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Meet The Winemaker, Get Your Bottle Signed, Now What?
You come to the wine tasting, meet the winemaker. Talk about vintage, talk about history, taste the wine, get very excited, taste another wine, get even more excited, get a few bottles, and the winemaker signs them for you. So far so good, right?
You come home, put the bottles in the cellar. Now the time comes, and you remember that great wine you put aside to be enjoyed later. And you decide that the moment is now. You get the bottle. And it has a winemaker signature on it!!! Is it still the bottle of wine? Yes, but now, it is also the memorabilia! What now?
Yes, you can keep the signed book, baseball or baseball card, a cap, a painting and many other objects … forever!. You can take them out, show to the friends, tell the stories, rehash the memories, re-live the moment, pass those mementos from generation to generation if you wish. But wine? What do you do with the wine?
Drink the bottle and keep the empty, proudly displaying it (yeah, really not sure about that one)? Never open the bottle and keep it as is? But it is wine. It will not be good indefinitely…
So, what would you do? I’m asking this question as a generic one, not pertinent to the bottles I have. What would you do or what do you do with the signed bottles you have?
Happy Friday, friends. Cheers!
Screw Top Versus Cork – The Jury Is Still Out
Inadvertently, I run an experiment of cork versus screw top, and the results were interesting enough to discuss them here.
About a week ago, I pulled out of the cellar (which is actually a wine fridge) the bottle of 2004 d’Arenberg The Footbolt Shiraz MacLaren Vale from Australia (14.5% ABV). As I confessed in my blogging addiction in the recent post, before the bottle is open, in addition to just regular anticipation of wine experience itself, now I have added anticipation of the possible blog post which can be written based on the wine experience.
Or not. There are many possible was for the experience not becoming a blog post. Too many things to write about, too little time. Or you just hit the “writer’s block”. Or the experience is not worthy of being captured. Which was the case with this Shiraz.
d’Arenberg is a well known Australian winery, which just celebrated 100 years last year, producing substantial range of typical Australian wines, such as Shiraz, Grenache, Chardonnay, Cabernet Sauvignon and more. I had pleasure of meeting Chester Osborn, d’Arenberg’s winemaker in third generation, and even have couple of bottles with his signature in my cellar (by the way, what do you do with those signed bottles? I should make a separate post to discuss this interesting question).
Now, I didn’t know what to expect from this bottle of Shiraz. The Footbolt is one of the introductory level Shiraz wines from d’Arenberg, but that doesn’t mean anything. Cork is out (regular cork, just keep reading to see why it is important), and judging by the color alone, this wine didn’t reach its prime yet – dark ruby in color. But the nose and then the palate were inconclusive. Acidity would jump up and down with every sip, and while the wine had enough fruit, it was simply not getting together, definitely lacking the balance which is all so important for me in the wine. So, based on this wine alone, the blog post was not born.
And then yesterday I pulled out another bottle of d’Arenberg wine from the same vintage:
2004 d’Arry’s Original Shiraz Grenache McLaren Vale (14.5% ABV) – a blend of 50% Shiraz and 50% Grenache . With the screw top. That was an “aha” moment. Same vintage as the previous wine – but wit the screw top – how different the experience will it be?
No “pop” of the pulled cork. Just a quiet “tsk-tsk-tsk” of unscrewing the top. In the glass, this wine looked like it was made yesterday – dark ruby, very concentrated color. From the get go, the wine showed beautiful fruit on the nose, ripe plums, equally supported on the palate with fresh fruit and energetic acidity.
About 45 minutes or so later, when I poured another glass, the wine tasted almost sweet – the thought was “what happened”? This was a totally a different wine compare to the way the wine started. Another half an hour or so – and we were presented with the new wine again – dark concentrated fruit, firm structure, tannins and acidity all summing up into a gorgeous balanced wine.
Wine ageing in the bottle is typically associated with the tiny inflow of oxygen through the cork. In case of screwtop, the oxygen doesn’t get to the wine at all. Thus my theory is that once you open a bottle under the screwtop, the very quick ageing process starts off, which takes the wine through the different “taste stages” in the rapid succession. Then at the same time, the wine is changing its taste in the glass no matter what, so may be that rapid taste changing has nothing to do with the way the bottle was closed.
Ideally, of course, I would love to compare two identical bottles (same wine, same vintage), only one closed with the screwtop and another one with the regular cork (I believe I actually read about some producers who are doing that). In this experiment, the Shiraz Grenache under the screwtop was a clear winner, but it is hard to tell what it has to do with the screwtop versus regular cork versus the two wines being just differently made.
I guess I can end this report with the words “to be continued…” – and I would love to hear your thoughts. Cheers!
Study of Port: Epilogue
What starts with prologue, should end with epilogue, right? What was supposed to be may be one or two posts, became a whole series. In case you missed any of the posts, here is a full list for the study of Port series:
Finally, let’s talk about Port!
What else can I tell you? We had a great week in Portugal. Very short conclusion can be “great people, great food, great wines, great scenery, great time”.
