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Rioja for the Stars, Or Don’t Miss The Oscars on Sunday!
And the Best Picture Award goes to … what, do you really think I know? Even if I do, I’m not telling… But – I know what you should be sipping while watching all the glitz and glamor – Rioja!
Why Rioja? May be because this is one of my all time most favorite wines? Okay, yeah, never mind. Then may be because Rioja is ready for the big Oscar celebration?
Yep, here is tons of information about Rioja and your favorite actors – all courtesy of Vibrant Rioja!
You can also mark your winners in advance and play the game of “Told you so!” later on with your friends:
Here is the link if you want to download an actual PDF file.
So, what are you going to open? I heard that 1996 Lopez de Heredia Viña Tondonia White Reserva should be able to help you to get through the opening ceremony, and 2001 La Rioja Alta Vina Ardanza Reserva Especial will pair perfectly with the “Best Movie” award, but then again, it is your choice.
No matter what you will end up doing, I hope you got my point – Rioja is always appropriate, no matter what the occasion. Open the bottle and enjoy! Cheers!
Words of Wisdom For All The Bloggers Out There – Seth Godin: Writer’s Block and The Drip
How many of you heard of Seth Godin? He has done (and continues doing) a lot of things in this life – he is an entrepreneur, a marketer, a consultant, an author, but I think above all, he is The Mentor. His books, his blog posts, his seminars are teaching, motivating, pushing, pulling, making uncomfortable, touching hundreds and hundreds of thousands of people around the world (quick example – Seth Godin is in 98,000+ circles on Google+).
I’m subscribed to his blog, and every day a get a little snippet of wisdom. Sometimes it is 2 lines. Sometimes, it is 20 lines. It resonates 99 times out of a 100 – for me it does. Unfortunately, I act upon what I read about 0 times out of a hundred, but this is a whole another story.
Seth’s Godin’s post of couple of days ago stroke a cord again – and this time it is about blogging. I know that many of my readers are also passionate bloggers, so I want to share this with you. Enjoy!
Touching Time
I have a special fascinations with man made things which last through time. I remember looking almost in awe at the stone in London which had guarding rail around it and little plaque declaring that this stone was laid there in 1012 (I might be off by a few years, but you got the idea). On another occasion ( about 20 years ago, very shortly after I came to US), I was visiting Metropolitan Museum in New York, and I saw a large structure in one of the rooms which resembled Egypt Pyramid, actually bearing the age of many thousands years. I couldn’t help myself not to put a hand on the wall and touch those thousands of years – the very next second extremely loud and angry voice came out with the words “Don’t touch the Temple!”.
Wine holds special place for me when it comes to its relationship with wine (here is an earlier post on that subject). While in Miami, I was able to literally touch upon wine and time once again (only touch, not taste). We went for a dinner to the restaurant called The Forge, located in North Miami Beach. This restaurant is a landmark on its own, being in existence sine 1920s. But the object of particular interest is their wine cellar, located on the lower floor.
From the first look you take on those bottles, the only thing you can say is “wow”. Then you say it again and again, as you walk around that spacious cellar, beautifully appointed in mahogany. Inside the cellar there is a separate gated section which holds owner’s private collection. That collection has a full line of Chateau Lafite, starting from 1822! The collection is curated by the Chateau Lafite itself, and recently the bottles were re-corked and toppled off with 1982 Chateau Lafite, which was deemed “good enough” for that purpose.
Leaving owner’s collection aside, the main cellar holds so many jewels that any oenophile will tremble in the knees just walking around. Here are few pictures I would like to share with you.
1873 Mouton Rothschild:
Here is close up on the label, in case you can’t see well enough on the previous picture:
Mouton Rothschild Artistic series ( don’t know if picture is good enough for you to see, but it is Chagal and Picasso labels):
Domaine Romanee Conti, of course:
Look at this beauty – 1957 Petrus!
The cellar holds quite a few large format bottles:
And here are couple of general views ( note that cellar is available for private parties…):
And one more:
If you are curious if the opportunity to look at the bottles was enough to replace the dinner – no, we had dinner there – but food was not on par with the view we had before.
We did pretty good with the wine – 2006 Stella Maris Red Wine from Washington state was nice, round wine, with good red and black fruit both on the nose and the palate, good acidity, medium to full body. Overall, while wine list appears to be a huge book, split into countries and styles of wine, it is not easy to find something interesting and affordable at the same time. Of course, you will be gladly served that 1957 Petrus for about $45,000, so if you plan to celebrate something that special, can I please (did I say “pleeease”?) get an invitation?
