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Sauternes – Sweet, Versatile, Delicious, And Perfect for Every Day
Today we are going to talk about sweet and delicious wines, but I feel compelled to start with a little rant.
What is wrong with you, people?
No, I’m not trying to better humankind with this pathetic opening, but nevertheless, I would like to repeat my question – what is wrong with you, people, when you proudly state “hmm, you said sweet? I don’t drink sweet wines!!” (add proud grin and posture to this statement). Sweet or dry, when it comes to wine, there is only one quality worth inquiring about – balance. “Is this wine balanced?” is a perfect question to ask, but sweet, dry, semi-sweet, semi-dry – those are all relative characteristics which often mean different things to different people.
Deep inside, we like sweet. We don’t always admit it as our well established societal shaming machine works perfectly, it creates an absolute truth like “sweet = bad”. Sweet is one of the easiest flavors to recognize, and we usually start our acquaintance with taste with sweet, later discovering sour, salty and bitter. Growing up, we learn that “sugar is bad for you” – which is true for anything taken out of moderation – and then we subconsciously extend “sugar = bad” rule to the most of the things we do, or rather, eat.
Now, I’m asking you to put these extreme views of sweet aside, at least for the next few minutes you will spend reading this post. I know, you can do it for me. Let’s go, let’s talk about it – yes, sweet wines.
Historically, sweet wines had been around for as long as humans known to make wine. Sweet wines are typically easier for our palate to fall in love with, but keep that love going strong might be a challenge, as people change their taste quite often. Today, sweet wines are made everywhere – but in most of the cases, sweet wines are an addition to the winery’s repertoire, to all those white, Rosé and red which winery is generally producing – and not The Wine. Except in few places, it really is The Wine. One such place is located in the world’s capital of red wines – Bordeaux, and yes, it is called Sauternes.
Sauternes region is located about 40 miles south of the city of Bordeaux, and predominantly produces sweet wines (there are some notable exceptions like d’Yquem Y, which is a dry wine, but those are truly the exceptions). History of Sauternes goes back to the beginning of 17th century, but it is hard to tell what led to the appearance of the Sauternes wines as we know them.
You see, Sauternes wines are made with some special assistance from mother nature. This appearance comes in somewhat of a strange form – a fungus. The climate conditions in Sauternes are favorable for the specific form of mildew to set on the grapes, so the grapes essentially rot on the vine. It is manifested with the grapes starting to shrivel while they are still hanging in the cluster – however, outside of visually unappealing sight (for the rest of us, not for the vintners in Sauternes), that also leads to the shriveled grapes greatly increasing concentration of the sugar, which perfectly lends itself to creating some of the very best sweet wines in the world – yes, the Sauternes.
The fungus, which has a scientific name of Botrytis cinerea, is also called a Noble Rot, just to stress that unlike any other rot, which is generally bad, the Noble Rot is good and useful, and thus has such a distinguished name. The legend has it that monks who were the first to produce sweet Sauternes, were keeping information about the rot outside of the public knowledge, as whether you will call it Noble or not, it is not easy to explain to people that wine is delicious because the grapes had time to rot before been made into the wine.
Production of Sauternes is labor intense, even today. Not only all the grapes are harvested by hand – they also harvested multiple times. The workers can only pick individual grapes from the vine, those which are ready (read: rotted shriveled enough). Then they have to come back again to pick the new “ready” grapes – and this can repeat 6-7 times. So yes, talk about labor intense process.
All this pain with the harvest is well worth it, as it translates into the delicious wines. What is very interesting about Sauternes, which is typically well underappreciated, is that Sauternes are amazingly versatile when it comes to food. You can pair the whole dinner with Sauternes, but while this might be a bit challenging, they definitely beat most of the wines, maybe with the exception of Champagne/Sparkling, as a perfect accompaniment to any appetizers and cheese course. The Foie Gras and Sauternes is a classic combination, but it pairs spot on with any salumi, prosciutto, Jamon or any other cured meat. Salty, spicy, sour, bitter – bring it on, all the flavor profiles will find their match with Sauternes.
A few weeks ago we had an opportunity to deep dive into the world of Sauternes with the virtual tasting run on Snooth – if you are interested in following the conversation, you can check out this post on Snooth. To prepare for the discussion, I had a pre-gaming session, pairing our selection of Sauternes with cheeses and Foie Gras, as you can see in the pictures above. I have to honestly say that I liked some wines better than the others, which you will see in the notes – but when it comes to complementing the food, they all performed really well.
There are plenty of sources for you to learn the particular details about the Sauternes wines and the region so I will spare you from my regurgitating of the known facts. Just as a quick reference, I can tell you that Sauternes wines predominantly made from Sémillon grapes, with Sauvignon Blanc and Muscadelle playing the supporting roles. Our tasting included wines from 2009, 2014 and 2015 vintages, which are all considered excellent.
Without further ado, here are my notes:
2015 Château Manos Cadillac AOC (14% ABV, $12.99, 98% Semillon, 2% Muscadelle, 50% of wine aged in barrels for 6 months)
C: golden
N: apricots, herbs
P: nice sweetness, apricots, touch of peach
V: 7+
2015 Château Haut Charmes Sauternes AOC (14% ABV, $20, 80% Semillon, 20% Sauvignon Blanc, aged in barrels)
C: light golden
N: touch of petrol, apricot, honeysuckle,
P: white fruit, honey, good acidity, appears light
V: 7+
2014 Château Lauvignac Sauternes AOC (% ABV, $18.99/375 ml, 85% Sémillon, 10% Muscadelle, 5% Sauvignon)
C: straw pale
N: Classic bortrized fruit, touch of honeysuckle
P: clean acidity, orange, bitter orange on the finish
V: 7
2014 Château La Rame Sainte Croix du Mont AOC (13.2% ABV, $20, 100% Sémillon, 50 yo vines, 30% aged in oak batrrels)
C: golden
N: rich, opulent, honey, bortrized notes, very inviting, touch of petrol
P: beautiful, round, honey, apricot, peach, intense, perfect acidity
V: 8, best of tasting
2014 Château du Cros Loupiac AOC (14% ABV, $15, 90% Sémillon, 5% Sauvignon, 5% Muscadelle, 12 months in barrique)
C: golden
N: intense honey
P: mostly honey, needs more acidity
V: 7
2014 Château Lapinesse Sauternes AOC (% ABV, $39.99, 100% Sémillon, 12 months in stainless steel)
C: light golden
N: dry, white stone fruit
P: sweet, mostly single note
V: 7
2009 Château FILHOT Sauternes AOC (13.5% ABV, $40, aged for 22 months including 12 months in oak barrels)
C: very light golden
N: honeysuckle, delicious, very promising
P: honey, candied orange, nice, touch more of acidity would be nice
V: 7+
2009 Château Dauphiné Rondillon Loupiac AOC (% ABV, $28, 70% Semillon, 30% Sauvignon Blanc)
C: light golden
N: muted, touch of honeysuckle
P: touch of candied orange, good acidity, but overall is just ok
V: 7
The holiday season is upon us. While I’m not asking you to pair your Thanksgiving turkey with the Sauternes (albeit it might work very well – and I will actually try it), I definitely suggest you will give Sauternes a chance to brighten up your friends and family get together – that “wine and cheese” fun is generally overrated and underestimated at the same time, as majority of the wines don’t pair that easily with the cheese – but try it with Sauternes, and you might discover a new love in your life. Cheers!
