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Daily Glass: First, There Was A Smell
Drinking wine is a sensual experience. Okay, I can’t speak here for all the people who drink wine at one time or the other – but I’m sure that this selectively crazy passionate group, oenophiles, would wholeheartedly agree. Once the wine goes into the glass, of course the color matters first – but color is mostly a technical characteristic. The color can tell you what to expect – for instance, if a Chardonnay has rich golden, yellow color in the glass, you should prepare for the worst (the wine which will be well past prime). Or if a red wine looks almost black in the glass, get ready for the tannins encounter. Still, the most pleasure you can get from the color alone is to get excited – “look at this beautiful color!” type excited.
Your hedonistic pleasure starts with the smell. Technically, it starts and ends with the smell, as our taste buds don’t go beyond 4 (or 5) basic tastes, and even when you take a sip of the wine, it is still the sense of smell which leads you to the strawberries in that sip – but let’s not get technical here, we are talking about the pleasure. Yes, you start with the smell – it is the smell which takes you away and makes you go “wow”. It is the smell which grabs your attention and captivates you, and forces you to smell that wine again, and again and again. It is the smell which builds up the excitement and expectations of the first sip.
The first sip afterwards is a moment of truth – if you are lucky, the taste will match the smell and will take you to the oenophile’s heaven, at least for a moment. It doesn’t always work like that – more often than not, the excitement built by impeccable aromatics instantly dissipates after the first sip. But when you are in luck, this is how the wine memories are created.
What prompted this post was my undoubtedly lucky experience few days ago with two wines in the row, delivering that incredible combination of aromatics and taste. Sorry, I’m getting overly excited here, but the smell of the 2013 Hanna Sauvignon Blanc Russian River Valley ($15) was, in a word, spectacular. In the New World renditions, Sauvignon Blanc is very aromatic more often than not – but it would be typically aromatics of grapefruit and lemon, Here, from the get go, the glass was exuding with the aromas of the fresh cut grass and cat pee. Yes, I know that many people jump when the cat pee descriptor is used, but anyone who had owned a cat would perfectly understand what I’m talking about. And yes, cat pee is a known classic profile of Sancerre, the most classic Sauvignon Blanc of all. So this wine had it all, clean, bright and present on the nose – and the palate was beautiful, medium to full body, with fresh cut grass and touch of lemon peel. Definitely an outstanding example of California Sauvignon Blanc, now squarely engraved in my memory, right next to the Honig and Mara White Grass, which are always California Sauvignon Blanc staples for me. Drinkability: 8+
And then there was 2011 Antica Terra Ceras Pinot Noir Willamette Valley ($75). I’m not going to spend a lot of time talking about the winery – you can should read interesting stories on Antica Terra web site on your own. But this wine… Talking about attractive color, the wine was ruby with the light pinkish hue in the glass. And then the first smell… It was surreal. Here is where I fail as a wine writer, as I can’t give you the right set of words to describe the impressions from this wine. The smell had everything in it – the cranberries, forest floor, herbs and mushrooms – light, delicate and seductive, saying “and now, let’s take a sip…”. The palate was a natural, precisely fitted extension of the smell – all the same component, now packaged together. More cranberries, shallots and truffles, sage and lavender, minerality and whiff of the forest floor, effortlessly rolling off your tongue, delicate and present, with perfectly noticeable, silky texture and needless to say, perfect balance. This was for sure one of the most sensual wines I ever had. And yes, if you want to take this tasting note as an example “look at another moronic wine review” – I will still stand behind it, as this wine delivered lots and lots of pleasure. Drinkability: 9/9+
There you have it, my friends – two wines which will be etched in the memory for the very, very long time. I wish you all to have lots of sensual wine experiences and memorable wines. Cheers!
[Wednesday’s] Meritage – Wine Quiz Answer, Merlot is Back, Harvest Everywhere, About Yelp and more
Meritage time!
Let’s start with the answer to the wine quiz #115: Grape Trivia – Muscat.
In the quiz, you were supposed to answer 5 questions about one of the oldest cultivated grapes – Muscat.
Here are the questions, now with the answers:
Q1: This Italian wine, made out of the Muscat of Alexandria grapes (which has a different local name), is quite unique in having a given vintage receive top ratings from all main Italian wine publications, including Gambero Rosso, Slow Wine, Bibenda and Veronelli. Can you name this wine?
