucalyptus on the bright nose, and more of the same on the palate. Perfectly fresh, beautiful layers of fruit, firm structure, impeccable balance. The 20 years of age were unnoticeable. The wine didn’t need decanting, but opened up beautifully in the glass.
The 2012 Figgins Estate Red Wine Walla Walla Valley (14.6% ABV, Cabernet Sauvignon, Petite Verdot, Merlot) was my only bottle which I got as a present some years back. Similarly to Salabka Chardonnay, this wine was pulled out of the fridge on a number of occasions, only to be put back in again. Finally, this was the day. On the nose, it was very similar to the Bordeaux, only a bit more restrained. On the palate, it had the same cassis and eucalyptus, but the appearance was a bit “fattier” – more pronounced berries, juicier layers, a bit darker notes but still perfectly balanced and perfectly delicious.
And then the was time for dessert. Nothing makes me more ecstatic than an opportunity to open a bottle of a dessert wine. During most of the dinners, even when you plan to open the dessert wine, everyone starts complaining about how they don’t want to drink anything else, and the desire not to waste a whole bottle for just a few sips prevails. But this is OTBN, not just some regular wine dinner, so everyone simply has to go with the program.
I don’t know exactly how I got into possession of this 2018 Mazza Vineyards Vidal Blanc Ice Wine Lake Erie Pennsylvania (11.5% ABV, Harvest dates January 11 and 21, 2019) bottle – I guess someone just brought it as a present.
Boy, was this wine just an amazing finish for the evening… stunningly delicious, with ripe apricot on the nose, and ripe, juicy, succulent apricots on the palate enveloped in a perfect amount of acidity. This was the wine of impeccable balance, the balance of sweetness and acidity that makes or breaks dessert wines. This one was superb – we almost had to fight for who would get to finish a bottle – a pure joy to an oenophile’s heart.
I also have to mention another special treat we had for dessert – small pastries that were popular back in Belarus growing up there, called Bouchée. These were specifically made as per the original Russian recipe and were absolutely sublime.
Another OTBN just became a history, a memorable memento. Luck or not, but these were 5 excellent, memorable wines – and a great company. Let’s raise the glass to the joy the wine is able to bring. Cheers to memorable nights!
Valentine’s Day 2025 – Reflecting on Wines
In my previous post, I complained about frustration with choosing the right wine for the right moment. That post ended with a picture of the wines I selected for Valentine’s Day 2025 – and now I want to talk about those wines.
Following my own advice, our first wine was sparkling. Not just any sparkling – it was Champagne. And not just any Champagne – it was Krug.
I don’t want to sound elitist, but the only way to put is this: those who know, know Krug.
For the wine lovers en masse, the epitome of champagne is Dom Perignon. Maybe also Crystal on a good day. Krug definitely is lesser known, but for those who know, Krug is a cult, a religion, the only Champagne one can drink.
I joined that cult after experiencing Krug vintage and non-vintage wines during the PJ Wine Grand tasting in New York in 2010. Krug was an absolute revelation, I have never tasted anything like that ever before.
Then a few years later, in 2012, I came across an article by Alice Feiring, talking about changes in winemaking at Krug in 2003 which she said resulted in more or less the “end of Krug”. I referred to her article in my post, but unfortunately, the original article can’t be found so I can’t share any more details. I only remember tasting Krug at the trade tasting in the same year or maybe the year after, and thinking “well, it is not as good as I remembered it“.
Trade tasting is not always the best place to fully understand the wine, so Krug remained high on my “wines I want” list. Then a few years back, I got this half-bottle of Krug as a present for the new year, and this year I decided that Valentine’s Day is a perfect reason to open that bottle.
After struggling a bit with the cork, I managed to get the wine into our flutes (I know, I know – but it is a holiday, okay?). Smelling and tasting it left both me and my wife underwhelmed. Crisp and acidic for sure, but that’s what literally every other Champagne has, and Krug should really give you more. A few more sips and I closed the bottle, and back into the fridge it went.