Celebrate Zinfandel – 2017 Edition
– “Would you like a glass of Zinfandel”?
– “ahh, sorry, I don’t drink sweet wines”
Have you ever witnessed such dialog, at a bar, restaurant or a tasting? For all of us, oenophiles, the word “Zinfandel” has only one meaning – dense, smokey, brooding, concentrated red wine, with a good amount of fruit and spice. However, for many wine drinkers, the descriptor associated with the Zinfandel is “white” – and the white zinfandel, indeed, is a sweet wine, and it still confuses people.
Zinfandel is often called “an American grape”, despite the fact that it came to America from Croatia (or maybe Italy), where it had a few names on its own. From point of view of the science, Crljenak Kaštelanski, Tribidrag, Primitivo and Zinfandel are all different names for the same grape. From point of view of the producers – not so much, but this is not the subject of to0day’s post.
Zinfandel is really an American phenomenon. It shows the best results in California, and there it can be produced pretty much in any AVA. Napa Valley and Dry Creek Valley are considered two of the top AVAs for Zinfandel. However, last year I visited Lodi as part of the wine bloggers conference, and I absolutely fell in love with the Zinfandel wines Lodi produces.
Forty percent of all Zinfandel in California is growing in Lodi, which is rightfully crowned as “Zinfandel Capital”. Lodi is a home to some of the oldest Zinfandel vineyard, dating back to 1888. Lodi also has 750 growers tending to 110,000 acres of the vines. In 2013, winemakers in Lodi started the project called “Lodi Native” – 6 winemakers set the minimalist rules to how the wine can be made, and all 6 winemakers followed the same rules regarding fermentation, use of oak and ageing, so you can taste the difference in the vineyards which bore fruit, unadulterated. Last year I had an opportunity to taste all of the Lodi Native Zinfandel wines, which were pronouncedly different – hopefully, I will still write that post one day…
Good Zinfandel wines might be called the most playful red wines – my favorite descriptor for Zinfandel is “smokey raspberry”, and I’m always very happy to find that in the glass. Even when the label says “Zinfandel”, there are typically few other grapes added to the blend, often in minuscule quantities – Petite Sirah, Cinsault, Alicante Bouschet are all popular blending partners of Zinfandel. There are lots of Zinfandel producers, but I have my own list of personal favorites which I’m happy to share, in no particular order: Carlisle, Rober Biale, St. Francis, Turley, Harney Lane, Bruce Patch, Ridge.
How did you celebrate Zinfandel Day? Who is your favorite producer? Cheers!
WBC17: Speed Tasting, Reds
As with any typical wine dinner, you start with the white and continue with the red, right? Well, right or wrong, but this is what we did at the Wine Bloggers Conference 2017. White and Rosé speed tasting was followed by the Reds speed tasting the next day.
Instead of standard 10 wines, we managed to squeeze in 11 – of course, because Table #5 was the most awesome table in the entire room!
Here is what we tasted:
Wine #1: 2013 Acumen Cabernet Sauvignon Napa Valley (14.1% ABV, $60) – have to say that nose was better than the palate. Too young.
Wine #2: 2010 Rodney Strong Vineyards Upshot Sonoma County (14.5% ABV, $28) – not only this wine has a super-creative label, it also has 5% of the Riesling in the final blend – how about that for creativity? Very tasty wine.
Wine #3: 2015 Pedroncelli Mother Clone Zinfandel Dry Creek Valley Sonoma County (14.9% ABV, $19)
Wine #4: 2015 Pedroncelli Bushnell Vineyard Zinfandel Dry Creek Valley Sonoma County (15.2% ABV, $30) – this was our bonus wine. I liked it way more than the previous Zinfandel…
Wine #5: 2014 Papapietro Perry Peters Vineyard Pinot Noir Russian River Valley (13.8% ABV, $58) – excellent.
Wine #6: 2015 Naked Winery Oh! Orgasmic Sangiovese Columbia Valley (14.4% ABV, $70)
Wine #7: 2014 NakedWines.com Domaine O’Vineyards Trah Lah Lah Cite de Carcassonne IGP (13% ABV, $11) – nicely restrained. Least expensive in the tasting.
Wine #8: 2015 1000 Stories Zinfandel Bourbon Barrel Aged (15% ABV, $19)
Wine #9: 2015 Paradise Ridge Walter’s Vineyard Pinot Noir Russain River Valley (13.8% ABV, $54) – needs time
Wine #10: 2015 Gracianna Pinot Noir Reserve Russian River Valley (14.8% ABV, $72) – love the label, but the wine needs time.
Wine #11: 2015 Stone Hill Winery Norton Missouri (13.8% ABV, $25) – easily might be my favorite wine from the reds speed tasting. Was also very happy to try a wine from the state I never had the wines from before.
This completes the second WBC17 speed tasting report. More updates to follow. Cheers!
WBC17: Speed Tasting, White and Rosé
Here we go again – living through the madness of the Wine Bloggers Conference – this is where wine geeks get together, taste incredible amounts of wine (thank you, liver, I hope you can forgive me again), talk about the wine all day (and good portion of the night) long, but above all, share their common passion – the wine.
This is my third conference, and speed tasting is definitely one of my favorite exercises. During an hour-long session, wineries from all over the world line up to present their wines to the bloggers. Each winery gets 5 minutes to present their wine – which includes pouring, talking and answering questions. Bloggers sit in groups of 10 at the tables and each group gets the same 5 minutes to taste the wine, ask questions, take pictures, and share the wines on the social media. Yes, it is very intense.
This is definitely a fun session (fun is not universal here – I know a number of very well respected bloggers who refuse to participate in the speed tasting) – however, it should be well understood that this is really “shoot from the hip” type of tasting – 5 minutes is absolutely not enough to truly understand the wine, and you get the wine in whatever state it is (you can’t let it open in the glass, nope). However, this is how the wines are evaluated at any large trade tasting, sans the social media sharing, so this is all about your first reaction – that’s what is going into your quick notes.
