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Wine and War

March 9, 2022 6 comments

I don’t want to write this post.

I really don’t want to write this post.

Mere thinking about the war unfolding right now in Ukraine literally gives me pain. What started on February 24th is pure, unthinkable, unfathomable madness. Brothers were sent to kill brothers. All on the orders of the egomaniac who lost his mind and belongs in jail or a mental institution – at least I wish this was the case. In reality, it was all well thought through and calculated, so the ruler of Russia really belongs in jail as a war criminal. The country that was a subject of merciless, unjustifiable aggression 80 years ago became a merciless, unjustifiable aggressor itself. Unfathomable.

Of course, wine has nothing to do with the war. At the same time, everything has its role in the war. Here is how.

Instead of bottling the wines, Ukrainian wineries are bottling “Molotov cocktail” and helping in any way they can – wine writer Lyn Archer wrote an excellent piece detailing what is happening at the wineries in Ukraine and beyond.

Speaking against the war in a totalitarian regime is an act of courage that almost guarantees to land you in jail. Nevertheless, a group of top Russian sommeliers wrote an open letter to Putin, expressing their strong opposition to Russia’s attack on Ukraine.

Russia is not the biggest wine market in the world, but from 2015 through 2019 was consistently the fastest growing one at about 15% growth every year. As multinational conglomerates declared their exit from Russian markets, it is still a very difficult decision for the majority of the wine producers – but a necessary one. La Rioja Alta, one of the best Rioja producers in Spain, suspended its trade relations with Russia.

To protest Russia’s invasion of Ukraine, Sweden’s government-owned liquor stores Systembolaget stopped selling any types of Russian-made alcohol. A similar boycott was announced by Finnish stores Alko. Also, Russian-made vodka was removed from the shelves of many wine stores in the USA.

The world doesn’t need war. After 2 years of the pandemic, the war is absolutely the last thing we need right now. I don’t know how, but I really, really want it to be over. Now. Before it is too late.

Slow, Sustainable, Delicious

February 27, 2022 Leave a comment

“Slow forward”.

Is slow forward good or bad? In a world where instant gratification is a king, moving forward should be fast, right? We all want progress to accelerate, move faster, aren’t we? So slow is not good, right? Well, actually wrong.

Maybe “slow forward” is something we all need to adapt. Move forward, but take our time to enjoy the process of moving forward, instead of constantly being under stress for “not enough hours in a day” – moving fast, but not necessarily forward.

For sure, Herdade de Esporão embraces this “slow forward” process, as this is their motto. Not only motto – it is a principle of operation and the lifestyle, which they would like more people to embrace. Sit down, slow down, have a glass of wine and read their Slow Forward Manifesto, and see if you agree with what it says. Also, note that the slow movement is much bigger than just the one at Herdade de Esporão – you can learn more about it here.

Herdade de Esporão was founded in 1973, when José Roquette and his partner bought the historical Herdade do Esporão estate, located in Reguengos de Monsaraz DOC in Alentejo and tracing its roots back to 1267. The first red wine was produced at the estate in 1985. Fast forward to today, there are more than 40 different grape varieties growing at the estate, along with 4 different types of olive trees, all farmed organically. Conversion of more than 1,300 acres of vineyards and olive groves to all-organic farming started in 2008 and took 11 years to complete. Now Herdade de Esporão is helping growers they are working with to convert to all-organic viticulture as well.

In addition to the 40 grape varieties cultivated in the vineyards, Herdade de Esporão is home to Ampelographic nursery where 189 grape varieties and clones are planted to study the effects of climate change and find ways to adapt to it.

There is a large variety of soils at the estate – enough to hire a geologist to create a soli map. The grapes from the different plots are fermented separately in small batches after the majority of the grapes are crushed by the foot at the winery (yep, slow forward, remember?).

Herdade de Esporão is a big business (one of the largest wine businesses in Portugal) owning a number of wineries in Portugal and selling both in Portugal and around the world, exporting to more than 50 countries. At the same time, Herdade de Esporão is a family company, inspired by the land and respect for the environment. For Herdade de Esporão it is all about environmental, cultural, social, and personal sustainability, adhering to its own principles of Slow Forward lifestyle.

That slow forward lifestyle and respect to the land and the environment translate very well into the wines. I had an opportunity to taste 4 different wines from Herdade de Esporão (samples), and all the wines were absolutely delightful:

2020 Herdade de Esporão Branco Colheita Alentejo (13.5% ABV, $18, 30% Antão Vaz, 30% Viosinho, 30% Alvarinho, 10% other varieties, 4 months on the lees)
Light golden
Beautiful, inviting, open, a hint of tropical fruit, honeysuckle
Round, creamy, explicit minerality, crisp, fresh, a touch of fruit, but overall very dry, good acidity, excellent balance, medium-long finish
8-, excellent, can be confused with lightly oaked Chardonnay.

2020 Herdade de Esporão Branco Reserva Alentejo (13.5% ABV, $20, 30% Antão Vaz, 30%, Arinto, 30%, Roupeiro, 10% other varieties, six months in stainless steel tanks and in new American and French oak barrels)
Straw pale
Fresh meadows and honeysuckle, beautiful
Clean acidity, light representation than the Colheita, lip-smacking acidity, clean, crisp and fresh, excellent balance
8, pure delight. Can be easily confused with Chardonnay.