Not so long ago, I read an article from a champagne pro, and he suggested that Champagne, similar to any other still wine, can and usually improves after opening. It can be placed into the fridge and enjoyed slowly over the next few days, and many of the Champagnes simply taste better the next day.
Why is this important? When I poured what was left of Krug into the glass the next day (okay, it was a regular glass), that was a totally different wine. Rich, layered, with toasted bread and apples. This was the real deal and it was delicious. I can’t tell you if it tasted like the one I was blown away by in 2010, but it was definitely an excellent Champagne. I guess there is an interesting lesson here for future encounters with Champagne, and not only with Krug.
After Krug’s image was somewhat restored in my eyes, I decided to learn more about the wine. Nowadays every bottle of Krug comes with its own unique code. When you go to the Krug website and type in the code, you get the most detailed information about the wine you can wish for – here are a few excerpts related to my bottle:
“Krug Grande Cuvée 170ème Édition
Composed around the harvest of 2014, Krug Grande Cuvée 170ème Édition is a blend of 195 wines from 12 different years. The youngest is from the year 2014 and the oldest dates back to 1998.
In all, reserve wines from the House’s extensive library made up 45% of the final blend, bringing the breadth and roundness so essential to each Édition of Krug Grande Cuvée.
The final composition of this champagne is 51% Pinot Noir, 38% Chardonnay and 11% Meunier.
Time in the cellar:
This half-bottle spent around 7 years in Krug’s cellars developing its generosity and elegance, receiving its cork in Autumn 2020.”
According to Julie Cavil, Krug Cellar Master:
“In this blend, the dynamic Pinot Noirs of 2014 came from a wide range of plots throughout the Champagne region, while fruity and full-bodied Chardonnays were selected from plots in the Montagne de Reims, Sézannais and Côte des Blancs. The Meuniers from the Vallée de la Marne Rive Gauche were particularly bright, with magnificent fruit expression from plots in Leuvrigny. To complement the wines of the year, we selected reserve Pinot Noirs from plots in the Montagne de Reims Sud renowned for their structure, including an Ambonnay from 2005. Reserve Chardonnays from plot’s wines from Avize and Mesnil-sur-Oger over a wide spectrum of years have a nice share of voice in this blend, while reserve plot’s wines of Meuniers add freshness, intensity and chiselled structure.”
And then there was 2002 Shafer Relentless Napa Valley (14.5% ABV, 80% Syrah, 20% Petite Sirah). I tasted this wine a few times before at the trade tastings, but never had an opportunity to really spend some time with it.
Shafer needs no introductions to California wine lovers, with its fame closely associated with the flagship wine, Shafer Hillside Select Cabernet Sauvignon. Shafer Relentless is not as well known, but this Syrah blend has been around for more than two decades, named in honor of Shafer’s [relentless] winemaker, Elias Fernandez.
We didn’t decant the wine – it would probably help a bit, but I just didn’t want to deal with it. At first, the wine was tight, with well-noticeable tannins and an interplay of tar and cherries, with the addition of pepper. After some time in the glass and opened bottle, the tar subsided, leaving delicious peppery cherries to be admired around a layered but firm core. This 23 years old wine showed beautifully and it was a real treat.
Now the last piece – food. We stopped going out to the restaurants on Valentine’s Day a long time ago – the experience just not worth it. We were craving sushi for some reason, so that is what completed our Valentine’s Day dinner – here you can see some creative rolls from an Asian restaurant not too far from our house.
There you are my friends – our V-day reflections. How was your celebration? Any special wine experiences? Do tell! And until the next time – cheers!
Frustration of the Oenophile – Choosing Wine
First-world problems, I know. Nevertheless, let’s talk about them.
I guess we, oenophiles, are tender creatures. Doesn’t take much to get us frustrated. Wine not tasting the way we expect; not enjoying critic’s choice 100-points wine; close friends not sharing your excitement about the wine in the glass. We can go on and on about these little insignificant things, each one a source of the full-blown frustration. Oenophile’s frustration looks different every day. And mine right now might be the biggest one of all (remember – taste is subjective, so are the feelings) – inability to choose the wine.