Our session at WBC17 included wines mostly from California, with the addition of some international wines. While the session was called “white and Rosé”, we didn’t get to taste any Rosé – but keep in mind that we only were able to taste 10 out of more than 25 wines. I shared all of my impressions and pictures on twitter – however while working on this post I realized that I forgot to include 2 pictures, and all of my tweets went out as replies. Yeah, live and learn.
Nevertheless, here is the blog report of the same, with the addition of missing pictures:
Wine #1: 2016 Ledson Winery Viognier Sonoma Coast (13.5% ABV, $32) – I always approach Viognier with trepidation – this is one of the grapes which are easy to screw up. To my delight, this was very well done wine – nose, palate – very enjoyable. Reasonable value at $32.
Wine #2: Naked Wines Naked Cowboy Sauvignon Blanc (13% ABV, $32) – the wine states appellation America on the front label, however, all the grapes come from the vineyards in Washington. This is a good wine – I’m not sold on QPR, though…
Wine #3: 2015 Matthiasson Winery White Blend Napa Valley (12.9% ABV, $40) – a blend of 4 grapes, mostly Italian varietals.
Wine #4: Jardesca White Aperitiva California (17% ABV, $30) – this is fortified wine with the addition of fruit – just add ice, and you can start entertaining. Love the label.
Wine #5: 2010 Gloria Ferrer Anniversary Cuvée Carneros (12.5% ABV, $40) – love Gloria Ferrer wines. This was big and voluptuous sparkler, slightly bigger than a typical Brut.
Wine #6: 2016 Selva Capuzzo Turbiana Lugana ($18) – not bad, and the least expensive wine in the tasting.
Wine #7: 2015 Mt. Beautiful Chardonnay New Zealand (14.5% ABV, $22) – this was a very good rendition of Chardonnay and an excellent price for the New Zealand Chardonnay overall.
Wine #8: 2015 Antinori Estates Antica Chardonnay Napa Valley (14.5% ABV, $55) – interesting wine. QPR didn’t work for me…
Wine #9: 2016 Hanna Winery Sauvignon Blanc Russian River Valley (13.2% ABV, $19) – Hanna is one of my favorite producers, and this Sauvignon Blanc was delicious. Was super-excited to find a classic cat pee on the nose…
Wine #10: 2014 Leto Cellars Chardonnay Napa Valley (14% ABV, $30) – this wine was an enigma. We tasted multiple bottles and still couldn’t figure it out. Oh well, this was the last one anyway.
This completes my first WBC17 speed tasting report. Red wines will be next! Cheers!
Rioja Versus Rioja – Will One Tempranillo More?
The time has come for a battle, where the brother will go against the brother and the blood will spill … – oops, let’s cull the drama before it sets in – it is the wine we are talking about, and if anything will be spilled, it will be the wine – but I promise to be very careful, as red wine is not easy to get off the clothes.
Today, in honor of the International Tempranillo Day, we will put glass to glass some of the best of the best in Rioja’s World. These wines are truly the siblings (brothers or not), as both wines are produced by Compañía Vinícola del Norte del España (the Northern Spanish Wine Company), also known as CVNE, and also sometimes referred to as Cune, due to an interesting style of writing used on the labels.
Wines were produced in Spain forever. However, the story of Rioja as we know it, started in the late 19th century, after phylloxera epidemic wiped out most of the vines in Bordeaux, but England’s thirst for Claret Bordeaux was so famous for, was at its pick. Producers in Rioja wanted to become a new source of Claret, and some of the most ambitious producers even set up their new operations right by the train station in Haro, to ensure the best transport for their wines (you can read more here).
CVNE was created by two brothers in 1879, and the ownership stays in the family even today. In 1920, Viña Real line of wines was started to produce Rioja in new, modern style. CVNE owns about 1360 acres of vineyards, located in Rioja Alavesa and Rioja Alta. Both appellations have similar soils and Atlantic coastal climate exposure, however, Rioja Alta vineyards are located at the higher altitudes than Rioja Alavesa, which shows in the resulting fruit.
Before we will enter the battle, we need to establish some ground rules, to make sure that our fighters are in the same “weight category”. The rules are not difficult: there are 4 main varieties which can be used in Rioja – Tempranillo, Garnacha, Graciano and Mazuelo (Carignan). Together, these 4 varieties should represent at least 85% of the blend or 95% of grapes are destemmed; there are few other grapes allowed to be used in the leftover percentage. Crianza wines should be aged for at least 2 years ( 6 months in the cask); Reserva – 3 years (12 months in the cask); Gran Reserva – 5 years (18 months in the cask).
Okay, now that we set the rules, let the fight begin.
Battle Crianza:
2014 Cune Crianza Rioja DOCa (13.5% ABV, $13, 85% Tempranillo, 15% Garnacha and Mazuello, appellation Rioja Alta)
C: Garnet
N: earthy smell, freshly crushed blackberries, acidity, cedar box,
P: medium body, pronounced minerality, restrained fruit, clear acidity, tart cherries, soft, round, hint of tobacco, asking for food
V: 8-, restrained and tart, definitely improved after a few hours of breathing
2013 Viña Real Crianza Rioja DOCa (13.5% ABV, $15, 90% Tempranillo, 10% Garnacha, Graciano and Mazuello, appellation Rioja Alavesa)
C: Garnet
N: surprisingly different, dark fruit, touch of tobacco, touch of sweetness
P: medium+ body, firm structure, cherries and tart of cherries pit, even brighter acidity than a previous wine, more present mouthfeel
V: 8-, a touch fruitier and more round than previous wine. Different but equally good.
Conclusion: Tie. You can definitely taste the difference – Cune Crianza is more restrained and tight, and Viña Real is more round and fruity from the get-go. Slight difference in age and vintage might play a role. The wines would ask for a different food, but otherwise, they are equally good wines.
Battle Reserva:
The Reservas match fair and square – same vintage, same age in barrel, very similar grape composition
2013 Cune Reserva Rioja DOCa (13.5% ABV, $28, 85% Tempranillo, 15% Garnacha, Graciano and Mazuello, appellation Rioja Alta)
C: dark garnet
N: medium+ intensity, leather, touch of sweet plum, cedar box, very inviting
P: medium weight, tart, acidic, a bit of sour cherries, explicit tannins. Needs time.