2018 Herdade de Esporão Tinto Colheita Alentejo (14.5% ABV, $18, 30% Touriga Nacional, 25% Aragonez, 20% Touriga Franca, 15% Alicante Bouschet, 10% Cabernet Sauvignon, 6 months in concrete tanks)
Dark garnet
Earthy, a touch of chalk, dark fruit, warm spices
Open, clean, raspberries, warm spices, good minerality, good structure, a cut-through acidity, medium body, medium-long finish
8-/8, outstanding

2018 Herdade de Esporão Tinto Reserva Alentejo (14.5% ABV, $25, 25% Aragonez, 20% Alicante Bouschet, 15% Cabernet Sauvignon, 15% Trincadeira, 10% Touriga Nacional, 10% Touriga Franca, 5% Syrah, 6 months in concrete tanks)
Dark garnet
Blackberries, earth, a hint of raspberries, dark, concentrated
Cherries, pomegranate, clear minerality, layered, firm structure, fresh and food-friendly
8/8+, outstanding, ready to drink now, great with food (Odjakhuri)

Here you are, my friends – organic, sustainable farming, 4 delicious wines. You don’t need to break the bank to be able to drink them at any time you want, and even more importantly, you can pop, pour and enjoy – almost a rare beauty nowadays.

Slow down and enjoy. Cheers!

Open That Bottle Night Eve, 2022

February 25, 2022 3 comments

And just like that, Open That Bottle Night 2022 is upon us.

Considering the current state of the world, I’m really not in the mood to write about wine when people are dying because of some egomaniacal fucking moron… but based on my inability to do much anything about it, let’s still talk about Open That Bottle Night.

The Open That Bottle Night, or OTBN for short, created by Dorothy J. Gaiter and John Brecher, Wall Street Journal wine writers back in 1999, is always celebrated on the last Saturday in February. OTBN was created to help people to part with that special bottle while it still might taste great. Over the years, it became literally a holiday celebrated all around the world, with people reporting on all the amazing wines, and most importantly, amazing experiences of getting together with friends (here are my reports from the last 3 years – 2019, 2020, and 2021, plus many special reports from 2016).

This year, we had been invited to celebrate a birthday of a dear friend on that exact Saturday of the OTBN, so I have no options but to celebrate the night before or after, or maybe even both (this friend doesn’t care about wine, so combining the birthday celebration with OTBN is not an option). Thus I’m sitting here the night before the OTBN, sipping my OTBN wine and enjoying every little drop of it.

Deciding on the wine worthy of OTBN is always incredibly hard. I love aging wine, so I have a good selection, but it doesn’t mean that deciding on the bottle is easy. There are bottles that I determined to share with friends (actually, all of them, but I have to make exceptions, especially considering the lockdown life of the past 2 years). There are bottles which I don’t want to open too early. There are bottles I’m still not ready to part with. I’m telling you, people  – it is difficult.

I don’t have any wine record-keeping system. I have a loose idea of the bottles I have, but I’m always ready to be surprised. Tonight, I opened one of the wine fridges, and pulled out the bottle which I had completely forgotten about – and as a bonus, this bottle also comes with a story.

Let me tell you the story first. Take a look at the label – you can see that it looks crooked and dinted. So the rips in the label are from the shelves in my wine fridge, and they are not so interesting. But otherwise, the appearance of this label has a reason. Alban wines are allocated and are hard to get. When I got my allocation some time back, I only wanted to take 2 bottles, so the friend asked if she can have the rest. She filled up the form in her name, got the full allocation, and then shipped my two bottles back to me – a bottle of Patrina Syrah and this bottle of Roussanne. For some mysterious reason, she decided to reuse the inflatable packaging which is sometimes used to ship the wine instead of cardboard or styrofoam. The problem with that air-pumped enclosure is that it is not really reusable and not that reliable. When I got the box, the red liquid was slowly sipping through – you can imagine the fate of Patrina… At least the bottle of Roussanne was intact, with the exception of the label…

Pulling this bottle out from the bottom shelf was a moment of happiness. I love Roussanne, one of my favorite white grape varieties, and for some reason, I had been really craving Roussanne lately. So seeing this bottle which I completely forgot about was a moment of joy – this was IT. A perfect bottle for OTBN.

What can I tell you about this 2013 Alban Roussanne Edna Valley outside of the fact that it offers immense pleasure? We can start with a beautiful golden color. The nose of gunflint and honey at such intensity that you simply don’t want to put the glass down. Sniff, swirl, sniff, swirl, ahh. Gunflint, honey, salinity, and sapidity on the palate. This wine is fresh. This wine is alive, with a cut-through acidity on the long, long finish. This wine is viscous, roll-off-your-tongue goodness – after taking a sip, my wife said “ooh, this wine is fat!”. This wine is perfectly OTBN worthy. Not only that – this wine is perfectly Top 10 wines worthy.

So here is my OTBN story. Even if you don’t feel like celebrating, life is now. It is happening, and no moment will repeat itself. Pull that special bottle. Open that bottle – the special moment has arrived, it is now. Cheers, my friends.

Snow, Wine, and Valentine

February 18, 2022 Leave a comment

First, there was snow.

Well, not true.

Last Saturday we had a break in winter weather. The thermometer hit 60ºF here in Stamford, and it was perfect grill weather. I’m not at the point of grilling in any weather (some of my friends are), but 60ºF in February definitely calls for some meat on the grill. While the meat was cooking, I enjoyed a beautiful sunset and a glass of 2018 TerraNoble Gran Reserva Carmenere Valle del Maule – the wine had cassis and a signature pyrazine (bell peppers) which was perfectly integrated, and practically disappeared after a few hours, leaving, luscious, layered, roll-of-your-tongue, seductive liquid in the glass (the bottle was practically gone by the end of the evening).

Then, there was snow. This snow was absolutely wonderful for a variety of reasons. For one, it was extremely photogenic, as you will see below (yep, pictures time!). But the main reason was that this snow was a total surprise. There was no weather channel hysteria, forcing people to run into the supermarkets, no warnings. We woke up to the beautiful white blanket, covering the ground, trees, and cars. It was beautiful, it was peaceful, it was happy. I took a few pictures from the deck, and then we took a slow walk with Penny – she kept on happily digging her nose into the snow, and I kept on trying to get a picture of that before the snow was melt, but I was not very successful, so you will not see a dog’s nose below.














