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Tasting Wines of Anderson’s Conn Valley
Once again Stew Leonard’s Wines brought up a excellent opportunity to experience wines (you can find some of the old posts about wine tasting at Stew Leonard’s Wines here). This time, the tasting included wines from Anderson’s Conn Valley Vineyards in Napa Valley, California.
Four different wines were presented in the tasting: 2009 Anderson’s Conn Valley Prologue Chardonnay, 2008 Anderson’s Conn Valley Prologue Cabernet Sauvignon, 2008 Anderson’s Conn Valley Right Bank and 2008 Anderson’s Conn Valley Cabernet Sauvignon Reserve. There was also wine #5 there, 2006 Anderson’s Conn Valley Eloge, but only available for sale, not for tasting (in large, 3L bottle format, at $599 each).
2009 Anderson’s Conn Valley Prologue Chardonnay had a very nice nose of white fruit, very delicate and inviting. On the palate, it was also nice and light, but too sweet – the elegance was lost behind that unexpected sweetness. Don’t get me wrong – this was still a nice wine, and it was, of course, a dry wine – but it was asking for more acidity. And for my personal taste I like more tannins and butter. Drinkability: 7+
Next was 2008 Anderson’s Conn Valley Prologue Cabernet Sauvignon. As winemaker Todd Anderson, who was present at the tasting, said, “this wine for made for the price point”. The price point ( in that particular store) was $23.99, which would make it a reasonably priced Cabernet Sauvignon. The wine was oaky, with some fruit showing up in the background. It will probably improve over the next 4-5 years. Drinkability: 7
Next in the tasting was 2008 Anderson’s Conn Valley Right Bank red, which is a Bordeaux style blend ( Merlot/Cabernet Franc). This wine actually was quite enjoyable, with good structure and good balance of fruit, acidity and tannins, nice, very delicate earthy notes of the good Bordeaux, and with medium finish. This wine was best in tasting. It will also improve with ageing, probably over the next 10 years or more. Drinkability: 8-
Lat wine in the tasting was 2008 Anderson’s Conn Valley Cabernet Sauvignon Reserve, 100% Cabernet Sauvignon grape. This wine had a great nose of black currant and blackberries, and very delicate balance on the palate. At the same time, it was lacking the body and was falling short on the finish. It is quite possible that this wine will improve with age, or may be even with the breathing time, but as it was presented in the tasting, it was lacking the “umph” factor. Drinkability: 7+
Overall, it was great to be able to try good California wines, and if you are not following Stew Leonard’s Wines on Facebook, click here to open their page and become fun – this way you will not miss any opportunities to try some good wines. Until the next time – Cheers!
Wines of Georgia: You Have To Experience It To Believe It
The subject of Georgian wines is not new on this blog – I wrote about Georgian wines on a number of occasions, and those were good occasions, or maybe rather even good surprises (you can find the posts here and here). But after I was lucky enough to attend a Georgian Wine tasting in New York City, I don’t want to talk about Georgian wines in terms of “good surprises” anymore – I think Georgian wines are ready to take a permanent high place in the wine’s “who is who” world.
There were about 60-70 wines presented in the tasting. I didn’t have a chance to taste each and every one of them, but among those I tried, there were no bad wines. There were some which were regular, there were some which were good, there were some which were great, and there were a few which were amazing. I think this is a pretty good lineup for the wines which I would collectively avoid only about a year ago, as those were mediocre at best. There is a definite trend up in the quality of Georgian wines, and I believe a lot of them are ready to meet the discerning palates of wine lovers around the world.
Let me share some of the notes and thoughts, supported by practical examples, of course. I already wrote before about Georgian sparkling wine called Bagrationi. It is produced for more than a hundred years, using traditional Méthode Champenoise. This time I had an opportunity to try four different wines, and they all were very good, but 2007 Bagrationi Royal Cuvee was a standout for me. Medium body, very balanced acidity, very round overall.
My next personal favorite was the 2010 Chateau Mukhrani Tavkveri Rose. This was one of the number of excellent wines presented by Chateau Mukhrani, and it played to my particular weakness to the Rose wines, especially during summertime. This wine is made out of the indigenous Georgian grape, Tavkveri, one of many other grapes which don’t grow anywhere else (based on information from Wikipedia, there are about 400 varieties growing in Georgia, with less than 40 used for commercial winemaking).