V: started opening after one hour in the open bottle. More fruit showed up, perfect structure, very pleasant. Excellent overall. 8+/9-
2013 Viña Real Reserva Rioja DOCa (13.5% ABV, $32, 90% Tempranillo, 10% Garnacha, Graciano and Mazuello, appellation Rioja Alavesa)
C: dark garnet
N: medium- intensity, touch of the forest floor, mushrooms, tobacco, eucalyptus
P: cherries, cigar box, medium+ presence on the palate, crisp acidity, very pronounced French oak tannins, needs a lot of time
V: more approachable than the previous one, but still should improve with time – get a case and forget it. Also a great improvement after an hour. Wow. Superb. 8+/9-
Conclusion: Advantage Viña Real. The wines are clearly stylistically different. Appellation might play a role, and the winemaking technique, of course. I slightly preferred Viña Real, as it was a bit more round versus more austere Cune.
Battle Gran Reserva:
Here we have different vintages (both considered excellent, but I think 2010 has a slight edge up over 2011), different appellations and different grape compositions.
2011 Cune Gran Reserva Rioja DOCa (13.5% ABV, $47, 85% Tempranillo, 10% Graciano, 5% Mazuello, appellation Rioja Alta)
C: dark garnet, practically black, with Ruby rim
N: dark fruit, roasted meat notes, sage, eucalyptus
P: forthcoming tannins, tar, cherry, tart, with lip-smacking acidity, really long finish.
V: 8+, within 20 minutes of opening, not ready even remotely. After about 3 hours in the open bottle, the wine became opened up enough to become delicious.
2010 Viña Real Gran Reserva Rioja DOCa (13.5% ABV, $47, 95% Tempranillo, 5% Graciano, appellation Rioja Alavesa)
C: dark garnet, just a shade lighter than the previous wine
N: more open than previous wine – blackberries, graphite, pencil shavings, cedar box, iodine
P: incomparably more drinkable, fresh cherries, open, bright, perfect structure, eucalyptus, nicely integrated tannins
V: 8/8+, you feel the need for time, but the wine is a lot more approachable
Conclusion: Advantage Cune. First, nobody should drink 2010 Gran Reserva now. It is simply a waste. Buy it at a great price, and put it aside for another 15-20 years, especially from the outstanding vintage such as 2010. Just to explain the result here, I slightly preferred the firm structure of Cune versus fruity appeal of Viña Real.
As you can see, we didn’t find a winner of our Tempranillo battle – all 6 wines Tempranillo perfectly, as one would expect from such a great producer as CVNE.
I wish wine would be the only real battle we ever have to fight – wouldn’t that be great? Enjoy your glass of Tempranillo, no matter where it came from and celebrate the noble grape of Spain! Cheers!
Samples Galore: Few Wines For The Fall
Are there different wines for the different seasons? In general, the answer is no. And for sure, in theory, the answer is no. The wines should be paired with food, with mood, with the company, and the actual season should have no effect on your desire to drink Champagne, or Rosé, or ice cold, acidic white or a full-bodied, massive red. Nevertheless, as the temperatures are sliding down, our desire to drink bigger wines proportionally increases. Thus, instead of fighting the trend let’s talk about few wines which would perfectly embellish any cooler autumn night.
So you think we will be only talking about red wines? Nope, we are going to start with the white. Cune Rioja Monopole requires no introduction to the wine lovers – one of the pioneering white Riojas, produced in 1914 for the first time. If you tasted Cune Monopole recently, I’m sure you found it fresh and crips. Turns out, this was not always the style. The traditional, “old school” Monopole was produced as a blend of white grapes (not just 100% Viura), with the addition of a dollop of Sherry (yep, you read it right), and was aged in the oak (read more here). To commemorate 100 years since the inaugural release, Cune produced 2014 Cune Monopole Clásico Blanco Seco (13.2% ABV, $20 ) which is a blend of Viura and other white grapes. After fermentation, a small amount of Manzanilla Sherry from the Hidalgo Sanlúcar de Barrameda was added, and the wine aged in the used Sherry casks for about 8 months. This wine had a great added complexity while remaining fresh and vibrant. Drinkability: 8. You should definitely try it for yourself – if you can find it.
Let’s stay in Spain now for the red. What do you think of the wines from Castilla y León? Castilla y León region is home to some of best of the best in Spain, such as Vega Sicilia and Pingus, both located in Ribera del Duero sub-region. But there are plenty of outstanding wines which are simply designated as Vino de la Tierra de Castilla y León. Vino de la Tierra is considered a lower quality tier than DO or DOC – but some of the winemakers prefer VdT designation as it gives them a lot more freedom to experiment with the wines.
Case in point – Abadia Retuerta winery. Historical roots of Abadia Retuerta go back almost thousand years when Santa María de Retuerta monastery was built on the banks of Duero River, and the first vines were planted. Today, Abadia Retuerta exercises modern approach to winemaking, which they call “plot by plot” – the winery identifies 54 unique parcels of land, each one with its own terroir – no wonder they find DO rules too limiting for the wines they are creating. Here are my [more formal] notes for 2013 Abadia Retuerta Sardon De Duero Selección Especial Vino de la Tierra de Castilla y León – Sardon De Duero (13.5% ABV, $30, 75% Tempranillo, 15% Cabernet Sauvignon, 10% Syrah and other red varieties such as Merlot and Petit Verdot):
C: dark garnet
N: inviting, bright, ripe cherries, mint, roasted meat, very promising, cedar box
P: wow, smooth, layered, luscious, fresh fruit, ripe, cherries, sweet oak, excellent balance
V: 8, lots of pleasure
Now, let’s quickly jump to the other side of the Earth – to Australia, it is. If we are talking about Australia, you probably expect the subject of the discussion will be Shiraz – and this is a perfect guess. The story of Two Hands winery started in 1999 when two friends decided to start making world-class wines showcasing capabilities of different Australian regions, starting with Barossa. Gnarly Dude is one of the wines made by Two Hands, and the name here comes from the way the old Shiraz vines look like. Here are my notes for the 2016 Two Hands Gnarly Dudes Shiraz Barossa Valley (13.8% ABV, $35, 100% Shiraz)
C: dark ruby
N: fresh blackberries, baking spice, tobacco
P: more blackberries, pepper, save, savory notes, medium to full body, good acidity, good balance
V: 7+, very nice overall
Let’s go back to Europe – to Italy to be more precise. Italy is home to lots and lots of world-famous producers, but there are still a few which have more of a “legend” status. One of such producers is Gaja – anyone who is into the wine would immediately jump off the chair at the slightest opportunity to drink Gaja wines.
Gaja is most famous for their Piedmont reds – Barolo and Barbaresco. It appears that in addition to the first two Bs (Barolo and Barbaresco), the third “B” group of wines is not foreign to Gaja – if you thought “Brunello”, you were right. Gaja acquired Pieve Santa Restituta estate in Montalcino in 1994, its first venture outside of Piedmont. A “Pieve” is a parish church, and the estate was named after the church which is still present on site – the winemaking history of the estate can be traced all the way back to the 12th century.