For the Super Bowl, the game of power, I decided to open a powerful wine. If you would ask me to name wine that I associate with power, California Petite Sirah would be on the top of my list. This was my last bottle of 2010 Jeff Runquist Salman Vineyard Petite Sirah from Clarksburg – I’m glad I decided to open it, as I think the wine was at its peak. Cherries and cherry pits, on the nose and on the palate, round, succulent, juicy and delicious, with beautiful acidity and impeccable balance. This was definitely one delicious wine.

I also made almond cookies – these are made from almond flour, so they are completely gluten-free, soft, gooey, and delicious.

And Monday was Valentine’s day. For many years we prefer a simple family celebration with kids instead of going to the restaurant to participate in the ritual of poor service and mediocre food. I was really craving bubbles, so 2008 Berlucchi Palazzo Lana Satèn Reserva Franciacorta (disgorged in 2017) was exactly what we wanted – golden delicious apples on the palate and the nose, fine, delicate mousse, round and clean. Very elegant sparkler, good for any occasion.

That concludes the store of the few days in wines and pictures, mostly in pictures. Cheers!

 

A Few Days In Florida

January 20, 2022 Leave a comment

Last weekend we were lucky enough to avoid fighting with the cold here in Connecticut and instead spend the weekend with our friends in Naples, Florida. We had a great time so I want to share that with you – in the form of pictures, of course.


We were flying out of the La Guardia Airport, and our excitement started as soon as we walked from the garage into terminal B, as we were greeted with a stunning mosaic display. I was flying from La Guardia for the past 20+ years and all the time this was a dingy, run-down place you didn’t want to spend an extra minute at. In 2016, a huge construction project started, which seems to be almost complete right now, and the result is a beautiful, modern, stylish airport, very much comparable with some of the best in the world I had an opportunity to see. The terminal had lots of great food and shopping options, including even the F.A.O. Schwarz store! I was really excited to see the bear and Patrick The Pup!



So what was exciting in Florida besides, of course, the warm, sunny weather, beautiful flowers, palm trees, and the beach? A few things. First, a huge tomato bush growing on our friends’ property. It turns out that the development where they bought the house was built on the land of an abandoned tomato farm. Apparently, the tomatoes found their way out and considering Florida’s consistently warm climate, instead of a plant these cherry tomatoes grew into the huge bush. There were lots and lots of tomatoes on that bush, and I can’t even describe how sweet they tasted.

Next was our very first experience of eating bananas directly from the tree. We are used to buying green bananas in the store which need some time to ripen. The taste of banana which was fully ripened on the tree is absolutely uncomparable with our store versions here in Connecticut – it has a different taste even with the acidity which I was able to taste very clearly. I’m generally not a big fan of bananas, but I couldn’t stop eating these.





We enjoyed beautiful surroundings and beautiful sunsets.





I was even able to add to my list of states I tried the wines from. I had a little bit of time and stopped by the local Total Wines store. These stores typically have a tiny section of “local wines”. In Florida, I obviously found the wines from Florida, but also from North Carolina, Virginia, and, to my joy, from Indiana! I got a bottle of Oliver Vineyards Cherry Moscato, which is a blend of Muscat Canelli and Muscat Alexandria with the addition of a little bit of the Montmorency cherries juice, produced in Bloomington, Indiana. At 6.6% ABV, the wine was very light and had an excellent acidity to balance off the sweetness, a perfect quaffer for any hot day. And of course, I was able to check out one more state in my Wines of 50 US states list.

Two days went by quickly, and we are back into the cold, but armed with new, heartwarming memories. Hope your travel will take you somewhere exciting very soon!

Looking Back and Looking Forward, 2022 Edition

January 5, 2022 2 comments

Ahh, the self-reflection time.

The bad, the good, the ugly.

New Year resolutions.

Yada Yada Yada.

Okay, I know. Not the most enlightening post if I ever even write anything in that category. But hey, it is my blog. I write for myself, first and foremost. So as I get to set the rules here, I like to take a look back at the year which passed and get a little pleasure of re-living some of the best moments of otherwise not the brightest year.

New Experiences:

More often than not, I like to call myself a “collector of experiences” – I love those non-material things which you can add to your personal “been there, tried that” collection. While in absolute numbers these “achievements” sound dismal, under circumstances they are perfectly sufficient in my book.

Visiting new wine region

I visited Oregon on a number of occasions, and wrote about Oregon wines in this blog many times  – but it was only 2021 when I set foot in the vineyard in Oregon, thanks to the Wine Media Conference 2021 held in Eugene, Oregon. Not only I visited a number of wineries in Oregon, but I also saw veraison for the first time, and tasted lots and lots of delicious wines, as reflected [dis]appropriately in the list of Top Wines of 2021 (more about it below).

Wine from the new state in the US

When I say that I’m collecting experiences, I mean exactly that – I keep track of how many wines from how many states I tasted, and in how many states I visited wineries. While Oregon was added to the list of states I visited the wineries at, I also tasted the wine from Michigan for the first time, and it was an excellent Cabernet Franc from Bel Lago. I keep my progress noted in this table in case you are interested.

Wine from the new country

Same as the wines of 50 United States, I also keep track of wines from different countries that I had an opportunity to taste. This year I added one of the oldest winemaking countries in the world to the list, after tasting the wines from Armenia. The wines were outstanding and Keush sparkling even made it into the Top Wines list. Same as with the 50 states, here is the table where I mark my progress.

More rare grapes

Ever since I had been bitten by The Wine Century Club bug, I had been hunting down rare grapes. This year I made possibly the slowest progress ever, but this journey is not getting any easier at this point. I only added 6 new grapes to the count (Cabernet Pfeffer, Voskehat, Khatouni, Areni, Yapincak, Ciass Negher), which now stands at the grand total of 561.