Assuming I will be able to finish this post today, tomorrow we are celebrating Valentine’s Day – and what says “I love you” better than a luscious, voluptuous, sexy, and seductive bottle of wine? Forget flowers, flowers don’t stand a chance against such a bottle of wine. But what wine will be luscious, voluptuous, sexy, and seductive? The need to choose that wine properly becomes the cause of the ultimate frustration. But that’s not all, because merely in a week we have to deal with OTBN – Open That Bottle Night – and this is the ultimate “oenophile frustration” cause, as now we need to decide what bottle we kept not opening waiting for a special moment which might either never arrive or already be in the past?
Decisions, decisions, decisions. Trying to select the right bottle of wine for the occasion, you have only a few minutes to agree with yourself on the proper bottle. If you will not arrive at the decision within those few minutes, the next 2, 3, 4 days will be miserable. You are going to pull a bottle, look at it, think about it for a moment, sigh, and put it back. Then repeat the process over and over again, pretty much until you force yourself to feel that you got the right bottle. Possibly to change your mind again in a few hours, or even 20 minutes before the bottle needs to be opened. If you are an oenophile, and you are not going through this pitiful “decision paralysis”, I envy you and congratulate you. And for the rest of us – I share your pain.
So what wine should you select for Valentine’s Day? I already told you – it should be luscious, voluptuous, sexy, and seductive – or not. Of course, there is a big dependency on the food, but don’t try to achieve a perfect match – it’s okay to enjoy your food and wine independently. I have to say that I’m not a big fan of still Rosé wines for Valentine’s Day – yes, it matches the pink color of all the all V-day paraphernalia – but it might not deliver the pleasure you are looking for. I also would suggest avoiding “thought-provoking” wines – rare grapes, natural wines, skin-contact wines, wines from the forgotten corners of the Earth. On a normal day, I’m the first one to ask for an obscure wine, but for Valentine’s Day, wine should give you pleasure, elevate your mood, it should be easy to understand. If upon the first sip you will not say “ahh, this is good”, you’ve chosen the wrong wine – put the cork back and go fetch another bottle.
I love to have bubbles for Valentine’s Day – of course, nothing can beat the classic Champagne (and it perfectly can be pink), but you can’t go wrong with Cremants, Franciacorta, Trento DOC, Cava, and all other méthode champenoise wines. If you like white wines, Chardonnay is your best choice of white V-day wine, pretty much from anywhere in the world, as long as it is not a lifeless purposefully unoaked rendition.
And then, of course, the red. Ideally, the red should have an age on it, to truly deliver all that pleasure upon a first sip. Amarone, Brunello (I would avoid Barolo unless you perfectly know what you are doing), Cabernet Sauvignon and Bordeaux/Cabernet blends, Super-Tuscans, Spanish Grenache, Rioja from a good producer, Syrah and Zinfandel. I’m not trying to make other wines feel bad, but for Valentine’s Day, this is what I would pick from.
Here is actually what I picked – Champagne and Syrah from California – and I will tell you all about it later on.
If you thought selecting wine for Valentine’s Day was frustrating, it is nothing in comparison with selecting the wine for OTBN.
OTBN (Open That Bottle Night) was invented in 1999 by Dorothy J. Gaiter and John Brecher, writers behind the Wall Street Journal’s wine column at that time. The purpose of the OTBN, which is always celebrated on the last Saturday in February, is to encourage wine lovers around the world to open that special, stashed far away bottle. We all have those bottles that can be categorized as “not today”. These wines typically exist in single quantities in our cellars and always have a memory attached to them.
This is what makes the selection process very difficult – to open or not to open? I have only one such bottle. What if I open it too early – I will never know how amazing it could become over the next 10 years? Once I open that bottle which was gifted by a dear friend, brought back from the amazing trip, acquired in the moment splurge, will my memories be lost forever? Should I just hold on to that bottle instead? Will I open this wine in the right company? Will people truly appreciate the sacrifice I’m making?