In 2005, Gaja produced the first vintage of non-vineyard designated Brunello di Montalcino wine from Pieve Santa Restituta estate – the wine is a blend of Sangiovese Grosso grapes from 4 different vineyards. I had an opportunity to taste 2012 Gaja Pieve Santa Restituta Brunello di Montalcino DOCG (15% ABV, $75, 100% Sangiovese Grosso, 12 months in barrel, 12 months in Botti). I have one single word which would be enough to describe the experience – and the word is “Superb”. The wine had an intense welcoming nose which was unmistakably Italian – ripe cherries and leather. The palate? Where do I start… velvety, perfectly extracted, dense, firmly structured, ripe cherries, lavender, sweet oak, impeccable balance. And dangerous, very dangerous – once you start, you can’t stop (nevermind the 15% ABV). Drinkability: 9
What are your favorite wines to enjoy in the Fall? Cheers!
Stories of Passion and Pinot: Knudsen Vineyards
It takes courage to be a pioneer. It takes vision, belief, perseverance and lots and lots of hard work to convert the dream into reality – but this is how many great wine stories start.
Nobody questions “World Class” status of Oregon wines today. But back in 1971, this was really not the story. One had to see the potential and believe that Oregon is meant to produce the world-class wines. Cal and Julia Lee Knudsen did when they purchased the remnants of the walnut orchard in 1971 and established Knudsen Vineyards. The whole family – Cal, Julia Lee and four of their children worked hard to clean up the land and plant the vines. In 1972, they established a 30 acres vineyard, which was the largest in the Willamette Valley. By 1976, they had 60 acres planted, which made them the biggest in Oregon (as a matter of fact, Knudsen Vineyards still have some of the 1974 vines which produce fruit). Today, Knudsen Vineyards plantings span 130 acres, which is certainly one of the largest in the state where the typical vineyard size is 35 acres. And in 1975, in partnership with Oregon winemaking legend, Dick Erath, Knudsen Erath Winery became first commercial winery in the Dundee Hills appellation.
In 1987, the Australian Brian Croser met Cal, and the new chapter started for Knudsen Vineyards. Cal always had a dream of making sparkling wines, and the Knudsen Vineyards entered into the new partnership, now with the Oregon sparkling wine pioneer, Argyle Winery. Today, many of the Oregon wineries are starting to add Chardonnay to their repertoire – Knudsen Vineyards was growing Chardonnay for the very long time, and Chardonnay is essential for a good sparkling wine. As a matter of fact, Julia Lee’s Block, which you can see designated on one of the top Argyle’s sparkling wines, contains the oldest in the new world plantings of French Chardonnay Dijon clones 76 and 96. Also, while you will not see it widely advertised, Knudsen Vineyards grows 3 acres of Pinot Meunier, used only for the production of Argyle sparklers.
Knudsen Vineyards, Dundee Hills, Willamette Valley, Oregon
Ever since Knudsen Vineyards started working with Argyle, all of their fruit was going into Argyle sparkling wines. Five years ago, the four siblings who run the vineyard now, decided to start producing the wine under their own label, which resulted in the 2012 release of Knudsen Vineyards Pinot Noir. The first release of Chardonnay was added a year after, in 2013. This year, Knudsen Vineyards added the new premium bottling – 2015 Pinot Noir Reserve. All of the wines are produced with the help of the winemaking team at Argyle, which vinifies the juice from the different blocks of the Knudsen Vineyards – but the family gets together to decide on the final blend of the wines they later release.
If you followed any of the Passion and Pinot stories, you probably expect that I will have an interview for you – and you are right. Only this time around, it is slightly different – in addition to the virtual part, I also had an opportunity to sit down face to face with Page Knudsen Cowles, managing partner at Knudsen Vineyards, and extend our virtual conversation with the personal one. I learned lots of interesting things which are really impossible to get to in the format of the virtual interview.
For instance, have you ever heard of the “Suitcase clones“? I certainly never had. It appears that it is a common name for the vine cuttings which are smuggled into the country in the suitcases. For the Knudsen family, the “suitcase” was not exactly a choice tool for vine transportation – the ski bag was the one, as every family skiing vacation in Europe saw new cuttings finding its way home.
At some point, Cal started experimenting with the effects of the birds’ chirping on the vines. The birds’ sounds were played between the rows of the vines. The unfortunate part is that the results of this experiment are not known. But when birds became a problem in the vineyards in 2010/2011, the sound of distressed robin came to the rescue – it was played throughout the night and helped to shoo the birds away – however, made the stay at the small cottage the family has right in the vineyard very problematic.
Knudsen Second Generation: Page, Colin, Cal Jr, David
Okay, let’s move on. Let me share with you our [now virtual] conversation with Page Knudsen Cowles. Get a glass of wine in hand, and here you go:
[TaV]: The first vines were planted at Knudsen Vineyards in 1971. Are there any of the original vines still around, and if yes, are they still producing fruit?
[PKC]: The oldest currently-producing vines were planted in 1974. They are Pinot Noir vines that produce fruit for sparkling wine.
[TaV]: I understand that back in 1971, Cal and Julia Lee purchased a 200-acre former walnut tree orchard – are there any of those trees still around and producing [commercially}? Was/is Knudsen family ever in walnut business?
[PKC]: No, the Knudsen family was never in the walnut business. The walnut tree orchard was destroyed in the 1962 Columbus Day storm that wrecked havoc through the Willamette Valley at that time.
[TaV]: The first Knudsen wines under Knudsen Erath label were produced in 1975. Are any of those wines still around? Have you ever tasted wines from that inaugural vintage?
[PKC]: I have not had the pleasure of tasting that very first vintage. I have found in the secondary market a stash of Knudsen Erath Winery 1983 Vintage Select Pinot Noir and some bottles of the Knudsen Erath Winery 1985 Vintage Select Pinot noir. Both wines have held up remarkably well and are fun to drink and share with wine aficionados who appreciate the provenance and age of the wine.
[TaV]: Continuing the previous question, what are the oldest vintages which can be found at the Knudsen Vineyards library? What are the oldest Knudsen wines you ever tasted?
[PKC]: The oldest vintages we have in the Knudsen Vineyards library are:
- 1979 Knudsen Erath Winery Merlot
- 1983, 1985, 1986, 1987 Knudsen Erath Winery Pinot Noir
The oldest wines I have ever tasted are the 1983 and 1985 Knudsen Erath Winery Vintage Select Pinot Noirs.
[TaV]: Today Knudsen Vineyards has about 130 acres under the vines. What grape varietals do you grow today?