It is not easy to produce a rose wine with a character. Lots of available rose wines from all the different regions are virtually indistinguishable – a little bit of strawberry, and a little bit of acidity, nothing memorable. The Chateau Mukhrani Rose was totally different – lots of concentrated berry flavors, cranberries and sour cherries, all supported by very balanced acidity and a long finish – truly a great Rose.
Another wine from Chateau Mukhrani I have to mention was the 2009 Chateau Mukhrani Shavkapito. Another indigenous grape, Shavkapito, and yet another great tasting wine – good dark fruit expression, very round and layered with smooth and approachable tannins.
The next group of wines I have to mention are the wines made by Pheasant’s Tears and Alaverdi Monastery. What puts these wines aside even in such a distinguished crowd is a very unique method of making wines. Both wineries make wine using qvevri, a clay vessel lined with beeswax, which is used for fermenting and aging the wine. There were a number of wines presented, both red and white, all made using qvevri. The white wines were especially unique, as they sported a deep yellow color, which is typical for really old white wines, but not for white wines which are one or two years old. Most of those white wines also showed quite extensive tannins – without being aged in the oak. All of those characteristics ( deep yellow color, tannins) are coming from prolonged fermentation and aging process which takes place in the qvevri, where grapes are crushed and juice stays in contact with the skins and seeds for a period of up to 6 months.
In addition to unique color and tannins, some of the white wines also exhibited Madeira style saltiness, coupled with enough sweetness and acidity to make the overall experience very pleasant. These are really unique wines, and you should try to find them – if you can.
Last but not least are the wines which were my absolute favorite in this tasting – Mukuzani and Saperavi red wines produced by Maisuradze wines.
Both 2005 Maisuradze Wines Saperavi and 2005 Maisuradze Wines Mukuzani are produced from the Saperavi grape – one of the most popular grapes used in the production of red wines in Georgia. The difference between the wines is that Mukuzani contains only Saperavi grapes actually grown at Mukuzani vineyards. Another difference is the aging time in oak – Mukuzani spent 24 months in oak versus 12 months for Saperavi. Both wines are showing tremendous power and structure, and while Saperavi is more approachable, Mukuzani still needs time in the cellar – it will truly shine after another 10 years (at least) in the cellar. Both wines are excellent and definitely worth seeking.
The bottom line is simple – Georgian wines are ready for the prime time. They need a bit of marketing and a bit of luck, and then we will all have more wines to enjoy. But for now – takes this post to your local wine store, and ask them to get these wines for you – and then let me know what you think.
Tasting Wines of Sierra Cantabria and Teso La Monja
As you know by now, PJ Wine is one of my favorite wine stores (you can find some of my impressions here). It is not just due to the great selection of wines, with Rioja being a superstar. It is also based on the fact that PJ Wine is a great source of education and experience (double-winner – education is free most of the time). Store runs great seminar program, where (if you are fast enough to get on the list) you can experience many great wines of the world.
Few weeks ago, I was lucky enough to be able to get into the seminar about wines of Sierra Cantabria and Teso La Monja (the event was sold out in a matter of hours). Both Sierra Cantabria and Teso La Monja wines are produced by Eguren family (you can find complete information here), and of course you already figured out that both are produced in Spain.
Sierra Cantabria wines come from Rioja. In addition to producing full line up of traditional Rioja wines ( Crianza/Reserva/Gran Reserva), of course made out of Tempranillo ( for more information about Rioja wines you can click here), Sierra Cantabria also produced the series called Collection Privada, with each wine being made only in exceptional years. Currently, it includes wines made in 1996 ( first ever vintage for Sierra Cantabria), 1999 and 2000. Tasting the Collection Privada wines, the first one from 1996 was very nice, with good bouquet of spices, acidic and bright. There were only 300 cases produced in 1996, so this wine is not easy to find. While 1996 was drinking well already, both 1999 and 2000 were simply not ready and needed more time in the cellar. These wines are produced from 55-60 years old vines, and made with the focus on quality, not quantity.