All people we came across were very nice and helpful. Language barrier was never an issue (I also have to mention that a lot of people speak very good English) – one way or the other we were always able to understand each other. Hotel, restaurants, port houses, stores, our numerous walking tours will only stay in memory with great people encounters.
The food? Very good quality, very reasonably priced. Memorable moments? Bacalhau, Francesinha, lots of fresh fish and shellfish of all kinds. Tuna fish spread is served in almost all restaurants with the bread (you need to ask for butter). Port is available at the buffet breakfast in the hotel, next to the orange juice. Below is the best representation for you (sorry if I make you hungry):
But probably the most important part about the food in Portugal is the fact that Portugal practically doesn’t import any agricultural products – everything is either produced, caught or raised locally, and you can taste it.
When it comes to wines, the story becomes interesting. First, there are about 80 grape varieties growing in Portugal, most of them are indigenous grapes. Here is a glimpse for you, as captured in the picture below:
By the way, these unique grapes are a great find for all aspiring Wine Centurions – I personally added 5 new grapes to my list – here they are:
Codega do Larinho – 2011 Castello D’Alba from Douro
Rabigato – 2011 Castello D’Alba from Douro
Moscatel Galego Branco – 2012 Portal Colheita Branco Douro DOC
Antão Vaz – 2010 Herdade Dos Grous Branco Vinho Regional Alentejano
Donzelinho – 2011 Niepoort Tiara Douro Branco
Outside of Port, very few of the Portuguese wines make it to US, and out of those few, there is even lesser number of wines of notice. Meanwhile, if you will make it to Portugal, you will be literally astonished by the availability of very inexpensive and absolutely delicious wines, both in the stores and in the restaurants. I already gave you my account of great wine encounters in the previous posts (Quinta do Cardo, Niepoort Tiara, Quevedo Vintage Port), but I actually saved the best for last – 2009 Casa Burmester Reserva Douro DOC (blend of Touriga Nacional, Touriga Franca and Tinto Roriz) was an absolute highlight of the red wines I tasted during the Porto trip.
I don’t want to even describe this wine in terms of berries, chocolate, coffee, spices – it had everything, but the major thing about this wine was an absolute balance of fruit, structure, power, acidity, tannins – all the elements which make you go “wow” after the first sip where perfectly there. I can’t give you one to one analogy for the way this wine tasted, but to give you an idea of how impressed I was, I would safely put it in one line with 2000 Chateau Margaux, Vega Sicilia Unico and Vintage Krug Champagne. In case you are curious about my rating, this wine gets Drinkability: 9.
I believe I sufficiently inundated you with the pictures of the beautiful scenery, but let me still add a few more:
Time to finally conclude the series. I don’t know what you think, but I really enjoyed writing all these posts. I also saw a lot of happy comments, including those where people said that they will definitely go and visit Portugal (which will be very smart, if you ask me). If you will actually travel to Porto, I hope you will find some useful information here. And in any case, thanks for reading and cheers!
Study of Port: First Port Experiences
I’m continuing my notes from Portugal (you can find previous post here). On Sunday we had some free time to walk around the town, so I have more pictures and some actual port tasting notes for you.
Let’s start with the pictures. We walked past beautiful cemetery (is it appropriate to use the word “beautiful” in conjunction with cemetery? not sure, but still). As my friend P likes to say – “lines!”:
Isn’t this pretty?
Someone has good sense of humor:
One of the modes of transportation in Porto:
Just look at this beautiful town:
Port, I’m coming:
So we finally made it across the river (technically, all the port houses are located across the river from Porto in the town called Gaia). We made our first stop at Quinta do Noval. Quinta do Noval has all the operations in Douro valley, and only a small store in Porto, where you can taste limited number of their Ports. All the ports you can taste are packaged in the form of a single-pour tiny bottles, so as the result you can’t try any of their vintage ports, as those can’t be put in the small bottles. Let me explain.
There are many different types and styles of port, but at this point we only want to distinguish between vintage and non-vintage ports. To begin with, all the ports are made in the same way as any wine – the grapes are harvested, crushed and fermented until desired level of sweetness is achieved. From here on, Port making deviates from the regular wine making process – fermentation now is stopped with addition of very young brandy (neutral grape spirit), and then Port wine goes for aging in the barrels or vats, depending on what kind of port is in the making. Here the distinction will be also made between Vintage and non-vintage ports. If quality of the wine is outstanding, the Port house might declare a vintage year, and then the port will age in the oak cask only for 2 years, and then continue aging in the bottle. Otherwise, the port wine can age anywhere from 5 to a 100 years in the barrels, and it will produce ports with the age ( but not vintage) designation on them.
The key difference (important for us, consumers) between vintage and non-vintage port is that non-vintage port can be kept for extended amount of time after the bottle is open, while vintage port should be consumed within a day or two, same as any other wine. This is also the reason for Vintage port (which is typically very expensive) not being available for the tasting in the tiny bottles.
Okay, going back to our tasting – so we decided to try the 40 years Tawny port from Quinta de Noval:
It was good and very complex, with lots of almond variations on the palate, dried fruit and pronounced acidity, which was taming the sweetness. It was good but not amazing (I would be disappointed if I would pay a full price for an actual bottle of it).