Top Wines 2021:

Same as every year, this was a fun project to go through the list (big word here – there is no such thing) of all the wines I tasted in 2021, and select 26 to be split into Second (generous) Dozen and the Top Dozen. Considering that visit to Oregon to be the biggest highlight of the year, it is not surprising that the top list is heavily skewed towards Oregon wines – still, it offers quite a bit of diversity as it is. My list of 26 is an easy one to analyze compared to all of the Top 100 lists I processed this year, so here is my distribution of the wines in the top list: Oregon – 8, California – 7, Spain – 5, Italy – 2, Argentina – 1, Armenia – 1, Pennsylvania – 1, Texas – 1. As you can see, France makes a notable absence, but the list clearly reflects my wine drinking habits – and I stand by all of my choices.

The year of Organic Grapes:

Made with Organic Grapes was one of the hot subjects in the blog (check the posts for yourself). In 2021, I tasted and wrote about multiple organic wines from multiple producers from Argentina, Chile, Italy, New Zealand, Spain – and I’m sure I will write about a lot more organic wines this year.

Catching up:

Much to my chagrin, I was really late with many of the posts, writing about events and tastings some of which were more than 2 years old. I really made an effort in December to clear up the backlog, turning it into one of the most prolific blogging months ever with 21 posts – in my almost 12 years of blogging there were very few months with 21 posts, and even fewer with 22. Catching up is not fun, but remembering about things you didn’t deliver is even less fun. There is more catching up to do, so I definitely hope I will be able to continue the streak.

What’s in the store for 2022:

My New Year resolution is not to have any New Year resolutions, so I can’t tell you really what’s ahead. Last year, I was keen on continuing the Wine Quiz and Wednesday Meritage series of posts, only to run out of steam somewhere in the middle of the year. So the plan for 2022 is to use a more opportunistic approach – there is no shortage of wine subjects worth writing about. I also need to up my wine game by paying more attention to French, Australian, and South African wines – I want to fill that gap for the 2022 Top Wines rendition.

* * *

Here we are, my friends. A quick revisit of 2021, and mostly hope for the good year 2022 with good surprises. I know that hope is not a strategy, but if I learned anything from my years of blogging, it would be proverbial “the road to hell is paved with good intentions”. So how was your 2021? Any plans for 2022? Cheers!

 

Portuguese Wines: Pleasures Worth Seeking, And Waiting For

December 23, 2021 2 comments

Once again, I want to start with the question.

What is the most frustrating question you can ask a wine lover?

I get it – we are all different, and so are our sources of frustration. Of course, I get it. And nevertheless, give it a thought, please. If you consider yourself a wine lover (not a collector, not a snob, just someone who really appreciates the glass of that special grape juice) – what is the question you don’t like to hear the most?

Okay, fine, I will go first.

“What is your favorite wine?”

This is the most innocent question one might expect, isn’t it? Once you show your love of wine one way or another, people love to ask that question – ahh, so what is your favorite wine? I literally cringe every time when I hear that question, because it is very hard to explain how such a simple and innocent question can’t get a good, simple answer – and yet I can’t answer that question.

Every time I answer this question, I lie. When I say “I have no preference, I love them all” I lie because I have preferences. Lots and lots of preferences, and yes, I love them all, but then… Yeah. And when I say “I love Spanish Rioja” it is a lie, because I love Rioja from very particular producers, and not just any Rioja. Moreover, depending on the day, food, and company, there will be other wines that I love as much as I love Rioja. See, there is no escape from the lies.

So when I say “I love Portuguese wines” it is one of those statements. Yes, I love Portuguese wines, but not all of them – I have preferences.

Portuguese wines became somewhat of an obsession to me about 15 years ago, but I don’t believe you would easily guess the reason why. It was not just because they were really, really inexpensive at the local Bottle King wine store in New Jersey ($5 per bottle was a pretty normal price, with occasional $4 showing up), but because they were made out of obscure grapes, and I was hunting down the obscure grapes to advance to the next levels of The Wine Century Club. Enjoying the wines was secondary, but spending countless hours with the search engine, trying to figure grape composition, grape synonyms – ohh, what a fun journey it was.

Based on what I just described, I wasn’t ready to claim my love for the Portuguese wines overall. In 2013, I was lucky enough to visit Porto, Portugal for work, and this is where it became literally love from first sight. At the restaurant, I just pointed to the bottle on the list. I had no idea what I’m ordering, but at €14 it didn’t seem like a big risk. The first sip made my eyes pop, and Portugal’s status was instantly elevated to the “oh my god” level. That wine was from Quinta do Cardo, a blend of Touriga Nacional, Touriga Franca, and a few other varieties – here is the original post.

A few more days into that same trip I had another wine which completely solidified my love for the Portuguese wines – Casa Burmester Reserva Douro – again, pure indulgence. There were lots more wines during that and two other trips to the Douro which made me form the opinion that Touriga Nacional is very similar to Cabernet Sauvignon in its ability to be grandstanding, to create the wine with a perfect flavor profile, perfect ripeness, perfect level of extraction and impeccable, sexiest mouthfeel. If you ever had Kamen Cabernet Sauvignon or Vérité La Joia, you would know what I’m talking about. Yes, I love Portuguese wines.

And one more thing about Portuguese wines. Similar to well-made California Cabernet Sauvignon, well-made Portuguese wines need time. Way too many times I had Portuguese wines which were not ready. I don’t know if analogies with Port are appropriate here (same grapes?), but Vintage Ports can easily age for 50+ years. I never had 50-years old wines from Portugal, but I have first-hand experience with, for example, 24 years old wine which was not ready to drink, not for a minute (you can read about it here).