[PKC]: We grow 73% Pinot Noir including a variety of French Dijon Clones 667, 777, 115, and 4407, plus the heritage clone Pommard; 24% Chardonnay including the French Dijon clones 76, 95 and 96; and 3% Pinot Meunier.
[TaV]: Knudsen Vineyards just started producing the wines under its own label, and it is not surprising that the first two wines are Pinot Noir and Chardonnay. Moving forward, do you have any plans to start producing any other wines, such as Pinot Gris or Riesling?
[PKC]: No, we do not have plans to produce either of these varietals.
[TaV]: Within the 130 acres of vineyards, you probably identified some of the plots which perform better or, at least, different than the others. Do you plan to produce “single-plot” wines?
[PKC]: Our current planning does not include production of “single plot” wines. We have favorite estate grown blocks that we like to blend when we produce our wines.
Aerial View over Knudsen Vineyard, Dundee Hills, Willamette Valley, Oregon
[TaV]: Knudsen Vineyards have a strong connection to the production of the sparkling wines through the partnership with Argyle Winery. Nevertheless, do you have any plans to produce sparkling wines under the Knudsen Vineyards label?
[PKC]: Our father, Cal Knudsen, had a love affair with sparkling wines from around the world, though he was most attached to those from the region of Champagne and Oregon sparkling wine. He allied Knudsen Vineyards with Argyle in order to make sparkling wine. Knudsen Vineyards would love to produce a small amount of sparkling wine in the future in honor of our father’s love for that expression of the fruit from our vineyard.
[TaV]: When making wines, do you rely on natural yeast, or do you work with some specific strains of yeast?
[PKC]: I reached out to our winemaker, Nate Klostermann, of Argyle Winery, for the answer to this one. We grow several selected yeast cultures and then inoculate with the one that seems best suited to the vintage.
[TaV]: What kind of oak regimen do you use in the production of your Chardonnay and Pinot Noir?
[PKC]: All of our oak comes from French barrels. Our inaugural 2013 Chardonnay has 35% new oak and was aged over 13 months in barrel; our 2014 Chardonnay had 25% new oak and was aged over 10 months in neutral and new oak barrel; and our 2015 Chardonnay has 27% oak over 10 months in barrel.
For the Pinot Noir, our oak usage is as follows:
Knudsen Vineyards 2014 Pinot Noir 25% new oak barrels; remainder aged in 2 – 4 year old previously used oak barrels; aged for 15 months in barrel, nine months in bottle Knudsen Vineyards 2015 Pinot Noir 20% new oak barrels; remainder aged in 2 – 4 year old previously used oak barrels; aged for 16 months in barrel, nine months in bottle Knudsen Vineyards 2015 Estate Reserve Pinot Noir 35% new oak barrels; remainder aged in 2 – 4 year old previously used oak barrels; aged for 16 months in barrel, nine months in bottle
[TaV]: What is the total production of your Pinot Noir and Chardonnay (how many bottles)? Do you plan to increase the production in the near future or you are happy with the current production?
[PKC]: Currently, we produce between 1,000 and 1,200 cases of our Pinot Noir and Chardonnay combined (between 12,000 and 14,400 bottles). The mix is approximately 60% Pinot Noir and 40% Chardonnay. We are content at this level of production for a couple of years. In the future, we hope to expand.
[TaV]: Is there a “next big grape” for Knudsen Vineyards?
[PKC]: Pinot Noir and Chardonnay are what we intend to grow into the foreseeable future.
[TaV]: What about Willamette valley in general – is it going to stay a Pinot Noir land for the foreseeable future, or would there be a “next big grape”, white or red, for the Willamette Valley?
[PKC]: I believe the North Willamette Valley will stay devoted to Pinot Noir and will increase its production of Chardonnay.
[TaV]: Do you have a dream wine – the wine you always wanted to try, but never have?
[PKC]: I would like to try a bottle of Domaine de la Romanée-Conti from Burgundy and a bottle of any of the Bordeaux First Growth red wines: Château Latour, Château Lafite Rothschild, Château Margaux and Château Haut-Brion. I also would love to try a bottle of Opus One from California.
Now for sure it is time to drink the wine. I had an opportunity to try Knudsen Vineyards wines, here are the notes:
2015 Knudsen Vineyards Chardonnay Dundee Hills Willamette Valley (14% ABV, $45)
C: light golden
N: vanilla, touch of toasted oak, medium intensity
P: fresh, crisp, slightly underripe Granny Smith apples, touch of minerality, distant hint of butter and vanilla, quite an acidic finish
V: 8/8+, not bad, but needs time to evolve. Opens in the glass quite elegantly. Second day was outstanding – nice buttery note while fridge cold, and more vanilla-driven as the wine warmed up
2015 Knudsen Vineyards Pinot Noir Dundee Hills Willamette Valley (141% ABV, $55)
C: light bright ruby
N: tart cherries, lavender, hint of smoke
P: cherries, round, good acidity, touch of mushrooms, fresh, Burgundian style
V: 8-, very nice
2015 Knudsen Vineyards Pinot Noir Reserve Dundee Hills Willamette Valley (14.1% ABV, $70)
C: dark ruby
N: smoke, mushrooms and forest floor aromatics
P: cherries, good acidity, layers, smooth, lavender-driven on the second day
V: 8/8+, very polished, elegant, will evolve with time.
Thus we conclude another story of Passion and Pinot (and a little bit of Chardonnay). Wine is a family affair, and Knudsen Vineyards shows it very well. Now the third generation of Knudsens is entering the business, and I’m sure there are lots we should expect to see from the Knudsen Vineyards in the future. Cheers!
Art and Science of a Perfect Cup of Coffee
Please close your eyes. Oops, no, not for real – please keep your eyes open to read, but do it at least in your mind. Imagine the aroma of the freshly brewed coffee – the unique smell in the air which nothing else can compare to. Sometimes that is the smell of a new day. Sometimes, it is a quiet moment in the afternoon. Sometimes, it is winding down the evening. Was this hard to imagine, even if you didn’t close your eyes? If you love coffee, I would bet that was a very easy exercise. And I hope you do love it, as coffee is what I want to talk about today.
I love comparing coffee with wine. Similar to the wine, coffee has a dependency on its area of origin. Kona, Jamaican Blue Mountain, Costa Rica, Ethiopia – each region imparts its own unique tasting profile. Similar to the wine, sustainability, and coffee growing process matter. Similar to the wine grapes, the best coffee is harvested by hand. Similar to the wine grapes, the coffee beans are sorted to achieve the best quality and consistency. Most importantly – similar to the perfect glass of wine, a perfect cup of coffee delivers lots and lots of pleasure.