A1: Donnafugata produces dessert wine called Ben Ryé, made out of Zibibbo grapes, which is the local name for Muscat of Alexandria. Ben Ryé typically gets awarded highest ratings by various Italian publications, year in and year out.
Q2: This Muscat wine was the last solace of exiled Emperor, Napoleon Bonaparte. Can you name the wine and the country where it was made?
A2: This legendary wine is Klein Constantia Vin de Constance from South Africa
Q3: Which one doesn’t belong and why?
a. Banyuls, b. Beaumes de Venise, c. Frontignan, d. Rivesaltes
A3: Banyuls – while Banyuls is known for its dessert wines, same as the three other AOCs, Grenahce Noir is the main grape used in Banyuls, not the Muscat which dominates the others.
Q4: Muscat wines often get very high ratings from the reviewers. Based on Wine Spectator Classic wines (95 – 100 rating), which country do you think has the most Muscat wines rated as Classic:
a. Australia, b. France, c. Italy, d. Portugal,
A4: It might come as a surprise, but this country is the Australia – 9 out of 10 Muscat wines with topmost ratings are from Australia, including a 100 points Campbells Muscat Rutherglen Merchant Prince Rare NV.
Q5: Which should be excluded and why?
a. Muscat of Alexandria, b. Muscadelle, c. Moscato Giallo, d. Muscat of Hamburg, e. Morio Muskat
A5: This was a bit of a tricky question – actually 2 grapes don’t belong – Muscadelle, which has nothing to do with Muscat, and Morio Muskat, which is a blend of Sylvaner and Pinot Blanc.
When it comes to the results, we had no winners, unfortunately, but I’m glad to see Oliver the winegetter back in the game. There is always the next time!
Now, to the interesting stuff around the vine and the web!
Let’s start with … Merlot! Merlot is back, and to make sure everyone will notice, October is designated as the Merlot month! If you think about it, Merlot never left, and Chateau Petrus didn’t switch all of a sudden to the Cabernet Sauvignon as a main grape. Still, Merlot wines are now demanded by name, so it is definitely a reason to celebrate. Drink it, talk about it, write about it – just don’t be indifferent about it. Here is the web site which will help to plan your Merlot festivities.
Harvest is under way in many parts of the Northern Hemisphere, so here are few of the updates. Long stretch of a warm weather in September greatly helped vintners in Burgundy and Bordeaux. The summer was cold and rainy in both regions, and the hailstorms didn’t help either. However, warm and steady September weather greatly improved the overall outlook; while the 2014 vintage is not expected to exceptional, both Bordeaux and Burgundy expecting good results. White Burgundy look especially promising in many appellations, including Chablis. Here are the links with more details – Burgundy and Bordeaux. California weather was quite opposite compare to France – very hot and dry summer forced an early harvest start in the Northern California, with some estates picking up grapes as early as July 29th – one of the earliest starts in a decade. Here is the link with more information about California harvest.
When I’m looking for the good restaurant, especially in the unfamiliar area, my first choice of information source is usually one and the same – Yelp. I generally can’t complain, and for majority of the cases I’m quite happy with Yelp recommendations – I’m sure it saved me from the number of a bad experiences. This is why it is even more upsetting to read about the issues businesses face with Yelp forcing them to take advertizing deals or be punished by artificial manipulation of ratings. Unfortunately, this is what happens when shareholder value becomes the purpose of business existence and trumpets the relationship with the real customers (which eventually drives company out of business). Case in point – the restaurant called Botto Bistro in San Francisco, which refused to badge with Yelp’s demand for advertizement placement, and instead started fighting back with Yelp by undermining the core of the Yelp’s existence – the rating system. The restaurant requested all of their patrons to leave negative one-start reviews, which people did. Take a look at the this article which lists a lot of examples of such a one- star “negative” – or rather super-funny – reviews. Yelp have to get its business integrity together, or it will disappear.
If you are actually a writer, how often do your read your writing, edit it, then read again and edit again? You don’t need to answer this question, but the number of the read/edit cycles is better be substantial if you want to end up with the quality outcome. Here is an interesting article by Jo Diaz, where he talks about the importance of the editor and the editing process. It is clear that most of us are not going to hire an editor for our “labor of love” blog posts – however, the editing still remains an essential part of the “writing well” process, and you really should find the way to implement it.
And we are done here. The glass is empty – but the refill is on its way! Cheers!
Daily Glass: California Gamay? How about it!