Talking about the food, for the appetizers we ordered Salmon Croquets and Roaster Cauliflower florets. The Cauliflower was probably one of the tastiest I ever had, but the salmon croquets were on the mushy side. Here is the picture:
Then we had two steaks, and while the place is considered to be a steakhouse, they were just average, not memorable at all (I would gladly take instead Capital Grille steak at any time). Here are two pictures –
New York Strip:
And “steak and eggs”, steak was encrusted with coffee and pan-seared:
The dessert somewhat compensated for the entrees, though, as it was the best souffle I ever had – chocolate grand marnier souffle:
All in all, it was a great and very memorable visit. If you have an expense account, your possibilities are endless at The Forge. If you are like me, coming for the great “wine and time” experience, you might have better luck with fish. Cheers!
Wine and Time
Of course time had being here forever, always moving, and always in one direction (someone, please prove me wrong!). Wine had being around for about 8,000 years, first appearing in the ancient Georgia (no, not the one down south, but the one from the Caucus region, on another continent). Wine is one of the few products literally not changed for such a long time in its form and its production methods – sans reverse osmosis machines, electrical presses and micro-oxygenation boxes. Considering such a long history, you can imagine that relationship between wine and time is very complex, and you would be right.
First, time is a necessary part and an attribute of the wine making process. For the vast majority of wines, if you read winery’s description of the wine, you will see something like “aged for so many month in …”. Sometimes the wine is aged in stainless steel tanks. Sometimes the wine is aged in clay vessels (very popular in Georgia now, the vessels are called Kvevri and produce very distinct wines). Lots of red wines are aged in oak barrels – American oak, French oak, Hungarian Oak, new oak, old oak – variations are endless. For many wines, duration and the type of the aging is a sole decision of winemaker (no pressure, but this decision will greatly affect quality and the taste of wine, and will define success and failure for it). For some of the wines, aging in a specific type of barrels is mandatory before the wine can be released – Rioja Gran Reserva should be aged for a minimum of 2 years in oak barrel and 3 years in the bottle to be officially designated as Rioja Gran Reserva. Barolo must be aged for 3 years, at least two of them in the oak barrel, and Barolo Riserva should be aged at least for 5 years. During the aging process, the wine is changing. Oak imparts very specific flavor, which we, humans, tend to like. Oak aging also acts as a preservative and helps wines to live long life.
Once all the aging is complete (in the tanks, barrels and bottles – whatever the aging was), wine is released – and this is when the second phase of the wine and time relationship kicks in.
This second phase is as tricky, if not trickier, as the first. Have you heard the phrase “needs time” in relation to the particular bottle of wine? If you will look at the wine reviews in Wine Spectator or any other publication which provides wine reviews, you would often see one of the phrases “Drink now”, “Best 2014-2020”, “Best after 2013” – these are the suggestions for how long the wine should be kept in the cellar before it should be consumed.
Why is that? What with all this aging? Why not open the bottle right away and just drink the wine? What was discovered at some point (don’t ask me when, but it was long time ago) is that wine actually changes its taste as it spends time in the bottle (the aging). And it doesn’t just change the taste arbitrarily, it tastes better. Young wines are often sharp, or somewhat single-toned in their taste – you might get pronounced acidity, or only sweetness, or lots of white apples – but only white apples. During aging, trace amounts of air are making its way into he bottle, and they lead to the wine changing its taste, improving to the better in majority of the cases – it becomes complex, bite softens up, bright and diverse fruit tones compensate for the pronounced acidity and the wine brings a lot more pleasure compare to the young wines. Mature wines deliver more pleasure – this is the whole philosophy behind wine aging.
Simple and easy, right? Well, this is were everything becomes complicated and confusing – as not all the wines should be aged (do not try to age Beaujolais Noveau, please) and also it is very tricky to make sure you would drink the wine at its peak – as whatever comes up, goes down in mother nature. This is where time transforms from the friend to the foe – and as a foe, it is merciless. After reaching maturity and staying there for a while, the wines are typically starting their decline in the taste (wine loses fruit, become very acidic, may be oxidized – and it stops delivering pleasure). Different wines made in the different styles will have different peak times and different lifespans. Some of the Jerez, Madeira and similar wines can go on literally for the hundreds of years. Good Rioja, Barolo or Bordeaux can be perfectly aged for 50 years or longer. Simple Cote du Rhone might only last for 3-5 years, same would be true for many of the Chardonnay wines. There is not crystal ball telling you precisely how long the wine will last and when will it taste the best – human trial and error is the best way to find that out. Of course there are many factors which might help you to decide whether to age the wine and if yes, for how long – the winery, the winemaker, the region’s wine style, success of the vintage and many others – but in the end of the day you would need to do the work (err, I meant the wine drinking) as the wine ages to find out when it tastes best to you.