Notice how I went from coffee bean growing to the coffee cup, skipping a few steps in between? Those few steps are what differentiates coffee from wine, making coffee ultimately a more complicated subject. Before you jump off a chair and click away, as the writer here clearly a lunatic, please allow me to explain.
Once the good quality grapes are obtained, they are pressed, fermented, aged, and finally, bottled. The bottle is the final form in which wine will reach you, the consumer. Now, to enjoy the glass of wine, all you need to do is to pop that cork (twist the screw top, if you insist), pour the liquid into the glass and voilà! Yes, there are few extra steps and hurdles which oenophiles happily enact for themselves to enjoy the wine “more better”, but really – unless someone does something really stupid, like leaving a wine bottle for a day in a hot car, the good wine in the bottle will easily translate to the good wine in the glass.
The things are different when it comes to the coffee. The final product of the coffee grower is dried green beans. Before coffee can be enjoyed, it has to be roasted and brewed. Roasting typically takes about 20 minutes, and those 20 minutes can either create a thing of beauty or an awful, terrible concoction which one can drink, but never able to enjoy. Brewing also offers multiple opportunities to convert those beautifully roasted, full of promise and anticipation beans into a dull or simply bad tasting brown liquid.
The process of coffee brewing is where the aromatics and flavors are transferred from the roasted beans to the water, which results in your final object of desire, a perfect cup. Before brewing, coffee beans have to be ground. The way coffee will be ground depends on what type of coffee would you like to drink – espresso requires the very fine grind, so higher flavor concentration can be achieved. For so-called “drip coffee”, the coffee particles are typically very coarse, as water is not pushed through the coffee with the high pressure, as it is done for the espresso. Now, let’s leave espresso aside and talk about the “drip coffee”, the one which we consume most often.
It turns out that there are many factors which are matter here, on the way to arriving at that perfect cup – temperature of the water (to the single degree of Fahrenheit!), the ratio of water to the coffee and the speed of extraction (how long the water will stay in contact with the coffee grinds). Just for you to understand: the ideal coffee brewing temperature is 201°F – and 203°F will result in the burnt taste! You need to maintain the ratio of water to coffee at 15.5 to 1 (15.5 grams of water per 1 gram of coffee). And you need to spend about 4 minutes making that perfect cup. How about it? Will you ever look at your morning coffee cup the same way again, after I shared with you all this information? Well, didn’t mean to scare you, honestly – all you need to do is just to taste the difference.
A couple of years ago I talked about a visit to the Shearwater Organic Coffee Roasters, the organic coffee artisans in Trumbull, Connecticut, where we learned about intricacies of the proper treatment of the fresh coffee beans from Ed Freedman, the owner of the company (here you can read about that experience). This year, Ed decided to deliver a full [proper] coffee experience to the people by opening Shearwater Coffee Bar in Fairfield in Connecticut. I had an opportunity to visit it few month ago and get exposed to the science and art of a perfect coffee cup.
Jason The Barista is ready for action
The choice is yours
If the words “coffee bar” elicit an image of Starbucks in your head, shun that away please, as the Shearwater Coffee Bar is nothing like. Similar to the regular bar we are all used to, you can sit in front of the barista, have a conversation and watch as your beverage of choice is unhurriedly prepared in front of you. Unlike a typical bar, you sit comfortably on the normal height chairs, not on the “bar stools” which are not so much fun to get on and off. But if you ever observed a cocktail master who produced a drink which made you say “wow”, this coffee bar delivers exactly the same experience.
At Shearwater Coffee Bar, you have a choice of coffee to begin with – different origins, different roasts. Then you can choose your method – Pour Over, Chemex, Siphon – of course, espresso and cappuccino are available too if that is something you want.
Once you decide on what you want, the magic begins with the grinding of the coffee beans and then putting the glass vessel on the scale. The coffee goes in, the water is dispensed at the exact temperature (201°F, remember?), and then poured over (if you asked for Chemex or Pour Over), while the barista is carefully watching the scale. A few (4!) minutes later, the magic is complete and coffee goes into your cup – can you smell the aroma?
We tried Pour Over and Chemex coffees – the were some slight variations but I wouldn’t dare to try to give you any differentiating descriptors. Jason, our barista, also attempted to make a siphon coffee (this technology actually comes from Japan, where the fine art of coffee is well recognized). In the siphon method, the water is heated from the bottom, and once it reaches a proper boiling point (which is not truly “boiling” temperature), it should slowly percolate up and travel slowly through the coffee to gently extract the flavor. Something went wrong, the water went through too fast, and Jason refused to pour us that “bad” coffee. Well, this is why we are talking about art here – and if the artist is not happy with creation, it goes down the drain.
The creativity at Shearwater Coffee Bar doesn’t stop here. First, you have the cold brew. The cold brew is when coffee is made without heating up the water. It takes about 18 hours to make coffee using cold brew method – but the resulting coffee is much less acidic compared to the standard coffee cup, thus people who can’t drink regular coffee because it is too acidic for them can perfectly enjoy the cup of the cold brew.
Now, let’s add a little bit of nitrogen (yep, you heard me right) to the mix, and you got … the Nitro! Do you like Guinness beer? If you do, then Nitro is your drink, as it is a coffee which looks like beer with a perfect thick foam on top, tastes like beer (yes, it makes you say “ahh” after a sip) – but has no alcohol in it, so you are really not limited in how many Nitro you can consume before driving back home.
So what is your take on a perfect coffee cup? If you are looking beyond just a punch of caffeine and a bite of a pronouncedly bitter taste, then you should really seek the art and indulgence of a delicious drink, taking as much of the pleasure as it can offer. Don’t take my word for it – visit Shearwater Coffee Bar and see taste for yourself. Cheers!
Shearwater Coffee Bar
1215 Post Road
Fairfield, CT 06824
https://www.facebook.com/ShearwaterCoffeeBar
Ph: (203) 955-1098
Daily Glass: An Australian Score
I pride myself with very wide wine horizon. I scout wines from literally everywhere in the world – China, Japan, Croatia, Bulgaria or Hawaii – bring it on, the more obscure, the better, I will be happy to try them all.
Nevertheless, a majority of my daily drinking evolves around Italy, Spain, and California, with a little injection of France. The rest of the wine regions make a very sporadic appearance at our house – without any prejudice or malicious intent – just stating the fact.
Nevermind China and Japan, which are still going through an adolescence as wine producing countries – let’s talk about Australia instead. About 20 years ago Australia was leading wine imports in the USA. As you would enter a wine store, you were greeted with countless Australian wine selections.
Today, Australian wines are relegated to the back shelves, and they are definitely not on top of the wine consumer’s mind (in the USA for sure). Ups and downs are hard to analyze in the wine world (think of the devastating effect of the movie Sideways on Merlot consumption), and such an analysis is definitely not the point of this post, no matter how interesting such a discussion could’ve been.