When I was offered to try two Portuguese wines from the Douro, made by Prats and Symington, I quickly agreed – I told you already that I love Portuguese wines, remember?

I always like to talk first about the producer before discussing the wines. Only a few days ago I wrote at length about a number of Port wines produced by the Symington Family Estates, so this is the part of the story I don’t need to repeat – you can read it here. But understanding the “Prats” was a bit more challenging. The website section for Prats and Symington, or P+S how it is abbreviated provides rather limited information. I was only able to learn that “In 1999 our family formed a partnership to make top Douro wines with the Prats family of Bordeaux”, and that “the first Prats & Symington wine was Chryseia 2000 which received widespread national and international acclaim”. I felt as in my early days of combing Portuguese wine labels and information tidbits for the grape names, so I had to do a bit of research.

I was able to figure that Prats in P+S is actually Bruno Prats, former owner of Château Cos d’Estournel and experienced winemaker, who applied Bordeaux winemaking philosophy, especially around blending, to the production of the P+S wines, which resulted in the wines with the highest critic ratings in the history of Portuguese unfortified wines. This article in the Dinks Business online magazine explains Bruno’s winemaking philosophy very well.

The two wines we are talking about here are 2018 P+S Prazo de Roriz Douro (14.5% ABV, $17, 35% Touriga Franca, 20% Touriga Nacional, 20% Mixed varieties, 15% Tinta Roriz, 10% Tinta Barroca, 6 months in 400L neutral French oak Barrels) and 2019 P+S Post Scriptum de Chryseia Douro Red (14.2%, $27, 56% Touriga Franca, 33% Touriga Nacional, 7% Tinta Roriz, 4% Tinta Barroca).

There are two main vineyards used in the production of these two wines – Quinto de Roriz, one of the oldest and best vineyards in Portugal, already famous for its single-vineyard wines in the 18th century, and Quinta de Pedriz, a newly acquired vineyard in Rio Torta and specifically planted with  Touriga Nacional and Touriga Franca grapes.

As these were two sample wines, I also got technical notes for both, which I typically like to glance over. Two items attracted my attention in the notes. First, there was a line there saying “Decanting: Not required”. Second, the “Storage and Serving” section stated ” Ready for immediate consumption”. Leaving decanting aside, “ready for immediate consumption” somehow bothered me.

Prazo de Roriz was actually as promised – from the moment the wine made it into the glass, the wild strawberries on the nose and palate, which I tend to believe are signature flavors of Touriga Nacional, were prominent, and the wine was perfectly extracted, round, concentrated, and overall delicious (Drinkability: 8). It was also “dangerous wine” as I like to call them – once opened, they tend to disappear without second notice.

The first sip of Post Scriptum, made me say “hmmm” and reach for the decanter. Decanter didn’t really help – two hours later, the wine was still ultra-dense and literally devoid of fruit. I don’t give up on the wines easily, so back into the bottle the wine went. Next 4 days, I would pull out a stopper, pour a sip, and put the stopper immediately back. On day number 5, the magic transformation completed – the wine all of a sudden opened with the same wild berries profile, perfect extraction, round and layered, and ready to be admired. (Drinkability: 8+).

Here you are, my friends. Portuguese wines are easy to love – you just need to find the right wines and have a bit of patience. But seriously, the rewards are handsome – these are some of the best wines in the world which you can still afford without an expense account. Happy [wine] hunting!

 

Perfect Pairing for a Quiet Night

December 20, 2021 3 comments

Quick: can you name the wine (a type of wine) which would help you to enjoy your quiet evening? Winter evenings often bring out this “quiet night” analogy, as it gets dark really early, and you might find more time available to yourself. But of course, there are plenty of quiet nights during spring, summer, and fall. When all the daily chores are done, the house is getting quiet, you can pour yourself a glass of something, sit in your favorite chair with your favorite book (maybe), and just feel at ease. So what would that “something” in your glass be?

If you said Scotch (neat!), we are totally intuned, but this we will discuss other time.

If you said Port, then we really understand each other, because it is Port I want to talk about today.

What do you think of Port? Not the port-style, but actual, classic Port from Portugal – 10, 20, 30, 40 years old, vintage, late bottled vintage, colheita – doesn’t matter what type and age, but classic Port?

Port used to command the wine world. It was born out of need more than anything else – in the 17th century, the war between England and France forced Englishman to seek a replacement to the French Claret. Portuguese wines were not great, tart and austere, and had a tendency to spoil in transit,  until someone discovered that the addition of Brandy can prevent the spoilage – and additional of Brandy during fermentation made wines to retain a lot more of the sugar, thus making them even more palatable.

In the middle of the 18th century, in 1756, the Douro region of Portugal (this is the region where Port is produced) became the first identified and protected wine-growing area in the world (take a note – this is a perfect fact to know for the next wine trivia night with friends). Another interesting trivia fact is that the first time Vintage port terminology was used in the wine auction catalog in 1773, to identify a bottle of an excellent 1765 Vintage Port. However, I don’t want to take you too far into Port types and styles – I wrote about it in the past so please refer to this article if you want to learn more.

Everything was going right for Port in the 18th and a good half of the 19th century until Douro vineyards received a “perfect” one-two punch – first, powdery mildew epidemic which started in 1848, followed by … yes, I’m sure you guessed it – the phylloxera hitting the vineyards in 1870. It was not until 1896 that the Douro vines were consistently grafted on phylloxera-resistant rootstock. From there on, Port started working on the comeback, but never reached its glory days of demand and appreciation.

Just to get a bit philosophical for a minute – you got time, you don’t mind, do you? I would say that there are three reasons why Port doesn’t have the attention it deserves nowadays.