Frustrated, frustrated oenophile. It is hard to make wine decisions.
I hope you got my point. And I hope I helped you, at least a tiny bit, to select a proper bottle of wine, at least for Valentine’s Day. And please don’t ignore the OTBN – the right time to open a special bottle of wine is now – you never know, tomorrow the wine might be gone, or you might be gone. Truly, live in the wine moment – at least on the last Saturday in February.
Do you have frustrated oenophile moments of your own? Please share! And I wish you a happy, quick, and not-frustrating-at-all wine selection process, for all the special moments to come. Cheers!
Pleasures of Obscure and Difficulties to Express it in Words
German Pinot Noirs are hard to find in the US.
This story is not about Geman Pinot Noir, but the quest for one played a major role here.
I follow a group of wine-os on Twitter X who are swearing by Pinot Noir from Germany, particularly from Ahr, being the best Pinot Noir in the world, easily rivaling Burgundies in quality. Naturally, my interest was piqued and I started looking for the Pinot Noir from Ahr in the US. The problem is that Ahr is a tiny appellation to begin with, and given the popularity of Ahr Pinot Noir in Europe, this was not an easy task. I found Ahr Pinot Noir on Wine.com and confirmed with the group that it was a good producer. The wine itself was $56 or so, adding shipping and tax was making it even more expensive. Now, American Express credit card often has special offers for variety of merchants, Wine.com often being one of such merchants. I think the deal I registered for was $20 off a $100 purchase – considering that Wine.com shipping for 1 bottle is the same as for 3 (I think it is $20), it was a no-brainer – I just had to find a few bottles to reach $100 and get the discount.
At first, I was looking at some of the familiar wines to add to that Ahr Pinot, but then it dawned on me that I might look for wines to add to my rare grapes collection, which is exactly what I did. In the picture below, you see an end result – a Pinot Noir from Ahr and two wines made from the grapes I have not tried yet.
As you might know, I have been a grape geek for a long time, ever since I was bitten by The Wine Century Club bug (probably close to 20 years by now). I’m always happy to taste the wines made from unknown grapes, whether I will be delighted or terrified – it is all a good experience. Also trying a wine made from an unknown grape is extra fun as you can always approach such a wine with an open mind having no references (read: constraints) of any kind.
The 2022 Petit Sauvage Rouge Vin de France (13% ABV) was made from the grape called Cabernet Cortis which I have never had before. Cabernet Cortis is a hybrid grape, created in 1982 in Germany by crossing Cabernet Sauvignon and Solaris, another hybrid grape (last year I tasted the wine made from Solaris in Sweden). The grape was developed to be better adapted to climate change as well as to be disease-resistant.
The wine was uniquely delicious. Some of the uniqueness I need to attribute to the fact that I was unable to describe the perceived qualities of this wine in English. Yes, you heard that right. My mother tongue is Russian, and while Russian is really not the language of wine, one of the Russian words was the best for describing this wine – терпкий (terpkii). The word describes both taste and textural sensation. To give you an idea of the best textural association, I have a strange question for you – have you ever licked velvet with your tongue? I’m serious. Have you ever seen a TV episode where Gary Vaynerchuk explains wine descriptors to Conan O’Brian and forces him to chew on a wet sock? Something like that, only without socks. So if you would ever try to lick a piece of velvet (make sure it is clean if you do), this would be the closest you would get to that descriptor.
I tried translating it using Google Translate, and the best I can get is “tart” – here are a few more options from the Russian-English dictionary: терпкий — tart, harsh, acerbic, acerb, acidy. None of these would do. As a wine descriptor, tart generally means acidic, and devoid of fruit. And this doesn’t describe the textural and taste sensation I experienced when tasting that wine. Tannins probably would work best, especially those called “velvety tannins”, but I’m still not convinced that this is the best way to describe the taste of this Cabernet Cortis wine. All in all, the wine was delicious, a little bit racy and gamey, but this was perfectly integrated into an overall taste profile. And I would gladly drink this wine again if I had a chance.