Next we stopped at Sandeman:
In most of the port houses you can go for the tour and then do the tasting – we decided to skip the tour and just do the tasting.
For the first time I tried White Port – and it was outstanding!
Sandeman Apitiv White Porto was aged for 3 years in the vat. It had golden color, good amount of sweetness ( but not cloying by all means), lots of white fruit, particularly white plums on the palate, good acidity. It was bright and uplifting, very refreshing wine overall.
Sandeman Imperial Reserve Porto ( 8 years of aging in the barrel) had sweetness perfectly supported by the structure underneath – dark fruit, good body, good acidity – overall, probably one of the best ports I ever had.
That’s all I have for you for now – in the next post we will talk about food experiences in Porto. Cheers!
Study of Port: Prologue
I have to break the tradition today – there will be no wine quiz for you to solve. Instead, I’m going to share the experience with you.
As you know, my day time work had nothing to do with wine. But – because of that work, I’m spending this week, in Portugal – hence the title of this blog post. I’m not just in Portugal, I’m actually in the city called Porto – and this is where the Port was born. Over the next few days, I plan to learn as much as I can about Port – and share that with you. But, considering that I’m still jet-lagged, there is not much I can share at the moment – besides a few pictures. Rest assured – more pictures and notes are coming soon!
That’s all I have for you for today, folks. Don’t worry – the wine quizzes will be back, just after we will talk a bit about Port. Cheers!
Wine. That. Transforms.
If you followed this blog for a while, you know that I have a tendency to get excited around wines. May be “overly excited” is even better way to put it. Especially when I come across the wines which wow. Like this time.
Field Recordings wines are no strangers in this blog (2010 Fiction by Field Recordings was my 2011 wine of the year). Produced by Andrew Jones, grape-grower-turned-wine-maker, these wines are his personal accounts of people and places – every label on his wines will tell you where exactly the grapes came from, and who grew them – you can see an example above. And his wines have tremendous personality associated with them. What these wines do the best – they don’t leave you indifferent. Like this 2010 Field Recordings Petite Sirah Crockett Hill Vineyard Santa Ynez Valley (15.9% ABV, $22).
The very first smell of this wine just takes you away. Away from the day that passed. Away from all the little things which (of course you knew it), in essence, are not important at all. It is clean. It is powerful, It is beautiful. You can imagine any happy picture you want – the smell will support and carry it. Yes, it is pure fruit forward California wine – but it presents itself in such a bright and uplifting fashion, that this might be the way to spell “happiness” with wine.
The wine appears almost black in the glass. It is dense, it is concentrated, it is powerful. Blueberries, blueberry jam and blueberry pie all together – but without sweetness, all in very balanced, round form. You can have food with this wine – but what you really want is just this wine by itself. From the smell, the happiness continues in the glass.
Then your glass becomes empty. But you sit there, still smiling. Still carried away. To the happy place.
Is this an overly emotional account? You bet. But I invite you to find this wine and experience happy journey in the glass. Of course your personal happy wine might be different. I hope you will discover it. And I will drink to that. Cheers!
And Then There Was Zin…
Only yesterday I wrote the post about difficult task of figuring out when the wine is at its peak. And then I opened a bottle of 2007 Zinfandel. Unscrewed the top and poured into the glass. Quick swirl, sniff – and I’m blown away. Pure dried figs. Beautiful. Pure. Clean. Nothing gets in the way. Not overpowering. Just clean and firmly present. May be there were other flavors there – from that moment on, I didn’t look for anything else. It was reincarnation of 1997 Le Ragose Amarone, the magnificent moment I keep re-living on and on.
The first sip brought in the same level of perfection. Dry. Round. Crisp, if you can apply that to the red wine. Dried figs, blueberries, sage, eucalyptus. No fruit jams of any kind. No sweetness at all. Prefect balance and harmony. Yes, this kind of wine makes you emotional and forces you to reflect.
The wine – 2007 Wine Guerrilla Goat Trek Vineyard Block 6 Zinfandel Dry Creek Valley Sonoma County (15.5% ABV). A blend of 87% Zinfandel, 7% Cabernet Franc and 6% Petite Sirah. This wine is made by Wine Guerrilla. And when the have a slogan “Wine Guerrilla – The Art and Soul of Zinfandel”, they are really not kidding. Take a look at their line of Zinfandel wines here.
6 years old wine. Did I manage to hit the peak? I have no idea. Is it possible that the wine would improve further. Quite possible, but this was my last bottle.
Oh yes, and there is a culprit here. The wine I enjoyed so much was a little warmer than the cellar temperature – my wine fridge is set for 55°, so I guess the wine was about 62°-64° when I was drinking it. The next day when I finished the bottle, it was much warmer, probably at about 72° – and while it was good, it was not magical. And the temperature of the wine is literally the last thing I want to deal with instead of just enjoying the wine. Oh well… I’m glad I had this experience in my life. Cheers!
















































