The process of selecting of the bottle to open sometimes can be very daunting – may be this? But I just had it few days ago. Than that? Well, today is not special enough day? Then what about that one? Nope, doesn’t feel right. In the end of the day (not literally), you just bite the bullet and say “this is it”. So the end result of my nerve wrecking selection process today was a bottle of … California Gamay from Field Recordings.
Now, class, who had the opportunity to taste California Gamay – raise your hands. Yep, I thought so. It is not that often that you hear about California Gamay. It is not even too often that you hear about Gamay been grown anywhere in US. Beaujolais? Of course, Gamay is one and only. Loire? Sure, also quite popular. Switzerland? Lesser known outside of Switzerland, but still – yes, it does quite well there. But California?
Well, so as they say, there is a first time for everything. Today was my first time to taste the California Gamay. 2013 Field Recordings Gamay Noir Rancho Real Vineyard Santa Maria Valley, California (13.9% ABV, 100% Gamay Noir, 6 month in Neutral Puncheons, 50% carbonic, 50% destemmed, 140 cases, Bottled: 04.19.2014) – very interesting. The nose was reminiscent of the Beaujolais Nouveau, but with the fruit being more mature and restrained, not as grapey. Very delicious and pronounced, similar to all other Field Recordings wines I had so far. And the palate… The palate was puzzling. It had a lot of fresh, ripe raspberries, good acidity and good balance, but there was something else which took me a while to figure out. And then it came down to me – the wine was still coming together. It was very similar to the Chenin Blanc which I had directly from the tank at the winery. Fermentation or not (I’m not a winemaker, so I can’t tell you exactly what it is, I can only describe to the best of my abilities), but this wine still needed time. This is why I highlighted above the date when the wine was bottled – so I was having the wine which was bottled only a bit more than a month ago – and it was noticeable. The wine was not bad by all means – but it would be very interesting to know, how would it taste when it would finally come together as a whole. Note to self – for the young wines, try to read the labels before, not after. Anyway, it was an interesting experience, and I will have to go with Drinkability of 7+, as the wine was still pleasant. Oh yes, of course it was my one and only bottle.
Have you had California Gamay before, or any US Gamay for that matter? What do you think? Also, have you had the wine which wwas not done yet? Comment away and cheers!
Devotion – The Blog Post I Can Not Write
As soon as I saw the new theme for the Monthly Wine Writing Competition #7, Devotion, my very first thought was “hmmmm, this will be hard, or more precisely, extremely hard”. The problem is that when I hear the word “devotion”, the immediate mental picture is of a giant cross at the very best, or no picture at all – but I can assure you it ain’t the picture of a bottle of Cabernet Sauvignon.
Ever since the theme was announced I was struggling to find the connection of “devotion” to the wine world. I’m sure the examples of the true devotion are abundant in the wine world. May be even more than in many other trades, the success requires a lot of sweat, blood and sacrifice. Not been a wine historian, but rather only a very appreciative and dedicated consumer, I don’t have those stories of sweat and blood handy, and searching the Internet and rewriting someone else’s stories is not something I usually do, thus search for the connection between wine and devotion became literally a daily routine. To no avail.
I thought that I will start my post with the analysis of the word “devotion” – yes, the linguistic analysis. Oliver did it it perfectly in his post for the #MWWC7, as he was struggling with the theme in pretty much the same way as I did. Oliver took the Latin route for the meaning of “devotion”, so I can still refer to the English meaning of the word. Here is a nice representation of the Google search for the definition of “devotion”:
Yes, love and loyalty (or dedication for that matter) sound like the right way to go here – but if that is the direction, I would simply use the word love, and not devotion. Nope. It doesn’t connect.
So as today is a pretty much the last day to submit the entry, I still don’t have it.
But let me give you somewhat of an interesting twist here. Let’s put the word “devotion” aside for a minute, and let’s go back to the wine. Think about two sides of the wine world (not exclusively two – but let’s simplify here). On one side, winemaker should be willing to make an honest wine, the wine he or she will be willing (and proud) to offer (sell) to any consumer. On another side of the spectrum is the consumer who should be willing to buy the wine. Let’s make this statement even more precise – the consumer who should be willing (and eager) to drink the wine. Do you think we can find devotion on both sides here? Does it take devotion to make the best possible wine? Yes this is an easy case, I would say (and it was perfectly presented by Jeff at FoodWineClick in his photo essay about devotion of the winegrower). And how do we get to the devotion of the wine consumer? While this might not sound all too fitting for the term, but one should be devoted enough to the wine world to be willing to open the bottle – any bottle, a cult (DRC, Petrus, Screaming Eagle), or the most obscure, of unknown grape and producer; the wine which costs thousands, and the wine which costs $1.99. Open and give that wine a chance, step over the preconceived notions (“ahh, I don’t drink California Chardonnay”) and make an effort to understand the wine for what it is. Is that a behavior of the wine-devoted consumer, an oenophile? We are not talking here about people who buy the wine as an investment, with the sole purpose of selling the wine once its price will increase – those people are devoted to money, not to the wine. But for the oenophile, the wine is approached with an open mind – that doesn’t mean that the one should equally love all the different styles and tastes – but that one has equal respect to them all.