Second group of wines presented at the seminar were also made by the same Eguren family, but come from another region in Spain called Toro. Teso la Monja is the latest project for the winemaker Marcos Eguren. Toro wines are made out of the grape called Tinta de Toro. If you would look in Wikipedia, you would see that Toro is designated as another name for Tempranillo. In reality, it is actually a clone of the Tempranillo grape, which has it’s own characteristics and is different from Tempranillo itself – same as famous Brunello, made out of Sangiovese Grosso grapes, tastes totally different from regular Sangiovese-based wines, Chianti.
Three wines from Teso la Monja had being represented in the tasting. First was 2007 Teso La Monja Almirez Toro – the wine had nice balance and lots of dark fruit – blackberries, black currant and spicy oak. Next wine was 2007 Teso la Monja Victorino Toro – beautiful, round with plums and blackberries, showing nice minerality. This wine is produced from 65+ year old vines and aged for about 18 month in oak.
Last but not least in the tasting was 2007 Teso la Monja Alabaster Toro. This wine was simply outstanding. Very dense, very big , with lots of fruit and in the need of time. Just to give you an example of care which goes into the making of this wine – the grapes are de-stemmed by hand, and then pressed with the feet. This wine definitely needs time before it will show off in its true beauty. The only challenge with this wine is related to the fact that at $156, it is not a bargain, and essentially QPR is becoming more of an issue, at least for me. Of course, if we will compare Alabaster with El Nido or Vega Sicilia wines, QPR might be on par – nevertheless, I think some time is needed before Alabaster has enough recognition to demand such a price.
All in all, it was a great experience with 6 exciting wines and lots of information – and I can’t thank folks from PJ Wine enough for continuing bringing great events to the wine lovers. And while on the subject of great experience, I can’t help to note that PJ Wine is organizing Spanish Wine Festival, which will take place on Friday, June 17th at 6 PM in Metropolitan Pavilion, 123 West 18th Street in New York City (please click here for more information). This event is not free, but for $99.99 I think it constitutes a great value – you will be able to experience wines of Vega Sicilia (keep in mind that typical bottle of Vega Sicilia costs in excess of $400, plus, it is very difficult to find), El Nido, La Rioja Alta, Clos Mogador and hundreds of others. The Festival will also include food from many good places in New York. I believe Spanish Wine Festival is a great value and shouldn’t be missed.
And as this was the post about Spanish wines, I think we need to finish it appropriately: Salud!
Daily Glass: Value Wines Project – About Portugal and Italy again
Here is your update for the value wines series – by the way, if you are bored with this – I still have about 10 bottles left to cover, but hey, it is not that I must write about them all!
It is Portugal and Italy again (you can see previous post here), and Portugal again scored (don’t forget – this is value wines category with bottle price limit of $11.99).
From Portugal, I had 2008 Montaria Vinho Regional Alentejano ($6.98). This wine is a blend of three local grapes – Trincadeira, Alicante Bouschet and Aragonez. The wine was very aromatic, soft and open from the get go. Medium body, easy to drink. Complements food very well – I had it with fried liver and it was delicious. However, another interesting food pairing observation – doesn’t work with chocolate at all. This wine is to drink now – it didn’t improve on the next day. I would put Drinkability at 7+.
Italy was represented by 2007 La Badiola Acquagiusta Rosso ($11.99). I think I got this bottle mostly for the label (looks cool). One interesting note – I used Google to translate the name on the label ( my Italian is a bit rusty), and it was translated as “Right Water”. This wine is a blend of Cabernet Sauvignon (35%), Merlot (35%) and Syrah (30%).
The wine comes from the right place – Maremma Toscana, home of Super-Tuscans, and has seemingly right blend of grapes – but it doesn’t work, it didn’t happened to live up to “right water” name. From the beginning and on the second day, the wine was all over the place, almost like all those individually good grapes didn’t want to play together… This is unfortunate, but I guess finding value in that price category is not easy (don’t worry, I’m not giving up, there are few more Italian wines to try). I will put Drinkability at 7-.
So the quest for the best value wines continues, and updates will follow – unless, of course, you will tell me otherwise…
Accidental Grand Tasting
You walk on the street (ok, in Geneva). It is Tuesday, middle of the day. You see a wine store which looks appealing from outside. You walk in, start looking around and almost fall down. Well, for two reasons. For one, simply because the store is big, and contains unpredictable amount of stair-steps, some kind of stairs and so on (one pictured here is actually fine, you can at least see it clearly). Another reason – to see such a line up of Gaja and Tenuta dell’Ornellaia? Wow. Didn’t see it yet in any store in the States. But may be then at the prices which you see there, it is not that surprising after all.