First, the way we eat changed. One of the best “classic” pairings of Port is Port and stilton, the stinky, sharp cheese. Now, we lost the art of dinner where cheese is offered as a dessert course (by the way, forget traditions – there is a scientific explanation of why it makes perfect sense). At the best, cheese is considered an appetizer, often offered as part of the charcuterie board together with smoked and cured meats – but heavy and powerful Port is anything but an aperitive type beverage (I’m not talking about white Port – this is a separate category we are not discussing today).

Second, sweet = shame. We became extremely cautious about other people’s opinions towards us. Port is sweet. It is commonly appropriate to publicly despise sweet things, while secretly craving them. We are born with a love of sugar, and we need sugar as a source of energy – everything in moderation, of course. But outside of enjoying an actual dessert, and especially when it comes to the wine, we are trained to state how much we don’t like sweet, and we don’t enjoy sweet wines at all. “Oh no, I don’t drink sweet wines, no”. The pleasure of the wine is in the balance of the elements – sugar-loaded Sauternes, BA/TBA Rieslings, PX Sherries, Port – as long as the wine has enough acidity, it becomes an absolute pleasure, but we are too afraid to admit publicly that this is something we might be suspected of enjoying.

Third, we lost our ability to relax. You want to take your time with a glass of Port. The time stopped. You can just be, taking tiny sips from a glass, looking at the fire, flowers, or slow-rolling waves. Just be. But we can’t. There is always something new on the phone we need to attend to. We can’t just lose time relaxing. There is a new post to like, what relaxing are you talking about?

It is hard to properly introduce Symington Family Estates and explain its role in the Portuguese wine industry and the world of Port in particular. Symington Family Estates story started more than 130 years ago when Andrew James Symington arrived in Portugal at the age of 19. After spending some time at Graham’s Port, he started a Port shipping company under his name, which was the beginning of the family business.

It is impossible to represent the history of 5 generations of the Symington Family in a few sentences here – here is the link to the Symington Family Estates website where the history is presented in all the finest details. Over the years, Symington Family Estates acquired four of the Port producers –  Graham’s, Dow’s, Warre’s, and Cockburn’s, as well as a number of wineries in the Douro Valley. Symington Family Estates owns 26 vineyards (Quintas) in the Douro Valley, a total of 2,255 ha (5,600 acres) of which 1,024 ha (2,560 acres) are under vine. All the vineyards are managed under a strict minimal intervention policy, and 260 acres are certified organic. Symington Family Estates is also a registered B Corporation, the first wine business in Portugal to receive such certification.

Enough about the business – let’s talk about the Port. I want to offer to you a choice of Port for all those quiet moments your heart desires.

First, the Graham’s Six Grapes Reserve Port (20% ABV, $26, Touriga Nacional, Touriga Franca, Tinta Roriz, Tinta Barroca – with the addition of Tinta Amarella, Tinta Cão, Souzão, and Tinta Francisca from the mixed plantings). I had this port many times before but never paid attention to its story. It appears that in the old days, the grape symbols were used to represent the quality of wine in the individual barrels, from 1 to 6. Six grapes implied that the wine in the barrel had Vintage port potential, or effectively was of the highest quality. In the early 1900s, Graham’s started bottling such wines under its own “Six Grapes” label, and it continues to do so to this day.

This bottle had a recent redesign, now adorned with the red top, slick and beautiful. The Port was excellent – dark cherries and blackberries on the nose, blackberries, blueberries, and more of the dark cherries on the palate, with nice tannins in the finish. This wine ages in the oak barrels between one and two years, so the tannins overall are noticeable – and contrary to the general recommendation of chilling the Port slightly before serving, I don’t recommend it – the tannins on this wine become too pronounced and bitter. (Drinkability: 8).

Now, three more Ports from Dow’s, one of the original Symington holdings. The grapes for Dow’s Ports are harvested from some of the finest Quintas in Douro – Senhora da Ribeira and Bonfim, both supplying grapes for the Dow’s port for more than a century. Two of the Ports below are so-called Old Towny Ports, which means that the wines were undergoing a special wood aging regimen to reach their specific character. And another interesting tidbit – over the 10 years of aging, the Port barrel loses 25% of its original content. For the 20 years old Port, this number reaches 35% – while these Ports might seem to be pricey, you really need to appreciate the amount of labor and effort going into the creation of such a bottle.

Dow’s 10 Year Old Tawny Port (20% ABV, $39) – dry fruit and candy notes on the nose, a touch of mint. Hazelnuts  and dried figs on the palate, good acidity, overall delicious (Drinkability: 8)

Dow’s 20 Year Old Tawny Port (20% ABV, $67) – Powerful and complex nose – dried herbs, dried fruit, present but not overpowering, inviting and seductive. On the palate, beautifully integrated, with perfect acidity, dried fruit harmoniously balanced and intertwined. (Drinkability: 8+).

And the last wine for you for today – Late Bottled Vintage Port. Late Bottled Vintage, or LBV for short, is a very special category of Port. You see, in Portugal, each and every type of wine should be approved to be released in its category by the IVDP, the regulatory body. If a company wants to declare a vintage year for a Port, it needs to request approval for that from IVDP. If such approval is not granted, the company can proceed with such a Port either in the path of the Old Tawny (the Ports we just discussed) or it might age it for some time and then declare it an LBV.

2016 Dow’s Late Bottled Vintage Port (20% ABV, $26, Touriga Franca, Touriga Nacional, Souzão, Tinta Barroca, Tinta Roriz, 4-6 years in seasoned oak before release) comes from a difficult vintage – warm winter, cold spring, one of the hottest and rainiest summers on record. Dry, sunny weather before harvest helped quite a bit, and the result was tasty and powerful Port – tart and sweet cherries on the nose, a hint of dried figs on the palate, cherries, good acidity, nicely present tannins on the finish. (Drinkability: 8).