And let me tell about devotion of the winemaker through the eyes, nose and palate of the devoted oenophile (yep, myself in this case).
I brought the bottle of 1966 Louis M. Martini California Mountain Pinot Noir from Chicago about a month ago. I was in the store, shopping for the older vintage wines, and I couldn’t resist to buy such an old wine for $25 – yes,this is how much this wine was.
I didn’t want to hold it for too long, so Valentine’s Day seemed like a perfect opportunity to open a special bottle of wine (yes, I should’ve wait for the Open That Bottle Night, but we are always traveling over the actual OTBN day, as it generally falls on the kids’ school vacation).
When I told my friend Zak (who owns the wine store) that I will be opening the 1966 California Pinot Noir for the Valentine’s Day, his reaction was “why? You understand that the wine will not be any good, just keep the bottle as is for the decoration”. My thought was “I can always keep the empty bottle as a decoration. I have to give this wine a try”.
I honestly didn’t know what to expect. 1966 Pinot Noir from California? Not made by the star winemaker at the state of the art modern winery? The only thing I knew about the wine that it was made at Louis M. Martini winery. And Louis M. Martini doesn’t even make Pinot Noir wines today! Okay, let me come clean here – I had an additional reinforcement of my hope. I remember my wine class on Californian wines at the Windows on the World wine school, where after we tasted the line of California Cabernets, Kevin Zraly said “this wine is made by the Louis M. Martini. They make make excellent wines, and they could charge a lot more for them, but they chose not to”.
Louis M. Martini was an Italian immigrant who came to the United States in 1899. After working in the wine trade for a while, he opened Louis M. Martini winery in Napa Valley in 1933, as Prohibition was ending. Last year, the winery celebrated its 80th anniversary. You can read the history on the Louis M. Martini winery web site, but I want to mention that Louis P. Martini, the son of Louis M. Martini, went on to become one of the pioneers of California Pinot Noir and Merlot, and he was inducted to California Vintners Hall of Fame in 2008.
Let’s get back to the wine. It was the time to open that 1966 bottle, so I armed myself with the waiter’s corkscrew and the two-prong cork pull. I even had a thought of using Port Tongues, but that sounded a bit too fancy. Foil was cut, and I was presented with pristine looking cork top. Considering that appearance, I used the the regular waiter’s corkscrew, only moving it very slowly. The cork struggled only a tiny bit, and came out as a whole – and just look at this cork! I had 5 years old wines, where cork was in the terrible condition, never mind 48 years old wine!
So I poured the wine into the glass – beautiful red brick color, with an orange hue, reminiscent of signature Barolo color. I was really concerned about the first smell – hoping not to find a sauerkraut or vinegar there – and the nose was perfect! Yes, the herbal flavors were prevailing over the fruit, but nevertheless, it was a very pleasant nose without anything disturbing. The first sip – wow. This wine is beautiful! Yes, lots of herbs – sage, eucalyptus, may be even lavender, but also with the nice plum component, and most importantly, balancing acidity. An extremely complex and thought provoking wine – but in the perfect elegance of all the components. The wine opened up a bit more, showing a bit more sweet fruit notes – and then it was gone – we finished it all. Truly spectacular and almost unbelievable – but it was real. I would love to compare this wine to the old Burgundy – I guess this is what it will taste like, if I’m lucky.
And you are looking for connection to the today’s theme, devotion? To me, it is simple. To make the wine which will last for so long and stay in such a perfect condition (go back and look at that cork again) requires a dedication, it requires the full devotion of the winemaker, it requires the unconditional love to what you do. And this wine had it all.
Raise your glasses, my friends, for the true devotion of the winemakers and oenophiles. Cheers!
