So, does it worth to age wines if you don’t know what will happen to them in the end? For anyone who is into wines, and who had an opportunity to try a mature wine, the wine which reached its optimum taste, I’m sure this is a no-brainer question – yes, of course, and please, please give me more.
How one can experience aged wines? You got a few options. First, you can age it in your own cellar. Second, you can buy aged wines, either in a good wine store, such as Cost Less Wines in Stamford or Benchmark Wine Company. Note that you have to buy aged wines only from the trusted source – not aging the wines in the right conditions will simply ruin them, so you have to trust your source. Third option is to attend a wine tasting, such as PJ Wine Grand Tasting, where you can taste really amazing wines. However, you don’t have to wait of the Grand tasting, which takes place only once a year. If you live in a close proximity to Stamford, CT, you can attend a wine tasting at the Franklin Street Works gallery on Thursday, January 19th at 5:30 pm (here is the link for RSVP). The event is free and open to all. Here are the wines which will be presented in the tasting (the list might change at any time):
2003 Riesling, Mosel Saar River, Germany
1998 Merlot, Italy
2009 Stag’s Leap Hands of Time, Napa Valley
2009 Stag’s Leap Hands of Time, hyper-decanted using Nathan Myhrvold’s methodology.
So you should come and experience the relationship between time and wine for yourself – there is a good chance that you will even enjoy it! Cheers!
Music, Recorded in the Vineyard
There had being a number of studies made about the ways people buy wine. One of the known facts is that women often buy the wine based on the appearance of the label. I witnessed dialog of mom and a little son in the wine store – she tells the kid “Mommy will buy this wine, because the label looks pretty” (by the way, if you are curious, the wine was Avalon – I wouldn’t ever look at that label).
I don’t know how the man collectively make wine buying decision, but for me personally one of the important factors is the name of the wine or the winery. Of course some of it is due to the fact that once you know ( tried or read enough about) particular wine, the name produces instant reflection – I wonder how many wine lovers’ hands will not sweat while admiring Alban, Harlan, Bryant Family or Petrus. But then even for the wines I never heard of, some of the names trigger instant reaction – hmmm, that sounds intriguing, I wonder how this will taste like.
When I got a note from the Benchmark Wine Company talking about wines coming from the Field Recordings, that caught my attention. Field Recordings? Hmmm, sounds interesting. The price is reasonable (under $20), so why don’t I try one? Done. The bottle arrived (I have to mention that in this particular case I like not only the name of the wine, but the label as well, and I would definitely look at such a bottle in the store if I would see one), and then the day came to open it.
Wine is a form of art. When you smell it, when you taste it, it solicits an emotional response. Same as a music, same as a poetry, same as a painting, same as a movie, same as practically any other thing in life, when done well, it will move you. This 2010 Fiction Red Wine Paso Robles by Field Recordings was definitely one of the best wines I ever tried. I don’t remember ever smelling the red wine like that. Meadows. Beautiful full blown meadows, in a middle of flowering, compacting heavy and heady aromas of a warm summer day – all in one whiff, one breath of air. After the first smell, you don’t want to drink the wine. Not yet. You need to smell it again. And again. And again. And you don’t want to let go of that feeling of freshness and warms.
The same freshness continued on the palate – lots of fresh red fruit. Ripe red fruit, yes – plump and juicy, but not overripe, just perfect fruit with enough acidity and body to make you think of a perfection. Perfect balance. I can’t say anything more. You if are reading this blog for a while, you know that the balance is something I value the most in wine – and this bottle of Fiction got it just right.
This was an amazing experience, and I would gladly repeat it – the only problem is that Benchmark is all out of it, and wine-searcher can’t even find it in the country. Oh well – if you will be lucky enough to come across this wine, remember – there is a beautiful music recorded in that bottle. Find it and experience it for yourself. Cheers!
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