Here you are, my friends. You can be honest with yourself – it is okay to enjoy well-made, sweet, but balanced, harmonious wines. And one way or the other, we all need our quiet moments. So get a bottle of Port, get comfy, and just enjoy your being. At least for a few moments.

Re-Discovering Oregon

December 11, 2021 4 comments

It’s been more than 20 years since my first visit to Oregon. It’s been more than 20 years since I tried Oregon Pinot Noir for the first time. More than 150 posts in this very blog mention Oregon one way or the other, including 14 interviews with Oregon winemakers. And nevertheless, this year 2021 was the one when I really discovered Oregon as a winemaking region.

A picture worth a thousand words. When it comes to creating memories, a picture is definitely stronger than just words. What would be even better at creating memories than a picture? An experience. Seeing something with your own eyes, touching, smelling – a full sensory experience would certainly create the most lasting impressions.

In August of 2021, I attended the Wine Media Conference in Eugene, Oregon. Three days of the conference were so filled with wines, conversations, and more wines that these 3 days really became more like just one. One long, very eventful day. It was only after the conference was over, and I stayed behind for another 3 days to meet with winemakers and yes, drink more wine, that I finally had a moment to reflect and create an actual new impression.

We stopped at the rest area off the highway while driving to the first appointment at Le Cadeau with Carl Giavanti, and I found myself surrounded by the beautiful, tall, straight pine trees, standing magnificently over the clean forest floor. This view instantly transported me to my childhood – growing up in Belarus, this was the forest I was used to, full of tall, magnificent trees, perfectly suitable to become ship masts. And the air, the air – you breathe differently in a forest like that. This was a great beginning for my deep dive into Oregon.

And then, of course, seeing the vineyards, seeing the Kill Hill at Lenné and absorbing magnificent views from the vineyard, seeing and touching the rocks at Le Cadeau, and tasting the wines surrounded by the grapes – all of it guaranteed the creation of the long-lasting impressions. Even more, for the first time ever seeing the vines while they are going through veraison, the magnificent promise of the vintage was also a great way to create a strong proverbial “memory knot”.

During these 3 days, I met with winemakers I already virtually talked to before (Bells Up, Le Cadeau, Lenné, Utopia, Youngberg Hill, as well as winemakers I met for the first time, and I plan to talk about those experiences later on. But based on my leanings during the conference, and conversations with the winemakers, let me summarize my realizations about Oregon wines.

One important idea to keep in mind – when it comes to wine, Oregon is not just a Willamette Valley, and Oregon is not just Pinot Noir. Yes, winemaking in Willamette Valley got its initial boost in the early 1970s when winemakers from California started moving up north in search of locations to grow cool-climate Pinot Noir, hoping that cooler weather will push vines to produce less fruit of a higher quality. Considering the quality of the Oregon Pinot Noir, this plan definitely worked – however, as we were visiting the McMinnville area of Oregon, the temperatures during the day were pushing 95F, which is not the idea of a cool climate of course. Leaving that aside, yes, the Pinot Noir is a king of Willamette Valley, but we shouldn’t discount Riesling, Merlot, Cabernet Franc, Cabernet Sauvignon, Tannat, and many, many other grape varieties successfully growing around the state. But as I spent all of my time in the McMinnville area, let me share with you my observations for this Pinot Kingdom.

Pinot Noir is a King, but Chardonnay is a Queen.

Not letting Burgundian parallels stop at the Pinot Noir only, Oregon producers now fully embrace Chardonnay. And this Chardonnay is stunning. I tasted lots of Chardonnays during the three days, and I don’t think I had a single one I didn’t like. And the best Chardonnays were showing purely Burgundian, with vanilla, apples, and honey, my absolute favorite Chardonnay profile.

It’s all about the rocks.

Rocks. Seemingly nutrient-devoid soils. You just need to see this land to simply ask yourself – how is that even possible? The vine needs so much strength to reach the nutrients through the rocks and basalt – no wonder Steve Lutz at Lenné was ready to give up on his work as the vines couldn’t establish year over year. You need lots of patience. And you need to believe that one day, the vine will fully establish, and the fruit will be worth it. And it does.

Clones Rule!

It is the clonal game here in the Pinot Kingdom. Le Cadeau grows 18 different clones of Pinot Noir, all of which are used in the production of the wines. At Utopia, there are 12 clones of Pinot Noir growing there, and one of the Utopia Pinot Noir wines uses all 12 clones. The same Utopia is growing 3 clones of Chardonnay, all 3 are used in the estate wines.

The grape juice is clear

I don’t know how much of the trend is this, but as you know, the juice of most of the red grapes is clear – and thus you can produce white wines from the red fruit, which many of the producers already do quite successfully. Will this become a big deal? Maybe. Either way, creativity is always great.

The bubbles are everywhere

Almost everyone we talked to produces already sparkling wines. Whatever way it is done – either by harvesting some of the grapes earlier to preserve acidity, or growing the grapes specifically for the sparkling wines, but the sparkling wines make perfect sense as been based on the same Pinot Noir and Chardonnay. The bottling is easily done with the mobile bottling line, so adding bubbles to the repertoire is easy and makes sense, especially as an important addition to the wine club inventories.

Oh yes, the wine clubs!

The wine clubs are the key model. While it is great to have nationwide distribution and demand, selling directly to consumers is a lot less involved, and offers much better margins. You don’t have to deal with the three-tier system, you don’t need to deal with extensive marketing – just create a loyal following, make sure members are happy, interested, and get the royal treatment, and you can achieve your financial goals right there and then.

Don’t hope for Rosé

While it seems that producing Rosé is a no-brainer, and it theoretically makes as much sense as sparkling wines in terms of extending the offerings, it doesn’t make much economic sense. When you harvest grapes for the sparkling wines, you are either using the fruit which will never ripen enough to go into the estate wines, or you will do a first pass collecting fruit for the sparkling wines and thus directing all the strength of the vines to the remaining grapes, making your estate wines even better. To make good Rosé, you need to use exactly the same fruit as you would use for the estate wines – only you can’t charge for Rosé as much as you can charge for the estate wines. So yes, while it sounds fashionable and proper to us, consumers, it doesn’t make much business sense.