As I stated before, Australian wines are rare guests at our table, and this is not deliberate – I enjoyed lots and lots of excellent Australian wines, and have an utmost respect to what this country can deliver. I’m always ready to seize an opportunity to try an Australian wine, especially if it comes with a recommendation.
Such recommendation can present itself in lots of different ways – a friend, a magazine, an Instagram post, a tweet – or an offer from the Last Bottle Wines, especially during the Last Bottle’s infamous Marathon events. During the Last Bottle Marathon, you can buy the wines in single bottle quantities, which I like the most as you can create your own tasting collection quickly and easily.
If the wine is offered for sale by the Last Bottle, it definitely serves as an endorsement for me. The folks at Last Bottle know the wines – if they offer something, it means the wine really worth trying. During the last Marathon, the 2015 Gemtree Uncut Shiraz McLaren Vale (14.5% ABV) attracted my attention. I don’t know what made me click the “buy” button – the name “Gemtree” (sounds interesting, isn’t it?), or the word ‘Uncut” (again, this somehow sounds cool to me as well), but I did click that button quickly. You see, you only have a split second to get the wine – you blink, you lose – and I scored the bottle of this Australian Shiraz.
I pulled the bottle from the wine fridge, twisted the top and poured into the glass. Dark ruby color, a whiff of the blackberries. The palate had a tremendous amount of salinity over the crunchy blackberries – I guess this was an effect of drinking this wine at a cellar temperature. But it was still attractive. While admiring the simple label I saw the word which made me very curious – “Biodynamic”, and then the back label provided lots more information about how this wine was made. To me, “sustainable” is a very important wine keyword, and whatever extras “biodynamic” entails, the biodynamic wine is always a sustainable wine – and it is definitely important for me.
After warming up, the wine became generous, layered, showed soft tannins and perfect crunchy backbone of dark fruit with some dark chocolate notes and touch of a spicy bite – all perfectly balanced and delicious (Drinkability: 8+). The name “Gemtree” kept me intrigued, and the picture on the label was very attractive in its simplicity, so I went to the Gemtree Wines website to learn a bit more. I rarely quote from the winery websites, but I think in this case this is quite appropriate (here is the link to the source):
“This is our Gemtree story…
There was once a tree. Not the tallest tree, nor the oldest tree, but a tree that had put its roots in just the right part of the paddock. Here the soil was deep and layered – sometimes hard and rocky, elsewhere soft and sandy – and the wind had just enough room to move, and even the rain – when it was kind enough to visit – would fall evenly and gently.
Because of its favoured position, the grasses grew tall against its trunk, and the wild flowers were easily encouraged to grow closely around it, and the insects and birds that looked to trees for shelter and for vantage, eagerly moved in.
One day a farmer approached the tree and wondered: “You do not grow the strongest, nor the fastest, so why is it that you grow the best fruit?”
The tree let the answer whisper through the wind in its branches: “If I am shown a patient mind and a gentle hand, if I am left to follow the rhythms of my seasons – to rest in Winter; to revive in Spring; to make busy in Summer; and to provide in Fall – then I can offer fruit that tastes not just of the ground upwards, but also of the sky downwards, and of everything around me.”
The farmer thought to himself: “This is truly a Gemtree – it takes only what it can give back to the land, it contributes to its surroundings, and it provides for those that live around it.”
This is the heart of the Gemtree story: growing better wine ~ naturally.“
Here you are, my friends. I don’t know how often you drink Australian wines, but Gemtree is definitely the name to keep in mind for your next round of wines from down under – I think you will be happy with your score. Cheers!
Hold The Pizza – I Just Want The Wine: Masciarelli Villa Gemma
At the age of 20, Gianni Masciarelli was helping with the harvest in Champagne. At the age of 26, in 1981, he started making his own wines in the Italian region called Abruzzo. 1984 was the first release of the Villa Gemma Rosso wine, truly a different take on the Montepulciano wines.
Montepulciano is the main grape of Abruzzo (not to be confused with Montepulciano in Tuscany, which is the name of the village where the wines are made from Sangiovese grape). Late in the 20th century, Montepulciano d’Abruzzo became one of the most exported Italian wines – it was dry, it was simple, it was quaffable and, of course, good for pizza.
Gianni Masciarelli had his own, pioneer view on how the Montepulciano wines should be made. He introduced the Guyot training system for the vines in Abruzzo. He was the first to start using French oak barrels in the production of Montepulciano d’Abruzzo and Trebbiano d’Abruzzo, showing the world that Montepulciano can go way beyond just a “pizza wine” qualities. Today, Masciarelli estates are run by Marina Cvetic Masciarelli, late wife of Gianni Masciarelli; the vineyards spawn 350 acres and produce about 1.1M bottles of wine across 5 different lines.
Recently, I had an opportunity to taste a few of the wines from the Villa Gemma line, and here are my notes:
2016 Masciarelli Villa Gemma Blanco Colline Teatine IGT (13% ABV, $17.99, 80% Trebbiano d’Abruzzo, 15% Cococciola, 5% Chardonnay)
C: light golden
N: a touch of fresh grass, a hint of white stone fruit, a hint of gunflint, medium intensity
P: crisp, refreshing, crunchy, touch of lemon, slightly underripe peaches, very clean, medium finish
V: 8-, craving food, excellent overall. Trebbiano d’Abruzzo and Cococciola also extended my grape hunting collection
2016 Masciarelli Villa Gemma Cerasuolo D’Abruzzo DOC (13.5% ABV, $14.99, 100% Montepulciano)
C: intense, ripe strawberry pink
N: pure strawberries, fresh, succulent strawberries
P: fresh, tart, restrained, lightweight, clean strawberry profile, good overall balance
V: 8, simply delightful. An excellent Rosé for any time of the year
2007 Masciarelli Villa Gemma Montepulciano D’Abruzzo DOC (14.5% ABV, $89.99, 100% Montepulciano, aged 18-24 months in oak barriques, total 36 months))
C: Dark garnet
N: fresh cherries, anis, mint, blackberries
P: soft, generous, round, fresh acidity, touch of leather, cherries and cherry pit, generous tannins on the finish.
V: 8, excellent wine, unmistakably Italian, supremely delicious.
These wines were absolutely delicious in their own right. I seriously don’t know about pizza – you can probably pair anything with pizza, from two buck chuck to the Screaming Eagle and Petrus – but you really don’t have to. These three wines from Masciarelli Villa Gemma would perfectly complement any dinner – appetizers, salads, and mains – these wines pack a serious amount of pleasure. Don’t take my word for it – try them for yourself. The pizza is entirely optional. Cheers!
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