Well, the only way we can solve this is for you to find this wine, taste it, and explain to me how little I know about wine – I promise to listen, and will be happy to expand my wine vocabulary.
By the way, speaking about tart – the second wine, 2019 Domain Tatsis Xynomavro – Negoska Young Vines Macedonia Greece, made out of Negoska grape, was actually tart, it was tart beyond belief, and basically, not drinkable. It didn’t improve even after a few days. You do have to kiss a lot of frogs in life… But it’s okay, a part of the process.
Here you are, my friends. There are lots more of the rare grapes I need to report on, so stay tuned…
Travel Diaries: Europe 2024: Paris
And now it is the time for pictures – lots and lots of pictures – from our European adventure 2024, starting from our first stop – Paris.
Paris needs no introduction – an eternal city of love, a source of inspiration for all things art, a coveted destination for millions every year.
So what did we do in Paris? First, I have to mention the hotel where we were staying. Whenever possible, I’m the Marriott guy. During this trip, I used a serious number of points to pay for our stays in Paris and Rome. In Paris, we stayed at the Marriott Ambassador Opera Hotel, and I have to say that this was one of the best hotel experiences ever. Spacious rooms, the whole hotel appointed with pictures of the fragments of the sheet music, elements of ballet and dance. Just beautiful. The concierge lounge on the top floor offered great views of the city, excellent food, lots of comfortable sitting. If you are planning a trip to Paris and can figure out the way to stay there, this is an excellent hotel.
Our sightseeing included all of the usual suspects – Père Lachaise cemetery (we went there in the morning – an interesting way to start your day, but definitely worth a walk through); Louvre (no we didn’t try going inside while having only 2 full days in Paris); Montmartre with an insane amount of people – I wanted to walk around to see the painters, but it was physically impossible to get through the crowd – well, at least we saw the basilica.
We also managed to visit the Rodin Museum and Gardens on the first day (Thursday), and again we had to work our way through a significant crowd – but at least walking through the gardens was quite pleasant.
Eiffel Tower (I’m guessing freshly painted for the Olympics but I might be wrong) was, of course, an important destination – we walked around and also took a cruise to see the sunset and the Eiffel Tower brightly lit at night. A short stroll through Champs-Élysées through the scaffolding of some construction for the Olympic Games completed the experience. In the evening, we took a cruise on the Seine – just a cruise without dinner (I had a dinner cruise last year, and it was not worth it in my opinion), and I captured some beautiful sunset moments.
The next day we went to Versailles, but before we talk about it I need to lament about Paris Metro. On one hand, I believe the Paris subway is literally one of the best in the world, for sure for the tourists. At each track, there is a full list of all the stations for a given direction – as long as you know the name of the station of your destination, you have no problems orienting yourself. However, everything has two sides. To enter the subway station, you need to use a ticket which is a tiny piece of paper with a magnetic strip. Even if you buy a day pass, it still comes in the same format. Now, if this little piece of paper gets anywhere near your phone, it gets doomed. And it is doomed in a funny way – you can’t enter the station, but when you ask an agent to check it, they run it through their machine and tell you that there are no issues. I ended up storing all the tickets in my wallet and this was the only way to get those tickets to last throughout the day.
Now, Versailles. I bought timed tickets with an audio guide a few months before the trip (we had only one day available for the visit, so I couldn’t take any chances), so we had no problems getting in.
Honestly, I was reasonably unimpressed with the palace (feel free to ostracize me, but the palace was very similar to the Newport mansions). However, the gardens were absolutely beautiful – except literally none of the fountains were working, so it definitely took away from the experience.
Just to touch on food and wine – we visited a few restaurants, but didn’t have any standout experiences, so below is just a quick summary as it simply feels wrong to talk about France and not to include any pictures of the food.
Then it was Sunday, and time to go to Orly airport…
Last Bottle Sign Up ($10 credit)
Talk-A-Vino 