So you continue browsing the store, which is called Lavinia in case you are curious, getting ready to leave, as buying anything there is not an option. Then you see a wine tasting going in a middle of the store. With big decanters, including for white wines – that gets very interesting. And then you try the wines, and you have to declare that you attended a grand tasting, because all four wines are outstanding.
The first one, 2009 Domaine Georges Vernay Condrieu, made out of grape called Viognier, was bright, beautiful and assertive. It was “in your face” balanced – one of the most balanced wines I ever had: controlled fruit expression, full body, refreshing acidity – outstanding (Drinkability: 9). The next one, 2008 Philippe Pacalet Puligny-Montrachet, was my first taste ever of wine from Puligny-Montrachet, which considered one of the absolute best areas for white Burgundy wines (made of Chardonnay). This wine was made by Philippe Pacalet, one of the big proponents of the natural wines in France (here is a good blog post about him by Dr. Vino). This wine was totally different from the assertive Condrieu – shy and playful like a child, again with great balance, but completely different fruit profile (leeches, tropical fruits, star fruit), great acidity and asking for food. Again, Drinkability is 9.
And two reds were outstanding. 2008 dell’Ornellaia La Serre Nuove, coming from one of the best producers of Super Tuscan wines, Tenuta dell’Ornellaia in Bolghery in Italy. This wine made out of proprietary blend of red grapes, and while I had Ornellaia wines before, it was the first time for me to try La Serre Nuove – beautiful red fruit expression, full-bodied, extremely balanced – pure pleasure in the glass (Drinkability: 9-). And for the last one, 2006 Château Le Queyroux, La 8ème Merveille, Cotes de Blaye from Bordeaux in France, – I almost made a mistake of ignoring it (didn’t look appealing enough after tasting the La Serre Nuove) – I’m glad I was convinced to give it a try – big power, full body, again very assertive wine with outstanding balance of fruit, acidity and tannins ( Drinkability: 9-). In case anyone wonders about prices – all the wines were neatly squared between $60 and $100…
That’s all, folks. I’m grateful for the great experience, and I will be on a lookout for more “accidental grand tastings” – and wish you to have many “pleasant accidents” as well.
Looking For Substance in Cristal
I had an opportunity to try few of Louis Roederer Champagnes last weekend (to be politically correct, the first was California Sparkling Wine, not a Champagne). It was an interesting experience, as I was able to compare three of the well known sparkling wines, side by side.
California version, Roederer Estate Anderson Valley Brut, was nice and refreshing, with some hints of an apple and balanced acidity. The next wine, Louis Roedered Brut Premier, had more pronounced acidity and probably a touch smaller bubbles. However, I believe that in the blind tasting, it would be extremely difficult to distinguish between the two. Both wines were also priced accordingly to their categories ( California Sparkling and Classic Champagne), at under $20 and about $35, respectively.
These two wines served as a very good prelude to the main point of the tasting – the famed Cristal Champagne. Cristal was created in the 1876, specially for the Russian Tsar Alexander II, who was afraid of possible assassination – so the bottle was made clear, with the flat bottom and therefore required reinforced crystal glass – hence the name Cristal (you can read more here). Of course it was not the first time when the wines were created, labeled and packaged for the special reasons or persons (and of course commanded much higher price) – most recent example was described by Dr. Vino in his Cuvee 88888888 post, talking about special Bordeaux production for China market. While I didn’t have a chance to try that Chateau Lafite-Rothschild masterpiece, I was able to try Cristal.
The wine I tasted was Cristal 2002, vintage Champagne. It was second time for me trying Cristal – I failed to recognize the value for the first time, and was really hoping that trying this wine as part of the tasting flight would help to put things in prospective. Yes, the wine was more interesting than the regular Brut non-vintage – it had a hint of yeast and fresh bread on the nose, and it was more creamy than the non-vintage version. However, this was still not enough to understand the value of this champagne, priced at almost six times the cost of non-vintage version ($196, minimum state-allowed price in Connecticut).
The magic didn’t work this time again – and I will keep trying, but for now, can I please have a glass of Krug…