The view from Lenné vineyards

This is where I can stop this little summary. The rest of this story is really in the wines, delicious wines I had an opportunity to taste. There will be updates to the stories of Passion and Pinot, and there will be new conversations to share. Until then – cheers!

How Art The Wine Is?

December 9, 2021 2 comments

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Wine is Art.

I always say this, and I’m willing to fight anyone who disagrees.

Same as a painting, a classical music piece, a sculpture, an architectural masterpiece, or an elaborate flower garden, well-made wine solicits the emotional response, hence it is an art form. Defining this art, there is one key difference between, let’s say, a painting and a bottle of wine – we only need to look at the painting to trigger an emotion – but we need to drink the wine to make it an ultimate art form.

A few months ago, a friend told me “I have a wine question for you”. He is a wonderful friend, but he typically drinks Bartenura Moscato, so the wine question? Okay, let’s hear it. So the question was about the wine and NFTs. NFT, which stands for Non-Fungible Token is a form of cryptocurrency, typically used to guarantee authenticity and ownership of unique forms of art or objects – this article might help if you want to learn more. So the friend was asking if he should buy NFTs of some obscure wine (there was a choice in the catalog) – and if not this wine, then maybe that wine.

Literally the next day I got a call from another friend who was asking if he should invest a good amount of money in the fund which invests in fine wines. Technically, you pay for the case (or 5, it depends on availability and demand) of unreleased wine (futures). The fund company will take ownership of that case, will store it in the proper conditions, and will report back to you a current market value of your case, so you can sell it when you think it is time – with a very large profit, of course.

It seems that these investments are flying out faster than hot potatoes in the hands of an amateur chef. That same friend called me to complain that because I didn’t give him good advice right away, the wine he was asking about was already sold out and he had to get on the waiting list for the wine of supposedly a lesser pedigree.

During last month I also heard about the same offerings from yet another friend, and then even received a direct ad in the Instagram stories, to invest in wine with a guaranteed incredible return.

Now, my question to you – a collective “you”, anyone who would spend time – is this how it should be? Yes, I get it, it is capitalism, supply and demand, of course, but the wine is made to be drunk, consumed, mesmerized upon, start crying, laughing, grabbing someone excitedly on the shoulder – but not just to be another form of the stock certificate?

Of course, there is wine collecting. There are people with access, who accumulate lots and lots of bottles, many of them very expensive and very limited, but I would assume that even the wine collectors acquire the wine to be consumed and enjoyed – not all of it, but at least some of it? This wine investment fund idea relegates wine simply to the form of another agricultural commodity – corn, wheat, cattle. Commodity trading had been around forever – nobody owns 100 bushels of rice, but anyone can make (or lose) money on it. But rice is not art – rice is simply a necessity, and yes, if you are hungry, it will solicit the emotion, but it will not be the same as when you are truly enjoying a glass of wine.

The latest entrant into the NFT craze – Robert Mondavi winery. Three of the star winemakers produced 1966 magnums of wine called MCMLXVI (that is 1966 in Roman numerals – 1966 is the year when Robert Mondavi winery was founded), Cabernet Sauvignon and Cabernet Sauvignon blends from 2019 vintage. This wine will be packaged into specially designed porcelain bottles by the French porcelain designer Bernardaud, with each bottle having a unique QR code, and sold at $3,500. Now, when you will buy the bottle, you will get an NFT, which will assure your ownership, and there will be a connection between an NFT and that QR code on the bottle. In addition to the bottle of wine, each purchase will somehow include the generative artwork (you look it up – I guess it means a visual object/ painting generated by computer algorithm) by the artist Clay Heaton. Also, the QR code with NFT will serve as protection against counterfeiting – like the porcelain magnum bottle by itself is not enough.

So I wrote all of this, then took a pause and had to ask myself – what is your problem, dude? Everything sounds great in this picture – great winemakers, perfectly artful presentation of the perfect wine, guaranteed authenticity, and even a bonus in the form of the hot piece of art. What is my problem, really?

This wine is not created to be enjoyed as wine. This product is strictly a financial instrument. Star winemakers will attract attention. Unique packaging will attract attention. But then this is strictly sold as a financial instrument. NFTs are typically sold through an auction-like mechanism, so there clearly will be open bidding, with $3,500 being an initial price. There is also an opportunity to resell that piece of digital art, so all in all, this is strictly a money transaction. I wonder if any of these bottles will be ever open, or they will strictly exist for their monetary value.

Yes, wine is business. Yes, I’m naive. Yes, I’m romanticizing wine. Yes, you can call me old and stupid. That’s all fine. But the only way to enjoy wine is by drinking it. I love money as much as anyone else here, but still, if someone is buying wine only for its resale value, they don’t love wine, they only love money. Connecting NFTs to wine only amplifies the conversion of the wine into a financial instrument. And if wine is becoming only an abstract monetary instrument, one day someone will realize that it doesn’t matter what is in the bottle – any plonk will do. And then another day, someone will open that bottle… and… I really have no idea what will happen then. Or what will happen if one day, unhackable blockchain will be hacked, and all the NFTs will disappear – will someone then decide to drink that wine?

Wine is art. To be more precise, the wine in the closed bottle is only a potential art – or just another monetary instrument. Wine becomes art the moment it is poured into your glass. And that is the only reason for wine to exist.

</rant>

Am I missing something? Do NFTs have anything to do with enjoying the wine? Are NFTs really connected to the future of wine? Am I just jealous of the people with unlimited monetary resources? I’m ready to discuss…